{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+and+society","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+and+society\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_118","type":"collection","attributes":{"title":"American Theatre Association records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118#creator","type":"document_value","attributes":{"value":"American Theatre Association","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_118","ead_ssi":"vifgm_repositories_2_resources_118","_root_":"vifgm_repositories_2_resources_118","_nest_parent_":"vifgm_repositories_2_resources_118","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_118.xml","title_filing_ssi":"American Theatre Association records","title_ssm":["American Theatre Association records"],"title_tesim":["American Theatre Association records"],"unitdate_ssm":["1972-1986"],"unitdate_inclusive_ssm":["1972-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0042","/repositories/2/resources/118"],"text":["C0042","/repositories/2/resources/118","American Theatre Association records","Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs","Certain materials in this collection are restricted, see inventory for details. 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EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. ","Basic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025.","The Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.","The New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.","https://archives.nypl.org/the/18637 ","https://archivesspace.library.txstate.edu/repositories/2/resources/70","Note: This collection is not fully processed - a basic box inventory is available.","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. 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An additional donation was made in 2016."],"access_subjects_ssim":["Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs"],"access_subjects_ssm":["Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet 91 boxes"],"extent_tesim":["75 Linear Feet 91 boxes"],"genreform_ssim":["Correspondence","Video recordings","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eCertain materials in this collection are restricted, see inventory for details. Otherwise, collection is open to research.\u003c/p\u003e","\u003cp\u003eRestriction: Financial information restriction.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access"],"accessrestrict_tesim":["Certain materials in this collection are restricted, see inventory for details. 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It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry. \u003c/p\u003e\n","\u003cp\u003eIn 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans, \u003citalic\u003eTheatre, Children and Youth\u003c/italic\u003e and \u003citalic\u003eChildren's Theatre: Play Production for the Child Audience.\u003c/italic\u003e Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. 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Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans,  Theatre, Children and Youth  and  Children's Theatre: Play Production for the Child Audience.  Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015."],"prefercite_html_tesm":["\u003cp\u003eAmerican Theatre Association records, C0042, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["American Theatre Association records, C0042, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThis collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \u003c/p\u003e","\u003cp\u003eBasic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. ","Basic box inventory compiled by SCRC staff from 2022-2025. 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"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cbed6be54bd2c070c6f8f0c3dca7dc91\" label=\"Abstract\"\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials."],"names_coll_ssim":["National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)"],"persname_ssim":["Davis, Jed H. (Jed Horace)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2838,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118"}},{"id":"vifgm_repositories_2_resources_164","type":"collection","attributes":{"title":"Arnold Goldman Living Newspaper collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_164#creator","type":"document_value","attributes":{"value":"Goldman, Arnold","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_164#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_164#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_164","ead_ssi":"vifgm_repositories_2_resources_164","_root_":"vifgm_repositories_2_resources_164","_nest_parent_":"vifgm_repositories_2_resources_164","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_164.xml","title_filing_ssi":"Arnold Goldman Living Newspaper collection","title_ssm":["Arnold Goldman Living Newspaper collection"],"title_tesim":["Arnold Goldman Living Newspaper collection"],"unitdate_ssm":["1931-1973"],"unitdate_inclusive_ssm":["1931-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0173","/repositories/2/resources/164"],"text":["C0173","/repositories/2/resources/164","Arnold Goldman Living Newspaper collection","Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence","There are no access restrictions.","Arranged by subject into one series.","Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.","Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.","The Special Collections Research Center also holds the Federal Theatre Project collection.","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph","English"],"unitid_tesim":["C0173","/repositories/2/resources/164"],"normalized_title_ssm":["Arnold Goldman Living Newspaper collection"],"collection_title_tesim":["Arnold Goldman Living Newspaper collection"],"collection_ssim":["Arnold Goldman Living Newspaper collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Goldman, Arnold"],"creator_ssim":["Goldman, Arnold"],"creator_persname_ssim":["Goldman, Arnold"],"creators_ssim":["Goldman, Arnold"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Goldman in 2009."],"access_subjects_ssim":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"access_subjects_ssm":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"genreform_ssim":["Correspondence"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject into one series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject into one series."],"bioghist_html_tesm":["\u003cp\u003eArnold Goldman was a writer and professor of English and American literature. 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Much of Goldman's work focused on the writings of author James Joyce."],"prefercite_html_tesm":["\u003cp\u003eArnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project collection."],"scopecontent_html_tesm":["\u003cp\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.\u003c/p\u003e","\u003cp\u003eA thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.\u003c/p\u003e","\u003cp\u003eThe Minnesota Review Fall 1973 issue.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7a75b7b6ff59b344922c4a792a07ffa\" label=\"Abstract\"\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.\u003c/abstract\u003e"],"abstract_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Arent, Arthur","Losey, Joseph"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_164","ead_ssi":"vifgm_repositories_2_resources_164","_root_":"vifgm_repositories_2_resources_164","_nest_parent_":"vifgm_repositories_2_resources_164","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_164.xml","title_filing_ssi":"Arnold Goldman Living Newspaper collection","title_ssm":["Arnold Goldman Living Newspaper collection"],"title_tesim":["Arnold Goldman Living Newspaper collection"],"unitdate_ssm":["1931-1973"],"unitdate_inclusive_ssm":["1931-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0173","/repositories/2/resources/164"],"text":["C0173","/repositories/2/resources/164","Arnold Goldman Living Newspaper collection","Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence","There are no access restrictions.","Arranged by subject into one series.","Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.","Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.","The Special Collections Research Center also holds the Federal Theatre Project collection.","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph","English"],"unitid_tesim":["C0173","/repositories/2/resources/164"],"normalized_title_ssm":["Arnold Goldman Living Newspaper collection"],"collection_title_tesim":["Arnold Goldman Living Newspaper collection"],"collection_ssim":["Arnold Goldman Living Newspaper collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Goldman, Arnold"],"creator_ssim":["Goldman, Arnold"],"creator_persname_ssim":["Goldman, Arnold"],"creators_ssim":["Goldman, Arnold"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Goldman in 2009."],"access_subjects_ssim":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"access_subjects_ssm":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"genreform_ssim":["Correspondence"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject into one series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject into one series."],"bioghist_html_tesm":["\u003cp\u003eArnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce."],"prefercite_html_tesm":["\u003cp\u003eArnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project collection."],"scopecontent_html_tesm":["\u003cp\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. 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Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.\u003c/p\u003e","\u003cp\u003eThe Minnesota Review Fall 1973 issue.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7a75b7b6ff59b344922c4a792a07ffa\" label=\"Abstract\"\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.\u003c/abstract\u003e"],"abstract_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Arent, Arthur","Losey, Joseph"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_164"}},{"id":"vifgm_repositories_2_resources_187","type":"collection","attributes":{"title":"Jean-Louis Barrault photograph collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_187#creator","type":"document_value","attributes":{"value":"Jenkins, Paul, 1923-2012","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_187#abstract_or_scope","type":"document_value","attributes":{"value":"Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_187#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_187","ead_ssi":"vifgm_repositories_2_resources_187","_root_":"vifgm_repositories_2_resources_187","_nest_parent_":"vifgm_repositories_2_resources_187","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_187.xml","title_ssm":["Jean-Louis Barrault photograph collection"],"title_tesim":["Jean-Louis Barrault photograph collection"],"unitdate_ssm":["1947-1979"],"unitdate_inclusive_ssm":["1947-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0019","/repositories/2/resources/187"],"text":["C0019","/repositories/2/resources/187","Jean-Louis Barrault photograph collection","France","Theater and society","Theater","Theater -- Europe","Theater -- France","Performing arts","Photographic prints","Photographs","There are no access restrictions.","The collection is arranged in two series:","Series Series 1: Production Photographs, 1947-1979 (Boxes 1-2) Series 2: Non-Production Photographs, 1947-1976 (Box 2)","Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comédie Française. Barrault later directed the Théâtre d'Orsay and the Théâtre des Nations.","Processed in 2008 by Sean Tennant. EAD markup completed in 2008 by Sean Tennant.","The Special Collections Research Center also holds records on the Arena Stage and the Federal Theatre Project as well as many personal collections of theater papers and photographs.","The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Théâtre d'Orsay, Théâtre de France Odéon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.","Series 1 contains photographs from the collection dealing with specific theatrical productions and events. 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Special Collections Research Center","Agence de Presse Bernand","Odéon (Theater : Paris, France)","Jenkins, Paul, 1923-2012","Barrault, Jean-Louis, 1910-1994","Beckett, Samuel, 1906-1989","Renaud, Madeleine, 1900-1994","French \n.    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He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comédie Française. Barrault later directed the Théâtre d'Orsay and the Théâtre des Nations.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comédie Française. 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EAD markup completed in 2008 by Sean Tennant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds records on the Arena Stage and the Federal Theatre Project as well as many personal collections of theater papers and photographs.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds records on the Arena Stage and the Federal Theatre Project as well as many personal collections of theater papers and photographs."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Théâtre d'Orsay, Théâtre de France Odéon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. 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The photographs are arranged chronologically within each folder.\u003c/p\u003e","\u003cp\u003e5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.\u003c/p\u003e","\u003cp\u003e12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.\u003c/p\u003e","\u003cp\u003e15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. 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Most images are production stills of performances at the Théâtre d'Orsay, Théâtre de France Odéon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.","Series 1 contains photographs from the collection dealing with specific theatrical productions and events. 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Additionally, the folder contains images of a lecture given by Barrault about his production of Numance."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_539e75258dcc485f7e2321f9691f47c2\" label=\"Abstract\"\u003eContains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\u003c/abstract\u003e"],"abstract_tesim":["Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979."],"names_coll_ssim":["Agence de Presse Bernand","Odéon (Theater : Paris, France)","Barrault, Jean-Louis, 1910-1994","Beckett, Samuel, 1906-1989","Renaud, Madeleine, 1900-1994"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Agence de Presse Bernand","Odéon (Theater : Paris, France)","Jenkins, Paul, 1923-2012","Barrault, Jean-Louis, 1910-1994","Beckett, Samuel, 1906-1989","Renaud, Madeleine, 1900-1994"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Agence de Presse Bernand","Odéon (Theater : Paris, France)"],"persname_ssim":["Jenkins, Paul, 1923-2012","Barrault, Jean-Louis, 1910-1994","Beckett, Samuel, 1906-1989","Renaud, Madeleine, 1900-1994"],"language_ssim":["French \n.    "],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:18:40.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_187","ead_ssi":"vifgm_repositories_2_resources_187","_root_":"vifgm_repositories_2_resources_187","_nest_parent_":"vifgm_repositories_2_resources_187","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_187.xml","title_ssm":["Jean-Louis Barrault photograph collection"],"title_tesim":["Jean-Louis Barrault photograph collection"],"unitdate_ssm":["1947-1979"],"unitdate_inclusive_ssm":["1947-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0019","/repositories/2/resources/187"],"text":["C0019","/repositories/2/resources/187","Jean-Louis Barrault photograph collection","France","Theater and society","Theater","Theater -- Europe","Theater -- France","Performing arts","Photographic prints","Photographs","There are no access restrictions.","The collection is arranged in two series:","Series Series 1: Production Photographs, 1947-1979 (Boxes 1-2) Series 2: Non-Production Photographs, 1947-1976 (Box 2)","Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. 