{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1952\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1952\u0026page=1","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1952\u0026page=2"},"meta":{"pages":{"current_page":2,"next_page":null,"prev_page":1,"total_pages":2,"limit_value":10,"offset_value":10,"total_count":19,"first_page?":false,"last_page?":true}},"data":[{"id":"vilxw_repositories_5_resources_227","type":"collection","attributes":{"title":"George Ray Papers","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_227#creator","type":"document_value","attributes":{"value":"Ray, George Washington, III","label":"Creator"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_227#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_227","ead_ssi":"vilxw_repositories_5_resources_227","_root_":"vilxw_repositories_5_resources_227","_nest_parent_":"vilxw_repositories_5_resources_227","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_227.xml","title_ssm":["George Ray Papers"],"title_tesim":["George Ray Papers"],"unitdate_ssm":["1896-2007"],"unitdate_inclusive_ssm":["1896-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0382","/repositories/5/resources/227"],"text":["WLU.Coll.0382","/repositories/5/resources/227","George Ray Papers","Playbills","Theater programs","This collection is not yet processed. 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(John Hancock), 1905-1979","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018"}},{"id":"vifgm_repositories_2_resources_13","type":"collection","attributes":{"title":"L. Claire Kincannon theatre collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13#creator","type":"document_value","attributes":{"value":"Kincannon, Lois Claire","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13#abstract_or_scope","type":"document_value","attributes":{"value":"The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_13","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_13.xml","title_ssm":["L. Claire Kincannon theatre collection"],"title_tesim":["L. Claire Kincannon theatre collection"],"unitdate_ssm":["1941-2015"],"unitdate_inclusive_ssm":["1941-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018","/repositories/2/resources/13"],"text":["C0018","/repositories/2/resources/13","L. Claire Kincannon theatre collection","Ohio","Broadway (New York, N.Y.)","Washington (D.C.)","Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting","There are no access restrictions.","Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.","This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992","Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.","The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple ","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.","R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire","English"],"unitid_tesim":["C0018","/repositories/2/resources/13"],"normalized_title_ssm":["L. Claire Kincannon theatre collection"],"collection_title_tesim":["L. Claire Kincannon theatre collection"],"collection_ssim":["L. Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"geogname_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"creator_ssm":["Kincannon, Lois Claire"],"creator_ssim":["Kincannon, Lois Claire"],"creator_persname_ssim":["Kincannon, Lois Claire"],"creators_ssim":["Kincannon, Lois Claire"],"places_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by L. Claire Kincannon from 2007-2015."],"access_subjects_ssim":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"access_subjects_ssm":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet 88 boxes"],"extent_tesim":["20 Linear Feet 88 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series and then alphabetically by title.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\u003c/item\u003e\n      \u003citem\u003eSeries 2: \u003citalic\u003eBehind the Scenes\u003c/italic\u003e production materials, 1971-1990s (Boxes 32-34; 42-88)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digitized \u003citalic\u003eBehind the Scenes\u003c/italic\u003e reels, circa 1980s-1992\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992"],"bioghist_html_tesm":["\u003cp\u003eLois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including \u003citalic\u003ePaeonian to Paris\u003c/italic\u003e, \u003citalic\u003eSheets for Men Only,\u003c/italic\u003e \u003citalic\u003eSheets to the Wind,\u003c/italic\u003e and \u003citalic\u003eRockin' with Porch Memories.\u003c/italic\u003e After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally."],"prefercite_html_tesm":["\u003cp\u003eL. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["L. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e","\u003cp\u003eReprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. \u003c/p\u003e","\u003cp\u003eAdditional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on \u003cextptr show=\"new\" title=\"theatre and the performing arts\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=theatre\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe University of Maryland holds multiple \u003cextptr show=\"new\" title=\"radio and television broadcasting collections.\" href=\"https://www.lib.umd.edu/collections/special/broadcasting\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple "],"scopecontent_html_tesm":["\u003cp\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e This collection consists of two series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. \u003c/p\u003e\n","\u003cp\u003eSeries 2: \u003citalic\u003eBehind The Scenes\u003c/italic\u003e production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her \u003citalic\u003eBydin' my Time\u003c/italic\u003e segment in the \u003citalic\u003eBlue Ridge Leader\u003c/italic\u003e newspaper and her radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e Materials include audio and visual materials from \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.\u003c/p\u003e","\u003cp\u003eC0018_018\u003c/p\u003e","\u003cp\u003eC0018_031\u003c/p\u003e","\u003cp\u003e6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program\u003c/p\u003e","\u003cp\u003eC0018_004\u003c/p\u003e","\u003cp\u003eC0018_020\u003c/p\u003e","\u003cp\u003eC0018_005\u003c/p\u003e","\u003cp\u003eC0018_006\u003c/p\u003e","\u003cp\u003eC0018_007\u003c/p\u003e","\u003cp\u003eC0018_021\u003c/p\u003e","\u003cp\u003eC0018_008\u003c/p\u003e","\u003cp\u003eC0018_022\u003c/p\u003e","\u003cp\u003eC0018_033. Reviews include: \u003citalic\u003eA Chorus Line\u003c/italic\u003e at Wolf Trap, \u003citalic\u003eA Midsummer Night's Dream\u003c/italic\u003e at Brownell Farm, and \u003citalic\u003eCat on a Hot Tin Roof\u003c/italic\u003e at Wayside Theatre.\u003c/p\u003e","\u003cp\u003eC0018_009\u003c/p\u003e","\u003cp\u003eTwo u-matic tapes for \u003citalic\u003eBehind the Scenes\u003c/italic\u003e. Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.\u003c/p\u003e","\u003cp\u003eC0018_025\u003c/p\u003e","\u003cp\u003eC0018_023\u003c/p\u003e","\u003cp\u003eC0018_001\u003c/p\u003e","\u003cp\u003eC0018_002\u003c/p\u003e","\u003cp\u003eC0018_003\u003c/p\u003e","\u003cp\u003eC0018_010\u003c/p\u003e","\u003cp\u003eAlso includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"\u003c/p\u003e","\u003cp\u003eC0018_024\u003c/p\u003e","\u003cp\u003eC0018_011\u003c/p\u003e","\u003cp\u003eC0018_029 and C0018_030\u003c/p\u003e","\u003cp\u003eC0018_014\u003c/p\u003e","\u003cp\u003eC0018_026\u003c/p\u003e","\u003cp\u003eC0018_017\u003c/p\u003e","\u003cp\u003eC0018_012\u003c/p\u003e","\u003cp\u003eIncludes \u003citalic\u003eCats, The GoodPerson of Setzuan,\u003c/italic\u003e and \u003citalic\u003eHappy End\u003c/italic\u003e review drafts.\u003c/p\u003e","\u003cp\u003eC0018_013\u003c/p\u003e","\u003cp\u003eC0018_019\u003c/p\u003e","\u003cp\u003eC0018_027\u003c/p\u003e","\u003cp\u003eC0018_028\u003c/p\u003e","\u003cp\u003eC0018_016\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes from Kincannon, housed in Box [X].\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_003.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_004.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_005.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_006.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_007.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_008.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_009.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_010.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_011.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_012.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_013.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_014.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_015.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_016.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_017.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_018.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_019.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_020.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_021.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_022.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_023.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_024.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_025.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_026.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_027.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_16a68c93d8b3d69c2ae06c4266189f5f\"\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e\u003c/abstract\u003e"],"abstract_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e075fefd777b95903634244477006030\"\u003eR 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"persname_ssim":["Kincannon, Lois Claire"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_13","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_13.xml","title_ssm":["L. Claire Kincannon theatre collection"],"title_tesim":["L. Claire Kincannon theatre collection"],"unitdate_ssm":["1941-2015"],"unitdate_inclusive_ssm":["1941-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018","/repositories/2/resources/13"],"text":["C0018","/repositories/2/resources/13","L. Claire Kincannon theatre collection","Ohio","Broadway (New York, N.Y.)","Washington (D.C.)","Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting","There are no access restrictions.","Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.","This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992","Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.","The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple ","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.","R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire","English"],"unitid_tesim":["C0018","/repositories/2/resources/13"],"normalized_title_ssm":["L. Claire Kincannon theatre collection"],"collection_title_tesim":["L. Claire Kincannon theatre collection"],"collection_ssim":["L. Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"geogname_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"creator_ssm":["Kincannon, Lois Claire"],"creator_ssim":["Kincannon, Lois Claire"],"creator_persname_ssim":["Kincannon, Lois Claire"],"creators_ssim":["Kincannon, Lois Claire"],"places_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by L. Claire Kincannon from 2007-2015."],"access_subjects_ssim":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"access_subjects_ssm":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet 88 boxes"],"extent_tesim":["20 Linear Feet 88 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series and then alphabetically by title.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\u003c/item\u003e\n      \u003citem\u003eSeries 2: \u003citalic\u003eBehind the Scenes\u003c/italic\u003e production materials, 1971-1990s (Boxes 32-34; 42-88)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digitized \u003citalic\u003eBehind the Scenes\u003c/italic\u003e reels, circa 1980s-1992\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992"],"bioghist_html_tesm":["\u003cp\u003eLois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including \u003citalic\u003ePaeonian to Paris\u003c/italic\u003e, \u003citalic\u003eSheets for Men Only,\u003c/italic\u003e \u003citalic\u003eSheets to the Wind,\u003c/italic\u003e and \u003citalic\u003eRockin' with Porch Memories.\u003c/italic\u003e After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally."],"prefercite_html_tesm":["\u003cp\u003eL. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["L. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e","\u003cp\u003eReprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. \u003c/p\u003e","\u003cp\u003eAdditional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on \u003cextptr show=\"new\" title=\"theatre and the performing arts\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=theatre\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe University of Maryland holds multiple \u003cextptr show=\"new\" title=\"radio and television broadcasting collections.\" href=\"https://www.lib.umd.edu/collections/special/broadcasting\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple "],"scopecontent_html_tesm":["\u003cp\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e This collection consists of two series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. \u003c/p\u003e\n","\u003cp\u003eSeries 2: \u003citalic\u003eBehind The Scenes\u003c/italic\u003e production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her \u003citalic\u003eBydin' my Time\u003c/italic\u003e segment in the \u003citalic\u003eBlue Ridge Leader\u003c/italic\u003e newspaper and her radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e Materials include audio and visual materials from \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.\u003c/p\u003e","\u003cp\u003eC0018_018\u003c/p\u003e","\u003cp\u003eC0018_031\u003c/p\u003e","\u003cp\u003e6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program\u003c/p\u003e","\u003cp\u003eC0018_004\u003c/p\u003e","\u003cp\u003eC0018_020\u003c/p\u003e","\u003cp\u003eC0018_005\u003c/p\u003e","\u003cp\u003eC0018_006\u003c/p\u003e","\u003cp\u003eC0018_007\u003c/p\u003e","\u003cp\u003eC0018_021\u003c/p\u003e","\u003cp\u003eC0018_008\u003c/p\u003e","\u003cp\u003eC0018_022\u003c/p\u003e","\u003cp\u003eC0018_033. Reviews include: \u003citalic\u003eA Chorus Line\u003c/italic\u003e at Wolf Trap, \u003citalic\u003eA Midsummer Night's Dream\u003c/italic\u003e at Brownell Farm, and \u003citalic\u003eCat on a Hot Tin Roof\u003c/italic\u003e at Wayside Theatre.\u003c/p\u003e","\u003cp\u003eC0018_009\u003c/p\u003e","\u003cp\u003eTwo u-matic tapes for \u003citalic\u003eBehind the Scenes\u003c/italic\u003e. Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.\u003c/p\u003e","\u003cp\u003eC0018_025\u003c/p\u003e","\u003cp\u003eC0018_023\u003c/p\u003e","\u003cp\u003eC0018_001\u003c/p\u003e","\u003cp\u003eC0018_002\u003c/p\u003e","\u003cp\u003eC0018_003\u003c/p\u003e","\u003cp\u003eC0018_010\u003c/p\u003e","\u003cp\u003eAlso includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"\u003c/p\u003e","\u003cp\u003eC0018_024\u003c/p\u003e","\u003cp\u003eC0018_011\u003c/p\u003e","\u003cp\u003eC0018_029 and C0018_030\u003c/p\u003e","\u003cp\u003eC0018_014\u003c/p\u003e","\u003cp\u003eC0018_026\u003c/p\u003e","\u003cp\u003eC0018_017\u003c/p\u003e","\u003cp\u003eC0018_012\u003c/p\u003e","\u003cp\u003eIncludes \u003citalic\u003eCats, The GoodPerson of Setzuan,\u003c/italic\u003e and \u003citalic\u003eHappy End\u003c/italic\u003e review drafts.