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From 1936 to 1939, Schnitzer was Delaware's State Director and Deputy National Director of the WPA's Federal Theatre Project. ","Schnitzer later joined the American National Theater and Academy (ANTA) as general manager for the Experimental Theater in New York, which returned to the New York theater scene under the auspices of ANTA in 1947. The ANTA-sponsored performances managed by Mr. Schnitzer included the first American production of  Hamlet  to be presented at Elsinore, Denmark; the first European tour of the American Ballet Theatre in 1950; and from 1951 to 1953, three Berlin festivals that showcased American talent such as the Theatre Guild's  Oklahoma!,  the Hall Johnson Choir, and the Julliard String Quartet. ","In 1954, Mr. Schnitzer took over as general manager for the International Exchange Program through which ANTA helped promote and sponsor cultural exchanges in cooperation with the U.S. State Department. 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Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play  Skin of Our Teeth  starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d7d3d62f64fdecd482169ffa47533e2a\"\u003eR20, C3, S1 \nR20, C3, S4-S7\u003c/physloc\u003e"],"physloc_tesim":["R20, C3, S1 \nR20, C3, S4-S7"],"names_coll_ssim":["ANTA (Organization)","University of Michigan. Professional Theatre Program"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","University of Michigan. 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The hundreds of overseas productions arranged by Mr. Schnitzer ran the gamut from college choirs and athletes to notables such as Marian Anderson, the Dave Brubeck Quartet, and the New York Philharmonic Orchestra under the direction of Leonard Bernstein. Many of these performers played to audiences in Berlin, Moscow, and other locations behind the Iron Curtain. ","In 1960, Mr. Schnitzer became the general manager for the American Repertory Company, set up by the Theatre Guild at the request of the U.S. Government to export the best in American theater. He arranged for three plays -  The Skin of Our Teeth, The Miracle Worker,  and  The Glass Menagerie  - to tour 28 countries in Europe and South America in 1961. The company included the actress Helen Hayes. During the 1970s Schnitzer was head of the University of Michigan's Professional Theatre Program. Schnitzer died on January 2, 2008.","Processed by Special Collections Research Center staff. 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Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play  Skin of Our Teeth  starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program.","R20, C3, S1 \nR20, C3, S4-S7","George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","University of Michigan. Professional Theatre Program","Schnitzer, Robert C.","English"],"unitid_tesim":["C0043","/repositories/2/resources/156"],"normalized_title_ssm":["Robert C. Schnitzer papers"],"collection_title_tesim":["Robert C. Schnitzer papers"],"collection_ssim":["Robert C. Schnitzer papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Schnitzer, Robert C."],"creator_ssim":["Schnitzer, Robert C."],"creator_persname_ssim":["Schnitzer, Robert C."],"creators_ssim":["Schnitzer, Robert C."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Robert Schnitzer in 1995-1996."],"access_subjects_ssim":["Theater","Theater -- Production and direction","Theater -- Europe","Performing arts","Theater programs","Performing arts posters"],"access_subjects_ssm":["Theater","Theater -- Production and direction","Theater -- Europe","Performing arts","Theater programs","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["6.75 Linear Feet 9 boxes"],"extent_tesim":["6.75 Linear Feet 9 boxes"],"genreform_ssim":["Performing arts posters"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to subject."],"bioghist_html_tesm":["\u003cp\u003eRobert C. Schnitzer is a former actor, producer, educator, and theater administrator. As a young actor in New York City, Schnitzer appeared in or stage managed \u003ctitle\u003eThe Brothers Karamazov\u003c/title\u003e, \u003ctitle\u003eHamlet,\u003c/title\u003e \u003ctitle\u003eAn Enemy of the People,\u003c/title\u003e \u003ctitle\u003eRichelieu,\u003c/title\u003e \u003ctitle\u003eHenry V,\u003c/title\u003e \u003ctitle\u003eRichard III,\u003c/title\u003e \u003ctitle\u003eCaponsacchi,\u003c/title\u003e \u003ctitle\u003eMacbeth,\u003c/title\u003e and \u003ctitle\u003eCyrano de Bergerac.\u003c/title\u003e From 1936 to 1939, Schnitzer was Delaware's State Director and Deputy National Director of the WPA's Federal Theatre Project. \u003c/p\u003e\n","\u003cp\u003eSchnitzer later joined the American National Theater and Academy (ANTA) as general manager for the Experimental Theater in New York, which returned to the New York theater scene under the auspices of ANTA in 1947. The ANTA-sponsored performances managed by Mr. Schnitzer included the first American production of \u003ctitle\u003eHamlet\u003c/title\u003e to be presented at Elsinore, Denmark; the first European tour of the American Ballet Theatre in 1950; and from 1951 to 1953, three Berlin festivals that showcased American talent such as the Theatre Guild's \u003ctitle\u003eOklahoma!,\u003c/title\u003e the Hall Johnson Choir, and the Julliard String Quartet. \u003c/p\u003e\n","\u003cp\u003eIn 1954, Mr. Schnitzer took over as general manager for the International Exchange Program through which ANTA helped promote and sponsor cultural exchanges in cooperation with the U.S. State Department. The hundreds of overseas productions arranged by Mr. Schnitzer ran the gamut from college choirs and athletes to notables such as Marian Anderson, the Dave Brubeck Quartet, and the New York Philharmonic Orchestra under the direction of Leonard Bernstein. Many of these performers played to audiences in Berlin, Moscow, and other locations behind the Iron Curtain. \u003c/p\u003e\n","\u003cp\u003eIn 1960, Mr. Schnitzer became the general manager for the American Repertory Company, set up by the Theatre Guild at the request of the U.S. Government to export the best in American theater. He arranged for three plays - \u003ctitle\u003eThe Skin of Our Teeth,\u003c/title\u003e \u003ctitle\u003eThe Miracle Worker,\u003c/title\u003e and \u003ctitle\u003eThe Glass Menagerie\u003c/title\u003e - to tour 28 countries in Europe and South America in 1961. The company included the actress Helen Hayes. During the 1970s Schnitzer was head of the University of Michigan's Professional Theatre Program. Schnitzer died on January 2, 2008.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert C. Schnitzer is a former actor, producer, educator, and theater administrator. As a young actor in New York City, Schnitzer appeared in or stage managed  The Brothers Karamazov ,  Hamlet, An Enemy of the People, Richelieu, Henry V, Richard III, Caponsacchi, Macbeth,  and  Cyrano de Bergerac.  From 1936 to 1939, Schnitzer was Delaware's State Director and Deputy National Director of the WPA's Federal Theatre Project. ","Schnitzer later joined the American National Theater and Academy (ANTA) as general manager for the Experimental Theater in New York, which returned to the New York theater scene under the auspices of ANTA in 1947. The ANTA-sponsored performances managed by Mr. Schnitzer included the first American production of  Hamlet  to be presented at Elsinore, Denmark; the first European tour of the American Ballet Theatre in 1950; and from 1951 to 1953, three Berlin festivals that showcased American talent such as the Theatre Guild's  Oklahoma!,  the Hall Johnson Choir, and the Julliard String Quartet. ","In 1954, Mr. Schnitzer took over as general manager for the International Exchange Program through which ANTA helped promote and sponsor cultural exchanges in cooperation with the U.S. State Department. The hundreds of overseas productions arranged by Mr. Schnitzer ran the gamut from college choirs and athletes to notables such as Marian Anderson, the Dave Brubeck Quartet, and the New York Philharmonic Orchestra under the direction of Leonard Bernstein. Many of these performers played to audiences in Berlin, Moscow, and other locations behind the Iron Curtain. ","In 1960, Mr. Schnitzer became the general manager for the American Repertory Company, set up by the Theatre Guild at the request of the U.S. Government to export the best in American theater. He arranged for three plays -  The Skin of Our Teeth, The Miracle Worker,  and  The Glass Menagerie  - to tour 28 countries in Europe and South America in 1961. The company included the actress Helen Hayes. During the 1970s Schnitzer was head of the University of Michigan's Professional Theatre Program. Schnitzer died on January 2, 2008."],"prefercite_html_tesm":["\u003cp\u003eRobert C. Schnitzer papers, C0043, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert C. Schnitzer papers, C0043, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in June 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Robert and Wilva Breen papers\" href=\"https://aspace.gmu.edu/resources/c0004\"\u003e\u003c/extptr\u003e and many collections on the \u003cextptr show=\"new\" title=\"Federal Theatre Project.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=federal+theatre+project\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and many collections on the "],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the Robert C. Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play \u003ctitle\u003eSkin of Our Teeth\u003c/title\u003e starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program.\u003c/p\u003e","\u003cp\u003eYouskeuitch, I., Meister, B., Kaye, N., Chapin, Lerie, N., Alouso, Schnitzer, R., Cannon\u003c/p\u003e","\u003cp\u003eGinder, C., Westermarm, T., Res, Breen, Doliymfle, J.\u003c/p\u003e","\u003cp\u003eCliou, H., Johnson, H.\u003c/p\u003e","\u003cp\u003eClaire, L., Seldes, M., Lawrence, E., Anderson, J., McClintic, G., dal Porto, L., Breen, Res, Doliymfle, Gossner, Johnson, H.\u003c/p\u003e","\u003cp\u003eHolm, C., McClintick, G., Anderson, J., McCloy, J.\u003c/p\u003e","\u003cp\u003eJohnson, P., Holm, C., Asond, R., Marlo, M.,Grinder,P., Libmoll, M., Mathewson, Anderson, J.,\u003c/p\u003e","\u003cp\u003eSchmoll, W., Johnson, P., Rawlings, J., Austin, H., Platz, Res, Enters, A.,Doliymfle, J.\u003c/p\u003e","\u003cp\u003eAnderson, J., Res\u003c/p\u003e","\u003cp\u003eInnes-Brown, V.,\u003c/p\u003e","\u003cp\u003eDowling, R., Inner-Brown, V.\u003c/p\u003e","\u003cp\u003eCirmey and Schnitzer\u003c/p\u003e","\u003cp\u003eHavoc, J., Julien, A., Dillon, Schnitzer, Cizney\u003c/p\u003e","\u003cp\u003eBreen, R.\u003c/p\u003e","\u003cp\u003eFarewell, I., Schnitzer, W.\u003c/p\u003e","\u003cp\u003eLitori, Heller, Cisney, Schnitzer, Williams, C., Ilinski, J.\u003c/p\u003e","\u003cp\u003eDalnymple, J., Res\u003c/p\u003e","\u003cp\u003eDaleymfle, J.\u003c/p\u003e","\u003cp\u003eDenwent, C., Schonceit,L., Breen, R., Callowdway, C., Schnitzer, R., Hayes, H., Anderson, J.,Holm, C., Martin, M.,Ormandy, E.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the Robert C. Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play  Skin of Our Teeth  starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program.","Youskeuitch, I., Meister, B., Kaye, N., Chapin, Lerie, N., Alouso, Schnitzer, R., Cannon","Ginder, C., Westermarm, T., Res, Breen, Doliymfle, J.","Cliou, H., Johnson, H.","Claire, L., Seldes, M., Lawrence, E., Anderson, J., McClintic, G., dal Porto, L., Breen, Res, Doliymfle, Gossner, Johnson, H.","Holm, C., McClintick, G., Anderson, J., McCloy, J.","Johnson, P., Holm, C., Asond, R., Marlo, M.,Grinder,P., Libmoll, M., Mathewson, Anderson, J.,","Schmoll, W., Johnson, P., Rawlings, J., Austin, H., Platz, Res, Enters, A.,Doliymfle, J.","Anderson, J., Res","Innes-Brown, V.,","Dowling, R., Inner-Brown, V.","Cirmey and Schnitzer","Havoc, J., Julien, A., Dillon, Schnitzer, Cizney","Breen, R.","Farewell, I., Schnitzer, W.","Litori, Heller, Cisney, Schnitzer, Williams, C., Ilinski, J.","Dalnymple, J., Res","Daleymfle, J.","Denwent, C., Schonceit,L., Breen, R., Callowdway, C., Schnitzer, R., Hayes, H., Anderson, J.,Holm, C., Martin, M.,Ormandy, E."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f2ec5bd4a4c2e74a55aa2ab956513da0\" label=\"Abstract\"\u003eIncluded in the Robert C. Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play \u003ctitle\u003eSkin of Our Teeth\u003c/title\u003e starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program.\u003c/abstract\u003e"],"abstract_tesim":["Included in the Robert C. Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play  Skin of Our Teeth  starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d7d3d62f64fdecd482169ffa47533e2a\"\u003eR20, C3, S1 \nR20, C3, S4-S7\u003c/physloc\u003e"],"physloc_tesim":["R20, C3, S1 \nR20, C3, S4-S7"],"names_coll_ssim":["ANTA (Organization)","University of Michigan. Professional Theatre Program"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","University of Michigan. Professional Theatre Program","Schnitzer, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","University of Michigan. 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Internet Broadway Database (IBDB). Accessed April 3, 2024. https://www.ibdb.com/broadway-cast-staff/robert-davison-24792.","\"Robert Davison (Designer).\" n.d. Playbill. Accessed April 3, 2024. https://www.playbill.com/person/robert-davison-vault-0000003833.","Robert Davison was born in Los Angeles, California on July 17, 1922. A member of United Scenic Artists Local 829, Davison worked as a costume and scenic designer for a number of theatrical productions including opera, ballet, plays, and musicals. Between 1944-1950 he worked on a number of Broadway productions, notably as costume designer for a variety of actors, including Ethel Barrymore, in the 1944-1945 production of  Embezzled Heaven  at the National Theatre (now known as the Nederlander Theatre) and as scenic and costume designer for the 1947 Broadway premiere of German playwright Bertolt Brecht's  Galileo  (also known as  Life of Galileo ) at the Maxine Elliott's Theatre, which was translated by and starred Charles Laughton and ran for 6 performances.","Processing completed by Meghan Glasbrenner in March 2024. Finding aid completed by Meghan Glasbrenner from March-April 2024.","The Special Collections Research Center holds other  performing arts collections , including other original costume and set designs, such as the  David de Boschi set design for an unidentified ballet , and  \"Cavalleria rusticana\" opera costume paintings .","Additional designs by Robert Davison can be found in the New York Public Library's  Edward Kook papers  and the Library of Congress'  Paul F. Stiga Collection of Stage and Costume Design .","Spiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison. Designs include pen and pencil sketches and full color watercolor and painted illustrations. Many of the designs are signed by Davison, either on the front or the back, some dated, with dates ranging from \" '41\" to \" '44\". Includes stamp of 'United Scenic Artists, Local,' likely Local 829. Identified designs include the following:","• Loose drawing with title \"Zenobio Bonaventura\" including small fabric samples   \n   attached\n• Flippo, the Erewhon\n• Un cheval danse [?]\n• Miracle in the mountains, act two, scene one: courtroom set sketch\n• La Portugaise\n• Moonlight Sonata\n• Abducted virgin: Fingal's cave\n• The marchioness: Fingal's cave\n• Une sirène: Fingal's cave\n• Queen of the fairies: Fingal's Cave\n• The man: Scene V\n• Rosina: The Barber of Seville, Scene III\n• Friends to the couple: Fingal's cave\n• The young man: Fingal's cave\n• Le Triomphe de l'amour (Lully): Servant to princess\n• The young girl: Fingal's cave\n• The man, Scene IV: Life of man\n• Life of man: the wife","Pages 17-18 include a foldout painted piece that includes a loose drawing inside. A loose architectural pencil drawing is located in the back page of the scrapbook.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Spiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison.","R 71, C 1, S 5","George Mason University. Libraries. Special Collections Research Center","Davison, Robert, 1922-","English \n.    "],"unitid_tesim":["C0513","/repositories/2/resources/705"],"normalized_title_ssm":["Robert Davison original costume and set design scrapbook"],"collection_title_tesim":["Robert Davison original costume and set design scrapbook"],"collection_ssim":["Robert Davison original costume and set design scrapbook"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Davison, Robert, 1922-"],"creator_ssim":["Davison, Robert, 1922-"],"creator_persname_ssim":["Davison, Robert, 1922-"],"creators_ssim":["Davison, Robert, 1922-"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from J \u0026 J Lubrano Music Antiquarians by Stever Gerber in February 2010."],"access_subjects_ssim":["Costume design","Theaters -- Stage setting and scenery","Theater","Performing arts","Ballet","Opera","Scrapbooks"],"access_subjects_ssm":["Costume design","Theaters -- Stage setting and scenery","Theater","Performing arts","Ballet","Opera","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scrapbook was digitized by Kelsey Kim in May 2024 and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMU~55~55\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scrapbook was digitized by Kelsey Kim in May 2024 and is available to view "],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Robert Davison – Broadway Cast \u0026amp; Staff.\" n.d. Internet Broadway Database (IBDB). Accessed April 3, 2024. https://www.ibdb.com/broadway-cast-staff/robert-davison-24792.\u003c/p\u003e\n","\u003cp\u003e\"Robert Davison (Designer).\" n.d. Playbill. Accessed April 3, 2024. https://www.playbill.com/person/robert-davison-vault-0000003833.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Robert Davison – Broadway Cast \u0026 Staff.\" n.d. Internet Broadway Database (IBDB). Accessed April 3, 2024. https://www.ibdb.com/broadway-cast-staff/robert-davison-24792.","\"Robert Davison (Designer).\" n.d. Playbill. Accessed April 3, 2024. https://www.playbill.com/person/robert-davison-vault-0000003833."],"bioghist_html_tesm":["\u003cp\u003eRobert Davison was born in Los Angeles, California on July 17, 1922. A member of United Scenic Artists Local 829, Davison worked as a costume and scenic designer for a number of theatrical productions including opera, ballet, plays, and musicals. Between 1944-1950 he worked on a number of Broadway productions, notably as costume designer for a variety of actors, including Ethel Barrymore, in the 1944-1945 production of \u003ctitle\u003eEmbezzled Heaven\u003c/title\u003e at the National Theatre (now known as the Nederlander Theatre) and as scenic and costume designer for the 1947 Broadway premiere of German playwright Bertolt Brecht's \u003ctitle\u003eGalileo\u003c/title\u003e (also known as \u003ctitle\u003eLife of Galileo\u003c/title\u003e) at the Maxine Elliott's Theatre, which was translated by and starred Charles Laughton and ran for 6 performances.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert Davison was born in Los Angeles, California on July 17, 1922. A member of United Scenic Artists Local 829, Davison worked as a costume and scenic designer for a number of theatrical productions including opera, ballet, plays, and musicals. Between 1944-1950 he worked on a number of Broadway productions, notably as costume designer for a variety of actors, including Ethel Barrymore, in the 1944-1945 production of  Embezzled Heaven  at the National Theatre (now known as the Nederlander Theatre) and as scenic and costume designer for the 1947 Broadway premiere of German playwright Bertolt Brecht's  Galileo  (also known as  Life of Galileo ) at the Maxine Elliott's Theatre, which was translated by and starred Charles Laughton and ran for 6 performances."],"prefercite_html_tesm":["\u003cp\u003eRobert Davison original costume and set design scrapbook, C0513, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Robert Davison original costume and set design scrapbook, C0513, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in March 2024. Finding aid completed by Meghan Glasbrenner from March-April 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in March 2024. Finding aid completed by Meghan Glasbrenner from March-April 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts collections\u003c/a\u003e, including other original costume and set designs, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0452\"\u003eDavid de Boschi set design for an unidentified ballet\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\"Cavalleria rusticana\" opera costume paintings\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eAdditional designs by Robert Davison can be found in the New York Public Library's \u003ca href=\"https://archives.nypl.org/the/22621#overview\"\u003eEdward Kook papers\u003c/a\u003e and the Library of Congress' \u003ca href=\"https://findingaids.loc.gov/exist_collections/ead3pdf/music/2022/mu022015.pdf\"\u003ePaul F. Stiga Collection of Stage and Costume Design\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts collections , including other original costume and set designs, such as the  David de Boschi set design for an unidentified ballet , and  \"Cavalleria rusticana\" opera costume paintings .","Additional designs by Robert Davison can be found in the New York Public Library's  Edward Kook papers  and the Library of Congress'  Paul F. Stiga Collection of Stage and Costume Design ."],"scopecontent_html_tesm":["\u003cp\u003eSpiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison. Designs include pen and pencil sketches and full color watercolor and painted illustrations. Many of the designs are signed by Davison, either on the front or the back, some dated, with dates ranging from \" '41\" to \" '44\". Includes stamp of 'United Scenic Artists, Local,' likely Local 829. Identified designs include the following:\u003c/p\u003e\n","\u003cp\u003e• Loose drawing with title \"Zenobio Bonaventura\" including small fabric samples   \n   attached\n• Flippo, the Erewhon\n• Un cheval danse [?]