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EAD markup completed in 2008 by Sean Tennant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds records on the Arena Stage and the Federal Theatre Project as well as many personal collections of theater papers and photographs.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds records on the Arena Stage and the Federal Theatre Project as well as many personal collections of theater papers and photographs."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Théâtre d'Orsay, Théâtre de France Odéon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs from the collection dealing with specific theatrical productions and events. The photographs are organized alphabetically by production title and chronologically within each folder.\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e13 photographs\u003c/p\u003e","\u003cp\u003e9 photographs\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e8 photographs\u003c/p\u003e","\u003cp\u003e16 photographs\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003e9 photographs\u003c/p\u003e","\u003cp\u003e5 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e16 photographs\u003c/p\u003e","\u003cp\u003e13 photographs\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e5 photographs\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e11 photographs\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e14 photographs\u003c/p\u003e","\u003cp\u003e12 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003e11 photographs\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e12 photographs\u003c/p\u003e","\u003cp\u003e9 photographs\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e10 photographs\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e10 photographs\u003c/p\u003e","\u003cp\u003e5 photographs\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e16 photographs\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e5 photographs\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e4 photographs\u003c/p\u003e","\u003cp\u003e1 photograph\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e2 photographs\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003eSeries 2 contains the nonproduction photographs, such as publicity photographs, images of rehearsals, and pictures of playbills and signs. The photographs are arranged chronologically within each folder.\u003c/p\u003e","\u003cp\u003e5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.\u003c/p\u003e","\u003cp\u003e12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.\u003c/p\u003e","\u003cp\u003e15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. Additionally, the folder contains images of a lecture given by Barrault about his production of Numance.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Théâtre d'Orsay, Théâtre de France Odéon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.","Series 1 contains photographs from the collection dealing with specific theatrical productions and events. The photographs are organized alphabetically by production title and chronologically within each folder.","3 photographs","13 photographs","9 photographs","4 photographs","3 photographs","8 photographs","16 photographs","2 photographs","2 photographs","6 photographs","1 photograph","3 photographs","3 photographs","6 photographs","9 photographs","5 photographs","1 photograph","2 photographs","16 photographs","13 photographs","4 photographs","3 photographs","1 photograph","1 photograph","5 photographs","6 photographs","3 photographs","4 photographs","4 photographs","7 photographs","2 photographs","1 photograph","1 photograph","4 photographs","1 photograph","1 photograph","11 photographs","7 photographs","14 photographs","12 photographs","1 photograph","6 photographs","1 photograph","1 photograph","6 photographs","3 photographs","11 photographs","2 photographs","12 photographs","9 photographs","7 photographs","4 photographs","10 photographs","7 photographs","10 photographs","5 photographs","7 photographs","16 photographs","2 photographs","1 photograph","5 photographs","7 photographs","4 photographs","1 photograph","4 photographs","2 photographs","1 photograph","1 photograph","4 photographs","1 photograph","2 photographs","2 photographs","6 photographs","Series 2 contains the nonproduction photographs, such as publicity photographs, images of rehearsals, and pictures of playbills and signs. The photographs are arranged chronologically within each folder.","5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.","12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.","15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. Additionally, the folder contains images of a lecture given by Barrault about his production of Numance."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_539e75258dcc485f7e2321f9691f47c2\" label=\"Abstract\"\u003eContains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\u003c/abstract\u003e"],"abstract_tesim":["Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979."],"names_coll_ssim":["Agence de Presse Bernand","Odéon (Theater : Paris, France)","Barrault, Jean-Louis, 1910-1994","Beckett, Samuel, 1906-1989","Renaud, Madeleine, 1900-1994"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Agence de Presse Bernand","Odéon (Theater : Paris, France)","Jenkins, Paul, 1923-2012","Barrault, Jean-Louis, 1910-1994","Beckett, Samuel, 1906-1989","Renaud, Madeleine, 1900-1994"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Agence de Presse Bernand","Odéon (Theater : Paris, France)"],"persname_ssim":["Jenkins, Paul, 1923-2012","Barrault, Jean-Louis, 1910-1994","Beckett, Samuel, 1906-1989","Renaud, Madeleine, 1900-1994"],"language_ssim":["French \n.    "],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:18:40.577Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_187"}},{"id":"vifgm_repositories_2_resources_46","type":"collection","attributes":{"title":"John C. Becher Soldier Show collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_46#creator","type":"document_value","attributes":{"value":"Becher, John C.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_46#abstract_or_scope","type":"document_value","attributes":{"value":"The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_46#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_46","ead_ssi":"vifgm_repositories_2_resources_46","_root_":"vifgm_repositories_2_resources_46","_nest_parent_":"vifgm_repositories_2_resources_46","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_46.xml","title_filing_ssi":"John C. Becher Soldier Show collection","title_ssm":["John C. Becher Soldier Show collection"],"title_tesim":["John C. Becher Soldier Show collection"],"unitdate_ssm":["1940-1953"],"unitdate_inclusive_ssm":["1940-1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0090","/repositories/2/resources/46"],"text":["C0090","/repositories/2/resources/46","John C. Becher Soldier Show collection","United States -- Armed Forces -- Military life","World War, 1939-1945 -- Theater and the war","Soldiers -- Recreation","World War, 1939-1945","Performing arts","Theater","Theater and society","There are no access restrictions.","This collection is arranged by item group, such as Soldier Shows, scripts, theatrical manuals, and pocket guides.","Skit by S/Sgt. Robert M. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Keeping morale high was important during the war. This was recognized at the highest military levels. General George C. Marshall, Chief of Staff, for example, stressed the importance of maintaining high morale: \"Napoleon evaluated morale over material as three to one. I believe that recent experiences indicate a re-estimate of this value - the odds being near five to one, or probably even ten to one in some instances in favor of the psychological factor\" (Morale Program, box 7 folder 2 page 7). Programs and services that maintained or heightened morale covered a wide range - athletics, libraries, religion, education - and none was more important than entertainment, which is well-represented by the materials in the Becher Collection.","Entertaining troops during World War II was an enormous enterprise. The celebrated USO-Camp Shows was a civilian-based organization that provided professional entertainment for the Armed Forces. The U.S. Army Motion Picture Service was a non-profit organization that sponsored movie theaters to ease the transition from civilian to military life. A related group, the U.S.O. Mobile Motion Picture Service, showed films to overseas troops. Whereas these organizations provided passive forms of entertainment, the Entertainment Section of the Army Special Services Division took a different approach. They actually included the soldiers in creating their own entertainment. These were called Soldier Shows.","Soldier Shows were made by soldiers for soldiers. The principal objective was to achieve mass participation. A wide range of talent was employed in creating Soldier Shows - including singers, dancers, actors, orators, trivia buffs, costume and scenery makers, artists, and carpenters. Because mass participation by military personnel was encouraged, the program had a virtually unlimited field to draw on.","Soldiers participating in Soldier Shows acted in skits and plays, sang musical numbers, performed comedy routines, quizzed other soldiers, and made arts and crafts. Such activities forged common bonds among the troops and provided emotional links to their homeland. Soldier Shows were particularly effective in boosting the morale of hospitalized soldiers. The therapeutic value of Soldier Shows played an important role in the physical and mental rehabilitation of injured soldiers.","Soldier Shows were remarkably effective in boosting morale. In fact, reports have shown that the program was one of the easiest and most effective ways to combat low morale. (Morale Program, box 1 folder 2 page 7). General Dwight D. Eisenhower, in a back-stage visit to the cast who put on a Soldier Show in North Africa, praised their usefulness in the war effort: \"You are entertaining soldiers. You are not fighting with guns - but your job is just as important. As long as you are doing your job well . . . you will be rendering a service, and a great one, to your fellow soldiers and your country\" (Morale Program, box 1 folder 2 page 7). ","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty.","The Special Collections Research Center also holds the  , which contains documents, photographs, and memorabilia from his time in the Air Force during World War II.","The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes. The six cubic feet (nine linear feet) cover the years 1940 through 1953.","Most of the items in the collection are Soldier Shows, entertainments written to amuse overseas troops and to boost morale. Produced by the Army Special Services Division, the scripts were written by professional and amateur playwrights. Many were created by military personnel attending the Special Services School in Lexington, Virginia (1943-1946). The collection also includes: newspaper and magazine clippings, war humor, poems, blackouts, quizzes, crafts manuals, original songs, song parodies, sheet music, flyers, pamphlets, theatrical manuals and guides, lesson plans and lectures, production ideas, and comedy routines. There are also several military-issued Pocket Guides to foreign lands, including guides to Burma, Germany, Greece, West Africa, Italy, and Great Britain. ","Script by unknown","Script by Leo Lieberman","Script by William Hanley","Script by Leonard Spigelgass","Script by Gurney Campbell and Daphne Athas","Script by Gurney Campbell and Daphne Athas","Script by Paddy Chayefsky","Script by Louis Kronenberger","Script by Phoebe Ephron and Henry Ephron","Script by Lonnie Coleman","Script by Robertson Davies","Script by Leonard Spigelgass","Script by William McCleery","Script by Leonard Spigelgass","Script by Santha Rama Rau","Script by Arnold Wesker","Script by Elick Moll","Script by Patricia Joudry","Script by Dore Schary","Script by Michael Howard","Script by Joseph Fields and Peter de Vries","Script by Richard Morris","Script by Richard Morris","Script by Richard Morris","Script by Henry Denker","Script by Murray Schisgal","Script by Harry Tugend","\"The Reluctant Draftee\" and \"Ten Minute Break\": Two Complete Soldier Shows","Comedy Acts and Minstrel Show Material","Revue Sketches Vaudeville Comedy Acts","\"Take it or Leave It\": A Humorous Quiz Book","Abbott and Costello, Burns and Allen, Fred Allen, Charlie McCarthy, Fibber McGee and Molly: Comedy Scenes","Soldier Shows Guide","The Army Play by Play: Five Prize-Winning One-Act Plays","Blackouts and Sketches","GI: Prize Winning Blackouts","G.I. Revues: 10 Package Shows","G.I. One Act Plays","Chillers and Thrillers: A Book of Mystery Sketches","MC Jackpot\nAvailable in digital format.","Skits and Bits","Soldier Shows \"Blueprint Special\"","Soldier Shows \"Blueprint Special\"","Soldier Shows \"Blueprint Special\"","Blackouts, Sketches, Quizzes, Parodies, Games","Games, Puzzles, Quizzes","\"Bedzapoppin\", (A Revue), Games, Quizzes","\"No. 6\" is corrected by hand to \"No. 9\"","Comedy Sketches","Minstrel Shows with Music","Music and Lyrics for Musical Comedies and Revues","Musical Opening Choruses, Finales and Production Numbers for Soldier Shows","Time Out","Held at Fort McPherson, Georgia","Held at Atlanta, Georgia","Reception Center: Blackouts, Parodies, Games","Reception Center, Blackouts, Parodies, Revues","Entertainment Section: Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches\nAvailable in digital format.","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","It's the G.I. State Fair","It's the G.I. State Fair","Thanksgiving, Mock Election, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Murder Mystery, Production Numbers, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Broadway Special Featuring New York's latest Hit \"The Hasty Heart,\" Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Folio Highlights, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Entertainment Grab Bag, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Sketches, Crossover, Quizzes, Revues, Blackouts, Parodies","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Schedules 1 - 14","Stage instructions and hand drawn costume and set images","Stage instructions and hand drawn costume and set images","Music score","Parody on contemporary song","Script by Barnett Shaw","Story by Sidney P. Goldman","Story by Sidney P. Goldman","War humor","War humor","Poem by Shakespeare?","Poem","War humor","\"...army life and what the average soldier has to put up with.\"","Poems","War humor by Herb Graffis","Script","War humor","By Cpl. Adolph Abramson","Article by Weare Holbrook","War humor","War humor by Robert T. Souter in Esquire, p. 65","War humor","Script by Ben Hecht in Collier's, pp. 11-13, 37-39","\"A Soldier's Reminder of the War's Background, Its Purpose and Its Prospects\"; Script by Sgt. Fred Stewart","\"An old-fashioned melodrama in two acts\"","\"Used at SSMS\"","Columbia Broadcasting System (CBS) broadcast; Script by Norman Corwin","Held at Fairview School Auditorium","John Steinbeck's play, presented by the Tulsa Little Theater Group in War Department, at Theater No. 2, Camp Crowder, Missouri","War humor","Blackouts, Crossovers and Parodies for WAC Variety Nights","Blackouts, Sketches, Quizzes, Parodies and Games","Prepared by the National Theater Conference and the Morale Branch of the United States Army","Speech Work Material by Doyle Virginia Cockrell, San Antonio Vocational and Technical High School","\"The attached suggestions are furnished for the purpose of assisting the Theatrical Technical Advisor in the many problems which arise in the producing, directing, rehearsing and presentation of soldier theatricals.