{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1962\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1962\u0026page=1","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1962\u0026page=2"},"meta":{"pages":{"current_page":2,"next_page":null,"prev_page":1,"total_pages":2,"limit_value":10,"offset_value":10,"total_count":14,"first_page?":false,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_328","type":"collection","attributes":{"title":"Roger Wilkins papers, 1928/2008","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_328#creator","type":"document_value","attributes":{"value":"Wilkins, Roger W., 1932-2017","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_328#abstract_or_scope","type":"document_value","attributes":{"value":"The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_328#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_328","ead_ssi":"vifgm_repositories_2_resources_328","_root_":"vifgm_repositories_2_resources_328","_nest_parent_":"vifgm_repositories_2_resources_328","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_328.xml","title_ssm":["Roger Wilkins papers"],"title_tesim":["Roger Wilkins papers"],"unitdate_ssm":["1928-2008"],"unitdate_inclusive_ssm":["1928-2008"],"normalized_date_ssm":["1928/2008"],"normalized_title_ssm":["Roger Wilkins papers, 1928/2008"],"text":["Roger Wilkins papers, 1928/2008","C0212","/repositories/2/resources/328","United States -- Politics and government","African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings","There are no access restrictions.","Organized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)","Organized into 6 series","Series\n      Series 1: Publications, 1965-2008, (Boxes 1-5)\n      Series 2: General Correspondence, 1987-2006) (Box 5)\n      Series 3: Affiliations, 1995-2000, (Box 6)\n      Series 4: Biographical papers, 1928, 1963-2007 (Box 6)\n      Series 5: George Mason University, 1990-2006, (Boxes 7-8)\n      Series 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)","Born in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year.","Processed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021.","The Special Collections Research Center also holds the papers of other Robinson professors.","The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Series 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.","Series 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.","Series 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.","Series 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.","Series 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.","Series 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.","This series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.","This series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.","This series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.","This series includes interviews with Roger Wilkins and biographical articles about him and his family.","This series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.","This series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.","The American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Map Case 11.5","George Mason University. Libraries. 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He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year."],"prefercite_html_tesm":["\u003cp\u003eRoger Wilkins papers, C0212, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Roger Wilkins papers, C0212, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of other Robinson professors.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of other Robinson professors."],"scopecontent_html_tesm":["\u003cp\u003eThe papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.      \u003c/p\u003e","\u003cp\u003eSeries 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.\u003c/p\u003e","\u003cp\u003eSeries 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.\u003c/p\u003e  ","\u003cp\u003eThis series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.\u003c/p\u003e","\u003cp\u003eThis series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.\u003c/p\u003e","\u003cp\u003eThis series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.\u003c/p\u003e","\u003cp\u003eThis series includes interviews with Roger Wilkins and biographical articles about him and his family.\u003c/p\u003e","\u003cp\u003eThis series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.\u003c/p\u003e","\u003cp\u003eThis series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Series 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.","Series 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.","Series 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.","Series 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.","Series 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.","Series 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.","This series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.","This series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.","This series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.","This series includes interviews with Roger Wilkins and biographical articles about him and his family.","This series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.","This series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.","The American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e95d32f9f1e4e0c233934736c9ce8301\" label=\"Abstract\"\u003eThe papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.\u003c/abstract\u003e\n    "],"abstract_tesim":["The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1ca6a9e64e9d671ec90cafaf9795222f\"\u003eMap Case 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"names_coll_ssim":["George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017"],"persname_ssim":["Wilkins, Roger W., 1932-2017"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:52.365Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_328","ead_ssi":"vifgm_repositories_2_resources_328","_root_":"vifgm_repositories_2_resources_328","_nest_parent_":"vifgm_repositories_2_resources_328","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_328.xml","title_ssm":["Roger Wilkins papers"],"title_tesim":["Roger Wilkins papers"],"unitdate_ssm":["1928-2008"],"unitdate_inclusive_ssm":["1928-2008"],"normalized_date_ssm":["1928/2008"],"normalized_title_ssm":["Roger Wilkins papers, 1928/2008"],"text":["Roger Wilkins papers, 1928/2008","C0212","/repositories/2/resources/328","United States -- Politics and government","African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings","There are no access restrictions.","Organized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)","Organized into 6 series","Series\n      Series 1: Publications, 1965-2008, (Boxes 1-5)\n      Series 2: General Correspondence, 1987-2006) (Box 5)\n      Series 3: Affiliations, 1995-2000, (Box 6)\n      Series 4: Biographical papers, 1928, 1963-2007 (Box 6)\n      Series 5: George Mason University, 1990-2006, (Boxes 7-8)\n      Series 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)","Born in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year.","Processed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021.","The Special Collections Research Center also holds the papers of other Robinson professors.","The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Series 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.","Series 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.","Series 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.","Series 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.","Series 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.","Series 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.","This series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.","This series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.","This