\n• Miracle in the mountains, act two, scene one: courtroom set sketch\n• La Portugaise\n• Moonlight Sonata\n• Abducted virgin: Fingal's cave\n• The marchioness: Fingal's cave\n• Une sirène: Fingal's cave\n• Queen of the fairies: Fingal's Cave\n• The man: Scene V\n• Rosina: The Barber of Seville, Scene III\n• Friends to the couple: Fingal's cave\n• The young man: Fingal's cave\n• Le Triomphe de l'amour (Lully): Servant to princess\n• The young girl: Fingal's cave\n• The man, Scene IV: Life of man\n• Life of man: the wife\u003c/p\u003e\n","\u003cp\u003ePages 17-18 include a foldout painted piece that includes a loose drawing inside. A loose architectural pencil drawing is located in the back page of the scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Spiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison. Designs include pen and pencil sketches and full color watercolor and painted illustrations. Many of the designs are signed by Davison, either on the front or the back, some dated, with dates ranging from \" '41\" to \" '44\". Includes stamp of 'United Scenic Artists, Local,' likely Local 829. Identified designs include the following:","• Loose drawing with title \"Zenobio Bonaventura\" including small fabric samples   \n   attached\n• Flippo, the Erewhon\n• Un cheval danse [?]\n• Miracle in the mountains, act two, scene one: courtroom set sketch\n• La Portugaise\n• Moonlight Sonata\n• Abducted virgin: Fingal's cave\n• The marchioness: Fingal's cave\n• Une sirène: Fingal's cave\n• Queen of the fairies: Fingal's Cave\n• The man: Scene V\n• Rosina: The Barber of Seville, Scene III\n• Friends to the couple: Fingal's cave\n• The young man: Fingal's cave\n• Le Triomphe de l'amour (Lully): Servant to princess\n• The young girl: Fingal's cave\n• The man, Scene IV: Life of man\n• Life of man: the wife","Pages 17-18 include a foldout painted piece that includes a loose drawing inside. A loose architectural pencil drawing is located in the back page of the scrapbook."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_eb10ac44b2007ee53ed8900604f1f005\"\u003eSpiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison.\u003c/abstract\u003e"],"abstract_tesim":["Spiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_113e6c8e95aa7e350bdc23ec4aeb9985\"\u003eR 71, C 1, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Davison, Robert, 1922-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Davison, Robert, 1922-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_705","ead_ssi":"vifgm_repositories_2_resources_705","_root_":"vifgm_repositories_2_resources_705","_nest_parent_":"vifgm_repositories_2_resources_705","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_705.xml","title_filing_ssi":"Robert Davison original costume and set design scrapbook","title_ssm":["Robert Davison original costume and set design scrapbook"],"title_tesim":["Robert Davison original costume and set design scrapbook"],"unitdate_ssm":["circa 1941-1944"],"unitdate_inclusive_ssm":["circa 1941-1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0513","/repositories/2/resources/705"],"text":["C0513","/repositories/2/resources/705","Robert Davison original costume and set design scrapbook","Costume design","Theaters -- Stage setting and scenery","Theater","Performing arts","Ballet","Opera","Scrapbooks","There are no access restrictions.","The scrapbook was digitized by Kelsey Kim in May 2024 and is available to view ","This is a single item collection.","\"Robert Davison – Broadway Cast \u0026 Staff.\" n.d. Internet Broadway Database (IBDB). Accessed April 3, 2024. https://www.ibdb.com/broadway-cast-staff/robert-davison-24792.","\"Robert Davison (Designer).\" n.d. Playbill. Accessed April 3, 2024. https://www.playbill.com/person/robert-davison-vault-0000003833.","Robert Davison was born in Los Angeles, California on July 17, 1922. A member of United Scenic Artists Local 829, Davison worked as a costume and scenic designer for a number of theatrical productions including opera, ballet, plays, and musicals. Between 1944-1950 he worked on a number of Broadway productions, notably as costume designer for a variety of actors, including Ethel Barrymore, in the 1944-1945 production of  Embezzled Heaven  at the National Theatre (now known as the Nederlander Theatre) and as scenic and costume designer for the 1947 Broadway premiere of German playwright Bertolt Brecht's  Galileo  (also known as  Life of Galileo ) at the Maxine Elliott's Theatre, which was translated by and starred Charles Laughton and ran for 6 performances.","Processing completed by Meghan Glasbrenner in March 2024. Finding aid completed by Meghan Glasbrenner from March-April 2024.","The Special Collections Research Center holds other  performing arts collections , including other original costume and set designs, such as the  David de Boschi set design for an unidentified ballet , and  \"Cavalleria rusticana\" opera costume paintings .","Additional designs by Robert Davison can be found in the New York Public Library's  Edward Kook papers  and the Library of Congress'  Paul F. Stiga Collection of Stage and Costume Design .","Spiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison. Designs include pen and pencil sketches and full color watercolor and painted illustrations. Many of the designs are signed by Davison, either on the front or the back, some dated, with dates ranging from \" '41\" to \" '44\". Includes stamp of 'United Scenic Artists, Local,' likely Local 829. Identified designs include the following:","• Loose drawing with title \"Zenobio Bonaventura\" including small fabric samples   \n   attached\n• Flippo, the Erewhon\n• Un cheval danse [?]\n• Miracle in the mountains, act two, scene one: courtroom set sketch\n• La Portugaise\n• Moonlight Sonata\n• Abducted virgin: Fingal's cave\n• The marchioness: Fingal's cave\n• Une sirène: Fingal's cave\n• Queen of the fairies: Fingal's Cave\n• The man: Scene V\n• Rosina: The Barber of Seville, Scene III\n• Friends to the couple: Fingal's cave\n• The young man: Fingal's cave\n• Le Triomphe de l'amour (Lully): Servant to princess\n• The young girl: Fingal's cave\n• The man, Scene IV: Life of man\n• Life of man: the wife","Pages 17-18 include a foldout painted piece that includes a loose drawing inside. A loose architectural pencil drawing is located in the back page of the scrapbook.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Spiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison.","R 71, C 1, S 5","George Mason University. Libraries. Special Collections Research Center","Davison, Robert, 1922-","English \n.    "],"unitid_tesim":["C0513","/repositories/2/resources/705"],"normalized_title_ssm":["Robert Davison original costume and set design scrapbook"],"collection_title_tesim":["Robert Davison original costume and set design scrapbook"],"collection_ssim":["Robert Davison original costume and set design scrapbook"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Davison, Robert, 1922-"],"creator_ssim":["Davison, Robert, 1922-"],"creator_persname_ssim":["Davison, Robert, 1922-"],"creators_ssim":["Davison, Robert, 1922-"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from J \u0026 J Lubrano Music Antiquarians by Stever Gerber in February 2010."],"access_subjects_ssim":["Costume design","Theaters -- Stage setting and scenery","Theater","Performing arts","Ballet","Opera","Scrapbooks"],"access_subjects_ssm":["Costume design","Theaters -- Stage setting and scenery","Theater","Performing arts","Ballet","Opera","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scrapbook was digitized by Kelsey Kim in May 2024 and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMU~55~55\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scrapbook was digitized by Kelsey Kim in May 2024 and is available to view "],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Robert Davison – Broadway Cast \u0026amp; Staff.\" n.d. Internet Broadway Database (IBDB). Accessed April 3, 2024. https://www.ibdb.com/broadway-cast-staff/robert-davison-24792.\u003c/p\u003e\n","\u003cp\u003e\"Robert Davison (Designer).\" n.d. Playbill. Accessed April 3, 2024. https://www.playbill.com/person/robert-davison-vault-0000003833.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Robert Davison – Broadway Cast \u0026 Staff.\" n.d. Internet Broadway Database (IBDB). Accessed April 3, 2024. https://www.ibdb.com/broadway-cast-staff/robert-davison-24792.","\"Robert Davison (Designer).\" n.d. Playbill. Accessed April 3, 2024. https://www.playbill.com/person/robert-davison-vault-0000003833."],"bioghist_html_tesm":["\u003cp\u003eRobert Davison was born in Los Angeles, California on July 17, 1922. A member of United Scenic Artists Local 829, Davison worked as a costume and scenic designer for a number of theatrical productions including opera, ballet, plays, and musicals. Between 1944-1950 he worked on a number of Broadway productions, notably as costume designer for a variety of actors, including Ethel Barrymore, in the 1944-1945 production of \u003ctitle\u003eEmbezzled Heaven\u003c/title\u003e at the National Theatre (now known as the Nederlander Theatre) and as scenic and costume designer for the 1947 Broadway premiere of German playwright Bertolt Brecht's \u003ctitle\u003eGalileo\u003c/title\u003e (also known as \u003ctitle\u003eLife of Galileo\u003c/title\u003e) at the Maxine Elliott's Theatre, which was translated by and starred Charles Laughton and ran for 6 performances.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert Davison was born in Los Angeles, California on July 17, 1922. A member of United Scenic Artists Local 829, Davison worked as a costume and scenic designer for a number of theatrical productions including opera, ballet, plays, and musicals. Between 1944-1950 he worked on a number of Broadway productions, notably as costume designer for a variety of actors, including Ethel Barrymore, in the 1944-1945 production of  Embezzled Heaven  at the National Theatre (now known as the Nederlander Theatre) and as scenic and costume designer for the 1947 Broadway premiere of German playwright Bertolt Brecht's  Galileo  (also known as  Life of Galileo ) at the Maxine Elliott's Theatre, which was translated by and starred Charles Laughton and ran for 6 performances."],"prefercite_html_tesm":["\u003cp\u003eRobert Davison original costume and set design scrapbook, C0513, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Robert Davison original costume and set design scrapbook, C0513, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in March 2024. Finding aid completed by Meghan Glasbrenner from March-April 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in March 2024. Finding aid completed by Meghan Glasbrenner from March-April 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts collections\u003c/a\u003e, including other original costume and set designs, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0452\"\u003eDavid de Boschi set design for an unidentified ballet\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\"Cavalleria rusticana\" opera costume paintings\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eAdditional designs by Robert Davison can be found in the New York Public Library's \u003ca href=\"https://archives.nypl.org/the/22621#overview\"\u003eEdward Kook papers\u003c/a\u003e and the Library of Congress' \u003ca href=\"https://findingaids.loc.gov/exist_collections/ead3pdf/music/2022/mu022015.pdf\"\u003ePaul F. Stiga Collection of Stage and Costume Design\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts collections , including other original costume and set designs, such as the  David de Boschi set design for an unidentified ballet , and  \"Cavalleria rusticana\" opera costume paintings .","Additional designs by Robert Davison can be found in the New York Public Library's  Edward Kook papers  and the Library of Congress'  Paul F. Stiga Collection of Stage and Costume Design ."],"scopecontent_html_tesm":["\u003cp\u003eSpiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison. Designs include pen and pencil sketches and full color watercolor and painted illustrations. Many of the designs are signed by Davison, either on the front or the back, some dated, with dates ranging from \" '41\" to \" '44\". Includes stamp of 'United Scenic Artists, Local,' likely Local 829. Identified designs include the following:\u003c/p\u003e\n","\u003cp\u003e• Loose drawing with title \"Zenobio Bonaventura\" including small fabric samples   \n   attached\n• Flippo, the Erewhon\n• Un cheval danse [?]\n• Miracle in the mountains, act two, scene one: courtroom set sketch\n• La Portugaise\n• Moonlight Sonata\n• Abducted virgin: Fingal's cave\n• The marchioness: Fingal's cave\n• Une sirène: Fingal's cave\n• Queen of the fairies: Fingal's Cave\n• The man: Scene V\n• Rosina: The Barber of Seville, Scene III\n• Friends to the couple: Fingal's cave\n• The young man: Fingal's cave\n• Le Triomphe de l'amour (Lully): Servant to princess\n• The young girl: Fingal's cave\n• The man, Scene IV: Life of man\n• Life of man: the wife\u003c/p\u003e\n","\u003cp\u003ePages 17-18 include a foldout painted piece that includes a loose drawing inside. A loose architectural pencil drawing is located in the back page of the scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Spiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison. Designs include pen and pencil sketches and full color watercolor and painted illustrations. Many of the designs are signed by Davison, either on the front or the back, some dated, with dates ranging from \" '41\" to \" '44\". Includes stamp of 'United Scenic Artists, Local,' likely Local 829. Identified designs include the following:","• Loose drawing with title \"Zenobio Bonaventura\" including small fabric samples   \n   attached\n• Flippo, the Erewhon\n• Un cheval danse [?]\n• Miracle in the mountains, act two, scene one: courtroom set sketch\n• La Portugaise\n• Moonlight Sonata\n• Abducted virgin: Fingal's cave\n• The marchioness: Fingal's cave\n• Une sirène: Fingal's cave\n• Queen of the fairies: Fingal's Cave\n• The man: Scene V\n• Rosina: The Barber of Seville, Scene III\n• Friends to the couple: Fingal's cave\n• The young man: Fingal's cave\n• Le Triomphe de l'amour (Lully): Servant to princess\n• The young girl: Fingal's cave\n• The man, Scene IV: Life of man\n• Life of man: the wife","Pages 17-18 include a foldout painted piece that includes a loose drawing inside. A loose architectural pencil drawing is located in the back page of the scrapbook."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_eb10ac44b2007ee53ed8900604f1f005\"\u003eSpiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison.\u003c/abstract\u003e"],"abstract_tesim":["Spiral bound scrapbook containing 41 original costume and set designs for theatrical productions by Robert Davison."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_113e6c8e95aa7e350bdc23ec4aeb9985\"\u003eR 71, C 1, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Davison, Robert, 1922-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Davison, Robert, 1922-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_705"}},{"id":"vifgm_repositories_2_resources_749","type":"collection","attributes":{"title":"Robert Perdziola original costume designs for Alma in Summer and Smoke","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_749#creator","type":"document_value","attributes":{"value":"Perdziola, Robert, 1961-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_749#abstract_or_scope","type":"document_value","attributes":{"value":"A group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play \u003cspan\u003eSummer and Smoke\u003c/span\u003e.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_749#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_749","ead_ssi":"vifgm_repositories_2_resources_749","_root_":"vifgm_repositories_2_resources_749","_nest_parent_":"vifgm_repositories_2_resources_749","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_749.xml","title_filing_ssi":"Robert Perdziola original costume designs for Alma in  Summer and Smoke","title_ssm":["Robert Perdziola original costume designs for Alma in Summer and Smoke"],"title_tesim":["Robert Perdziola original costume designs for Alma in Summer and Smoke"],"unitdate_ssm":["circa 1980s-1990s"],"unitdate_inclusive_ssm":["circa 1980s-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0448","/repositories/2/resources/749"],"text":["C0448","/repositories/2/resources/749","Robert Perdziola original costume designs for Alma in Summer and Smoke","Costume design","Performing arts","Theater","Theater -- United States","There are no access restrictions.","Items are arranged in two folders based on drawing type.","Colgan, Jennifer. 2023. \"Q\u0026A with Designer Robert Perdziola.\"  Opera Colorado  (blog). February 1, 2023. https://www.operacolorado.org/blog/qa-with-designer-robert-perdziola/.","Folliard, Patrick. 2018. \"Long-Time N.Y. Costume Designer Returns to Native Pittsburgh.\" August 10, 2018. https://www.washingtonblade.com/2018/08/10/robert-perdziola-interview/.","\"Robert Perdziola.\" n.d. Broadway Design Exchange. Accessed May 22, 2025. https://www.broadwaydesignexchange.com/collections/robert-perdziola.","\"Robert Perdziola (Costume Design, Costume Designer): Credits, Bio, News \u0026 More.\" n.d. Broadway World. Accessed May 22, 2025. https://www.broadwayworld.com/people/Robert-Perdziola/.","\"Summer and Smoke.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Summer_and_Smoke\u0026oldid=1286400438.","\"Summer and Smoke.\" n.d. Concord Theatricals. Accessed May 22, 2025. https://www.concordtheatricals.com/p/7425/summer-and-smoke.","Robert Perdziola was born in 1961 and raised in Pittsburgh, Pennsylvania. For over 30 years, he has worked as a costume and set designer for operas, ballets, and theatre throughout the United States, including the Metropolitan Opera, San Francisco Opera, Santa Fe Opera, Lyric Theatre of Chicago, American Ballet Theater, the Julliard School of Drama, and numerous Broadway and Off-Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera, the Niedersächsische Staatsorchester in Hannover, the Garsington Opera in the United Kingdom, the Finnish National Ballet, the Saito Kinen Festival in Japan, and the Sydney Opera House. Perdziola has also worked extensively in the Washington, D.C. area, including at Signature Theatre in Arlington, Virginia and Shakespeare Theatre Company, and been nominated for numerous awards, including receiving three Helen Hayes Awards for Outstanding Costume Design in 2001, 2002, and 2006.","Summer and Smoke  is a two-part, thirteen-scene play by Tennessee Williams. Williams began working on the play in 1945 as  Chart of Anatomy , derived from his short stories \"Oriflamme\" and the work-in-progress \"Yellow-Bird.\" The play premiered on Broadway at the Magic Box Theatre in March 1948, directed by Margo Jones, and ran for 102 performances. The story is set in the fictional town of Glorious Hill, Mississippi from the turn of the 20th century through 1916 and centers on the unlikely attraction between Alma, a Southern minister's daughter, and her neighbor John Buchanan, Jr., who grows to become a doctor and man of science.","Processing and finding aid completed by Meghan Glasbrenner in May 2025.","The Special Collections Research Center holds other  performing arts collections , including other original costume and set designs, such as the  Robert Davison original costume and set design scrapbook  and  \"Cavalleria rusticana\" opera costume paintings .","A group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play  Summer and Smoke . The eleven pencil sketches depict costume designs for the play's Prologue, scenes 1-9, and scenes 11-12. The five watercolors depict costume designs for scenes 1-2, 4, 7-8, and 11 and are each accompanied by attached fabric swatches and include a pencil signature by Perdziola.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play  Summer and Smoke .","R 71, C 2, S 6","George Mason University. Libraries. Special Collections Research Center","Perdziola, Robert, 1961-","English \n.    "],"unitid_tesim":["C0448","/repositories/2/resources/749"],"normalized_title_ssm":["Robert Perdziola original costume designs for Alma in Summer and Smoke"],"collection_title_tesim":["Robert Perdziola original costume designs for Alma in Summer and Smoke"],"collection_ssim":["Robert Perdziola original costume designs for Alma in Summer and Smoke"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Perdziola, Robert, 1961-"],"creator_ssim":["Perdziola, Robert, 1961-"],"creator_persname_ssim":["Perdziola, Robert, 1961-"],"creators_ssim":["Perdziola, Robert, 1961-"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from J \u0026 J Lubrano Music Antiquarians in March 2025."],"access_subjects_ssim":["Costume design","Performing arts","Theater","Theater -- United States"],"access_subjects_ssm":["Costume design","Performing arts","Theater","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eItems are arranged in two folders based on drawing type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Items are arranged in two folders based on drawing type."],"bibliography_html_tesm":["\u003cp\u003eColgan, Jennifer. 