\"\nAvailable in digital format.","The Production Staff, Principles of Directing and Acting, Production of One-Act and Full-Length Plays","Distributed by the Special Services Division, A.S.F.","Radio and Theatrical Material, Skits, Blackouts, Sketches","Sixty-Second Blackouts","Musical Quizzical","Fourth Service Command Soldier Show Conferences","Fourth Service Command Soldier Shows","Fourth Service Command Soldier Shows","Fourth Service Command Soldier Shows","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","Prepared by the Radio Section, Headquarters Branch Office","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","Prepared by the Radio Section, Headquarters Branch Office","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","by Robert Riley Crutcher, presented by the Special Service Division of the War Department","presented by the Special Service Division of the War Department\nAvailable in digital format.","Presented by the Special Services Division of the War Department","Skit by Lt. W.P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Words and music by Sgt. J. C. Lewis; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Cpl. Raymond Simon; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits and production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. D. W. Todd; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Arnold M. Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Musical parody by Corporals Tom Adair and Joe Twerp; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","By Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","By Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Harold Fleming; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits by Lt. W. Toll; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by George S. Kaufman; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pvt. Ivan Tors; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Henry Blankfort and Bert Lawrence; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Etter; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Chuck Allen; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Salem Ludwig and Joseph R. Horenstein; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parody and stage directions by H. Shaffer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. J. R. Humphreys;Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Paul Price; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. Vernon Stone; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. McLean; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. G. [?] Carr; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Newspaper clipping; Skit by Lt. Alexander B. Reed; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Robert P. Crawford; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt's Baskind and English; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by W. P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Story by D. L. Champion; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sam Locke; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit from Our Sunday Visitor (Catholic Editorial) Huntington, Indiana; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Ideas by Cpl. Don Mann; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. A. Hamilton; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Arnold Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","by Pvt. R. Weil; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Fred Stewart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skits: March of Time; Eskimo Courtesy; Superstition; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Songs: Special Service Song by John Baker; I've Got Enthusiasm; Ballet and Opening; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 1 Lt. Bob Wellington; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. WMA. Page; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Captain Leonard Blair; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Production suggestions by Sgt. Hez Dufenthaler; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Ed Rush Rubin; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. F. J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song by Lt. R. S. Beck; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Script by Alice Gerstenberg","Script","A Musical Revue in Five Scenes by Arthur A. Noyes, Murray L. Grand, Lionel N. Lile, and Morton J. Green","Fundamental Purpose of Soldier Shows in Army Recreation","Fundamental Purpose of Soldier Shows in Army Recreation","The Function of the Special Service Officer as to Soldier Shows","Informal Theatricals","Production Planning Meetings","Soldier Production Organization","Soldier Stagecraft","Script","Blackout by Lt. W. P. Moore","Blackout by Lt. Bob Eastright","Script","Script","Script","Blackouts by Lois Landauer","Prepared by the Entertainment Section, Special Services Branch, Royal Canadian Air Force","Script","Pocket Guide prepared by Special Services Division, Services of Supply, United States Army","Pocket Guide prepared by Army Information Branch, Army Service Forces, United States Army","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Language Guide prepared by the War Department","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Pocket Guide prepared by Special Services Division, Army Service Forces, United States Army","Pocket Guide prepared by Army Information Branch, A.S.F., United States Army","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Pocket Guide prepared by Special Service Division, Army Service Forces, United States Army","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes.","George Mason University. Libraries. Special Collections Research Center","United States. Army Service Forces. Special Service Division","Becher, John C.","English"],"unitid_tesim":["C0090","/repositories/2/resources/46"],"normalized_title_ssm":["John C. Becher Soldier Show collection"],"collection_title_tesim":["John C. Becher Soldier Show collection"],"collection_ssim":["John C. Becher Soldier Show collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Armed Forces -- Military life"],"geogname_ssim":["United States -- Armed Forces -- Military life"],"creator_ssm":["Becher, John C."],"creator_ssim":["Becher, John C."],"creator_persname_ssim":["Becher, John C."],"creators_ssim":["Becher, John C."],"places_ssim":["United States -- Armed Forces -- Military life"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by John C. Becher in 1979 through Harold Arburg, Director of Arts and Humanities, U.S. Office of Education."],"access_subjects_ssim":["World War, 1939-1945 -- Theater and the war","Soldiers -- Recreation","World War, 1939-1945","Performing arts","Theater","Theater and society"],"access_subjects_ssm":["World War, 1939-1945 -- Theater and the war","Soldiers -- Recreation","World War, 1939-1945","Performing arts","Theater","Theater and society"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet 17 boxes"],"extent_tesim":["9 Linear Feet 17 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by item group, such as Soldier Shows, scripts, theatrical manuals, and pocket guides.\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert M. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement note"],"arrangement_tesim":["This collection is arranged by item group, such as Soldier Shows, scripts, theatrical manuals, and pocket guides.","Skit by S/Sgt. Robert M. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946"],"bioghist_html_tesm":["\u003cp\u003eKeeping morale high was important during the war. This was recognized at the highest military levels. General George C. Marshall, Chief of Staff, for example, stressed the importance of maintaining high morale: \"Napoleon evaluated morale over material as three to one. I believe that recent experiences indicate a re-estimate of this value - the odds being near five to one, or probably even ten to one in some instances in favor of the psychological factor\" (Morale Program, box 7 folder 2 page 7). Programs and services that maintained or heightened morale covered a wide range - athletics, libraries, religion, education - and none was more important than entertainment, which is well-represented by the materials in the Becher Collection.\u003c/p\u003e\n","\u003cp\u003eEntertaining troops during World War II was an enormous enterprise. The celebrated USO-Camp Shows was a civilian-based organization that provided professional entertainment for the Armed Forces. The U.S. Army Motion Picture Service was a non-profit organization that sponsored movie theaters to ease the transition from civilian to military life. A related group, the U.S.O. Mobile Motion Picture Service, showed films to overseas troops. Whereas these organizations provided passive forms of entertainment, the Entertainment Section of the Army Special Services Division took a different approach. They actually included the soldiers in creating their own entertainment. These were called Soldier Shows.\u003c/p\u003e\n","\u003cp\u003eSoldier Shows were made by soldiers for soldiers. The principal objective was to achieve mass participation. A wide range of talent was employed in creating Soldier Shows - including singers, dancers, actors, orators, trivia buffs, costume and scenery makers, artists, and carpenters. Because mass participation by military personnel was encouraged, the program had a virtually unlimited field to draw on.\u003c/p\u003e\n","\u003cp\u003eSoldiers participating in Soldier Shows acted in skits and plays, sang musical numbers, performed comedy routines, quizzed other soldiers, and made arts and crafts. Such activities forged common bonds among the troops and provided emotional links to their homeland. Soldier Shows were particularly effective in boosting the morale of hospitalized soldiers. The therapeutic value of Soldier Shows played an important role in the physical and mental rehabilitation of injured soldiers.\u003c/p\u003e\n","\u003cp\u003eSoldier Shows were remarkably effective in boosting morale. In fact, reports have shown that the program was one of the easiest and most effective ways to combat low morale. (Morale Program, box 1 folder 2 page 7). General Dwight D. Eisenhower, in a back-stage visit to the cast who put on a Soldier Show in North Africa, praised their usefulness in the war effort: \"You are entertaining soldiers. You are not fighting with guns - but your job is just as important. As long as you are doing your job well . . . you will be rendering a service, and a great one, to your fellow soldiers and your country\" (Morale Program, box 1 folder 2 page 7). \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Keeping morale high was important during the war. This was recognized at the highest military levels. General George C. Marshall, Chief of Staff, for example, stressed the importance of maintaining high morale: \"Napoleon evaluated morale over material as three to one. I believe that recent experiences indicate a re-estimate of this value - the odds being near five to one, or probably even ten to one in some instances in favor of the psychological factor\" (Morale Program, box 7 folder 2 page 7). Programs and services that maintained or heightened morale covered a wide range - athletics, libraries, religion, education - and none was more important than entertainment, which is well-represented by the materials in the Becher Collection.","Entertaining troops during World War II was an enormous enterprise. The celebrated USO-Camp Shows was a civilian-based organization that provided professional entertainment for the Armed Forces. The U.S. Army Motion Picture Service was a non-profit organization that sponsored movie theaters to ease the transition from civilian to military life. A related group, the U.S.O. Mobile Motion Picture Service, showed films to overseas troops. Whereas these organizations provided passive forms of entertainment, the Entertainment Section of the Army Special Services Division took a different approach. They actually included the soldiers in creating their own entertainment. These were called Soldier Shows.","Soldier Shows were made by soldiers for soldiers. The principal objective was to achieve mass participation. A wide range of talent was employed in creating Soldier Shows - including singers, dancers, actors, orators, trivia buffs, costume and scenery makers, artists, and carpenters. Because mass participation by military personnel was encouraged, the program had a virtually unlimited field to draw on.","Soldiers participating in Soldier Shows acted in skits and plays, sang musical numbers, performed comedy routines, quizzed other soldiers, and made arts and crafts. Such activities forged common bonds among the troops and provided emotional links to their homeland. Soldier Shows were particularly effective in boosting the morale of hospitalized soldiers. The therapeutic value of Soldier Shows played an important role in the physical and mental rehabilitation of injured soldiers.","Soldier Shows were remarkably effective in boosting morale. In fact, reports have shown that the program was one of the easiest and most effective ways to combat low morale. (Morale Program, box 1 folder 2 page 7). General Dwight D. Eisenhower, in a back-stage visit to the cast who put on a Soldier Show in North Africa, praised their usefulness in the war effort: \"You are entertaining soldiers. You are not fighting with guns - but your job is just as important. As long as you are doing your job well . . . you will be rendering a service, and a great one, to your fellow soldiers and your country\" (Morale Program, box 1 folder 2 page 7). "],"prefercite_html_tesm":["\u003cp\u003eJohn C. Becher Soldier Show collection, C0090, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["John C. Becher Soldier Show collection, C0090, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Leonard H. Clark collection\" href=\"https://aspace.gmu.edu/resources/c0060\"\u003e\u003c/extptr\u003e, which contains documents, photographs, and memorabilia from his time in the Air Force during World War II.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , which contains documents, photographs, and memorabilia from his time in the Air Force during World War II."],"scopecontent_html_tesm":["\u003cp\u003eThe John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes. The six cubic feet (nine linear feet) cover the years 1940 through 1953.