\u003c/p\u003e","\u003cp\u003eC0018_013\u003c/p\u003e","\u003cp\u003eC0018_019\u003c/p\u003e","\u003cp\u003eC0018_027\u003c/p\u003e","\u003cp\u003eC0018_028\u003c/p\u003e","\u003cp\u003eC0018_016\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes from Kincannon, housed in Box [X].\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_003.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_004.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_005.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_006.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_007.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_008.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_009.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_010.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_011.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_012.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_013.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_014.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_015.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_016.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_017.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_018.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_019.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_020.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_021.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_022.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_023.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_024.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_025.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_026.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_027.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_16a68c93d8b3d69c2ae06c4266189f5f\"\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e\u003c/abstract\u003e"],"abstract_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e075fefd777b95903634244477006030\"\u003eR 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"persname_ssim":["Kincannon, Lois Claire"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13"}},{"id":"vihart_repositories_4_resources_606","type":"collection","attributes":{"title":"Pearl Haldeman Stickley Papers","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_606#creator","type":"document_value","attributes":{"value":"Stickley, Anna Pearl Haldeman, 1892-1991","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_606#abstract_or_scope","type":"document_value","attributes":{"value":"The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg. The collection comprises two scrapbooks and loose ephemera.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_606#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_606","ead_ssi":"vihart_repositories_4_resources_606","_root_":"vihart_repositories_4_resources_606","_nest_parent_":"vihart_repositories_4_resources_606","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_606.xml","title_ssm":["Pearl Haldeman Stickley Papers"],"title_tesim":["Pearl Haldeman Stickley Papers"],"unitdate_ssm":["1910-1962","1910-1915"],"unitdate_bulk_ssim":["1910-1915"],"unitdate_inclusive_ssm":["1910-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0295","/repositories/4/resources/606"],"text":["SC 0295","/repositories/4/resources/606","Pearl Haldeman Stickley Papers","Harrisonburg (Va.) -- History","Scrapbooks","Photographs","Printed Ephemera","Programs (documents)","Report Cards","Concert programs","Theater programs","Letters (correspondence)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged chronologically.","The Schoolma'am , 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.","Glass, Esther Eby, Amos Charles Baer, and Bertie Baer Shenk.  Jacob Metz and His Descendants Including Some of His Ancestors . Freeman, SD: Pine Hill Press, 1974.","Anna Pearl Haldeman Stickley (1892-1991) was born to Jacob Shem Haldeman and Anna Metz Haldeman at Evandale, near Winchester, Virginia. She matriculated at the State Normal and Industrial School at Harrisonburg in 1909 and graduated in 1912 after completing the kindergarten training curriculum. During her time at the Harrisonburg Normal School, Pearl was a member of the Pinquet Tennis Club, Senior Basketball Team, Glee Club, Kindergarten Club, Lee Literary Society and YWCA, serving as its secretary from 1911-1912. Pearl married Claude Benjamin Stickley in 1921. She received her M.A. from Columbia University and was a teacher and librarian. She was an active alumni and returned to campus many times after graduation as is documented in this collection. Pearl's sister, Emily Haldeman Beck, and sister-in-law, Marguerite Goodman Haldeman, also graduated from the State Normal School.","The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg.","Two scrapbooks, referred to by Pearl as a Memory Book and Good Times Book respectively, include concert and recital programs, theater programs including Shakespeare performances by the Coburn Players, commencement programs, student handbooks, program and report cards, cards and letters, invitations, ticket stubs, napkins, materials related to the Harrisonburg Presbyterian Church, newspaper clippings, and other assorted ephemera. Many of the items are annotated with funny musings by Pearl. Some of the printed ephemera is from Winchester, Pearl's hometown, and likely documents events she attended while visiting friends or family while a student in Harrisonburg and also after she returned home after graduation. Programs from the Fort Loudon Seminary and Empire Theater are included.","Items of interest include a list of senior class privileges dated October 23, 1911, located in the 1910-1912 scrapbook. Additionally, the 1912-1914 scrapbook, which post-dates Pearl's graduation and primarily documents as an alumni, includes a shard of glass from the bottle that was used to christen Dormitory No. 1 in June 1913. This christening was part of the ceremony changing the name of Dormitory No. 1 to Burruss Hall. Julian Burruss objected to the name, asserting that campus buildings should not be named honorifically after a living person, and the dorm was named Jackson Hall in 1918. This same scrapbook includes a program documenting the June 8, 1914 laying of the corner stone for the Student's Building (Harrison Hall). Pearl noted in her scrapbook that the sun was particularly hot that day, but attendees were not allowed to wear hats or hold parasols. Pearl returned to campus in 1915 and, as a representative of the class of 1912, gave her personal reminiscences as part of the June 7 Alumnae Banquet. The banquet program and Pearl's speech are included. Materials related to Pearl's involvement in the Women's Christian Temperance Union (WCTU), including her membership card, are also located in the 1912-1914 scrapbook.","A folder of loose ephemera comprises photographs (including a portrait photograph of Pearl Haldeman Stickley), correspondence, event programs, and other sundry ephemera. ","Four copies of  The Schoolma'am , 1910-1913, were removed and added to Special Collections yearbook holdings. One copy of the 1912 Normal Bulletin was removed and added to Special Collections' holdings.  Jacob Metz and His Descendants  (1974) was removed from the collection and cataloged separately as part of Special Collections rare book holdings.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg. The collection comprises two scrapbooks and loose ephemera.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Buildings","James Madison University -- Students -- History","Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M.","English"],"unitid_tesim":["SC 0295","/repositories/4/resources/606"],"normalized_title_ssm":["Pearl Haldeman Stickley Papers"],"collection_title_tesim":["Pearl Haldeman Stickley Papers"],"collection_ssim":["Pearl Haldeman Stickley Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"creator_ssim":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"creator_persname_ssim":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"creators_ssim":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated in June 2019 by William M. Beck, great nephew of Pearl Haldeman Stickley."],"access_subjects_ssim":["Scrapbooks","Photographs","Printed Ephemera","Programs (documents)","Report Cards","Concert programs","Theater programs","Letters (correspondence)"],"access_subjects_ssm":["Scrapbooks","Photographs","Printed Ephemera","Programs (documents)","Report Cards","Concert programs","Theater programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["0.33 cubic feet 1 box"],"extent_tesim":["0.33 cubic feet 1 box"],"genreform_ssim":["Scrapbooks","Photographs","Printed Ephemera","Programs (documents)","Report Cards","Concert programs","Theater programs","Letters (correspondence)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.\u003c/bibref\u003e","\u003cbibref\u003eGlass, Esther Eby, Amos Charles Baer, and Bertie Baer Shenk. \u003cemph render=\"italic\"\u003eJacob Metz and His Descendants Including Some of His Ancestors\u003c/emph\u003e. Freeman, SD: Pine Hill Press, 1974.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Schoolma'am , 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.","Glass, Esther Eby, Amos Charles Baer, and Bertie Baer Shenk.  Jacob Metz and His Descendants Including Some of His Ancestors . Freeman, SD: Pine Hill Press, 1974."],"bioghist_html_tesm":["\u003cp\u003eAnna Pearl Haldeman Stickley (1892-1991) was born to Jacob Shem Haldeman and Anna Metz Haldeman at Evandale, near Winchester, Virginia. She matriculated at the State Normal and Industrial School at Harrisonburg in 1909 and graduated in 1912 after completing the kindergarten training curriculum. During her time at the Harrisonburg Normal School, Pearl was a member of the Pinquet Tennis Club, Senior Basketball Team, Glee Club, Kindergarten Club, Lee Literary Society and YWCA, serving as its secretary from 1911-1912. Pearl married Claude Benjamin Stickley in 1921. She received her M.A. from Columbia University and was a teacher and librarian. She was an active alumni and returned to campus many times after graduation as is documented in this collection. Pearl's sister, Emily Haldeman Beck, and sister-in-law, Marguerite Goodman Haldeman, also graduated from the State Normal School.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Anna Pearl Haldeman Stickley (1892-1991) was born to Jacob Shem Haldeman and Anna Metz Haldeman at Evandale, near Winchester, Virginia. She matriculated at the State Normal and Industrial School at Harrisonburg in 1909 and graduated in 1912 after completing the kindergarten training curriculum. During her time at the Harrisonburg Normal School, Pearl was a member of the Pinquet Tennis Club, Senior Basketball Team, Glee Club, Kindergarten Club, Lee Literary Society and YWCA, serving as its secretary from 1911-1912. Pearl married Claude Benjamin Stickley in 1921. She received her M.A. from Columbia University and was a teacher and librarian. She was an active alumni and returned to campus many times after graduation as is documented in this collection. Pearl's sister, Emily Haldeman Beck, and sister-in-law, Marguerite Goodman Haldeman, also graduated from the State Normal School."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), SC 0295, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), SC 0295, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg.\u003c/p\u003e\n","\u003cp\u003eTwo scrapbooks, referred to by Pearl as a Memory Book and Good Times Book respectively, include concert and recital programs, theater programs including Shakespeare performances by the Coburn Players, commencement programs, student handbooks, program and report cards, cards and letters, invitations, ticket stubs, napkins, materials related to the Harrisonburg Presbyterian Church, newspaper clippings, and other assorted ephemera. Many of the items are annotated with funny musings by Pearl. Some of the printed ephemera is from Winchester, Pearl's hometown, and likely documents events she attended while visiting friends or family while a student in Harrisonburg and also after she returned home after graduation. Programs from the Fort Loudon Seminary and Empire Theater are included.\u003c/p\u003e\n","\u003cp\u003eItems of interest include a list of senior class privileges dated October 23, 1911, located in the 1910-1912 scrapbook. Additionally, the 1912-1914 scrapbook, which post-dates Pearl's graduation and primarily documents as an alumni, includes a shard of glass from the bottle that was used to christen Dormitory No. 1 in June 1913. This christening was part of the ceremony changing the name of Dormitory No. 1 to Burruss Hall. Julian Burruss objected to the name, asserting that campus buildings should not be named honorifically after a living person, and the dorm was named Jackson Hall in 1918. This same scrapbook includes a program documenting the June 8, 1914 laying of the corner stone for the Student's Building (Harrison Hall). Pearl noted in her scrapbook that the sun was particularly hot that day, but attendees were not allowed to wear hats or hold parasols. Pearl returned to campus in 1915 and, as a representative of the class of 1912, gave her personal reminiscences as part of the June 7 Alumnae Banquet. The banquet program and Pearl's speech are included. Materials related to Pearl's involvement in the Women's Christian Temperance Union (WCTU), including her membership card, are also located in the 1912-1914 scrapbook.\u003c/p\u003e\n","\u003cp\u003eA folder of loose ephemera comprises photographs (including a portrait photograph of Pearl Haldeman Stickley), correspondence, event programs, and other sundry ephemera. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg.","Two scrapbooks, referred to by Pearl as a Memory Book and Good Times Book respectively, include concert and recital programs, theater programs including Shakespeare performances by the Coburn Players, commencement programs, student handbooks, program and report cards, cards and letters, invitations, ticket stubs, napkins, materials related to the Harrisonburg Presbyterian Church, newspaper clippings, and other assorted ephemera. Many of the items are annotated with funny musings by Pearl. Some of the printed ephemera is from Winchester, Pearl's hometown, and likely documents events she attended while visiting friends or family while a student in Harrisonburg and also after she returned home after graduation. Programs from the Fort Loudon Seminary and Empire Theater are included.","Items of interest include a list of senior class privileges dated October 23, 1911, located in the 1910-1912 scrapbook. Additionally, the 1912-1914 scrapbook, which post-dates Pearl's graduation and primarily documents as an alumni, includes a shard of glass from the bottle that was used to christen Dormitory No. 1 in June 1913. This christening was part of the ceremony changing the name of Dormitory No. 1 to Burruss Hall. Julian Burruss objected to the name, asserting that campus buildings should not be named honorifically after a living person, and the dorm was named Jackson Hall in 1918. This same scrapbook includes a program documenting the June 8, 1914 laying of the corner stone for the Student's Building (Harrison Hall). Pearl noted in her scrapbook that the sun was particularly hot that day, but attendees were not allowed to wear hats or hold parasols. Pearl returned to campus in 1915 and, as a representative of the class of 1912, gave her personal reminiscences as part of the June 7 Alumnae Banquet. The banquet program and Pearl's speech are included. Materials related to Pearl's involvement in the Women's Christian Temperance Union (WCTU), including her membership card, are also located in the 1912-1914 scrapbook.","A folder of loose ephemera comprises photographs (including a portrait photograph of Pearl Haldeman Stickley), correspondence, event programs, and other sundry ephemera. "],"separatedmaterial_html_tesm":["\u003cp\u003eFour copies of \u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1910-1913, were removed and added to Special Collections yearbook holdings. One copy of the 1912 Normal Bulletin was removed and added to Special Collections' holdings. \u003cemph render=\"italic\"\u003eJacob Metz and His Descendants\u003c/emph\u003e (1974) was removed from the collection and cataloged separately as part of Special Collections rare book holdings.