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Harrisonburg (Va.): State Normal School for Women.\u003c/bibref\u003e","\u003cbibref\u003e\"Virginia Marriages, 1785-1940\", database, FamilySearch (https://familysearch.org/ark:/61903/1:1:X5BV-FYL : 29 January 2020), Anne Sophie Christiansen in entry for Vernon Lee Chapman, 1933.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Find a Grave, database and images (www.findagrave.com/memorial/68875292/anne-c-chapman : accessed 03 May 2021), memorial page for Anne C Chapman (17 Feb 1902–11 Nov 1983), Find a Grave Memorial ID 68875292, citing Peninsula Memorial Park, Newport News, Newport News City, Virginia, USA ; Maintained by Lawrence L Morgan (contributor 47395147).","The Schoolma'am, 1921. Harrisonburg (Va.): State Normal School for Women.","The Schoolma'am, 1922. 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The pages are still numbered."],"scopecontent_html_tesm":["\u003cp\u003eThe Anne Christiansen Chapman Scrapbook, 1920-1922, comprises a bound scrapbook containing printed emphemera, holiday-themed ephemera (Thanksgiving, Halloween, Valentine's Day), ticket stubs, newspaper clippings, photographs, postcards, correspondence, musical and theater programs including some from the New Virginia Theater, and school related papers documenting Christiansen's time as a student at the State Normal School for Women at Harrisonburg. The scrapbook also includes Christiansen's handwritten annotations, anecdotes, and classmates' autographs.\u003c/p\u003e\n","\u003cp\u003eAdditonal material includes a letter from Louise E. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. 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Gibboney inviting Christiansen to become a member of Lee Literary Society as well as a letter from the Executive Board notifying Chapman that she has been appointed to serve as head montior on the first floor of Ashby Hall. ","The scrapbook is \"The School Girl's Memory Book,\" a mass-produced scrapbook designed by Victor de Kubinyi, Barse \u0026 Hopkins, New York. Some pages are blank.","The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. 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The pages are still numbered."],"scopecontent_html_tesm":["\u003cp\u003eThe Anne Christiansen Chapman Scrapbook, 1920-1922, comprises a bound scrapbook containing printed emphemera, holiday-themed ephemera (Thanksgiving, Halloween, Valentine's Day), ticket stubs, newspaper clippings, photographs, postcards, correspondence, musical and theater programs including some from the New Virginia Theater, and school related papers documenting Christiansen's time as a student at the State Normal School for Women at Harrisonburg. The scrapbook also includes Christiansen's handwritten annotations, anecdotes, and classmates' autographs.\u003c/p\u003e\n","\u003cp\u003eAdditonal material includes a letter from Louise E. Gibboney inviting Christiansen to become a member of Lee Literary Society as well as a letter from the Executive Board notifying Chapman that she has been appointed to serve as head montior on the first floor of Ashby Hall. \u003c/p\u003e\n","\u003cp\u003eThe scrapbook is \"The School Girl's Memory Book,\" a mass-produced scrapbook designed by Victor de Kubinyi, Barse \u0026amp; Hopkins, New York. Some pages are blank.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Anne Christiansen Chapman Scrapbook, 1920-1922, comprises a bound scrapbook containing printed emphemera, holiday-themed ephemera (Thanksgiving, Halloween, Valentine's Day), ticket stubs, newspaper clippings, photographs, postcards, correspondence, musical and theater programs including some from the New Virginia Theater, and school related papers documenting Christiansen's time as a student at the State Normal School for Women at Harrisonburg. The scrapbook also includes Christiansen's handwritten annotations, anecdotes, and classmates' autographs.","Additonal material includes a letter from Louise E. Gibboney inviting Christiansen to become a member of Lee Literary Society as well as a letter from the Executive Board notifying Chapman that she has been appointed to serve as head montior on the first floor of Ashby Hall. ","The scrapbook is \"The School Girl's Memory Book,\" a mass-produced scrapbook designed by Victor de Kubinyi, Barse \u0026 Hopkins, New York. Some pages are blank."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_52d34f667f2bd3dd26faccd7188380f2\"\u003eThe Anne Christiansen Chapman Scrapbook, 1920-1922, comprises a bound scrapbook containing printed emphemera, photographs, programs, and school related papers documenting Chapman's time as a student at the State Normal School for Women at Harrisonburg.\u003c/abstract\u003e"],"abstract_tesim":["The Anne Christiansen Chapman Scrapbook, 1920-1922, comprises a bound scrapbook containing printed emphemera, photographs, programs, and school related papers documenting Chapman's time as a student at the State Normal School for Women at Harrisonburg."],"names_coll_ssim":["State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History","Lee Literary Society","Tyler, Anne Lee Chapman"],"names_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History","Lee Literary Society","Chapman, Anne Sophie Christiansen, 1902-1983","Tyler, Anne Lee Chapman"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History","Lee Literary Society"],"persname_ssim":["Chapman, Anne Sophie Christiansen, 1902-1983","Tyler, Anne Lee Chapman"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:36.405Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_648"}},{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. 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Alumni Association","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_687#abstract_or_scope","type":"document_value","attributes":{"value":"The Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs and printed ephemera.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_687#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_687","ead_ssi":"vihart_repositories_4_resources_687","_root_":"vihart_repositories_4_resources_687","_nest_parent_":"vihart_repositories_4_resources_687","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_687.xml","title_ssm":["Audrey Hawkins Rosenberger papers"],"title_tesim":["Audrey Hawkins Rosenberger papers"],"unitdate_ssm":["1950-1956"],"unitdate_inclusive_ssm":["1950-1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0335","/repositories/4/resources/687"],"text":["SC 0335","/repositories/4/resources/687","Audrey Hawkins Rosenberger papers","Theater programs -- Virginia -- Harrisonburg -- History","Greek letter societies -- Virginia -- Harrisonburg","College students -- Conduct of life -- History","Photographs","Theater programs","Printed Ephemera","Hats","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged chronologically into four folders.","Obituary for Audrey Hawkins Rosenberger, Northern Virginia Daily, April 7, 2016.","The Schoolma'am, 1950. Harrisonburg (Va.): Madison College.","Audrey Louise Hawkins (1927-2016) was born in Charles Town, West Virginia to Roy Benton Hawkins Sr. and Pauline Olive Larrick Hawkins. She attended Madison College and graduated in 1950 with a degree in accounting. While a student, Hawkins was active in the Business Club, YWCA, and Theta Sigma Upsilon, serving as its vice-president her senior year and attending the national convention in the summer of 1949. She also served as the assistant editor of the student handbook. After graduation, Hawkins taught at Ashby Lee Elementary School in Shenandoah County for 19 years.","Hawkins married John William \"Bill\" Rosenberger on November 26, 1950.","Items were originally donated to the Alumni Association by Audrey Rosenberger at an unknown date, but likely before 2016.","The Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs, printed ephemera, and a bucket hat.","The collection includes a program from the Margaret Webster Shakespeare Company's production of \"Julius Caesar\" presented at Madison College on January 10, 1950; the fall 1950 issue of \"The Torch,\" a publication by Theta Sigma Upsilon; Hawkins' Theta Sigma Upsilon bucket hat; three photographs of the 1956 May Day celebrations; and two oversize group photographs, presumably of Theta Sigma Upsilon members. Hawkins is not identified in any of the photographs.","Likely Theta Sigma Upsilon members at sorority events.","A copy of the 1945 Schoolma'am yearbook, a 1949-1950 student handbook, and two issues of The Madison Quarterly (November 1944 and March 1945) were removed from the collection and added to Special Collections holdings.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs and printed ephemera.","James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- History","James Madison University -- History","Margaret Webster Shakespeare Company -- History","Rosenberger, Audrey H. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically into four folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically into four folders."],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Audrey Hawkins Rosenberger, Northern Virginia Daily, April 7, 2016.\u003c/bibref\u003e","\u003cbibref\u003eThe Schoolma'am, 1950. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Audrey Hawkins Rosenberger, Northern Virginia Daily, April 7, 2016.","The Schoolma'am, 1950. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eAudrey Louise Hawkins (1927-2016) was born in Charles Town, West Virginia to Roy Benton Hawkins Sr. and Pauline Olive Larrick Hawkins. She attended Madison College and graduated in 1950 with a degree in accounting. While a student, Hawkins was active in the Business Club, YWCA, and Theta Sigma Upsilon, serving as its vice-president her senior year and attending the national convention in the summer of 1949. She also served as the assistant editor of the student handbook. After graduation, Hawkins taught at Ashby Lee Elementary School in Shenandoah County for 19 years.\u003c/p\u003e\n","\u003cp\u003eHawkins married John William \"Bill\" Rosenberger on November 26, 1950.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Audrey Louise Hawkins (1927-2016) was born in Charles Town, West Virginia to Roy Benton Hawkins Sr. and Pauline Olive Larrick Hawkins. She attended Madison College and graduated in 1950 with a degree in accounting. While a student, Hawkins was active in the Business Club, YWCA, and Theta Sigma Upsilon, serving as its vice-president her senior year and attending the national convention in the summer of 1949. She also served as the assistant editor of the student handbook. After graduation, Hawkins taught at Ashby Lee Elementary School in Shenandoah County for 19 years.","Hawkins married John William \"Bill\" Rosenberger on November 26, 1950."],"custodhist_html_tesm":["\u003cp\u003eItems were originally donated to the Alumni Association by Audrey Rosenberger at an unknown date, but likely before 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Items were originally donated to the Alumni Association by Audrey Rosenberger at an unknown date, but likely before 2016."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Audrey Hawkins Rosenberger Papers, 1950-1956, SC 0335, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Audrey Hawkins Rosenberger Papers, 1950-1956, SC 0335, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs, printed ephemera, and a bucket hat.\u003c/p\u003e\n","\u003cp\u003eThe collection includes a program from the Margaret Webster Shakespeare Company's production of \"Julius Caesar\" presented at Madison College on January 10, 1950; the fall 1950 issue of \"The Torch,\" a publication by Theta Sigma Upsilon; Hawkins' Theta Sigma Upsilon bucket hat; three photographs of the 1956 May Day celebrations; and two oversize group photographs, presumably of Theta Sigma Upsilon members. Hawkins is not identified in any of the photographs.\u003c/p\u003e","\u003cp\u003eLikely Theta Sigma Upsilon members at sorority events.