\u003c/p\u003e\n","\u003cp\u003eMost of the items in the collection are Soldier Shows, entertainments written to amuse overseas troops and to boost morale. Produced by the Army Special Services Division, the scripts were written by professional and amateur playwrights. Many were created by military personnel attending the Special Services School in Lexington, Virginia (1943-1946). The collection also includes: newspaper and magazine clippings, war humor, poems, blackouts, quizzes, crafts manuals, original songs, song parodies, sheet music, flyers, pamphlets, theatrical manuals and guides, lesson plans and lectures, production ideas, and comedy routines. There are also several military-issued Pocket Guides to foreign lands, including guides to Burma, Germany, Greece, West Africa, Italy, and Great Britain. \u003c/p\u003e","\u003cp\u003eScript by unknown\u003c/p\u003e","\u003cp\u003eScript by Leo Lieberman\u003c/p\u003e","\u003cp\u003eScript by William Hanley\u003c/p\u003e","\u003cp\u003eScript by Leonard Spigelgass\u003c/p\u003e","\u003cp\u003eScript by Gurney Campbell and Daphne Athas\u003c/p\u003e","\u003cp\u003eScript by Gurney Campbell and Daphne Athas\u003c/p\u003e","\u003cp\u003eScript by Paddy Chayefsky\u003c/p\u003e","\u003cp\u003eScript by Louis Kronenberger\u003c/p\u003e","\u003cp\u003eScript by Phoebe Ephron and Henry Ephron\u003c/p\u003e","\u003cp\u003eScript by Lonnie Coleman\u003c/p\u003e","\u003cp\u003eScript by Robertson Davies\u003c/p\u003e","\u003cp\u003eScript by Leonard Spigelgass\u003c/p\u003e","\u003cp\u003eScript by William McCleery\u003c/p\u003e","\u003cp\u003eScript by Leonard Spigelgass\u003c/p\u003e","\u003cp\u003eScript by Santha Rama Rau\u003c/p\u003e","\u003cp\u003eScript by Arnold Wesker\u003c/p\u003e","\u003cp\u003eScript by Elick Moll\u003c/p\u003e","\u003cp\u003eScript by Patricia Joudry\u003c/p\u003e","\u003cp\u003eScript by Dore Schary\u003c/p\u003e","\u003cp\u003eScript by Michael Howard\u003c/p\u003e","\u003cp\u003eScript by Joseph Fields and Peter de Vries\u003c/p\u003e","\u003cp\u003eScript by Richard Morris\u003c/p\u003e","\u003cp\u003eScript by Richard Morris\u003c/p\u003e","\u003cp\u003eScript by Richard Morris\u003c/p\u003e","\u003cp\u003eScript by Henry Denker\u003c/p\u003e","\u003cp\u003eScript by Murray Schisgal\u003c/p\u003e","\u003cp\u003eScript by Harry Tugend\u003c/p\u003e","\u003cp\u003e\"The Reluctant Draftee\" and \"Ten Minute Break\": Two Complete Soldier Shows\u003c/p\u003e","\u003cp\u003eComedy Acts and Minstrel Show Material\u003c/p\u003e","\u003cp\u003eRevue Sketches Vaudeville Comedy Acts\u003c/p\u003e","\u003cp\u003e\"Take it or Leave It\": A Humorous Quiz Book\u003c/p\u003e","\u003cp\u003eAbbott and Costello, Burns and Allen, Fred Allen, Charlie McCarthy, Fibber McGee and Molly: Comedy Scenes\u003c/p\u003e","\u003cp\u003eSoldier Shows Guide\u003c/p\u003e","\u003cp\u003eThe Army Play by Play: Five Prize-Winning One-Act Plays\u003c/p\u003e","\u003cp\u003eBlackouts and Sketches\u003c/p\u003e","\u003cp\u003eGI: Prize Winning Blackouts\u003c/p\u003e","\u003cp\u003eG.I. Revues: 10 Package Shows\u003c/p\u003e","\u003cp\u003eG.I. One Act Plays\u003c/p\u003e","\u003cp\u003eChillers and Thrillers: A Book of Mystery Sketches\u003c/p\u003e","\u003cp\u003eMC Jackpot\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSkits and Bits\u003c/p\u003e","\u003cp\u003eSoldier Shows \"Blueprint Special\"\u003c/p\u003e","\u003cp\u003eSoldier Shows \"Blueprint Special\"\u003c/p\u003e","\u003cp\u003eSoldier Shows \"Blueprint Special\"\u003c/p\u003e","\u003cp\u003eBlackouts, Sketches, Quizzes, Parodies, Games\u003c/p\u003e","\u003cp\u003eGames, Puzzles, Quizzes\u003c/p\u003e","\u003cp\u003e\"Bedzapoppin\", (A Revue), Games, Quizzes\u003c/p\u003e","\u003cp\u003e\"No. 6\" is corrected by hand to \"No. 9\"\u003c/p\u003e","\u003cp\u003eComedy Sketches\u003c/p\u003e","\u003cp\u003eMinstrel Shows with Music\u003c/p\u003e","\u003cp\u003eMusic and Lyrics for Musical Comedies and Revues\u003c/p\u003e","\u003cp\u003eMusical Opening Choruses, Finales and Production Numbers for Soldier Shows\u003c/p\u003e","\u003cp\u003eTime Out\u003c/p\u003e","\u003cp\u003eHeld at Fort McPherson, Georgia\u003c/p\u003e","\u003cp\u003eHeld at Atlanta, Georgia\u003c/p\u003e","\u003cp\u003eReception Center: Blackouts, Parodies, Games\u003c/p\u003e","\u003cp\u003eReception Center, Blackouts, Parodies, Revues\u003c/p\u003e","\u003cp\u003eEntertainment Section: Radio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eIt's the G.I. State Fair\u003c/p\u003e","\u003cp\u003eIt's the G.I. State Fair\u003c/p\u003e","\u003cp\u003eThanksgiving, Mock Election, Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eMurder Mystery, Production Numbers, Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eBroadway Special Featuring New York's latest Hit \"The Hasty Heart,\" Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eFolio Highlights, Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eEntertainment Grab Bag, Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eSketches, Crossover, Quizzes, Revues, Blackouts, Parodies\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eSchedules 1 - 14\u003c/p\u003e","\u003cp\u003eStage instructions and hand drawn costume and set images\u003c/p\u003e","\u003cp\u003eStage instructions and hand drawn costume and set images\u003c/p\u003e","\u003cp\u003eMusic score\u003c/p\u003e","\u003cp\u003eParody on contemporary song\u003c/p\u003e","\u003cp\u003eScript by Barnett Shaw\u003c/p\u003e","\u003cp\u003eStory by Sidney P. Goldman\u003c/p\u003e","\u003cp\u003eStory by Sidney P. Goldman\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003ePoem by Shakespeare?\u003c/p\u003e","\u003cp\u003ePoem\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003e\"...army life and what the average soldier has to put up with.\"\u003c/p\u003e","\u003cp\u003ePoems\u003c/p\u003e","\u003cp\u003eWar humor by Herb Graffis\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eBy Cpl. Adolph Abramson\u003c/p\u003e","\u003cp\u003eArticle by Weare Holbrook\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eWar humor by Robert T. Souter in Esquire, p. 65\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eScript by Ben Hecht in Collier's, pp. 11-13, 37-39\u003c/p\u003e","\u003cp\u003e\"A Soldier's Reminder of the War's Background, Its Purpose and Its Prospects\"; Script by Sgt. Fred Stewart\u003c/p\u003e","\u003cp\u003e\"An old-fashioned melodrama in two acts\"\u003c/p\u003e","\u003cp\u003e\"Used at SSMS\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS) broadcast; Script by Norman Corwin\u003c/p\u003e","\u003cp\u003eHeld at Fairview School Auditorium\u003c/p\u003e","\u003cp\u003eJohn Steinbeck's play, presented by the Tulsa Little Theater Group in War Department, at Theater No. 2, Camp Crowder, Missouri\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eBlackouts, Crossovers and Parodies for WAC Variety Nights\u003c/p\u003e","\u003cp\u003eBlackouts, Sketches, Quizzes, Parodies and Games\u003c/p\u003e","\u003cp\u003ePrepared by the National Theater Conference and the Morale Branch of the United States Army\u003c/p\u003e","\u003cp\u003eSpeech Work Material by Doyle Virginia Cockrell, San Antonio Vocational and Technical High School\u003c/p\u003e","\u003cp\u003e\"The attached suggestions are furnished for the purpose of assisting the Theatrical Technical Advisor in the many problems which arise in the producing, directing, rehearsing and presentation of soldier theatricals.\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe Production Staff, Principles of Directing and Acting, Production of One-Act and Full-Length Plays\u003c/p\u003e","\u003cp\u003eDistributed by the Special Services Division, A.S.F.\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material, Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eSixty-Second Blackouts\u003c/p\u003e","\u003cp\u003eMusical Quizzical\u003c/p\u003e","\u003cp\u003eFourth Service Command Soldier Show Conferences\u003c/p\u003e","\u003cp\u003eFourth Service Command Soldier Shows\u003c/p\u003e","\u003cp\u003eFourth Service Command Soldier Shows\u003c/p\u003e","\u003cp\u003eFourth Service Command Soldier Shows\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\u003c/p\u003e","\u003cp\u003ePrepared by the Radio Section, Headquarters Branch Office\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\u003c/p\u003e","\u003cp\u003ePrepared by the Radio Section, Headquarters Branch Office\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eby Robert Riley Crutcher, presented by the Special Service Division of the War Department\u003c/p\u003e","\u003cp\u003epresented by the Special Service Division of the War Department\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePresented by the Special Services Division of the War Department\u003c/p\u003e","\u003cp\u003eSkit by Lt. W.P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eWords and music by Sgt. J. C. Lewis; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Cpl. Raymond Simon; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious skits and production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. D. W. Todd; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Arnold M. Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eMusical parody by Corporals Tom Adair and Joe Twerp; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eBy Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eBy Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Harold Fleming; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious skits by Lt. W. Toll; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by George S. Kaufman; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pvt. Ivan Tors; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 2 Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Henry Blankfort and Bert Lawrence; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Etter; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Chuck Allen; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Salem Ludwig and Joseph R. Horenstein; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong parody and stage directions by H. Shaffer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. J. R. Humphreys;Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Paul Price; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 2 Lt. Vernon Stone; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. McLean; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert N. Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. G. [?] Carr; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eNewspaper clipping; Skit by Lt. Alexander B. Reed; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Robert P. Crawford; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt's Baskind and English; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by W. P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eStory by D. L. Champion; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sam Locke; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit from Our Sunday Visitor (Catholic Editorial) Huntington, Indiana; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eIdeas by Cpl. Don Mann; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. A. Hamilton; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Arnold Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eby Pvt. R. Weil; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sgt. Fred Stewart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkits: March of Time; Eskimo Courtesy; Superstition; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSongs: Special Service Song by John Baker; I've Got Enthusiasm; Ballet and Opening; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 1 Lt. Bob Wellington; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 2 Lt. WMA. Page; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Captain Leonard Blair; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eProduction suggestions by Sgt. Hez Dufenthaler; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Ed Rush Rubin; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 2 Lt. F. J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong by Lt. R. S. Beck; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eScript by Alice Gerstenberg\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eA Musical Revue in Five Scenes by Arthur A. Noyes, Murray L. Grand, Lionel N. Lile, and Morton J. Green\u003c/p\u003e","\u003cp\u003eFundamental Purpose of Soldier Shows in Army Recreation\u003c/p\u003e","\u003cp\u003eFundamental Purpose of Soldier Shows in Army Recreation\u003c/p\u003e","\u003cp\u003eThe Function of the Special Service Officer as to Soldier Shows\u003c/p\u003e","\u003cp\u003eInformal Theatricals\u003c/p\u003e","\u003cp\u003eProduction Planning Meetings\u003c/p\u003e","\u003cp\u003eSoldier Production Organization\u003c/p\u003e","\u003cp\u003eSoldier Stagecraft\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eBlackout by Lt. W. P. Moore\u003c/p\u003e","\u003cp\u003eBlackout by Lt. Bob Eastright\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eBlackouts by Lois Landauer\u003c/p\u003e","\u003cp\u003ePrepared by the Entertainment Section, Special Services Branch, Royal Canadian Air Force\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Special Services Division, Services of Supply, United States Army\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Army Information Branch, Army Service Forces, United States Army\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense\u003c/p\u003e","\u003cp\u003eLanguage Guide prepared by the War Department\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Special Services Division, Army Service Forces, United States Army\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Army Information Branch, A.S.F., United States Army\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Special Service Division, Army Service Forces, United States Army\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes. The six cubic feet (nine linear feet) cover the years 1940 through 1953.","Most of the items in the collection are Soldier Shows, entertainments written to amuse overseas troops and to boost morale. Produced by the Army Special Services Division, the scripts were written by professional and amateur playwrights. Many were created by military personnel attending the Special Services School in Lexington, Virginia (1943-1946). The collection also includes: newspaper and magazine clippings, war humor, poems, blackouts, quizzes, crafts manuals, original songs, song parodies, sheet music, flyers, pamphlets, theatrical manuals and guides, lesson plans and lectures, production ideas, and comedy routines. There are also several military-issued Pocket Guides to foreign lands, including guides to Burma, Germany, Greece, West Africa, Italy, and Great Britain. ","Script by unknown","Script by Leo Lieberman","Script by William Hanley","Script by Leonard Spigelgass","Script by Gurney Campbell and Daphne Athas","Script by Gurney Campbell and Daphne Athas","Script by Paddy Chayefsky","Script by Louis Kronenberger","Script by Phoebe Ephron and Henry Ephron","Script by Lonnie Coleman","Script by Robertson Davies","Script by Leonard Spigelgass","Script by William McCleery","Script by Leonard Spigelgass","Script by Santha Rama Rau","Script by Arnold Wesker","Script by Elick Moll","Script by Patricia Joudry","Script by Dore Schary","Script by Michael Howard","Script by Joseph Fields and Peter de Vries","Script by Richard Morris","Script by Richard Morris","Script by Richard Morris","Script by Henry Denker","Script by Murray Schisgal","Script by Harry Tugend","\"The Reluctant Draftee\" and \"Ten Minute Break\": Two Complete Soldier Shows","Comedy Acts and Minstrel Show Material","Revue Sketches Vaudeville Comedy Acts","\"Take it or Leave It\": A Humorous Quiz Book","Abbott and Costello, Burns and Allen, Fred Allen, Charlie McCarthy, Fibber McGee and Molly: Comedy Scenes","Soldier Shows Guide","The Army Play by Play: Five Prize-Winning One-Act Plays","Blackouts and Sketches","GI: Prize Winning Blackouts","G.I. Revues: 10 Package Shows","G.I. One Act Plays","Chillers and Thrillers: A Book of Mystery Sketches","MC Jackpot\nAvailable in digital format.","Skits and Bits","Soldier Shows \"Blueprint Special\"","Soldier Shows \"Blueprint Special\"","Soldier Shows \"Blueprint Special\"","Blackouts, Sketches, Quizzes, Parodies, Games","Games, Puzzles, Quizzes","\"Bedzapoppin\", (A Revue), Games, Quizzes","\"No. 6\" is corrected by hand to \"No. 9\"","Comedy Sketches","Minstrel Shows with Music","Music and Lyrics for Musical Comedies and Revues","Musical Opening Choruses, Finales and Production Numbers for Soldier Shows","Time Out","Held at Fort McPherson, Georgia","Held at Atlanta, Georgia","Reception Center: Blackouts, Parodies, Games","Reception Center, Blackouts, Parodies, Revues","Entertainment Section: Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches\nAvailable in digital format.","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","It's the G.I. State Fair","It's the G.I. State Fair","Thanksgiving, Mock Election, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Murder Mystery, Production Numbers, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Broadway Special Featuring New York's latest Hit \"The Hasty Heart,\" Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Folio Highlights, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Entertainment Grab Bag, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Sketches, Crossover, Quizzes, Revues, Blackouts, Parodies","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Schedules 1 - 14","Stage instructions and hand drawn costume and set images","Stage instructions and hand drawn costume and set images","Music score","Parody on contemporary song","Script by Barnett Shaw","Story by Sidney P. Goldman","Story by Sidney P. Goldman","War humor","War humor","Poem by Shakespeare?","Poem","War humor","\"...army life and what the average soldier has to put up with.