series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.","This series includes interviews with Roger Wilkins and biographical articles about him and his family.","This series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.","This series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.","The American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Map Case 11.5","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017","English"],"collection_title_tesim":["Roger Wilkins papers, 1928/2008"],"collection_ssim":["Roger Wilkins papers, 1928/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0212","/repositories/2/resources/328"],"unitid_tesim":["C0212","/repositories/2/resources/328"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government"],"geogname_ssim":["United States -- Politics and government"],"places_ssim":["United States -- Politics and government"],"creator_ssm":["Wilkins, Roger W., 1932-2017"],"creator_ssim":["Wilkins, Roger W., 1932-2017"],"creator_persname_ssim":["Wilkins, Roger W., 1932-2017"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"creators_ssim":["Wilkins, Roger W., 1932-2017","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Roger Wilkins in 2012."],"access_subjects_ssim":["African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 9 boxes"],"extent_tesim":["3.25 Linear Feet 9 boxes"],"genreform_ssim":["Correspondence","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)\u003c/p\u003e","\u003cp\u003eOrganized into 6 series\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Publications, 1965-2008, (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: General Correspondence, 1987-2006) (Box 5)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Affiliations, 1995-2000, (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Biographical papers, 1928, 1963-2007 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: George Mason University, 1990-2006, (Boxes 7-8)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)","Organized into 6 series","Series\n      Series 1: Publications, 1965-2008, (Boxes 1-5)\n      Series 2: General Correspondence, 1987-2006) (Box 5)\n      Series 3: Affiliations, 1995-2000, (Box 6)\n      Series 4: Biographical papers, 1928, 1963-2007 (Box 6)\n      Series 5: George Mason University, 1990-2006, (Boxes 7-8)\n      Series 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year."],"prefercite_html_tesm":["\u003cp\u003eRoger Wilkins papers, C0212, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Roger Wilkins papers, C0212, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of other Robinson professors.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of other Robinson professors."],"scopecontent_html_tesm":["\u003cp\u003eThe papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.      \u003c/p\u003e","\u003cp\u003eSeries 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.\u003c/p\u003e","\u003cp\u003eSeries 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.\u003c/p\u003e  ","\u003cp\u003eThis series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.\u003c/p\u003e","\u003cp\u003eThis series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.\u003c/p\u003e","\u003cp\u003eThis series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.\u003c/p\u003e","\u003cp\u003eThis series includes interviews with Roger Wilkins and biographical articles about him and his family.\u003c/p\u003e","\u003cp\u003eThis series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.\u003c/p\u003e","\u003cp\u003eThis series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Series 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.","Series 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.","Series 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.","Series 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.","Series 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.","Series 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.","This series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.","This series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.","This series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.","This series includes interviews with Roger Wilkins and biographical articles about him and his family.","This series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.","This series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.","The American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e95d32f9f1e4e0c233934736c9ce8301\" label=\"Abstract\"\u003eThe papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.\u003c/abstract\u003e\n    "],"abstract_tesim":["The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1ca6a9e64e9d671ec90cafaf9795222f\"\u003eMap Case 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"names_coll_ssim":["George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017"],"persname_ssim":["Wilkins, Roger W., 1932-2017"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:52.365Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_328"}},{"id":"vifgm_repositories_2_resources_185","type":"collection","attributes":{"title":"Thelma Z. Lavine papers, 1932/2007","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_185#creator","type":"document_value","attributes":{"value":"Lavine, T. Z.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_185#abstract_or_scope","type":"document_value","attributes":{"value":"Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_185#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_185","ead_ssi":"vifgm_repositories_2_resources_185","_root_":"vifgm_repositories_2_resources_185","_nest_parent_":"vifgm_repositories_2_resources_185","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_185.xml","title_filing_ssi":"Thelma Z. Lavine papers","title_ssm":["Thelma Z. Lavine papers"],"title_tesim":["Thelma Z. Lavine papers"],"unitdate_ssm":["1932-2007"],"unitdate_inclusive_ssm":["1932-2007"],"normalized_date_ssm":["1932/2007"],"normalized_title_ssm":["Thelma Z. Lavine papers, 1932/2007"],"text":["Thelma Z. Lavine papers, 1932/2007","C0195","/repositories/2/resources/185","Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings","There are no access restrictions.","This collection is organized by type of material into four series.","Series\n      Series 1: Correspondence, 1960-2005 (Boxes 1-6)\n      Series 2: Research, 1930s-2007 (Boxes 6-32)\n      Series 3: Publications, 1977-2002 (Boxes 23-33)\n      Series 4: Audio/Visual, 1969-1996 (Boxes 34-43)","Born in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998.","An active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa.","Lavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature.","A widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011.","Processed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013.","The Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes.","Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.","Series 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically.","Series 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically.","Series 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Series 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.","This series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.","Identified by TZL. Includes SAAP material.","Identified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.","Seminar, courses, program.","Fellowship, NEH","Ayn Rand. Correspondence from GWU.","Founders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.","Natural law, utopia.","Includes lectures and meetings.","Includes APA material.","APA convention, philosophic societies, various.","Identified by TZL as \"Current.\"","Includes SAAP material.","Includes \"Krebiozen,\" Larry King.","Includes \"hypophosphatasia.\"","Includes \"Jonathan Skipp - Bantam.