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs, printed ephemera, and a bucket hat.","The collection includes a program from the Margaret Webster Shakespeare Company's production of \"Julius Caesar\" presented at Madison College on January 10, 1950; the fall 1950 issue of \"The Torch,\" a publication by Theta Sigma Upsilon; Hawkins' Theta Sigma Upsilon bucket hat; three photographs of the 1956 May Day celebrations; and two oversize group photographs, presumably of Theta Sigma Upsilon members. Hawkins is not identified in any of the photographs.","Likely Theta Sigma Upsilon members at sorority events."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of the 1945 Schoolma'am yearbook, a 1949-1950 student handbook, and two issues of The Madison Quarterly (November 1944 and March 1945) were removed from the collection and added to Special Collections holdings.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of the 1945 Schoolma'am yearbook, a 1949-1950 student handbook, and two issues of The Madison Quarterly (November 1944 and March 1945) were removed from the collection and added to Special Collections holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a19eb5833c8a96d926b0a5787d84ec8\"\u003eThe Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs and printed ephemera.\u003c/abstract\u003e"],"abstract_tesim":["The Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs and printed ephemera."],"names_coll_ssim":["James Madison University. Alumni Association","Madison College -- History","James Madison University -- History","Margaret Webster Shakespeare Company -- History","Rosenberger, Audrey H. (Audrey Hawkins), 1927-2016"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- History","James Madison University -- History","Margaret Webster Shakespeare Company -- History","Rosenberger, Audrey H. (Audrey Hawkins), 1927-2016"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- History","James Madison University -- History","Margaret Webster Shakespeare Company -- History"],"persname_ssim":["Rosenberger, Audrey H. (Audrey Hawkins), 1927-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:18:16.308Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_687","ead_ssi":"vihart_repositories_4_resources_687","_root_":"vihart_repositories_4_resources_687","_nest_parent_":"vihart_repositories_4_resources_687","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_687.xml","title_ssm":["Audrey Hawkins Rosenberger papers"],"title_tesim":["Audrey Hawkins Rosenberger papers"],"unitdate_ssm":["1950-1956"],"unitdate_inclusive_ssm":["1950-1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0335","/repositories/4/resources/687"],"text":["SC 0335","/repositories/4/resources/687","Audrey Hawkins Rosenberger papers","Theater programs -- Virginia -- Harrisonburg -- History","Greek letter societies -- Virginia -- Harrisonburg","College students -- Conduct of life -- History","Photographs","Theater programs","Printed Ephemera","Hats","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged chronologically into four folders.","Obituary for Audrey Hawkins Rosenberger, Northern Virginia Daily, April 7, 2016.","The Schoolma'am, 1950. Harrisonburg (Va.): Madison College.","Audrey Louise Hawkins (1927-2016) was born in Charles Town, West Virginia to Roy Benton Hawkins Sr. and Pauline Olive Larrick Hawkins. She attended Madison College and graduated in 1950 with a degree in accounting. While a student, Hawkins was active in the Business Club, YWCA, and Theta Sigma Upsilon, serving as its vice-president her senior year and attending the national convention in the summer of 1949. She also served as the assistant editor of the student handbook. 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Hawkins is not identified in any of the photographs.","Likely Theta Sigma Upsilon members at sorority events.","A copy of the 1945 Schoolma'am yearbook, a 1949-1950 student handbook, and two issues of The Madison Quarterly (November 1944 and March 1945) were removed from the collection and added to Special Collections holdings.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs and printed ephemera.","James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- History","James Madison University -- History","Margaret Webster Shakespeare Company -- History","Rosenberger, Audrey H. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically into four folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically into four folders."],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Audrey Hawkins Rosenberger, Northern Virginia Daily, April 7, 2016.\u003c/bibref\u003e","\u003cbibref\u003eThe Schoolma'am, 1950. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Audrey Hawkins Rosenberger, Northern Virginia Daily, April 7, 2016.","The Schoolma'am, 1950. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eAudrey Louise Hawkins (1927-2016) was born in Charles Town, West Virginia to Roy Benton Hawkins Sr. and Pauline Olive Larrick Hawkins. She attended Madison College and graduated in 1950 with a degree in accounting. While a student, Hawkins was active in the Business Club, YWCA, and Theta Sigma Upsilon, serving as its vice-president her senior year and attending the national convention in the summer of 1949. She also served as the assistant editor of the student handbook. After graduation, Hawkins taught at Ashby Lee Elementary School in Shenandoah County for 19 years.\u003c/p\u003e\n","\u003cp\u003eHawkins married John William \"Bill\" Rosenberger on November 26, 1950.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Audrey Louise Hawkins (1927-2016) was born in Charles Town, West Virginia to Roy Benton Hawkins Sr. and Pauline Olive Larrick Hawkins. 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After graduation, Hawkins taught at Ashby Lee Elementary School in Shenandoah County for 19 years.","Hawkins married John William \"Bill\" Rosenberger on November 26, 1950."],"custodhist_html_tesm":["\u003cp\u003eItems were originally donated to the Alumni Association by Audrey Rosenberger at an unknown date, but likely before 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Items were originally donated to the Alumni Association by Audrey Rosenberger at an unknown date, but likely before 2016."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Audrey Hawkins Rosenberger Papers, 1950-1956, SC 0335, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Audrey Hawkins Rosenberger Papers, 1950-1956, SC 0335, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs, printed ephemera, and a bucket hat.\u003c/p\u003e\n","\u003cp\u003eThe collection includes a program from the Margaret Webster Shakespeare Company's production of \"Julius Caesar\" presented at Madison College on January 10, 1950; the fall 1950 issue of \"The Torch,\" a publication by Theta Sigma Upsilon; Hawkins' Theta Sigma Upsilon bucket hat; three photographs of the 1956 May Day celebrations; and two oversize group photographs, presumably of Theta Sigma Upsilon members. Hawkins is not identified in any of the photographs.\u003c/p\u003e","\u003cp\u003eLikely Theta Sigma Upsilon members at sorority events.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs, printed ephemera, and a bucket hat.","The collection includes a program from the Margaret Webster Shakespeare Company's production of \"Julius Caesar\" presented at Madison College on January 10, 1950; the fall 1950 issue of \"The Torch,\" a publication by Theta Sigma Upsilon; Hawkins' Theta Sigma Upsilon bucket hat; three photographs of the 1956 May Day celebrations; and two oversize group photographs, presumably of Theta Sigma Upsilon members. Hawkins is not identified in any of the photographs.","Likely Theta Sigma Upsilon members at sorority events."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of the 1945 Schoolma'am yearbook, a 1949-1950 student handbook, and two issues of The Madison Quarterly (November 1944 and March 1945) were removed from the collection and added to Special Collections holdings.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of the 1945 Schoolma'am yearbook, a 1949-1950 student handbook, and two issues of The Madison Quarterly (November 1944 and March 1945) were removed from the collection and added to Special Collections holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a19eb5833c8a96d926b0a5787d84ec8\"\u003eThe Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs and printed ephemera.\u003c/abstract\u003e"],"abstract_tesim":["The Audrey Hawkins Rosenberger Papers, 1950-1956, document Hawkins' time as a student at Madison College and include photographs and printed ephemera."],"names_coll_ssim":["James Madison University. Alumni Association","Madison College -- History","James Madison University -- History","Margaret Webster Shakespeare Company -- History","Rosenberger, Audrey H. (Audrey Hawkins), 1927-2016"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- History","James Madison University -- History","Margaret Webster Shakespeare Company -- History","Rosenberger, Audrey H. (Audrey Hawkins), 1927-2016"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Alumni Association","Madison College -- History","James Madison University -- History","Margaret Webster Shakespeare Company -- History"],"persname_ssim":["Rosenberger, Audrey H. (Audrey Hawkins), 1927-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:18:16.308Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_687"}},{"id":"vifgm_repositories_2_resources_386","type":"collection","attributes":{"title":"Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_386#creator","type":"document_value","attributes":{"value":"Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_386#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents Bernard Rosenblatt's involvement in the Regional Theater Council for Northern California and Nevada, as well as related organizations. It also includes a collection of playbills from around the United States dating from 1938 - 1979.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_386#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_386","ead_ssi":"vifgm_repositories_2_resources_386","_root_":"vifgm_repositories_2_resources_386","_nest_parent_":"vifgm_repositories_2_resources_386","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_386.xml","title_ssm":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"title_tesim":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"unitdate_ssm":["1938 - 1979"],"unitdate_inclusive_ssm":["1938 - 1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0260","/repositories/2/resources/386"],"text":["C0260","/repositories/2/resources/386","Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers","Theater -- United States","Theater programs","There are no access restrictions.","The collection is arranged in three boxes by format and chronologically.","The Regional Theater Council (RTC) for Northern California and Nevada was a regional affiliate of the American National Theater and Academy (ANTA), an organization created to promote and support the development of American theatre. RTC, founded in the early 1950s, drew its membership from community and university theatres around the region. RTC disbanded by 1969 due to lack of interest, fragmentation, and absorption by other related organizations, such as the California Educational Theater Association (CETA), the Northern California District of the American Educational Theater Association (NCD-AETA), and the American Community Theater Association (ACTA).  \nBernard Rosenblatt, a professor at San Joaquin Delta College, served as president of RTC in the mid and late 1960s, and served as Vice President of the NCD-AETA upon its formation in 1968.","Processing completed by Elizabeth Beckman in June 2015. EAD markup completed by Elizabeth Beckman in June 2015. Box inventory created by Savannah Long in November 2022. Finding aid updated by Amanda Menjivar in November 2022.","The Special Collections Research Center also holds the  , which includes extensive documentation of ANTA.","This collection documents the activities of Bernard Rosenblatt and the Regional Theater Council for Northern California and Nevada, as well as related organizations such as the Northern California District of the American Educational Theatre Association and the American Community Theatre Association. Types of records include correspondence, meeting minutes, organizational constitutions, histories, and newsletters dating from 1960 - 1969. Also included is Bernard Rosenblatt's collection of theatre programs from institutions across the United States (from the Metropolitan Opera to community theatre productions) dating from 1938-1979. The organizational records are located in boxes 1 and 2, and the theatre programs are located in boxes 2 and 3.