\"","Poems","War humor by Herb Graffis","Script","War humor","By Cpl. Adolph Abramson","Article by Weare Holbrook","War humor","War humor by Robert T. Souter in Esquire, p. 65","War humor","Script by Ben Hecht in Collier's, pp. 11-13, 37-39","\"A Soldier's Reminder of the War's Background, Its Purpose and Its Prospects\"; Script by Sgt. Fred Stewart","\"An old-fashioned melodrama in two acts\"","\"Used at SSMS\"","Columbia Broadcasting System (CBS) broadcast; Script by Norman Corwin","Held at Fairview School Auditorium","John Steinbeck's play, presented by the Tulsa Little Theater Group in War Department, at Theater No. 2, Camp Crowder, Missouri","War humor","Blackouts, Crossovers and Parodies for WAC Variety Nights","Blackouts, Sketches, Quizzes, Parodies and Games","Prepared by the National Theater Conference and the Morale Branch of the United States Army","Speech Work Material by Doyle Virginia Cockrell, San Antonio Vocational and Technical High School","\"The attached suggestions are furnished for the purpose of assisting the Theatrical Technical Advisor in the many problems which arise in the producing, directing, rehearsing and presentation of soldier theatricals.\"\nAvailable in digital format.","The Production Staff, Principles of Directing and Acting, Production of One-Act and Full-Length Plays","Distributed by the Special Services Division, A.S.F.","Radio and Theatrical Material, Skits, Blackouts, Sketches","Sixty-Second Blackouts","Musical Quizzical","Fourth Service Command Soldier Show Conferences","Fourth Service Command Soldier Shows","Fourth Service Command Soldier Shows","Fourth Service Command Soldier Shows","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","Prepared by the Radio Section, Headquarters Branch Office","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","Prepared by the Radio Section, Headquarters Branch Office","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","by Robert Riley Crutcher, presented by the Special Service Division of the War Department","presented by the Special Service Division of the War Department\nAvailable in digital format.","Presented by the Special Services Division of the War Department","Skit by Lt. W.P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Words and music by Sgt. J. C. Lewis; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Cpl. Raymond Simon; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits and production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. D. W. Todd; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Arnold M. Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Musical parody by Corporals Tom Adair and Joe Twerp; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","By Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","By Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Harold Fleming; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits by Lt. W. Toll; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by George S. Kaufman; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pvt. Ivan Tors; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Henry Blankfort and Bert Lawrence; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Etter; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Chuck Allen; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Salem Ludwig and Joseph R. Horenstein; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parody and stage directions by H. Shaffer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. J. R. Humphreys;Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Paul Price; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. Vernon Stone; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. McLean; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. G. [?] Carr; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Newspaper clipping; Skit by Lt. Alexander B. Reed; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Robert P. Crawford; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt's Baskind and English; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by W. P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Story by D. L. Champion; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sam Locke; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit from Our Sunday Visitor (Catholic Editorial) Huntington, Indiana; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Ideas by Cpl. Don Mann; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. A. Hamilton; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Arnold Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","by Pvt. R. Weil; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Fred Stewart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skits: March of Time; Eskimo Courtesy; Superstition; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Songs: Special Service Song by John Baker; I've Got Enthusiasm; Ballet and Opening; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 1 Lt. Bob Wellington; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. WMA. Page; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Captain Leonard Blair; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Production suggestions by Sgt. Hez Dufenthaler; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Ed Rush Rubin; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. F. J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song by Lt. R. S. Beck; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Script by Alice Gerstenberg","Script","A Musical Revue in Five Scenes by Arthur A. Noyes, Murray L. Grand, Lionel N. Lile, and Morton J. Green","Fundamental Purpose of Soldier Shows in Army Recreation","Fundamental Purpose of Soldier Shows in Army Recreation","The Function of the Special Service Officer as to Soldier Shows","Informal Theatricals","Production Planning Meetings","Soldier Production Organization","Soldier Stagecraft","Script","Blackout by Lt. W. P. Moore","Blackout by Lt. Bob Eastright","Script","Script","Script","Blackouts by Lois Landauer","Prepared by the Entertainment Section, Special Services Branch, Royal Canadian Air Force","Script","Pocket Guide prepared by Special Services Division, Services of Supply, United States Army","Pocket Guide prepared by Army Information Branch, Army Service Forces, United States Army","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Language Guide prepared by the War Department","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Pocket Guide prepared by Special Services Division, Army Service Forces, United States Army","Pocket Guide prepared by Army Information Branch, A.S.F., United States Army","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Pocket Guide prepared by Special Service Division, Army Service Forces, United States Army"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_292a18e68bd4561eedd206dc674a70fc\" label=\"Abstract\"\u003eThe John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes.\u003c/abstract\u003e"],"abstract_tesim":["The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes."],"names_coll_ssim":["United States. Army Service Forces. Special Service Division"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Army Service Forces. Special Service Division","Becher, John C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Army Service Forces. Special Service Division"],"persname_ssim":["Becher, John C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":363,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:28:34.764Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_46","ead_ssi":"vifgm_repositories_2_resources_46","_root_":"vifgm_repositories_2_resources_46","_nest_parent_":"vifgm_repositories_2_resources_46","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_46.xml","title_filing_ssi":"John C. Becher Soldier Show collection","title_ssm":["John C. Becher Soldier Show collection"],"title_tesim":["John C. Becher Soldier Show collection"],"unitdate_ssm":["1940-1953"],"unitdate_inclusive_ssm":["1940-1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0090","/repositories/2/resources/46"],"text":["C0090","/repositories/2/resources/46","John C. Becher Soldier Show collection","United States -- Armed Forces -- Military life","World War, 1939-1945 -- Theater and the war","Soldiers -- Recreation","World War, 1939-1945","Performing arts","Theater","Theater and society","There are no access restrictions.","This collection is arranged by item group, such as Soldier Shows, scripts, theatrical manuals, and pocket guides.","Skit by S/Sgt. Robert M. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Keeping morale high was important during the war. This was recognized at the highest military levels. General George C. Marshall, Chief of Staff, for example, stressed the importance of maintaining high morale: \"Napoleon evaluated morale over material as three to one. I believe that recent experiences indicate a re-estimate of this value - the odds being near five to one, or probably even ten to one in some instances in favor of the psychological factor\" (Morale Program, box 7 folder 2 page 7). Programs and services that maintained or heightened morale covered a wide range - athletics, libraries, religion, education - and none was more important than entertainment, which is well-represented by the materials in the Becher Collection.","Entertaining troops during World War II was an enormous enterprise. The celebrated USO-Camp Shows was a civilian-based organization that provided professional entertainment for the Armed Forces. The U.S. Army Motion Picture Service was a non-profit organization that sponsored movie theaters to ease the transition from civilian to military life. A related group, the U.S.O. Mobile Motion Picture Service, showed films to overseas troops. Whereas these organizations provided passive forms of entertainment, the Entertainment Section of the Army Special Services Division took a different approach. They actually included the soldiers in creating their own entertainment. These were called Soldier Shows.","Soldier Shows were made by soldiers for soldiers. The principal objective was to achieve mass participation. A wide range of talent was employed in creating Soldier Shows - including singers, dancers, actors, orators, trivia buffs, costume and scenery makers, artists, and carpenters. Because mass participation by military personnel was encouraged, the program had a virtually unlimited field to draw on.","Soldiers participating in Soldier Shows acted in skits and plays, sang musical numbers, performed comedy routines, quizzed other soldiers, and made arts and crafts. Such activities forged common bonds among the troops and provided emotional links to their homeland. Soldier Shows were particularly effective in boosting the morale of hospitalized soldiers. The therapeutic value of Soldier Shows played an important role in the physical and mental rehabilitation of injured soldiers.","Soldier Shows were remarkably effective in boosting morale. In fact, reports have shown that the program was one of the easiest and most effective ways to combat low morale. (Morale Program, box 1 folder 2 page 7). General Dwight D. Eisenhower, in a back-stage visit to the cast who put on a Soldier Show in North Africa, praised their usefulness in the war effort: \"You are entertaining soldiers. You are not fighting with guns - but your job is just as important. As long as you are doing your job well . . . you will be rendering a service, and a great one, to your fellow soldiers and your country\" (Morale Program, box 1 folder 2 page 7). ","Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty.","The Special Collections Research Center also holds the  , which contains documents, photographs, and memorabilia from his time in the Air Force during World War II.","The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes. The six cubic feet (nine linear feet) cover the years 1940 through 1953.","Most of the items in the collection are Soldier Shows, entertainments written to amuse overseas troops and to boost morale. Produced by the Army Special Services Division, the scripts were written by professional and amateur playwrights. Many were created by military personnel attending the Special Services School in Lexington, Virginia (1943-1946). The collection also includes: newspaper and magazine clippings, war humor, poems, blackouts, quizzes, crafts manuals, original songs, song parodies, sheet music, flyers, pamphlets, theatrical manuals and guides, lesson plans and lectures, production ideas, and comedy routines. There are also several military-issued Pocket Guides to foreign lands, including guides to Burma, Germany, Greece, West Africa, Italy, and Great Britain. ","Script by unknown","Script by Leo Lieberman","Script by William Hanley","Script by Leonard Spigelgass","Script by Gurney Campbell and Daphne Athas","Script by Gurney Campbell and Daphne Athas","Script by Paddy Chayefsky","Script by Louis Kronenberger","Script by Phoebe Ephron and Henry Ephron","Script by Lonnie Coleman","Script by Robertson Davies","Script by Leonard Spigelgass","Script by William McCleery","Script by Leonard Spigelgass","Script by Santha Rama Rau","Script by Arnold Wesker","Script by Elick Moll","Script by Patricia Joudry","Script by Dore Schary","Script by Michael Howard","Script by Joseph Fields and Peter de Vries","Script by Richard Morris","Script by Richard Morris","Script by Richard Morris","Script by Henry Denker","Script by Murray Schisgal","Script by Harry Tugend","\"The Reluctant Draftee\" and \"Ten Minute Break\": Two Complete Soldier Shows","Comedy Acts and Minstrel Show Material","Revue Sketches Vaudeville Comedy Acts","\"Take it or Leave It\": A Humorous Quiz Book","Abbott and Costello, Burns and Allen, Fred Allen, Charlie McCarthy, Fibber McGee and Molly: Comedy Scenes","Soldier Shows Guide","The Army Play by Play: Five Prize-Winning One-Act Plays","Blackouts and Sketches","GI: Prize Winning Blackouts","G.I. Revues: 10 Package Shows","G.I. One Act Plays","Chillers and Thrillers: A Book of Mystery Sketches","MC Jackpot\nAvailable in digital format.","Skits and Bits","Soldier Shows \"Blueprint Special\"","Soldier Shows \"Blueprint Special\"","Soldier Shows \"Blueprint Special\"","Blackouts, Sketches, Quizzes, Parodies, Games","Games, Puzzles, Quizzes","\"Bedzapoppin\", (A Revue), Games, Quizzes","\"No. 6\" is corrected by hand to \"No. 9\"","Comedy Sketches","Minstrel Shows with Music","Music and Lyrics for Musical Comedies and Revues","Musical Opening Choruses, Finales and Production Numbers for Soldier Shows","Time Out","Held at Fort McPherson, Georgia","Held at Atlanta, Georgia","Reception Center: Blackouts, Parodies, Games","Reception Center, Blackouts, Parodies, Revues","Entertainment Section: Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches\nAvailable in digital format.","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","It's the G.I. State Fair","It's the G.I. State Fair","Thanksgiving, Mock Election, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Murder Mystery, Production Numbers, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Broadway Special Featuring New York's latest Hit \"The Hasty Heart,\" Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Folio Highlights, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Entertainment Grab Bag, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Sketches, Crossover, Quizzes, Revues, Blackouts, Parodies","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Schedules 1 - 14","Stage instructions and hand drawn costume and set images","Stage instructions and hand drawn costume and set images","Music score","Parody on contemporary song","Script by Barnett Shaw","Story by Sidney P. Goldman","Story by Sidney P. Goldman","War humor","War humor","Poem by Shakespeare?","Poem","War humor","\"...army life and what the average soldier has to put up with.