{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors%2C+American--19th+century\u0026f%5Bdate_range%5D%5B%5D=1848","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors%2C+American--19th+century\u0026f%5Bdate_range%5D%5B%5D=1848\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_9136","type":"collection","attributes":{"title":"Alexander Galt Letters, 1848/1849","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9136#creator","type":"document_value","attributes":{"value":"Galt, Alexander D. 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Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. 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Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. \n\nIn the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. \n\nThe 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. 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Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Galt, Alexander D. II, 1827-1863","Mason, John Y. 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Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. It is addressed from Florence, on February 6, 1849, care of the U.S. Consul, Genoa, Italy.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["(2) letters by Alexander Galt (1827-1863), a sculptor from Norfolk, Virginia, and John Young Mason (1799-1859), Secretary of the Navy and Attorney General to President James K. Polk. \n\nIn the 1848 copy-letter, Mason writes that Galt will sail on the Erie ship, under the command of Lieutenant William M. Blair. Mason also tells Galt to secure employment as Blair's clerk by networking with Blair's friends in Norfolk. It is addressed from Washington, on July 28, 1848. \n\nThe 1849 letter is sent to the aforementioned William M. Blair, now a captain in the U.S. Navy, and discusses Galt's Italian language studies, art classes at the Florence Academy, and his loneliness in a foreign country (Galt wishes Blair was with him: \"how I miss you\"). Galt describes sightseeing in Florence, Italy and his interactions with fellow artists Hiram Powers and Horatio Greenough. Galt closes with a plea to hear news from Blair and for him to send along any letters for Galt from the United States. 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Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera. Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. 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Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Thomas_Crawford\" title=\"Thomas Crawford\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.","Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. 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He moved to Italy in 1856 after receiving a commission for completing a bust of his late father, which resides in the Memorial Hall/Lowell Hall. Story's home, in the Palazzo Barberini, became a central location for Americans in Rome. His most famous work, Cleopatra,(1858) was described and admired in Nathaniel Hawthorne's romance The Marble Faun, and is on display at the Los Angeles County Museum of Art. Another work, the Angel of Grief, has been replicated near the Stanford Mausoleum at Stanford University.\n\nStory submitted a design for the Washington Monument, then under construction. Although the Washington National Monument Society concluded that his design seemed \"vastly superior in artistic taste and beauty\" to the obelisk already under construction, the obelisk continued to be built, and is what we see today as the monument. 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He moved to Italy in 1856 after receiving a commission for completing a bust of his late father, which resides in the Memorial Hall/Lowell Hall. Story's home, in the Palazzo Barberini, became a central location for Americans in Rome. His most famous work, Cleopatra,(1858) was described and admired in Nathaniel Hawthorne's romance The Marble Faun, and is on display at the Los Angeles County Museum of Art. Another work, the Angel of Grief, has been replicated near the Stanford Mausoleum at Stanford University.\n\nStory submitted a design for the Washington Monument, then under construction. Although the Washington National Monument Society concluded that his design seemed \"vastly superior in artistic taste and beauty\" to the obelisk already under construction, the obelisk continued to be built, and is what we see today as the monument. 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