{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings.\u0026f%5Bdate_range%5D%5B%5D=1993\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings.\u0026f%5Bdate_range%5D%5B%5D=1993\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":7,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_arenastage","type":"collection","attributes":{"title":"Arena Stage records, 1949/2010","creator":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#creator","type":"document_value","attributes":{"value":"Arena Stage","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:29:57.892Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:29:57.892Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_arenastage"}},{"id":"vifgm_kincannon","type":"collection","attributes":{"title":"Claire Kincannon theatre collection, 1955/2011","creator":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon#creator","type":"document_value","attributes":{"value":"Lois Claire Kincannon","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"normalized_date_ssm":["1955/2011"],"normalized_title_ssm":["Claire Kincannon theatre collection, 1955/2011"],"text":["Claire Kincannon theatre collection, 1955/2011","C0018","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\n        Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\n        Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\n        Series 4: Film-related Materials, 1956-1992 (Box 29)\n        Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English"],"collection_title_tesim":["Claire Kincannon theatre collection, 1955/2011"],"collection_ssim":["Claire Kincannon theatre collection, 1955/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"unitid_tesim":["C0018"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"creator_corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"creators_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire.","George Mason University Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\n        Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\n        Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\n        Series 4: Film-related Materials, 1956-1992 (Box 29)\n        Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e\n      ","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e\n      ","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e\n      ","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e\n      "],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:34.518Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"normalized_date_ssm":["1955/2011"],"normalized_title_ssm":["Claire Kincannon theatre collection, 1955/2011"],"text":["Claire Kincannon theatre collection, 1955/2011","C0018","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\n        Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\n        Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\n        Series 4: Film-related Materials, 1956-1992 (Box 29)\n        Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English"],"collection_title_tesim":["Claire Kincannon theatre collection, 1955/2011"],"collection_ssim":["Claire Kincannon theatre collection, 1955/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"unitid_tesim":["C0018"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"creator_corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"creators_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire.","George Mason University Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\n        Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\n        Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\n        Series 4: Film-related Materials, 1956-1992 (Box 29)\n        Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e\n      ","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e\n      ","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e\n      ","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e\n      "],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:34.518Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_kincannon"}},{"id":"vifgm_cspan","type":"collection","attributes":{"title":"C-SPAN records, 1809/2012, bulk 1978/2012","creator":{"id":"https://arvasarchive.org/catalog/vifgm_cspan#creator","type":"document_value","attributes":{"value":"C-SPAN Corporation","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_cspan#abstract_or_scope","type":"document_value","attributes":{"value":"The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_cspan#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_cspan","ead_ssi":"vifgm_cspan","_root_":"vifgm_cspan","_nest_parent_":"vifgm_cspan","ead_source_url_ssi":"data/gmu/cspan.xml","aspace_url_ssi":"http://scrc.gmu.edu/cspan.html","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_inclusive_ssm":["1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"normalized_date_ssm":["1809/2012, bulk 1978/2012"],"normalized_title_ssm":["C-SPAN records, 1809/2012, bulk 1978/2012"],"text":["C-SPAN records, 1809/2012, bulk 1978/2012","C0270","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings.","There are no access restrictions.","Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n        Series 2: Routers, 1984-1996 (Boxes 51-60)\n        Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n        Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n        Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n        Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n        Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n        Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n        Series 9: Photographs, 1978-2008 (Boxes 403-444)\n        Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n        Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n        Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t. Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t.","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation","Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de","English"],"collection_title_tesim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"collection_ssim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270"],"unitid_tesim":["C0270"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation"],"creators_ssim":["Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de","George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet (471 boxes)"],"extent_tesim":["200.0 linear feet (471 boxes)"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n        \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n        \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n        \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n        Series 2: Routers, 1984-1996 (Boxes 51-60)\n        Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n        Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n        Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n        Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n        Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n        Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n        Series 9: Photographs, 1978-2008 (Boxes 403-444)\n        Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n        Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n        Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"C-SPAN.org\" show=\"new\" href=\"https://www.c-span.org/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Purdue.edu\" show=\"new\" href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e\n      ","\u003cp\u003eWith an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e\n      ","\u003cp\u003eC-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eSpecial Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e\n      ","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e\n      ","\u003cp\u003eAmanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e\n      ","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t\u003cextptr type=\"simple\" title=\"Booknotes collection website\" show=\"new\" href=\"http://booknotes.gmu.edu\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t\u003cextptr type=\"simple\" title=\"Purdue website\" show=\"new\" href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t. Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e\n      ","\u003cp\u003eSeries 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e\n      ","\u003cp\u003eSeries 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e\n      ","\u003cp\u003eSeries 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e\n      ","\u003cp\u003eSeries 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e\n      ","\u003cp\u003eSeries 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e\n      ","\u003cp\u003eSeries 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e\n      "],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation"],"persname_ssim":["Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation","Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:07.428Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_cspan","ead_ssi":"vifgm_cspan","_root_":"vifgm_cspan","_nest_parent_":"vifgm_cspan","ead_source_url_ssi":"data/gmu/cspan.xml","aspace_url_ssi":"http://scrc.gmu.edu/cspan.html","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_inclusive_ssm":["1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"normalized_date_ssm":["1809/2012, bulk 1978/2012"],"normalized_title_ssm":["C-SPAN records, 1809/2012, bulk 1978/2012"],"text":["C-SPAN records, 1809/2012, bulk 1978/2012","C0270","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings.","There are no access restrictions.","Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n        Series 2: Routers, 1984-1996 (Boxes 51-60)\n        Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n        Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n        Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n        Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n        Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n        Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n        Series 9: Photographs, 1978-2008 (Boxes 403-444)\n        Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n        Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n        Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t. Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t.","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation","Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de","English"],"collection_title_tesim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"collection_ssim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270"],"unitid_tesim":["C0270"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation"],"creators_ssim":["Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de","George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet (471 boxes)"],"extent_tesim":["200.0 linear feet (471 boxes)"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n        \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n        \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n        \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n        Series 2: Routers, 1984-1996 (Boxes 51-60)\n        Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n        Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n        Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n        Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n        Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n        Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n        Series 9: Photographs, 1978-2008 (Boxes 403-444)\n        Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n        Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n        Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"C-SPAN.org\" show=\"new\" href=\"https://www.c-span.org/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Purdue.edu\" show=\"new\" href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e\n      ","\u003cp\u003eWith an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e\n      ","\u003cp\u003eC-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eSpecial Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e\n      ","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e\n      ","\u003cp\u003eAmanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e\n      ","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t\u003cextptr type=\"simple\" title=\"Booknotes collection website\" show=\"new\" href=\"http://booknotes.gmu.edu\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t\u003cextptr type=\"simple\" title=\"Purdue website\" show=\"new\" href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t. Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e\n      ","\u003cp\u003eSeries 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e\n      ","\u003cp\u003eSeries 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e\n      ","\u003cp\u003eSeries 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e\n      ","\u003cp\u003eSeries 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e\n      ","\u003cp\u003eSeries 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e\n      ","\u003cp\u003eSeries 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e\n      "],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation"],"persname_ssim":["Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation","Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:07.428Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_cspan"}},{"id":"vifgm_francois","type":"collection","attributes":{"title":"George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004","creator":{"id":"https://arvasarchive.org/catalog/vifgm_francois#creator","type":"document_value","attributes":{"value":"Francois, Francis B.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_francois#abstract_or_scope","type":"document_value","attributes":{"value":" Transportation-related papers, books, and audiotapes that document Francois' time with the American Association of State Highway and Transportation Officials.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_francois#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_francois","ead_ssi":"vifgm_francois","_root_":"vifgm_francois","_nest_parent_":"vifgm_francois","ead_source_url_ssi":"data/gmu/francois.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/francois.html","title_ssm":["George Mason University Francis Francois collection"],"title_tesim":["George Mason University Francis Francois collection"],"unitdate_ssm":["1980-2004","1967-2004"],"unitdate_inclusive_ssm":["1967-2004"],"unitdate_bulk_ssim":["1980-2004"],"normalized_date_ssm":["1967/2004, bulk 1980/2004"],"normalized_title_ssm":["George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004"],"text":["George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004","C0245","Transportation--United States--Planning.","Sound recordings.","There are no access restrictions.","The collection is organized alphabetically within seven series based on subject and format:","Series 1: Correspondence, 1980-2004 (Boxes 1-2)\n        Series 2: Meetings, events, and committees, 1975-2004 (Boxes 3-10)\n        Series 3: Research and reports, 1967-2004 (Boxes 11-22)\n        Series 4: Subject files, 1980-2000 (Boxes 23-25)\n        Series 5: Publications, 1968-2004 (Boxes 25-30)\n        Series 6: Audiovisual materials and realia, 1988-1997 (Boxes 31-32)","Francis B. \"Frank\" Francois was born in 1934 in Barnum, Iowa. He attended Iowa State University, where he earned a B.S. in engineering, and the George Washington University, where he earned a law degree. Francois worked as a patent attorney, and he served as County Commissioner of Prince George's County, Maryland from 1966-1971 and as a County Councilman from 1971 to 1980. In 1980, Francois became the Executive Director of the Association of American State Highway and Transportation Officials (AASHTO). He was also affiliated with a number of other transportation-related organizations, including the National Steering Committee on Transportation Operations, the Transportation Research Board, and the Intelligent Transportation Society of America. Francois retired from AASHTO in 1999, after which he served as a private consultant.","Processing completed by Leo Mayhew, Kerry Robinson, and Elizabeth Beckman in March 2015. EAD markup completed by Elizabeth Beckman in March 2015.","Special Collections and Archives holds many other collections on transportation history and planning.","The bulk of the collection documents Frank Francois's role as Executive Director of the American Association of State Highway and Transportation Officials (AASHTO) through transportation-related correspondence, meeting and conference records, reports, publications, and audiotapes. A small amount of realia, as well as a VHS tape, CD, and floppy disks, are also included. The majority of materials date from 1980-1999, while Francois was with AASHTO. A few reports, brochures, and other publications date from Francois's years as an elected official in Prince George's County, Maryland (1962-1980) or from his time as a private consultant (1999-2004).","Series 1: Correspondence (1980-2004) includes letters, memos, and print-outs of email correspondence, both internal within AASHTO and with members of other organizations. A few letters related to family and personal matters are included as well.","Series 2: Meetings, events, and committees (1975-2004) includes agendas, minutes, notes, informational packets, papers, and correspondence from various meetings, conferences, and other events attended by Francois as a participant or speaker.","Series 