\"","Poems","War humor by Herb Graffis","Script","War humor","By Cpl. Adolph Abramson","Article by Weare Holbrook","War humor","War humor by Robert T. Souter in Esquire, p. 65","War humor","Script by Ben Hecht in Collier's, pp. 11-13, 37-39","\"A Soldier's Reminder of the War's Background, Its Purpose and Its Prospects\"; Script by Sgt. Fred Stewart","\"An old-fashioned melodrama in two acts\"","\"Used at SSMS\"","Columbia Broadcasting System (CBS) broadcast; Script by Norman Corwin","Held at Fairview School Auditorium","John Steinbeck's play, presented by the Tulsa Little Theater Group in War Department, at Theater No. 2, Camp Crowder, Missouri","War humor","Blackouts, Crossovers and Parodies for WAC Variety Nights","Blackouts, Sketches, Quizzes, Parodies and Games","Prepared by the National Theater Conference and the Morale Branch of the United States Army","Speech Work Material by Doyle Virginia Cockrell, San Antonio Vocational and Technical High School","\"The attached suggestions are furnished for the purpose of assisting the Theatrical Technical Advisor in the many problems which arise in the producing, directing, rehearsing and presentation of soldier theatricals.\"\nAvailable in digital format.","The Production Staff, Principles of Directing and Acting, Production of One-Act and Full-Length Plays","Distributed by the Special Services Division, A.S.F.","Radio and Theatrical Material, Skits, Blackouts, Sketches","Sixty-Second Blackouts","Musical Quizzical","Fourth Service Command Soldier Show Conferences","Fourth Service Command Soldier Shows","Fourth Service Command Soldier Shows","Fourth Service Command Soldier Shows","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","Prepared by the Radio Section, Headquarters Branch Office","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","Prepared by the Radio Section, Headquarters Branch Office","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","by Robert Riley Crutcher, presented by the Special Service Division of the War Department","presented by the Special Service Division of the War Department\nAvailable in digital format.","Presented by the Special Services Division of the War Department","Skit by Lt. W.P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Words and music by Sgt. J. C. Lewis; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Cpl. Raymond Simon; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits and production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. D. W. Todd; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Arnold M. Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Musical parody by Corporals Tom Adair and Joe Twerp; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","By Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","By Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Harold Fleming; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits by Lt. W. Toll; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by George S. Kaufman; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pvt. Ivan Tors; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Henry Blankfort and Bert Lawrence; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Etter; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Chuck Allen; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Salem Ludwig and Joseph R. Horenstein; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parody and stage directions by H. Shaffer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. J. R. Humphreys;Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Paul Price; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. Vernon Stone; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. McLean; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. G. [?] Carr; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Newspaper clipping; Skit by Lt. Alexander B. Reed; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Robert P. Crawford; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt's Baskind and English; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by W. P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Story by D. L. Champion; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sam Locke; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit from Our Sunday Visitor (Catholic Editorial) Huntington, Indiana; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Ideas by Cpl. Don Mann; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. A. Hamilton; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Arnold Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","by Pvt. R. Weil; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Fred Stewart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skits: March of Time; Eskimo Courtesy; Superstition; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Songs: Special Service Song by John Baker; I've Got Enthusiasm; Ballet and Opening; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 1 Lt. Bob Wellington; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. WMA. Page; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Captain Leonard Blair; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Production suggestions by Sgt. Hez Dufenthaler; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Ed Rush Rubin; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. F. J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song by Lt. R. S. Beck; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Script by Alice Gerstenberg","Script","A Musical Revue in Five Scenes by Arthur A. Noyes, Murray L. Grand, Lionel N. Lile, and Morton J. Green","Fundamental Purpose of Soldier Shows in Army Recreation","Fundamental Purpose of Soldier Shows in Army Recreation","The Function of the Special Service Officer as to Soldier Shows","Informal Theatricals","Production Planning Meetings","Soldier Production Organization","Soldier Stagecraft","Script","Blackout by Lt. W. P. Moore","Blackout by Lt. Bob Eastright","Script","Script","Script","Blackouts by Lois Landauer","Prepared by the Entertainment Section, Special Services Branch, Royal Canadian Air Force","Script","Pocket Guide prepared by Special Services Division, Services of Supply, United States Army","Pocket Guide prepared by Army Information Branch, Army Service Forces, United States Army","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Language Guide prepared by the War Department","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Pocket Guide prepared by Special Services Division, Army Service Forces, United States Army","Pocket Guide prepared by Army Information Branch, A.S.F., United States Army","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Pocket Guide prepared by Special Service Division, Army Service Forces, United States Army","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes.","George Mason University. Libraries. Special Collections Research Center","United States. Army Service Forces. Special Service Division","Becher, John C.","English"],"unitid_tesim":["C0090","/repositories/2/resources/46"],"normalized_title_ssm":["John C. Becher Soldier Show collection"],"collection_title_tesim":["John C. Becher Soldier Show collection"],"collection_ssim":["John C. Becher Soldier Show collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Armed Forces -- Military life"],"geogname_ssim":["United States -- Armed Forces -- Military life"],"creator_ssm":["Becher, John C."],"creator_ssim":["Becher, John C."],"creator_persname_ssim":["Becher, John C."],"creators_ssim":["Becher, John C."],"places_ssim":["United States -- Armed Forces -- Military life"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by John C. Becher in 1979 through Harold Arburg, Director of Arts and Humanities, U.S. Office of Education."],"access_subjects_ssim":["World War, 1939-1945 -- Theater and the war","Soldiers -- Recreation","World War, 1939-1945","Performing arts","Theater","Theater and society"],"access_subjects_ssm":["World War, 1939-1945 -- Theater and the war","Soldiers -- Recreation","World War, 1939-1945","Performing arts","Theater","Theater and society"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet 17 boxes"],"extent_tesim":["9 Linear Feet 17 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by item group, such as Soldier Shows, scripts, theatrical manuals, and pocket guides.\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert M. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement note"],"arrangement_tesim":["This collection is arranged by item group, such as Soldier Shows, scripts, theatrical manuals, and pocket guides.","Skit by S/Sgt. Robert M. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946"],"bioghist_html_tesm":["\u003cp\u003eKeeping morale high was important during the war. This was recognized at the highest military levels. General George C. Marshall, Chief of Staff, for example, stressed the importance of maintaining high morale: \"Napoleon evaluated morale over material as three to one. I believe that recent experiences indicate a re-estimate of this value - the odds being near five to one, or probably even ten to one in some instances in favor of the psychological factor\" (Morale Program, box 7 folder 2 page 7). Programs and services that maintained or heightened morale covered a wide range - athletics, libraries, religion, education - and none was more important than entertainment, which is well-represented by the materials in the Becher Collection.\u003c/p\u003e\n","\u003cp\u003eEntertaining troops during World War II was an enormous enterprise. The celebrated USO-Camp Shows was a civilian-based organization that provided professional entertainment for the Armed Forces. The U.S. Army Motion Picture Service was a non-profit organization that sponsored movie theaters to ease the transition from civilian to military life. A related group, the U.S.O. Mobile Motion Picture Service, showed films to overseas troops. Whereas these organizations provided passive forms of entertainment, the Entertainment Section of the Army Special Services Division took a different approach. They actually included the soldiers in creating their own entertainment. These were called Soldier Shows.\u003c/p\u003e\n","\u003cp\u003eSoldier Shows were made by soldiers for soldiers. The principal objective was to achieve mass participation. A wide range of talent was employed in creating Soldier Shows - including singers, dancers, actors, orators, trivia buffs, costume and scenery makers, artists, and carpenters. Because mass participation by military personnel was encouraged, the program had a virtually unlimited field to draw on.\u003c/p\u003e\n","\u003cp\u003eSoldiers participating in Soldier Shows acted in skits and plays, sang musical numbers, performed comedy routines, quizzed other soldiers, and made arts and crafts. Such activities forged common bonds among the troops and provided emotional links to their homeland. Soldier Shows were particularly effective in boosting the morale of hospitalized soldiers. The therapeutic value of Soldier Shows played an important role in the physical and mental rehabilitation of injured soldiers.\u003c/p\u003e\n","\u003cp\u003eSoldier Shows were remarkably effective in boosting morale. In fact, reports have shown that the program was one of the easiest and most effective ways to combat low morale. (Morale Program, box 1 folder 2 page 7). General Dwight D. Eisenhower, in a back-stage visit to the cast who put on a Soldier Show in North Africa, praised their usefulness in the war effort: \"You are entertaining soldiers. You are not fighting with guns - but your job is just as important. As long as you are doing your job well . . . you will be rendering a service, and a great one, to your fellow soldiers and your country\" (Morale Program, box 1 folder 2 page 7). \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Keeping morale high was important during the war. This was recognized at the highest military levels. General George C. Marshall, Chief of Staff, for example, stressed the importance of maintaining high morale: \"Napoleon evaluated morale over material as three to one. I believe that recent experiences indicate a re-estimate of this value - the odds being near five to one, or probably even ten to one in some instances in favor of the psychological factor\" (Morale Program, box 7 folder 2 page 7). Programs and services that maintained or heightened morale covered a wide range - athletics, libraries, religion, education - and none was more important than entertainment, which is well-represented by the materials in the Becher Collection.","Entertaining troops during World War II was an enormous enterprise. The celebrated USO-Camp Shows was a civilian-based organization that provided professional entertainment for the Armed Forces. The U.S. Army Motion Picture Service was a non-profit organization that sponsored movie theaters to ease the transition from civilian to military life. A related group, the U.S.O. Mobile Motion Picture Service, showed films to overseas troops. Whereas these organizations provided passive forms of entertainment, the Entertainment Section of the Army Special Services Division took a different approach. They actually included the soldiers in creating their own entertainment. These were called Soldier Shows.","Soldier Shows were made by soldiers for soldiers. The principal objective was to achieve mass participation. A wide range of talent was employed in creating Soldier Shows - including singers, dancers, actors, orators, trivia buffs, costume and scenery makers, artists, and carpenters. Because mass participation by military personnel was encouraged, the program had a virtually unlimited field to draw on.","Soldiers participating in Soldier Shows acted in skits and plays, sang musical numbers, performed comedy routines, quizzed other soldiers, and made arts and crafts. Such activities forged common bonds among the troops and provided emotional links to their homeland. Soldier Shows were particularly effective in boosting the morale of hospitalized soldiers. The therapeutic value of Soldier Shows played an important role in the physical and mental rehabilitation of injured soldiers.","Soldier Shows were remarkably effective in boosting morale. In fact, reports have shown that the program was one of the easiest and most effective ways to combat low morale. (Morale Program, box 1 folder 2 page 7). General Dwight D. Eisenhower, in a back-stage visit to the cast who put on a Soldier Show in North Africa, praised their usefulness in the war effort: \"You are entertaining soldiers. You are not fighting with guns - but your job is just as important. As long as you are doing your job well . . . you will be rendering a service, and a great one, to your fellow soldiers and your country\" (Morale Program, box 1 folder 2 page 7). "],"prefercite_html_tesm":["\u003cp\u003eJohn C. Becher Soldier Show collection, C0090, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["John C. Becher Soldier Show collection, C0090, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Leonard H. Clark collection\" href=\"https://aspace.gmu.edu/resources/c0060\"\u003e\u003c/extptr\u003e, which contains documents, photographs, and memorabilia from his time in the Air Force during World War II.