{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bdate_range%5D%5B%5D=1980\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bdate_range%5D%5B%5D=1980\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bdate_range%5D%5B%5D=1980\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bdate_range%5D%5B%5D=1980\u0026page=6"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":6,"limit_value":10,"offset_value":20,"total_count":53,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_221","type":"collection","attributes":{"title":"Department of Physical Education Records","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_221#creator","type":"document_value","attributes":{"value":"Dept. of Physical Education","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_221#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains announcements, fliers, minutes, handbooks, reports, and programs from the Department of Physical Education at the College of William and Mary. 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Gonzales Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_127#creator","type":"document_value","attributes":{"value":"Gonzales, Donald J.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_127#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eScrapbooks containing newspaper clippings, engraved invitations, drafts of newspaper articles, and press correspondents' membership cards. One volume contains War Department communiques, 10 December 1941-23 May 1942. 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Gonzales Papers","United States--Social life and customs","Journalists--United States","Publications","Scrapbooks","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Gonzales\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eDonald J. Gonzales Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Donald J. Gonzales Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen Strong in 2000.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen Strong in 2000."],"scopecontent_html_tesm":["\u003cp\u003eScrapbooks containing newspaper clippings, engraved invitations, drafts of newspaper articles, and press correspondents' membership cards. One volume contains War Department communiques, 10 December 1941-23 May 1942. 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Included in the collection are proposals for Women's Studies workshops as well as for a Women's Studies program at William and Mary; correspondence, reports, and publications about Sexual Harassment in general as well as at William and Mary; and news clippings about sexist fraternity posters at the College.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_253#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_253","ead_ssi":"viw_repositories_2_resources_253","_root_":"viw_repositories_2_resources_253","_nest_parent_":"viw_repositories_2_resources_253","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_253.xml","title_filing_ssi":"Themo, Elaine Papers","title_ssm":["Elaine Themo Papers"],"title_tesim":["Elaine Themo Papers"],"unitdate_ssm":["1974-1993","1974-1985"],"unitdate_bulk_ssim":["1974-1985"],"unitdate_inclusive_ssm":["1974-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.075","/repositories/2/resources/253"],"text":["UA 6.075","/repositories/2/resources/253","Elaine Themo Papers","College of William and Mary--Women's Studies Program","Fraternities--Social","Sexual harassment.","Correspondence","Photographs","Publications","Reports","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Elaine M. Themo was a professor in the Department of Sociology at the College of William and Mary from 1966-2000. Her appointments: Assistant Professor of Sociology, 1966-1971; Associate Professor of Sociology, 1971-2000; On leave of per sure research, 1998-1999. 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information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information."],"arrangement_html_tesm":["\u003cp\u003eThe sub-series in this series are comprised of categories specified by the Office of Communications and Marketing.\u003c/p\u003e","\u003cp\u003eThe sub-series in this series are comprised of categories specified by the Office of Communications and Marketing.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The sub-series in this series are comprised of categories specified by the Office of Communications and Marketing.","The sub-series in this series are comprised of categories specified by the Office of Communications and Marketing."],"bioghist_html_tesm":["\u003cp\u003eThe IBM Data Processing Center was established at Virginia Military Institute (VMI) in 1962-1963.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The IBM Data Processing Center was established at Virginia Military Institute (VMI) in 1962-1963."],"scopecontent_html_tesm":["\u003cp\u003eThe material in this sub-series is related to the Biennial meeting and conference.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The material in this sub-series is related to the Biennial meeting and conference."],"names_ssim":["Virginia Military Institute Archives","VMI Foundation","Bunting, Josiah, III, 1939-","Irby, Richard L. (Richard Logan), 1918-2002","Knapp, John W. (John Williams), 1932-","Shell, George R. E., 1908-1996","Walker, Sam S., 1925-2015","Couper, Wm. (William), 1884-1964","Crozet, Claudius, 1790-1864","Davis, Alexander J. (Alexander Jackson), 1803-1892","Dillard, Herbert N., Jr. (Herbert Nash), 1913-1976","Ezekiel, Moses J. (Moses Jacob), 1844-1917","Glenn, John H., 1921-2016","Houston, Sam, 1793-1863","Hunter, David, 1802-1886","Jackson, Stonewall, 1824-1863","DiMaggio, Joe, 1914-1999","Bush, George H. W. (George Herbert Walker), 1924-2018","Ford, Gerald R. (Gerald Rudolph), 1913-2006","Milton, William H., Jr. (William Hammond), 1900-1984","Marshall, George C. (George Catlett), 1880-1959","Morrison, Tommy D. (Tommy David), 1969-2013","Powell, Colin L. (Colin Luther), 1937-2021","Shepherd, Lemuel C., Jr. (Lemuel Cornick), 1896-1990","Brooke, John M. (John Mercer), 1826-1906","Byrd, Richard E. (Richard Evelyn), 1888-1957","Clark, Francis B. (Francis Barnard), 1850-1896","Lee, Robert E. (Robert Edward), 1807-1870","Patton, George S. (George Smith), 1885-1945","Rockenbach, Samuel D. (Samuel Dickerson), 1869-1952","Saunders, James D., 1824-1851","Shipp, Scott, 1839-1917","Sigel, Franz, 1824-1902","Smith, Francis H. (Francis Henney), 1812-1890","Strange, John B. (John Bowie), 1823-1862","Watson, Edward Minor, 1851-1887","Wise, Henry A. (Henry Alexander), 1906-1982","McKenna, John, 1914-2007","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Kissinger, Henry A. (Henry Alfred), 1923-2023"],"corpname_ssim":["Virginia Military Institute Archives","VMI Foundation"],"persname_ssim":["Bunting, Josiah, III, 1939-","Irby, Richard L. (Richard Logan), 1918-2002","Knapp, John W. (John Williams), 1932-","Shell, George R. E., 1908-1996","Walker, Sam S., 1925-2015","Couper, Wm. (William), 1884-1964","Crozet, Claudius, 1790-1864","Davis, Alexander J. (Alexander Jackson), 1803-1892","Dillard, Herbert N., Jr. (Herbert Nash), 1913-1976","Ezekiel, Moses J. (Moses Jacob), 1844-1917","Glenn, John H., 1921-2016","Houston, Sam, 1793-1863","Hunter, David, 1802-1886","Jackson, Stonewall, 1824-1863","DiMaggio, Joe, 1914-1999","Bush, George H. W. (George Herbert Walker), 1924-2018","Ford, Gerald R. (Gerald Rudolph), 1913-2006","Milton, William H., Jr. (William Hammond), 1900-1984","Marshall, George C. (George Catlett), 1880-1959","Morrison, Tommy D. (Tommy David), 1969-2013","Powell, Colin L. (Colin Luther), 1937-2021","Shepherd, Lemuel C., Jr. (Lemuel Cornick), 1896-1990","Brooke, John M. (John Mercer), 1826-1906","Byrd, Richard E. (Richard Evelyn), 1888-1957","Clark, Francis B. (Francis Barnard), 1850-1896","Lee, Robert E. (Robert Edward), 1807-1870","Patton, George S. (George Smith), 1885-1945","Rockenbach, Samuel D. (Samuel Dickerson), 1869-1952","Saunders, James D., 1824-1851","Shipp, Scott, 1839-1917","Sigel, Franz, 1824-1902","Smith, Francis H. (Francis Henney), 1812-1890","Strange, John B. (John Bowie), 1823-1862","Watson, Edward Minor, 1851-1887","Wise, Henry A. (Henry Alexander), 1906-1982","McKenna, John, 1914-2007","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Kissinger, Henry A. (Henry Alfred), 1923-2023"],"language_ssim":["English"],"total_component_count_is":1160,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:13:02.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_841_c03_c08_c19"}},{"id":"viw_repositories_2_resources_2179","type":"collection","attributes":{"title":"Hall Family Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2179#creator","type":"document_value","attributes":{"value":"Hall, Channing Moore, III","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2179#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of the papers of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve. Includes items removed from \"The Writing of English\"(PE1408 .M38 1929), a book owned by Emily M. Hall.