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection documents Bernard Rosenblatt's involvement in the Regional Theater Council for Northern California and Nevada, as well as related organizations.  It also includes a collection of playbills from around the United States dating from 1938 - 1979.","R 50, C 4, S 5","George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969","English \n.    "],"unitid_tesim":["C0260","/repositories/2/resources/386"],"normalized_title_ssm":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"collection_title_tesim":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"collection_ssim":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"creator_ssim":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"creator_persname_ssim":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"creators_ssim":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Bernard Rosenblatt in 1995."],"access_subjects_ssim":["Theater -- United States","Theater programs"],"access_subjects_ssm":["Theater -- United States","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 boxes"],"extent_tesim":["1.5 Linear Feet 3 boxes"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three boxes by format and chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three boxes by format and chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe Regional Theater Council (RTC) for Northern California and Nevada was a regional affiliate of the American National Theater and Academy (ANTA), an organization created to promote and support the development of American theatre. RTC, founded in the early 1950s, drew its membership from community and university theatres around the region. RTC disbanded by 1969 due to lack of interest, fragmentation, and absorption by other related organizations, such as the California Educational Theater Association (CETA), the Northern California District of the American Educational Theater Association (NCD-AETA), and the American Community Theater Association (ACTA).  \nBernard Rosenblatt, a professor at San Joaquin Delta College, served as president of RTC in the mid and late 1960s, and served as Vice President of the NCD-AETA upon its formation in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Regional Theater Council (RTC) for Northern California and Nevada was a regional affiliate of the American National Theater and Academy (ANTA), an organization created to promote and support the development of American theatre. RTC, founded in the early 1950s, drew its membership from community and university theatres around the region. RTC disbanded by 1969 due to lack of interest, fragmentation, and absorption by other related organizations, such as the California Educational Theater Association (CETA), the Northern California District of the American Educational Theater Association (NCD-AETA), and the American Community Theater Association (ACTA).  \nBernard Rosenblatt, a professor at San Joaquin Delta College, served as president of RTC in the mid and late 1960s, and served as Vice President of the NCD-AETA upon its formation in 1968."],"prefercite_html_tesm":["\u003cp\u003eBernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers, C0260, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers, C0260, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in June 2015. EAD markup completed by Elizabeth Beckman in June 2015. Box inventory created by Savannah Long in November 2022. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in June 2015. EAD markup completed by Elizabeth Beckman in June 2015. Box inventory created by Savannah Long in November 2022. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Robert and Wilva Breen papers\" href=\"https://aspace.gmu.edu/resources/c0004\"\u003e\u003c/extptr\u003e, which includes extensive documentation of ANTA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , which includes extensive documentation of ANTA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Bernard Rosenblatt and the Regional Theater Council for Northern California and Nevada, as well as related organizations such as the Northern California District of the American Educational Theatre Association and the American Community Theatre Association. Types of records include correspondence, meeting minutes, organizational constitutions, histories, and newsletters dating from 1960 - 1969. Also included is Bernard Rosenblatt's collection of theatre programs from institutions across the United States (from the Metropolitan Opera to community theatre productions) dating from 1938-1979. The organizational records are located in boxes 1 and 2, and the theatre programs are located in boxes 2 and 3.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection documents the activities of Bernard Rosenblatt and the Regional Theater Council for Northern California and Nevada, as well as related organizations such as the Northern California District of the American Educational Theatre Association and the American Community Theatre Association. Types of records include correspondence, meeting minutes, organizational constitutions, histories, and newsletters dating from 1960 - 1969. Also included is Bernard Rosenblatt's collection of theatre programs from institutions across the United States (from the Metropolitan Opera to community theatre productions) dating from 1938-1979. The organizational records are located in boxes 1 and 2, and the theatre programs are located in boxes 2 and 3."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c63ac6f95aef2bac4a30f4fe5c8add4e\"\u003eThis collection documents Bernard Rosenblatt's involvement in the Regional Theater Council for Northern California and Nevada, as well as related organizations.  It also includes a collection of playbills from around the United States dating from 1938 - 1979.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents Bernard Rosenblatt's involvement in the Regional Theater Council for Northern California and Nevada, as well as related organizations.  It also includes a collection of playbills from around the United States dating from 1938 - 1979."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1cba5636c0f00121c2887def4c300b0c\"\u003eR 50, C 4, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 50, C 4, S 5"],"names_coll_ssim":["ANTA (Organization)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)"],"persname_ssim":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_386","ead_ssi":"vifgm_repositories_2_resources_386","_root_":"vifgm_repositories_2_resources_386","_nest_parent_":"vifgm_repositories_2_resources_386","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_386.xml","title_ssm":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"title_tesim":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"unitdate_ssm":["1938 - 1979"],"unitdate_inclusive_ssm":["1938 - 1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0260","/repositories/2/resources/386"],"text":["C0260","/repositories/2/resources/386","Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers","Theater -- United States","Theater programs","There are no access restrictions.","The collection is arranged in three boxes by format and chronologically.","The Regional Theater Council (RTC) for Northern California and Nevada was a regional affiliate of the American National Theater and Academy (ANTA), an organization created to promote and support the development of American theatre. RTC, founded in the early 1950s, drew its membership from community and university theatres around the region. RTC disbanded by 1969 due to lack of interest, fragmentation, and absorption by other related organizations, such as the California Educational Theater Association (CETA), the Northern California District of the American Educational Theater Association (NCD-AETA), and the American Community Theater Association (ACTA).  \nBernard Rosenblatt, a professor at San Joaquin Delta College, served as president of RTC in the mid and late 1960s, and served as Vice President of the NCD-AETA upon its formation in 1968.","Processing completed by Elizabeth Beckman in June 2015. EAD markup completed by Elizabeth Beckman in June 2015. Box inventory created by Savannah Long in November 2022. Finding aid updated by Amanda Menjivar in November 2022.","The Special Collections Research Center also holds the  , which includes extensive documentation of ANTA.","This collection documents the activities of Bernard Rosenblatt and the Regional Theater Council for Northern California and Nevada, as well as related organizations such as the Northern California District of the American Educational Theatre Association and the American Community Theatre Association. Types of records include correspondence, meeting minutes, organizational constitutions, histories, and newsletters dating from 1960 - 1969. Also included is Bernard Rosenblatt's collection of theatre programs from institutions across the United States (from the Metropolitan Opera to community theatre productions) dating from 1938-1979. The organizational records are located in boxes 1 and 2, and the theatre programs are located in boxes 2 and 3.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection documents Bernard Rosenblatt's involvement in the Regional Theater Council for Northern California and Nevada, as well as related organizations.  It also includes a collection of playbills from around the United States dating from 1938 - 1979.","R 50, C 4, S 5","George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969","English \n.    "],"unitid_tesim":["C0260","/repositories/2/resources/386"],"normalized_title_ssm":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"collection_title_tesim":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"collection_ssim":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"creator_ssim":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"creator_persname_ssim":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"creators_ssim":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Bernard Rosenblatt in 1995."],"access_subjects_ssim":["Theater -- United States","Theater programs"],"access_subjects_ssm":["Theater -- United States","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 boxes"],"extent_tesim":["1.5 Linear Feet 3 boxes"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three boxes by format and chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three boxes by format and chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe Regional Theater Council (RTC) for Northern California and Nevada was a regional affiliate of the American National Theater and Academy (ANTA), an organization created to promote and support the development of American theatre. RTC, founded in the early 1950s, drew its membership from community and university theatres around the region. RTC disbanded by 1969 due to lack of interest, fragmentation, and absorption by other related organizations, such as the California Educational Theater Association (CETA), the Northern California District of the American Educational Theater Association (NCD-AETA), and the American Community Theater Association (ACTA).  \nBernard Rosenblatt, a professor at San Joaquin Delta College, served as president of RTC in the mid and late 1960s, and served as Vice President of the NCD-AETA upon its formation in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Regional Theater Council (RTC) for Northern California and Nevada was a regional affiliate of the American National Theater and Academy (ANTA), an organization created to promote and support the development of American theatre. RTC, founded in the early 1950s, drew its membership from community and university theatres around the region. RTC disbanded by 1969 due to lack of interest, fragmentation, and absorption by other related organizations, such as the California Educational Theater Association (CETA), the Northern California District of the American Educational Theater Association (NCD-AETA), and the American Community Theater Association (ACTA).  \nBernard Rosenblatt, a professor at San Joaquin Delta College, served as president of RTC in the mid and late 1960s, and served as Vice President of the NCD-AETA upon its formation in 1968."],"prefercite_html_tesm":["\u003cp\u003eBernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers, C0260, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Bernard Rosenblatt Regional Theatre Council for Northern California and Nevada papers, C0260, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in June 2015. EAD markup completed by Elizabeth Beckman in June 2015. Box inventory created by Savannah Long in November 2022. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in June 2015. EAD markup completed by Elizabeth Beckman in June 2015. Box inventory created by Savannah Long in November 2022. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Robert and Wilva Breen papers\" href=\"https://aspace.gmu.edu/resources/c0004\"\u003e\u003c/extptr\u003e, which includes extensive documentation of ANTA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , which includes extensive documentation of ANTA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Bernard Rosenblatt and the Regional Theater Council for Northern California and Nevada, as well as related organizations such as the Northern California District of the American Educational Theatre Association and the American Community Theatre Association. Types of records include correspondence, meeting minutes, organizational constitutions, histories, and newsletters dating from 1960 - 1969. Also included is Bernard Rosenblatt's collection of theatre programs from institutions across the United States (from the Metropolitan Opera to community theatre productions) dating from 1938-1979. The organizational records are located in boxes 1 and 2, and the theatre programs are located in boxes 2 and 3.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection documents the activities of Bernard Rosenblatt and the Regional Theater Council for Northern California and Nevada, as well as related organizations such as the Northern California District of the American Educational Theatre Association and the American Community Theatre Association. Types of records include correspondence, meeting minutes, organizational constitutions, histories, and newsletters dating from 1960 - 1969. Also included is Bernard Rosenblatt's collection of theatre programs from institutions across the United States (from the Metropolitan Opera to community theatre productions) dating from 1938-1979. The organizational records are located in boxes 1 and 2, and the theatre programs are located in boxes 2 and 3."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c63ac6f95aef2bac4a30f4fe5c8add4e\"\u003eThis collection documents Bernard Rosenblatt's involvement in the Regional Theater Council for Northern California and Nevada, as well as related organizations.  It also includes a collection of playbills from around the United States dating from 1938 - 1979.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents Bernard Rosenblatt's involvement in the Regional Theater Council for Northern California and Nevada, as well as related organizations.  It also includes a collection of playbills from around the United States dating from 1938 - 1979."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1cba5636c0f00121c2887def4c300b0c\"\u003eR 50, C 4, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 50, C 4, S 5"],"names_coll_ssim":["ANTA (Organization)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)"],"persname_ssim":["Rosenblatt, Bernard A. (Bernard Abraham), 1886-1969"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_386"}},{"id":"vifgm_repositories_2_resources_111","type":"collection","attributes":{"title":"Broadway souvenir theatre programs collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_111","ead_ssi":"vifgm_repositories_2_resources_111","_root_":"vifgm_repositories_2_resources_111","_nest_parent_":"vifgm_repositories_2_resources_111","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_111.xml","title_ssm":["Broadway souvenir theatre programs collection"],"title_tesim":["Broadway souvenir theatre programs collection"],"unitdate_ssm":["1942-1997"],"unitdate_inclusive_ssm":["1942-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0182","/repositories/2/resources/111"],"text":["C0182","/repositories/2/resources/111","Broadway souvenir theatre programs collection","Broadway (New York, N.Y.)","Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York","There are no access restrictions.","This collection is arranged alphabetically by production title.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.","The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.","Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.","The Special Collections Research Center holds other playbill and theatre-related collections.","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","R43, C5, S1 - S7","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0182","/repositories/2/resources/111"],"normalized_title_ssm":["Broadway souvenir theatre programs collection"],"collection_title_tesim":["Broadway souvenir theatre programs collection"],"collection_ssim":["Broadway souvenir theatre programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["2.75 Linear Feet 6 boxes"],"extent_tesim":["2.75 Linear Feet 6 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by production title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by production title."],"bibliography_html_tesm":["\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020."],"bioghist_html_tesm":["\u003cp\u003eThe Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim."],"prefercite_html_tesm":["\u003cp\u003eBroadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Broadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other playbill and theatre-related collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other playbill and theatre-related collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.\u003c/p\u003e","\u003cp\u003eStarring Sydney Poitier.\u003c/p\u003e","\u003cp\u003eStarring Liza Minnelli and Barry Nelson.\u003c/p\u003e","\u003cp\u003eStarring June Havoc.\u003c/p\u003e","\u003cp\u003eStarring Viveca Lindfors and Eugenie Leontovich.\u003c/p\u003e","\u003cp\u003eStarring Andrea McArdle and Reid Shelton.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.\u003c/p\u003e","\u003cp\u003eStarring Lauren Bacall; Includes Program\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring Nancy Dussault; Includes 2 newspaper articles.\u003c/p\u003e","\u003cp\u003eStarring Jim Dale and Glenn Close.\u003c/p\u003e","\u003cp\u003eStarring Susan Egan and Terrence Mann.\u003c/p\u003e","\u003cp\u003eStarring Judy Holliday.\u003c/p\u003e","\u003cp\u003eStarring Ruth Brown, Linda Hopkins, and Carrie Smith\u003c/p\u003e","\u003cp\u003eStarring Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Jean Bayless and John Hewer.\u003c/p\u003e","\u003cp\u003eStarring Mickey Rooney and Ann Miller.\u003c/p\u003e","\u003cp\u003eStarring Kim Stanley.\u003c/p\u003e","\u003cp\u003eStarring Shirley Booth and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera and Dick Van Dyke.\u003c/p\u003e","\u003cp\u003eIncludes special record of excerpts from the Columbia Original Cast Album\u003c/p\u003e","\u003cp\u003eStarring Barry Sullivan, John Hodiak, and Lloyd Nolan.\u003c/p\u003e","\u003cp\u003eStarring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Robert Goulet.\u003c/p\u003e","\u003cp\u003eStarring Richard Burton, Julie Andrews, and Robert Goulet.\u003c/p\u003e","\u003cp\u003eLilo\u003c/p\u003e","\u003cp\u003eStarring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.\u003c/p\u003e","\u003cp\u003eStarring Anna Maria Alberghetti.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Chris Brown and Kay Gayner; Not Original Cast\u003c/p\u003e","\u003cp\u003eStarring James Naughton and Gregg Edelman.\u003c/p\u003e","\u003cp\u003eStarring Katharine Hepburn.\u003c/p\u003e","\u003cp\u003eStarring Harry Groener and Jodi Benson.\u003c/p\u003e","\u003cp\u003eStarring Bill Van Dijk.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon.\u003c/p\u003e","\u003cp\u003eStarring Bebe Neuwirth and Victor Garber.\u003c/p\u003e","\u003cp\u003eStarring Gail Benedict.\u003c/p\u003e","\u003cp\u003eStarring Andy Griffith and Dolores Gray.\u003c/p\u003e","\u003cp\u003eIncludes Newspaper Article from April 2, 1961\u003c/p\u003e","\u003cp\u003eStarring Joseph Schildkraut and Susan Strasberg.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers.\u003c/p\u003e","\u003cp\u003eStarring Frank Langella.\u003c/p\u003e","\u003cp\u003eStarring Laurence Olivier.\u003c/p\u003e","\u003cp\u003eStarring Patti LuPone, Mandy Patinkin, and Bob Gunton.\u003c/p\u003e","\u003cp\u003eStarring Ezio Pinza and Walter Slezak.\u003c/p\u003e","\u003cp\u003e25th Anniversary Production; Starring Chaim Topol.\u003c/p\u003e","\u003cp\u003eStarring Tom Bosley; Includes Newspaper Article on Tom Bosley\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eThe Story of Judy Garland.\u003c/p\u003e","\u003cp\u003eRepeat copy from previous folder; Includes Newspaper Article\u003c/p\u003e","\u003cp\u003eStarring Joel Grey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eStarring Vivian Blaine.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Alec McCowen.\u003c/p\u003e","\u003cp\u003eIncludes a number of newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and Fernando Lamas.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and David Wayne.\u003c/p\u003e","\u003cp\u003eStarring Shelley Winters and Ben Gazzara.\u003c/p\u003e","\u003cp\u003eStarring Freddie Trenkler and Carol Lynne.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Carol Channing.\u003c/p\u003e","\u003cp\u003eStarring Pearl Bailey; Includes newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Robert Preston; Includes newspaper article about the production\u003c/p\u003e","\u003cp\u003eStarring Elizabeth Seal and Keith Michell.\u003c/p\u003e","\u003cp\u003eStarring Jack Lemmon.\u003c/p\u003e","\u003cp\u003eStarring Lena Horne and Ricardo Montalban.\u003c/p\u003e","\u003cp\u003eStarring Christopher Plummer, Basil Rathbone, and James Daly.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Michael Damian.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Donny Osmond.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.\u003c/p\u003e","\u003cp\u003eStarring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison, Claudette Colbert, and George Rose.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake and Patricia Morison.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera, Brent Carver, and Anthony Crivello.\u003c/p\u003e","\u003cp\u003eStarring Julie Harris and Boris Karloff.\u003c/p\u003e","\u003cp\u003eStarring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eStarring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.\u003c/p\u003e","\u003cp\u003eStarring Irene Worth, Mercedes Ruehl, and Kevin Spacey.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury.\u003c/p\u003e","\u003cp\u003eStarring Raul Julia, Sheena Easton, and Tony Martinez.\u003c/p\u003e","\u003cp\u003eStarring Brooks Atkinson, David Atkinson, and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Charles Boyer and Claudette Colbert.\u003c/p\u003e","\u003cp\u003eStarring James Brennan, Judy Blazer, Jay Garner; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Ethel Waters and Julie Harris.\u003c/p\u003e","\u003cp\u003eWritten by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.\u003c/p\u003e","\u003cp\u003eStarring Anne Bancroft, Patty Duke, and Torin Thatcher.\u003c/p\u003e","\u003cp\u003eStarring Jonathan Pryce, Lea Salonga, and Willy Falk.\u003c/p\u003e","\u003cp\u003eStarring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.\u003c/p\u003e","\u003cp\u003eStarring Robert Weede.\u003c/p\u003e","\u003cp\u003eStarring Robert Preston.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison and Julie Andrews.\u003c/p\u003e","\u003cp\u003eStarring Richard Chamberlain.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.\u003c/p\u003e","\u003cp\u003eStarring Betty Garde, Harry Stockwell, and Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.\u003c/p\u003e","\u003cp\u003eStarring Ron Moody; Film version\u003c/p\u003e","\u003cp\u003eWritten by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.