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Four copies of  The Schoolma'am , 1910-1913, were removed and added to Special Collections yearbook holdings. One copy of the 1912 Normal Bulletin was removed and added to Special Collections' holdings.  Jacob Metz and His Descendants  (1974) was removed from the collection and cataloged separately as part of Special Collections rare book holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a22da3653911322f65a4362898911d45\"\u003eThe Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg. The collection comprises two scrapbooks and loose ephemera.\u003c/abstract\u003e"],"abstract_tesim":["The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg. The collection comprises two scrapbooks and loose ephemera."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Buildings","James Madison University -- Students -- History","Beck, William M."],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Buildings","James Madison University -- Students -- History","Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Buildings","James Madison University -- Students -- History"],"persname_ssim":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:26:35.478Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_606","ead_ssi":"vihart_repositories_4_resources_606","_root_":"vihart_repositories_4_resources_606","_nest_parent_":"vihart_repositories_4_resources_606","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_606.xml","title_ssm":["Pearl Haldeman Stickley Papers"],"title_tesim":["Pearl Haldeman Stickley Papers"],"unitdate_ssm":["1910-1962","1910-1915"],"unitdate_bulk_ssim":["1910-1915"],"unitdate_inclusive_ssm":["1910-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0295","/repositories/4/resources/606"],"text":["SC 0295","/repositories/4/resources/606","Pearl Haldeman Stickley Papers","Harrisonburg (Va.) -- History","Scrapbooks","Photographs","Printed Ephemera","Programs (documents)","Report Cards","Concert programs","Theater programs","Letters (correspondence)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged chronologically.","The Schoolma'am , 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.","Glass, Esther Eby, Amos Charles Baer, and Bertie Baer Shenk.  Jacob Metz and His Descendants Including Some of His Ancestors . Freeman, SD: Pine Hill Press, 1974.","Anna Pearl Haldeman Stickley (1892-1991) was born to Jacob Shem Haldeman and Anna Metz Haldeman at Evandale, near Winchester, Virginia. She matriculated at the State Normal and Industrial School at Harrisonburg in 1909 and graduated in 1912 after completing the kindergarten training curriculum. During her time at the Harrisonburg Normal School, Pearl was a member of the Pinquet Tennis Club, Senior Basketball Team, Glee Club, Kindergarten Club, Lee Literary Society and YWCA, serving as its secretary from 1911-1912. Pearl married Claude Benjamin Stickley in 1921. She received her M.A. from Columbia University and was a teacher and librarian. She was an active alumni and returned to campus many times after graduation as is documented in this collection. Pearl's sister, Emily Haldeman Beck, and sister-in-law, Marguerite Goodman Haldeman, also graduated from the State Normal School.","The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg.","Two scrapbooks, referred to by Pearl as a Memory Book and Good Times Book respectively, include concert and recital programs, theater programs including Shakespeare performances by the Coburn Players, commencement programs, student handbooks, program and report cards, cards and letters, invitations, ticket stubs, napkins, materials related to the Harrisonburg Presbyterian Church, newspaper clippings, and other assorted ephemera. Many of the items are annotated with funny musings by Pearl. Some of the printed ephemera is from Winchester, Pearl's hometown, and likely documents events she attended while visiting friends or family while a student in Harrisonburg and also after she returned home after graduation. Programs from the Fort Loudon Seminary and Empire Theater are included.","Items of interest include a list of senior class privileges dated October 23, 1911, located in the 1910-1912 scrapbook. Additionally, the 1912-1914 scrapbook, which post-dates Pearl's graduation and primarily documents as an alumni, includes a shard of glass from the bottle that was used to christen Dormitory No. 1 in June 1913. This christening was part of the ceremony changing the name of Dormitory No. 1 to Burruss Hall. Julian Burruss objected to the name, asserting that campus buildings should not be named honorifically after a living person, and the dorm was named Jackson Hall in 1918. This same scrapbook includes a program documenting the June 8, 1914 laying of the corner stone for the Student's Building (Harrison Hall). Pearl noted in her scrapbook that the sun was particularly hot that day, but attendees were not allowed to wear hats or hold parasols. Pearl returned to campus in 1915 and, as a representative of the class of 1912, gave her personal reminiscences as part of the June 7 Alumnae Banquet. The banquet program and Pearl's speech are included. Materials related to Pearl's involvement in the Women's Christian Temperance Union (WCTU), including her membership card, are also located in the 1912-1914 scrapbook.","A folder of loose ephemera comprises photographs (including a portrait photograph of Pearl Haldeman Stickley), correspondence, event programs, and other sundry ephemera. ","Four copies of  The Schoolma'am , 1910-1913, were removed and added to Special Collections yearbook holdings. One copy of the 1912 Normal Bulletin was removed and added to Special Collections' holdings.  Jacob Metz and His Descendants  (1974) was removed from the collection and cataloged separately as part of Special Collections rare book holdings.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg. The collection comprises two scrapbooks and loose ephemera.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Buildings","James Madison University -- Students -- History","Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M.","English"],"unitid_tesim":["SC 0295","/repositories/4/resources/606"],"normalized_title_ssm":["Pearl Haldeman Stickley Papers"],"collection_title_tesim":["Pearl Haldeman Stickley Papers"],"collection_ssim":["Pearl Haldeman Stickley Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"creator_ssim":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"creator_persname_ssim":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"creators_ssim":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated in June 2019 by William M. Beck, great nephew of Pearl Haldeman Stickley."],"access_subjects_ssim":["Scrapbooks","Photographs","Printed Ephemera","Programs (documents)","Report Cards","Concert programs","Theater programs","Letters (correspondence)"],"access_subjects_ssm":["Scrapbooks","Photographs","Printed Ephemera","Programs (documents)","Report Cards","Concert programs","Theater programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["0.33 cubic feet 1 box"],"extent_tesim":["0.33 cubic feet 1 box"],"genreform_ssim":["Scrapbooks","Photographs","Printed Ephemera","Programs (documents)","Report Cards","Concert programs","Theater programs","Letters (correspondence)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.\u003c/bibref\u003e","\u003cbibref\u003eGlass, Esther Eby, Amos Charles Baer, and Bertie Baer Shenk. \u003cemph render=\"italic\"\u003eJacob Metz and His Descendants Including Some of His Ancestors\u003c/emph\u003e. Freeman, SD: Pine Hill Press, 1974.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Schoolma'am , 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.","Glass, Esther Eby, Amos Charles Baer, and Bertie Baer Shenk.  Jacob Metz and His Descendants Including Some of His Ancestors . Freeman, SD: Pine Hill Press, 1974."],"bioghist_html_tesm":["\u003cp\u003eAnna Pearl Haldeman Stickley (1892-1991) was born to Jacob Shem Haldeman and Anna Metz Haldeman at Evandale, near Winchester, Virginia. She matriculated at the State Normal and Industrial School at Harrisonburg in 1909 and graduated in 1912 after completing the kindergarten training curriculum. During her time at the Harrisonburg Normal School, Pearl was a member of the Pinquet Tennis Club, Senior Basketball Team, Glee Club, Kindergarten Club, Lee Literary Society and YWCA, serving as its secretary from 1911-1912. Pearl married Claude Benjamin Stickley in 1921. She received her M.A. from Columbia University and was a teacher and librarian. She was an active alumni and returned to campus many times after graduation as is documented in this collection. Pearl's sister, Emily Haldeman Beck, and sister-in-law, Marguerite Goodman Haldeman, also graduated from the State Normal School.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Anna Pearl Haldeman Stickley (1892-1991) was born to Jacob Shem Haldeman and Anna Metz Haldeman at Evandale, near Winchester, Virginia. She matriculated at the State Normal and Industrial School at Harrisonburg in 1909 and graduated in 1912 after completing the kindergarten training curriculum. During her time at the Harrisonburg Normal School, Pearl was a member of the Pinquet Tennis Club, Senior Basketball Team, Glee Club, Kindergarten Club, Lee Literary Society and YWCA, serving as its secretary from 1911-1912. Pearl married Claude Benjamin Stickley in 1921. She received her M.A. from Columbia University and was a teacher and librarian. She was an active alumni and returned to campus many times after graduation as is documented in this collection. Pearl's sister, Emily Haldeman Beck, and sister-in-law, Marguerite Goodman Haldeman, also graduated from the State Normal School."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), SC 0295, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), SC 0295, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg.\u003c/p\u003e\n","\u003cp\u003eTwo scrapbooks, referred to by Pearl as a Memory Book and Good Times Book respectively, include concert and recital programs, theater programs including Shakespeare performances by the Coburn Players, commencement programs, student handbooks, program and report cards, cards and letters, invitations, ticket stubs, napkins, materials related to the Harrisonburg Presbyterian Church, newspaper clippings, and other assorted ephemera. Many of the items are annotated with funny musings by Pearl. Some of the printed ephemera is from Winchester, Pearl's hometown, and likely documents events she attended while visiting friends or family while a student in Harrisonburg and also after she returned home after graduation. Programs from the Fort Loudon Seminary and Empire Theater are included.\u003c/p\u003e\n","\u003cp\u003eItems of interest include a list of senior class privileges dated October 23, 1911, located in the 1910-1912 scrapbook. Additionally, the 1912-1914 scrapbook, which post-dates Pearl's graduation and primarily documents as an alumni, includes a shard of glass from the bottle that was used to christen Dormitory No. 1 in June 1913. This christening was part of the ceremony changing the name of Dormitory No. 1 to Burruss Hall. Julian Burruss objected to the name, asserting that campus buildings should not be named honorifically after a living person, and the dorm was named Jackson Hall in 1918. This same scrapbook includes a program documenting the June 8, 1914 laying of the corner stone for the Student's Building (Harrison Hall). Pearl noted in her scrapbook that the sun was particularly hot that day, but attendees were not allowed to wear hats or hold parasols. Pearl returned to campus in 1915 and, as a representative of the class of 1912, gave her personal reminiscences as part of the June 7 Alumnae Banquet. The banquet program and Pearl's speech are included. Materials related to Pearl's involvement in the Women's Christian Temperance Union (WCTU), including her membership card, are also located in the 1912-1914 scrapbook.\u003c/p\u003e\n","\u003cp\u003eA folder of loose ephemera comprises photographs (including a portrait photograph of Pearl Haldeman Stickley), correspondence, event programs, and other sundry ephemera. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg.","Two scrapbooks, referred to by Pearl as a Memory Book and Good Times Book respectively, include concert and recital programs, theater programs including Shakespeare performances by the Coburn Players, commencement programs, student handbooks, program and report cards, cards and letters, invitations, ticket stubs, napkins, materials related to the Harrisonburg Presbyterian Church, newspaper clippings, and other assorted ephemera. Many of the items are annotated with funny musings by Pearl. Some of the printed ephemera is from Winchester, Pearl's hometown, and likely documents events she attended while visiting friends or family while a student in Harrisonburg and also after she returned home after graduation. Programs from the Fort Loudon Seminary and Empire Theater are included.","Items of interest include a list of senior class privileges dated October 23, 1911, located in the 1910-1912 scrapbook. Additionally, the 1912-1914 scrapbook, which post-dates Pearl's graduation and primarily documents as an alumni, includes a shard of glass from the bottle that was used to christen Dormitory No. 1 in June 1913. This christening was part of the ceremony changing the name of Dormitory No. 1 to Burruss Hall. Julian Burruss objected to the name, asserting that campus buildings should not be named honorifically after a living person, and the dorm was named Jackson Hall in 1918. This same scrapbook includes a program documenting the June 8, 1914 laying of the corner stone for the Student's Building (Harrison Hall). Pearl noted in her scrapbook that the sun was particularly hot that day, but attendees were not allowed to wear hats or hold parasols. Pearl returned to campus in 1915 and, as a representative of the class of 1912, gave her personal reminiscences as part of the June 7 Alumnae Banquet. The banquet program and Pearl's speech are included. Materials related to Pearl's involvement in the Women's Christian Temperance Union (WCTU), including her membership card, are also located in the 1912-1914 scrapbook.","A folder of loose ephemera comprises photographs (including a portrait photograph of Pearl Haldeman Stickley), correspondence, event programs, and other sundry ephemera. "],"separatedmaterial_html_tesm":["\u003cp\u003eFour copies of \u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1910-1913, were removed and added to Special Collections yearbook holdings. One copy of the 1912 Normal Bulletin was removed and added to Special Collections' holdings. \u003cemph render=\"italic\"\u003eJacob Metz and His Descendants\u003c/emph\u003e (1974) was removed from the collection and cataloged separately as part of Special Collections rare book holdings.