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2179#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_2179","ead_ssi":"viw_repositories_2_resources_2179","_root_":"viw_repositories_2_resources_2179","_nest_parent_":"viw_repositories_2_resources_2179","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2179.xml","title_filing_ssi":"Hall Family Papers","title_ssm":["Hall Family Papers"],"title_tesim":["Hall Family Papers"],"unitdate_ssm":["1810-2007 and undated"],"unitdate_inclusive_ssm":["1810-2007 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 90 H14","/repositories/2/resources/2179"],"text":["Mss. 90 H14","/repositories/2/resources/2179","Hall Family Papers","Virginia--History--Civil War, 1861-1865","Williamsburg (Va.)--History--19th century","Williamsburg (Va.)--History--20th century","College of William and Mary--History--19th century","College of William and Mary--History--20th century","Education, Higher--Virginia--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Episcopal Church--Virginia--History--19th century","Genealogy","Legal documents","Richmond (Va.)--History--19th century","World War, 1914-1918","Account books","Certificates","Correspondence","Financial records","Manuscripts (document genre)","Notebooks","Photographs","Poems","Publications","2659 items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Some material has been transferred to the artifact collection.","The patriarch of the family was Jacob Hall who married Emily Glenworth Moore of New York who was the granddaughter of Bishop Richard Channing Moore of the Protestant Episcopal Church. Jacob and Emily Hall's son was Professor John Lesslie Hall (1856-1928) of the College of William and Mary. John Lesslie Hall, Sr. married Margaret Fenwick Farland (daughter of Zebulon S. Farland and Ellen Doughlas Gordon Farland) and had: Channing M. Hall, John Lesslie Hall, Jr., Joseph F. Hall and Emily M. Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Tim Batule in 1990. Acc. 2013.103 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2013.","Mss. 78 H14 Admiral John Lesslie Hall, Jr. Papers"," UA 6.021  John Lesslie Hall Papers","This collection consists of the papers of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.  Includes items removed from \"The Writing of English\"(PE1408 .M38 1929), a book owned by Emily M. Hall.","See staff for inventory of boxes 1-6.","This series contains papers, 1810-1943, of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.","Artifacts removed.","2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.","2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.","Framed and unframed citations.  Wooden plaque with bronze label describing a piece of silver metal with Japanese words attached to the opposite end of the plaque, \"Nameplate of Jap Suicide Plane which crashed SS Minot Victory Ammunition Ship...\"  The SS Minot Victory was a Victory ship built during World War II under the Emergency Shipbuilding program.","This series contains one color photograph of John Lesslie Hall, former professor at the College of William \u0026 Mary. This series has been added to Box 5.","This series contains papers relating to Professor John Leslie Hall. Includes newspaper clippings, a 1926 Flat Hat with article regarding Dr. Hall's seventieth birthday, photographs of Hall portraits and ancestral places, and Moore-Hall genealogy.","Contains genealogical material for the Moore and Hall families, including Charles C. Hall, Channing Moore Hall, Nona C. Hall, John Lesslie Hall, Emilie Glentworth Hall, and Emily Moore Hall.","Includes correspondence, newsletters, photographs and more.","Artifacts transferred to the Manuscripts Artifact Collection (Mss. 1.03), including U.S. Naval Academy Farewell Aide Mémoires (90H14.A18ab)","Separation sheets for items moved to Manuscripts Artifact Collecion.  Includes: military ID tags, light bulbs, metal disk, button, lighter, 2 small red books, 2 plain bar pins, uniform pins, whistle, uniform stripes, pink belt of beads, souvenir dance programs, black gloves, lace with gold pin, blue beaded purse, beaded purse, black net veil, black silk stockings, white lace, 2 black fans, blue embroidered coin purse, lace collar, 2 black veils, black tape watch chain,papers and boxes of sewing pins, and black scarf.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","College of William and Mary--Alumni and alumnae","Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978","English German"],"unitid_tesim":["Mss. 90 H14","/repositories/2/resources/2179"],"normalized_title_ssm":["Hall Family Papers"],"collection_title_tesim":["Hall Family Papers"],"collection_ssim":["Hall Family Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--Civil War, 1861-1865","Williamsburg (Va.)--History--19th century","Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Virginia--History--Civil War, 1861-1865","Williamsburg (Va.)--History--19th century","Williamsburg (Va.)--History--20th century"],"creator_ssm":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"creator_ssim":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"creator_persname_ssim":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"creators_ssim":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"places_ssim":["Virginia--History--Civil War, 1861-1865","Williamsburg (Va.)--History--19th century","Williamsburg (Va.)--History--20th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift; Sept. 1987 of 2659 items. Gift; 05/25/1999 of 1 item. 2005.18, gift via WHRA. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--History--19th century","College of William and Mary--History--20th century","Education, Higher--Virginia--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Episcopal Church--Virginia--History--19th century","Genealogy","Legal documents","Richmond (Va.)--History--19th century","World War, 1914-1918","Account books","Certificates","Correspondence","Financial records","Manuscripts (document genre)","Notebooks","Photographs","Poems","Publications"],"access_subjects_ssm":["College of William and Mary--History--19th century","College of William and Mary--History--20th century","Education, Higher--Virginia--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Episcopal Church--Virginia--History--19th century","Genealogy","Legal documents","Richmond (Va.)--History--19th century","World War, 1914-1918","Account books","Certificates","Correspondence","Financial records","Manuscripts (document genre)","Notebooks","Photographs","Poems","Publications"],"has_online_content_ssim":["false"],"physdesc_tesim":["2659 items"],"extent_ssm":["7.70 Linear Feet"],"extent_tesim":["7.70 Linear Feet"],"genreform_ssim":["Account books","Certificates","Correspondence","Financial records","Manuscripts (document genre)","Notebooks","Photographs","Poems","Publications"],"date_range_isim":[1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eSome material has been transferred to the artifact collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Some material has been transferred to the artifact collection."],"bioghist_html_tesm":["\u003cp\u003eThe patriarch of the family was Jacob Hall who married Emily Glenworth Moore of New York who was the granddaughter of Bishop Richard Channing Moore of the Protestant Episcopal Church. Jacob and Emily Hall's son was Professor John Lesslie Hall (1856-1928) of the College of William and Mary. John Lesslie Hall, Sr. married Margaret Fenwick Farland (daughter of Zebulon S. Farland and Ellen Doughlas Gordon Farland) and had: Channing M. Hall, John Lesslie Hall, Jr., Joseph F. Hall and Emily M. Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Hall_family\" title=\"Hall family\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Family History:"],"bioghist_tesim":["The patriarch of the family was Jacob Hall who married Emily Glenworth Moore of New York who was the granddaughter of Bishop Richard Channing Moore of the Protestant Episcopal Church. Jacob and Emily Hall's son was Professor John Lesslie Hall (1856-1928) of the College of William and Mary. John Lesslie Hall, Sr. married Margaret Fenwick Farland (daughter of Zebulon S. Farland and Ellen Doughlas Gordon Farland) and had: Channing M. Hall, John Lesslie Hall, Jr., Joseph F. Hall and Emily M. Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eHall Family Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Hall Family Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Tim Batule in 1990. Acc. 2013.103 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Tim Batule in 1990. Acc. 2013.103 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eMss. 78 H14 Admiral John Lesslie Hall, Jr. Papers\u003c/p\u003e\n","\u003cp\u003e UA 6.021  John Lesslie Hall Papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. 78 H14 Admiral John Lesslie Hall, Jr. Papers"," UA 6.021  John Lesslie Hall Papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.  Includes items removed from \"The Writing of English\"(PE1408 .M38 1929), a book owned by Emily M. Hall.\u003c/p\u003e\n","\u003cp\u003eSee staff for inventory of boxes 1-6.\u003c/p\u003e","\u003cp\u003eThis series contains papers, 1810-1943, of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.\u003c/p\u003e","\u003cp\u003eArtifacts removed.\u003c/p\u003e","\u003cp\u003e2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.\u003c/p\u003e","\u003cp\u003e2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.\u003c/p\u003e","\u003cp\u003eFramed and unframed citations.  Wooden plaque with bronze label describing a piece of silver metal with Japanese words attached to the opposite end of the plaque, \"Nameplate of Jap Suicide Plane which crashed SS Minot Victory Ammunition Ship...\"  The SS Minot Victory was a Victory ship built during World War II under the Emergency Shipbuilding program.\u003c/p\u003e","\u003cp\u003eThis series contains one color photograph of John Lesslie Hall, former professor at the College of William \u0026amp; Mary. This series has been added to Box 5.\u003c/p\u003e","\u003cp\u003eThis series contains papers relating to Professor John Leslie Hall. Includes newspaper clippings, a 1926 Flat Hat with article regarding Dr. Hall's seventieth birthday, photographs of Hall portraits and ancestral places, and Moore-Hall genealogy.\u003c/p\u003e","\u003cp\u003eContains genealogical material for the Moore and Hall families, including Charles C. Hall, Channing Moore Hall, Nona C. Hall, John Lesslie Hall, Emilie Glentworth Hall, and Emily Moore Hall.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, newsletters, photographs and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of the papers of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.  Includes items removed from \"The Writing of English\"(PE1408 .M38 1929), a book owned by Emily M. Hall.","See staff for inventory of boxes 1-6.","This series contains papers, 1810-1943, of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.","Artifacts removed.","2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.","2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.","Framed and unframed citations.  Wooden plaque with bronze label describing a piece of silver metal with Japanese words attached to the opposite end of the plaque, \"Nameplate of Jap Suicide Plane which crashed SS Minot Victory Ammunition Ship...\"  The SS Minot Victory was a Victory ship built during World War II under the Emergency Shipbuilding program.","This series contains one color photograph of John Lesslie Hall, former professor at the College of William \u0026 Mary. This series has been added to Box 5.","This series contains papers relating to Professor John Leslie Hall. Includes newspaper clippings, a 1926 Flat Hat with article regarding Dr. Hall's seventieth birthday, photographs of Hall portraits and ancestral places, and Moore-Hall genealogy.","Contains genealogical material for the Moore and Hall families, including Charles C. Hall, Channing Moore Hall, Nona C. Hall, John Lesslie Hall, Emilie Glentworth Hall, and Emily Moore Hall.","Includes correspondence, newsletters, photographs and more."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts transferred to the Manuscripts Artifact Collection (Mss. 1.03), including U.S. Naval Academy Farewell Aide Mémoires (90H14.A18ab)\u003c/p\u003e","\u003cp\u003eSeparation sheets for items moved to Manuscripts Artifact Collecion.  Includes: military ID tags, light bulbs, metal disk, button, lighter, 2 small red books, 2 plain bar pins, uniform pins, whistle, uniform stripes, pink belt of beads, souvenir dance programs, black gloves, lace with gold pin, blue beaded purse, beaded purse, black net veil, black silk stockings, white lace, 2 black fans, blue embroidered coin purse, lace collar, 2 black veils, black tape watch chain,papers and boxes of sewing pins, and black scarf.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:","Separated Materials"],"separatedmaterial_tesim":["Artifacts transferred to the Manuscripts Artifact Collection (Mss. 1.03), including U.S. Naval Academy Farewell Aide Mémoires (90H14.A18ab)","Separation sheets for items moved to Manuscripts Artifact Collecion.  Includes: military ID tags, light bulbs, metal disk, button, lighter, 2 small red books, 2 plain bar pins, uniform pins, whistle, uniform stripes, pink belt of beads, souvenir dance programs, black gloves, lace with gold pin, blue beaded purse, beaded purse, black net veil, black silk stockings, white lace, 2 black fans, blue embroidered coin purse, lace collar, 2 black veils, black tape watch chain,papers and boxes of sewing pins, and black scarf."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Bruton Parish Church (Williamsburg, Va.)","College of William and Mary--Alumni and alumnae"],"names_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","College of William and Mary--Alumni and alumnae","Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"corpname_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","College of William and Mary--Alumni and alumnae"],"persname_ssim":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"language_ssim":["English German"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:58.303Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2179","ead_ssi":"viw_repositories_2_resources_2179","_root_":"viw_repositories_2_resources_2179","_nest_parent_":"viw_repositories_2_resources_2179","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2179.xml","title_filing_ssi":"Hall Family Papers","title_ssm":["Hall Family Papers"],"title_tesim":["Hall Family Papers"],"unitdate_ssm":["1810-2007 and undated"],"unitdate_inclusive_ssm":["1810-2007 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 90 H14","/repositories/2/resources/2179"],"text":["Mss. 90 H14","/repositories/2/resources/2179","Hall Family Papers","Virginia--History--Civil War, 1861-1865","Williamsburg (Va.)--History--19th century","Williamsburg (Va.)--History--20th century","College of William and Mary--History--19th century","College of William and Mary--History--20th century","Education, Higher--Virginia--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Episcopal Church--Virginia--History--19th century","Genealogy","Legal documents","Richmond (Va.)--History--19th century","World War, 1914-1918","Account books","Certificates","Correspondence","Financial records","Manuscripts (document genre)","Notebooks","Photographs","Poems","Publications","2659 items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Some material has been transferred to the artifact collection.","The patriarch of the family was Jacob Hall who married Emily Glenworth Moore of New York who was the granddaughter of Bishop Richard Channing Moore of the Protestant Episcopal Church. Jacob and Emily Hall's son was Professor John Lesslie Hall (1856-1928) of the College of William and Mary. John Lesslie Hall, Sr. married Margaret Fenwick Farland (daughter of Zebulon S. Farland and Ellen Doughlas Gordon Farland) and had: Channing M. Hall, John Lesslie Hall, Jr., Joseph F. Hall and Emily M. Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Tim Batule in 1990. Acc. 2013.103 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2013.","Mss. 78 H14 Admiral John Lesslie Hall, Jr. Papers"," UA 6.021  John Lesslie Hall Papers","This collection consists of the papers of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.  Includes items removed from \"The Writing of English\"(PE1408 .M38 1929), a book owned by Emily M. Hall.","See staff for inventory of boxes 1-6.","This series contains papers, 1810-1943, of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.","Artifacts removed.","2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.","2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.","Framed and unframed citations.  Wooden plaque with bronze label describing a piece of silver metal with Japanese words attached to the opposite end of the plaque, \"Nameplate of Jap Suicide Plane which crashed SS Minot Victory Ammunition Ship...