3: Research and reports (1967-2004) includes research papers, reports, surveys, and other educational materials produced by AASHTO, the Transportation Research Board (TRB), and other transportation-related organizations.","Series 4: Subject files (1980-2000) includes folders whose materials relate to the same subject, such as Francois's retirement from AASHTO, AASHTO's Board of Directors, and other AASHTO-related personnel documents, as well as the International Road Federation.","Series 5: Publications (1968-2004) includes brochures, pamphlets, directories, internal newsletters, handbooks, published reports, and other materials produced by the US Department of Transportation, state departments of transportation, AASHTO, the Transportation Research Board, and other organizations.","Series 6: Audiovisual materials and realia (1988-1997) includes items such as an AASHTO calculator and desktop road sign, as well as a CD, VHS tape, and 40 audio cassette tapes from the Transportation Research Board's annual meeting and other organizational meetings.","There are no restrictions on personal use. Permission to publish material from the Frank Francois collection must be obtained from Special Collections and Archives, George Mason University Libraries.","Transportation-related papers, books, and audiotapes that document Francois' time with the American Association of State Highway and Transportation Officials.","George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials.","Francois, Francis B.","English"],"collection_title_tesim":["George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004"],"collection_ssim":["George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0245"],"unitid_tesim":["C0245"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Francois, Francis B."],"creator_ssim":["Francois, Francis B."],"creator_persname_ssim":["Francois, Francis B."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials."],"creators_ssim":["Francois, Francis B.","George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Frank Francois collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Marie Francois in 2013."],"access_subjects_ssim":["Transportation--United States--Planning.","Sound recordings."],"access_subjects_ssm":["Transportation--United States--Planning.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 linear feet (32 boxes)"],"extent_tesim":["15.5 linear feet (32 boxes)"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized alphabetically within seven series based on subject and format:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1980-2004 (Boxes 1-2)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Meetings, events, and committees, 1975-2004 (Boxes 3-10)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Research and reports, 1967-2004 (Boxes 11-22)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Subject files, 1980-2000 (Boxes 23-25)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1968-2004 (Boxes 25-30)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Audiovisual materials and realia, 1988-1997 (Boxes 31-32)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized alphabetically within seven series based on subject and format:","Series 1: Correspondence, 1980-2004 (Boxes 1-2)\n        Series 2: Meetings, events, and committees, 1975-2004 (Boxes 3-10)\n        Series 3: Research and reports, 1967-2004 (Boxes 11-22)\n        Series 4: Subject files, 1980-2000 (Boxes 23-25)\n        Series 5: Publications, 1968-2004 (Boxes 25-30)\n        Series 6: Audiovisual materials and realia, 1988-1997 (Boxes 31-32)"],"bioghist_html_tesm":["\u003cp\u003eFrancis B. \"Frank\" Francois was born in 1934 in Barnum, Iowa. He attended Iowa State University, where he earned a B.S. in engineering, and the George Washington University, where he earned a law degree. Francois worked as a patent attorney, and he served as County Commissioner of Prince George's County, Maryland from 1966-1971 and as a County Councilman from 1971 to 1980. In 1980, Francois became the Executive Director of the Association of American State Highway and Transportation Officials (AASHTO). He was also affiliated with a number of other transportation-related organizations, including the National Steering Committee on Transportation Operations, the Transportation Research Board, and the Intelligent Transportation Society of America. Francois retired from AASHTO in 1999, after which he served as a private consultant.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Francis B. \"Frank\" Francois was born in 1934 in Barnum, Iowa. He attended Iowa State University, where he earned a B.S. in engineering, and the George Washington University, where he earned a law degree. Francois worked as a patent attorney, and he served as County Commissioner of Prince George's County, Maryland from 1966-1971 and as a County Councilman from 1971 to 1980. In 1980, Francois became the Executive Director of the Association of American State Highway and Transportation Officials (AASHTO). He was also affiliated with a number of other transportation-related organizations, including the National Steering Committee on Transportation Operations, the Transportation Research Board, and the Intelligent Transportation Society of America. Francois retired from AASHTO in 1999, after which he served as a private consultant."],"prefercite_html_tesm":["\u003cp\u003eFrancis Francois papers, C0245, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Francis Francois papers, C0245, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Leo Mayhew, Kerry Robinson, and Elizabeth Beckman in March 2015. EAD markup completed by Elizabeth Beckman in March 2015.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Leo Mayhew, Kerry Robinson, and Elizabeth Beckman in March 2015. EAD markup completed by Elizabeth Beckman in March 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds many other collections on transportation history and planning.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds many other collections on transportation history and planning."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the collection documents Frank Francois's role as Executive Director of the American Association of State Highway and Transportation Officials (AASHTO) through transportation-related correspondence, meeting and conference records, reports, publications, and audiotapes. A small amount of realia, as well as a VHS tape, CD, and floppy disks, are also included. The majority of materials date from 1980-1999, while Francois was with AASHTO. A few reports, brochures, and other publications date from Francois's years as an elected official in Prince George's County, Maryland (1962-1980) or from his time as a private consultant (1999-2004).\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Correspondence (1980-2004) includes letters, memos, and print-outs of email correspondence, both internal within AASHTO and with members of other organizations. A few letters related to family and personal matters are included as well.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Meetings, events, and committees (1975-2004) includes agendas, minutes, notes, informational packets, papers, and correspondence from various meetings, conferences, and other events attended by Francois as a participant or speaker.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Research and reports (1967-2004) includes research papers, reports, surveys, and other educational materials produced by AASHTO, the Transportation Research Board (TRB), and other transportation-related organizations.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Subject files (1980-2000) includes folders whose materials relate to the same subject, such as Francois's retirement from AASHTO, AASHTO's Board of Directors, and other AASHTO-related personnel documents, as well as the International Road Federation.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Publications (1968-2004) includes brochures, pamphlets, directories, internal newsletters, handbooks, published reports, and other materials produced by the US Department of Transportation, state departments of transportation, AASHTO, the Transportation Research Board, and other organizations.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6: Audiovisual materials and realia (1988-1997) includes items such as an AASHTO calculator and desktop road sign, as well as a CD, VHS tape, and 40 audio cassette tapes from the Transportation Research Board's annual meeting and other organizational meetings.