{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors%2C+American--19th+century\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors%2C+American--19th+century\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_9136","type":"collection","attributes":{"title":"Alexander Galt Letters, 1848/1849","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9136#creator","type":"document_value","attributes":{"value":"Galt, Alexander D. II, 1827-1863","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9136#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. In the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. The 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9136#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9136","ead_ssi":"viw_repositories_2_resources_9136","_root_":"viw_repositories_2_resources_9136","_nest_parent_":"viw_repositories_2_resources_9136","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9136.xml","title_filing_ssi":"Alexander Galt Letters","title_ssm":["Alexander Galt Letters"],"title_tesim":["Alexander Galt Letters"],"unitdate_ssm":["1848-1849"],"unitdate_inclusive_ssm":["1848-1849"],"normalized_date_ssm":["1848/1849"],"normalized_title_ssm":["Alexander Galt Letters, 1848/1849"],"text":["Alexander Galt Letters, 1848/1849","SC 01686","/repositories/2/resources/9136","Italy--Description and travel--19th century","Sculptors, American--19th century","Americans--Italy","Homesickness","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Alexander Galt designed a statue of Thomas Jefferson for the University of Virginia. He contracted smallpox while working on a statue of Confederate General Stonewall Jackson and died in 1863.","(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. \n\nIn the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. \n\nThe 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859","English"],"collection_title_tesim":["Alexander Galt Letters, 1848/1849"],"collection_ssim":["Alexander Galt Letters, 1848/1849"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01686","/repositories/2/resources/9136"],"unitid_tesim":["SC 01686","/repositories/2/resources/9136"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Italy--Description and travel--19th century"],"geogname_ssim":["Italy--Description and travel--19th century"],"places_ssim":["Italy--Description and travel--19th century"],"creator_ssm":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"creator_ssim":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"creator_persname_ssim":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Sculptors, American--19th century","Americans--Italy","Homesickness"],"access_subjects_ssm":["Sculptors, American--19th century","Americans--Italy","Homesickness"],"has_online_content_ssim":["false"],"extent_ssm":["1 Folder"],"extent_tesim":["1 Folder"],"date_range_isim":[1848,1849],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eAlexander Galt designed a statue of Thomas Jefferson for the University of Virginia. He contracted smallpox while working on a statue of Confederate General Stonewall Jackson and died in 1863.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alexander Galt designed a statue of Thomas Jefferson for the University of Virginia. He contracted smallpox while working on a statue of Confederate General Stonewall Jackson and died in 1863."],"scopecontent_html_tesm":["\u003cp\u003e(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. \n\nIn the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. \n\nThe 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. \n\nIn the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. \n\nThe 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"names_ssim":["Special Collections Research Center","Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:32.028Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9136","ead_ssi":"viw_repositories_2_resources_9136","_root_":"viw_repositories_2_resources_9136","_nest_parent_":"viw_repositories_2_resources_9136","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9136.xml","title_filing_ssi":"Alexander Galt Letters","title_ssm":["Alexander Galt Letters"],"title_tesim":["Alexander Galt Letters"],"unitdate_ssm":["1848-1849"],"unitdate_inclusive_ssm":["1848-1849"],"normalized_date_ssm":["1848/1849"],"normalized_title_ssm":["Alexander Galt Letters, 1848/1849"],"text":["Alexander Galt Letters, 1848/1849","SC 01686","/repositories/2/resources/9136","Italy--Description and travel--19th century","Sculptors, American--19th century","Americans--Italy","Homesickness","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Alexander Galt designed a statue of Thomas Jefferson for the University of Virginia. He contracted smallpox while working on a statue of Confederate General Stonewall Jackson and died in 1863.","(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. \n\nIn the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. \n\nThe 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859","English"],"collection_title_tesim":["Alexander Galt Letters, 1848/1849"],"collection_ssim":["Alexander Galt Letters, 1848/1849"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01686","/repositories/2/resources/9136"],"unitid_tesim":["SC 01686","/repositories/2/resources/9136"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Italy--Description and travel--19th century"],"geogname_ssim":["Italy--Description and travel--19th century"],"places_ssim":["Italy--Description and travel--19th century"],"creator_ssm":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"creator_ssim":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"creator_persname_ssim":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Sculptors, American--19th century","Americans--Italy","Homesickness"],"access_subjects_ssm":["Sculptors, American--19th century","Americans--Italy","Homesickness"],"has_online_content_ssim":["false"],"extent_ssm":["1 Folder"],"extent_tesim":["1 Folder"],"date_range_isim":[1848,1849],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eAlexander Galt designed a statue of Thomas Jefferson for the University of Virginia. He contracted smallpox while working on a statue of Confederate General Stonewall Jackson and died in 1863.