\"  The SS Minot Victory was a Victory ship built during World War II under the Emergency Shipbuilding program.","This series contains one color photograph of John Lesslie Hall, former professor at the College of William \u0026 Mary. This series has been added to Box 5.","This series contains papers relating to Professor John Leslie Hall. Includes newspaper clippings, a 1926 Flat Hat with article regarding Dr. Hall's seventieth birthday, photographs of Hall portraits and ancestral places, and Moore-Hall genealogy.","Contains genealogical material for the Moore and Hall families, including Charles C. Hall, Channing Moore Hall, Nona C. Hall, John Lesslie Hall, Emilie Glentworth Hall, and Emily Moore Hall.","Includes correspondence, newsletters, photographs and more.","Artifacts transferred to the Manuscripts Artifact Collection (Mss. 1.03), including U.S. Naval Academy Farewell Aide Mémoires (90H14.A18ab)","Separation sheets for items moved to Manuscripts Artifact Collecion.  Includes: military ID tags, light bulbs, metal disk, button, lighter, 2 small red books, 2 plain bar pins, uniform pins, whistle, uniform stripes, pink belt of beads, souvenir dance programs, black gloves, lace with gold pin, blue beaded purse, beaded purse, black net veil, black silk stockings, white lace, 2 black fans, blue embroidered coin purse, lace collar, 2 black veils, black tape watch chain,papers and boxes of sewing pins, and black scarf.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","College of William and Mary--Alumni and alumnae","Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978","English German"],"unitid_tesim":["Mss. 90 H14","/repositories/2/resources/2179"],"normalized_title_ssm":["Hall Family Papers"],"collection_title_tesim":["Hall Family Papers"],"collection_ssim":["Hall Family Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--Civil War, 1861-1865","Williamsburg (Va.)--History--19th century","Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Virginia--History--Civil War, 1861-1865","Williamsburg (Va.)--History--19th century","Williamsburg (Va.)--History--20th century"],"creator_ssm":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"creator_ssim":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"creator_persname_ssim":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"creators_ssim":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"places_ssim":["Virginia--History--Civil War, 1861-1865","Williamsburg (Va.)--History--19th century","Williamsburg (Va.)--History--20th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift; Sept. 1987 of 2659 items. Gift; 05/25/1999 of 1 item. 2005.18, gift via WHRA. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--History--19th century","College of William and Mary--History--20th century","Education, Higher--Virginia--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Episcopal Church--Virginia--History--19th century","Genealogy","Legal documents","Richmond (Va.)--History--19th century","World War, 1914-1918","Account books","Certificates","Correspondence","Financial records","Manuscripts (document genre)","Notebooks","Photographs","Poems","Publications"],"access_subjects_ssm":["College of William and Mary--History--19th century","College of William and Mary--History--20th century","Education, Higher--Virginia--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Episcopal Church--Virginia--History--19th century","Genealogy","Legal documents","Richmond (Va.)--History--19th century","World War, 1914-1918","Account books","Certificates","Correspondence","Financial records","Manuscripts (document genre)","Notebooks","Photographs","Poems","Publications"],"has_online_content_ssim":["false"],"physdesc_tesim":["2659 items"],"extent_ssm":["7.70 Linear Feet"],"extent_tesim":["7.70 Linear Feet"],"genreform_ssim":["Account books","Certificates","Correspondence","Financial records","Manuscripts (document genre)","Notebooks","Photographs","Poems","Publications"],"date_range_isim":[1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eSome material has been transferred to the artifact collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Some material has been transferred to the artifact collection."],"bioghist_html_tesm":["\u003cp\u003eThe patriarch of the family was Jacob Hall who married Emily Glenworth Moore of New York who was the granddaughter of Bishop Richard Channing Moore of the Protestant Episcopal Church. Jacob and Emily Hall's son was Professor John Lesslie Hall (1856-1928) of the College of William and Mary. John Lesslie Hall, Sr. married Margaret Fenwick Farland (daughter of Zebulon S. Farland and Ellen Doughlas Gordon Farland) and had: Channing M. Hall, John Lesslie Hall, Jr., Joseph F. Hall and Emily M. Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Hall_family\" title=\"Hall family\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Family History:"],"bioghist_tesim":["The patriarch of the family was Jacob Hall who married Emily Glenworth Moore of New York who was the granddaughter of Bishop Richard Channing Moore of the Protestant Episcopal Church. Jacob and Emily Hall's son was Professor John Lesslie Hall (1856-1928) of the College of William and Mary. John Lesslie Hall, Sr. married Margaret Fenwick Farland (daughter of Zebulon S. Farland and Ellen Doughlas Gordon Farland) and had: Channing M. Hall, John Lesslie Hall, Jr., Joseph F. Hall and Emily M. Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eHall Family Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Hall Family Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Tim Batule in 1990. Acc. 2013.103 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Tim Batule in 1990. Acc. 2013.103 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eMss. 78 H14 Admiral John Lesslie Hall, Jr. Papers\u003c/p\u003e\n","\u003cp\u003e UA 6.021  John Lesslie Hall Papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. 78 H14 Admiral John Lesslie Hall, Jr. Papers"," UA 6.021  John Lesslie Hall Papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.  Includes items removed from \"The Writing of English\"(PE1408 .M38 1929), a book owned by Emily M. Hall.\u003c/p\u003e\n","\u003cp\u003eSee staff for inventory of boxes 1-6.\u003c/p\u003e","\u003cp\u003eThis series contains papers, 1810-1943, of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.\u003c/p\u003e","\u003cp\u003eArtifacts removed.\u003c/p\u003e","\u003cp\u003e2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.\u003c/p\u003e","\u003cp\u003e2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.\u003c/p\u003e","\u003cp\u003eFramed and unframed citations.  Wooden plaque with bronze label describing a piece of silver metal with Japanese words attached to the opposite end of the plaque, \"Nameplate of Jap Suicide Plane which crashed SS Minot Victory Ammunition Ship...\"  The SS Minot Victory was a Victory ship built during World War II under the Emergency Shipbuilding program.\u003c/p\u003e","\u003cp\u003eThis series contains one color photograph of John Lesslie Hall, former professor at the College of William \u0026amp; Mary. This series has been added to Box 5.\u003c/p\u003e","\u003cp\u003eThis series contains papers relating to Professor John Leslie Hall. Includes newspaper clippings, a 1926 Flat Hat with article regarding Dr. Hall's seventieth birthday, photographs of Hall portraits and ancestral places, and Moore-Hall genealogy.\u003c/p\u003e","\u003cp\u003eContains genealogical material for the Moore and Hall families, including Charles C. Hall, Channing Moore Hall, Nona C. Hall, John Lesslie Hall, Emilie Glentworth Hall, and Emily Moore Hall.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, newsletters, photographs and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of the papers of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.  Includes items removed from \"The Writing of English\"(PE1408 .M38 1929), a book owned by Emily M. Hall.","See staff for inventory of boxes 1-6.","This series contains papers, 1810-1943, of the Hall and Moore families of New York, Richmond, Va. and Williamsburg, Va. Includes wills, estate papers, legal and financial transactions, 1810-1915, of Jacob Hall, Sarah Hall and Cunningham Hall; and Bishop Richard Channing Moore, Virginia Moore, Harriet Glenworth Moore, Margaretta Moore and Louise Moore. Contains correspondence, 1854-1876, between Zebulon S. Farland and Ellen Douglas Gordon Farland; letters, 1906-1928, to Margaret (Farland) Hall, from her children, Emily Hall, Channing Hall, Joseph Hall, and John Lesslie Hall concerning education and World War I; and correspondence, 1887-1889, between Margaret (Farland) Hall and John Lesslie Hall, Sr. The collection also includes teaching notes, professional writings, and alumni correspondence with John Lesslie Hall, Sr. Prominent correspondents of Hall include Lyon G. Tyler, Thomas Nelson Page, Joseph Dupuy Eggleston and Basil Gildersleeve.","Artifacts removed.","2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.","2 framed citations for Rear Adminiral John Lesslie Hall:  The Honorary Companion of the Distinquished Service Order and the Republique Francaise Ordre National de la Legion d'Honneur.","Framed and unframed citations.  