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The bulk of the collection documents Frank Francois's role as Executive Director of the American Association of State Highway and Transportation Officials (AASHTO) through transportation-related correspondence, meeting and conference records, reports, publications, and audiotapes. A small amount of realia, as well as a VHS tape, CD, and floppy disks, are also included. The majority of materials date from 1980-1999, while Francois was with AASHTO. A few reports, brochures, and other publications date from Francois's years as an elected official in Prince George's County, Maryland (1962-1980) or from his time as a private consultant (1999-2004).","Series 1: Correspondence (1980-2004) includes letters, memos, and print-outs of email correspondence, both internal within AASHTO and with members of other organizations. A few letters related to family and personal matters are included as well.","Series 2: Meetings, events, and committees (1975-2004) includes agendas, minutes, notes, informational packets, papers, and correspondence from various meetings, conferences, and other events attended by Francois as a participant or speaker.","Series 3: Research and reports (1967-2004) includes research papers, reports, surveys, and other educational materials produced by AASHTO, the Transportation Research Board (TRB), and other transportation-related organizations.","Series 4: Subject files (1980-2000) includes folders whose materials relate to the same subject, such as Francois's retirement from AASHTO, AASHTO's Board of Directors, and other AASHTO-related personnel documents, as well as the International Road Federation.","Series 5: Publications (1968-2004) includes brochures, pamphlets, directories, internal newsletters, handbooks, published reports, and other materials produced by the US Department of Transportation, state departments of transportation, AASHTO, the Transportation Research Board, and other organizations.","Series 6: Audiovisual materials and realia (1988-1997) includes items such as an AASHTO calculator and desktop road sign, as well as a CD, VHS tape, and 40 audio cassette tapes from the Transportation Research Board's annual meeting and other organizational meetings."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Frank Francois collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Frank Francois collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003e Transportation-related papers, books, and audiotapes that document Francois' time with the American Association of State Highway and Transportation Officials.\u003c/abstract\u003e\n      "],"abstract_tesim":["Transportation-related papers, books, and audiotapes that document Francois' time with the American Association of State Highway and Transportation Officials."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials."],"persname_ssim":["Francois, Francis B."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials.","Francois, Francis B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":326,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:18.804Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_francois","ead_ssi":"vifgm_francois","_root_":"vifgm_francois","_nest_parent_":"vifgm_francois","ead_source_url_ssi":"data/gmu/francois.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/francois.html","title_ssm":["George Mason University Francis Francois collection"],"title_tesim":["George Mason University Francis Francois collection"],"unitdate_ssm":["1980-2004","1967-2004"],"unitdate_inclusive_ssm":["1967-2004"],"unitdate_bulk_ssim":["1980-2004"],"normalized_date_ssm":["1967/2004, bulk 1980/2004"],"normalized_title_ssm":["George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004"],"text":["George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004","C0245","Transportation--United States--Planning.","Sound recordings.","There are no access restrictions.","The collection is organized alphabetically within seven series based on subject and format:","Series 1: Correspondence, 1980-2004 (Boxes 1-2)\n        Series 2: Meetings, events, and committees, 1975-2004 (Boxes 3-10)\n        Series 3: Research and reports, 1967-2004 (Boxes 11-22)\n        Series 4: Subject files, 1980-2000 (Boxes 23-25)\n        Series 5: Publications, 1968-2004 (Boxes 25-30)\n        Series 6: Audiovisual materials and realia, 1988-1997 (Boxes 31-32)","Francis B. \"Frank\" Francois was born in 1934 in Barnum, Iowa. He attended Iowa State University, where he earned a B.S. in engineering, and the George Washington University, where he earned a law degree. Francois worked as a patent attorney, and he served as County Commissioner of Prince George's County, Maryland from 1966-1971 and as a County Councilman from 1971 to 1980. In 1980, Francois became the Executive Director of the Association of American State Highway and Transportation Officials (AASHTO). He was also affiliated with a number of other transportation-related organizations, including the National Steering Committee on Transportation Operations, the Transportation Research Board, and the Intelligent Transportation Society of America. Francois retired from AASHTO in 1999, after which he served as a private consultant.","Processing completed by Leo Mayhew, Kerry Robinson, and Elizabeth Beckman in March 2015. EAD markup completed by Elizabeth Beckman in March 2015.","Special Collections and Archives holds many other collections on transportation history and planning.","The bulk of the collection documents Frank Francois's role as Executive Director of the American Association of State Highway and Transportation Officials (AASHTO) through transportation-related correspondence, meeting and conference records, reports, publications, and audiotapes. A small amount of realia, as well as a VHS tape, CD, and floppy disks, are also included. The majority of materials date from 1980-1999, while Francois was with AASHTO. A few reports, brochures, and other publications date from Francois's years as an elected official in Prince George's County, Maryland (1962-1980) or from his time as a private consultant (1999-2004).","Series 1: Correspondence (1980-2004) includes letters, memos, and print-outs of email correspondence, both internal within AASHTO and with members of other organizations. A few letters related to family and personal matters are included as well.","Series 2: Meetings, events, and committees (1975-2004) includes agendas, minutes, notes, informational packets, papers, and correspondence from various meetings, conferences, and other events attended by Francois as a participant or speaker.","Series 3: Research and reports (1967-2004) includes research papers, reports, surveys, and other educational materials produced by AASHTO, the Transportation Research Board (TRB), and other transportation-related organizations.","Series 4: Subject files (1980-2000) includes folders whose materials relate to the same subject, such as Francois's retirement from AASHTO, AASHTO's Board of Directors, and other AASHTO-related personnel documents, as well as the International Road Federation.","Series 5: Publications (1968-2004) includes brochures, pamphlets, directories, internal newsletters, handbooks, published reports, and other materials produced by the US Department of Transportation, state departments of transportation, AASHTO, the Transportation Research Board, and other organizations.","Series 6: Audiovisual materials and realia (1988-1997) includes items such as an AASHTO calculator and desktop road sign, as well as a CD, VHS tape, and 40 audio cassette tapes from the Transportation Research Board's annual meeting and other organizational meetings.","There are no restrictions on personal use. Permission to publish material from the Frank Francois collection must be obtained from Special Collections and Archives, George Mason University Libraries.","Transportation-related papers, books, and audiotapes that document Francois' time with the American Association of State Highway and Transportation Officials.","George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials.","Francois, Francis B.","English"],"collection_title_tesim":["George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004"],"collection_ssim":["George Mason University Francis Francois collection, 1967/2004, bulk 1980/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0245"],"unitid_tesim":["C0245"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Francois, Francis B."],"creator_ssim":["Francois, Francis B."],"creator_persname_ssim":["Francois, Francis B."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials."],"creators_ssim":["Francois, Francis B.","George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Frank Francois collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Marie Francois in 2013."],"access_subjects_ssim":["Transportation--United States--Planning.","Sound recordings."],"access_subjects_ssm":["Transportation--United States--Planning.