\u003c/p\u003e","\u003cp\u003eStarring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978\u003c/p\u003e","\u003cp\u003eStarring Lillias White (Appears on flyer but not in playbill)\u003c/p\u003e","\u003cp\u003eStarring James Barton and Olga San Juan.\u003c/p\u003e","\u003cp\u003eStarring John Raitt, Janis Paige, and Eddie Foy, Jr.\u003c/p\u003e","\u003cp\u003eStarring Vivienne Segal and Harold Lang.\u003c/p\u003e","\u003cp\u003eStarring Jean Arthur, Boris Karloff, and Marcia Henderson.\u003c/p\u003e","\u003cp\u003ePantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.\u003c/p\u003e","\u003cp\u003eStarring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Richard Derr and Barbara Cook.\u003c/p\u003e","\u003cp\u003eStarring Maureen Stapleton and Don Porter.\u003c/p\u003e","\u003cp\u003eStarring Jerry Orbach, Jill O'Hara, and Edward Winter.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Richard Kiley.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, Vivian Blaine, and Johnny Desmond.\u003c/p\u003e","\u003cp\u003eStarring Christopher Young, James Parker; Film version\u003c/p\u003e","\u003cp\u003eStarring Tom Ewell and Vanessa Brown.\u003c/p\u003e","\u003cp\u003eStarring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.\u003c/p\u003e","\u003cp\u003eStarring Hildegarde Neff and Don Ameche.\u003c/p\u003e","\u003cp\u003eStarring DeLee Lively, Michael Park, and Ken Ard.\u003c/p\u003e","\u003cp\u003eStarring Irra Petina, Lawrence Brooks, and Helena Bliss.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Ezio Pinza.\u003c/p\u003e","\u003cp\u003eStarring Florence Henderson and Giorgio Tozzi.\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eStarring Scott Wise, Ben Wright, and Jackie Angelescu.\u003c/p\u003e","\u003cp\u003eStarring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Ralph Bellamy, Mary Fickett, and Henry Jones.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury, Len Cariou, and Cris Groenendaal.\u003c/p\u003e","\u003cp\u003eStarring Paul Newman, Geraldine Page, and Sydney Blackmer.\u003c/p\u003e","\u003cp\u003eStarring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, John Forsythe, and Mariko Niki.\u003c/p\u003e","\u003cp\u003eStarring Maurice Evans and Ron Husmann.\u003c/p\u003e","\u003cp\u003eStarring Eartha Kitt, Melba Moore, and Gilbert Price.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers and Audrey Meadows.\u003c/p\u003e","\u003cp\u003eStarring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.\u003c/p\u003e","\u003cp\u003eStarring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Tammy Grimes and Harve Presnell.\u003c/p\u003e","\u003cp\u003eStarring Julie Andrews, Tony Roberts, and Michael Nouri.\u003c/p\u003e","\u003cp\u003eStarring Thomas Hasson, George Marcy, and Pat Birch.\u003c/p\u003e","\u003cp\u003eStarring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.\u003c/p\u003e","\u003cp\u003eStarring Ray Bolger.\u003c/p\u003e","\u003cp\u003eStarring Lucille Ball and Keith Andes.\u003c/p\u003e","\u003cp\u003eStarring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.\u003c/p\u003e","\u003cp\u003eWritten by Moss Hart.\u003c/p\u003e","\u003cp\u003estarring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring France Nuyen, William Shatner, and Ron Randell.\u003c/p\u003e","\u003cp\u003eStarring William Daniels, Paul Hecht, Clifford David, and Roy Poole.\u003c/p\u003e","\u003cp\u003eStarring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bee07ba592a9093c395e24c430464c9f\" label=\"Abstract\"\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_50e2d6e41029baee7b2391636d5da92a\"\u003eR43, C5, S1 - S7\u003c/physloc\u003e"],"physloc_tesim":["R43, C5, S1 - S7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_111","ead_ssi":"vifgm_repositories_2_resources_111","_root_":"vifgm_repositories_2_resources_111","_nest_parent_":"vifgm_repositories_2_resources_111","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_111.xml","title_ssm":["Broadway souvenir theatre programs collection"],"title_tesim":["Broadway souvenir theatre programs collection"],"unitdate_ssm":["1942-1997"],"unitdate_inclusive_ssm":["1942-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0182","/repositories/2/resources/111"],"text":["C0182","/repositories/2/resources/111","Broadway souvenir theatre programs collection","Broadway (New York, N.Y.)","Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York","There are no access restrictions.","This collection is arranged alphabetically by production title.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.","The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.","Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.","The Special Collections Research Center holds other playbill and theatre-related collections.","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","R43, C5, S1 - S7","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0182","/repositories/2/resources/111"],"normalized_title_ssm":["Broadway souvenir theatre programs collection"],"collection_title_tesim":["Broadway souvenir theatre programs collection"],"collection_ssim":["Broadway souvenir theatre programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["2.75 Linear Feet 6 boxes"],"extent_tesim":["2.75 Linear Feet 6 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by production title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by production title."],"bibliography_html_tesm":["\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020."],"bioghist_html_tesm":["\u003cp\u003eThe Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim."],"prefercite_html_tesm":["\u003cp\u003eBroadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Broadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other playbill and theatre-related collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other playbill and theatre-related collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.\u003c/p\u003e","\u003cp\u003eStarring Sydney Poitier.\u003c/p\u003e","\u003cp\u003eStarring Liza Minnelli and Barry Nelson.\u003c/p\u003e","\u003cp\u003eStarring June Havoc.\u003c/p\u003e","\u003cp\u003eStarring Viveca Lindfors and Eugenie Leontovich.\u003c/p\u003e","\u003cp\u003eStarring Andrea McArdle and Reid Shelton.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.\u003c/p\u003e","\u003cp\u003eStarring Lauren Bacall; Includes Program\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring Nancy Dussault; Includes 2 newspaper articles.\u003c/p\u003e","\u003cp\u003eStarring Jim Dale and Glenn Close.\u003c/p\u003e","\u003cp\u003eStarring Susan Egan and Terrence Mann.\u003c/p\u003e","\u003cp\u003eStarring Judy Holliday.\u003c/p\u003e","\u003cp\u003eStarring Ruth Brown, Linda Hopkins, and Carrie Smith\u003c/p\u003e","\u003cp\u003eStarring Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Jean Bayless and John Hewer.\u003c/p\u003e","\u003cp\u003eStarring Mickey Rooney and Ann Miller.\u003c/p\u003e","\u003cp\u003eStarring Kim Stanley.\u003c/p\u003e","\u003cp\u003eStarring Shirley Booth and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera and Dick Van Dyke.\u003c/p\u003e","\u003cp\u003eIncludes special record of excerpts from the Columbia Original Cast Album\u003c/p\u003e","\u003cp\u003eStarring Barry Sullivan, John Hodiak, and Lloyd Nolan.\u003c/p\u003e","\u003cp\u003eStarring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Robert Goulet.\u003c/p\u003e","\u003cp\u003eStarring Richard Burton, Julie Andrews, and Robert Goulet.\u003c/p\u003e","\u003cp\u003eLilo\u003c/p\u003e","\u003cp\u003eStarring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.\u003c/p\u003e","\u003cp\u003eStarring Anna Maria Alberghetti.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Chris Brown and Kay Gayner; Not Original Cast\u003c/p\u003e","\u003cp\u003eStarring James Naughton and Gregg Edelman.\u003c/p\u003e","\u003cp\u003eStarring Katharine Hepburn.\u003c/p\u003e","\u003cp\u003eStarring Harry Groener and Jodi Benson.\u003c/p\u003e","\u003cp\u003eStarring Bill Van Dijk.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon.\u003c/p\u003e","\u003cp\u003eStarring Bebe Neuwirth and Victor Garber.\u003c/p\u003e","\u003cp\u003eStarring Gail Benedict.\u003c/p\u003e","\u003cp\u003eStarring Andy Griffith and Dolores Gray.\u003c/p\u003e","\u003cp\u003eIncludes Newspaper Article from April 2, 1961\u003c/p\u003e","\u003cp\u003eStarring Joseph Schildkraut and Susan Strasberg.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers.\u003c/p\u003e","\u003cp\u003eStarring Frank Langella.\u003c/p\u003e","\u003cp\u003eStarring Laurence Olivier.\u003c/p\u003e","\u003cp\u003eStarring Patti LuPone, Mandy Patinkin, and Bob Gunton.\u003c/p\u003e","\u003cp\u003eStarring Ezio Pinza and Walter Slezak.\u003c/p\u003e","\u003cp\u003e25th Anniversary Production; Starring Chaim Topol.\u003c/p\u003e","\u003cp\u003eStarring Tom Bosley; Includes Newspaper Article on Tom Bosley\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eThe Story of Judy Garland.\u003c/p\u003e","\u003cp\u003eRepeat copy from previous folder; Includes Newspaper Article\u003c/p\u003e","\u003cp\u003eStarring Joel Grey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eStarring Vivian Blaine.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Alec McCowen.\u003c/p\u003e","\u003cp\u003eIncludes a number of newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and Fernando Lamas.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and David Wayne.\u003c/p\u003e","\u003cp\u003eStarring Shelley Winters and Ben Gazzara.\u003c/p\u003e","\u003cp\u003eStarring Freddie Trenkler and Carol Lynne.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Carol Channing.\u003c/p\u003e","\u003cp\u003eStarring Pearl Bailey; Includes newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Robert Preston; Includes newspaper article about the production\u003c/p\u003e","\u003cp\u003eStarring Elizabeth Seal and Keith Michell.\u003c/p\u003e","\u003cp\u003eStarring Jack Lemmon.\u003c/p\u003e","\u003cp\u003eStarring Lena Horne and Ricardo Montalban.\u003c/p\u003e","\u003cp\u003eStarring Christopher Plummer, Basil Rathbone, and James Daly.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Michael Damian.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Donny Osmond.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.\u003c/p\u003e","\u003cp\u003eStarring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison, Claudette Colbert, and George Rose.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake and Patricia Morison.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera, Brent Carver, and Anthony Crivello.\u003c/p\u003e","\u003cp\u003eStarring Julie Harris and Boris Karloff.\u003c/p\u003e","\u003cp\u003eStarring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eStarring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.\u003c/p\u003e","\u003cp\u003eStarring Irene Worth, Mercedes Ruehl, and Kevin Spacey.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury.\u003c/p\u003e","\u003cp\u003eStarring Raul Julia, Sheena Easton, and Tony Martinez.\u003c/p\u003e","\u003cp\u003eStarring Brooks Atkinson, David Atkinson, and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Charles Boyer and Claudette Colbert.\u003c/p\u003e","\u003cp\u003eStarring James Brennan, Judy Blazer, Jay Garner; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Ethel Waters and Julie Harris.\u003c/p\u003e","\u003cp\u003eWritten by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.\u003c/p\u003e","\u003cp\u003eStarring Anne Bancroft, Patty Duke, and Torin Thatcher.\u003c/p\u003e","\u003cp\u003eStarring Jonathan Pryce, Lea Salonga, and Willy Falk.\u003c/p\u003e","\u003cp\u003eStarring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.\u003c/p\u003e","\u003cp\u003eStarring Robert Weede.\u003c/p\u003e","\u003cp\u003eStarring Robert Preston.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison and Julie Andrews.\u003c/p\u003e","\u003cp\u003eStarring Richard Chamberlain.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.\u003c/p\u003e","\u003cp\u003eStarring Betty Garde, Harry Stockwell, and Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.\u003c/p\u003e","\u003cp\u003eStarring Ron Moody; Film version\u003c/p\u003e","\u003cp\u003eWritten by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.