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Four copies of  The Schoolma'am , 1910-1913, were removed and added to Special Collections yearbook holdings. One copy of the 1912 Normal Bulletin was removed and added to Special Collections' holdings.  Jacob Metz and His Descendants  (1974) was removed from the collection and cataloged separately as part of Special Collections rare book holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a22da3653911322f65a4362898911d45\"\u003eThe Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg. The collection comprises two scrapbooks and loose ephemera.\u003c/abstract\u003e"],"abstract_tesim":["The Pearl Haldeman Stickley Papers, 1910-1962 (bulk 1910-1915), document Stickley's time as a student at and alumni of the State Normal and Industrial School for Women at Harrisonburg. The collection comprises two scrapbooks and loose ephemera."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Buildings","James Madison University -- Students -- History","Beck, William M."],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Buildings","James Madison University -- Students -- History","Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Buildings","James Madison University -- Students -- History"],"persname_ssim":["Stickley, Anna Pearl Haldeman, 1892-1991","Beck, William M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:26:35.478Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_606"}},{"id":"vilxw_repositories_5_resources_187_c185","type":"File","attributes":{"title":"Programs of Events Which Graham Was Invovled","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_187_c185#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePrograms from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_187_c185#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_187_c185","ref_ssm":["vilxw_repositories_5_resources_187_c185"],"id":"vilxw_repositories_5_resources_187_c185","ead_ssi":"vilxw_repositories_5_resources_187","_root_":"vilxw_repositories_5_resources_187","_nest_parent_":"vilxw_repositories_5_resources_187","parent_ssi":"vilxw_repositories_5_resources_187","parent_ssim":["vilxw_repositories_5_resources_187"],"parent_ids_ssim":["vilxw_repositories_5_resources_187"],"parent_unittitles_ssm":["John Alexander Graham Papers"],"parent_unittitles_tesim":["John Alexander Graham Papers"],"text":["John Alexander Graham Papers","Programs of Events Which Graham Was Invovled","Graham, John Alexander","Graham, John Alexander","Programs","Theater programs","English .","box 8","folder 7","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"names_ssim":["Graham, John Alexander","Graham, John Alexander"],"persname_ssim":["Graham, John Alexander","Graham, John Alexander"],"access_subjects_ssim":["Programs","Theater programs"],"access_subjects_ssm":["Programs","Theater programs"],"language_ssim":["English ."],"containers_ssim":["box 8","folder 7"],"scopecontent_html_tesm":["\u003cp\u003ePrograms from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'"],"_nest_path_":"/components#184","timestamp":"2026-05-20T20:55:58.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_187","ead_ssi":"vilxw_repositories_5_resources_187","_root_":"vilxw_repositories_5_resources_187","_nest_parent_":"vilxw_repositories_5_resources_187","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_187.xml","title_ssm":["John Alexander Graham Papers"],"title_tesim":["John Alexander Graham Papers"],"unitdate_ssm":["Inclusive 1910-1947","Bulk 1915-1947"],"unitdate_bulk_ssim":["Bulk 1915-1947"],"unitdate_inclusive_ssm":["Inclusive 1910-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0307","/repositories/5/resources/187"],"text":["WLU.Coll.0307","/repositories/5/resources/187","John Alexander Graham Papers","Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty","Graham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years.","Blue sheet prepared by Betty Kondayan (02/14/08)","This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company","Graham family","Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges","English \n.    "],"unitid_tesim":["WLU.Coll.0307","/repositories/5/resources/187"],"normalized_title_ssm":["John Alexander Graham Papers"],"collection_title_tesim":["John Alexander Graham Papers"],"collection_ssim":["John Alexander Graham Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Graham, John Alexander","Penick, Mary Monroe"],"creator_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"creator_persname_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"creators_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty"],"access_subjects_ssm":["Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet"],"extent_tesim":["8 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"bioghist_html_tesm":["\u003cp\u003eGraham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Graham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"processinfo_html_tesm":["\u003cp\u003eBlue sheet prepared by Betty Kondayan (02/14/08)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Blue sheet prepared by Betty Kondayan (02/14/08)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.\u003c/p\u003e","\u003cp\u003e'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'\u003c/p\u003e","\u003cp\u003eThis file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.\u003c/p\u003e","\u003cp\u003eThe letter is addressed to 'James.'\u003c/p\u003e","\u003cp\u003eThis file consists of orignals and of the published work.\u003c/p\u003e","\u003cp\u003eThis file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis song was composed for Eric Rath and the Hollins Choir.\u003c/p\u003e","\u003cp\u003eThe piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eThis file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThis file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.\u003c/p\u003e","\u003cp\u003eGraham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.\u003c/p\u003e","\u003cp\u003eThis music was arranged for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eThis piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.\u003c/p\u003e","\u003cp\u003eThis piece was composed for The Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThe piece was for the choir of Trinity Episcopal Church, Staunton, Va.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eGraham arranged the music for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham abridged and arranged the music for a violin duet with piano accompaniment\u003c/p\u003e","\u003cp\u003eThis file includes arrangements for violin I, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis piece was arranged by Graham for a cello.\u003c/p\u003e","\u003cp\u003eGraham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.\u003c/p\u003e","\u003cp\u003eThis file includes the master copy.\u003c/p\u003e","\u003cp\u003eThis file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of two notebooks with the music for 'Sonata for Violin and Piano.'\u003c/p\u003e","\u003cp\u003eThis file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'\u003c/p\u003e","\u003cp\u003eGraham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThe music was written for Mr. Ammerman.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.\u003c/p\u003e","\u003cp\u003eThe work is dedicated to Mr. Clifton Hall.\u003c/p\u003e","\u003cp\u003eDedicated to the Lexington Presbyterian Choir\u003c/p\u003e","\u003cp\u003e'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.\u003c/p\u003e","\u003cp\u003eDedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.\u003c/p\u003e","\u003cp\u003eWritten for the Choir of the Presbyterian Church, Lexington, Va\u003c/p\u003e","\u003cp\u003e'Savior, breathe an evening blessing' is an evening anthem for soprano voices.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.\u003c/p\u003e","\u003cp\u003eThis file consists of hand-written sheet music for 'Fight, Fight Blue and White.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.\u003c/p\u003e","\u003cp\u003eThis file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe song was originally written for C. W. Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.\u003c/p\u003e","\u003cp\u003eThis is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.\u003c/p\u003e","\u003cp\u003eMary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.\u003c/p\u003e","\u003cp\u003e'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.\u003c/p\u003e","\u003cp\u003e'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.\u003c/p\u003e","\u003cp\u003eThis has a baritone solo and chrorus for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eGraham sent a card to Mary Monroe with a short song he wrote about how she was missed.\u003c/p\u003e","\u003cp\u003eGraham dedicated this to W. S. Hastings.\u003c/p\u003e","\u003cp\u003e'The Night Will Never Stay' was for Charles William Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham created this piece for Walter Scott Hastings by request.\u003c/p\u003e","\u003cp\u003eThe file includes a description of the piece.\u003c/p\u003e","\u003cp\u003eThis song was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eOne of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.\u003c/p\u003e","\u003cp\u003eThis song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of mostly German cipher material.\u003c/p\u003e","\u003cp\u003eThis file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.\u003c/p\u003e","\u003cp\u003eThis file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.\u003c/p\u003e","\u003cp\u003eLetter to John from his father about news in Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.\u003c/p\u003e","\u003cp\u003eThis file consists of Graham's war memoirs.\u003c/p\u003e","\u003cp\u003eThis file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.\u003c/p\u003e","\u003cp\u003eThis file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.\u003c/p\u003e","\u003cp\u003eThis file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.\u003c/p\u003e","\u003cp\u003eThis file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'\u003c/p\u003e","\u003cp\u003eThis file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'\u003c/p\u003e","\u003cp\u003ePrograms from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'\u003c/p\u003e","\u003cp\u003eThis file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'\u003c/p\u003e","\u003cp\u003eOne of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.\u003c/p\u003e","\u003cp\u003eThis file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of designs information about commemorative plates for Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.\u003c/p\u003e","\u003cp\u003eThis file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.\u003c/p\u003e","\u003cp\u003eThis file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.\u003c/p\u003e","\u003cp\u003eThis file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.\u003c/p\u003e","\u003cp\u003eThis file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.\u003c/p\u003e","\u003cp\u003eThis file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.\u003c/p\u003e","\u003cp\u003eThis file consists of vocal and piano music that belonged to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of two issues of The Etude and music belonging to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of three issues of The Etude, a music magazine, and miscellaneous music.\u003c/p\u003e","\u003cp\u003eThis file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.\u003c/p\u003e","\u003cp\u003eThis file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.\u003c/p\u003e","\u003cp\u003eThis file consists of the contexts of several operas. Included is an index of the operas mentioned.\u003c/p\u003e","\u003cp\u003eThis file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.\u003c/p\u003e","\u003cp\u003eThis file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company","Graham family","Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company"],"famname_ssim":["Graham family"],"persname_ssim":["Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T20:55:58.373Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_187_c185"}},{"id":"vifgm_repositories_2_resources_521","type":"collection","attributes":{"title":"Robert and Wilva Breen papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#creator","type":"document_value","attributes":{"value":"Breen, Robert","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#abstract_or_scope","type":"document_value","attributes":{"value":"The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"text":["C0004","/repositories/2/resources/521","Robert and Wilva Breen papers","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the ","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"normalized_title_ssm":["Robert and Wilva Breen papers"],"collection_title_tesim":["Robert and Wilva Breen papers"],"collection_ssim":["Robert and Wilva Breen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva"],"creators_ssim":["Breen, Robert","Breen, Wilva"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e\n","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e\n","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e\n","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e\n","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e\n","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e\n","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the "],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e"],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e"],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-11T20:06:12.