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 linear feet (32 boxes)"],"extent_tesim":["15.5 linear feet (32 boxes)"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized alphabetically within seven series based on subject and format:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1980-2004 (Boxes 1-2)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Meetings, events, and committees, 1975-2004 (Boxes 3-10)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Research and reports, 1967-2004 (Boxes 11-22)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Subject files, 1980-2000 (Boxes 23-25)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1968-2004 (Boxes 25-30)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Audiovisual materials and realia, 1988-1997 (Boxes 31-32)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized alphabetically within seven series based on subject and format:","Series 1: Correspondence, 1980-2004 (Boxes 1-2)\n        Series 2: Meetings, events, and committees, 1975-2004 (Boxes 3-10)\n        Series 3: Research and reports, 1967-2004 (Boxes 11-22)\n        Series 4: Subject files, 1980-2000 (Boxes 23-25)\n        Series 5: Publications, 1968-2004 (Boxes 25-30)\n        Series 6: Audiovisual materials and realia, 1988-1997 (Boxes 31-32)"],"bioghist_html_tesm":["\u003cp\u003eFrancis B. \"Frank\" Francois was born in 1934 in Barnum, Iowa. He attended Iowa State University, where he earned a B.S. in engineering, and the George Washington University, where he earned a law degree. Francois worked as a patent attorney, and he served as County Commissioner of Prince George's County, Maryland from 1966-1971 and as a County Councilman from 1971 to 1980. In 1980, Francois became the Executive Director of the Association of American State Highway and Transportation Officials (AASHTO). He was also affiliated with a number of other transportation-related organizations, including the National Steering Committee on Transportation Operations, the Transportation Research Board, and the Intelligent Transportation Society of America. Francois retired from AASHTO in 1999, after which he served as a private consultant.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Francis B. \"Frank\" Francois was born in 1934 in Barnum, Iowa. He attended Iowa State University, where he earned a B.S. in engineering, and the George Washington University, where he earned a law degree. Francois worked as a patent attorney, and he served as County Commissioner of Prince George's County, Maryland from 1966-1971 and as a County Councilman from 1971 to 1980. In 1980, Francois became the Executive Director of the Association of American State Highway and Transportation Officials (AASHTO). He was also affiliated with a number of other transportation-related organizations, including the National Steering Committee on Transportation Operations, the Transportation Research Board, and the Intelligent Transportation Society of America. Francois retired from AASHTO in 1999, after which he served as a private consultant."],"prefercite_html_tesm":["\u003cp\u003eFrancis Francois papers, C0245, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Francis Francois papers, C0245, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Leo Mayhew, Kerry Robinson, and Elizabeth Beckman in March 2015. EAD markup completed by Elizabeth Beckman in March 2015.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Leo Mayhew, Kerry Robinson, and Elizabeth Beckman in March 2015. EAD markup completed by Elizabeth Beckman in March 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds many other collections on transportation history and planning.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds many other collections on transportation history and planning."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the collection documents Frank Francois's role as Executive Director of the American Association of State Highway and Transportation Officials (AASHTO) through transportation-related correspondence, meeting and conference records, reports, publications, and audiotapes. A small amount of realia, as well as a VHS tape, CD, and floppy disks, are also included. The majority of materials date from 1980-1999, while Francois was with AASHTO. A few reports, brochures, and other publications date from Francois's years as an elected official in Prince George's County, Maryland (1962-1980) or from his time as a private consultant (1999-2004).\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Correspondence (1980-2004) includes letters, memos, and print-outs of email correspondence, both internal within AASHTO and with members of other organizations. A few letters related to family and personal matters are included as well.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Meetings, events, and committees (1975-2004) includes agendas, minutes, notes, informational packets, papers, and correspondence from various meetings, conferences, and other events attended by Francois as a participant or speaker.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Research and reports (1967-2004) includes research papers, reports, surveys, and other educational materials produced by AASHTO, the Transportation Research Board (TRB), and other transportation-related organizations.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Subject files (1980-2000) includes folders whose materials relate to the same subject, such as Francois's retirement from AASHTO, AASHTO's Board of Directors, and other AASHTO-related personnel documents, as well as the International Road Federation.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Publications (1968-2004) includes brochures, pamphlets, directories, internal newsletters, handbooks, published reports, and other materials produced by the US Department of Transportation, state departments of transportation, AASHTO, the Transportation Research Board, and other organizations.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6: Audiovisual materials and realia (1988-1997) includes items such as an AASHTO calculator and desktop road sign, as well as a CD, VHS tape, and 40 audio cassette tapes from the Transportation Research Board's annual meeting and other organizational meetings.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The bulk of the collection documents Frank Francois's role as Executive Director of the American Association of State Highway and Transportation Officials (AASHTO) through transportation-related correspondence, meeting and conference records, reports, publications, and audiotapes. A small amount of realia, as well as a VHS tape, CD, and floppy disks, are also included. The majority of materials date from 1980-1999, while Francois was with AASHTO. A few reports, brochures, and other publications date from Francois's years as an elected official in Prince George's County, Maryland (1962-1980) or from his time as a private consultant (1999-2004).","Series 1: Correspondence (1980-2004) includes letters, memos, and print-outs of email correspondence, both internal within AASHTO and with members of other organizations. A few letters related to family and personal matters are included as well.","Series 2: Meetings, events, and committees (1975-2004) includes agendas, minutes, notes, informational packets, papers, and correspondence from various meetings, conferences, and other events attended by Francois as a participant or speaker.","Series 3: Research and reports (1967-2004) includes research papers, reports, surveys, and other educational materials produced by AASHTO, the Transportation Research Board (TRB), and other transportation-related organizations.","Series 4: Subject files (1980-2000) includes folders whose materials relate to the same subject, such as Francois's retirement from AASHTO, AASHTO's Board of Directors, and other AASHTO-related personnel documents, as well as the International Road Federation.","Series 5: Publications (1968-2004) includes brochures, pamphlets, directories, internal newsletters, handbooks, published reports, and other materials produced by the US Department of Transportation, state departments of transportation, AASHTO, the Transportation Research Board, and other organizations.","Series 6: Audiovisual materials and realia (1988-1997) includes items such as an AASHTO calculator and desktop road sign, as well as a CD, VHS tape, and 40 audio cassette tapes from the Transportation Research Board's annual meeting and other organizational meetings."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Frank Francois collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Frank Francois collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003e Transportation-related papers, books, and audiotapes that document Francois' time with the American Association of State Highway and Transportation Officials.\u003c/abstract\u003e\n      "],"abstract_tesim":["Transportation-related papers, books, and audiotapes that document Francois' time with the American Association of State Highway and Transportation Officials."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials."],"persname_ssim":["Francois, Francis B."