\"","Identified by TZL. Romantic pragmatism, American history, politics.","The problem of phenomenalism. SUNY Buffalo.","Identified by TZL.","Identified by TZL as \"Random House re SocSart\"","Arendt, B'nai B'rith, The New Yorker.","Nazism, fan mail, Pragmatism, Arendt.","This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.","includes paper by Alan Wood at Cornell.","Original binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"","Original binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"","Includes high school yearbooks with photos.","Includes work on history and religion.","Kant.","Logical positivism.","Santayana.","\"Speech in Society.\"","Undergraduate. Radcliffe.","Undergraduate honors thesis on knowledge and other minds.","Morality, capitalism, values.","Identified by TZL as \"Am \u0026 Crisis \u0026 Modernity.\"","Liberty. Isaiah Berlin.","Committee on pluralism, executive committee, nominations.","\"Cultural Wars.\" \"Resolving the Contradiction.\"","Identified by TZL.\nIdentified by TZL.","Identified by TZL.","Berlin, psychological method.","Dewey, Feuer, NYT book reviews.","Identified by TZL.","Includes obituary.","Includes realia.","Original binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"","Copies of manila file folders on which TZL had written.","Identified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"","Also contains TZL's resignation letter from UMD.","Identified by TZL.","Identified by TZL as \"tv program script and notes\"","Identified by TZL.","Original binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"","Identified by TZL.","Original binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"","Identified by TZL.","Includes history and \"Kant's Children.\"","Identified by TZL.","Goode, Quine, Feuer, Merton, Weiss, Anger, Phillips.","Identified by TZL as \"AM new ... Rorty notes.\"","Identified by TZL as \"Progressivism ROM/MOD + END/CONCL\"","Original binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"","Includes work on phenomenology, research for Verstehen, Hume, Rorty.","Includes notes on American culture and religion, Dewey, ideology.","Includes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.","Includes notes on American identity, philosophy and culture, women's movement.","Includes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.","Includes research for Verstehen and on Abel.","The Jewish experience, Hegel, Kant. Murphy paper and note.","Includes work on rules, candidates, Feuer.","Preparing for presentation,","Includes work on religion, nihilism, ultimate values as identified by TZL.","This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Journal. ABS: American Behavioral Scientist, March/April 1977, Article 6.","Journal. Spring, 1981, Vol XVII, No. 2.","Journal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,","Book. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.","Book. Edited by Jo Ann Boydston.","Journal. The Journal of Speculative Philosophy, Vol. VII, No 2.","Book. Author Arthur F. Bentley.","Journal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.","Book. Edited by Lewis Edwin Hahn.","Book, used. Author Charles Frankel.","Book, sealed in shrink wrap. Author Charles Frankel.","This series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.","Fordham Univ.","Philosophical Roots - German - Freud - Rank","Wash. Hebrew Congregation, Scholar Series","Th. Lavine GWU for Smithsonian","LECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2","LECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel Two / SIDE ONE Q\u0026A","Side A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)","000-400 / 400-480 / A\n000-150 TZL / B","Side A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic","Side 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation","As identified on case.","Side A - 20   12/11\nSide B - 12   11/4 -\u003e11/11","\"Witnesses to the Holocaust.\" date given is (c) date.","\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.","Photograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Lavine, T. Z.","English"],"collection_title_tesim":["Thelma Z. Lavine papers, 1932/2007"],"collection_ssim":["Thelma Z. Lavine papers, 1932/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0195","/repositories/2/resources/185"],"unitid_tesim":["C0195","/repositories/2/resources/185"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lavine, T. Z."],"creator_ssim":["Lavine, T. Z."],"creator_persname_ssim":["Lavine, T. Z."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"creators_ssim":["Lavine, T. Z.","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Margaret V. Sachs in 2011."],"access_subjects_ssim":["Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings"],"access_subjects_ssm":["Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["19.25 Linear Feet 43 boxes"],"extent_tesim":["19.25 Linear Feet 43 boxes"],"genreform_ssim":["Correspondence","Sound recordings"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized by type of material into four series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1960-2005 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Research, 1930s-2007 (Boxes 6-32)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publications, 1977-2002 (Boxes 23-33)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audio/Visual, 1969-1996 (Boxes 34-43)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized by type of material into four series.","Series\n      Series 1: Correspondence, 1960-2005 (Boxes 1-6)\n      Series 2: Research, 1930s-2007 (Boxes 6-32)\n      Series 3: Publications, 1977-2002 (Boxes 23-33)\n      Series 4: Audio/Visual, 1969-1996 (Boxes 34-43)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998. \u003c/p\u003e","\u003cp\u003eAn active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa. \u003c/p\u003e","\u003cp\u003eLavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature. \u003c/p\u003e","\u003cp\u003eA widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998.","An active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa.","Lavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature.","A widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011."],"prefercite_html_tesm":["\u003cp\u003eThelma Z. Lavine papers, C0195, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Thelma Z. Lavine papers, C0195, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes."],"scopecontent_html_tesm":["\u003cp\u003eResearch papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically. \u003c/p\u003e","\u003cp\u003eSeries 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically. \u003c/p\u003e","\u003cp\u003eSeries 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically. \u003c/p\u003e","\u003cp\u003eSeries 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.   \u003c/p\u003e  ","\u003cp\u003eThis series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Includes SAAP material.\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.\u003c/p\u003e","\u003cp\u003eSeminar, courses, program.\u003c/p\u003e","\u003cp\u003eFellowship, NEH\u003c/p\u003e","\u003cp\u003eAyn Rand. Correspondence from GWU.\u003c/p\u003e","\u003cp\u003eFounders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.\u003c/p\u003e","\u003cp\u003eNatural law, utopia.\u003c/p\u003e","\u003cp\u003eIncludes lectures and meetings.\u003c/p\u003e","\u003cp\u003eIncludes APA material.\u003c/p\u003e","\u003cp\u003eAPA convention, philosophic societies, various.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Current.\"\u003c/p\u003e","\u003cp\u003eIncludes SAAP material.\u003c/p\u003e","\u003cp\u003eIncludes \"Krebiozen,\" Larry King.\u003c/p\u003e","\u003cp\u003eIncludes \"hypophosphatasia.\"\u003c/p\u003e","\u003cp\u003eIncludes \"Jonathan Skipp - Bantam.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Romantic pragmatism, American history, politics.\u003c/p\u003e","\u003cp\u003eThe problem of phenomenalism. SUNY Buffalo.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Random House re SocSart\"\u003c/p\u003e","\u003cp\u003eArendt, B'nai B'rith, The New Yorker.