\u003c/p\u003e","\u003cp\u003eStarring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978\u003c/p\u003e","\u003cp\u003eStarring Lillias White (Appears on flyer but not in playbill)\u003c/p\u003e","\u003cp\u003eStarring James Barton and Olga San Juan.\u003c/p\u003e","\u003cp\u003eStarring John Raitt, Janis Paige, and Eddie Foy, Jr.\u003c/p\u003e","\u003cp\u003eStarring Vivienne Segal and Harold Lang.\u003c/p\u003e","\u003cp\u003eStarring Jean Arthur, Boris Karloff, and Marcia Henderson.\u003c/p\u003e","\u003cp\u003ePantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.\u003c/p\u003e","\u003cp\u003eStarring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Richard Derr and Barbara Cook.\u003c/p\u003e","\u003cp\u003eStarring Maureen Stapleton and Don Porter.\u003c/p\u003e","\u003cp\u003eStarring Jerry Orbach, Jill O'Hara, and Edward Winter.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Richard Kiley.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, Vivian Blaine, and Johnny Desmond.\u003c/p\u003e","\u003cp\u003eStarring Christopher Young, James Parker; Film version\u003c/p\u003e","\u003cp\u003eStarring Tom Ewell and Vanessa Brown.\u003c/p\u003e","\u003cp\u003eStarring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.\u003c/p\u003e","\u003cp\u003eStarring Hildegarde Neff and Don Ameche.\u003c/p\u003e","\u003cp\u003eStarring DeLee Lively, Michael Park, and Ken Ard.\u003c/p\u003e","\u003cp\u003eStarring Irra Petina, Lawrence Brooks, and Helena Bliss.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Ezio Pinza.\u003c/p\u003e","\u003cp\u003eStarring Florence Henderson and Giorgio Tozzi.\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eStarring Scott Wise, Ben Wright, and Jackie Angelescu.\u003c/p\u003e","\u003cp\u003eStarring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Ralph Bellamy, Mary Fickett, and Henry Jones.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury, Len Cariou, and Cris Groenendaal.\u003c/p\u003e","\u003cp\u003eStarring Paul Newman, Geraldine Page, and Sydney Blackmer.\u003c/p\u003e","\u003cp\u003eStarring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, John Forsythe, and Mariko Niki.\u003c/p\u003e","\u003cp\u003eStarring Maurice Evans and Ron Husmann.\u003c/p\u003e","\u003cp\u003eStarring Eartha Kitt, Melba Moore, and Gilbert Price.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers and Audrey Meadows.\u003c/p\u003e","\u003cp\u003eStarring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.\u003c/p\u003e","\u003cp\u003eStarring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Tammy Grimes and Harve Presnell.\u003c/p\u003e","\u003cp\u003eStarring Julie Andrews, Tony Roberts, and Michael Nouri.\u003c/p\u003e","\u003cp\u003eStarring Thomas Hasson, George Marcy, and Pat Birch.\u003c/p\u003e","\u003cp\u003eStarring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.\u003c/p\u003e","\u003cp\u003eStarring Ray Bolger.\u003c/p\u003e","\u003cp\u003eStarring Lucille Ball and Keith Andes.\u003c/p\u003e","\u003cp\u003eStarring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.\u003c/p\u003e","\u003cp\u003eWritten by Moss Hart.\u003c/p\u003e","\u003cp\u003estarring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring France Nuyen, William Shatner, and Ron Randell.\u003c/p\u003e","\u003cp\u003eStarring William Daniels, Paul Hecht, Clifford David, and Roy Poole.\u003c/p\u003e","\u003cp\u003eStarring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bee07ba592a9093c395e24c430464c9f\" label=\"Abstract\"\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_50e2d6e41029baee7b2391636d5da92a\"\u003eR43, C5, S1 - S7\u003c/physloc\u003e"],"physloc_tesim":["R43, C5, S1 - S7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111"}},{"id":"vifgm_repositories_2_resources_552","type":"collection","attributes":{"title":"Carol Berger Chicago performing arts playbills collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_552#creator","type":"document_value","attributes":{"value":"Berger, Carol","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_552#abstract_or_scope","type":"document_value","attributes":{"value":"This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_552#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_552","ead_ssi":"vifgm_repositories_2_resources_552","_root_":"vifgm_repositories_2_resources_552","_nest_parent_":"vifgm_repositories_2_resources_552","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_552.xml","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263","/repositories/2/resources/552"],"text":["C0263","/repositories/2/resources/552","Carol Berger Chicago performing arts playbills collection","Chicago (Ill.)","Performing arts","Theater programs","Theater -- United States","Theater","There are no access restrictions.","This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.","","The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.","Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.","The Special Collections Research Center holds many other ","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. Special Collections Research Center","Berger, Carol","English \n.    "],"unitid_tesim":["C0263","/repositories/2/resources/552"],"normalized_title_ssm":["Carol Berger Chicago performing arts playbills collection"],"collection_title_tesim":["Carol Berger Chicago performing arts playbills collection"],"collection_ssim":["Carol Berger Chicago performing arts playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Chicago (Ill.)"],"geogname_ssim":["Chicago (Ill.)"],"creator_ssm":["Berger, Carol"],"creator_ssim":["Berger, Carol"],"creator_persname_ssim":["Berger, Carol"],"creators_ssim":["Berger, Carol"],"places_ssim":["Chicago (Ill.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Carol Berger in 2015."],"access_subjects_ssim":["Performing arts","Theater programs","Theater -- United States","Theater"],"access_subjects_ssm":["Performing arts","Theater programs","Theater -- United States","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 4 boxes"],"extent_tesim":["1 Linear Feet 4 boxes"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season."],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.lyricopera.org/about/history/lyricoperahistory\" title=\"History of Lyric Opera of Chicago.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""],"bioghist_html_tesm":["\u003cp\u003eThe Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills."],"prefercite_html_tesm":["\u003cp\u003eCarol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbill\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref2\"\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Berger, Carol"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Berger, Carol"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_552","ead_ssi":"vifgm_repositories_2_resources_552","_root_":"vifgm_repositories_2_resources_552","_nest_parent_":"vifgm_repositories_2_resources_552","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_552.xml","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263","/repositories/2/resources/552"],"text":["C0263","/repositories/2/resources/552","Carol Berger Chicago performing arts playbills collection","Chicago (Ill.)","Performing arts","Theater programs","Theater -- United States","Theater","There are no access restrictions.","This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.","","The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.","Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.","The Special Collections Research Center holds many other ","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. Special Collections Research Center","Berger, Carol","English \n.    "],"unitid_tesim":["C0263","/repositories/2/resources/552"],"normalized_title_ssm":["Carol Berger Chicago performing arts playbills collection"],"collection_title_tesim":["Carol Berger Chicago performing arts playbills collection"],"collection_ssim":["Carol Berger Chicago performing arts playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Chicago (Ill.)"],"geogname_ssim":["Chicago (Ill.)"],"creator_ssm":["Berger, Carol"],"creator_ssim":["Berger, Carol"],"creator_persname_ssim":["Berger, Carol"],"creators_ssim":["Berger, Carol"],"places_ssim":["Chicago (Ill.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Carol Berger in 2015."],"access_subjects_ssim":["Performing arts","Theater programs","Theater -- United States","Theater"],"access_subjects_ssm":["Performing arts","Theater programs","Theater -- United States","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 4 boxes"],"extent_tesim":["1 Linear Feet 4 boxes"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season."],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.lyricopera.org/about/history/lyricoperahistory\" title=\"History of Lyric Opera of Chicago.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""],"bioghist_html_tesm":["\u003cp\u003eThe Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills."],"prefercite_html_tesm":["\u003cp\u003eCarol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbill\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref2\"\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Berger, Carol"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Berger, Carol"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_552"}},{"id":"vifgm_repositories_2_resources_577","type":"collection","attributes":{"title":"College of Visual and Performing Arts records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#creator","type":"document_value","attributes":{"value":"George Mason University. College of Visual \u0026 Performing Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#abstract_or_scope","type":"document_value","attributes":{"value":"The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577"}},{"id":"vihart_repositories_4_resources_640","type":"collection","attributes":{"title":"Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_640#creator","type":"document_value","attributes":{"value":"Tim Abbott Americana","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_640#abstract_or_scope","type":"document_value","attributes":{"value":"The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie Theatre and Strand Theatre.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_640#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_640","ead_ssi":"vihart_repositories_4_resources_640","_root_":"vihart_repositories_4_resources_640","_nest_parent_":"vihart_repositories_4_resources_640","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_640.xml","title_ssm":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"title_tesim":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"unitdate_ssm":["1950-1954"],"unitdate_inclusive_ssm":["1950-1954"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0305","/repositories/4/resources/640"],"text":["SC 0305","/repositories/4/resources/640","Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets","Staunton (Va.)  -- History -- 20th century","Theater programs -- Virginia -- Staunton -- 20th century","Theater -- Virginia -- Staunton -- 20th century","Amusements -- Virginia -- Staunton -- 20th century","Promotional materials","Theater programs","Newspaper clippings","Photographs","Advertising","Printed Ephemera","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The booklets are arranged chronologically.","\"Dixie Theater.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/775. ","\"Strand Theatre.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/39269. ","Lauren Berg. The (Waynesboro) News Virginian. \"Historic Dixie Theater in Staunton to Close.