Wooden plaque with bronze label describing a piece of silver metal with Japanese words attached to the opposite end of the plaque, \"Nameplate of Jap Suicide Plane which crashed SS Minot Victory Ammunition Ship...\"  The SS Minot Victory was a Victory ship built during World War II under the Emergency Shipbuilding program.","This series contains one color photograph of John Lesslie Hall, former professor at the College of William \u0026 Mary. This series has been added to Box 5.","This series contains papers relating to Professor John Leslie Hall. Includes newspaper clippings, a 1926 Flat Hat with article regarding Dr. Hall's seventieth birthday, photographs of Hall portraits and ancestral places, and Moore-Hall genealogy.","Contains genealogical material for the Moore and Hall families, including Charles C. Hall, Channing Moore Hall, Nona C. Hall, John Lesslie Hall, Emilie Glentworth Hall, and Emily Moore Hall.","Includes correspondence, newsletters, photographs and more."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts transferred to the Manuscripts Artifact Collection (Mss. 1.03), including U.S. Naval Academy Farewell Aide Mémoires (90H14.A18ab)\u003c/p\u003e","\u003cp\u003eSeparation sheets for items moved to Manuscripts Artifact Collecion.  Includes: military ID tags, light bulbs, metal disk, button, lighter, 2 small red books, 2 plain bar pins, uniform pins, whistle, uniform stripes, pink belt of beads, souvenir dance programs, black gloves, lace with gold pin, blue beaded purse, beaded purse, black net veil, black silk stockings, white lace, 2 black fans, blue embroidered coin purse, lace collar, 2 black veils, black tape watch chain,papers and boxes of sewing pins, and black scarf.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:","Separated Materials"],"separatedmaterial_tesim":["Artifacts transferred to the Manuscripts Artifact Collection (Mss. 1.03), including U.S. Naval Academy Farewell Aide Mémoires (90H14.A18ab)","Separation sheets for items moved to Manuscripts Artifact Collecion.  Includes: military ID tags, light bulbs, metal disk, button, lighter, 2 small red books, 2 plain bar pins, uniform pins, whistle, uniform stripes, pink belt of beads, souvenir dance programs, black gloves, lace with gold pin, blue beaded purse, beaded purse, black net veil, black silk stockings, white lace, 2 black fans, blue embroidered coin purse, lace collar, 2 black veils, black tape watch chain,papers and boxes of sewing pins, and black scarf."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Bruton Parish Church (Williamsburg, Va.)","College of William and Mary--Alumni and alumnae"],"names_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","College of William and Mary--Alumni and alumnae","Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"corpname_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","College of William and Mary--Alumni and alumnae"],"persname_ssim":["Hall, Channing Moore, III","Hall, J. Lesslie (John Lesslie), 1856-","Hall, John Lesslie, Jr., 1891-1978"],"language_ssim":["English German"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:58.303Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2179"}},{"id":"viur_repositories_4_resources_39","type":"collection","attributes":{"title":"Hazel Paris Cederborg Collection","creator":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39#creator","type":"document_value","attributes":{"value":"Cederborg, Hazel Paris, 1892-1975","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:09:14.720Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:09:14.720Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39"}},{"id":"viw_repositories_2_resources_2232","type":"collection","attributes":{"title":"James H. Critchfield Papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2232#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePrimary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\" Includes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided. Further included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence. Includes some Holocaust materials and photographs of concentration camp victims.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2232#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_2232","ead_ssi":"viw_repositories_2_resources_2232","_root_":"viw_repositories_2_resources_2232","_nest_parent_":"viw_repositories_2_resources_2232","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2232.xml","title_filing_ssi":"Critchfield, James, Papers","title_ssm":["James H. Critchfield Papers"],"title_tesim":["James H. Critchfield Papers"],"unitdate_ssm":["1941-2003"],"unitdate_inclusive_ssm":["1941-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00209","/repositories/2/resources/2232"],"text":["MS 00209","/repositories/2/resources/2232","James H. Critchfield Papers","Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","James H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Some cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings.","Processed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009.","The James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library.","Primary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.","\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.","Scope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"","Some tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.","This series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.","Volume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.","Bound copy of Item 1.","Volume II Part V Critchfield Report Part VI Year of Decisions.","Bound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.","Looseleaf copy of Item 4.","A framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English German"],"unitid_tesim":["MS 00209","/repositories/2/resources/2232"],"normalized_title_ssm":["James H. Critchfield Papers"],"collection_title_tesim":["James H. Critchfield Papers"],"collection_ssim":["James H. Critchfield Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2004.09 was a gift of Lois Critchfield in 2004. Acc. 2009.367 a gift of Lois Critchfield in August 2009."],"access_subjects_ssim":["Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings"],"access_subjects_ssm":["Germany. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJames H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/James_H._Critchfield\" title=\"James H. Critchfield\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["James H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eSome cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Some cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings."],"prefercite_html_tesm":["\u003cp\u003eJames H. Critchfield Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["James H. Critchfield Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library."],"scopecontent_html_tesm":["\u003cp\u003ePrimary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.\u003c/p\u003e\n","\u003cp\u003e\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.\u003c/p\u003e","\u003cp\u003eScope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"\u003c/p\u003e","\u003cp\u003eSome tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eThis series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.\u003c/p\u003e","\u003cp\u003eVolume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.\u003c/p\u003e","\u003cp\u003eBound copy of Item 1.\u003c/p\u003e","\u003cp\u003eVolume II Part V Critchfield Report Part VI Year of Decisions.\u003c/p\u003e","\u003cp\u003eBound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.\u003c/p\u003e","\u003cp\u003eLooseleaf copy of Item 4.