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"text":["C0004","/repositories/2/resources/521","Robert and Wilva Breen papers","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the ","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"normalized_title_ssm":["Robert and Wilva Breen papers"],"collection_title_tesim":["Robert and Wilva Breen papers"],"collection_ssim":["Robert and Wilva Breen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva"],"creators_ssim":["Breen, Robert","Breen, Wilva"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e\n","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e\n","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e\n","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e\n","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e\n","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e\n","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the "],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e"],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e"],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-11T20:06:12.845Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521"}},{"id":"vihart_repositories_4_resources_503","type":"collection","attributes":{"title":"School of Theatre and Dance Records","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_503#creator","type":"document_value","attributes":{"value":"James Madison University. School of Theatre and Dance","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_503#abstract_or_scope","type":"document_value","attributes":{"value":"The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_503#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_503","ead_ssi":"vihart_repositories_4_resources_503","_root_":"vihart_repositories_4_resources_503","_nest_parent_":"vihart_repositories_4_resources_503","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_503.xml","title_ssm":["School of Theatre and Dance Records"],"title_tesim":["School of Theatre and Dance Records"],"unitdate_ssm":["1930-2011","1981-1993"],"unitdate_bulk_ssim":["1981-1993"],"unitdate_inclusive_ssm":["1930-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0045","/repositories/4/resources/503"],"text":["UA 0045","/repositories/4/resources/503","School of Theatre and Dance Records","Dance -- Study and teaching (Higher)","Theater -- Study and teaching (Higher)","Theater programs","Playbills","Brochures","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged alphabetically.","James Madison University. \"JMU Centennial Celebration – JMU Dinner Theatre.\" jmu.edu. http://www.jmu.edu/centennialcelebration/dinnertheatre.shtml. Accessed June 5, 2018.","James Madison University. \"Theatre and Dance Overview.\" jmu.edu. https://www.jmu.edu/theatredance/about/index.shtml. Accessed June 5, 2018.","James Madison University. \"JMU Centennial Celebration – The Stratford Players.\" jmu.edu https://www.jmu.edu/centennialcelebration/stratford.shtml. Accessed June 5, 2018.","Theatre at James Madison University was initially an extracurricular activity, with the Stratford Players serving as the most popular student drama club. In 1966, the Department of Speech and Drama was established and in the following year, 1967, the Latimer-Shaeffer Theatre opened in the Duke Fine Arts Center (now Duke Hall). The theatre was named after former theatre director and Stratford Players advisor, Mary Latimer Cordner and former music faculty Edna T. Shaeffer. In 1973, Thomas H. Arthur was hired at Madison College to transform the theatre program from an extracurricular activity into a college department. Arthur soon hired Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall as faculty members. Arthur and King worked together to construct and establish the Wampler Experimental Theatre, also known as Theatre II, in 1974, which gave a home to productions written and directed by students.","In 1977 King, Arthur, and Grayson requested permission to develop a new theatre program in addition to Theatre II. Through a partnership with Food Service, the Dinner Theatre was established in Gibbons Hall to provide summer patrons with a buffet followed by a play featuring students and professional performers. The Dinner Theatre soon became a popular summer activity in Harrisonburg, drawing theatre-goers from around Virginia. The Dinner Theatre also provided prospective students and families, along with summer session students, with summer entertainment. In 1978 the Dinner Theatre sent a troupe to Italy and Germany to perform for the USO and by its second season the program became fully professional, welcoming JMU faculty, staff, students, and non-JMU personnel to contribute to the Dinner Theatre. According to Arthur, \"[The Dinner Theatre] was very important to the growth of theater and dance [at JMU] because it gave us greater visibility.\" The Dinner Theatre ultimately ran for 17 years, ending in 1993.","In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, now the College of Arts and Letters. It remained in the College until 2015 when the establishment of the College of Visual and Performing Arts was approved. Today, the School of Theatre and Dance focuses on training and educating artists, scholars, and teachers in the traditions and current practices of dance, theatre, and musical theatre. The School puts on around thirty performances a year, including four theatre and three dance productions during their main stage season.","Edna T. Shaeffer Retirement Letters, 1940, 1956, SC 0061 Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","Student Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","Virginia Theatre \u0026 New Virginia Theatre Playbills, 1914-1924, SC 0080, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University. Some early items are dated before the School of Theatre and Dance was officially established. The collection includes items from the State Teachers College at Harrisonburg, Madison College, and James Madison University. Several clubs and theatre companies are mentioned throughout, including, but not limited to: The Madison College Modern Dance Club, the Repertory Touring Company of JMU, the Shenandoah Shakespeare Express, the Coburn Players, the Margaret Webster Shakespeare Company, the National Players, the Barter Theatre, and the Hedgerow Theatre.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University","Special Collections, Carrier Library, James Madison University Libraries","James Madison University Libraries Special Collections","James Madison University. School of Theatre and Dance","James Madison University. Department of Theatre and Dance","James Madison University. Center for Dance and Theatre","James Madison University -- History","Madison College -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","English"],"unitid_tesim":["UA 0045","/repositories/4/resources/503"],"normalized_title_ssm":["School of Theatre and Dance Records"],"collection_title_tesim":["School of Theatre and Dance Records"],"collection_ssim":["School of Theatre and Dance Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. School of Theatre and Dance"],"creator_ssim":["James Madison University. School of Theatre and Dance"],"creator_corpname_ssim":["James Madison University. School of Theatre and Dance"],"creators_ssim":["James Madison University. School of Theatre and Dance"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Formerly housed as Vertical Files in Special Collections, labeled Dance, Theatre, and Drama - Guest Performances."],"access_subjects_ssim":["Dance -- Study and teaching (Higher)","Theater -- Study and teaching (Higher)","Theater programs","Playbills","Brochures"],"access_subjects_ssm":["Dance -- Study and teaching (Higher)","Theater -- Study and teaching (Higher)","Theater programs","Playbills","Brochures"],"has_online_content_ssim":["false"],"extent_ssm":["0.32 cubic feet 4 folders"],"extent_tesim":["0.32 cubic feet 4 folders"],"genreform_ssim":["Theater programs","Playbills","Brochures"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically."],"bibliography_html_tesm":["\u003cbibref\u003eJames Madison University. \"JMU Centennial Celebration – JMU Dinner Theatre.\" jmu.edu. http://www.jmu.edu/centennialcelebration/dinnertheatre.shtml. Accessed June 5, 2018.\u003c/bibref\u003e","\u003cbibref\u003eJames Madison University. \"Theatre and Dance Overview.\" jmu.edu. https://www.jmu.edu/theatredance/about/index.shtml. Accessed June 5, 2018.\u003c/bibref\u003e","\u003cbibref\u003eJames Madison University. \"JMU Centennial Celebration – The Stratford Players.\" jmu.edu https://www.jmu.edu/centennialcelebration/stratford.shtml. Accessed June 5, 2018.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["James Madison University. \"JMU Centennial Celebration – JMU Dinner Theatre.\" jmu.edu. http://www.jmu.edu/centennialcelebration/dinnertheatre.shtml. Accessed June 5, 2018.","James Madison University. \"Theatre and Dance Overview.\" jmu.edu. https://www.jmu.edu/theatredance/about/index.shtml. Accessed June 5, 2018.","James Madison University. \"JMU Centennial Celebration – The Stratford Players.\" jmu.edu https://www.jmu.edu/centennialcelebration/stratford.shtml. Accessed June 5, 2018."],"bioghist_html_tesm":["\u003cp\u003eTheatre at James Madison University was initially an extracurricular activity, with the Stratford Players serving as the most popular student drama club. In 1966, the Department of Speech and Drama was established and in the following year, 1967, the Latimer-Shaeffer Theatre opened in the Duke Fine Arts Center (now Duke Hall). The theatre was named after former theatre director and Stratford Players advisor, Mary Latimer Cordner and former music faculty Edna T. Shaeffer. In 1973, Thomas H. Arthur was hired at Madison College to transform the theatre program from an extracurricular activity into a college department. Arthur soon hired Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall as faculty members. Arthur and King worked together to construct and establish the Wampler Experimental Theatre, also known as Theatre II, in 1974, which gave a home to productions written and directed by students.\u003c/p\u003e\n","\u003cp\u003eIn 1977 King, Arthur, and Grayson requested permission to develop a new theatre program in addition to Theatre II. Through a partnership with Food Service, the Dinner Theatre was established in Gibbons Hall to provide summer patrons with a buffet followed by a play featuring students and professional performers. The Dinner Theatre soon became a popular summer activity in Harrisonburg, drawing theatre-goers from around Virginia. The Dinner Theatre also provided prospective students and families, along with summer session students, with summer entertainment. In 1978 the Dinner Theatre sent a troupe to Italy and Germany to perform for the USO and by its second season the program became fully professional, welcoming JMU faculty, staff, students, and non-JMU personnel to contribute to the Dinner Theatre. According to Arthur, \"[The Dinner Theatre] was very important to the growth of theater and dance [at JMU] because it gave us greater visibility.\" The Dinner Theatre ultimately ran for 17 years, ending in 1993.\u003c/p\u003e\n","\u003cp\u003eIn 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, now the College of Arts and Letters. It remained in the College until 2015 when the establishment of the College of Visual and Performing Arts was approved. Today, the School of Theatre and Dance focuses on training and educating artists, scholars, and teachers in the traditions and current practices of dance, theatre, and musical theatre. The School puts on around thirty performances a year, including four theatre and three dance productions during their main stage season.\u003c/p\u003e"],"bioghist_heading_ssm":["Admin History"],"bioghist_tesim":["Theatre at James Madison University was initially an extracurricular activity, with the Stratford Players serving as the most popular student drama club. In 1966, the Department of Speech and Drama was established and in the following year, 1967, the Latimer-Shaeffer Theatre opened in the Duke Fine Arts Center (now Duke Hall). The theatre was named after former theatre director and Stratford Players advisor, Mary Latimer Cordner and former music faculty Edna T. Shaeffer. In 1973, Thomas H. Arthur was hired at Madison College to transform the theatre program from an extracurricular activity into a college department. Arthur soon hired Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall as faculty members. Arthur and King worked together to construct and establish the Wampler Experimental Theatre, also known as Theatre II, in 1974, which gave a home to productions written and directed by students.","In 1977 King, Arthur, and Grayson requested permission to develop a new theatre program in addition to Theatre II. Through a partnership with Food Service, the Dinner Theatre was established in Gibbons Hall to provide summer patrons with a buffet followed by a play featuring students and professional performers. The Dinner Theatre soon became a popular summer activity in Harrisonburg, drawing theatre-goers from around Virginia. The Dinner Theatre also provided prospective students and families, along with summer session students, with summer entertainment. In 1978 the Dinner Theatre sent a troupe to Italy and Germany to perform for the USO and by its second season the program became fully professional, welcoming JMU faculty, staff, students, and non-JMU personnel to contribute to the Dinner Theatre. According to Arthur, \"[The Dinner Theatre] was very important to the growth of theater and dance [at JMU] because it gave us greater visibility.\" The Dinner Theatre ultimately ran for 17 years, ending in 1993.","In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, now the College of Arts and Letters. It remained in the College until 2015 when the establishment of the College of Visual and Performing Arts was approved. Today, the School of Theatre and Dance focuses on training and educating artists, scholars, and teachers in the traditions and current practices of dance, theatre, and musical theatre. The School puts on around thirty performances a year, including four theatre and three dance productions during their main stage season."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eEdna T. Shaeffer Retirement Letters, 1940, 1956, SC 0061 Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e\n","\u003cp\u003eStratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/p\u003e\n","\u003cp\u003eStudent Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/p\u003e\n","\u003cp\u003eVirginia Theatre \u0026amp; New Virginia Theatre Playbills, 1914-1924, SC 0080, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Edna T. Shaeffer Retirement Letters, 1940, 1956, SC 0061 Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","Student Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","Virginia Theatre \u0026 New Virginia Theatre Playbills, 1914-1924, SC 0080, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University. Some early items are dated before the School of Theatre and Dance was officially established. The collection includes items from the State Teachers College at Harrisonburg, Madison College, and James Madison University. Several clubs and theatre companies are mentioned throughout, including, but not limited to: The Madison College Modern Dance Club, the Repertory Touring Company of JMU, the Shenandoah Shakespeare Express, the Coburn Players, the Margaret Webster Shakespeare Company, the National Players, the Barter Theatre, and the Hedgerow Theatre.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University. Some early items are dated before the School of Theatre and Dance was officially established. The collection includes items from the State Teachers College at Harrisonburg, Madison College, and James Madison University. Several clubs and theatre companies are mentioned throughout, including, but not limited to: The Madison College Modern Dance Club, the Repertory Touring Company of JMU, the Shenandoah Shakespeare Express, the Coburn Players, the Margaret Webster Shakespeare Company, the National Players, the Barter Theatre, and the Hedgerow Theatre."