\" The Daily Progress, May 15, 2019. https://dailyprogress.com/news/local/historic-dixie-theater-in-staunton-to-close/article_fa03f574-0ed0-11e4-aae9-001a4bcf6878.html. ","The Dixie Theatre opened in 1913 as the New Theatre and was located at 125 E. Beverley Street on the corner of Market Street. It offered vaudeville shows and silent films. After a 1936 fire gutted the building, it reopened later that same year as a movie house. The theatre was updated in the early 1980s to accommodate multiple screens. The Dixie Theatre closed in July 2014 after more than 100 years in operation.","The Strand Theatre opened in 1930 and was located at 15 S. New Street, less than two blocks from the Dixie. It closed in the early 1960s and a parking garage is located where the theatre once stood.","Both theatres were operated by Warner Brothers during the early 1950s when the promotional booklets were made. Frank K. Shaffer (1901-1988) managed both theatres. Prior to managing the Dixie and Strand Theatres, Frank Shaffer was manager of Harrisonburg's Virginia Theatre.","Folder titles were applied based on the cover title written on each booklet and the theatre where each campaign took place.","The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie and Strand Theatres. The purpose of the booklets was to document via printed ephemera, newspaper clippings, marketing materials, advertisements, and photographs a discrete film campaign that took place at the theatres. As such, each booklet documents a separate movie campaign or promotional event. Movie campaigns included midnight showings of  Mrs. O'Malley and Mr. Malone  (December 24, 1950); Saturday morning showings of  The Prince and the Pauper ,  The Yearling ,  The Adventures of Huckleberry Finn , and  Rebecca of Sunnybrook Farm  (summer 1952); a double feature of the Marx Brothers'  Duck Soup  and  Animal Crackers  (November 1950); and  Bride of the Gorilla  (December 1951). Other promotions included a Lionel train giveaway and a double feature program. One booklet titled \"Public Relations\" documented various \"community 'good will' incidents\" in which Frank Shaffer and/or his theatre was involved. Those events included a soap box derby, babysitter plan, collaboration with the Staunton-Augusta Jaycees, and a church twilight softball league.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie Theatre and Strand Theatre.","James Madison University Libraries Special Collections","Tim Abbott Americana","Shaffer, Frank K. (Francis Kinsloe), 1901-1988","English"],"unitid_tesim":["SC 0305","/repositories/4/resources/640"],"normalized_title_ssm":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"collection_title_tesim":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"collection_ssim":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Staunton (Va.)  -- History -- 20th century"],"geogname_ssim":["Staunton (Va.)  -- History -- 20th century"],"creator_ssm":["Tim Abbott Americana","Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"creator_ssim":["Tim Abbott Americana","Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"creator_persname_ssim":["Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"creator_corpname_ssim":["Tim Abbott Americana"],"creators_ssim":["Shaffer, Frank K. (Francis Kinsloe), 1901-1988","Tim Abbott Americana"],"places_ssim":["Staunton (Va.)  -- History -- 20th century"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Booklets were purchased from Tim Abbott Americana in July 2020."],"access_subjects_ssim":["Theater programs -- Virginia -- Staunton -- 20th century","Theater -- Virginia -- Staunton -- 20th century","Amusements -- Virginia -- Staunton -- 20th century","Promotional materials","Theater programs","Newspaper clippings","Photographs","Advertising","Printed Ephemera"],"access_subjects_ssm":["Theater programs -- Virginia -- Staunton -- 20th century","Theater -- Virginia -- Staunton -- 20th century","Amusements -- Virginia -- Staunton -- 20th century","Promotional materials","Theater programs","Newspaper clippings","Photographs","Advertising","Printed Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["0.47 cubic feet 1 box"],"extent_tesim":["0.47 cubic feet 1 box"],"genreform_ssim":["Promotional materials","Theater programs","Newspaper clippings","Photographs","Advertising","Printed Ephemera"],"date_range_isim":[1950,1951,1952,1953,1954],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe booklets are arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The booklets are arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003e\"Dixie Theater.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/775. \u003c/bibref\u003e","\u003cbibref\u003e\"Strand Theatre.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/39269. \u003c/bibref\u003e","\u003cbibref\u003eLauren Berg. The (Waynesboro) News Virginian. \"Historic Dixie Theater in Staunton to Close.\" The Daily Progress, May 15, 2019. https://dailyprogress.com/news/local/historic-dixie-theater-in-staunton-to-close/article_fa03f574-0ed0-11e4-aae9-001a4bcf6878.html. \u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Dixie Theater.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/775. ","\"Strand Theatre.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/39269. ","Lauren Berg. The (Waynesboro) News Virginian. \"Historic Dixie Theater in Staunton to Close.\" The Daily Progress, May 15, 2019. https://dailyprogress.com/news/local/historic-dixie-theater-in-staunton-to-close/article_fa03f574-0ed0-11e4-aae9-001a4bcf6878.html. "],"bioghist_html_tesm":["\u003cp\u003eThe Dixie Theatre opened in 1913 as the New Theatre and was located at 125 E. Beverley Street on the corner of Market Street. It offered vaudeville shows and silent films. After a 1936 fire gutted the building, it reopened later that same year as a movie house. The theatre was updated in the early 1980s to accommodate multiple screens. The Dixie Theatre closed in July 2014 after more than 100 years in operation.\u003c/p\u003e\n","\u003cp\u003eThe Strand Theatre opened in 1930 and was located at 15 S. New Street, less than two blocks from the Dixie. It closed in the early 1960s and a parking garage is located where the theatre once stood.\u003c/p\u003e\n","\u003cp\u003eBoth theatres were operated by Warner Brothers during the early 1950s when the promotional booklets were made. Frank K. Shaffer (1901-1988) managed both theatres. Prior to managing the Dixie and Strand Theatres, Frank Shaffer was manager of Harrisonburg's Virginia Theatre.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["The Dixie Theatre opened in 1913 as the New Theatre and was located at 125 E. Beverley Street on the corner of Market Street. It offered vaudeville shows and silent films. After a 1936 fire gutted the building, it reopened later that same year as a movie house. The theatre was updated in the early 1980s to accommodate multiple screens. The Dixie Theatre closed in July 2014 after more than 100 years in operation.","The Strand Theatre opened in 1930 and was located at 15 S. New Street, less than two blocks from the Dixie. It closed in the early 1960s and a parking garage is located where the theatre once stood.","Both theatres were operated by Warner Brothers during the early 1950s when the promotional booklets were made. Frank K. Shaffer (1901-1988) managed both theatres. Prior to managing the Dixie and Strand Theatres, Frank Shaffer was manager of Harrisonburg's Virginia Theatre."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, SC 0305, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, SC 0305, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eFolder titles were applied based on the cover title written on each booklet and the theatre where each campaign took place.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Folder titles were applied based on the cover title written on each booklet and the theatre where each campaign took place."],"scopecontent_html_tesm":["\u003cp\u003eThe Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie and Strand Theatres. The purpose of the booklets was to document via printed ephemera, newspaper clippings, marketing materials, advertisements, and photographs a discrete film campaign that took place at the theatres. As such, each booklet documents a separate movie campaign or promotional event. Movie campaigns included midnight showings of \u003cemph render=\"italic\"\u003eMrs. O'Malley and Mr. Malone\u003c/emph\u003e (December 24, 1950); Saturday morning showings of \u003cemph render=\"italic\"\u003eThe Prince and the Pauper\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Yearling\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Adventures of Huckleberry Finn\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eRebecca of Sunnybrook Farm\u003c/emph\u003e (summer 1952); a double feature of the Marx Brothers' \u003cemph render=\"italic\"\u003eDuck Soup\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eAnimal Crackers\u003c/emph\u003e (November 1950); and \u003cemph render=\"italic\"\u003eBride of the Gorilla\u003c/emph\u003e (December 1951). Other promotions included a Lionel train giveaway and a double feature program. One booklet titled \"Public Relations\" documented various \"community 'good will' incidents\" in which Frank Shaffer and/or his theatre was involved. Those events included a soap box derby, babysitter plan, collaboration with the Staunton-Augusta Jaycees, and a church twilight softball league.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie and Strand Theatres. The purpose of the booklets was to document via printed ephemera, newspaper clippings, marketing materials, advertisements, and photographs a discrete film campaign that took place at the theatres. As such, each booklet documents a separate movie campaign or promotional event. Movie campaigns included midnight showings of  Mrs. O'Malley and Mr. Malone  (December 24, 1950); Saturday morning showings of  The Prince and the Pauper ,  The Yearling ,  The Adventures of Huckleberry Finn , and  Rebecca of Sunnybrook Farm  (summer 1952); a double feature of the Marx Brothers'  Duck Soup  and  Animal Crackers  (November 1950); and  Bride of the Gorilla  (December 1951). Other promotions included a Lionel train giveaway and a double feature program. One booklet titled \"Public Relations\" documented various \"community 'good will' incidents\" in which Frank Shaffer and/or his theatre was involved. Those events included a soap box derby, babysitter plan, collaboration with the Staunton-Augusta Jaycees, and a church twilight softball league."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_56a87d26a0b275e77679ac2c9378a8a5\"\u003eThe Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie Theatre and Strand Theatre.\u003c/abstract\u003e"],"abstract_tesim":["The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie Theatre and Strand Theatre."],"names_coll_ssim":["Tim Abbott Americana"],"names_ssim":["James Madison University Libraries Special Collections","Tim Abbott Americana","Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"corpname_ssim":["James Madison University Libraries Special Collections","Tim Abbott Americana"],"persname_ssim":["Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:39.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_640","ead_ssi":"vihart_repositories_4_resources_640","_root_":"vihart_repositories_4_resources_640","_nest_parent_":"vihart_repositories_4_resources_640","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_640.xml","title_ssm":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"title_tesim":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"unitdate_ssm":["1950-1954"],"unitdate_inclusive_ssm":["1950-1954"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0305","/repositories/4/resources/640"],"text":["SC 0305","/repositories/4/resources/640","Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets","Staunton (Va.)  -- History -- 20th century","Theater programs -- Virginia -- Staunton -- 20th century","Theater -- Virginia -- Staunton -- 20th century","Amusements -- Virginia -- Staunton -- 20th century","Promotional materials","Theater programs","Newspaper clippings","Photographs","Advertising","Printed Ephemera","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The booklets are arranged chronologically.","\"Dixie Theater.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/775. ","\"Strand Theatre.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/39269. ","Lauren Berg. The (Waynesboro) News Virginian. \"Historic Dixie Theater in Staunton to Close.