2023. \"Q\u0026amp;A with Designer Robert Perdziola.\" \u003ctitle\u003eOpera Colorado\u003c/title\u003e (blog). February 1, 2023. https://www.operacolorado.org/blog/qa-with-designer-robert-perdziola/.\u003c/p\u003e\n","\u003cp\u003eFolliard, Patrick. 2018. \"Long-Time N.Y. Costume Designer Returns to Native Pittsburgh.\" August 10, 2018. https://www.washingtonblade.com/2018/08/10/robert-perdziola-interview/.\u003c/p\u003e\n","\u003cp\u003e\"Robert Perdziola.\" n.d. Broadway Design Exchange. Accessed May 22, 2025. https://www.broadwaydesignexchange.com/collections/robert-perdziola.\u003c/p\u003e\n","\u003cp\u003e\"Robert Perdziola (Costume Design, Costume Designer): Credits, Bio, News \u0026amp; More.\" n.d. Broadway World. Accessed May 22, 2025. https://www.broadwayworld.com/people/Robert-Perdziola/.\u003c/p\u003e\n","\u003cp\u003e\"Summer and Smoke.\" 2025. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Summer_and_Smoke\u0026amp;oldid=1286400438.\u003c/p\u003e\n","\u003cp\u003e\"Summer and Smoke.\" n.d. Concord Theatricals. Accessed May 22, 2025. https://www.concordtheatricals.com/p/7425/summer-and-smoke.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Colgan, Jennifer. 2023. \"Q\u0026A with Designer Robert Perdziola.\"  Opera Colorado  (blog). February 1, 2023. https://www.operacolorado.org/blog/qa-with-designer-robert-perdziola/.","Folliard, Patrick. 2018. \"Long-Time N.Y. Costume Designer Returns to Native Pittsburgh.\" August 10, 2018. https://www.washingtonblade.com/2018/08/10/robert-perdziola-interview/.","\"Robert Perdziola.\" n.d. Broadway Design Exchange. Accessed May 22, 2025. https://www.broadwaydesignexchange.com/collections/robert-perdziola.","\"Robert Perdziola (Costume Design, Costume Designer): Credits, Bio, News \u0026 More.\" n.d. Broadway World. Accessed May 22, 2025. https://www.broadwayworld.com/people/Robert-Perdziola/.","\"Summer and Smoke.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Summer_and_Smoke\u0026oldid=1286400438.","\"Summer and Smoke.\" n.d. Concord Theatricals. Accessed May 22, 2025. https://www.concordtheatricals.com/p/7425/summer-and-smoke."],"bioghist_html_tesm":["\u003cp\u003eRobert Perdziola was born in 1961 and raised in Pittsburgh, Pennsylvania. For over 30 years, he has worked as a costume and set designer for operas, ballets, and theatre throughout the United States, including the Metropolitan Opera, San Francisco Opera, Santa Fe Opera, Lyric Theatre of Chicago, American Ballet Theater, the Julliard School of Drama, and numerous Broadway and Off-Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera, the Niedersächsische Staatsorchester in Hannover, the Garsington Opera in the United Kingdom, the Finnish National Ballet, the Saito Kinen Festival in Japan, and the Sydney Opera House. Perdziola has also worked extensively in the Washington, D.C. area, including at Signature Theatre in Arlington, Virginia and Shakespeare Theatre Company, and been nominated for numerous awards, including receiving three Helen Hayes Awards for Outstanding Costume Design in 2001, 2002, and 2006.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eSummer and Smoke\u003c/title\u003e is a two-part, thirteen-scene play by Tennessee Williams. Williams began working on the play in 1945 as \u003ctitle\u003eChart of Anatomy\u003c/title\u003e, derived from his short stories \"Oriflamme\" and the work-in-progress \"Yellow-Bird.\" The play premiered on Broadway at the Magic Box Theatre in March 1948, directed by Margo Jones, and ran for 102 performances. The story is set in the fictional town of Glorious Hill, Mississippi from the turn of the 20th century through 1916 and centers on the unlikely attraction between Alma, a Southern minister's daughter, and her neighbor John Buchanan, Jr., who grows to become a doctor and man of science.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Robert Perdziola was born in 1961 and raised in Pittsburgh, Pennsylvania. For over 30 years, he has worked as a costume and set designer for operas, ballets, and theatre throughout the United States, including the Metropolitan Opera, San Francisco Opera, Santa Fe Opera, Lyric Theatre of Chicago, American Ballet Theater, the Julliard School of Drama, and numerous Broadway and Off-Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera, the Niedersächsische Staatsorchester in Hannover, the Garsington Opera in the United Kingdom, the Finnish National Ballet, the Saito Kinen Festival in Japan, and the Sydney Opera House. Perdziola has also worked extensively in the Washington, D.C. area, including at Signature Theatre in Arlington, Virginia and Shakespeare Theatre Company, and been nominated for numerous awards, including receiving three Helen Hayes Awards for Outstanding Costume Design in 2001, 2002, and 2006.","Summer and Smoke  is a two-part, thirteen-scene play by Tennessee Williams. Williams began working on the play in 1945 as  Chart of Anatomy , derived from his short stories \"Oriflamme\" and the work-in-progress \"Yellow-Bird.\" The play premiered on Broadway at the Magic Box Theatre in March 1948, directed by Margo Jones, and ran for 102 performances. The story is set in the fictional town of Glorious Hill, Mississippi from the turn of the 20th century through 1916 and centers on the unlikely attraction between Alma, a Southern minister's daughter, and her neighbor John Buchanan, Jr., who grows to become a doctor and man of science."],"prefercite_html_tesm":["\u003cp\u003eRobert Perdziola original costume designs for Alma in \u003ctitle\u003eSummer and Smoke\u003c/title\u003e, C0448, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Robert Perdziola original costume designs for Alma in  Summer and Smoke , C0448, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in May 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts collections\u003c/a\u003e, including other original costume and set designs, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0513\"\u003eRobert Davison original costume and set design scrapbook\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\"Cavalleria rusticana\" opera costume paintings\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts collections , including other original costume and set designs, such as the  Robert Davison original costume and set design scrapbook  and  \"Cavalleria rusticana\" opera costume paintings ."],"scopecontent_html_tesm":["\u003cp\u003eA group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play \u003ctitle\u003eSummer and Smoke\u003c/title\u003e. The eleven pencil sketches depict costume designs for the play's Prologue, scenes 1-9, and scenes 11-12. The five watercolors depict costume designs for scenes 1-2, 4, 7-8, and 11 and are each accompanied by attached fabric swatches and include a pencil signature by Perdziola.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play  Summer and Smoke . The eleven pencil sketches depict costume designs for the play's Prologue, scenes 1-9, and scenes 11-12. The five watercolors depict costume designs for scenes 1-2, 4, 7-8, and 11 and are each accompanied by attached fabric swatches and include a pencil signature by Perdziola."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba66ebf979e0fbec5a53ff90ea6a1402\"\u003eA group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play \u003ctitle\u003eSummer and Smoke\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["A group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play  Summer and Smoke ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_624ad08703d053adb1dbd7deb93a9a7a\"\u003eR 71, C 2, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Perdziola, Robert, 1961-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Perdziola, Robert, 1961-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:22:41.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_749","ead_ssi":"vifgm_repositories_2_resources_749","_root_":"vifgm_repositories_2_resources_749","_nest_parent_":"vifgm_repositories_2_resources_749","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_749.xml","title_filing_ssi":"Robert Perdziola original costume designs for Alma in  Summer and Smoke","title_ssm":["Robert Perdziola original costume designs for Alma in Summer and Smoke"],"title_tesim":["Robert Perdziola original costume designs for Alma in Summer and Smoke"],"unitdate_ssm":["circa 1980s-1990s"],"unitdate_inclusive_ssm":["circa 1980s-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0448","/repositories/2/resources/749"],"text":["C0448","/repositories/2/resources/749","Robert Perdziola original costume designs for Alma in Summer and Smoke","Costume design","Performing arts","Theater","Theater -- United States","There are no access restrictions.","Items are arranged in two folders based on drawing type.","Colgan, Jennifer. 2023. \"Q\u0026A with Designer Robert Perdziola.\"  Opera Colorado  (blog). February 1, 2023. https://www.operacolorado.org/blog/qa-with-designer-robert-perdziola/.","Folliard, Patrick. 2018. \"Long-Time N.Y. Costume Designer Returns to Native Pittsburgh.\" August 10, 2018. https://www.washingtonblade.com/2018/08/10/robert-perdziola-interview/.","\"Robert Perdziola.\" n.d. Broadway Design Exchange. Accessed May 22, 2025. https://www.broadwaydesignexchange.com/collections/robert-perdziola.","\"Robert Perdziola (Costume Design, Costume Designer): Credits, Bio, News \u0026 More.\" n.d. Broadway World. Accessed May 22, 2025. https://www.broadwayworld.com/people/Robert-Perdziola/.","\"Summer and Smoke.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Summer_and_Smoke\u0026oldid=1286400438.","\"Summer and Smoke.\" n.d. Concord Theatricals. Accessed May 22, 2025. https://www.concordtheatricals.com/p/7425/summer-and-smoke.","Robert Perdziola was born in 1961 and raised in Pittsburgh, Pennsylvania. For over 30 years, he has worked as a costume and set designer for operas, ballets, and theatre throughout the United States, including the Metropolitan Opera, San Francisco Opera, Santa Fe Opera, Lyric Theatre of Chicago, American Ballet Theater, the Julliard School of Drama, and numerous Broadway and Off-Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera, the Niedersächsische Staatsorchester in Hannover, the Garsington Opera in the United Kingdom, the Finnish National Ballet, the Saito Kinen Festival in Japan, and the Sydney Opera House. Perdziola has also worked extensively in the Washington, D.C. area, including at Signature Theatre in Arlington, Virginia and Shakespeare Theatre Company, and been nominated for numerous awards, including receiving three Helen Hayes Awards for Outstanding Costume Design in 2001, 2002, and 2006.","Summer and Smoke  is a two-part, thirteen-scene play by Tennessee Williams. Williams began working on the play in 1945 as  Chart of Anatomy , derived from his short stories \"Oriflamme\" and the work-in-progress \"Yellow-Bird.\" The play premiered on Broadway at the Magic Box Theatre in March 1948, directed by Margo Jones, and ran for 102 performances. The story is set in the fictional town of Glorious Hill, Mississippi from the turn of the 20th century through 1916 and centers on the unlikely attraction between Alma, a Southern minister's daughter, and her neighbor John Buchanan, Jr., who grows to become a doctor and man of science.","Processing and finding aid completed by Meghan Glasbrenner in May 2025.","The Special Collections Research Center holds other  performing arts collections , including other original costume and set designs, such as the  Robert Davison original costume and set design scrapbook  and  \"Cavalleria rusticana\" opera costume paintings .","A group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play  Summer and Smoke . The eleven pencil sketches depict costume designs for the play's Prologue, scenes 1-9, and scenes 11-12. 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February 1, 2023. https://www.operacolorado.org/blog/qa-with-designer-robert-perdziola/.\u003c/p\u003e\n","\u003cp\u003eFolliard, Patrick. 2018. \"Long-Time N.Y. Costume Designer Returns to Native Pittsburgh.\" August 10, 2018. https://www.washingtonblade.com/2018/08/10/robert-perdziola-interview/.\u003c/p\u003e\n","\u003cp\u003e\"Robert Perdziola.\" n.d. Broadway Design Exchange. Accessed May 22, 2025. https://www.broadwaydesignexchange.com/collections/robert-perdziola.\u003c/p\u003e\n","\u003cp\u003e\"Robert Perdziola (Costume Design, Costume Designer): Credits, Bio, News \u0026amp; More.\" n.d. Broadway World. Accessed May 22, 2025. https://www.broadwayworld.com/people/Robert-Perdziola/.\u003c/p\u003e\n","\u003cp\u003e\"Summer and Smoke.\" 2025. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Summer_and_Smoke\u0026amp;oldid=1286400438.\u003c/p\u003e\n","\u003cp\u003e\"Summer and Smoke.\" n.d. Concord Theatricals. Accessed May 22, 2025. https://www.concordtheatricals.com/p/7425/summer-and-smoke.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Colgan, Jennifer. 2023. \"Q\u0026A with Designer Robert Perdziola.\"  Opera Colorado  (blog). February 1, 2023. https://www.operacolorado.org/blog/qa-with-designer-robert-perdziola/.","Folliard, Patrick. 2018. \"Long-Time N.Y. Costume Designer Returns to Native Pittsburgh.\" August 10, 2018. https://www.washingtonblade.com/2018/08/10/robert-perdziola-interview/.","\"Robert Perdziola.\" n.d. Broadway Design Exchange. Accessed May 22, 2025. https://www.broadwaydesignexchange.com/collections/robert-perdziola.","\"Robert Perdziola (Costume Design, Costume Designer): Credits, Bio, News \u0026 More.\" n.d. Broadway World. Accessed May 22, 2025. https://www.broadwayworld.com/people/Robert-Perdziola/.","\"Summer and Smoke.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Summer_and_Smoke\u0026oldid=1286400438.","\"Summer and Smoke.\" n.d. Concord Theatricals. Accessed May 22, 2025. https://www.concordtheatricals.com/p/7425/summer-and-smoke."],"bioghist_html_tesm":["\u003cp\u003eRobert Perdziola was born in 1961 and raised in Pittsburgh, Pennsylvania. For over 30 years, he has worked as a costume and set designer for operas, ballets, and theatre throughout the United States, including the Metropolitan Opera, San Francisco Opera, Santa Fe Opera, Lyric Theatre of Chicago, American Ballet Theater, the Julliard School of Drama, and numerous Broadway and Off-Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera, the Niedersächsische Staatsorchester in Hannover, the Garsington Opera in the United Kingdom, the Finnish National Ballet, the Saito Kinen Festival in Japan, and the Sydney Opera House. Perdziola has also worked extensively in the Washington, D.C. area, including at Signature Theatre in Arlington, Virginia and Shakespeare Theatre Company, and been nominated for numerous awards, including receiving three Helen Hayes Awards for Outstanding Costume Design in 2001, 2002, and 2006.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eSummer and Smoke\u003c/title\u003e is a two-part, thirteen-scene play by Tennessee Williams. Williams began working on the play in 1945 as \u003ctitle\u003eChart of Anatomy\u003c/title\u003e, derived from his short stories \"Oriflamme\" and the work-in-progress \"Yellow-Bird.\" The play premiered on Broadway at the Magic Box Theatre in March 1948, directed by Margo Jones, and ran for 102 performances. The story is set in the fictional town of Glorious Hill, Mississippi from the turn of the 20th century through 1916 and centers on the unlikely attraction between Alma, a Southern minister's daughter, and her neighbor John Buchanan, Jr., who grows to become a doctor and man of science.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Robert Perdziola was born in 1961 and raised in Pittsburgh, Pennsylvania. For over 30 years, he has worked as a costume and set designer for operas, ballets, and theatre throughout the United States, including the Metropolitan Opera, San Francisco Opera, Santa Fe Opera, Lyric Theatre of Chicago, American Ballet Theater, the Julliard School of Drama, and numerous Broadway and Off-Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera, the Niedersächsische Staatsorchester in Hannover, the Garsington Opera in the United Kingdom, the Finnish National Ballet, the Saito Kinen Festival in Japan, and the Sydney Opera House. Perdziola has also worked extensively in the Washington, D.C. area, including at Signature Theatre in Arlington, Virginia and Shakespeare Theatre Company, and been nominated for numerous awards, including receiving three Helen Hayes Awards for Outstanding Costume Design in 2001, 2002, and 2006.","Summer and Smoke  is a two-part, thirteen-scene play by Tennessee Williams. Williams began working on the play in 1945 as  Chart of Anatomy , derived from his short stories \"Oriflamme\" and the work-in-progress \"Yellow-Bird.\" The play premiered on Broadway at the Magic Box Theatre in March 1948, directed by Margo Jones, and ran for 102 performances. The story is set in the fictional town of Glorious Hill, Mississippi from the turn of the 20th century through 1916 and centers on the unlikely attraction between Alma, a Southern minister's daughter, and her neighbor John Buchanan, Jr., who grows to become a doctor and man of science."],"prefercite_html_tesm":["\u003cp\u003eRobert Perdziola original costume designs for Alma in \u003ctitle\u003eSummer and Smoke\u003c/title\u003e, C0448, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Robert Perdziola original costume designs for Alma in  Summer and Smoke , C0448, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in May 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts collections\u003c/a\u003e, including other original costume and set designs, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0513\"\u003eRobert Davison original costume and set design scrapbook\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\"Cavalleria rusticana\" opera costume paintings\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts collections , including other original costume and set designs, such as the  Robert Davison original costume and set design scrapbook  and  \"Cavalleria rusticana\" opera costume paintings ."],"scopecontent_html_tesm":["\u003cp\u003eA group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play \u003ctitle\u003eSummer and Smoke\u003c/title\u003e. The eleven pencil sketches depict costume designs for the play's Prologue, scenes 1-9, and scenes 11-12. The five watercolors depict costume designs for scenes 1-2, 4, 7-8, and 11 and are each accompanied by attached fabric swatches and include a pencil signature by Perdziola.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play  Summer and Smoke . The eleven pencil sketches depict costume designs for the play's Prologue, scenes 1-9, and scenes 11-12. The five watercolors depict costume designs for scenes 1-2, 4, 7-8, and 11 and are each accompanied by attached fabric swatches and include a pencil signature by Perdziola."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba66ebf979e0fbec5a53ff90ea6a1402\"\u003eA group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play \u003ctitle\u003eSummer and Smoke\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["A group of eleven preparatory pencil costume design drawings and five watercolor costume designs with fabric swatches by Robert Perdziola for the character of Alma in an unidentified production of Tennessee Williams' play  Summer and Smoke ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_624ad08703d053adb1dbd7deb93a9a7a\"\u003eR 71, C 2, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Perdziola, Robert, 1961-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Perdziola, Robert, 1961-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:22:41.771Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_749"}},{"id":"vifgm_repositories_2_resources_150","type":"collection","attributes":{"title":"Robert Prosky Papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150#creator","type":"document_value","attributes":{"value":"Prosky, Robert, 1930-2008","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_150","ead_ssi":"vifgm_repositories_2_resources_150","_root_":"vifgm_repositories_2_resources_150","_nest_parent_":"vifgm_repositories_2_resources_150","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_150.xml","title_filing_ssi":"Robert Prosky papers","title_ssm":["Robert Prosky Papers"],"title_tesim":["Robert Prosky Papers"],"unitdate_ssm":["1909-2007"],"unitdate_inclusive_ssm":["1909-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0022","/repositories/2/resources/150"],"text":["C0022","/repositories/2/resources/150","Robert Prosky Papers","Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings","There are no access restrictions.","Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.","Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)","Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. ","Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.","The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access.","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008","English \n.    "],"unitid_tesim":["C0022","/repositories/2/resources/150"],"normalized_title_ssm":["Robert Prosky Papers"],"collection_title_tesim":["Robert Prosky Papers"],"collection_ssim":["Robert Prosky Papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prosky, Robert, 1930-2008"],"creator_ssim":["Prosky, Robert, 1930-2008"],"creator_persname_ssim":["Prosky, Robert, 1930-2008"],"creators_ssim":["Prosky, Robert, 1930-2008"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robert Prosky in 2007-2008."],"access_subjects_ssim":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"access_subjects_ssm":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet 16 boxes"],"extent_tesim":["9 Linear Feet 16 boxes"],"genreform_ssim":["Photographs","Video recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAudiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Professional, 1954-2007 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Personal, 1909-2007 (Boxes 5-8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1930s-2005 (Boxes 9-11)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audiovisual, 1960-2007 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1950s-2006 (Boxes 14-15)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1998-2004 (Box 16)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.\u003c/p\u003e\n","\u003cp\u003eBeginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.\u003c/p\u003e\n","\u003cp\u003eHe received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. "],"prefercite_html_tesm":["\u003cp\u003eRobert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Arena Stage records\" href=\"https://aspace.gmu.edu/resources/c0017\"\u003e\u003c/extptr\u003e and the papers of other Washington, D.C. theatre artists.\u003c/p\u003e\n","\u003cp\u003eAn oral history was performed with Robert Prosky for the \u003cextptr show=\"new\" title=\"George Mason University Oral History Program collection\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e and is available for access.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access."],"scopecontent_html_tesm":["\u003cp\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. \u003c/p\u003e\n","\u003cp\u003eThe collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. \u003c/p\u003e\n","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. \u003c/p\u003e\n","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \u003c/p\u003e\n","\u003cp\u003eThe sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. \u003c/p\u003e","\u003cp\u003eContains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.\u003c/p\u003e","\u003cp\u003eIncludes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eGonzaga College. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eLucille Lortel Theatre.\u003c/p\u003e","\u003cp\u003eBerkshire Theatre Festival. Review by Herbert Wolff.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eOld Academy.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eBrooks Atkinson Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Review by Mel Gussow.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eAlso contains television reviews and biographical information.\u003c/p\u003e","\u003cp\u003eGoodman Theatre.\u003c/p\u003e","\u003cp\u003eJohn Golden Theatre.\u003c/p\u003e","\u003cp\u003eManhattan Ensemble Theater. Also contains postcards with advertisements.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eLee Strasberg Theatre Center.\u003c/p\u003e","\u003cp\u003eDelaware Theatre Company (1993) and Arena Stage (1995).\u003c/p\u003e","\u003cp\u003eDouglass College.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eMorosco Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eGate Theatre.\u003c/p\u003e","\u003cp\u003eCape May Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Also contains a pre-production announcement.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eColonial Theatre.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eCoronet Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eAmbassador Theatre.\u003c/p\u003e","\u003cp\u003eRoyal Poinciana Playhouse. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eBooth Theatre.\u003c/p\u003e","\u003cp\u003eOne copy entirely in Russian and one with only the title translated.\u003c/p\u003e","\u003cp\u003eBooth Theatre. Also contains some correspondence.\u003c/p\u003e","\u003cp\u003eContains stories on Zelda Fichandler and Robert Prosky.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eHong Kong Arts Festival.\u003c/p\u003e","\u003cp\u003eGuthrie Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e","\u003cp\u003eContains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"\u003c/p\u003e","\u003cp\u003eAlso contains correspondence.\u003c/p\u003e","\u003cp\u003eContains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.\u003c/p\u003e","\u003cp\u003eAlso includes information on \"Glengarry Glenn Ross\" and television work.\u003c/p\u003e","\u003cp\u003eContains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"\u003c/p\u003e","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.\u003c/p\u003e","\u003cp\u003eRESTRICTED\u003c/p\u003e","\u003cp\u003eAlso includes correspondence about Prosky's Tony Award nomination.\u003c/p\u003e","\u003cp\u003eContains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.\u003c/p\u003e","\u003cp\u003ePost Eagle newspaper.\u003c/p\u003e","\u003cp\u003eColumbia Flier newspaper.\u003c/p\u003e","\u003cp\u003eAmerica 275 Illustrated Story no. 11-79.\u003c/p\u003e","\u003cp\u003eProsky nominated for \"Glengarry Glenross\".\"\u003c/p\u003e","\u003cp\u003eProsky nominated for \"A Walk in the Woods\".\u003c/p\u003e","\u003cp\u003eProsky won best actor in a short film for \"Grandfather's Birthday\".\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003eCynthia Snyder Public Relations.\u003c/p\u003e","\u003cp\u003eArticle by Zelda Fichandler.\u003c/p\u003e","\u003cp\u003ePresented to both Prosky and his wife Ida.\u003c/p\u003e","\u003cp\u003ePhiladelphia magazine.\u003c/p\u003e","\u003cp\u003eProsky served as the master of ceremonies.\u003c/p\u003e","\u003cp\u003eProsky nominated for his role in \"Our Town\".\u003c/p\u003e","\u003cp\u003eProsky honored with the American Express Tribute.\u003c/p\u003e","\u003cp\u003eWashington Post newspaper.\u003c/p\u003e","\u003cp\u003eRoxborough Times newspaper.\u003c/p\u003e","\u003cp\u003eHome News newspaper.\u003c/p\u003e","\u003cp\u003eNew York Times Newspaper.\u003c/p\u003e","\u003cp\u003eEquity News newsletter.\u003c/p\u003e","\u003cp\u003eNew York Times newspaper.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003ePresented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".\u003c/p\u003e","\u003cp\u003eSun Weekly newspaper.\u003c/p\u003e","\u003cp\u003ePeople Weekly magazine.\u003c/p\u003e","\u003cp\u003eRelax magazine. In Polish.\u003c/p\u003e","\u003cp\u003eNew Jersey Lifestyle magazine.\u003c/p\u003e","\u003cp\u003ePen World magazine.\u003c/p\u003e","\u003cp\u003eWashington Post Magazine.\u003c/p\u003e","\u003cp\u003eDaily News newspaper.\u003c/p\u003e","\u003cp\u003eDossier magazine.\u003c/p\u003e","\u003cp\u003eWashington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".\u003c/p\u003e","\u003cp\u003eAlso includes correspondence.\u003c/p\u003e","\u003cp\u003eContains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.\u003c/p\u003e","\u003cp\u003eContains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.\u003c/p\u003e","\u003cp\u003eVHS, 18 minutes, color\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, #466216, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466217, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466218, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466219, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466220, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466221, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eAudio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, 30 minutes\u003c/p\u003e","\u003cp\u003eCD, Arena Stage press photos\u003c/p\u003e","\u003cp\u003eDVD, DEMO\u003c/p\u003e","\u003cp\u003eDVD, Tape 1, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Tape 2, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Clips for Lecture\u003c/p\u003e","\u003cp\u003eAudio cassette tape, WABC Talk Radio 77am\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eVideo reel, 60 seconds.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 1\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 2\u003c/p\u003e","\u003cp\u003eAudio Cassette Tape, WTOP Radio\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003eBlack binder with \"Thief\" label\u003c/p\u003e","\u003cp\u003eBlack binder with Robert Prosky\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph - Appearances\u003c/p\u003e","\u003cp\u003ePhotograph - Theatre\u003c/p\u003e","\u003cp\u003eNomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"\u003c/p\u003e","\u003cp\u003eSix different shots\u003c/p\u003e","\u003cp\u003eInterview page 37\u003c/p\u003e","\u003cp\u003eThree matted portraits\u003c/p\u003e","\u003cp\u003eAutographed film poster\u003c/p\u003e","\u003cp\u003eProduction poster\u003c/p\u003e","\u003cp\u003ePhotographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eBlue album with flowers on cover, photographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eAutographed copy by Kathryn Crosby\u003c/p\u003e","\u003cp\u003eConsists of objects from Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003ePaperweight\u003c/p\u003e","\u003cp\u003eMiniature briefcase\u003c/p\u003e","\u003cp\u003eRobert Prosky's name monogrammed on one side.\u003c/p\u003e","\u003cp\u003eFord's Theatre, Dog tags\u003c/p\u003e","\u003cp\u003ePlaque\u003c/p\u003e","\u003cp\u003eSouvenir bag\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb72825d540615d1fef3eb400e234f81\" label=\"Abstract\"\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.\u003c/abstract\u003e"],"abstract_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Prosky, Robert, 1930-2008"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:32:14.503Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_150","ead_ssi":"vifgm_repositories_2_resources_150","_root_":"vifgm_repositories_2_resources_150","_nest_parent_":"vifgm_repositories_2_resources_150","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_150.xml","title_filing_ssi":"Robert Prosky papers","title_ssm":["Robert Prosky Papers"],"title_tesim":["Robert Prosky Papers"],"unitdate_ssm":["1909-2007"],"unitdate_inclusive_ssm":["1909-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0022","/repositories/2/resources/150"],"text":["C0022","/repositories/2/resources/150","Robert Prosky Papers","Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings","There are no access restrictions.","Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.","Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)","Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. ","Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.","The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access.","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008","English \n.    "],"unitid_tesim":["C0022","/repositories/2/resources/150"],"normalized_title_ssm":["Robert Prosky Papers"],"collection_title_tesim":["Robert Prosky Papers"],"collection_ssim":["Robert Prosky Papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prosky, Robert, 1930-2008"],"creator_ssim":["Prosky, Robert, 1930-2008"],"creator_persname_ssim":["Prosky, Robert, 1930-2008"],"creators_ssim":["Prosky, Robert, 1930-2008"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robert Prosky in 2007-2008."],"access_subjects_ssim":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"access_subjects_ssm":["Actors -- United States","Theater -- Washington (D.C.)","Theater -- United States","Television","Motion pictures -- United States","Performing arts","Theater","Acting","Photographs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet 16 boxes"],"extent_tesim":["9 Linear Feet 16 boxes"],"genreform_ssim":["Photographs","Video recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAudiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Audiovisual materials in Series 4 have been digitized are available for access. Please contact SCRC for more information."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Professional, 1954-2007 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Personal, 1909-2007 (Boxes 5-8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1930s-2005 (Boxes 9-11)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audiovisual, 1960-2007 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1950s-2006 (Boxes 14-15)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1998-2004 (Box 16)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series:","Series Series 1: Professional, 1954-2007 (Boxes 1-5) Series 2: Personal, 1909-2007 (Boxes 5-8) Series 3: Photographs, 1930s-2005 (Boxes 9-11) Series 4: Audiovisual, 1960-2007 (Boxes 12-13) Series 5: Oversize, 1950s-2006 (Boxes 14-15) Series 6: Realia, 1998-2004 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.\u003c/p\u003e\n","\u003cp\u003eBeginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.\u003c/p\u003e\n","\u003cp\u003eHe received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Philadelphia, Robert Prosky (1930-2008) spent much of his career as an actor in more than 200 plays at the Arena Stage in Washington, D.C., on Broadway in New York City, and in regional theatre. Prosky's association with the Arena Stage included more than 130 productions over the course of 20 years. His Broadway appearances included \"Glengarry Glenross,\" \"A Walk in the Woods,\" and \"A View from the Bridge.\" Highlights from regional theater include \"Death of a Salesman,\" \"Twelfth Night,\" and \"You Can't Take It With You.\" He also performed on stage in the Moscow Art Theatre in the then-Soviet Union, the Gate Theater in Dublin, Ireland, as well as in a Chinese theater in Hong Kong.","Beginning in the 1980s, he regularly appeared in film and television. His films include \"Christine,\" \"Mrs. Doubtfire,\" \"The Natural,\" \"The Scarlet Letter,\" and \"Dead Man Walking.\" Television credits include three years on \"Hill Street Blues,\" many television films and guest shots.","He received or was nominated for two Tony awards, two Helen Hayes awards, an Emmy, the Drama Desk award, and the American Express Tribute To An American Actor. He continued to perform on stage and present lectures on his long career at universities, film festivals, for theater benefits, business groups and on cruises. He died on December 8, 2008, in Washington, D.C. "],"prefercite_html_tesm":["\u003cp\u003eRobert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert Prosky papers, C0022, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2008 by Sarah Patton, Jennifer Munson, and Jordan Patty. EAD markup completed in 2008 by Jordan Patty and Jennifer Munson. Finding aid updated by Amanda Menjivar in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Arena Stage records\" href=\"https://aspace.gmu.edu/resources/c0017\"\u003e\u003c/extptr\u003e and the papers of other Washington, D.C. theatre artists.\u003c/p\u003e\n","\u003cp\u003eAn oral history was performed with Robert Prosky for the \u003cextptr show=\"new\" title=\"George Mason University Oral History Program collection\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e and is available for access.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the papers of other Washington, D.C. theatre artists.","An oral history was performed with Robert Prosky for the   and is available for access."],"scopecontent_html_tesm":["\u003cp\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. \u003c/p\u003e\n","\u003cp\u003eThe collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. \u003c/p\u003e\n","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. \u003c/p\u003e\n","\u003cp\u003eThe fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. \u003c/p\u003e\n","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. \u003c/p\u003e\n","\u003cp\u003eThe sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. \u003c/p\u003e","\u003cp\u003eContains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.\u003c/p\u003e","\u003cp\u003eIncludes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eGonzaga College. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eLucille Lortel Theatre.\u003c/p\u003e","\u003cp\u003eBerkshire Theatre Festival. Review by Herbert Wolff.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eOld Academy.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eBrooks Atkinson Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Review by Mel Gussow.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eAlso contains television reviews and biographical information.\u003c/p\u003e","\u003cp\u003eGoodman Theatre.\u003c/p\u003e","\u003cp\u003eJohn Golden Theatre.\u003c/p\u003e","\u003cp\u003eManhattan Ensemble Theater. Also contains postcards with advertisements.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFord's Theatre.\u003c/p\u003e","\u003cp\u003eLee Strasberg Theatre Center.\u003c/p\u003e","\u003cp\u003eDelaware Theatre Company (1993) and Arena Stage (1995).\u003c/p\u003e","\u003cp\u003eDouglass College.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eMorosco Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eGate Theatre.\u003c/p\u003e","\u003cp\u003eCape May Stage.\u003c/p\u003e","\u003cp\u003eArena Stage. Also contains a pre-production announcement.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage. Contains press releases, reviews, and Arena Stage publications.\u003c/p\u003e","\u003cp\u003eColonial Theatre.\u003c/p\u003e","\u003cp\u003eQuarterdeck Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eCoronet Theatre. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eAmbassador Theatre.\u003c/p\u003e","\u003cp\u003eRoyal Poinciana Playhouse. Prosky not in cast.\u003c/p\u003e","\u003cp\u003eBooth Theatre.\u003c/p\u003e","\u003cp\u003eOne copy entirely in Russian and one with only the title translated.\u003c/p\u003e","\u003cp\u003eBooth Theatre. Also contains some correspondence.\u003c/p\u003e","\u003cp\u003eContains stories on Zelda Fichandler and Robert Prosky.\u003c/p\u003e","\u003cp\u003eFred Miller Theatre.\u003c/p\u003e","\u003cp\u003eHong Kong Arts Festival.\u003c/p\u003e","\u003cp\u003eGuthrie Theatre.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eAlso contains advertisements, rosters, and announcements.\u003c/p\u003e","\u003cp\u003eContains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"\u003c/p\u003e","\u003cp\u003eAlso contains correspondence.\u003c/p\u003e","\u003cp\u003eContains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.\u003c/p\u003e","\u003cp\u003eAlso includes information on \"Glengarry Glenn Ross\" and television work.\u003c/p\u003e","\u003cp\u003eContains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"\u003c/p\u003e","\u003cp\u003eThe second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.\u003c/p\u003e","\u003cp\u003eRESTRICTED\u003c/p\u003e","\u003cp\u003eAlso includes correspondence about Prosky's Tony Award nomination.\u003c/p\u003e","\u003cp\u003eContains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.\u003c/p\u003e","\u003cp\u003ePost Eagle newspaper.\u003c/p\u003e","\u003cp\u003eColumbia Flier newspaper.\u003c/p\u003e","\u003cp\u003eAmerica 275 Illustrated Story no. 11-79.\u003c/p\u003e","\u003cp\u003eProsky nominated for \"Glengarry Glenross\".\"\u003c/p\u003e","\u003cp\u003eProsky nominated for \"A Walk in the Woods\".\u003c/p\u003e","\u003cp\u003eProsky won best actor in a short film for \"Grandfather's Birthday\".\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003eCynthia Snyder Public Relations.\u003c/p\u003e","\u003cp\u003eArticle by Zelda Fichandler.\u003c/p\u003e","\u003cp\u003ePresented to both Prosky and his wife Ida.\u003c/p\u003e","\u003cp\u003ePhiladelphia magazine.\u003c/p\u003e","\u003cp\u003eProsky served as the master of ceremonies.\u003c/p\u003e","\u003cp\u003eProsky nominated for his role in \"Our Town\".\u003c/p\u003e","\u003cp\u003eProsky honored with the American Express Tribute.\u003c/p\u003e","\u003cp\u003eWashington Post newspaper.\u003c/p\u003e","\u003cp\u003eRoxborough Times newspaper.\u003c/p\u003e","\u003cp\u003eHome News newspaper.\u003c/p\u003e","\u003cp\u003eNew York Times Newspaper.\u003c/p\u003e","\u003cp\u003eEquity News newsletter.\u003c/p\u003e","\u003cp\u003eNew York Times newspaper.\u003c/p\u003e","\u003cp\u003eArena Stage.\u003c/p\u003e","\u003cp\u003eFolder 1.\u003c/p\u003e","\u003cp\u003eFolder 2.\u003c/p\u003e","\u003cp\u003ePresented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".\u003c/p\u003e","\u003cp\u003eSun Weekly newspaper.\u003c/p\u003e","\u003cp\u003ePeople Weekly magazine.\u003c/p\u003e","\u003cp\u003eRelax magazine. In Polish.\u003c/p\u003e","\u003cp\u003eNew Jersey Lifestyle magazine.\u003c/p\u003e","\u003cp\u003ePen World magazine.\u003c/p\u003e","\u003cp\u003eWashington Post Magazine.\u003c/p\u003e","\u003cp\u003eDaily News newspaper.\u003c/p\u003e","\u003cp\u003eDossier magazine.\u003c/p\u003e","\u003cp\u003eWashington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".\u003c/p\u003e","\u003cp\u003eAlso includes correspondence.\u003c/p\u003e","\u003cp\u003eContains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.\u003c/p\u003e","\u003cp\u003eContains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.