\u003c/p\u003e","\u003cp\u003eNazism, fan mail, Pragmatism, Arendt.\u003c/p\u003e","\u003cp\u003eThis series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eincludes paper by Alan Wood at Cornell.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"\u003c/p\u003e","\u003cp\u003eIncludes high school yearbooks with photos.\u003c/p\u003e","\u003cp\u003eIncludes work on history and religion.\u003c/p\u003e","\u003cp\u003eKant.\u003c/p\u003e","\u003cp\u003eLogical positivism.\u003c/p\u003e","\u003cp\u003eSantayana.\u003c/p\u003e","\u003cp\u003e\"Speech in Society.\"\u003c/p\u003e","\u003cp\u003eUndergraduate. Radcliffe.\u003c/p\u003e","\u003cp\u003eUndergraduate honors thesis on knowledge and other minds.\u003c/p\u003e","\u003cp\u003eMorality, capitalism, values.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Am \u0026amp; Crisis \u0026amp; Modernity.\"\u003c/p\u003e","\u003cp\u003eLiberty. Isaiah Berlin.\u003c/p\u003e","\u003cp\u003eCommittee on pluralism, executive committee, nominations.\u003c/p\u003e","\u003cp\u003e\"Cultural Wars.\" \"Resolving the Contradiction.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\nIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eBerlin, psychological method.\u003c/p\u003e","\u003cp\u003eDewey, Feuer, NYT book reviews.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIncludes obituary.\u003c/p\u003e","\u003cp\u003eIncludes realia.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"\u003c/p\u003e","\u003cp\u003eCopies of manila file folders on which TZL had written.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"\u003c/p\u003e","\u003cp\u003eAlso contains TZL's resignation letter from UMD.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"tv program script and notes\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIncludes history and \"Kant's Children.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eGoode, Quine, Feuer, Merton, Weiss, Anger, Phillips.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"AM new ... Rorty notes.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Progressivism ROM/MOD + END/CONCL\"\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"\u003c/p\u003e","\u003cp\u003eIncludes work on phenomenology, research for Verstehen, Hume, Rorty.\u003c/p\u003e","\u003cp\u003eIncludes notes on American culture and religion, Dewey, ideology.\u003c/p\u003e","\u003cp\u003eIncludes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.\u003c/p\u003e","\u003cp\u003eIncludes notes on American identity, philosophy and culture, women's movement.\u003c/p\u003e","\u003cp\u003eIncludes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.\u003c/p\u003e","\u003cp\u003eIncludes research for Verstehen and on Abel.\u003c/p\u003e","\u003cp\u003eThe Jewish experience, Hegel, Kant. Murphy paper and note.\u003c/p\u003e","\u003cp\u003eIncludes work on rules, candidates, Feuer.\u003c/p\u003e","\u003cp\u003ePreparing for presentation,\u003c/p\u003e","\u003cp\u003eIncludes work on religion, nihilism, ultimate values as identified by TZL.\u003c/p\u003e","\u003cp\u003eThis series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.\u003c/p\u003e","\u003cp\u003eJournal. ABS: American Behavioral Scientist, March/April 1977, Article 6.\u003c/p\u003e","\u003cp\u003eJournal. Spring, 1981, Vol XVII, No. 2.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,\u003c/p\u003e","\u003cp\u003eBook. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.\u003c/p\u003e","\u003cp\u003eBook. Edited by Jo Ann Boydston.\u003c/p\u003e","\u003cp\u003eJournal. The Journal of Speculative Philosophy, Vol. VII, No 2.\u003c/p\u003e","\u003cp\u003eBook. Author Arthur F. Bentley.\u003c/p\u003e","\u003cp\u003eJournal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.\u003c/p\u003e","\u003cp\u003eBook. Edited by Lewis Edwin Hahn.\u003c/p\u003e","\u003cp\u003eBook, used. Author Charles Frankel.\u003c/p\u003e","\u003cp\u003eBook, sealed in shrink wrap. Author Charles Frankel.\u003c/p\u003e","\u003cp\u003eThis series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.\u003c/p\u003e","\u003cp\u003eFordham Univ.\u003c/p\u003e","\u003cp\u003ePhilosophical Roots - German - Freud - Rank\u003c/p\u003e","\u003cp\u003eWash. Hebrew Congregation, Scholar Series\u003c/p\u003e","\u003cp\u003eTh. Lavine GWU for Smithsonian\u003c/p\u003e","\u003cp\u003eLECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026amp; CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2\u003c/p\u003e","\u003cp\u003eLECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026amp; CHANNEL Floor Reel Two / SIDE ONE Q\u0026amp;A\u003c/p\u003e","\u003cp\u003eSide A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)\u003c/p\u003e","\u003cp\u003e000-400 / 400-480 / A\n000-150 TZL / B\u003c/p\u003e","\u003cp\u003eSide A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic\u003c/p\u003e","\u003cp\u003eSide 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation\u003c/p\u003e","\u003cp\u003eAs identified on case.\u003c/p\u003e","\u003cp\u003eSide A - 20   12/11\nSide B - 12   11/4 -\u0026gt;11/11\u003c/p\u003e","\u003cp\u003e\"Witnesses to the Holocaust.\" date given is (c) date.\u003c/p\u003e","\u003cp\u003e\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.\u003c/p\u003e","\u003cp\u003ePhotograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.","Series 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically.","Series 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically.","Series 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Series 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.","This series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.","Identified by TZL. Includes SAAP material.","Identified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.","Seminar, courses, program.","Fellowship, NEH","Ayn Rand. Correspondence from GWU.","Founders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.","Natural law, utopia.","Includes lectures and meetings.","Includes APA material.","APA convention, philosophic societies, various.","Identified by TZL as \"Current.\"","Includes SAAP material.","Includes \"Krebiozen,\" Larry King.","Includes \"hypophosphatasia.\"","Includes \"Jonathan Skipp - Bantam.\"","Identified by TZL. Romantic pragmatism, American history, politics.","The problem of phenomenalism. SUNY Buffalo.","Identified by TZL.","Identified by TZL as \"Random House re SocSart\"","Arendt, B'nai B'rith, The New Yorker.","Nazism, fan mail, Pragmatism, Arendt.","This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.","includes paper by Alan Wood at Cornell.","Original binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"","Original binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"","Includes high school yearbooks with photos.","Includes work on history and religion.","Kant.","Logical positivism.","Santayana.","\"Speech in Society.\"","Undergraduate. Radcliffe.","Undergraduate honors thesis on knowledge and other minds.","Morality, capitalism, values.","Identified by TZL as \"Am \u0026 Crisis \u0026 Modernity.\"","Liberty. Isaiah Berlin.","Committee on pluralism, executive committee, nominations.","\"Cultural Wars.\" \"Resolving the Contradiction.\"","Identified by TZL.\nIdentified by TZL.","Identified by TZL.","Berlin, psychological method.","Dewey, Feuer, NYT book reviews.","Identified by TZL.","Includes obituary.","Includes realia.","Original binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"","Copies of manila file folders on which TZL had written.","Identified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"","Also contains TZL's resignation letter from UMD.","Identified by TZL.","Identified by TZL as \"tv program script and notes\"","Identified by TZL.","Original binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"","Identified by TZL.","Original binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"","Identified by TZL.","Includes history and \"Kant's Children.