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , which contains documents, photographs, and memorabilia from his time in the Air Force during World War II."],"scopecontent_html_tesm":["\u003cp\u003eThe John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes. The six cubic feet (nine linear feet) cover the years 1940 through 1953.\u003c/p\u003e\n","\u003cp\u003eMost of the items in the collection are Soldier Shows, entertainments written to amuse overseas troops and to boost morale. Produced by the Army Special Services Division, the scripts were written by professional and amateur playwrights. Many were created by military personnel attending the Special Services School in Lexington, Virginia (1943-1946). The collection also includes: newspaper and magazine clippings, war humor, poems, blackouts, quizzes, crafts manuals, original songs, song parodies, sheet music, flyers, pamphlets, theatrical manuals and guides, lesson plans and lectures, production ideas, and comedy routines. There are also several military-issued Pocket Guides to foreign lands, including guides to Burma, Germany, Greece, West Africa, Italy, and Great Britain. \u003c/p\u003e","\u003cp\u003eScript by unknown\u003c/p\u003e","\u003cp\u003eScript by Leo Lieberman\u003c/p\u003e","\u003cp\u003eScript by William Hanley\u003c/p\u003e","\u003cp\u003eScript by Leonard Spigelgass\u003c/p\u003e","\u003cp\u003eScript by Gurney Campbell and Daphne Athas\u003c/p\u003e","\u003cp\u003eScript by Gurney Campbell and Daphne Athas\u003c/p\u003e","\u003cp\u003eScript by Paddy Chayefsky\u003c/p\u003e","\u003cp\u003eScript by Louis Kronenberger\u003c/p\u003e","\u003cp\u003eScript by Phoebe Ephron and Henry Ephron\u003c/p\u003e","\u003cp\u003eScript by Lonnie Coleman\u003c/p\u003e","\u003cp\u003eScript by Robertson Davies\u003c/p\u003e","\u003cp\u003eScript by Leonard Spigelgass\u003c/p\u003e","\u003cp\u003eScript by William McCleery\u003c/p\u003e","\u003cp\u003eScript by Leonard Spigelgass\u003c/p\u003e","\u003cp\u003eScript by Santha Rama Rau\u003c/p\u003e","\u003cp\u003eScript by Arnold Wesker\u003c/p\u003e","\u003cp\u003eScript by Elick Moll\u003c/p\u003e","\u003cp\u003eScript by Patricia Joudry\u003c/p\u003e","\u003cp\u003eScript by Dore Schary\u003c/p\u003e","\u003cp\u003eScript by Michael Howard\u003c/p\u003e","\u003cp\u003eScript by Joseph Fields and Peter de Vries\u003c/p\u003e","\u003cp\u003eScript by Richard Morris\u003c/p\u003e","\u003cp\u003eScript by Richard Morris\u003c/p\u003e","\u003cp\u003eScript by Richard Morris\u003c/p\u003e","\u003cp\u003eScript by Henry Denker\u003c/p\u003e","\u003cp\u003eScript by Murray Schisgal\u003c/p\u003e","\u003cp\u003eScript by Harry Tugend\u003c/p\u003e","\u003cp\u003e\"The Reluctant Draftee\" and \"Ten Minute Break\": Two Complete Soldier Shows\u003c/p\u003e","\u003cp\u003eComedy Acts and Minstrel Show Material\u003c/p\u003e","\u003cp\u003eRevue Sketches Vaudeville Comedy Acts\u003c/p\u003e","\u003cp\u003e\"Take it or Leave It\": A Humorous Quiz Book\u003c/p\u003e","\u003cp\u003eAbbott and Costello, Burns and Allen, Fred Allen, Charlie McCarthy, Fibber McGee and Molly: Comedy Scenes\u003c/p\u003e","\u003cp\u003eSoldier Shows Guide\u003c/p\u003e","\u003cp\u003eThe Army Play by Play: Five Prize-Winning One-Act Plays\u003c/p\u003e","\u003cp\u003eBlackouts and Sketches\u003c/p\u003e","\u003cp\u003eGI: Prize Winning Blackouts\u003c/p\u003e","\u003cp\u003eG.I. Revues: 10 Package Shows\u003c/p\u003e","\u003cp\u003eG.I. One Act Plays\u003c/p\u003e","\u003cp\u003eChillers and Thrillers: A Book of Mystery Sketches\u003c/p\u003e","\u003cp\u003eMC Jackpot\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSkits and Bits\u003c/p\u003e","\u003cp\u003eSoldier Shows \"Blueprint Special\"\u003c/p\u003e","\u003cp\u003eSoldier Shows \"Blueprint Special\"\u003c/p\u003e","\u003cp\u003eSoldier Shows \"Blueprint Special\"\u003c/p\u003e","\u003cp\u003eBlackouts, Sketches, Quizzes, Parodies, Games\u003c/p\u003e","\u003cp\u003eGames, Puzzles, Quizzes\u003c/p\u003e","\u003cp\u003e\"Bedzapoppin\", (A Revue), Games, Quizzes\u003c/p\u003e","\u003cp\u003e\"No. 6\" is corrected by hand to \"No. 9\"\u003c/p\u003e","\u003cp\u003eComedy Sketches\u003c/p\u003e","\u003cp\u003eMinstrel Shows with Music\u003c/p\u003e","\u003cp\u003eMusic and Lyrics for Musical Comedies and Revues\u003c/p\u003e","\u003cp\u003eMusical Opening Choruses, Finales and Production Numbers for Soldier Shows\u003c/p\u003e","\u003cp\u003eTime Out\u003c/p\u003e","\u003cp\u003eHeld at Fort McPherson, Georgia\u003c/p\u003e","\u003cp\u003eHeld at Atlanta, Georgia\u003c/p\u003e","\u003cp\u003eReception Center: Blackouts, Parodies, Games\u003c/p\u003e","\u003cp\u003eReception Center, Blackouts, Parodies, Revues\u003c/p\u003e","\u003cp\u003eEntertainment Section: Radio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eIt's the G.I. State Fair\u003c/p\u003e","\u003cp\u003eIt's the G.I. State Fair\u003c/p\u003e","\u003cp\u003eThanksgiving, Mock Election, Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eMurder Mystery, Production Numbers, Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eBroadway Special Featuring New York's latest Hit \"The Hasty Heart,\" Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eFolio Highlights, Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eEntertainment Grab Bag, Revues, Parodies, Blackouts, Radio Scripts, Crossovers\u003c/p\u003e","\u003cp\u003eSketches, Crossover, Quizzes, Revues, Blackouts, Parodies\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material: Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eSchedules 1 - 14\u003c/p\u003e","\u003cp\u003eStage instructions and hand drawn costume and set images\u003c/p\u003e","\u003cp\u003eStage instructions and hand drawn costume and set images\u003c/p\u003e","\u003cp\u003eMusic score\u003c/p\u003e","\u003cp\u003eParody on contemporary song\u003c/p\u003e","\u003cp\u003eScript by Barnett Shaw\u003c/p\u003e","\u003cp\u003eStory by Sidney P. Goldman\u003c/p\u003e","\u003cp\u003eStory by Sidney P. Goldman\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003ePoem by Shakespeare?\u003c/p\u003e","\u003cp\u003ePoem\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003e\"...army life and what the average soldier has to put up with.\"\u003c/p\u003e","\u003cp\u003ePoems\u003c/p\u003e","\u003cp\u003eWar humor by Herb Graffis\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eBy Cpl. Adolph Abramson\u003c/p\u003e","\u003cp\u003eArticle by Weare Holbrook\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eWar humor by Robert T. Souter in Esquire, p. 65\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eScript by Ben Hecht in Collier's, pp. 11-13, 37-39\u003c/p\u003e","\u003cp\u003e\"A Soldier's Reminder of the War's Background, Its Purpose and Its Prospects\"; Script by Sgt. Fred Stewart\u003c/p\u003e","\u003cp\u003e\"An old-fashioned melodrama in two acts\"\u003c/p\u003e","\u003cp\u003e\"Used at SSMS\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS) broadcast; Script by Norman Corwin\u003c/p\u003e","\u003cp\u003eHeld at Fairview School Auditorium\u003c/p\u003e","\u003cp\u003eJohn Steinbeck's play, presented by the Tulsa Little Theater Group in War Department, at Theater No. 2, Camp Crowder, Missouri\u003c/p\u003e","\u003cp\u003eWar humor\u003c/p\u003e","\u003cp\u003eBlackouts, Crossovers and Parodies for WAC Variety Nights\u003c/p\u003e","\u003cp\u003eBlackouts, Sketches, Quizzes, Parodies and Games\u003c/p\u003e","\u003cp\u003ePrepared by the National Theater Conference and the Morale Branch of the United States Army\u003c/p\u003e","\u003cp\u003eSpeech Work Material by Doyle Virginia Cockrell, San Antonio Vocational and Technical High School\u003c/p\u003e","\u003cp\u003e\"The attached suggestions are furnished for the purpose of assisting the Theatrical Technical Advisor in the many problems which arise in the producing, directing, rehearsing and presentation of soldier theatricals.\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe Production Staff, Principles of Directing and Acting, Production of One-Act and Full-Length Plays\u003c/p\u003e","\u003cp\u003eDistributed by the Special Services Division, A.S.F.\u003c/p\u003e","\u003cp\u003eRadio and Theatrical Material, Skits, Blackouts, Sketches\u003c/p\u003e","\u003cp\u003eSixty-Second Blackouts\u003c/p\u003e","\u003cp\u003eMusical Quizzical\u003c/p\u003e","\u003cp\u003eFourth Service Command Soldier Show Conferences\u003c/p\u003e","\u003cp\u003eFourth Service Command Soldier Shows\u003c/p\u003e","\u003cp\u003eFourth Service Command Soldier Shows\u003c/p\u003e","\u003cp\u003eFourth Service Command Soldier Shows\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\u003c/p\u003e","\u003cp\u003ePrepared by the Radio Section, Headquarters Branch Office\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\u003c/p\u003e","\u003cp\u003ePrepared by the Radio Section, Headquarters Branch Office\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eby Robert Riley Crutcher, presented by the Special Service Division of the War Department\u003c/p\u003e","\u003cp\u003epresented by the Special Service Division of the War Department\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePresented by the Special Services Division of the War Department\u003c/p\u003e","\u003cp\u003eSkit by Lt. W.P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eWords and music by Sgt. J. C. Lewis; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Cpl. Raymond Simon; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious skits and production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. D. W. Todd; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Arnold M. Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eMusical parody by Corporals Tom Adair and Joe Twerp; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eBy Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eBy Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Harold Fleming; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eVarious skits by Lt. W. Toll; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by George S. Kaufman; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pvt. Ivan Tors; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 2 Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Henry Blankfort and Bert Lawrence; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Etter; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Chuck Allen; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Salem Ludwig and Joseph R. Horenstein; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong parody and stage directions by H. Shaffer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. J. R. Humphreys;Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Paul Price; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 2 Lt. Vernon Stone; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. McLean; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert N. Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. G. [?] Carr; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eNewspaper clipping; Skit by Lt. Alexander B. Reed; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt. Robert P. Crawford; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Lt's Baskind and English; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by W. P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eStory by D. L. Champion; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sam Locke; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eItem written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit from Our Sunday Visitor (Catholic Editorial) Huntington, Indiana; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eIdeas by Cpl. Don Mann; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. A. Hamilton; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Arnold Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eby Pvt. R. Weil; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sgt. Fred Stewart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkits: March of Time; Eskimo Courtesy; Superstition; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSongs: Special Service Song by John Baker; I've Got Enthusiasm; Ballet and Opening; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 1 Lt. Bob Wellington; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 2 Lt. WMA. Page; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Captain Leonard Blair; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eProduction suggestions by Sgt. Hez Dufenthaler; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by Pfc. Ed Rush Rubin; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by 2 Lt. F. J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit by S/Sgt. Robert Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSong by Lt. R. S. Beck; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eSkit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946\u003c/p\u003e","\u003cp\u003eScript by Alice Gerstenberg\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eA Musical Revue in Five Scenes by Arthur A. Noyes, Murray L. Grand, Lionel N. Lile, and Morton J. Green\u003c/p\u003e","\u003cp\u003eFundamental Purpose of Soldier Shows in Army Recreation\u003c/p\u003e","\u003cp\u003eFundamental Purpose of Soldier Shows in Army Recreation\u003c/p\u003e","\u003cp\u003eThe Function of the Special Service Officer as to Soldier Shows\u003c/p\u003e","\u003cp\u003eInformal Theatricals\u003c/p\u003e","\u003cp\u003eProduction Planning Meetings\u003c/p\u003e","\u003cp\u003eSoldier Production Organization\u003c/p\u003e","\u003cp\u003eSoldier Stagecraft\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eBlackout by Lt. W. P. Moore\u003c/p\u003e","\u003cp\u003eBlackout by Lt. Bob Eastright\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003eBlackouts by Lois Landauer\u003c/p\u003e","\u003cp\u003ePrepared by the Entertainment Section, Special Services Branch, Royal Canadian Air Force\u003c/p\u003e","\u003cp\u003eScript\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Special Services Division, Services of Supply, United States Army\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Army Information Branch, Army Service Forces, United States Army\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense\u003c/p\u003e","\u003cp\u003eLanguage Guide prepared by the War Department\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Special Services Division, Army Service Forces, United States Army\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Army Information Branch, A.S.F., United States Army\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense\u003c/p\u003e","\u003cp\u003ePocket Guide prepared by Special Service Division, Army Service Forces, United States Army\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes. The six cubic feet (nine linear feet) cover the years 1940 through 1953.","Most of the items in the collection are Soldier Shows, entertainments written to amuse overseas troops and to boost morale. Produced by the Army Special Services Division, the scripts were written by professional and amateur playwrights. Many were created by military personnel attending the Special Services School in Lexington, Virginia (1943-1946). The collection also includes: newspaper and magazine clippings, war humor, poems, blackouts, quizzes, crafts manuals, original songs, song parodies, sheet music, flyers, pamphlets, theatrical manuals and guides, lesson plans and lectures, production ideas, and comedy routines. There are also several military-issued Pocket Guides to foreign lands, including