\u003c/p\u003e","\u003cp\u003eVHS, 18 minutes, color\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eReel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, #466216, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466217, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466218, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466219, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466220, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eVHS, #466221, Final Viewing Cassette\u003c/p\u003e","\u003cp\u003eAudio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eVHS, 30 minutes\u003c/p\u003e","\u003cp\u003eCD, Arena Stage press photos\u003c/p\u003e","\u003cp\u003eDVD, DEMO\u003c/p\u003e","\u003cp\u003eDVD, Tape 1, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Tape 2, Harris Theatre GMU\u003c/p\u003e","\u003cp\u003eDVD, Clips for Lecture\u003c/p\u003e","\u003cp\u003eAudio cassette tape, WABC Talk Radio 77am\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eVideo reel, 60 seconds.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 1\u003c/p\u003e","\u003cp\u003eAudio cassette tape, Tape 2\u003c/p\u003e","\u003cp\u003eAudio Cassette Tape, WTOP Radio\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eAudio reel.\nAvailable on digital format.\u003c/p\u003e","\u003cp\u003eThe fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003eBlack binder with \"Thief\" label\u003c/p\u003e","\u003cp\u003eBlack binder with Robert Prosky\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph - Appearances\u003c/p\u003e","\u003cp\u003ePhotograph - Theatre\u003c/p\u003e","\u003cp\u003eNomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"\u003c/p\u003e","\u003cp\u003eSix different shots\u003c/p\u003e","\u003cp\u003eInterview page 37\u003c/p\u003e","\u003cp\u003eThree matted portraits\u003c/p\u003e","\u003cp\u003eAutographed film poster\u003c/p\u003e","\u003cp\u003eProduction poster\u003c/p\u003e","\u003cp\u003ePhotographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eBlue album with flowers on cover, photographs, newspaper clippings, playbills\u003c/p\u003e","\u003cp\u003eAutographed copy by Kathryn Crosby\u003c/p\u003e","\u003cp\u003eConsists of objects from Prosky's professional career and personal life.\u003c/p\u003e","\u003cp\u003ePaperweight\u003c/p\u003e","\u003cp\u003eMiniature briefcase\u003c/p\u003e","\u003cp\u003eRobert Prosky's name monogrammed on one side.\u003c/p\u003e","\u003cp\u003eFord's Theatre, Dog tags\u003c/p\u003e","\u003cp\u003ePlaque\u003c/p\u003e","\u003cp\u003eSouvenir bag\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials. ","The collection consists of six series. The first series contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically. Subseries 1.1 includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes. Subseries 1.2 contains mostly clippings and reviews about Prosky's film career, but there are a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\" Subseries 1.3 contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\" Note that there are additional professional documents, such as posters, in the oversize series. ","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically. Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Subseries 2.2 contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. Of particular interest are transcripts from an autobiography by Prosky. Note that there are additional biographical articles in the oversize series both loose and in scrapbooks. ","The third series contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically. Note that there are additional photographs in the oversize series both loose and in scrapbooks. ","The fourth series consists of copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public service announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations. ","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life. ","The sixth series consists of objects from Prosky's professional career and personal life, such as opening night gifts and production souvenirs. ","Contains documents from his professional career divided into three subseries and arranged alphabetically by play, film, or television title, then chronologically.","Includes playbills that date from his early performances at the Quarterdeck Theatre to his most recent performances in Washington, D.C. There are also numerous reviews as well as a few scripts with Prosky's handwritten notes.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Arena Stage.","Quarterdeck Theatre.","Gonzaga College. Prosky not in cast.","Arena Stage.","Lucille Lortel Theatre.","Berkshire Theatre Festival. Review by Herbert Wolff.","Arena Stage.","Old Academy.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Brooks Atkinson Theatre.","Arena Stage.","Arena Stage. Review by Mel Gussow.","Ford's Theatre.","Also contains television reviews and biographical information.","Goodman Theatre.","John Golden Theatre.","Manhattan Ensemble Theater. Also contains postcards with advertisements.","Fred Miller Theatre.","Arena Stage.","Arena Stage.","Ford's Theatre.","Lee Strasberg Theatre Center.","Delaware Theatre Company (1993) and Arena Stage (1995).","Douglass College.","Arena Stage.","Arena Stage.","Fred Miller Theatre.","Morosco Theatre. Prosky not in cast.","Arena Stage.","Gate Theatre.","Cape May Stage.","Arena Stage. Also contains a pre-production announcement.","Quarterdeck Theatre.","Arena Stage. Contains press releases, reviews, and Arena Stage publications.","Colonial Theatre.","Quarterdeck Theatre.","Arena Stage.","Arena Stage.","Coronet Theatre. Prosky not in cast.","Ambassador Theatre.","Royal Poinciana Playhouse. Prosky not in cast.","Booth Theatre.","One copy entirely in Russian and one with only the title translated.","Booth Theatre. Also contains some correspondence.","Contains stories on Zelda Fichandler and Robert Prosky.","Fred Miller Theatre.","Hong Kong Arts Festival.","Guthrie Theatre.","Arena Stage.","Also contains advertisements, rosters, and announcements.","Contains mostly clippings and reviews about Prosky's film career, but there are also a few scripts and emphemra, such as the trading card from \"The Last Action Hero.\"","Also contains correspondence.","Contains production facts, one color production still photograph, and one black and white photograph of the director Gayle Knutson.","Also includes information on \"Glengarry Glenn Ross\" and television work.","Contains documents from his television career, mostly clippings from his time as a cast member on \"Hill Street Blues\" and \"Veronica's Closet.\"","The second series contains personal documents and is divided into two subseries and arranged alphabetically and chronologically.","Subseries 2.1 consists of correspondence to and from Prosky. The bulk of the correspondence concerns Prosky's family and close friends. There are also many greeting cards wishing Prosky luck on opening nights as well as offering congratulations and thanks. Arranged alphabetically by name type of correspondence, then chronologically.","RESTRICTED","Also includes correspondence about Prosky's Tony Award nomination.","Contains many biographical articles discussing Prosky's life as an actor. The articles also discuss Prosky's wife and sons. Also contained in the subseries are clippings, programs, and certificates from awards ceremonies that Prosky participated in as a nominee and won. This subseries also contains transcripts from a self-recorded autobiography by Prosky. Arranged alphabetically by article title and type of document, then chronologically.","Post Eagle newspaper.","Columbia Flier newspaper.","America 275 Illustrated Story no. 11-79.","Prosky nominated for \"Glengarry Glenross\".\"","Prosky nominated for \"A Walk in the Woods\".","Prosky won best actor in a short film for \"Grandfather's Birthday\".","Folder 1.","Folder 2.","Cynthia Snyder Public Relations.","Article by Zelda Fichandler.","Presented to both Prosky and his wife Ida.","Philadelphia magazine.","Prosky served as the master of ceremonies.","Prosky nominated for his role in \"Our Town\".","Prosky honored with the American Express Tribute.","Washington Post newspaper.","Roxborough Times newspaper.","Home News newspaper.","New York Times Newspaper.","Equity News newsletter.","New York Times newspaper.","Arena Stage.","Folder 1.","Folder 2.","Presented to Prosky for his role as Mr. Buchanan in \"Jabberwocky\".","Sun Weekly newspaper.","People Weekly magazine.","Relax magazine. In Polish.","New Jersey Lifestyle magazine.","Pen World magazine.","Washington Post Magazine.","Daily News newspaper.","Dossier magazine.","Washington Times newspaper. Article mentions Prosky's Hayes award for \"The Price\".","Also includes correspondence.","Contains photographs of Prosky' professional and personal life. Many of the photographs document Prosky's theatre and film career. There are also photographs from his personal life, such as family snapshots. The photographs range in size from 3\"x5\" to 8\"x10\". Most of the theatre and professional photographs are larger and in black and white while the personal snapshots are smaller and in color. Arranged by category, then production title or other description, and then arranged chronologically.","Contains copies of Prosky's film and television appearances, particularly \"Veronica's Closet.\" There are also copies of public serve announcements and commercials. Most of the media contained on VHS cassettes and reel-to-reel audio tapes. There are also DVD copies of speaking engagements at George Mason University and other locations.","VHS, 18 minutes, color","Audio reel.\nAvailable on digital format.","Reel, 60 seconds, color.\nAvailable on digital format.","Reel, 60 seconds, color, U.S. Dept. of Agriculture Food Safety and Quality Service.\nAvailable on digital format.","Audio reel.\nAvailable on digital format.","VHS, #466216, Final Viewing Cassette","VHS, #466217, Final Viewing Cassette","VHS, #466218, Final Viewing Cassette","VHS, #466219, Final Viewing Cassette","VHS, #466220, Final Viewing Cassette","VHS, #466221, Final Viewing Cassette","Audio, 6 Demo spots, 7.5 IPS.\nAvailable on digital format.","VHS, 30 minutes","CD, Arena Stage press photos","DVD, DEMO","DVD, Tape 1, Harris Theatre GMU","DVD, Tape 2, Harris Theatre GMU","DVD, Clips for Lecture","Audio cassette tape, WABC Talk Radio 77am","DVD","Video reel, 60 seconds.\nAvailable on digital format.","Audio cassette tape, Tape 1","Audio cassette tape, Tape 2","Audio Cassette Tape, WTOP Radio","DVD","Audio reel.\nAvailable on digital format.","The fifth series contains items too large for the other series. Included are photographs, scrapbooks, and posters documenting Prosky's professional career and personal life.","Black binder with \"Thief\" label","Black binder with Robert Prosky","Photograph","Photograph - Appearances","Photograph - Theatre","Nomination for Best Supporting Actor in a Television Movie \"Into Thin Air\"","Six different shots","Interview page 37","Three matted portraits","Autographed film poster","Production poster","Photographs, newspaper clippings, playbills","Blue album with flowers on cover, photographs, newspaper clippings, playbills","Autographed copy by Kathryn Crosby","Consists of objects from Prosky's professional career and personal life.","Paperweight","Miniature briefcase","Robert Prosky's name monogrammed on one side.","Ford's Theatre, Dog tags","Plaque","Souvenir bag"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb72825d540615d1fef3eb400e234f81\" label=\"Abstract\"\u003eConsists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials.\u003c/abstract\u003e"],"abstract_tesim":["Consists of materials that span actor Robert Prosky's career in theatre, film, and television. Materials include playbills, photographs, scripts, reviews, fan letters, scrapbooks, and audiovisual materials."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Prosky, Robert, 1930-2008"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Prosky, Robert, 1930-2008"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:32:14.503Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_150"}},{"id":"vihart_repositories_4_resources_451","type":"collection","attributes":{"title":"Stratford Players Records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_451#abstract_or_scope","type":"document_value","attributes":{"value":"The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_451#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_451","ead_ssi":"vihart_repositories_4_resources_451","_root_":"vihart_repositories_4_resources_451","_nest_parent_":"vihart_repositories_4_resources_451","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_451.xml","title_ssm":["Stratford Players Records"],"title_tesim":["Stratford Players Records"],"unitdate_ssm":["1920-1993"],"unitdate_inclusive_ssm":["1920-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0029","/repositories/4/resources/451"],"text":["UA 0029","/repositories/4/resources/451","Stratford Players Records","Harrisonburg (Va.) -- History","College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in two series. Series are arranged chronologically.","Administrative Files, 1920-1980 Photographs, 1920-1982","Smith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.","Theater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","The Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.","The Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.","The Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall.","The original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\"","The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","The following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n 1930 - BAB 1931 - When Grandma Pulls the Strings, Modesty,  1932-1933 - The Blossoming of Mary Anne, The Charm School 1936 - The Late Christopher Bean, Mrs. Pim Passes By 1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord 1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman 1937-1938 - The Ninth Guest, Glee Plays the Game 1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller 1939-1940 - Ladies in Waiting, Our Town 1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum 1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942 1942-1943 - The Princess Marries the Page, Alice Sit by the Fire 1944 - Brief Music 1945 - The Romantic Young Lady 1946 - The Clock, Lavender and Red Peppers, Shubert Alley 1947 - Fortinbras in Plain Clothes, Kind Lady 1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor 1949 - Ice Bound, Taming of the Shrew 1950 - Dear Brutus, Fashion 1951 - Moor Born, Cheaper by the Dozen 1952 - Night Must Fall, Blithe Spirit 1953 - Taming of the Shrew, The Silver Whistle 1954 - The Night of January 16th, I Remember Mama 1955 - Suspect, Stage Door 1956 - Summer House, Bernardino, Outward Bound 1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden 1960 - Our Town, Mad Woman of Chaillot 1961 - Diary of Anne Frank, Antigone, Summer and Smoke 1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba,  1963 - USA 1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids 1965 - Death Takes a Holiday 1966 - Ways and Means 1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight 1969 - Outward Bound, Three Sisters 1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30 1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom 1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running 1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite 1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead 1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings 1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance 1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean, 1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde 1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever 1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon 1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star","This series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. ","The scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. ","The Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. It contains photographs, news clippings from The Breeze and the Daily News-Record, seasonal performance information, audition information, programs, posters, advertisements, and news letters from 1932-1976.","The news clippings and yearbooks files contain photocopies of articles about Stratford Players' performances and activities.","The photographs document Stratford Players' performance preparation and events.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","English"],"unitid_tesim":["UA 0029","/repositories/4/resources/451"],"normalized_title_ssm":["Stratford Players Records"],"collection_title_tesim":["Stratford Players Records"],"collection_ssim":["Stratford Players Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was placed on deposit by contract signed by Jane Rupp, then-president of the Stratford Players, on September 25, 1997. The program and playbill file weas added from a vertical file in May 2018."],"access_subjects_ssim":["College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"access_subjects_ssm":["College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"has_online_content_ssim":["false"],"extent_ssm":["1.82 cubic feet 5 boxes"],"extent_tesim":["1.82 cubic feet 5 boxes"],"genreform_ssim":["Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series. Series are arranged chronologically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1920-1980\u003c/item\u003e\n      \u003citem\u003ePhotographs, 1920-1982\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series. Series are arranged chronologically.","Administrative Files, 1920-1980 Photographs, 1920-1982"],"bibliography_html_tesm":["\u003cbibref\u003eSmith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.\u003c/bibref\u003e","\u003cbibref\u003eTheater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Smith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.","Theater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. "],"bioghist_html_tesm":["\u003cp\u003eThe Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.\u003c/p\u003e\n","\u003cp\u003eThe Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.\u003c/p\u003e\n","\u003cp\u003eThe Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.","The Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.","The Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\"\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\""],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","The following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n 1930 - BAB 1931 - When Grandma Pulls the Strings, Modesty,  1932-1933 - The Blossoming of Mary Anne, The Charm School 1936 - The Late Christopher Bean, Mrs. Pim Passes By 1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord 1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman 1937-1938 - The Ninth Guest, Glee Plays the Game 1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller 1939-1940 - Ladies in Waiting, Our Town 1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum 1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942 1942-1943 - The Princess Marries the Page, Alice Sit by the Fire 1944 - Brief Music 1945 - The Romantic Young Lady 1946 - The Clock, Lavender and Red Peppers, Shubert Alley 1947 - Fortinbras in Plain Clothes, Kind Lady 1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor 1949 - Ice Bound, Taming of the Shrew 1950 - Dear Brutus, Fashion 1951 - Moor Born, Cheaper by the Dozen 1952 - Night Must Fall, Blithe Spirit 1953 - Taming of the Shrew, The Silver Whistle 1954 - The Night of January 16th, I Remember Mama 1955 - Suspect, Stage Door 1956 - Summer House, Bernardino, Outward Bound 1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden 1960 - Our Town, Mad Woman of Chaillot 1961 - Diary of Anne Frank, Antigone, Summer and Smoke 1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba,  1963 - USA 1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids 1965 - Death Takes a Holiday 1966 - Ways and Means 1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight 1969 - Outward Bound, Three Sisters 1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30 1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom 1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running 1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite 1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead 1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings 1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance 1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean, 1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde 1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever 1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon 1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star","This series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. ","The scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. ","The Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. It contains photographs, news clippings from The Breeze and the Daily News-Record, seasonal performance information, audition information, programs, posters, advertisements, and news letters from 1932-1976.","The news clippings and yearbooks files contain photocopies of articles about Stratford Players' performances and activities.","The photographs document Stratford Players' performance preparation and events."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_576cb997a9778e728f5a62f83122457d\"\u003eThe Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.\u003c/abstract\u003e"],"abstract_tesim":["The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983."],"names_coll_ssim":["James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z","scopecontent_html_tesm":["\u003cp\u003eThe Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.