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Primary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.","\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.","Scope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"","Some tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.","This series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.","Volume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.","Bound copy of Item 1.","Volume II Part V Critchfield Report Part VI Year of Decisions.","Bound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.","Looseleaf copy of Item 4."],"separatedmaterial_html_tesm":["\u003cp\u003eA framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English German"],"total_component_count_is":486,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:55:23.487Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2232","ead_ssi":"viw_repositories_2_resources_2232","_root_":"viw_repositories_2_resources_2232","_nest_parent_":"viw_repositories_2_resources_2232","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2232.xml","title_filing_ssi":"Critchfield, James, Papers","title_ssm":["James H. Critchfield Papers"],"title_tesim":["James H. Critchfield Papers"],"unitdate_ssm":["1941-2003"],"unitdate_inclusive_ssm":["1941-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00209","/repositories/2/resources/2232"],"text":["MS 00209","/repositories/2/resources/2232","James H. Critchfield Papers","Germany. Bundesnachrichtendienst--History","Intelligence service--Germany--History","Interviews","National security--Germany--History","Denazification","Internment camps","Correspondence","Manuscripts (document genre)","Publications","Speeches, addresses, etc.","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","James H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Some cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings.","Processed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009.","The James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library.","Primary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.","\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.","Scope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"","Some tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.","This series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.","Volume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.","Bound copy of Item 1.","Volume II Part V Critchfield Report Part VI Year of Decisions.","Bound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.","Looseleaf copy of Item 4.","A framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English German"],"unitid_tesim":["MS 00209","/repositories/2/resources/2232"],"normalized_title_ssm":["James H. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJames H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/James_H._Critchfield\" title=\"James H. Critchfield\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["James H. Critchfield was a United States Army officer during World War II who remained in Germany and Austria as an army intelligence officer and joined the newly formed Central Intelligence Agency where he was the principal CIA officer working with the Gehlen Organization until its emergence as the Bundesnachrichtendienst (BND).He was born January 30, 1917 and graduated from North Dakota State University. He retired from the CIA in 1974 and died April 23, 2003. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eSome cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Some cassette tapes have been digitized. Tapes that have not been digitized will need to be digitized before accessing. Please contact Special Collections staff for more information. At least 72 hours advanced notice required to access cassette tape recordings."],"prefercite_html_tesm":["\u003cp\u003eJames H. Critchfield Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["James H. Critchfield Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Matthew Hopper, SCRC Staff, during 2003-2004. Addition accessioned in August 2009 ,and described and rehoused by Terry Noziglia, SCRC Staff, in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The James H. Critchfield Papers relating to Oman are housed at the Georgetown University Library."],"scopecontent_html_tesm":["\u003cp\u003ePrimary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.\u003c/p\u003e\n","\u003cp\u003e\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.\u003c/p\u003e","\u003cp\u003eScope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"\u003c/p\u003e","\u003cp\u003eSome tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eThis series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.\u003c/p\u003e","\u003cp\u003eVolume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.\u003c/p\u003e","\u003cp\u003eBound copy of Item 1.\u003c/p\u003e","\u003cp\u003eVolume II Part V Critchfield Report Part VI Year of Decisions.\u003c/p\u003e","\u003cp\u003eBound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.\u003c/p\u003e","\u003cp\u003eLooseleaf copy of Item 4.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Primary source documents, research materials and drafts for James Critchfield's book, \"Partners at the Creation the Men behind Postwar Germany's Defense and Intelligence Establishments.\"\nIncludes information on Germans imprisoned by the Allies, and on De-Nazification, for which Critchfield conducted interviews; also included are two copies of a booklet about a camps for detainees (\"Camp 71\"). The illustrated booklet is written in German and one English translation insert is provided.\nFurther included are oral history transcripts and documents relating to the Berlin Crises (1958-1961), the founding of the Bundesnachrichtendienst (BND), the declassified Central Intelligence Agency documents (1945-1949), a German-English intelligence glossary, biographical files and correspondence.  Includes some Holocaust materials and photographs of concentration camp victims.","\n Acc. 2009.367 consists of  photocopies of \"Foreign Intelligence and Partnership:CIA and the origins of the BND, 1945-49\"; as well as one bound and one loose-leaf set of copies of correspondence relating to Critchfield's post-war Intelligence tasks.","Scope and Contents Dissertation: \"The Denazification Program in the U.S. Zone of Germany.\"","Some tapes have been digitized. Tapes that have not been digitized will need to be digitized before access. Please contact Special Collections staff for more information. At least 72 hours advanced notice required for access.","This series includes material about the CIA and the origins of the Bundesnachrichtendienst (BND) as well as historical information about the CIA relationship with the German Federal Intelligence Service.","Volume I Part I Firsthand Accounts Part II Stunde Null (Zero Hour, June 1945) Part III Vandenberg Report Part IV Bossard Report The report gives the history of the relationship between the CIA and the BND, beginning with General Gehlen, a German officer who started an organization during the war to preserve German intelligence records on the Soviet Union after Germany's defeat. The United States Army worked with Gehlen's organization after the end of the war, in a project called \"Operation Rusty\". The Vandenberg report was an evaluation by the CIA in 1947 of the merits of the CIA taking over this operation, which rejected the idea. The Bossard report was a later CIA follow up which was more favorable to the idea. In 1948 James Critchfield, head of the Munich Operations Based prepared the \"Critchfield Report\" which recommended the CIA take over Gehlen's operation , and this policy was put into effect in 1949. \"Year of Decisions\" the final section of the report consists of memos and reports between the CIA and the BND during 1949 as the policy was being carried out.","Bound copy of Item 1.","Volume II Part V Critchfield Report Part VI Year of Decisions.","Bound book with copies of documents and reports relating to the CIA-BND operations, with a cover letter from Eberhard Blum, head of the BND from 1982-1985, to his \"dear friend\" James Critchfield.","Looseleaf copy of Item 4."],"separatedmaterial_html_tesm":["\u003cp\u003eA framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A framed autographed photo of Richard Helms has been transferred to the Manuscript Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English German"],"total_component_count_is":486,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:55:23.487Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2232"}},{"id":"viw_repositories_2_resources_1192","type":"collection","attributes":{"title":"Jean Harrup Cogle Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1192#creator","type":"document_value","attributes":{"value":"Cogle, Jean Harrup","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1192#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\" Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, newsclippings about the resignation of Gene R. Nichol as president of William and Mary, programs from The Common Glory, and records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1192#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1192","ead_ssi":"viw_repositories_2_resources_1192","_root_":"viw_repositories_2_resources_1192","_nest_parent_":"viw_repositories_2_resources_1192","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1192.xml","title_filing_ssi":"Cogle, Jean Harrup Papers","title_ssm":["Jean Harrup Cogle Papers"],"title_tesim":["Jean Harrup Cogle Papers"],"unitdate_ssm":["1949-2008","1970-1990"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1949-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.167","/repositories/2/resources/1192"],"text":["UA 5.167","/repositories/2/resources/1192","Jean Harrup Cogle Papers","College of William and Mary--History--20th century","Homecoming","Tercentenary of the College--1993","Visitors to Campus--Charles, Prince of Wales (1981)","Clippings (information artifacts)","Minutes","Programs","Publications","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","Jean Harrup Cogle was a student at the College of William and Mary and graduated with the class of 1949. She married Dennis Cogle, also class of 1949, who worked in the Personnel, Bursar, and Business Affairs offices at William and Mary from 1958-1986. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2012.403 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.269 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2013.","A felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13).","This collection contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\" Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, newsclippings about the resignation of Gene R. Nichol as president of William and Mary, programs from The Common Glory, and records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999.","This series contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\"; Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, news clippings about the resignation of Gene R. Nichol as president of William and Mary, and programs from The Common Glory are also present in the series. Acc. 2012.403","This series contains records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999. Included in the series are committee meeting minutes, rosters for the class of 1949, publications with news articles about the class, and other material.  Acc. 2013.269","A felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary","College of William and Mary--Alumni and alumnae","Cogle, Jean Harrup","Nichol, Gene R., 1951-","English"],"unitid_tesim":["UA 5.167","/repositories/2/resources/1192"],"normalized_title_ssm":["Jean Harrup Cogle Papers"],"collection_title_tesim":["Jean Harrup Cogle Papers"],"collection_ssim":["Jean Harrup Cogle Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Cogle, Jean Harrup","College of William and Mary"],"creator_ssim":["Cogle, Jean Harrup","College of William and Mary"],"creator_persname_ssim":["Cogle, Jean Harrup"],"creator_corpname_ssim":["College of William and Mary"],"creators_ssim":["Cogle, Jean Harrup","College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2012.403 was received by the Alumni Association via the donor, and transferred to Special Collections on 11/30/2012."],"access_subjects_ssim":["College of William and Mary--History--20th century","Homecoming","Tercentenary of the College--1993","Visitors to Campus--Charles, Prince of Wales (1981)","Clippings (information artifacts)","Minutes","Programs","Publications"],"access_subjects_ssm":["College of William and Mary--History--20th century","Homecoming","Tercentenary of the College--1993","Visitors to Campus--Charles, Prince of Wales (1981)","Clippings (information artifacts)","Minutes","Programs","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["0.90 Linear Feet"],"extent_tesim":["0.90 Linear Feet"],"genreform_ssim":["Clippings (information artifacts)","Minutes","Programs","Publications"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eJean Harrup Cogle was a student at the College of William and Mary and graduated with the class of 1949. She married Dennis Cogle, also class of 1949, who worked in the Personnel, Bursar, and Business Affairs offices at William and Mary from 1958-1986. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Jean_Harrup_Cogle\" title=\"Jean Harrup Cogle\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Jean Harrup Cogle was a student at the College of William and Mary and graduated with the class of 1949. She married Dennis Cogle, also class of 1949, who worked in the Personnel, Bursar, and Business Affairs offices at William and Mary from 1958-1986. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eJean Harrup Cogle Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Jean Harrup Cogle Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.403 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.269 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.403 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.269 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eA felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["A felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\" Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, newsclippings about the resignation of Gene R. Nichol as president of William and Mary, programs from The Common Glory, and records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999.\u003c/p\u003e","\u003cp\u003eThis series contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\"; Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, news clippings about the resignation of Gene R. Nichol as president of William and Mary, and programs from The Common Glory are also present in the series. Acc. 2012.403\u003c/p\u003e","\u003cp\u003eThis series contains records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999. Included in the series are committee meeting minutes, rosters for the class of 1949, publications with news articles about the class, and other material.  Acc. 2013.269\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\" Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, newsclippings about the resignation of Gene R. Nichol as president of William and Mary, programs from The Common Glory, and records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999.","This series contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\"; Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, news clippings about the resignation of Gene R. Nichol as president of William and Mary, and programs from The Common Glory are also present in the series. Acc. 2012.403","This series contains records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999. Included in the series are committee meeting minutes, rosters for the class of 1949, publications with news articles about the class, and other material.  Acc. 2013.269"],"separatedmaterial_html_tesm":["\u003cp\u003eA felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","Nichol, Gene R., 1951-"],"names_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary--Alumni and alumnae","Cogle, Jean Harrup","Nichol, Gene R., 1951-"],"corpname_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary--Alumni and alumnae"],"persname_ssim":["Cogle, Jean Harrup","Nichol, Gene R., 1951-"],"language_ssim":["English"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T10:05:39.990Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1192","ead_ssi":"viw_repositories_2_resources_1192","_root_":"viw_repositories_2_resources_1192","_nest_parent_":"viw_repositories_2_resources_1192","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1192.xml","title_filing_ssi":"Cogle, Jean Harrup Papers","title_ssm":["Jean Harrup Cogle Papers"],"title_tesim":["Jean Harrup Cogle Papers"],"unitdate_ssm":["1949-2008","1970-1990"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1949-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.167","/repositories/2/resources/1192"],"text":["UA 5.167","/repositories/2/resources/1192","Jean Harrup Cogle Papers","College of William and Mary--History--20th century","Homecoming","Tercentenary of the College--1993","Visitors to Campus--Charles, Prince of Wales (1981)","Clippings (information artifacts)","Minutes","Programs","Publications","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","Jean Harrup Cogle was a student at the College of William and Mary and graduated with the class of 1949. She married Dennis Cogle, also class of 1949, who worked in the Personnel, Bursar, and Business Affairs offices at William and Mary from 1958-1986. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2012.403 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.269 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2013.","A felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13).","This collection contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\" Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, newsclippings about the resignation of Gene R. Nichol as president of William and Mary, programs from The Common Glory, and records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999.","This series contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\"; Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, news clippings about the resignation of Gene R. Nichol as president of William and Mary, and programs from The Common Glory are also present in the series. Acc. 2012.403","This series contains records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999. Included in the series are committee meeting minutes, rosters for the class of 1949, publications with news articles about the class, and other material.  