{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1896\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1896\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_1957","type":"collection","attributes":{"title":"William Ordway Partridge Papers, 1894/1905","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1957#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Cynthia B. Brown in 1983.","See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.","Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William Ordway Partridge Papers, 1894/1905"],"collection_ssim":["William Ordway Partridge Papers, 1894/1905"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01075","/repositories/2/resources/1957"],"unitid_tesim":["SC 01075","/repositories/2/resources/1957"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History"],"geogname_ssim":["Jamestown (Va.)--History"],"places_ssim":["Jamestown (Va.)--History"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"access_subjects_ssm":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.\u003c/p\u003e","\u003cp\u003e William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).\u003c/p\u003e","\u003cp\u003e His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).\u003c/p\u003e","\u003cp\u003e Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. 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The Governor of Virginia presented the statue as a gift to the British people.\u003c/p\u003e","\u003cp\u003e Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/William_Ordway_Partridge\" title=\"William Ordway Partridge\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eWilliam Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["William Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Cynthia B. Brown in 1983.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Cynthia B. Brown in 1983."],"relatedmaterial_html_tesm":["\u003cp\u003eSee WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.\u003c/p\u003e","\u003cp\u003e 4 items.\u003c/p\u003e  ","\u003cp\u003e6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026amp; Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. 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Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1957","ead_ssi":"viw_repositories_2_resources_1957","_root_":"viw_repositories_2_resources_1957","_nest_parent_":"viw_repositories_2_resources_1957","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1957.xml","title_filing_ssi":"Partridge, William Ordway Papers","title_ssm":["William Ordway Partridge Papers"],"title_tesim":["William Ordway Partridge Papers"],"unitdate_ssm":["1894-1905"],"unitdate_inclusive_ssm":["1894-1905"],"normalized_date_ssm":["1894/1905"],"normalized_title_ssm":["William Ordway Partridge Papers, 1894/1905"],"text":["William Ordway Partridge Papers, 1894/1905","SC 01075","/repositories/2/resources/1957","Jamestown (Va.)--History","Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Cynthia B. Brown in 1983.","See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.","Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.\u003c/p\u003e","\u003cp\u003e William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).\u003c/p\u003e","\u003cp\u003e His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).\u003c/p\u003e","\u003cp\u003e Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.\u003c/p\u003e","\u003cp\u003e Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.\u003c/p\u003e","\u003cp\u003e His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.\u003c/p\u003e","\u003cp\u003e Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/William_Ordway_Partridge\" title=\"William Ordway Partridge\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eWilliam Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["William Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Cynthia B. Brown in 1983.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Cynthia B. Brown in 1983."],"relatedmaterial_html_tesm":["\u003cp\u003eSee WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.\u003c/p\u003e","\u003cp\u003e 4 items.\u003c/p\u003e  ","\u003cp\u003e6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026amp; Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research 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