\u003c/p\u003e\n","\u003cp\u003eThe following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n\u003col\u003e\n\u003cli\u003e1930 - BAB\u003c/li\u003e\n\u003cli\u003e1931 - When Grandma Pulls the Strings, Modesty, \u003c/li\u003e\n\u003cli\u003e1932-1933 - The Blossoming of Mary Anne, The Charm School\u003c/li\u003e\n\u003cli\u003e1936 - The Late Christopher Bean, Mrs. Pim Passes By\u003c/li\u003e\n\u003cli\u003e1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord\u003c/li\u003e\n\u003cli\u003e1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman\u003c/li\u003e\n\u003cli\u003e1937-1938 - The Ninth Guest, Glee Plays the Game\u003c/li\u003e\n\u003cli\u003e1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller\u003c/li\u003e\n\u003cli\u003e1939-1940 - Ladies in Waiting, Our Town\u003c/li\u003e\n\u003cli\u003e1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum\u003c/li\u003e\n\u003cli\u003e1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942\u003c/li\u003e\n\u003cli\u003e1942-1943 - The Princess Marries the Page, Alice Sit by the Fire\u003c/li\u003e\n\u003cli\u003e1944 - Brief Music\u003c/li\u003e\n\u003cli\u003e1945 - The Romantic Young Lady\u003c/li\u003e\n\u003cli\u003e1946 - The Clock, Lavender and Red Peppers, Shubert Alley\u003c/li\u003e\n\u003cli\u003e1947 - Fortinbras in Plain Clothes, Kind Lady\u003c/li\u003e\n\u003cli\u003e1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor\u003c/li\u003e\n\u003cli\u003e1949 - Ice Bound, Taming of the Shrew\u003c/li\u003e\n\u003cli\u003e1950 - Dear Brutus, Fashion\u003c/li\u003e\n\u003cli\u003e1951 - Moor Born, Cheaper by the Dozen\u003c/li\u003e\n\u003cli\u003e1952 - Night Must Fall, Blithe Spirit\u003c/li\u003e\n\u003cli\u003e1953 - Taming of the Shrew, The Silver Whistle\u003c/li\u003e\n\u003cli\u003e1954 - The Night of January 16th, I Remember Mama\u003c/li\u003e\n\u003cli\u003e1955 - Suspect, Stage Door\u003c/li\u003e\n\u003cli\u003e1956 - Summer House, Bernardino, Outward Bound\u003c/li\u003e\n\u003cli\u003e1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden\u003c/li\u003e\n\u003cli\u003e1960 - Our Town, Mad Woman of Chaillot\u003c/li\u003e\n\u003cli\u003e1961 - Diary of Anne Frank, Antigone, Summer and Smoke\u003c/li\u003e\n\u003cli\u003e1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba, \u003c/li\u003e\n\u003cli\u003e1963 - USA\u003c/li\u003e\n\u003cli\u003e1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids\u003c/li\u003e\n\u003cli\u003e1965 - Death Takes a Holiday\u003c/li\u003e\n\u003cli\u003e1966 - Ways and Means\u003c/li\u003e\n\u003cli\u003e1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight\u003c/li\u003e\n\u003cli\u003e1969 - Outward Bound, Three Sisters\u003c/li\u003e\n\u003cli\u003e1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30\u003c/li\u003e\n\u003cli\u003e1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom\u003c/li\u003e \n\u003cli\u003e1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running\u003c/li\u003e\n\u003cli\u003e1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite\u003c/li\u003e \n\u003cli\u003e1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead\u003c/li\u003e\n\u003cli\u003e1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings\u003c/li\u003e\n\u003cli\u003e1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance\u003c/li\u003e\n\u003cli\u003e1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean,\u003c/li\u003e\n\u003cli\u003e1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde\u003c/li\u003e\n\u003cli\u003e1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever\u003c/li\u003e\n\u003cli\u003e1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon\u003c/li\u003e\n\u003cli\u003e1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star\u003c/li\u003e\n\u003c/ol\u003e\u003c/p\u003e","\u003cp\u003eThis series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. \u003c/p\u003e\n","\u003cp\u003eThe scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. \u003c/p\u003e\n","\u003cp\u003eThe Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. It contains photographs, news clippings from The Breeze and the Daily News-Record, seasonal performance information, audition information, programs, posters, advertisements, and news letters from 1932-1976.\u003c/p\u003e\n","\u003cp\u003eThe news clippings and yearbooks files contain photocopies of articles about Stratford Players' performances and activities.\u003c/p\u003e","\u003cp\u003eThe photographs document Stratford Players' performance preparation and events.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_451","ead_ssi":"vihart_repositories_4_resources_451","_root_":"vihart_repositories_4_resources_451","_nest_parent_":"vihart_repositories_4_resources_451","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_451.xml","title_ssm":["Stratford Players Records"],"title_tesim":["Stratford Players Records"],"unitdate_ssm":["1920-1993"],"unitdate_inclusive_ssm":["1920-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0029","/repositories/4/resources/451"],"text":["UA 0029","/repositories/4/resources/451","Stratford Players Records","Harrisonburg (Va.) -- History","College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in two series. Series are arranged chronologically.","Administrative Files, 1920-1980 Photographs, 1920-1982","Smith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.","Theater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","The Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.","The Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.","The Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall.","The original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\"","The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","The following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n 1930 - BAB 1931 - When Grandma Pulls the Strings, Modesty,  1932-1933 - The Blossoming of Mary Anne, The Charm School 1936 - The Late Christopher Bean, Mrs. Pim Passes By 1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord 1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman 1937-1938 - The Ninth Guest, Glee Plays the Game 1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller 1939-1940 - Ladies in Waiting, Our Town 1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum 1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942 1942-1943 - The Princess Marries the Page, Alice Sit by the Fire 1944 - Brief Music 1945 - The Romantic Young Lady 1946 - The Clock, Lavender and Red Peppers, Shubert Alley 1947 - Fortinbras in Plain Clothes, Kind Lady 1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor 1949 - Ice Bound, Taming of the Shrew 1950 - Dear Brutus, Fashion 1951 - Moor Born, Cheaper by the Dozen 1952 - Night Must Fall, Blithe Spirit 1953 - Taming of the Shrew, The Silver Whistle 1954 - The Night of January 16th, I Remember Mama 1955 - Suspect, Stage Door 1956 - Summer House, Bernardino, Outward Bound 1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden 1960 - Our Town, Mad Woman of Chaillot 1961 - Diary of Anne Frank, Antigone, Summer and Smoke 1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba,  1963 - USA 1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids 1965 - Death Takes a Holiday 1966 - Ways and Means 1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight 1969 - Outward Bound, Three Sisters 1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30 1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom 1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running 1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite 1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead 1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings 1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance 1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean, 1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde 1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever 1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon 1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star","This series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. ","The scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. ","The Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. It contains photographs, news clippings from The Breeze and the Daily News-Record, seasonal performance information, audition information, programs, posters, advertisements, and news letters from 1932-1976.","The news clippings and yearbooks files contain photocopies of articles about Stratford Players' performances and activities.","The photographs document Stratford Players' performance preparation and events.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","English"],"unitid_tesim":["UA 0029","/repositories/4/resources/451"],"normalized_title_ssm":["Stratford Players Records"],"collection_title_tesim":["Stratford Players Records"],"collection_ssim":["Stratford Players Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was placed on deposit by contract signed by Jane Rupp, then-president of the Stratford Players, on September 25, 1997. The program and playbill file weas added from a vertical file in May 2018."],"access_subjects_ssim":["College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"access_subjects_ssm":["College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"has_online_content_ssim":["false"],"extent_ssm":["1.82 cubic feet 5 boxes"],"extent_tesim":["1.82 cubic feet 5 boxes"],"genreform_ssim":["Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series. Series are arranged chronologically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1920-1980\u003c/item\u003e\n      \u003citem\u003ePhotographs, 1920-1982\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series. Series are arranged chronologically.","Administrative Files, 1920-1980 Photographs, 1920-1982"],"bibliography_html_tesm":["\u003cbibref\u003eSmith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.\u003c/bibref\u003e","\u003cbibref\u003eTheater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Smith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.","Theater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. "],"bioghist_html_tesm":["\u003cp\u003eThe Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.\u003c/p\u003e\n","\u003cp\u003eThe Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.\u003c/p\u003e\n","\u003cp\u003eThe Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.","The Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.","The Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\"\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\""],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","The following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n 1930 - BAB 1931 - When Grandma Pulls the Strings, Modesty,  1932-1933 - The Blossoming of Mary Anne, The Charm School 1936 - The Late Christopher Bean, Mrs. Pim Passes By 1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord 1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman 1937-1938 - The Ninth Guest, Glee Plays the Game 1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller 1939-1940 - Ladies in Waiting, Our Town 1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum 1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942 1942-1943 - The Princess Marries the Page, Alice Sit by the Fire 1944 - Brief Music 1945 - The Romantic Young Lady 1946 - The Clock, Lavender and Red Peppers, Shubert Alley 1947 - Fortinbras in Plain Clothes, Kind Lady 1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor 1949 - Ice Bound, Taming of the Shrew 1950 - Dear Brutus, Fashion 1951 - Moor Born, Cheaper by the Dozen 1952 - Night Must Fall, Blithe Spirit 1953 - Taming of the Shrew, The Silver Whistle 1954 - The Night of January 16th, I Remember Mama 1955 - Suspect, Stage Door 1956 - Summer House, Bernardino, Outward Bound 1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden 1960 - Our Town, Mad Woman of Chaillot 1961 - Diary of Anne Frank, Antigone, Summer and Smoke 1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba,  1963 - USA 1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids 1965 - Death Takes a Holiday 1966 - Ways and Means 1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight 1969 - Outward Bound, Three Sisters 1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30 1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom 1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running 1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite 1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead 1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings 1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance 1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean, 1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde 1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever 1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon 1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star","This series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. ","The scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. ","The Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. It contains photographs, news clippings from The Breeze and the Daily News-Record, seasonal performance information, audition information, programs, posters, advertisements, and news letters from 1932-1976.","The news clippings and yearbooks files contain photocopies of articles about Stratford Players' performances and activities.","The photographs document Stratford Players' performance preparation and events."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_576cb997a9778e728f5a62f83122457d\"\u003eThe Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.\u003c/abstract\u003e"],"abstract_tesim":["The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983."],"names_coll_ssim":["James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z","scopecontent_html_tesm":["\u003cp\u003eThe Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.\u003c/p\u003e\n","\u003cp\u003eThe following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n\u003col\u003e\n\u003cli\u003e1930 - BAB\u003c/li\u003e\n\u003cli\u003e1931 - When Grandma Pulls the Strings, Modesty, \u003c/li\u003e\n\u003cli\u003e1932-1933 - The Blossoming of Mary Anne, The Charm School\u003c/li\u003e\n\u003cli\u003e1936 - The Late Christopher Bean, Mrs. Pim Passes By\u003c/li\u003e\n\u003cli\u003e1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord\u003c/li\u003e\n\u003cli\u003e1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman\u003c/li\u003e\n\u003cli\u003e1937-1938 - The Ninth Guest, Glee Plays the Game\u003c/li\u003e\n\u003cli\u003e1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller\u003c/li\u003e\n\u003cli\u003e1939-1940 - Ladies in Waiting, Our Town\u003c/li\u003e\n\u003cli\u003e1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum\u003c/li\u003e\n\u003cli\u003e1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942\u003c/li\u003e\n\u003cli\u003e1942-1943 - The Princess Marries the Page, Alice Sit by the Fire\u003c/li\u003e\n\u003cli\u003e1944 - Brief Music\u003c/li\u003e\n\u003cli\u003e1945 - The Romantic Young Lady\u003c/li\u003e\n\u003cli\u003e1946 - The Clock, Lavender and Red Peppers, Shubert Alley\u003c/li\u003e\n\u003cli\u003e1947 - Fortinbras in Plain Clothes, Kind Lady\u003c/li\u003e\n\u003cli\u003e1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor\u003c/li\u003e\n\u003cli\u003e1949 - Ice Bound, Taming of the Shrew\u003c/li\u003e\n\u003cli\u003e1950 - Dear Brutus, Fashion\u003c/li\u003e\n\u003cli\u003e1951 - Moor Born, Cheaper by the Dozen\u003c/li\u003e\n\u003cli\u003e1952 - Night Must Fall, Blithe Spirit\u003c/li\u003e\n\u003cli\u003e1953 - Taming of the Shrew, The Silver Whistle\u003c/li\u003e\n\u003cli\u003e1954 - The Night of January 16th, I Remember Mama\u003c/li\u003e\n\u003cli\u003e1955 - Suspect, Stage Door\u003c/li\u003e\n\u003cli\u003e1956 - Summer House, Bernardino, Outward Bound\u003c/li\u003e\n\u003cli\u003e1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden\u003c/li\u003e\n\u003cli\u003e1960 - Our Town, Mad Woman of Chaillot\u003c/li\u003e\n\u003cli\u003e1961 - Diary of Anne Frank, Antigone, Summer and Smoke\u003c/li\u003e\n\u003cli\u003e1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba, \u003c/li\u003e\n\u003cli\u003e1963 - USA\u003c/li\u003e\n\u003cli\u003e1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids\u003c/li\u003e\n\u003cli\u003e1965 - Death Takes a Holiday\u003c/li\u003e\n\u003cli\u003e1966 - Ways and Means\u003c/li\u003e\n\u003cli\u003e1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight\u003c/li\u003e\n\u003cli\u003e1969 - Outward Bound, Three Sisters\u003c/li\u003e\n\u003cli\u003e1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30\u003c/li\u003e\n\u003cli\u003e1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom\u003c/li\u003e \n\u003cli\u003e1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running\u003c/li\u003e\n\u003cli\u003e1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite\u003c/li\u003e \n\u003cli\u003e1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead\u003c/li\u003e\n\u003cli\u003e1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings\u003c/li\u003e\n\u003cli\u003e1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance\u003c/li\u003e\n\u003cli\u003e1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean,\u003c/li\u003e\n\u003cli\u003e1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde\u003c/li\u003e\n\u003cli\u003e1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever\u003c/li\u003e\n\u003cli\u003e1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon\u003c/li\u003e\n\u003cli\u003e1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star\u003c/li\u003e\n\u003c/ol\u003e\u003c/p\u003e","\u003cp\u003eThis series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. \u003c/p\u003e\n","\u003cp\u003eThe scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. \u003c/p\u003e\n","\u003cp\u003eThe Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. It contains photographs, news clippings from The Breeze and the Daily News-Record, seasonal performance information, audition information, programs, posters, advertisements, and news letters from 1932-1976.\u003c/p\u003e\n","\u003cp\u003eThe news clippings and yearbooks files contain photocopies of articles about Stratford Players' performances and activities.\u003c/p\u003e","\u003cp\u003eThe photographs document Stratford Players' performance preparation and events.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_451"}},{"id":"vifgm_repositories_2_resources_739","type":"collection","attributes":{"title":"Susan Powers Kennelly Arena Stage scrapbook","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_739#creator","type":"document_value","attributes":{"value":"Kennelly, Susan Powers, 1937-2022","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_739#abstract_or_scope","type":"document_value","attributes":{"value":"Scrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_739#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_739","ead_ssi":"vifgm_repositories_2_resources_739","_root_":"vifgm_repositories_2_resources_739","_nest_parent_":"vifgm_repositories_2_resources_739","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_739.xml","title_filing_ssi":"Susan Powers Kennelly Arena Stage scrapbook","title_ssm":["Susan Powers Kennelly Arena Stage scrapbook"],"title_tesim":["Susan Powers Kennelly Arena Stage scrapbook"],"unitdate_ssm":["1958, 1963-1964"],"unitdate_inclusive_ssm":["1958, 1963-1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0528","/repositories/2/resources/739"],"text":["C0528","/repositories/2/resources/739","Susan Powers Kennelly Arena Stage scrapbook","Theater","Performing arts","Theater programs","Theater -- Washington (D.C.)","Scrapbooks","Newspapers","Correspondence","There are no access restrictions.","This is a single item collection. Loose paper items were removed from the scrapbook and stored in two labeled folders.","St. Helena Star. 2022. \"Susan Kennelly Obituary (1937 - 2022) - Napa, CA.\" Legacy.Com. June 14, 2022. https://www.legacy.com/us/obituaries/sthelenastar/name/susan-kennelly-obituary?id=35210146.","Susan Powers (later known as Susan Powers Kennelly) was born in Omaha, Nebraska in 1937. She received a full tuition scholarship to attend the Catholic University of America in Washington, D.C. for her undergraduate studies where she majored in theatre, studying under the university's drama department founder Rev. Gilbert V. Hartke. In the early 1960s she joined Arena Stage as Director of Public Relations and later formed her own public relations firm, establishing relationships with folk singers and musicians performing in Washington, D.C. throughout the 1960s-1970s. In 1964, she married Justice Department lawyer Thomas Anthony Kennelly, with the ceremony being officiated by Father Hartke. Susan later left public relations and began a new career as a travel consultant. After raising their three children in Washington, D.C., Susan and Thomas moved to Napa, California in 1994 where Susan spent 18 years serving as director of tours and travel for the Fromm Institute for Lifelong Learning at the University of San Francisco. Susan passed away on June 5, 2022 at the age of 84.","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.","Processing completed by Meghan Glasbrenner in February 2025. Finding aid completed by Meghan Glasbrenner in March 2025.","The Special Collections Research Center holds other collections related to Arena Stage, including the  Arena Stage records ,  Zelda Fichandler papers , and  Thomas C. Fichandler papers .","Scrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly. The front inside cover included two loose letters, one addressed to J. Burke Knapp and signed by President Lyndon Johnson and one addressed to Zelda Fichandler and signed by First Lady Lady Bird Johnson. The inside back cover included a pile of loose newspaper clippings, most pertaining to Arena Stage productions, and Arena Stage programs for  The Front Page, Battle Dream, Hotel Paradiso, The Affair, Taming of the Shrew, Dark of the Moon , and  The Devils /. These items were removed and placed in two labeled folders.