\"","Identified by TZL.","Goode, Quine, Feuer, Merton, Weiss, Anger, Phillips.","Identified by TZL as \"AM new ... Rorty notes.\"","Identified by TZL as \"Progressivism ROM/MOD + END/CONCL\"","Original binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"","Includes work on phenomenology, research for Verstehen, Hume, Rorty.","Includes notes on American culture and religion, Dewey, ideology.","Includes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.","Includes notes on American identity, philosophy and culture, women's movement.","Includes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.","Includes research for Verstehen and on Abel.","The Jewish experience, Hegel, Kant. Murphy paper and note.","Includes work on rules, candidates, Feuer.","Preparing for presentation,","Includes work on religion, nihilism, ultimate values as identified by TZL.","This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Journal. ABS: American Behavioral Scientist, March/April 1977, Article 6.","Journal. Spring, 1981, Vol XVII, No. 2.","Journal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,","Book. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.","Book. Edited by Jo Ann Boydston.","Journal. The Journal of Speculative Philosophy, Vol. VII, No 2.","Book. Author Arthur F. Bentley.","Journal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.","Book. Edited by Lewis Edwin Hahn.","Book, used. Author Charles Frankel.","Book, sealed in shrink wrap. Author Charles Frankel.","This series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.","Fordham Univ.","Philosophical Roots - German - Freud - Rank","Wash. Hebrew Congregation, Scholar Series","Th. Lavine GWU for Smithsonian","LECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2","LECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel Two / SIDE ONE Q\u0026A","Side A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)","000-400 / 400-480 / A\n000-150 TZL / B","Side A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic","Side 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation","As identified on case.","Side A - 20   12/11\nSide B - 12   11/4 -\u003e11/11","\"Witnesses to the Holocaust.\" date given is (c) date.","\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.","Photograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_aafd885904e4dca8d35fc5d77c82371f\"\u003eResearch papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.\u003c/abstract\u003e\n    "],"abstract_tesim":["Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"names_coll_ssim":["George Mason University--Faculty","Lavine, T. Z."],"persname_ssim":["Lavine, T. Z."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Lavine, T. Z."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":713,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:30.607Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_185","ead_ssi":"vifgm_repositories_2_resources_185","_root_":"vifgm_repositories_2_resources_185","_nest_parent_":"vifgm_repositories_2_resources_185","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_185.xml","title_filing_ssi":"Thelma Z. Lavine papers","title_ssm":["Thelma Z. Lavine papers"],"title_tesim":["Thelma Z. Lavine papers"],"unitdate_ssm":["1932-2007"],"unitdate_inclusive_ssm":["1932-2007"],"normalized_date_ssm":["1932/2007"],"normalized_title_ssm":["Thelma Z. Lavine papers, 1932/2007"],"text":["Thelma Z. Lavine papers, 1932/2007","C0195","/repositories/2/resources/185","Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings","There are no access restrictions.","This collection is organized by type of material into four series.","Series\n      Series 1: Correspondence, 1960-2005 (Boxes 1-6)\n      Series 2: Research, 1930s-2007 (Boxes 6-32)\n      Series 3: Publications, 1977-2002 (Boxes 23-33)\n      Series 4: Audio/Visual, 1969-1996 (Boxes 34-43)","Born in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998.","An active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa.","Lavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature.","A widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011.","Processed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013.","The Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes.","Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.","Series 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically.","Series 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically.","Series 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Series 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.","This series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.","Identified by TZL. Includes SAAP material.","Identified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.","Seminar, courses, program.","Fellowship, NEH","Ayn Rand. Correspondence from GWU.","Founders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.","Natural law, utopia.","Includes lectures and meetings.","Includes APA material.","APA convention, philosophic societies, various.","Identified by TZL as \"Current.\"","Includes SAAP material.","Includes \"Krebiozen,\" Larry King.","Includes \"hypophosphatasia.\"","Includes \"Jonathan Skipp - Bantam.\"","Identified by TZL. Romantic pragmatism, American history, politics.","The problem of phenomenalism. SUNY Buffalo.","Identified by TZL.","Identified by TZL as \"Random House re SocSart\"","Arendt, B'nai B'rith, The New Yorker.","Nazism, fan mail, Pragmatism, Arendt.","This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.","includes paper by Alan Wood at Cornell.","Original binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"","Original binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"","Includes high school yearbooks with photos.","Includes work on history and religion.","Kant.","Logical positivism.","Santayana.","\"Speech in Society.\"","Undergraduate. Radcliffe.","Undergraduate honors thesis on knowledge and other minds.","Morality, capitalism, values.","Identified by TZL as \"Am \u0026 Crisis \u0026 Modernity.\"","Liberty. Isaiah Berlin.","Committee on pluralism, executive committee, nominations.","\"Cultural Wars.\" \"Resolving the Contradiction.\"","Identified by TZL.\nIdentified by TZL.","Identified by TZL.","Berlin, psychological method.","Dewey, Feuer, NYT book reviews.","Identified by TZL.","Includes obituary.","Includes realia.","Original binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"","Copies of manila file folders on which TZL had written.","Identified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"","Also contains TZL's resignation letter from UMD.","Identified by TZL.","Identified by TZL as \"tv program script and notes\"","Identified by TZL.","Original binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"","Identified by TZL.","Original binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"","Identified by TZL.","Includes history and \"Kant's Children.\"","Identified by TZL.","Goode, Quine, Feuer, Merton, Weiss, Anger, Phillips.","Identified by TZL as \"AM new ... Rorty notes.\"","Identified by TZL as \"Progressivism ROM/MOD + END/CONCL\"","Original binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"","Includes work on phenomenology, research for Verstehen, Hume, Rorty.","Includes notes on American culture and religion, Dewey, ideology.","Includes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.","Includes notes on American identity, philosophy and culture, women's movement.","Includes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.","Includes research for Verstehen and on Abel.","The Jewish experience, Hegel, Kant. Murphy paper and note.","Includes work on rules, candidates, Feuer.","Preparing for presentation,","Includes work on religion, nihilism, ultimate values as identified by TZL.","This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Journal. ABS: American Behavioral Scientist, March/April 1977, Article 6.","Journal. Spring, 1981, Vol XVII, No. 2.","Journal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,","Book. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.","Book. Edited by Jo Ann Boydston.","Journal. The Journal of Speculative Philosophy, Vol. VII, No 2.","Book. Author Arthur F. Bentley.","Journal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.","Book. Edited by Lewis Edwin Hahn.","Book, used. Author Charles Frankel.","Book, sealed in shrink wrap. Author Charles Frankel.","This series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.","Fordham Univ.","Philosophical Roots - German - Freud - Rank","Wash. Hebrew Congregation, Scholar Series","Th. Lavine GWU for Smithsonian","LECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2","LECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel Two / SIDE ONE Q\u0026A","Side A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)","000-400 / 400-480 / A\n000-150 TZL / B","Side A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic","Side 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation","As identified on case.","Side A - 20   12/11\nSide B - 12   11/4 -\u003e11/11","\"Witnesses to the Holocaust.\" date given is (c) date.","\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.","Photograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Lavine, T. Z.","English"],"collection_title_tesim":["Thelma Z. Lavine papers, 1932/2007"],"collection_ssim":["Thelma Z. Lavine papers, 1932/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0195","/repositories/2/resources/185"],"unitid_tesim":["C0195","/repositories/2/resources/185"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lavine, T. Z."],"creator_ssim":["Lavine, T. Z."],"creator_persname_ssim":["Lavine, T. Z."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"creators_ssim":["Lavine, T. Z.","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Margaret V. Sachs in 2011."],"access_subjects_ssim":["Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings"],"access_subjects_ssm":["Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["19.25 Linear Feet 43 boxes"],"extent_tesim":["19.25 Linear Feet 43 boxes"],"genreform_ssim":["Correspondence","Sound recordings"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized by type of material into four series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1960-2005 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Research, 1930s-2007 (Boxes 6-32)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publications, 1977-2002 (Boxes 23-33)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audio/Visual, 1969-1996 (Boxes 34-43)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized by type of material into four series.","Series\n      Series 1: Correspondence, 1960-2005 (Boxes 1-6)\n      Series 2: Research, 1930s-2007 (Boxes 6-32)\n      Series 3: Publications, 1977-2002 (Boxes 23-33)\n      Series 4: Audio/Visual, 1969-1996 (Boxes 34-43)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998. \u003c/p\u003e","\u003cp\u003eAn active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa. \u003c/p\u003e","\u003cp\u003eLavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature. \u003c/p\u003e","\u003cp\u003eA widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998.","An active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa.","Lavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature.","A widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011."],"prefercite_html_tesm":["\u003cp\u003eThelma Z. Lavine papers, C0195, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Thelma Z. Lavine papers, C0195, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes."],"scopecontent_html_tesm":["\u003cp\u003eResearch papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically. \u003c/p\u003e","\u003cp\u003eSeries 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically. \u003c/p\u003e","\u003cp\u003eSeries 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically. \u003c/p\u003e","\u003cp\u003eSeries 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.   \u003c/p\u003e  ","\u003cp\u003eThis series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Includes SAAP material.\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.\u003c/p\u003e","\u003cp\u003eSeminar, courses, program.\u003c/p\u003e","\u003cp\u003eFellowship, NEH\u003c/p\u003e","\u003cp\u003eAyn Rand. Correspondence from GWU.\u003c/p\u003e","\u003cp\u003eFounders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.\u003c/p\u003e","\u003cp\u003eNatural law, utopia.\u003c/p\u003e","\u003cp\u003eIncludes lectures and meetings.\u003c/p\u003e","\u003cp\u003eIncludes APA material.\u003c/p\u003e","\u003cp\u003eAPA convention, philosophic societies, various.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Current.\"\u003c/p\u003e","\u003cp\u003eIncludes SAAP material.\u003c/p\u003e","\u003cp\u003eIncludes \"Krebiozen,\" Larry King.\u003c/p\u003e","\u003cp\u003eIncludes \"hypophosphatasia.\"\u003c/p\u003e","\u003cp\u003eIncludes \"Jonathan Skipp - Bantam.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Romantic pragmatism, American history, politics.\u003c/p\u003e","\u003cp\u003eThe problem of phenomenalism. SUNY Buffalo.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Random House re SocSart\"\u003c/p\u003e","\u003cp\u003eArendt, B'nai B'rith, The New Yorker.\u003c/p\u003e","\u003cp\u003eNazism, fan mail, Pragmatism, Arendt.\u003c/p\u003e","\u003cp\u003eThis series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eincludes paper by Alan Wood at Cornell.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"\u003c/p\u003e","\u003cp\u003eIncludes high school yearbooks with photos.\u003c/p\u003e","\u003cp\u003eIncludes work on history and religion.\u003c/p\u003e","\u003cp\u003eKant.\u003c/p\u003e","\u003cp\u003eLogical positivism.\u003c/p\u003e","\u003cp\u003eSantayana.\u003c/p\u003e","\u003cp\u003e\"Speech in Society.\"\u003c/p\u003e","\u003cp\u003eUndergraduate. Radcliffe.\u003c/p\u003e","\u003cp\u003eUndergraduate honors thesis on knowledge and other minds.\u003c/p\u003e","\u003cp\u003eMorality, capitalism, values.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Am \u0026amp; Crisis \u0026amp; Modernity.\"\u003c/p\u003e","\u003cp\u003eLiberty. Isaiah Berlin.\u003c/p\u003e","\u003cp\u003eCommittee on pluralism, executive committee, nominations.\u003c/p\u003e","\u003cp\u003e\"Cultural Wars.\" \"Resolving the Contradiction.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\nIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eBerlin, psychological method.\u003c/p\u003e","\u003cp\u003eDewey, Feuer, NYT book reviews.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIncludes obituary.\u003c/p\u003e","\u003cp\u003eIncludes realia.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"\u003c/p\u003e","\u003cp\u003eCopies of manila file folders on which TZL had written.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"\u003c/p\u003e","\u003cp\u003eAlso contains TZL's resignation letter from UMD.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"tv program script and notes\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIncludes history and \"Kant's Children.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eGoode, Quine, Feuer, Merton, Weiss, Anger, Phillips.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"AM new ... Rorty notes.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Progressivism ROM/MOD + END/CONCL\"\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"\u003c/p\u003e","\u003cp\u003eIncludes work on phenomenology, research for Verstehen, Hume, Rorty.\u003c/p\u003e","\u003cp\u003eIncludes notes on American culture and religion, Dewey, ideology.\u003c/p\u003e","\u003cp\u003eIncludes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.\u003c/p\u003e","\u003cp\u003eIncludes notes on American identity, philosophy and culture, women's movement.\u003c/p\u003e","\u003cp\u003eIncludes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.\u003c/p\u003e","\u003cp\u003eIncludes research for Verstehen and on Abel.