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alexander Galt designed a statue of Thomas Jefferson for the University of Virginia. He contracted smallpox while working on a statue of Confederate General Stonewall Jackson and died in 1863."],"scopecontent_html_tesm":["\u003cp\u003e(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. \n\nIn the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. \n\nThe 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. \n\nIn the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. \n\nThe 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"names_ssim":["Special Collections Research Center","Galt, Alexander D. II, 1827-1863","Mason, John Y. (John Young), 1799-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:32.028Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9136"}},{"id":"viw_repositories_2_resources_730","type":"collection","attributes":{"title":"Galt Papers (III-A), 1848/1917","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_730#creator","type":"document_value","attributes":{"value":"Galt, Alexander D. II, 1827-1863","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_730#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers of Alexander Galt, Jr. and his family. Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera. Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy. Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_730#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_730","ead_ssi":"viw_repositories_2_resources_730","_root_":"viw_repositories_2_resources_730","_nest_parent_":"viw_repositories_2_resources_730","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_730.xml","title_filing_ssi":"Galt Papers  (III-A)","title_ssm":["Galt Papers (III-A)"],"title_tesim":["Galt Papers (III-A)"],"unitdate_ssm":["1848-1917"],"unitdate_inclusive_ssm":["1848-1917"],"normalized_date_ssm":["1848/1917"],"normalized_title_ssm":["Galt Papers (III-A), 1848/1917"],"text":["Galt Papers (III-A), 1848/1917","Mss. 78 G13 (III-A)","/repositories/2/resources/730","Italy--Description and travel--19th century","Sculptors, American--19th century","Yellow fever--Virginia--Norfolk","Sculptors--United States","Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks","Collection is open to all researchers.","Mostly chronological within each box.","Mss. 78 G13 Galt Papers (1)(II) (IV) and Mss. 78 G73 Galt Papers (III) (V), Special Collections Research Center, Swem Library, College of William and Mary.","Microfilm M-1855-1857, Papers of Alexander Galt, 1840-1918, Accession #7894, -a, -b, -c, -d, -e, -g, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Va.","Papers of Alexander Galt, Jr. and his family.  Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera.  Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy.  Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson.","Letters to and from members of the Galt Family, including Alexander Galt, Mary J. Galt, James D. Galt and William R. Galt.","Letters to and from Galt Family members, including Alexander Galt, Alexander Galt, Sr., Mary A. Galt, James D. Galt, Elizabeth J. Galt, William R. Galt and others.","Diaries, notebooks, account books and journal. Includes two small books, Book of Psalms and Prayer Book, belonging to Alexander Galt.","2 3/4 X 4 1/4 \" Book of Psalms, published 1861. Inside cover signature \"Galt\"; 2/34 X 4 1/4\" Book of Common Prayer, published 1848. Inside cover \"To Alexander Galt A token of love from his sisters\"","90 pages of journal and newspaper clippings. Turned upside down miscellaneous account.","journal and newspaper clipplings","1859-1861 account book; 1859 notebook; 1860 notebook; photo of unidentified woman; July-Sept 1862 notebook referring to Civil War, mentions that he is \"(...)  now working on GOv Letcher's bust.\"","1861 diary with some pages marked as 1862","3 pocket diaries with sketches","Letters to and from Galt Family members, including Alexander Galt, John M. Galt, Mary A. Galt and others. Includes two glass plate negatives re. a sketch of Thomas J. Jackson (from 1861-1862 diary).","Three sketch books of Alexander Galt (1826-1863). One includes a photograph of his sketch of Stonewall Jackson. Sketch book 1, sketch book 2 and sketchbook 3.","Sketchbook 1 includes a photograph of his sketch of Stonewall Jackson. See his diary for the original sketch.","Alexander Galt (1827-1863) diary. Among other entries, contains a sketch of Stonewall Jackson.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Galt family","Galt, Alexander D. 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April [18]48.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4898#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_4898","ead_ssi":"viw_repositories_2_resources_4898","_root_":"viw_repositories_2_resources_4898","_nest_parent_":"viw_repositories_2_resources_4898","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4898.xml","title_filing_ssi":"Crawford, Thomas Letter to Wiley and Putnam","title_ssm":["Thomas Crawford Letter to Wiley and Putnam"],"title_tesim":["Thomas Crawford Letter to Wiley and Putnam"],"unitdate_ssm":["1848 April 29"],"unitdate_other_ssim":["1848 April 29"],"normalized_date_ssm":["1848"],"normalized_title_ssm":["Thomas Crawford Letter to Wiley and Putnam, 1848"],"text":["Thomas Crawford Letter to Wiley and Putnam, 1848","SC 00492","/repositories/2/resources/4898","Sculptors, American--19th century","Sculptors--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.","Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Letter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication, Art Unions, after payment made. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026amp; Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.\u003c/p\u003e","\u003cp\u003e Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Thomas_Crawford\" title=\"Thomas Crawford\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.","Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eThomas Crawford Letter to Wiley and Putnam, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Thomas Crawford Letter to Wiley and Putnam, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication, \u003cemph render=\"italic\"\u003eArt Unions\u003c/emph\u003e, after payment made. 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April [18]48."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Crawford, Thomas, 1813 or 14-1857"],"names_ssim":["Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:43:51.