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Scrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly.","R 71, C 2, S 6","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Kennelly, Susan Powers, 1937-2022","Fichandler, Zelda, 1924-2016","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Knapp, J. Burke (Joseph Burke), 1913-2009","English \n.    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She received a full tuition scholarship to attend the Catholic University of America in Washington, D.C. for her undergraduate studies where she majored in theatre, studying under the university's drama department founder Rev. Gilbert V. Hartke. In the early 1960s she joined Arena Stage as Director of Public Relations and later formed her own public relations firm, establishing relationships with folk singers and musicians performing in Washington, D.C. throughout the 1960s-1970s. In 1964, she married Justice Department lawyer Thomas Anthony Kennelly, with the ceremony being officiated by Father Hartke. Susan later left public relations and began a new career as a travel consultant. After raising their three children in Washington, D.C., Susan and Thomas moved to Napa, California in 1994 where Susan spent 18 years serving as director of tours and travel for the Fromm Institute for Lifelong Learning at the University of San Francisco. Susan passed away on June 5, 2022 at the age of 84.\u003c/p\u003e\n","\u003cp\u003eOne of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway (\u003ctitle\u003eThe Great White Hope\u003c/title\u003e, 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Susan Powers (later known as Susan Powers Kennelly) was born in Omaha, Nebraska in 1937. She received a full tuition scholarship to attend the Catholic University of America in Washington, D.C. for her undergraduate studies where she majored in theatre, studying under the university's drama department founder Rev. Gilbert V. Hartke. In the early 1960s she joined Arena Stage as Director of Public Relations and later formed her own public relations firm, establishing relationships with folk singers and musicians performing in Washington, D.C. throughout the 1960s-1970s. In 1964, she married Justice Department lawyer Thomas Anthony Kennelly, with the ceremony being officiated by Father Hartke. Susan later left public relations and began a new career as a travel consultant. After raising their three children in Washington, D.C., Susan and Thomas moved to Napa, California in 1994 where Susan spent 18 years serving as director of tours and travel for the Fromm Institute for Lifelong Learning at the University of San Francisco. Susan passed away on June 5, 2022 at the age of 84.","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. 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Finding aid completed by Meghan Glasbrenner in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to Arena Stage, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0017\"\u003eArena Stage records\u003c/a\u003e, \u003ca href=\"https://aspace.gmu.edu/resources/c0010\"\u003eZelda Fichandler papers\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/resources/c0197\"\u003eThomas C. Fichandler papers\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to Arena Stage, including the  Arena Stage records ,  Zelda Fichandler papers , and  Thomas C. Fichandler papers ."],"scopecontent_html_tesm":["\u003cp\u003eScrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly. The front inside cover included two loose letters, one addressed to J. Burke Knapp and signed by President Lyndon Johnson and one addressed to Zelda Fichandler and signed by First Lady Lady Bird Johnson. The inside back cover included a pile of loose newspaper clippings, most pertaining to Arena Stage productions, and Arena Stage programs for \u003ctitle\u003eThe Front Page, Battle Dream, Hotel Paradiso, The Affair, Taming of the Shrew, Dark of the Moon\u003c/title\u003e, and \u003ctitle\u003eThe Devils\u003c/title\u003e/. These items were removed and placed in two labeled folders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Scrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly. The front inside cover included two loose letters, one addressed to J. Burke Knapp and signed by President Lyndon Johnson and one addressed to Zelda Fichandler and signed by First Lady Lady Bird Johnson. The inside back cover included a pile of loose newspaper clippings, most pertaining to Arena Stage productions, and Arena Stage programs for  The Front Page, Battle Dream, Hotel Paradiso, The Affair, Taming of the Shrew, Dark of the Moon , and  The Devils /. These items were removed and placed in two labeled folders."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_996a7d5e2a48f38c8b48be7b212bd93f\"\u003eScrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly.\u003c/abstract\u003e"],"abstract_tesim":["Scrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32aaf65c06b7b5e97d89802fddae5aa2\"\u003eR 71, C 2, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 6"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Fichandler, Zelda, 1924-2016","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. 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Susan later left public relations and began a new career as a travel consultant. After raising their three children in Washington, D.C., Susan and Thomas moved to Napa, California in 1994 where Susan spent 18 years serving as director of tours and travel for the Fromm Institute for Lifelong Learning at the University of San Francisco. Susan passed away on June 5, 2022 at the age of 84.","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. 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Finding aid completed by Meghan Glasbrenner in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to Arena Stage, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0017\"\u003eArena Stage records\u003c/a\u003e, \u003ca href=\"https://aspace.gmu.edu/resources/c0010\"\u003eZelda Fichandler papers\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/resources/c0197\"\u003eThomas C. Fichandler papers\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to Arena Stage, including the  Arena Stage records ,  Zelda Fichandler papers , and  Thomas C. Fichandler papers ."],"scopecontent_html_tesm":["\u003cp\u003eScrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly. The front inside cover included two loose letters, one addressed to J. Burke Knapp and signed by President Lyndon Johnson and one addressed to Zelda Fichandler and signed by First Lady Lady Bird Johnson. The inside back cover included a pile of loose newspaper clippings, most pertaining to Arena Stage productions, and Arena Stage programs for \u003ctitle\u003eThe Front Page, Battle Dream, Hotel Paradiso, The Affair, Taming of the Shrew, Dark of the Moon\u003c/title\u003e, and \u003ctitle\u003eThe Devils\u003c/title\u003e/. These items were removed and placed in two labeled folders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Scrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly. The front inside cover included two loose letters, one addressed to J. Burke Knapp and signed by President Lyndon Johnson and one addressed to Zelda Fichandler and signed by First Lady Lady Bird Johnson. The inside back cover included a pile of loose newspaper clippings, most pertaining to Arena Stage productions, and Arena Stage programs for  The Front Page, Battle Dream, Hotel Paradiso, The Affair, Taming of the Shrew, Dark of the Moon , and  The Devils /. These items were removed and placed in two labeled folders."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_996a7d5e2a48f38c8b48be7b212bd93f\"\u003eScrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly.\u003c/abstract\u003e"],"abstract_tesim":["Scrapbook of newspaper and periodical clippings covering Arena Stage's 1963-1964 season, compiled by Director of Public Relations Susan Powers Kennelly."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32aaf65c06b7b5e97d89802fddae5aa2\"\u003eR 71, C 2, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 6"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Fichandler, Zelda, 1924-2016","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Knapp, J. Burke (Joseph Burke), 1913-2009"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Kennelly, Susan Powers, 1937-2022","Fichandler, Zelda, 1924-2016","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Knapp, J. Burke (Joseph Burke), 1913-2009"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Kennelly, Susan Powers, 1937-2022","Fichandler, Zelda, 1924-2016","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Knapp, J. Burke (Joseph Burke), 1913-2009"],"language_ssim":["English \n.    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Many were created by the Theatre Recording Society and Columbia Records.","14 LP record albums of cast recordings.","Written by: Euripides Directed by: Howard Sackler","Written by: Edmond Rostand","Written by: Robert Lowell","Written by: Peter Weiss; Royal Shakespeare Company","Written by: Edward Albee; Original Broadway Cast","The Reparatory Theater of Lincoln Center; Original Cast Recording","Written by: Brendan Behan; Starring Julie Harris and Geoff Garland","Written by: Barbara Garson; Original Cast Recording","Written by: Anton Chekhov; Chichester Festival Theatre; The Production by Lawrence Olivier","Written by: Jean Genet","Written by: Bernard Shaw; Directed by Anthony Quayle","Written by: William Shakespeare; Directed by: Howard Sackler","Written by: Tennessee Williams; Directed by: Howard Sackler","Written by: Arthur Miller; Directed by: Ulu Grosbard; Starring Lee J. Cobb and Mildred Dunnock"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_eafb5f5c7b7555248b6a925928207332\" label=\"Abstract\"\u003eFourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.\u003c/abstract\u003e"],"abstract_tesim":["Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. 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Many were created by the Theatre Recording Society and Columbia Records.","14 LP record albums of cast recordings.","Written by: Euripides Directed by: Howard Sackler","Written by: Edmond Rostand","Written by: Robert Lowell","Written by: Peter Weiss; Royal Shakespeare Company","Written by: Edward Albee; Original Broadway Cast","The Reparatory Theater of Lincoln Center; Original Cast Recording","Written by: Brendan Behan; Starring Julie Harris and Geoff Garland","Written by: Barbara Garson; Original Cast Recording","Written by: Anton Chekhov; Chichester Festival Theatre; The Production by Lawrence Olivier","Written by: Jean Genet","Written by: Bernard Shaw; Directed by Anthony Quayle","Written by: William Shakespeare; Directed by: Howard Sackler","Written by: Tennessee Williams; Directed by: Howard Sackler","Written by: Arthur Miller; Directed by: Ulu Grosbard; Starring Lee J. Cobb and Mildred Dunnock","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater","English"],"unitid_tesim":["C0170","/repositories/2/resources/101"],"normalized_title_ssm":["Theatre recordings collection"],"collection_title_tesim":["Theatre recordings collection"],"collection_ssim":["Theatre recordings collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Department of Theater"],"creator_ssim":["George Mason University. 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Cobb and Mildred Dunnock"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_eafb5f5c7b7555248b6a925928207332\" label=\"Abstract\"\u003eFourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.\u003c/abstract\u003e"],"abstract_tesim":["Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T07:15:41.270Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_101"}},{"id":"vifgm_repositories_2_resources_703","type":"collection","attributes":{"title":"The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_703#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_703#abstract_or_scope","type":"document_value","attributes":{"value":"Souvenir programs for \u003cspan\u003eThe Green Pastures\u003c/span\u003e, \u003cspan\u003e3 Is A Family\u003c/span\u003e, and \u003cspan\u003eTobacco Road\u003c/span\u003e.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_703#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_703","ead_ssi":"vifgm_repositories_2_resources_703","_root_":"vifgm_repositories_2_resources_703","_nest_parent_":"vifgm_repositories_2_resources_703","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_703.xml","title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"unitdate_ssm":["circa 1934-1944"],"unitdate_inclusive_ssm":["circa 1934-1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0427","/repositories/2/resources/703"],"text":["C0427","/repositories/2/resources/703","The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs","Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia","There are no access restrictions.","This is a single folder collection.","Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\"  BlackPast  (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\"  American Vaudeville  (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251.","The Green Pastures  was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories  Ol' Man Adam an' His Chillun . The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family  (also spelled  Three Is A Family  and  Three's A Family ) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road  was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in  Tobacco Road , his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.","Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.","The Special Collections Research Center holds other souvenir and theatrical program collections, such as the  Charles Rodrigues playbill collection , and the  Mary Lavigne programs collection , as well other performing arts collections, including the  Federal Theatre Project collection .","The New York Public Library Archives and Manuscripts holds both the  James Barton papers  and the  American Negro Theatre records .","Souvenir programs for  The Green Pastures  from circa 1932, American Negro Theatre Broadway transfer production of  3 Is A Family  from April 17, 1944, and  Tobacco Road  from circa 1938. The  Tobacco Road  program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Souvenir programs for  The Green Pastures ,  3 Is A Family , and  Tobacco Road .","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969","English \n.    "],"unitid_tesim":["C0427","/repositories/2/resources/703"],"normalized_title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"collection_title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"collection_ssim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Citation Books in 2019."],"access_subjects_ssim":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"access_subjects_ssm":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Memorabilia"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" \u003ctitle\u003eBlackPast\u003c/title\u003e (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.\u003c/p\u003e\n","\u003cp\u003eMoses, Victoria. n.d. \"James Barton: The Complete Performer.\" \u003ctitle\u003eAmerican Vaudeville\u003c/title\u003e (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.\u003c/p\u003e\n","\u003cp\u003e\"The Green Pastures.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026amp;oldid=1206517456.\u003c/p\u003e\n","\u003cp\u003e\"Three Is a Family.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026amp;oldid=1198948702.\u003c/p\u003e\n","\u003cp\u003e\"Tobacco Road (Play).\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026amp;oldid=1198255251.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\"  BlackPast  (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\"  American Vaudeville  (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories \u003ctitle\u003eOl' Man Adam an' His Chillun\u003c/title\u003e. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003e3 Is A Family\u003c/title\u003e (also spelled \u003ctitle\u003eThree Is A Family\u003c/title\u003e and \u003ctitle\u003eThree's A Family\u003c/title\u003e) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eTobacco Road\u003c/title\u003e was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.\u003c/p\u003e\n","\u003cp\u003eJames Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in \u003ctitle\u003eTobacco Road\u003c/title\u003e, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["The Green Pastures  was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories  Ol' Man Adam an' His Chillun . The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family  (also spelled  Three Is A Family  and  Three's A Family ) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road  was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in  Tobacco Road , his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The Green Pastures ,  3 Is A Family , and  Tobacco Road  souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other souvenir and theatrical program collections, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0417\"\u003eMary Lavigne programs collection\u003c/a\u003e, as well other performing arts collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library Archives and Manuscripts holds both the \u003ca href=\"https://archives.nypl.org/the/18829\"\u003eJames Barton papers\u003c/a\u003e and the \u003ca href=\"https://archives.nypl.org/scm/20535\"\u003eAmerican Negro Theatre records\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other souvenir and theatrical program collections, such as the  Charles Rodrigues playbill collection , and the  Mary Lavigne programs collection , as well other performing arts collections, including the  Federal Theatre Project collection .","The New York Public Library Archives and Manuscripts holds both the  James Barton papers  and the  American Negro Theatre records ."],"scopecontent_html_tesm":["\u003cp\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e from circa 1932, American Negro Theatre Broadway transfer production of \u003ctitle\u003e3 Is A Family\u003c/title\u003e from April 17, 1944, and \u003ctitle\u003eTobacco Road\u003c/title\u003e from circa 1938. The \u003ctitle\u003eTobacco Road\u003c/title\u003e program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Souvenir programs for  The Green Pastures  from circa 1932, American Negro Theatre Broadway transfer production of  3 Is A Family  from April 17, 1944, and  Tobacco Road  from circa 1938. The  Tobacco Road  program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fd5ca83a69f76292f497de29a40d13e3\"\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["Souvenir programs for  The Green Pastures ,  3 Is A Family , and  Tobacco Road ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_63bd1d4adb6f817fb4c3c9ed6a666bfe\"\u003eR 71, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 6"],"names_coll_ssim":["American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"persname_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_703","ead_ssi":"vifgm_repositories_2_resources_703","_root_":"vifgm_repositories_2_resources_703","_nest_parent_":"vifgm_repositories_2_resources_703","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_703.xml","title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"unitdate_ssm":["circa 1934-1944"],"unitdate_inclusive_ssm":["circa 1934-1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0427","/repositories/2/resources/703"],"text":["C0427","/repositories/2/resources/703","The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs","Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia","There are no access restrictions.","This is a single folder collection.","Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\"  BlackPast  (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\"  American Vaudeville  (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251.","The Green Pastures  was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories  Ol' Man Adam an' His Chillun . The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family  (also spelled  Three Is A Family  and  Three's A Family ) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road  was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in  Tobacco Road , his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.","Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.","The Special Collections Research Center holds other souvenir and theatrical program collections, such as the  Charles Rodrigues playbill collection , and the  Mary Lavigne programs collection , as well other performing arts collections, including the  Federal Theatre Project collection .","The New York Public Library Archives and Manuscripts holds both the  James Barton papers  and the  American Negro Theatre records .","Souvenir programs for  The Green Pastures  from circa 1932, American Negro Theatre Broadway transfer production of  3 Is A Family  from April 17, 1944, and  Tobacco Road  from circa 1938. The  Tobacco Road  program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Souvenir programs for  The Green Pastures ,  3 Is A Family , and  Tobacco Road .","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969","English \n.    "],"unitid_tesim":["C0427","/repositories/2/resources/703"],"normalized_title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"collection_title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"collection_ssim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Citation Books in 2019."],"access_subjects_ssim":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"access_subjects_ssm":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Memorabilia"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" \u003ctitle\u003eBlackPast\u003c/title\u003e (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.\u003c/p\u003e\n","\u003cp\u003eMoses, Victoria. n.d. \"James Barton: The Complete Performer.\" \u003ctitle\u003eAmerican Vaudeville\u003c/title\u003e (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.\u003c/p\u003e\n","\u003cp\u003e\"The Green Pastures.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026amp;oldid=1206517456.\u003c/p\u003e\n","\u003cp\u003e\"Three Is a Family.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026amp;oldid=1198948702.\u003c/p\u003e\n","\u003cp\u003e\"Tobacco Road (Play).\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026amp;oldid=1198255251.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\"  BlackPast  (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\"  American Vaudeville  (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories \u003ctitle\u003eOl' Man Adam an' His Chillun\u003c/title\u003e. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003e3 Is A Family\u003c/title\u003e (also spelled \u003ctitle\u003eThree Is A Family\u003c/title\u003e and \u003ctitle\u003eThree's A Family\u003c/title\u003e) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eTobacco Road\u003c/title\u003e was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.\u003c/p\u003e\n","\u003cp\u003eJames Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in \u003ctitle\u003eTobacco Road\u003c/title\u003e, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["The Green Pastures  was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories  Ol' Man Adam an' His Chillun . The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family  (also spelled  Three Is A Family  and  Three's A Family ) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road  was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in  Tobacco Road , his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The Green Pastures ,  3 Is A Family , and  Tobacco Road  souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other souvenir and theatrical program collections, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0417\"\u003eMary Lavigne programs collection\u003c/a\u003e, as well other performing arts collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library Archives and Manuscripts holds both the \u003ca href=\"https://archives.nypl.org/the/18829\"\u003eJames Barton papers\u003c/a\u003e and the \u003ca href=\"https://archives.nypl.org/scm/20535\"\u003eAmerican Negro Theatre records\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other souvenir and theatrical program collections, such as the  Charles Rodrigues playbill collection , and the  Mary Lavigne programs collection , as well other performing arts collections, including the  Federal Theatre Project collection .","The New York Public Library Archives and Manuscripts holds both the  James Barton papers  and the  American Negro Theatre records ."],"scopecontent_html_tesm":["\u003cp\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e from circa 1932, American Negro Theatre Broadway transfer production of \u003ctitle\u003e3 Is A Family\u003c/title\u003e from April 17, 1944, and \u003ctitle\u003eTobacco Road\u003c/title\u003e from circa 1938. The \u003ctitle\u003eTobacco Road\u003c/title\u003e program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Souvenir programs for  The Green Pastures  from circa 1932, American Negro Theatre Broadway transfer production of  3 Is A Family  from April 17, 1944, and  Tobacco Road  from circa 1938. The  Tobacco Road  program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fd5ca83a69f76292f497de29a40d13e3\"\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["Souvenir programs for  The Green Pastures ,  3 Is A Family , and  Tobacco Road ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_63bd1d4adb6f817fb4c3c9ed6a666bfe\"\u003eR 71, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 6"],"names_coll_ssim":["American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"persname_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_703"}},{"id":"vifgm_repositories_2_resources_690","type":"collection","attributes":{"title":"The New Baby theatrical posters","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_690#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_690#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy The New Baby.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_690#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_690","ead_ssi":"vifgm_repositories_2_resources_690","_root_":"vifgm_repositories_2_resources_690","_nest_parent_":"vifgm_repositories_2_resources_690","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_690.xml","title_ssm":["The New Baby theatrical posters"],"title_tesim":["The New Baby theatrical posters"],"unitdate_ssm":["circa 1899-1907"],"unitdate_inclusive_ssm":["circa 1899-1907"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0416","/repositories/2/resources/690"],"text":["C0416","/repositories/2/resources/690","The New Baby theatrical posters","Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters","There are no access restrictions.","Posters are arranged by size in a single map case.","\"Arthur Bourchier.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026oldid=1158442689.","\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d.  Radio-Guy: Antique Objects and Furniture  (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.","The Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.","\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.","\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp.","The New Baby  is an English farcical comedy adapted by Arthur Bourchier from the German play  Der Rabenvatter  by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.","Arthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including  The New Baby  and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.","The U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026 Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026 Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026 Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters.","Processing and finding aid completed by Meghan Glasbrenner from November - December 2023.","The Special Collections Research Center holds other lithographs and theatrical posters including the  Porgy and Bess poster collection , and the  East German poster collection performing arts series .","The Library of Congress holds the  Theatrical poster collection  and other posters and printed items produced by the U.S. Printing/Lithograph Company.","A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby . The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.","Two of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp.","Public Domain. There are no known restrictions.","A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby .","Map case 18.1","George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co","Bourchier, Arthur, 1863-1927","English \n.    "],"unitid_tesim":["C0416","/repositories/2/resources/690"],"normalized_title_ssm":["The New Baby theatrical posters"],"collection_title_tesim":["The New Baby theatrical posters"],"collection_ssim":["The New Baby theatrical posters"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Sent by James Olinkiewicz, an Antiques Dealer on Shelter Island in New York, in September 2017."],"access_subjects_ssim":["Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters"],"access_subjects_ssm":["Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 10 posters"],"extent_tesim":["2 Linear Feet 10 posters"],"physfacet_tesim":["1 poster divided into 3 large pieces"],"genreform_ssim":["Performing arts posters","Theatrical posters"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003ePosters are arranged by size in a single map case.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Posters are arranged by size in a single map case."],"bibliography_html_tesm":["\u003cp\u003e\"Arthur Bourchier.\" 2023. In \u003cemph\u003eWikipedia\u003c/emph\u003e. https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026amp;oldid=1158442689.\u003c/p\u003e\n","\u003cp\u003e\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d. \u003cemph\u003eRadio-Guy: Antique Objects and Furniture\u003c/emph\u003e (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.\u003c/p\u003e\n","\u003cp\u003eThe Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.\u003c/p\u003e\n","\u003cp\u003e\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.\u003c/p\u003e\n","\u003cp\u003e\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Arthur Bourchier.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026oldid=1158442689.","\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d.  Radio-Guy: Antique Objects and Furniture  (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.","The Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.","\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.","\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp."],"bioghist_html_tesm":["\u003cp\u003e\u003citalic\u003eThe New Baby\u003c/italic\u003e is an English farcical comedy adapted by Arthur Bourchier from the German play \u003citalic\u003eDer Rabenvatter\u003c/italic\u003e by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.\u003c/p\u003e\n","\u003cp\u003eArthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including \u003citalic\u003eThe New Baby\u003c/italic\u003e and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.\u003c/p\u003e\n","\u003cp\u003eThe U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026amp; Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026amp; Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026amp; Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical and Biographical Information"],"bioghist_tesim":["The New Baby  is an English farcical comedy adapted by Arthur Bourchier from the German play  Der Rabenvatter  by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.","Arthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including  The New Baby  and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.","The U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026 Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026 Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026 Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters."],"prefercite_html_tesm":["\u003cp\u003eThe New Baby theatrical posters, C0416, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The New Baby theatrical posters, C0416, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November - December 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November - December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other lithographs and theatrical posters including the \u003ca href=\"https://aspace.gmu.edu/resources/c0145\"\u003ePorgy and Bess poster collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0209\"\u003eEast German poster collection performing arts series\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003ca href=\"https://www.loc.gov/pictures/item/95861315/\"\u003eTheatrical poster collection\u003c/a\u003e and other posters and printed items produced by the U.S. Printing/Lithograph Company.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other lithographs and theatrical posters including the  Porgy and Bess poster collection , and the  East German poster collection performing arts series .","The Library of Congress holds the  Theatrical poster collection  and other posters and printed items produced by the U.S. Printing/Lithograph Company."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy \u003citalic\u003eThe New Baby\u003c/italic\u003e. The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.\u003c/p\u003e\n","\u003cp\u003eTwo of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby . The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.","Two of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0655e8b25c04583f2aa194ce07a42430\"\u003eA collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy \u003citalic\u003eThe New Baby\u003c/italic\u003e.\u003c/abstract\u003e"],"abstract_tesim":["A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e54d0e8b0c8bd5f5df94a5a75a986880\"\u003eMap case 18.1\u003c/physloc\u003e"],"physloc_tesim":["Map case 18.1"],"names_coll_ssim":["U.S. Lithograph Co","Bourchier, Arthur, 1863-1927"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co","Bourchier, Arthur, 1863-1927"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"persname_ssim":["Bourchier, Arthur, 1863-1927"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:54:03.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_690","ead_ssi":"vifgm_repositories_2_resources_690","_root_":"vifgm_repositories_2_resources_690","_nest_parent_":"vifgm_repositories_2_resources_690","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_690.xml","title_ssm":["The New Baby theatrical posters"],"title_tesim":["The New Baby theatrical posters"],"unitdate_ssm":["circa 1899-1907"],"unitdate_inclusive_ssm":["circa 1899-1907"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0416","/repositories/2/resources/690"],"text":["C0416","/repositories/2/resources/690","The New Baby theatrical posters","Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters","There are no access restrictions.","Posters are arranged by size in a single map case.","\"Arthur Bourchier.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026oldid=1158442689.","\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d.  Radio-Guy: Antique Objects and Furniture  (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.","The Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.","\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.","\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp.","The New Baby  is an English farcical comedy adapted by Arthur Bourchier from the German play  Der Rabenvatter  by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.","Arthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including  The New Baby  and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.","The U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026 Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026 Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026 Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters.","Processing and finding aid completed by Meghan Glasbrenner from November - December 2023.","The Special Collections Research Center holds other lithographs and theatrical posters including the  Porgy and Bess poster collection , and the  East German poster collection performing arts series .","The Library of Congress holds the  Theatrical poster collection  and other posters and printed items produced by the U.S. Printing/Lithograph Company.","A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby . The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.","Two of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp.","Public Domain. There are no known restrictions.","A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby .","Map case 18.1","George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co","Bourchier, Arthur, 1863-1927","English \n.    "],"unitid_tesim":["C0416","/repositories/2/resources/690"],"normalized_title_ssm":["The New Baby theatrical posters"],"collection_title_tesim":["The New Baby theatrical posters"],"collection_ssim":["The New Baby theatrical posters"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Sent by James Olinkiewicz, an Antiques Dealer on Shelter Island in New York, in September 2017."],"access_subjects_ssim":["Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters"],"access_subjects_ssm":["Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 10 posters"],"extent_tesim":["2 Linear Feet 10 posters"],"physfacet_tesim":["1 poster divided into 3 large pieces"],"genreform_ssim":["Performing arts posters","Theatrical posters"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003ePosters are arranged by size in a single map case.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Posters are arranged by size in a single map case."],"bibliography_html_tesm":["\u003cp\u003e\"Arthur Bourchier.\" 2023. In \u003cemph\u003eWikipedia\u003c/emph\u003e. https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026amp;oldid=1158442689.\u003c/p\u003e\n","\u003cp\u003e\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d. \u003cemph\u003eRadio-Guy: Antique Objects and Furniture\u003c/emph\u003e (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.\u003c/p\u003e\n","\u003cp\u003eThe Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.\u003c/p\u003e\n","\u003cp\u003e\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.\u003c/p\u003e\n","\u003cp\u003e\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Arthur Bourchier.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026oldid=1158442689.","\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d.  Radio-Guy: Antique Objects and Furniture  (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.","The Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.","\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.","\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp."],"bioghist_html_tesm":["\u003cp\u003e\u003citalic\u003eThe New Baby\u003c/italic\u003e is an English farcical comedy adapted by Arthur Bourchier from the German play \u003citalic\u003eDer Rabenvatter\u003c/italic\u003e by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.\u003c/p\u003e\n","\u003cp\u003eArthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including \u003citalic\u003eThe New Baby\u003c/italic\u003e and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.\u003c/p\u003e\n","\u003cp\u003eThe U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026amp; Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026amp; Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026amp; Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical and Biographical Information"],"bioghist_tesim":["The New Baby  is an English farcical comedy adapted by Arthur Bourchier from the German play  Der Rabenvatter  by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.","Arthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including  The New Baby  and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.","The U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026 Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026 Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026 Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters."],"prefercite_html_tesm":["\u003cp\u003eThe New Baby theatrical posters, C0416, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The New Baby theatrical posters, C0416, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November - December 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November - December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other lithographs and theatrical posters including the \u003ca href=\"https://aspace.gmu.edu/resources/c0145\"\u003ePorgy and Bess poster collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0209\"\u003eEast German poster collection performing arts series\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003ca href=\"https://www.loc.gov/pictures/item/95861315/\"\u003eTheatrical poster collection\u003c/a\u003e and other posters and printed items produced by the U.S. Printing/Lithograph Company.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other lithographs and theatrical posters including the  Porgy and Bess poster collection , and the  East German poster collection performing arts series .","The Library of Congress holds the  Theatrical poster collection  and other posters and printed items produced by the U.S. Printing/Lithograph Company."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy \u003citalic\u003eThe New Baby\u003c/italic\u003e. The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.\u003c/p\u003e\n","\u003cp\u003eTwo of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby . The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.","Two of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0655e8b25c04583f2aa194ce07a42430\"\u003eA collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy \u003citalic\u003eThe New Baby\u003c/italic\u003e.\u003c/abstract\u003e"],"abstract_tesim":["A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e54d0e8b0c8bd5f5df94a5a75a986880\"\u003eMap case 18.1\u003c/physloc\u003e"],"physloc_tesim":["Map case 18.1"],"names_coll_ssim":["U.S. Lithograph Co","Bourchier, Arthur, 1863-1927"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co","Bourchier, Arthur, 1863-1927"],"corpname_ssim":["George Mason University. Libraries. 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