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5274c6002ea88a68e2f0cf3467f7e5d3\"\u003eThe School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University\u003c/abstract\u003e"],"abstract_tesim":["The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_47d74328ab05f008309507430092c802\" label=\"Repository\"\u003eSpecial Collections, Carrier Library, James Madison University Libraries\u003c/physloc\u003e"],"physloc_tesim":["Special Collections, Carrier Library, James Madison University Libraries"],"names_coll_ssim":["James Madison University. School of Theatre and Dance","James Madison University. Department of Theatre and Dance","James Madison University. Center for Dance and Theatre","James Madison University -- History","Madison College -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. School of Theatre and Dance","James Madison University. Department of Theatre and Dance","James Madison University. Center for Dance and Theatre","James Madison University -- History","Madison College -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. School of Theatre and Dance","James Madison University. Department of Theatre and Dance","James Madison University. Center for Dance and Theatre","James Madison University -- History","Madison College -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_503","ead_ssi":"vihart_repositories_4_resources_503","_root_":"vihart_repositories_4_resources_503","_nest_parent_":"vihart_repositories_4_resources_503","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_503.xml","title_ssm":["School of Theatre and Dance Records"],"title_tesim":["School of Theatre and Dance Records"],"unitdate_ssm":["1930-2011","1981-1993"],"unitdate_bulk_ssim":["1981-1993"],"unitdate_inclusive_ssm":["1930-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0045","/repositories/4/resources/503"],"text":["UA 0045","/repositories/4/resources/503","School of Theatre and Dance Records","Dance -- Study and teaching (Higher)","Theater -- Study and teaching (Higher)","Theater programs","Playbills","Brochures","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged alphabetically.","James Madison University. \"JMU Centennial Celebration – JMU Dinner Theatre.\" jmu.edu. http://www.jmu.edu/centennialcelebration/dinnertheatre.shtml. Accessed June 5, 2018.","James Madison University. \"Theatre and Dance Overview.\" jmu.edu. https://www.jmu.edu/theatredance/about/index.shtml. Accessed June 5, 2018.","James Madison University. \"JMU Centennial Celebration – The Stratford Players.\" jmu.edu https://www.jmu.edu/centennialcelebration/stratford.shtml. Accessed June 5, 2018.","Theatre at James Madison University was initially an extracurricular activity, with the Stratford Players serving as the most popular student drama club. In 1966, the Department of Speech and Drama was established and in the following year, 1967, the Latimer-Shaeffer Theatre opened in the Duke Fine Arts Center (now Duke Hall). The theatre was named after former theatre director and Stratford Players advisor, Mary Latimer Cordner and former music faculty Edna T. Shaeffer. In 1973, Thomas H. Arthur was hired at Madison College to transform the theatre program from an extracurricular activity into a college department. Arthur soon hired Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall as faculty members. Arthur and King worked together to construct and establish the Wampler Experimental Theatre, also known as Theatre II, in 1974, which gave a home to productions written and directed by students.","In 1977 King, Arthur, and Grayson requested permission to develop a new theatre program in addition to Theatre II. Through a partnership with Food Service, the Dinner Theatre was established in Gibbons Hall to provide summer patrons with a buffet followed by a play featuring students and professional performers. The Dinner Theatre soon became a popular summer activity in Harrisonburg, drawing theatre-goers from around Virginia. The Dinner Theatre also provided prospective students and families, along with summer session students, with summer entertainment. In 1978 the Dinner Theatre sent a troupe to Italy and Germany to perform for the USO and by its second season the program became fully professional, welcoming JMU faculty, staff, students, and non-JMU personnel to contribute to the Dinner Theatre. According to Arthur, \"[The Dinner Theatre] was very important to the growth of theater and dance [at JMU] because it gave us greater visibility.\" The Dinner Theatre ultimately ran for 17 years, ending in 1993.","In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, now the College of Arts and Letters. It remained in the College until 2015 when the establishment of the College of Visual and Performing Arts was approved. Today, the School of Theatre and Dance focuses on training and educating artists, scholars, and teachers in the traditions and current practices of dance, theatre, and musical theatre. The School puts on around thirty performances a year, including four theatre and three dance productions during their main stage season.","Edna T. Shaeffer Retirement Letters, 1940, 1956, SC 0061 Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","Student Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","Virginia Theatre \u0026 New Virginia Theatre Playbills, 1914-1924, SC 0080, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University. Some early items are dated before the School of Theatre and Dance was officially established. The collection includes items from the State Teachers College at Harrisonburg, Madison College, and James Madison University. Several clubs and theatre companies are mentioned throughout, including, but not limited to: The Madison College Modern Dance Club, the Repertory Touring Company of JMU, the Shenandoah Shakespeare Express, the Coburn Players, the Margaret Webster Shakespeare Company, the National Players, the Barter Theatre, and the Hedgerow Theatre.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University","Special Collections, Carrier Library, James Madison University Libraries","James Madison University Libraries Special Collections","James Madison University. School of Theatre and Dance","James Madison University. Department of Theatre and Dance","James Madison University. Center for Dance and Theatre","James Madison University -- History","Madison College -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","English"],"unitid_tesim":["UA 0045","/repositories/4/resources/503"],"normalized_title_ssm":["School of Theatre and Dance Records"],"collection_title_tesim":["School of Theatre and Dance Records"],"collection_ssim":["School of Theatre and Dance Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. School of Theatre and Dance"],"creator_ssim":["James Madison University. School of Theatre and Dance"],"creator_corpname_ssim":["James Madison University. School of Theatre and Dance"],"creators_ssim":["James Madison University. School of Theatre and Dance"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Formerly housed as Vertical Files in Special Collections, labeled Dance, Theatre, and Drama - Guest Performances."],"access_subjects_ssim":["Dance -- Study and teaching (Higher)","Theater -- Study and teaching (Higher)","Theater programs","Playbills","Brochures"],"access_subjects_ssm":["Dance -- Study and teaching (Higher)","Theater -- Study and teaching (Higher)","Theater programs","Playbills","Brochures"],"has_online_content_ssim":["false"],"extent_ssm":["0.32 cubic feet 4 folders"],"extent_tesim":["0.32 cubic feet 4 folders"],"genreform_ssim":["Theater programs","Playbills","Brochures"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically."],"bibliography_html_tesm":["\u003cbibref\u003eJames Madison University. \"JMU Centennial Celebration – JMU Dinner Theatre.\" jmu.edu. http://www.jmu.edu/centennialcelebration/dinnertheatre.shtml. Accessed June 5, 2018.\u003c/bibref\u003e","\u003cbibref\u003eJames Madison University. \"Theatre and Dance Overview.\" jmu.edu. https://www.jmu.edu/theatredance/about/index.shtml. Accessed June 5, 2018.\u003c/bibref\u003e","\u003cbibref\u003eJames Madison University. \"JMU Centennial Celebration – The Stratford Players.\" jmu.edu https://www.jmu.edu/centennialcelebration/stratford.shtml. Accessed June 5, 2018.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["James Madison University. \"JMU Centennial Celebration – JMU Dinner Theatre.\" jmu.edu. http://www.jmu.edu/centennialcelebration/dinnertheatre.shtml. Accessed June 5, 2018.","James Madison University. \"Theatre and Dance Overview.\" jmu.edu. https://www.jmu.edu/theatredance/about/index.shtml. Accessed June 5, 2018.","James Madison University. \"JMU Centennial Celebration – The Stratford Players.\" jmu.edu https://www.jmu.edu/centennialcelebration/stratford.shtml. Accessed June 5, 2018."],"bioghist_html_tesm":["\u003cp\u003eTheatre at James Madison University was initially an extracurricular activity, with the Stratford Players serving as the most popular student drama club. In 1966, the Department of Speech and Drama was established and in the following year, 1967, the Latimer-Shaeffer Theatre opened in the Duke Fine Arts Center (now Duke Hall). The theatre was named after former theatre director and Stratford Players advisor, Mary Latimer Cordner and former music faculty Edna T. Shaeffer. In 1973, Thomas H. Arthur was hired at Madison College to transform the theatre program from an extracurricular activity into a college department. Arthur soon hired Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall as faculty members. Arthur and King worked together to construct and establish the Wampler Experimental Theatre, also known as Theatre II, in 1974, which gave a home to productions written and directed by students.\u003c/p\u003e\n","\u003cp\u003eIn 1977 King, Arthur, and Grayson requested permission to develop a new theatre program in addition to Theatre II. Through a partnership with Food Service, the Dinner Theatre was established in Gibbons Hall to provide summer patrons with a buffet followed by a play featuring students and professional performers. The Dinner Theatre soon became a popular summer activity in Harrisonburg, drawing theatre-goers from around Virginia. The Dinner Theatre also provided prospective students and families, along with summer session students, with summer entertainment. In 1978 the Dinner Theatre sent a troupe to Italy and Germany to perform for the USO and by its second season the program became fully professional, welcoming JMU faculty, staff, students, and non-JMU personnel to contribute to the Dinner Theatre. According to Arthur, \"[The Dinner Theatre] was very important to the growth of theater and dance [at JMU] because it gave us greater visibility.\" The Dinner Theatre ultimately ran for 17 years, ending in 1993.\u003c/p\u003e\n","\u003cp\u003eIn 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, now the College of Arts and Letters. It remained in the College until 2015 when the establishment of the College of Visual and Performing Arts was approved. Today, the School of Theatre and Dance focuses on training and educating artists, scholars, and teachers in the traditions and current practices of dance, theatre, and musical theatre. The School puts on around thirty performances a year, including four theatre and three dance productions during their main stage season.\u003c/p\u003e"],"bioghist_heading_ssm":["Admin History"],"bioghist_tesim":["Theatre at James Madison University was initially an extracurricular activity, with the Stratford Players serving as the most popular student drama club. In 1966, the Department of Speech and Drama was established and in the following year, 1967, the Latimer-Shaeffer Theatre opened in the Duke Fine Arts Center (now Duke Hall). The theatre was named after former theatre director and Stratford Players advisor, Mary Latimer Cordner and former music faculty Edna T. Shaeffer. In 1973, Thomas H. Arthur was hired at Madison College to transform the theatre program from an extracurricular activity into a college department. Arthur soon hired Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall as faculty members. Arthur and King worked together to construct and establish the Wampler Experimental Theatre, also known as Theatre II, in 1974, which gave a home to productions written and directed by students.","In 1977 King, Arthur, and Grayson requested permission to develop a new theatre program in addition to Theatre II. Through a partnership with Food Service, the Dinner Theatre was established in Gibbons Hall to provide summer patrons with a buffet followed by a play featuring students and professional performers. The Dinner Theatre soon became a popular summer activity in Harrisonburg, drawing theatre-goers from around Virginia. The Dinner Theatre also provided prospective students and families, along with summer session students, with summer entertainment. In 1978 the Dinner Theatre sent a troupe to Italy and Germany to perform for the USO and by its second season the program became fully professional, welcoming JMU faculty, staff, students, and non-JMU personnel to contribute to the Dinner Theatre. According to Arthur, \"[The Dinner Theatre] was very important to the growth of theater and dance [at JMU] because it gave us greater visibility.\" The Dinner Theatre ultimately ran for 17 years, ending in 1993.","In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, now the College of Arts and Letters. It remained in the College until 2015 when the establishment of the College of Visual and Performing Arts was approved. Today, the School of Theatre and Dance focuses on training and educating artists, scholars, and teachers in the traditions and current practices of dance, theatre, and musical theatre. The School puts on around thirty performances a year, including four theatre and three dance productions during their main stage season."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eEdna T. Shaeffer Retirement Letters, 1940, 1956, SC 0061 Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e\n","\u003cp\u003eStratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/p\u003e\n","\u003cp\u003eStudent Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/p\u003e\n","\u003cp\u003eVirginia Theatre \u0026amp; New Virginia Theatre Playbills, 1914-1924, SC 0080, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Edna T. Shaeffer Retirement Letters, 1940, 1956, SC 0061 Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","Student Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","Virginia Theatre \u0026 New Virginia Theatre Playbills, 1914-1924, SC 0080, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University. Some early items are dated before the School of Theatre and Dance was officially established. The collection includes items from the State Teachers College at Harrisonburg, Madison College, and James Madison University. Several clubs and theatre companies are mentioned throughout, including, but not limited to: The Madison College Modern Dance Club, the Repertory Touring Company of JMU, the Shenandoah Shakespeare Express, the Coburn Players, the Margaret Webster Shakespeare Company, the National Players, the Barter Theatre, and the Hedgerow Theatre.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University. Some early items are dated before the School of Theatre and Dance was officially established. The collection includes items from the State Teachers College at Harrisonburg, Madison College, and James Madison University. Several clubs and theatre companies are mentioned throughout, including, but not limited to: The Madison College Modern Dance Club, the Repertory Touring Company of JMU, the Shenandoah Shakespeare Express, the Coburn Players, the Margaret Webster Shakespeare Company, the National Players, the Barter Theatre, and the Hedgerow Theatre."