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives.","American Association of State Highway and Transportation \t\t\t Officials.","Francois, Francis B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":326,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:18.804Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_francois"}},{"id":"vifgm_laue","type":"collection","attributes":{"title":"James H. Laue papers, 1936/1999","creator":{"id":"https://arvasarchive.org/catalog/vifgm_laue#creator","type":"document_value","attributes":{"value":"James H. Laue","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_laue#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_laue#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_laue","ead_ssi":"vifgm_laue","_root_":"vifgm_laue","_nest_parent_":"vifgm_laue","ead_source_url_ssi":"data/gmu/laue.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/laue.html","title_ssm":["James H. Laue papers"],"title_tesim":["James H. Laue papers"],"unitdate_ssm":["1936-1999, bulk 1960-1993"],"unitdate_inclusive_ssm":["1936-1999, bulk 1960-1993"],"normalized_date_ssm":["1936/1999"],"normalized_title_ssm":["James H. Laue papers, 1936/1999"],"text":["James H. Laue papers, 1936/1999","C0055","African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings.","This collection is arranged by subject.","Series 1:  Correspondence, 1960-1993 (Box 1-3)\n\n        Series 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n\n        Series 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n\n        Series 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n\n        Series 5:  Academic Papers, 1947-1999 (Box 69-87)\n\n        Series 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n\n        Series 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n\n        Series 8:  Photographs, 1942-1992 (Box 97-98)\n\n        Series 9:  Memorabilia, 1949-1993 (Box 98)\n\n        Series 10:  Audio Cassettes, 1968-1991 (Box 99)\n\n        Series 11:  Oversize, 1960-1980 (Box 100)","James H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman.","During his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\"","Combining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.","In 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s.","Throughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.","This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia.","Series 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.","Series 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).","Series 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).","Series 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.","Series 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.","Series 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.","Series 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.","Series 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.","Series 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.","Series 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.","Series 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights.","This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.","George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace.","James H. Laue","Laue, James H.","English"],"collection_title_tesim":["James H. Laue papers, 1936/1999"],"collection_ssim":["James H. Laue papers, 1936/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0055"],"unitid_tesim":["C0055"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James H. Laue"],"creator_ssim":["James H. Laue"],"creator_persname_ssim":["James H. Laue","Laue, James H."],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace."],"creators_ssim":["James H. Laue","Laue, James H.","George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace."],"acqinfo_ssim":["Collection donated by Mariann Laue Baker in 1999."],"access_subjects_ssim":["African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings."],"access_subjects_ssm":["African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["43 linear ft.; 100 boxes"],"extent_tesim":["43 linear ft.; 100 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Correspondence, 1960-1993 (Box 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Academic Papers, 1947-1999 (Box 69-87)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Photographs, 1942-1992 (Box 97-98)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  Memorabilia, 1949-1993 (Box 98)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  Audio Cassettes, 1968-1991 (Box 99)\n\u003c/item\u003e\n        \u003citem\u003eSeries 11:  Oversize, 1960-1980 (Box 100)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series 1:  Correspondence, 1960-1993 (Box 1-3)\n\n        Series 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n\n        Series 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n\n        Series 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n\n        Series 5:  Academic Papers, 1947-1999 (Box 69-87)\n\n        Series 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n\n        Series 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n\n        Series 8:  Photographs, 1942-1992 (Box 97-98)\n\n        Series 9:  Memorabilia, 1949-1993 (Box 98)\n\n        Series 10:  Audio Cassettes, 1968-1991 (Box 99)\n\n        Series 11:  Oversize, 1960-1980 (Box 100)"],"bioghist_html_tesm":["\u003cp\u003eJames H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman. \n\u003c/p\u003e\n      ","\u003cp\u003e\nDuring his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\" \n\u003c/p\u003e\n      ","\u003cp\u003e\nCombining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.\n\u003c/p\u003e\n      ","\u003cp\u003e\nIn 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s. \n\u003c/p\u003e\n      ","\u003cp\u003e\nThroughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["James H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman.","During his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\"","Combining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.","In 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s.","Throughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia. \n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia.","Series 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.","Series 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).","Series 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).","Series 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.","Series 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.","Series 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.","Series 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.","Series 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.","Series 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.","Series 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.","Series 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia."],"corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace."],"persname_ssim":["James H. Laue","Laue, James H."],"names_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace.","James H. Laue","Laue, James H."],"language_ssim":["English"],"total_component_count_is":1365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:34.518Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_laue","ead_ssi":"vifgm_laue","_root_":"vifgm_laue","_nest_parent_":"vifgm_laue","ead_source_url_ssi":"data/gmu/laue.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/laue.html","title_ssm":["James H. Laue papers"],"title_tesim":["James H. Laue papers"],"unitdate_ssm":["1936-1999, bulk 1960-1993"],"unitdate_inclusive_ssm":["1936-1999, bulk 1960-1993"],"normalized_date_ssm":["1936/1999"],"normalized_title_ssm":["James H. Laue papers, 1936/1999"],"text":["James H. Laue papers, 1936/1999","C0055","African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings.","This collection is arranged by subject.","Series 1:  Correspondence, 1960-1993 (Box 1-3)\n\n        Series 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n\n        Series 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n\n        Series 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n\n        Series 5:  Academic Papers, 1947-1999 (Box 69-87)\n\n        Series 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n\n        Series 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n\n        Series 8:  Photographs, 1942-1992 (Box 97-98)\n\n        Series 9:  Memorabilia, 1949-1993 (Box 98)\n\n        Series 10:  Audio Cassettes, 1968-1991 (Box 99)\n\n        Series 11:  Oversize, 1960-1980 (Box 100)","James H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman.","During his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\"","Combining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.","In 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s.","Throughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.","This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia.","Series 