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_4898","ead_ssi":"viw_repositories_2_resources_4898","_root_":"viw_repositories_2_resources_4898","_nest_parent_":"viw_repositories_2_resources_4898","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4898.xml","title_filing_ssi":"Crawford, Thomas Letter to Wiley and Putnam","title_ssm":["Thomas Crawford Letter to Wiley and Putnam"],"title_tesim":["Thomas Crawford Letter to Wiley and Putnam"],"unitdate_ssm":["1848 April 29"],"unitdate_other_ssim":["1848 April 29"],"normalized_date_ssm":["1848"],"normalized_title_ssm":["Thomas Crawford Letter to Wiley and Putnam, 1848"],"text":["Thomas Crawford Letter to Wiley and Putnam, 1848","SC 00492","/repositories/2/resources/4898","Sculptors, American--19th century","Sculptors--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.","Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Letter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication, Art Unions, after payment made. 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Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Thomas_Crawford\" title=\"Thomas Crawford\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.","Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eThomas Crawford Letter to Wiley and Putnam, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Thomas Crawford Letter to Wiley and Putnam, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication, \u003cemph render=\"italic\"\u003eArt Unions\u003c/emph\u003e, after payment made. 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April [18]48."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Crawford, Thomas, 1813 or 14-1857"],"names_ssim":["Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:43:51.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4898"}},{"id":"viw_repositories_2_resources_1957","type":"collection","attributes":{"title":"William Ordway Partridge Papers, 1894/1905","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1957#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Cynthia B. Brown in 1983.","See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.","Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William Ordway Partridge Papers, 1894/1905"],"collection_ssim":["William Ordway Partridge Papers, 1894/1905"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01075","/repositories/2/resources/1957"],"unitid_tesim":["SC 01075","/repositories/2/resources/1957"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History"],"geogname_ssim":["Jamestown (Va.)--History"],"places_ssim":["Jamestown (Va.)--History"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"access_subjects_ssm":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.\u003c/p\u003e","\u003cp\u003e William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).\u003c/p\u003e","\u003cp\u003e His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).\u003c/p\u003e","\u003cp\u003e Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. 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The Governor of Virginia presented the statue as a gift to the British people.\u003c/p\u003e","\u003cp\u003e Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/William_Ordway_Partridge\" title=\"William Ordway Partridge\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eWilliam Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["William Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Cynthia B. Brown in 1983.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Cynthia B. Brown in 1983."],"relatedmaterial_html_tesm":["\u003cp\u003eSee WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.\u003c/p\u003e","\u003cp\u003e 4 items.\u003c/p\u003e  ","\u003cp\u003e6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026amp; Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1957","ead_ssi":"viw_repositories_2_resources_1957","_root_":"viw_repositories_2_resources_1957","_nest_parent_":"viw_repositories_2_resources_1957","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1957.xml","title_filing_ssi":"Partridge, William Ordway Papers","title_ssm":["William Ordway Partridge Papers"],"title_tesim":["William Ordway Partridge Papers"],"unitdate_ssm":["1894-1905"],"unitdate_inclusive_ssm":["1894-1905"],"normalized_date_ssm":["1894/1905"],"normalized_title_ssm":["William Ordway Partridge Papers, 1894/1905"],"text":["William Ordway Partridge Papers, 1894/1905","SC 01075","/repositories/2/resources/1957","Jamestown (Va.)--History","Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Cynthia B. Brown in 1983.","See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.","Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William Ordway Partridge Papers, 1894/1905"],"collection_ssim":["William Ordway Partridge Papers, 1894/1905"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01075","/repositories/2/resources/1957"],"unitid_tesim":["SC 01075","/repositories/2/resources/1957"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History"],"geogname_ssim":["Jamestown (Va.)--History"],"places_ssim":["Jamestown (Va.)--History"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"access_subjects_ssm":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.\u003c/p\u003e","\u003cp\u003e William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).\u003c/p\u003e","\u003cp\u003e His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).\u003c/p\u003e","\u003cp\u003e Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.\u003c/p\u003e","\u003cp\u003e Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.\u003c/p\u003e","\u003cp\u003e His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.\u003c/p\u003e","\u003cp\u003e Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/William_Ordway_Partridge\" title=\"William Ordway Partridge\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eWilliam Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["William Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Cynthia B. Brown in 1983.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Cynthia B. 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Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026amp; Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1957"}},{"id":"viw_repositories_2_resources_8004","type":"collection","attributes":{"title":"William Wetmore Story Papers, 1846/1894","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8004#creator","type":"document_value","attributes":{"value":"Story, William Wetmore (1819-1895)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8004#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetters and poetry of the American sculptor, essayist, and poet, William Wetmore Story. 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