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5274c6002ea88a68e2f0cf3467f7e5d3\"\u003eThe School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University\u003c/abstract\u003e"],"abstract_tesim":["The School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993) consists of playbills, programs and curriculum brochures relating to theatre and dance performances at and sponsored by James Madison University"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_47d74328ab05f008309507430092c802\" label=\"Repository\"\u003eSpecial Collections, Carrier Library, James Madison University Libraries\u003c/physloc\u003e"],"physloc_tesim":["Special Collections, Carrier Library, James Madison University Libraries"],"names_coll_ssim":["James Madison University. School of Theatre and Dance","James Madison University. Department of Theatre and Dance","James Madison University. Center for Dance and Theatre","James Madison University -- History","Madison College -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. School of Theatre and Dance","James Madison University. Department of Theatre and Dance","James Madison University. Center for Dance and Theatre","James Madison University -- History","Madison College -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. School of Theatre and Dance","James Madison University. Department of Theatre and Dance","James Madison University. Center for Dance and Theatre","James Madison University -- History","Madison College -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_503"}},{"id":"vihart_repositories_4_resources_501","type":"collection","attributes":{"title":"Student Theatre Productions Collection","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_501#creator","type":"document_value","attributes":{"value":"Madison College","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_501#abstract_or_scope","type":"document_value","attributes":{"value":"The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at Madison College, including Class Plays and productions sponsored by the Athletic Association.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_501#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_501","ead_ssi":"vihart_repositories_4_resources_501","_root_":"vihart_repositories_4_resources_501","_nest_parent_":"vihart_repositories_4_resources_501","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_501.xml","title_ssm":["Student Theatre Productions Collection"],"title_tesim":["Student Theatre Productions Collection"],"unitdate_ssm":["1912-1966"],"unitdate_inclusive_ssm":["1912-1966"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0046","/repositories/4/resources/501"],"text":["UA 0046","/repositories/4/resources/501","Student Theatre Productions Collection","Theater -- Virginia -- Harrisonburg","Minstrel shows -- United States -- 20th century","Theater programs","Playbills","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Arranged topically in two folders in chronological order.","Crowley, L. Sean.  James Madison University: 1908-1909 to 1958-1959; An Annotated, Historical Timeline.  2006. http://www.lib.jmu.edu/special/FoundingDocs/timeline/documents/Timeline1st50yrsnonScript.pdf. Accessed June 6, 2018.","Initially an extracurricular activity, theatre at the State Normal and Industrial School for Women at Harrisonburg received extensive participation from students. The first Senior Class Play, \"Esmeralda\" occurred in 1911 in Assembly Hall in Downtown Harrisonburg as an opening to the commencement activities of that year. From then on, Senior Class Plays became a school tradition and eventually expanded to freshmen, sophomores, and juniors. Some of these productions coincided with Class Days, which were also originally apart of commencement activities, or were performed between multiple classes, such as the junior class assisted by the freshmen class.","The Athletic Association was established in 1910 with a goal \"to promote physical, moral, mental development.\" The association was overseen by the Department of Physical Education and promoted interclass activities by planning Field Day exercises and May Day celebrations. They also presented charitable entertainment events. The association sponsored theatre productions until at least the 1940s. Today, the Athletic Association has evolved into the Division of Athletics that oversees athletic programs and sports at James Madison University. ","School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA","The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at the State Normal School and Madison College. The vast majority of playbills are from Class Plays, productions put on by various classes of students throughout the decades. Other items in the collection are playbills from productions not directly associated with the any particular class as well as playbills from productions sponsored by the Athletic Association and the Y.W.CA. Photocopies of news articles about the productions from the 1910s are also included.","Noteworthy items include: a 1916 Shakespeare Pageant program, a 1939 playbill of  Thursday the Thirteenth  signed by the cast members, a 1925 playbill of  The Junior Minstrels , and a 1927 junior class playbill of  A Barrage of Fun featuring an image of blackface.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at Madison College, including Class Plays and productions sponsored by the Athletic Association.","Special Collections, Carrier Library, James Madison University","James Madison University Libraries Special Collections","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","James Madison University -- History","English"],"unitid_tesim":["UA 0046","/repositories/4/resources/501"],"normalized_title_ssm":["Student Theatre Productions Collection"],"collection_title_tesim":["Student Theatre Productions Collection"],"collection_ssim":["Student Theatre Productions Collection"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Madison College"],"creator_ssim":["Madison College"],"creator_corpname_ssim":["Madison College"],"creators_ssim":["Madison College"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Previously housed in Special Collections as a Vertical File labeled Drama - Class + Other Student Plays. Certain items (The Summer Theatre of Madison College presents  Thursday the Thirteenth , July 13, 1939, The Play Production Class of Madison College presents  An Evening of One-Act Plays , July 19, 1938, and Madison College presents The Hedgerow Theatre in  Candida , February 9, 1939) were donated in March 2017 by Erica Borey, records manager at the Virginia Museum of Fine Arts."],"access_subjects_ssim":["Theater -- Virginia -- Harrisonburg","Minstrel shows -- United States -- 20th century","Theater programs","Playbills","Newspaper clippings"],"access_subjects_ssm":["Theater -- Virginia -- Harrisonburg","Minstrel shows -- United States -- 20th century","Theater programs","Playbills","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.16 cubic feet 2 folders"],"extent_tesim":["0.16 cubic feet 2 folders"],"genreform_ssim":["Theater programs","Playbills","Newspaper clippings"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eArranged topically in two folders in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged topically in two folders in chronological order."],"bibliography_html_tesm":["\u003cbibref\u003eCrowley, L. Sean. \u003cemph render=\"italic\"\u003eJames Madison University: 1908-1909 to 1958-1959; An Annotated, Historical Timeline.\u003c/emph\u003e 2006. http://www.lib.jmu.edu/special/FoundingDocs/timeline/documents/Timeline1st50yrsnonScript.pdf. Accessed June 6, 2018.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Crowley, L. Sean.  James Madison University: 1908-1909 to 1958-1959; An Annotated, Historical Timeline.  2006. http://www.lib.jmu.edu/special/FoundingDocs/timeline/documents/Timeline1st50yrsnonScript.pdf. Accessed June 6, 2018."],"bioghist_html_tesm":["\u003cp\u003eInitially an extracurricular activity, theatre at the State Normal and Industrial School for Women at Harrisonburg received extensive participation from students. The first Senior Class Play, \"Esmeralda\" occurred in 1911 in Assembly Hall in Downtown Harrisonburg as an opening to the commencement activities of that year. From then on, Senior Class Plays became a school tradition and eventually expanded to freshmen, sophomores, and juniors. Some of these productions coincided with Class Days, which were also originally apart of commencement activities, or were performed between multiple classes, such as the junior class assisted by the freshmen class.\u003c/p\u003e\n","\u003cp\u003eThe Athletic Association was established in 1910 with a goal \"to promote physical, moral, mental development.\" The association was overseen by the Department of Physical Education and promoted interclass activities by planning Field Day exercises and May Day celebrations. They also presented charitable entertainment events. The association sponsored theatre productions until at least the 1940s. Today, the Athletic Association has evolved into the Division of Athletics that oversees athletic programs and sports at James Madison University. \u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Initially an extracurricular activity, theatre at the State Normal and Industrial School for Women at Harrisonburg received extensive participation from students. The first Senior Class Play, \"Esmeralda\" occurred in 1911 in Assembly Hall in Downtown Harrisonburg as an opening to the commencement activities of that year. From then on, Senior Class Plays became a school tradition and eventually expanded to freshmen, sophomores, and juniors. Some of these productions coincided with Class Days, which were also originally apart of commencement activities, or were performed between multiple classes, such as the junior class assisted by the freshmen class.","The Athletic Association was established in 1910 with a goal \"to promote physical, moral, mental development.\" The association was overseen by the Department of Physical Education and promoted interclass activities by planning Field Day exercises and May Day celebrations. They also presented charitable entertainment events. The association sponsored theatre productions until at least the 1940s. Today, the Athletic Association has evolved into the Division of Athletics that oversees athletic programs and sports at James Madison University. "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Student Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Student Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eSchool of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"scopecontent_html_tesm":["\u003cp\u003eThe Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at the State Normal School and Madison College. The vast majority of playbills are from Class Plays, productions put on by various classes of students throughout the decades. Other items in the collection are playbills from productions not directly associated with the any particular class as well as playbills from productions sponsored by the Athletic Association and the Y.W.CA. Photocopies of news articles about the productions from the 1910s are also included.\u003c/p\u003e\n","\u003cp\u003eNoteworthy items include: a 1916 Shakespeare Pageant program, a 1939 playbill of \u003cemph render=\"italic\"\u003eThursday the Thirteenth\u003c/emph\u003e signed by the cast members, a 1925 playbill of \u003cemph render=\"italic\"\u003eThe Junior Minstrels\u003c/emph\u003e, and a 1927 junior class playbill of \u003cemph render=\"italic\"\u003eA Barrage of Fun\u003c/emph\u003efeaturing an image of blackface.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at the State Normal School and Madison College. The vast majority of playbills are from Class Plays, productions put on by various classes of students throughout the decades. Other items in the collection are playbills from productions not directly associated with the any particular class as well as playbills from productions sponsored by the Athletic Association and the Y.W.CA. Photocopies of news articles about the productions from the 1910s are also included.","Noteworthy items include: a 1916 Shakespeare Pageant program, a 1939 playbill of  Thursday the Thirteenth  signed by the cast members, a 1925 playbill of  The Junior Minstrels , and a 1927 junior class playbill of  A Barrage of Fun featuring an image of blackface."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21026e3255dbfd7a37ba1e1e2306eab4\"\u003eThe Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at Madison College, including Class Plays and productions sponsored by the Athletic Association.\u003c/abstract\u003e"],"abstract_tesim":["The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at Madison College, including Class Plays and productions sponsored by the Athletic Association."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_786cb514bd66ef517cf45e31cced5cf3\" label=\"Repository\"\u003eSpecial Collections, Carrier Library, James Madison University\u003c/physloc\u003e"],"physloc_tesim":["Special Collections, Carrier Library, James Madison University"],"names_coll_ssim":["State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","James Madison University -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","James Madison University -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:27.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_501","ead_ssi":"vihart_repositories_4_resources_501","_root_":"vihart_repositories_4_resources_501","_nest_parent_":"vihart_repositories_4_resources_501","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_501.xml","title_ssm":["Student Theatre Productions Collection"],"title_tesim":["Student Theatre Productions Collection"],"unitdate_ssm":["1912-1966"],"unitdate_inclusive_ssm":["1912-1966"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0046","/repositories/4/resources/501"],"text":["UA 0046","/repositories/4/resources/501","Student Theatre Productions Collection","Theater -- Virginia -- Harrisonburg","Minstrel shows -- United States -- 20th century","Theater programs","Playbills","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Arranged topically in two folders in chronological order.","Crowley, L. Sean.  James Madison University: 1908-1909 to 1958-1959; An Annotated, Historical Timeline.  2006. http://www.lib.jmu.edu/special/FoundingDocs/timeline/documents/Timeline1st50yrsnonScript.pdf. Accessed June 6, 2018.","Initially an extracurricular activity, theatre at the State Normal and Industrial School for Women at Harrisonburg received extensive participation from students. The first Senior Class Play, \"Esmeralda\" occurred in 1911 in Assembly Hall in Downtown Harrisonburg as an opening to the commencement activities of that year. From then on, Senior Class Plays became a school tradition and eventually expanded to freshmen, sophomores, and juniors. Some of these productions coincided with Class Days, which were also originally apart of commencement activities, or were performed between multiple classes, such as the junior class assisted by the freshmen class.","The Athletic Association was established in 1910 with a goal \"to promote physical, moral, mental development.