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.","Series 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).","Series 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).","Series 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.","Series 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.","Series 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.","Series 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.","Series 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.","Series 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.","Series 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.","Series 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights.","This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.","George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace.","James H. Laue","Laue, James H.","English"],"collection_title_tesim":["James H. Laue papers, 1936/1999"],"collection_ssim":["James H. Laue papers, 1936/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0055"],"unitid_tesim":["C0055"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James H. Laue"],"creator_ssim":["James H. Laue"],"creator_persname_ssim":["James H. Laue","Laue, James H."],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace."],"creators_ssim":["James H. Laue","Laue, James H.","George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace."],"acqinfo_ssim":["Collection donated by Mariann Laue Baker in 1999."],"access_subjects_ssim":["African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings."],"access_subjects_ssm":["African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["43 linear ft.; 100 boxes"],"extent_tesim":["43 linear ft.; 100 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Correspondence, 1960-1993 (Box 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Academic Papers, 1947-1999 (Box 69-87)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Photographs, 1942-1992 (Box 97-98)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  Memorabilia, 1949-1993 (Box 98)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  Audio Cassettes, 1968-1991 (Box 99)\n\u003c/item\u003e\n        \u003citem\u003eSeries 11:  Oversize, 1960-1980 (Box 100)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series 1:  Correspondence, 1960-1993 (Box 1-3)\n\n        Series 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n\n        Series 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n\n        Series 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n\n        Series 5:  Academic Papers, 1947-1999 (Box 69-87)\n\n        Series 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n\n        Series 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n\n        Series 8:  Photographs, 1942-1992 (Box 97-98)\n\n        Series 9:  Memorabilia, 1949-1993 (Box 98)\n\n        Series 10:  Audio Cassettes, 1968-1991 (Box 99)\n\n        Series 11:  Oversize, 1960-1980 (Box 100)"],"bioghist_html_tesm":["\u003cp\u003eJames H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman. \n\u003c/p\u003e\n      ","\u003cp\u003e\nDuring his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\" \n\u003c/p\u003e\n      ","\u003cp\u003e\nCombining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.\n\u003c/p\u003e\n      ","\u003cp\u003e\nIn 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s. \n\u003c/p\u003e\n      ","\u003cp\u003e\nThroughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["James H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman.","During his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\"","Combining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.","In 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s.","Throughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia. \n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.\n\u003c/p\u003e\n      ","\u003cp\u003e\nSeries 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia.","Series 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.","Series 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).","Series 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).","Series 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.","Series 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.","Series 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.","Series 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.","Series 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.","Series 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.","Series 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.","Series 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia."],"corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace."],"persname_ssim":["James H. Laue","Laue, James H."],"names_ssim":["George Mason University. Special Collections and Archives.","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace.","James H. Laue","Laue, James H."],"language_ssim":["English"],"total_component_count_is":1365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:34.518Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_laue"}},{"id":"vifgm_paden","type":"collection","attributes":{"title":"John N. Paden papers, 1938/2010","creator":{"id":"https://arvasarchive.org/catalog/vifgm_paden#creator","type":"document_value","attributes":{"value":"Paden, John N.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_paden#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_paden#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_paden","ead_ssi":"vifgm_paden","_root_":"vifgm_paden","_nest_parent_":"vifgm_paden","ead_source_url_ssi":"data/gmu/paden.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/paden.html","title_ssm":["John N. Paden papers"],"title_tesim":["John N. Paden papers"],"unitdate_ssm":["1938-2010"],"unitdate_inclusive_ssm":["1938-2010"],"normalized_date_ssm":["1938/2010"],"normalized_title_ssm":["John N. Paden papers, 1938/2010"],"text":["John N. Paden papers, 1938/2010","C0194","Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs.","There are no access restrictions.","Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n        Series 2: Research, 1950s-2010 (Boxes 4-85)\n        Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n        Series 4: Maps, 1949-1980s (Box 104)\n        Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n        Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n        Series 7: Realia, undated (Boxes 131-132)","Dr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","Dr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Dr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017.","Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014.","Special Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the .","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated.","There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.","George Mason University. Libraries. Special Collections \u0026 Archives","Paden, John N.","English"],"collection_title_tesim":["John N. Paden papers, 1938/2010"],"collection_ssim":["John N. Paden papers, 1938/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0194"],"unitid_tesim":["C0194"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Paden, John N."],"creator_ssim":["Paden, John N."],"creator_persname_ssim":["Paden, John N."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creators_ssim":["Paden, John N.","George Mason University. Libraries. Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by John N. Paden in 2011."],"access_subjects_ssim":["Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs."],"access_subjects_ssm":["Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["87.5 linear feet (133 boxes)"],"extent_tesim":["87.5 linear feet (133 boxes)"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1971-1998 (Boxes 1-4)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Research, 1950s-2010 (Boxes 4-85)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Maps, 1949-1980s (Box 104)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Oversize, 1949-1997 (110, 130, Map Case)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Realia, undated (Boxes 131-132)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n        Series 2: Research, 1950s-2010 (Boxes 4-85)\n        Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n        Series 4: Maps, 1949-1980s (Box 104)\n        Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n        Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n        Series 7: Realia, undated (Boxes 131-132)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"McClain, Buzz, 'John Paden retires after 30 years as professor; leaves 4,000 books for Africa Studies library,' News at Mason, George Mason University, May 9, 2017.