\u003c/p\u003e","\u003cp\u003eThe Jewish experience, Hegel, Kant. Murphy paper and note.\u003c/p\u003e","\u003cp\u003eIncludes work on rules, candidates, Feuer.\u003c/p\u003e","\u003cp\u003ePreparing for presentation,\u003c/p\u003e","\u003cp\u003eIncludes work on religion, nihilism, ultimate values as identified by TZL.\u003c/p\u003e","\u003cp\u003eThis series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.\u003c/p\u003e","\u003cp\u003eJournal. ABS: American Behavioral Scientist, March/April 1977, Article 6.\u003c/p\u003e","\u003cp\u003eJournal. Spring, 1981, Vol XVII, No. 2.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,\u003c/p\u003e","\u003cp\u003eBook. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.\u003c/p\u003e","\u003cp\u003eBook. Edited by Jo Ann Boydston.\u003c/p\u003e","\u003cp\u003eJournal. The Journal of Speculative Philosophy, Vol. VII, No 2.\u003c/p\u003e","\u003cp\u003eBook. Author Arthur F. Bentley.\u003c/p\u003e","\u003cp\u003eJournal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.\u003c/p\u003e","\u003cp\u003eBook. Edited by Lewis Edwin Hahn.\u003c/p\u003e","\u003cp\u003eBook, used. Author Charles Frankel.\u003c/p\u003e","\u003cp\u003eBook, sealed in shrink wrap. Author Charles Frankel.\u003c/p\u003e","\u003cp\u003eThis series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.\u003c/p\u003e","\u003cp\u003eFordham Univ.\u003c/p\u003e","\u003cp\u003ePhilosophical Roots - German - Freud - Rank\u003c/p\u003e","\u003cp\u003eWash. Hebrew Congregation, Scholar Series\u003c/p\u003e","\u003cp\u003eTh. Lavine GWU for Smithsonian\u003c/p\u003e","\u003cp\u003eLECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026amp; CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2\u003c/p\u003e","\u003cp\u003eLECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026amp; CHANNEL Floor Reel Two / SIDE ONE Q\u0026amp;A\u003c/p\u003e","\u003cp\u003eSide A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)\u003c/p\u003e","\u003cp\u003e000-400 / 400-480 / A\n000-150 TZL / B\u003c/p\u003e","\u003cp\u003eSide A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic\u003c/p\u003e","\u003cp\u003eSide 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation\u003c/p\u003e","\u003cp\u003eAs identified on case.\u003c/p\u003e","\u003cp\u003eSide A - 20   12/11\nSide B - 12   11/4 -\u0026gt;11/11\u003c/p\u003e","\u003cp\u003e\"Witnesses to the Holocaust.\" date given is (c) date.\u003c/p\u003e","\u003cp\u003e\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.\u003c/p\u003e","\u003cp\u003ePhotograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.","Series 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically.","Series 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically.","Series 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Series 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.","This series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.","Identified by TZL. Includes SAAP material.","Identified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.","Seminar, courses, program.","Fellowship, NEH","Ayn Rand. Correspondence from GWU.","Founders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.","Natural law, utopia.","Includes lectures and meetings.","Includes APA material.","APA convention, philosophic societies, various.","Identified by TZL as \"Current.\"","Includes SAAP material.","Includes \"Krebiozen,\" Larry King.","Includes \"hypophosphatasia.\"","Includes \"Jonathan Skipp - Bantam.\"","Identified by TZL. Romantic pragmatism, American history, politics.","The problem of phenomenalism. SUNY Buffalo.","Identified by TZL.","Identified by TZL as \"Random House re SocSart\"","Arendt, B'nai B'rith, The New Yorker.","Nazism, fan mail, Pragmatism, Arendt.","This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.","includes paper by Alan Wood at Cornell.","Original binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"","Original binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"","Includes high school yearbooks with photos.","Includes work on history and religion.","Kant.","Logical positivism.","Santayana.","\"Speech in Society.\"","Undergraduate. Radcliffe.","Undergraduate honors thesis on knowledge and other minds.","Morality, capitalism, values.","Identified by TZL as \"Am \u0026 Crisis \u0026 Modernity.\"","Liberty. Isaiah Berlin.","Committee on pluralism, executive committee, nominations.","\"Cultural Wars.\" \"Resolving the Contradiction.\"","Identified by TZL.\nIdentified by TZL.","Identified by TZL.","Berlin, psychological method.","Dewey, Feuer, NYT book reviews.","Identified by TZL.","Includes obituary.","Includes realia.","Original binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"","Copies of manila file folders on which TZL had written.","Identified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"","Also contains TZL's resignation letter from UMD.","Identified by TZL.","Identified by TZL as \"tv program script and notes\"","Identified by TZL.","Original binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"","Identified by TZL.","Original binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"","Identified by TZL.","Includes history and \"Kant's Children.\"","Identified by TZL.","Goode, Quine, Feuer, Merton, Weiss, Anger, Phillips.","Identified by TZL as \"AM new ... Rorty notes.\"","Identified by TZL as \"Progressivism ROM/MOD + END/CONCL\"","Original binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"","Includes work on phenomenology, research for Verstehen, Hume, Rorty.","Includes notes on American culture and religion, Dewey, ideology.","Includes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.","Includes notes on American identity, philosophy and culture, women's movement.","Includes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.","Includes research for Verstehen and on Abel.","The Jewish experience, Hegel, Kant. Murphy paper and note.","Includes work on rules, candidates, Feuer.","Preparing for presentation,","Includes work on religion, nihilism, ultimate values as identified by TZL.","This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Journal. ABS: American Behavioral Scientist, March/April 1977, Article 6.","Journal. Spring, 1981, Vol XVII, No. 2.","Journal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,","Book. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.","Book. Edited by Jo Ann Boydston.","Journal. The Journal of Speculative Philosophy, Vol. VII, No 2.","Book. Author Arthur F. Bentley.","Journal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.","Book. Edited by Lewis Edwin Hahn.","Book, used. Author Charles Frankel.","Book, sealed in shrink wrap. Author Charles Frankel.","This series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.","Fordham Univ.","Philosophical Roots - German - Freud - Rank","Wash. Hebrew Congregation, Scholar Series","Th. Lavine GWU for Smithsonian","LECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2","LECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel Two / SIDE ONE Q\u0026A","Side A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)","000-400 / 400-480 / A\n000-150 TZL / B","Side A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic","Side 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation","As identified on case.","Side A - 20   12/11\nSide B - 12   11/4 -\u003e11/11","\"Witnesses to the Holocaust.\" date given is (c) date.","\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.","Photograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_aafd885904e4dca8d35fc5d77c82371f\"\u003eResearch papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.\u003c/abstract\u003e\n    "],"abstract_tesim":["Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"names_coll_ssim":["George Mason University--Faculty","Lavine, T. Z."],"persname_ssim":["Lavine, T. Z."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Lavine, T. Z."