\" The Daily Progress, May 15, 2019. https://dailyprogress.com/news/local/historic-dixie-theater-in-staunton-to-close/article_fa03f574-0ed0-11e4-aae9-001a4bcf6878.html. ","The Dixie Theatre opened in 1913 as the New Theatre and was located at 125 E. Beverley Street on the corner of Market Street. It offered vaudeville shows and silent films. After a 1936 fire gutted the building, it reopened later that same year as a movie house. The theatre was updated in the early 1980s to accommodate multiple screens. The Dixie Theatre closed in July 2014 after more than 100 years in operation.","The Strand Theatre opened in 1930 and was located at 15 S. New Street, less than two blocks from the Dixie. It closed in the early 1960s and a parking garage is located where the theatre once stood.","Both theatres were operated by Warner Brothers during the early 1950s when the promotional booklets were made. Frank K. Shaffer (1901-1988) managed both theatres. Prior to managing the Dixie and Strand Theatres, Frank Shaffer was manager of Harrisonburg's Virginia Theatre.","Folder titles were applied based on the cover title written on each booklet and the theatre where each campaign took place.","The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie and Strand Theatres. The purpose of the booklets was to document via printed ephemera, newspaper clippings, marketing materials, advertisements, and photographs a discrete film campaign that took place at the theatres. As such, each booklet documents a separate movie campaign or promotional event. Movie campaigns included midnight showings of  Mrs. O'Malley and Mr. Malone  (December 24, 1950); Saturday morning showings of  The Prince and the Pauper ,  The Yearling ,  The Adventures of Huckleberry Finn , and  Rebecca of Sunnybrook Farm  (summer 1952); a double feature of the Marx Brothers'  Duck Soup  and  Animal Crackers  (November 1950); and  Bride of the Gorilla  (December 1951). Other promotions included a Lionel train giveaway and a double feature program. One booklet titled \"Public Relations\" documented various \"community 'good will' incidents\" in which Frank Shaffer and/or his theatre was involved. Those events included a soap box derby, babysitter plan, collaboration with the Staunton-Augusta Jaycees, and a church twilight softball league.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie Theatre and Strand Theatre.","James Madison University Libraries Special Collections","Tim Abbott Americana","Shaffer, Frank K. (Francis Kinsloe), 1901-1988","English"],"unitid_tesim":["SC 0305","/repositories/4/resources/640"],"normalized_title_ssm":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"collection_title_tesim":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"collection_ssim":["Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Staunton (Va.)  -- History -- 20th century"],"geogname_ssim":["Staunton (Va.)  -- History -- 20th century"],"creator_ssm":["Tim Abbott Americana","Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"creator_ssim":["Tim Abbott Americana","Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"creator_persname_ssim":["Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"creator_corpname_ssim":["Tim Abbott Americana"],"creators_ssim":["Shaffer, Frank K. (Francis Kinsloe), 1901-1988","Tim Abbott Americana"],"places_ssim":["Staunton (Va.)  -- History -- 20th century"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Booklets were purchased from Tim Abbott Americana in July 2020."],"access_subjects_ssim":["Theater programs -- Virginia -- Staunton -- 20th century","Theater -- Virginia -- Staunton -- 20th century","Amusements -- Virginia -- Staunton -- 20th century","Promotional materials","Theater programs","Newspaper clippings","Photographs","Advertising","Printed Ephemera"],"access_subjects_ssm":["Theater programs -- Virginia -- Staunton -- 20th century","Theater -- Virginia -- Staunton -- 20th century","Amusements -- Virginia -- Staunton -- 20th century","Promotional materials","Theater programs","Newspaper clippings","Photographs","Advertising","Printed Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["0.47 cubic feet 1 box"],"extent_tesim":["0.47 cubic feet 1 box"],"genreform_ssim":["Promotional materials","Theater programs","Newspaper clippings","Photographs","Advertising","Printed Ephemera"],"date_range_isim":[1950,1951,1952,1953,1954],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe booklets are arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The booklets are arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003e\"Dixie Theater.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/775. \u003c/bibref\u003e","\u003cbibref\u003e\"Strand Theatre.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/39269. \u003c/bibref\u003e","\u003cbibref\u003eLauren Berg. The (Waynesboro) News Virginian. \"Historic Dixie Theater in Staunton to Close.\" The Daily Progress, May 15, 2019. https://dailyprogress.com/news/local/historic-dixie-theater-in-staunton-to-close/article_fa03f574-0ed0-11e4-aae9-001a4bcf6878.html. \u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Dixie Theater.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/775. ","\"Strand Theatre.\" Cinema Treasures. Accessed October 14, 2020. http://cinematreasures.org/theaters/39269. ","Lauren Berg. The (Waynesboro) News Virginian. \"Historic Dixie Theater in Staunton to Close.\" The Daily Progress, May 15, 2019. https://dailyprogress.com/news/local/historic-dixie-theater-in-staunton-to-close/article_fa03f574-0ed0-11e4-aae9-001a4bcf6878.html. "],"bioghist_html_tesm":["\u003cp\u003eThe Dixie Theatre opened in 1913 as the New Theatre and was located at 125 E. Beverley Street on the corner of Market Street. It offered vaudeville shows and silent films. After a 1936 fire gutted the building, it reopened later that same year as a movie house. The theatre was updated in the early 1980s to accommodate multiple screens. The Dixie Theatre closed in July 2014 after more than 100 years in operation.\u003c/p\u003e\n","\u003cp\u003eThe Strand Theatre opened in 1930 and was located at 15 S. New Street, less than two blocks from the Dixie. It closed in the early 1960s and a parking garage is located where the theatre once stood.\u003c/p\u003e\n","\u003cp\u003eBoth theatres were operated by Warner Brothers during the early 1950s when the promotional booklets were made. Frank K. Shaffer (1901-1988) managed both theatres. Prior to managing the Dixie and Strand Theatres, Frank Shaffer was manager of Harrisonburg's Virginia Theatre.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["The Dixie Theatre opened in 1913 as the New Theatre and was located at 125 E. Beverley Street on the corner of Market Street. It offered vaudeville shows and silent films. After a 1936 fire gutted the building, it reopened later that same year as a movie house. The theatre was updated in the early 1980s to accommodate multiple screens. The Dixie Theatre closed in July 2014 after more than 100 years in operation.","The Strand Theatre opened in 1930 and was located at 15 S. New Street, less than two blocks from the Dixie. It closed in the early 1960s and a parking garage is located where the theatre once stood.","Both theatres were operated by Warner Brothers during the early 1950s when the promotional booklets were made. Frank K. Shaffer (1901-1988) managed both theatres. Prior to managing the Dixie and Strand Theatres, Frank Shaffer was manager of Harrisonburg's Virginia Theatre."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, SC 0305, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, SC 0305, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eFolder titles were applied based on the cover title written on each booklet and the theatre where each campaign took place.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Folder titles were applied based on the cover title written on each booklet and the theatre where each campaign took place."],"scopecontent_html_tesm":["\u003cp\u003eThe Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie and Strand Theatres. The purpose of the booklets was to document via printed ephemera, newspaper clippings, marketing materials, advertisements, and photographs a discrete film campaign that took place at the theatres. As such, each booklet documents a separate movie campaign or promotional event. Movie campaigns included midnight showings of \u003cemph render=\"italic\"\u003eMrs. O'Malley and Mr. Malone\u003c/emph\u003e (December 24, 1950); Saturday morning showings of \u003cemph render=\"italic\"\u003eThe Prince and the Pauper\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Yearling\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Adventures of Huckleberry Finn\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eRebecca of Sunnybrook Farm\u003c/emph\u003e (summer 1952); a double feature of the Marx Brothers' \u003cemph render=\"italic\"\u003eDuck Soup\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eAnimal Crackers\u003c/emph\u003e (November 1950); and \u003cemph render=\"italic\"\u003eBride of the Gorilla\u003c/emph\u003e (December 1951). Other promotions included a Lionel train giveaway and a double feature program. One booklet titled \"Public Relations\" documented various \"community 'good will' incidents\" in which Frank Shaffer and/or his theatre was involved. Those events included a soap box derby, babysitter plan, collaboration with the Staunton-Augusta Jaycees, and a church twilight softball league.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie and Strand Theatres. The purpose of the booklets was to document via printed ephemera, newspaper clippings, marketing materials, advertisements, and photographs a discrete film campaign that took place at the theatres. As such, each booklet documents a separate movie campaign or promotional event. Movie campaigns included midnight showings of  Mrs. O'Malley and Mr. Malone  (December 24, 1950); Saturday morning showings of  The Prince and the Pauper ,  The Yearling ,  The Adventures of Huckleberry Finn , and  Rebecca of Sunnybrook Farm  (summer 1952); a double feature of the Marx Brothers'  Duck Soup  and  Animal Crackers  (November 1950); and  Bride of the Gorilla  (December 1951). Other promotions included a Lionel train giveaway and a double feature program. One booklet titled \"Public Relations\" documented various \"community 'good will' incidents\" in which Frank Shaffer and/or his theatre was involved. Those events included a soap box derby, babysitter plan, collaboration with the Staunton-Augusta Jaycees, and a church twilight softball league."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_56a87d26a0b275e77679ac2c9378a8a5\"\u003eThe Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie Theatre and Strand Theatre.\u003c/abstract\u003e"],"abstract_tesim":["The Dixie Theatre and Strand Theatre [Staunton, Virginia] Campaign Booklets, 1950-1954, comprise seven promotional booklets created by Frank K. Shaffer, manager of Staunton, Virginia's Dixie Theatre and Strand Theatre."],"names_coll_ssim":["Tim Abbott Americana"],"names_ssim":["James Madison University Libraries Special Collections","Tim Abbott Americana","Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"corpname_ssim":["James Madison University Libraries Special Collections","Tim Abbott Americana"],"persname_ssim":["Shaffer, Frank K. (Francis Kinsloe), 1901-1988"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:39.142Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_640"}},{"id":"vifgm_repositories_2_resources_90","type":"collection","attributes":{"title":"E. P. Conkle papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90#creator","type":"document_value","attributes":{"value":"Conkle, E. P. (Ellsworth Prouty)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90#abstract_or_scope","type":"document_value","attributes":{"value":"Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90"}},{"id":"vifgm_repositories_2_resources_331","type":"collection","attributes":{"title":"Federal Theatre Project collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#abstract_or_scope","type":"document_value","attributes":{"value":"The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. 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O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. 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O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Albemarle Charlottesville Historical Society","value":"Albemarle Charlottesville Historical Society","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Brepository%5D%5B%5D=Albemarle+Charlottesville+Historical+Society"}},{"attributes":{"label":"George Mason University","value":"George Mason 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