\" show=\"new\" href=\"https://www2.gmu.edu/news/424381\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eDr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University. \n\u003c/p\u003e\n      ","\u003cp\u003e\nDr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).\n\u003c/p\u003e\n      ","\u003cp\u003e\nDr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017.\n            \u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","Dr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Dr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017."],"prefercite_html_tesm":["\u003cp\u003eJohn N. Paden papers, C0194, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["John N. Paden papers, C0194, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the \u003cextptr type=\"simple\" title=\"John W. Burton papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/burton.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Henry O. Lampe papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/lampeh.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Max Harway papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/harway.html\"\u003e\u003c/extptr\u003e. Other collections containing photographs or slides of Nigeria include the \u003cextptr type=\"simple\" title=\"Kjell Sandved nature collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/sandved.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Oliver F. Atkins photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/atkins.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Edith McChesney Ker papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ker.html\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref4\" label=\"Abstract\"\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.\u003c/abstract\u003e\n      "],"abstract_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Paden, John N."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Paden, John N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1043,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:53.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_paden","ead_ssi":"vifgm_paden","_root_":"vifgm_paden","_nest_parent_":"vifgm_paden","ead_source_url_ssi":"data/gmu/paden.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/paden.html","title_ssm":["John N. Paden papers"],"title_tesim":["John N. Paden papers"],"unitdate_ssm":["1938-2010"],"unitdate_inclusive_ssm":["1938-2010"],"normalized_date_ssm":["1938/2010"],"normalized_title_ssm":["John N. Paden papers, 1938/2010"],"text":["John N. Paden papers, 1938/2010","C0194","Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs.","There are no access restrictions.","Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n        Series 2: Research, 1950s-2010 (Boxes 4-85)\n        Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n        Series 4: Maps, 1949-1980s (Box 104)\n        Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n        Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n        Series 7: Realia, undated (Boxes 131-132)","Dr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","Dr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Dr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017.","Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014.","Special Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the .","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated.","There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.","George Mason University. Libraries. Special Collections \u0026 Archives","Paden, John N.","English"],"collection_title_tesim":["John N. Paden papers, 1938/2010"],"collection_ssim":["John N. Paden papers, 1938/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0194"],"unitid_tesim":["C0194"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Paden, John N."],"creator_ssim":["Paden, John N."],"creator_persname_ssim":["Paden, John N."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creators_ssim":["Paden, John N.","George Mason University. Libraries. Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by John N. Paden in 2011."],"access_subjects_ssim":["Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs."],"access_subjects_ssm":["Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["87.5 linear feet (133 boxes)"],"extent_tesim":["87.5 linear feet (133 boxes)"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1971-1998 (Boxes 1-4)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Research, 1950s-2010 (Boxes 4-85)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Maps, 1949-1980s (Box 104)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Oversize, 1949-1997 (110, 130, Map Case)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Realia, undated (Boxes 131-132)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n        Series 2: Research, 1950s-2010 (Boxes 4-85)\n        Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n        Series 4: Maps, 1949-1980s (Box 104)\n        Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n        Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n        Series 7: Realia, undated (Boxes 131-132)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"McClain, Buzz, 'John Paden retires after 30 years as professor; leaves 4,000 books for Africa Studies library,' News at Mason, George Mason University, May 9, 2017.\" show=\"new\" href=\"https://www2.gmu.edu/news/424381\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eDr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University. \n\u003c/p\u003e\n      ","\u003cp\u003e\nDr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).\n\u003c/p\u003e\n      ","\u003cp\u003e\nDr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017.\n            \u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","Dr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Dr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017."],"prefercite_html_tesm":["\u003cp\u003eJohn N. Paden papers, C0194, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["John N. Paden papers, C0194, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the \u003cextptr type=\"simple\" title=\"John W. Burton papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/burton.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Henry O. Lampe papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/lampeh.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Max Harway papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/harway.html\"\u003e\u003c/extptr\u003e. Other collections containing photographs or slides of Nigeria include the \u003cextptr type=\"simple\" title=\"Kjell Sandved nature collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/sandved.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Oliver F. Atkins photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/atkins.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Edith McChesney Ker papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ker.html\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref4\" label=\"Abstract\"\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.\u003c/abstract\u003e\n      "],"abstract_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Paden, John N."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Paden, John N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1043,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:30:53.349Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_paden"}},{"id":"vifgm_jordanova","type":"collection","attributes":{"title":"Victoria Jordanova music collection, 1993/1996","creator":{"id":"https://arvasarchive.org/catalog/vifgm_jordanova#creator","type":"document_value","attributes":{"value":"Victoria Jordanova","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_jordanova#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials pertaining to Victoria Jordanova's career as a classical composer/pianist/harpist from Bosnia. 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","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_jordanova#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_jordanova","ead_ssi":"vifgm_jordanova","_root_":"vifgm_jordanova","_nest_parent_":"vifgm_jordanova","ead_source_url_ssi":"data/gmu/jordanova.xml","aspace_url_ssi":"http://sca.gmu.edu/findging_aids/jordanova.html","title_ssm":["Victoria Jordanova music collection"],"title_tesim":["Victoria Jordanova music collection"],"unitdate_ssm":["1993-1996"],"unitdate_inclusive_ssm":["1993-1996"],"normalized_date_ssm":["1993/1996"],"normalized_title_ssm":["Victoria Jordanova music collection, 1993/1996"],"text":["Victoria Jordanova music collection, 1993/1996","C0111","Composers.","Harpists.","Music.","Sound recordings.","Organized by subject.","Victoria Jordanova was born in Belgrade, Yugoslavia. Her education and career have made her a truly international artist. 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