\" The association was overseen by the Department of Physical Education and promoted interclass activities by planning Field Day exercises and May Day celebrations. They also presented charitable entertainment events. The association sponsored theatre productions until at least the 1940s. Today, the Athletic Association has evolved into the Division of Athletics that oversees athletic programs and sports at James Madison University. ","School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA","The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at the State Normal School and Madison College. The vast majority of playbills are from Class Plays, productions put on by various classes of students throughout the decades. Other items in the collection are playbills from productions not directly associated with the any particular class as well as playbills from productions sponsored by the Athletic Association and the Y.W.CA. Photocopies of news articles about the productions from the 1910s are also included.","Noteworthy items include: a 1916 Shakespeare Pageant program, a 1939 playbill of  Thursday the Thirteenth  signed by the cast members, a 1925 playbill of  The Junior Minstrels , and a 1927 junior class playbill of  A Barrage of Fun featuring an image of blackface.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at Madison College, including Class Plays and productions sponsored by the Athletic Association.","Special Collections, Carrier Library, James Madison University","James Madison University Libraries Special Collections","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","James Madison University -- History","English"],"unitid_tesim":["UA 0046","/repositories/4/resources/501"],"normalized_title_ssm":["Student Theatre Productions Collection"],"collection_title_tesim":["Student Theatre Productions Collection"],"collection_ssim":["Student Theatre Productions Collection"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Madison College"],"creator_ssim":["Madison College"],"creator_corpname_ssim":["Madison College"],"creators_ssim":["Madison College"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Previously housed in Special Collections as a Vertical File labeled Drama - Class + Other Student Plays. Certain items (The Summer Theatre of Madison College presents  Thursday the Thirteenth , July 13, 1939, The Play Production Class of Madison College presents  An Evening of One-Act Plays , July 19, 1938, and Madison College presents The Hedgerow Theatre in  Candida , February 9, 1939) were donated in March 2017 by Erica Borey, records manager at the Virginia Museum of Fine Arts."],"access_subjects_ssim":["Theater -- Virginia -- Harrisonburg","Minstrel shows -- United States -- 20th century","Theater programs","Playbills","Newspaper clippings"],"access_subjects_ssm":["Theater -- Virginia -- Harrisonburg","Minstrel shows -- United States -- 20th century","Theater programs","Playbills","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.16 cubic feet 2 folders"],"extent_tesim":["0.16 cubic feet 2 folders"],"genreform_ssim":["Theater programs","Playbills","Newspaper clippings"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eArranged topically in two folders in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged topically in two folders in chronological order."],"bibliography_html_tesm":["\u003cbibref\u003eCrowley, L. Sean. \u003cemph render=\"italic\"\u003eJames Madison University: 1908-1909 to 1958-1959; An Annotated, Historical Timeline.\u003c/emph\u003e 2006. http://www.lib.jmu.edu/special/FoundingDocs/timeline/documents/Timeline1st50yrsnonScript.pdf. Accessed June 6, 2018.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Crowley, L. Sean.  James Madison University: 1908-1909 to 1958-1959; An Annotated, Historical Timeline.  2006. http://www.lib.jmu.edu/special/FoundingDocs/timeline/documents/Timeline1st50yrsnonScript.pdf. Accessed June 6, 2018."],"bioghist_html_tesm":["\u003cp\u003eInitially an extracurricular activity, theatre at the State Normal and Industrial School for Women at Harrisonburg received extensive participation from students. The first Senior Class Play, \"Esmeralda\" occurred in 1911 in Assembly Hall in Downtown Harrisonburg as an opening to the commencement activities of that year. From then on, Senior Class Plays became a school tradition and eventually expanded to freshmen, sophomores, and juniors. Some of these productions coincided with Class Days, which were also originally apart of commencement activities, or were performed between multiple classes, such as the junior class assisted by the freshmen class.\u003c/p\u003e\n","\u003cp\u003eThe Athletic Association was established in 1910 with a goal \"to promote physical, moral, mental development.\" The association was overseen by the Department of Physical Education and promoted interclass activities by planning Field Day exercises and May Day celebrations. They also presented charitable entertainment events. The association sponsored theatre productions until at least the 1940s. Today, the Athletic Association has evolved into the Division of Athletics that oversees athletic programs and sports at James Madison University. \u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Initially an extracurricular activity, theatre at the State Normal and Industrial School for Women at Harrisonburg received extensive participation from students. The first Senior Class Play, \"Esmeralda\" occurred in 1911 in Assembly Hall in Downtown Harrisonburg as an opening to the commencement activities of that year. From then on, Senior Class Plays became a school tradition and eventually expanded to freshmen, sophomores, and juniors. Some of these productions coincided with Class Days, which were also originally apart of commencement activities, or were performed between multiple classes, such as the junior class assisted by the freshmen class.","The Athletic Association was established in 1910 with a goal \"to promote physical, moral, mental development.\" The association was overseen by the Department of Physical Education and promoted interclass activities by planning Field Day exercises and May Day celebrations. They also presented charitable entertainment events. The association sponsored theatre productions until at least the 1940s. Today, the Athletic Association has evolved into the Division of Athletics that oversees athletic programs and sports at James Madison University. "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Student Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Student Theatre Productions Collection, 1912-1966, UA 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eSchool of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["School of Theatre and Dance Records, 1930-2011 (bulk 1981-1993), UA 0045, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"scopecontent_html_tesm":["\u003cp\u003eThe Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at the State Normal School and Madison College. The vast majority of playbills are from Class Plays, productions put on by various classes of students throughout the decades. Other items in the collection are playbills from productions not directly associated with the any particular class as well as playbills from productions sponsored by the Athletic Association and the Y.W.CA. Photocopies of news articles about the productions from the 1910s are also included.\u003c/p\u003e\n","\u003cp\u003eNoteworthy items include: a 1916 Shakespeare Pageant program, a 1939 playbill of \u003cemph render=\"italic\"\u003eThursday the Thirteenth\u003c/emph\u003e signed by the cast members, a 1925 playbill of \u003cemph render=\"italic\"\u003eThe Junior Minstrels\u003c/emph\u003e, and a 1927 junior class playbill of \u003cemph render=\"italic\"\u003eA Barrage of Fun\u003c/emph\u003efeaturing an image of blackface.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at the State Normal School and Madison College. The vast majority of playbills are from Class Plays, productions put on by various classes of students throughout the decades. Other items in the collection are playbills from productions not directly associated with the any particular class as well as playbills from productions sponsored by the Athletic Association and the Y.W.CA. Photocopies of news articles about the productions from the 1910s are also included.","Noteworthy items include: a 1916 Shakespeare Pageant program, a 1939 playbill of  Thursday the Thirteenth  signed by the cast members, a 1925 playbill of  The Junior Minstrels , and a 1927 junior class playbill of  A Barrage of Fun featuring an image of blackface."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21026e3255dbfd7a37ba1e1e2306eab4\"\u003eThe Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at Madison College, including Class Plays and productions sponsored by the Athletic Association.\u003c/abstract\u003e"],"abstract_tesim":["The Student Theatre Productions Collection, 1912-1966 consists of programs and playbills for student plays at Madison College, including Class Plays and productions sponsored by the Athletic Association."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_786cb514bd66ef517cf45e31cced5cf3\" label=\"Repository\"\u003eSpecial Collections, Carrier Library, James Madison University\u003c/physloc\u003e"],"physloc_tesim":["Special Collections, Carrier Library, James Madison University"],"names_coll_ssim":["State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","James Madison University -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","James Madison University -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:27.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_501"}},{"id":"vifgm_repositories_2_resources_571","type":"collection","attributes":{"title":"Virginia Nelson playbills collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_571#creator","type":"document_value","attributes":{"value":"Nelson, Virginia","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_571#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_571#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_571","ead_ssi":"vifgm_repositories_2_resources_571","_root_":"vifgm_repositories_2_resources_571","_nest_parent_":"vifgm_repositories_2_resources_571","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_571.xml","title_ssm":["Virginia Nelson playbills collection"],"title_tesim":["Virginia Nelson playbills collection"],"unitdate_ssm":["1939-2007"],"unitdate_inclusive_ssm":["1939-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0015","/repositories/2/resources/571"],"text":["C0015","/repositories/2/resources/571","Virginia Nelson playbills collection","Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)","Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater","There are no access restrictions.","Arranged chronologically.","Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017.","The Special Collections Research Center also holds many other  .","The Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)","Nelson, Virginia","English \n.    "],"unitid_tesim":["C0015","/repositories/2/resources/571"],"normalized_title_ssm":["Virginia Nelson playbills collection"],"collection_title_tesim":["Virginia Nelson playbills collection"],"collection_ssim":["Virginia Nelson playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"geogname_ssim":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"creator_ssm":["Nelson, Virginia"],"creator_ssim":["Nelson, Virginia"],"creator_persname_ssim":["Nelson, Virginia"],"creators_ssim":["Nelson, Virginia"],"places_ssim":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Virginia Nelson in 2007."],"access_subjects_ssim":["Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater"],"access_subjects_ssm":["Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 12 boxes"],"extent_tesim":["6 Linear Feet 12 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eFollowing World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. 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Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area."],"prefercite_html_tesm":["\u003cp\u003eVirginia Nelson playbills collection, C0015, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Virginia Nelson playbills collection, C0015, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other \u003cextptr href=\"https://aspace.gmu.edu/subjects/sh85099818\" title=\"performing arts and theatre collections\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fabf031f1388c7a0a773ea5385cfd10\"\u003eThis collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)","Nelson, Virginia"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)"],"persname_ssim":["Nelson, Virginia"],"language_ssim":["English \n.    "],"total_component_count_is":632,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:15:57.299Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_571","ead_ssi":"vifgm_repositories_2_resources_571","_root_":"vifgm_repositories_2_resources_571","_nest_parent_":"vifgm_repositories_2_resources_571","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_571.xml","title_ssm":["Virginia Nelson playbills collection"],"title_tesim":["Virginia Nelson playbills collection"],"unitdate_ssm":["1939-2007"],"unitdate_inclusive_ssm":["1939-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0015","/repositories/2/resources/571"],"text":["C0015","/repositories/2/resources/571","Virginia Nelson playbills collection","Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)","Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater","There are no access restrictions.","Arranged chronologically.","Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017.","The Special Collections Research Center also holds many other  .","The Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)","Nelson, Virginia","English \n.    "],"unitid_tesim":["C0015","/repositories/2/resources/571"],"normalized_title_ssm":["Virginia Nelson playbills collection"],"collection_title_tesim":["Virginia Nelson playbills collection"],"collection_ssim":["Virginia Nelson playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"geogname_ssim":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"creator_ssm":["Nelson, Virginia"],"creator_ssim":["Nelson, Virginia"],"creator_persname_ssim":["Nelson, Virginia"],"creators_ssim":["Nelson, Virginia"],"places_ssim":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Virginia Nelson in 2007."],"access_subjects_ssim":["Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater"],"access_subjects_ssm":["Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 12 boxes"],"extent_tesim":["6 Linear Feet 12 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eFollowing World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area."],"prefercite_html_tesm":["\u003cp\u003eVirginia Nelson playbills collection, C0015, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Virginia Nelson playbills collection, C0015, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other \u003cextptr href=\"https://aspace.gmu.edu/subjects/sh85099818\" title=\"performing arts and theatre collections\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fabf031f1388c7a0a773ea5385cfd10\"\u003eThis collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)","Nelson, Virginia"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)"],"persname_ssim":["Nelson, Virginia"],"language_ssim":["English \n.    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