guides to Burma, Germany, Greece, West Africa, Italy, and Great Britain. ","Script by unknown","Script by Leo Lieberman","Script by William Hanley","Script by Leonard Spigelgass","Script by Gurney Campbell and Daphne Athas","Script by Gurney Campbell and Daphne Athas","Script by Paddy Chayefsky","Script by Louis Kronenberger","Script by Phoebe Ephron and Henry Ephron","Script by Lonnie Coleman","Script by Robertson Davies","Script by Leonard Spigelgass","Script by William McCleery","Script by Leonard Spigelgass","Script by Santha Rama Rau","Script by Arnold Wesker","Script by Elick Moll","Script by Patricia Joudry","Script by Dore Schary","Script by Michael Howard","Script by Joseph Fields and Peter de Vries","Script by Richard Morris","Script by Richard Morris","Script by Richard Morris","Script by Henry Denker","Script by Murray Schisgal","Script by Harry Tugend","\"The Reluctant Draftee\" and \"Ten Minute Break\": Two Complete Soldier Shows","Comedy Acts and Minstrel Show Material","Revue Sketches Vaudeville Comedy Acts","\"Take it or Leave It\": A Humorous Quiz Book","Abbott and Costello, Burns and Allen, Fred Allen, Charlie McCarthy, Fibber McGee and Molly: Comedy Scenes","Soldier Shows Guide","The Army Play by Play: Five Prize-Winning One-Act Plays","Blackouts and Sketches","GI: Prize Winning Blackouts","G.I. Revues: 10 Package Shows","G.I. One Act Plays","Chillers and Thrillers: A Book of Mystery Sketches","MC Jackpot\nAvailable in digital format.","Skits and Bits","Soldier Shows \"Blueprint Special\"","Soldier Shows \"Blueprint Special\"","Soldier Shows \"Blueprint Special\"","Blackouts, Sketches, Quizzes, Parodies, Games","Games, Puzzles, Quizzes","\"Bedzapoppin\", (A Revue), Games, Quizzes","\"No. 6\" is corrected by hand to \"No. 9\"","Comedy Sketches","Minstrel Shows with Music","Music and Lyrics for Musical Comedies and Revues","Musical Opening Choruses, Finales and Production Numbers for Soldier Shows","Time Out","Held at Fort McPherson, Georgia","Held at Atlanta, Georgia","Reception Center: Blackouts, Parodies, Games","Reception Center, Blackouts, Parodies, Revues","Entertainment Section: Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches\nAvailable in digital format.","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","It's the G.I. State Fair","It's the G.I. State Fair","Thanksgiving, Mock Election, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Murder Mystery, Production Numbers, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Broadway Special Featuring New York's latest Hit \"The Hasty Heart,\" Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Folio Highlights, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Entertainment Grab Bag, Revues, Parodies, Blackouts, Radio Scripts, Crossovers","Sketches, Crossover, Quizzes, Revues, Blackouts, Parodies","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Radio and Theatrical Material: Skits, Blackouts, Sketches","Schedules 1 - 14","Stage instructions and hand drawn costume and set images","Stage instructions and hand drawn costume and set images","Music score","Parody on contemporary song","Script by Barnett Shaw","Story by Sidney P. Goldman","Story by Sidney P. Goldman","War humor","War humor","Poem by Shakespeare?","Poem","War humor","\"...army life and what the average soldier has to put up with.\"","Poems","War humor by Herb Graffis","Script","War humor","By Cpl. Adolph Abramson","Article by Weare Holbrook","War humor","War humor by Robert T. Souter in Esquire, p. 65","War humor","Script by Ben Hecht in Collier's, pp. 11-13, 37-39","\"A Soldier's Reminder of the War's Background, Its Purpose and Its Prospects\"; Script by Sgt. Fred Stewart","\"An old-fashioned melodrama in two acts\"","\"Used at SSMS\"","Columbia Broadcasting System (CBS) broadcast; Script by Norman Corwin","Held at Fairview School Auditorium","John Steinbeck's play, presented by the Tulsa Little Theater Group in War Department, at Theater No. 2, Camp Crowder, Missouri","War humor","Blackouts, Crossovers and Parodies for WAC Variety Nights","Blackouts, Sketches, Quizzes, Parodies and Games","Prepared by the National Theater Conference and the Morale Branch of the United States Army","Speech Work Material by Doyle Virginia Cockrell, San Antonio Vocational and Technical High School","\"The attached suggestions are furnished for the purpose of assisting the Theatrical Technical Advisor in the many problems which arise in the producing, directing, rehearsing and presentation of soldier theatricals.\"\nAvailable in digital format.","The Production Staff, Principles of Directing and Acting, Production of One-Act and Full-Length Plays","Distributed by the Special Services Division, A.S.F.","Radio and Theatrical Material, Skits, Blackouts, Sketches","Sixty-Second Blackouts","Musical Quizzical","Fourth Service Command Soldier Show Conferences","Fourth Service Command Soldier Shows","Fourth Service Command Soldier Shows","Fourth Service Command Soldier Shows","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","Prepared by the Radio Section, Headquarters Branch Office","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"","Prepared by the Radio Section, Headquarters Branch Office","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","\"For the entertainment of the Armed Forces overseas\"\nAvailable in digital format.","by Robert Riley Crutcher, presented by the Special Service Division of the War Department","presented by the Special Service Division of the War Department\nAvailable in digital format.","Presented by the Special Services Division of the War Department","Skit by Lt. W.P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parodies; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Words and music by Sgt. J. C. Lewis; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Cpl. Raymond Simon; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits and production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. D. W. Todd; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various production numbers; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Arnold M. Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Musical parody by Corporals Tom Adair and Joe Twerp; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","By Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","By Red Graham; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Harold Fleming; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Various skits by Lt. W. Toll; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by George S. Kaufman; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pvt. Ivan Tors; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. Frank J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Henry Blankfort and Bert Lawrence; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. M. Sternberg; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Etter; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Chuck Allen; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Charles Roth; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Salem Ludwig and Joseph R. Horenstein; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song parody and stage directions by H. Shaffer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer and Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. J. R. Humphreys;Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Paul Price; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. Vernon Stone; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. McLean; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert N. Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. G. [?] Carr; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Jack Hill; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song lyrics; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Newspaper clipping; Skit by Lt. Alexander B. Reed; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt. Robert P. Crawford; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Lt's Baskind and English; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Gene Lockhart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by W. P. Moore; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Story by D. L. Champion; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sam Locke; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Alfred D. Geto; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit from Our Sunday Visitor (Catholic Editorial) Huntington, Indiana; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Ideas by Cpl. Don Mann; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. A. Hamilton; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Michael Ames; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Arnold Auerbach; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","by Pvt. R. Weil; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Abe Laufe; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Fred Stewart; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skits: March of Time; Eskimo Courtesy; Superstition; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Songs: Special Service Song by John Baker; I've Got Enthusiasm; Ballet and Opening; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 1 Lt. Bob Wellington; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. WMA. Page; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Sgt. Max Behm; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Captain Leonard Blair; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Production suggestions by Sgt. Hez Dufenthaler; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by Pfc. Ed Rush Rubin; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by 2 Lt. F. J. Conboy; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit by S/Sgt. Robert Mazer; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Song by Lt. R. S. Beck; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Skit; Item written by personnel going to school for Special Services in Lexington, Virginia 1943-1946","Script by Alice Gerstenberg","Script","A Musical Revue in Five Scenes by Arthur A. Noyes, Murray L. Grand, Lionel N. Lile, and Morton J. Green","Fundamental Purpose of Soldier Shows in Army Recreation","Fundamental Purpose of Soldier Shows in Army Recreation","The Function of the Special Service Officer as to Soldier Shows","Informal Theatricals","Production Planning Meetings","Soldier Production Organization","Soldier Stagecraft","Script","Blackout by Lt. W. P. Moore","Blackout by Lt. Bob Eastright","Script","Script","Script","Blackouts by Lois Landauer","Prepared by the Entertainment Section, Special Services Branch, Royal Canadian Air Force","Script","Pocket Guide prepared by Special Services Division, Services of Supply, United States Army","Pocket Guide prepared by Army Information Branch, Army Service Forces, United States Army","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Language Guide prepared by the War Department","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Pocket Guide prepared by Special Services Division, Army Service Forces, United States Army","Pocket Guide prepared by Army Information Branch, A.S.F., United States Army","Pocket Guide prepared by Office of Armed Forces Information and Education, Department of Defense","Pocket Guide prepared by Special Service Division, Army Service Forces, United States Army"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_292a18e68bd4561eedd206dc674a70fc\" label=\"Abstract\"\u003eThe John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes.\u003c/abstract\u003e"],"abstract_tesim":["The John C. Becher Soldier Show collection contains entertainment materials written by and for the United States military during and immediately following World War II. The collection is arranged by material type and entertainment themes."],"names_coll_ssim":["United States. Army Service Forces. Special Service Division"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Army Service Forces. Special Service Division","Becher, John C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Army Service Forces. Special Service Division"],"persname_ssim":["Becher, John C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":363,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:28:34.764Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_46"}},{"id":"vifgm_repositories_2_resources_521","type":"collection","attributes":{"title":"Robert and Wilva Breen papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#creator","type":"document_value","attributes":{"value":"Breen, Robert","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#abstract_or_scope","type":"document_value","attributes":{"value":"The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"text":["C0004","/repositories/2/resources/521","Robert and Wilva Breen papers","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the ","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"normalized_title_ssm":["Robert and Wilva Breen papers"],"collection_title_tesim":["Robert and Wilva Breen papers"],"collection_ssim":["Robert and Wilva Breen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva"],"creators_ssim":["Breen, Robert","Breen, Wilva"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e\n","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e\n","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e\n","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e\n","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e\n","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e\n","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the "],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e"],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e"],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:39:04.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"text":["C0004","/repositories/2/resources/521","Robert and Wilva Breen papers","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the ","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"normalized_title_ssm":["Robert and Wilva Breen papers"],"collection_title_tesim":["Robert and Wilva Breen papers"],"collection_ssim":["Robert and Wilva Breen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva"],"creators_ssim":["Breen, Robert","Breen, Wilva"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e\n","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e\n","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e\n","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e\n","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e\n","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e\n","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the "],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e"],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e"],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:39:04.209Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+and+society\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Theater+and+society"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"American Theatre Association records","value":"American Theatre Association records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+and+society\u0026f%5Bcollection%5D%5B%5D=American+Theatre+Association+records"}},{"attributes":{"label":"Arnold Goldman Living Newspaper collection","value":"Arnold Goldman Living Newspaper collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+and+society\u0026f%5Bcollection%5D%5B%5D=Arnold+Goldman+Living+Newspaper+collection"}},{"attributes":{"label":"Jean-Louis Barrault photograph collection","value":"Jean-Louis Barrault photograph collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+and+society\u0026f%5Bcollection%5D%5B%5D=Jean-Louis+Barrault+photograph+collection"}},{"attributes":{"label":"John C. 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