Acc. 2013.269","A felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary","College of William and Mary--Alumni and alumnae","Cogle, Jean Harrup","Nichol, Gene R., 1951-","English"],"unitid_tesim":["UA 5.167","/repositories/2/resources/1192"],"normalized_title_ssm":["Jean Harrup Cogle Papers"],"collection_title_tesim":["Jean Harrup Cogle Papers"],"collection_ssim":["Jean Harrup Cogle Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Cogle, Jean Harrup","College of William and Mary"],"creator_ssim":["Cogle, Jean Harrup","College of William and Mary"],"creator_persname_ssim":["Cogle, Jean Harrup"],"creator_corpname_ssim":["College of William and Mary"],"creators_ssim":["Cogle, Jean Harrup","College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2012.403 was received by the Alumni Association via the donor, and transferred to Special Collections on 11/30/2012."],"access_subjects_ssim":["College of William and Mary--History--20th century","Homecoming","Tercentenary of the College--1993","Visitors to Campus--Charles, Prince of Wales (1981)","Clippings (information artifacts)","Minutes","Programs","Publications"],"access_subjects_ssm":["College of William and Mary--History--20th century","Homecoming","Tercentenary of the College--1993","Visitors to Campus--Charles, Prince of Wales (1981)","Clippings (information artifacts)","Minutes","Programs","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["0.90 Linear Feet"],"extent_tesim":["0.90 Linear Feet"],"genreform_ssim":["Clippings (information artifacts)","Minutes","Programs","Publications"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eJean Harrup Cogle was a student at the College of William and Mary and graduated with the class of 1949. She married Dennis Cogle, also class of 1949, who worked in the Personnel, Bursar, and Business Affairs offices at William and Mary from 1958-1986. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Jean_Harrup_Cogle\" title=\"Jean Harrup Cogle\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Jean Harrup Cogle was a student at the College of William and Mary and graduated with the class of 1949. She married Dennis Cogle, also class of 1949, who worked in the Personnel, Bursar, and Business Affairs offices at William and Mary from 1958-1986. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eJean Harrup Cogle Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Jean Harrup Cogle Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.403 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.269 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.403 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.269 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eA felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["A felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\" Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, newsclippings about the resignation of Gene R. Nichol as president of William and Mary, programs from The Common Glory, and records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999.\u003c/p\u003e","\u003cp\u003eThis series contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\"; Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, news clippings about the resignation of Gene R. Nichol as president of William and Mary, and programs from The Common Glory are also present in the series. Acc. 2012.403\u003c/p\u003e","\u003cp\u003eThis series contains records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999. Included in the series are committee meeting minutes, rosters for the class of 1949, publications with news articles about the class, and other material.  Acc. 2013.269\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\" Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, newsclippings about the resignation of Gene R. Nichol as president of William and Mary, programs from The Common Glory, and records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999.","This series contains news clippings, programs, publications, and other material collected by Jane Harrup Cogle, class of 1949 at the College of William and Mary. Included are programs related to the Tercentenary of William and Mary, The Royal Visit of His Majesty Charles, Prince of Wales to William and Mary in 1981, and Fehr Fest, the retirement celebration for Carl A. \"Pappy\"; Fehr, director of the choir at William and Mary. Letters to Jean Harrup while a student at the college, news clippings about the resignation of Gene R. Nichol as president of William and Mary, and programs from The Common Glory are also present in the series. Acc. 2012.403","This series contains records of the 50th Anniversary committee for the class of 1949 at the College of William and Mary in 1999. Included in the series are committee meeting minutes, rosters for the class of 1949, publications with news articles about the class, and other material.  Acc. 2013.269"],"separatedmaterial_html_tesm":["\u003cp\u003eA felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A felt dance souvenir (UA 2012.403.01) was transferred to the University Archives Artifact Collection (UA 13)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","Nichol, Gene R., 1951-"],"names_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary--Alumni and alumnae","Cogle, Jean Harrup","Nichol, Gene R., 1951-"],"corpname_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary--Alumni and alumnae"],"persname_ssim":["Cogle, Jean Harrup","Nichol, Gene R., 1951-"],"language_ssim":["English"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T10:05:39.990Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1192"}},{"id":"viw_repositories_2_resources_687","type":"collection","attributes":{"title":"Julius J. Lankes Collection","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687#creator","type":"document_value","attributes":{"value":"Lankes, Julius J.,  1884-1960","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:11:04.885Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:11:04.885Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":39},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bdate_range%5D%5B%5D=1980\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bdate_range%5D%5B%5D=1980\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Virginia Military Institute Archives","value":"Virginia Military Institute Archives","hits":13},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bdate_range%5D%5B%5D=1980\u0026f%5Brepository%5D%5B%5D=Virginia+Military+Institute+Archives"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Admissions Office student recruitment materials","value":"Admissions Office student recruitment materials","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bcollection%5D%5B%5D=Admissions+Office+student+recruitment+materials\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"Alumni Association Records","value":"Alumni Association Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bcollection%5D%5B%5D=Alumni+Association+Records\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"American Studies Program Records","value":"American Studies Program Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bcollection%5D%5B%5D=American+Studies+Program+Records\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"Board of Visitors records","value":"Board of Visitors records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bcollection%5D%5B%5D=Board+of+Visitors+records\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"Bruton Parish Church (Williamsburg, Va.) records","value":"Bruton Parish Church (Williamsburg, Va.) records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bcollection%5D%5B%5D=Bruton+Parish+Church+%28Williamsburg%2C+Va.%29+records\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"Calendars Collection","value":"Calendars Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bcollection%5D%5B%5D=Calendars+Collection\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"Career Center Records","value":"Career Center Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Publications\u0026f%5Bcollection%5D%5B%5D=Career+Center+Records\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"Carl R. 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