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":713,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:30.607Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_185"}},{"id":"vilxw_repositories_5_resources_797","type":"collection","attributes":{"title":"Thomas Henry Carter Audiorecordings, 1961/1962","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_797#creator","type":"document_value","attributes":{"value":"Carter, Thomas H. (Thomas Henry)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_797#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times. The recording was made by Recorded Publications Laboratory in 1962.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_797#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_797","ead_ssi":"vilxw_repositories_5_resources_797","_root_":"vilxw_repositories_5_resources_797","_nest_parent_":"vilxw_repositories_5_resources_797","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_797.xml","title_ssm":["Thomas Henry Carter Audiorecordings"],"title_tesim":["Thomas Henry Carter Audiorecordings"],"unitdate_ssm":["ca. 1961-1962"],"unitdate_other_ssim":["ca. 1961-1962"],"normalized_date_ssm":["1961/1962"],"normalized_title_ssm":["Thomas Henry Carter Audiorecordings, 1961/1962"],"text":["Thomas Henry Carter Audiorecordings, 1961/1962","WLU.Coll.0504","/repositories/5/resources/797","Poetry","Sound recordings","Thomas H. Carter Correspondence (WLU Coll 0004)","This collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory","Carter, Thomas H. (Thomas Henry)","Scott, Johnson","English"],"collection_title_tesim":["Thomas Henry Carter Audiorecordings, 1961/1962"],"collection_ssim":["Thomas Henry Carter Audiorecordings, 1961/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0504","/repositories/5/resources/797"],"unitid_tesim":["WLU.Coll.0504","/repositories/5/resources/797"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Carter, Thomas H. (Thomas Henry)","Recorded Publications Laboratory","Scott, Johnson"],"creator_ssim":["Carter, Thomas H. (Thomas Henry)","Recorded Publications Laboratory","Scott, Johnson"],"creator_persname_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"creators_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson","Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Johnson Scott in September 2015."],"access_subjects_ssim":["Poetry","Sound recordings"],"access_subjects_ssm":["Poetry","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 Item"],"extent_tesim":["10 Item"],"date_range_isim":[1961,1962],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Thomas Henry Carter Audio Recordings, WLU Coll. 0502, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], Thomas Henry Carter Audio Recordings, WLU Coll. 0502, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eThomas H. Carter Correspondence (WLU Coll 0004)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas H. Carter Correspondence (WLU Coll 0004)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"persname_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"names_coll_ssim":["Scott, Johnson"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory","Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_797","ead_ssi":"vilxw_repositories_5_resources_797","_root_":"vilxw_repositories_5_resources_797","_nest_parent_":"vilxw_repositories_5_resources_797","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_797.xml","title_ssm":["Thomas Henry Carter Audiorecordings"],"title_tesim":["Thomas Henry Carter Audiorecordings"],"unitdate_ssm":["ca. 1961-1962"],"unitdate_other_ssim":["ca. 1961-1962"],"normalized_date_ssm":["1961/1962"],"normalized_title_ssm":["Thomas Henry Carter Audiorecordings, 1961/1962"],"text":["Thomas Henry Carter Audiorecordings, 1961/1962","WLU.Coll.0504","/repositories/5/resources/797","Poetry","Sound recordings","Thomas H. Carter Correspondence (WLU Coll 0004)","This collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory","Carter, Thomas H. (Thomas Henry)","Scott, Johnson","English"],"collection_title_tesim":["Thomas Henry Carter Audiorecordings, 1961/1962"],"collection_ssim":["Thomas Henry Carter Audiorecordings, 1961/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0504","/repositories/5/resources/797"],"unitid_tesim":["WLU.Coll.0504","/repositories/5/resources/797"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Carter, Thomas H. (Thomas Henry)","Recorded Publications Laboratory","Scott, Johnson"],"creator_ssim":["Carter, Thomas H. (Thomas Henry)","Recorded Publications Laboratory","Scott, Johnson"],"creator_persname_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"creators_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson","Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Johnson Scott in September 2015."],"access_subjects_ssim":["Poetry","Sound recordings"],"access_subjects_ssm":["Poetry","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 Item"],"extent_tesim":["10 Item"],"date_range_isim":[1961,1962],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Thomas Henry Carter Audio Recordings, WLU Coll. 0502, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], Thomas Henry Carter Audio Recordings, WLU Coll. 0502, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eThomas H. Carter Correspondence (WLU Coll 0004)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas H. Carter Correspondence (WLU Coll 0004)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"persname_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"names_coll_ssim":["Scott, Johnson"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory","Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_797"}},{"id":"vifgm_repositories_2_resources_190","type":"collection","attributes":{"title":"Works Progress Administration oral histories collection, 1961/1984","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190#creator","type":"document_value","attributes":{"value":"George Mason University. Institute on the Federal Theatre Project and New Deal Culture","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190#abstract_or_scope","type":"document_value","attributes":{"value":"Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"normalized_date_ssm":["1961/1984"],"normalized_title_ssm":["Works Progress Administration oral histories collection, 1961/1984"],"text":["Works Progress Administration oral histories collection, 1961/1984","C0153","/repositories/2/resources/190","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series\n      Series 1: Transcripts, 1961-1984 (Boxes 1-11)\n      Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"collection_title_tesim":["Works Progress Administration oral histories collection, 1961/1984"],"collection_ssim":["Works Progress Administration oral histories collection, 1961/1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e","\u003cp\u003eOrganized into two series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series\n      Series 1: Transcripts, 1961-1984 (Boxes 1-11)\n      Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:30.607Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"normalized_date_ssm":["1961/1984"],"normalized_title_ssm":["Works Progress Administration oral histories collection, 1961/1984"],"text":["Works Progress Administration oral histories collection, 1961/1984","C0153","/repositories/2/resources/190","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series\n      Series 1: Transcripts, 1961-1984 (Boxes 1-11)\n      Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"collection_title_tesim":["Works Progress Administration oral histories collection, 1961/1984"],"collection_ssim":["Works Progress Administration oral histories collection, 1961/1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e","\u003cp\u003eOrganized into two series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series\n      Series 1: Transcripts, 1961-1984 (Boxes 1-11)\n      Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. 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