{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1996\u0026f%5Brepository%5D%5B%5D=George+Mason+University","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1996\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_317","type":"collection","attributes":{"title":"East German poster collection performing arts series, 1955/1997","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_317#creator","type":"document_value","attributes":{"value":"Palast der Republik (Berlin, Germany)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_317#abstract_or_scope","type":"document_value","attributes":{"value":"This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_317","ead_ssi":"vifgm_repositories_2_resources_317","_root_":"vifgm_repositories_2_resources_317","_nest_parent_":"vifgm_repositories_2_resources_317","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_317.xml","title_ssm":["East German poster collection performing arts series"],"title_tesim":["East German poster collection performing arts series"],"unitdate_ssm":["1955-1997"],"unitdate_inclusive_ssm":["1955-1997"],"normalized_date_ssm":["1955/1997"],"normalized_title_ssm":["East German poster collection performing arts series, 1955/1997"],"text":["East German poster collection performing arts series, 1955/1997","C0209","/repositories/2/resources/317","Germany (East)","Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters","Collection is open to research.","Arranged by subject and a numbering system.","The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.","Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","Map Case 4.1-4.5, 10.5, 20.2","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","German"],"collection_title_tesim":["East German poster collection performing arts series, 1955/1997"],"collection_ssim":["East German poster collection performing arts series, 1955/1997"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0209","/repositories/2/resources/317"],"unitid_tesim":["C0209","/repositories/2/resources/317"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"places_ssim":["Germany (East)"],"creator_ssm":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creators_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"access_subjects_ssm":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["941 posters"],"extent_tesim":["941 posters"],"genreform_ssim":["Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb3f2e8b125dcfea2ab13e34194d4bd\"\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.\u003c/abstract\u003e\n    "],"abstract_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5f6ab7aa6f788afa781b01c0075628a3\"\u003eMap Case 4.1-4.5, 10.5, 20.2\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 4.1-4.5, 10.5, 20.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"names_coll_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:35.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_317","ead_ssi":"vifgm_repositories_2_resources_317","_root_":"vifgm_repositories_2_resources_317","_nest_parent_":"vifgm_repositories_2_resources_317","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_317.xml","title_ssm":["East German poster collection performing arts series"],"title_tesim":["East German poster collection performing arts series"],"unitdate_ssm":["1955-1997"],"unitdate_inclusive_ssm":["1955-1997"],"normalized_date_ssm":["1955/1997"],"normalized_title_ssm":["East German poster collection performing arts series, 1955/1997"],"text":["East German poster collection performing arts series, 1955/1997","C0209","/repositories/2/resources/317","Germany (East)","Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters","Collection is open to research.","Arranged by subject and a numbering system.","The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.","Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","Map Case 4.1-4.5, 10.5, 20.2","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","German"],"collection_title_tesim":["East German poster collection performing arts series, 1955/1997"],"collection_ssim":["East German poster collection performing arts series, 1955/1997"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0209","/repositories/2/resources/317"],"unitid_tesim":["C0209","/repositories/2/resources/317"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"places_ssim":["Germany (East)"],"creator_ssm":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creators_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"access_subjects_ssm":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["941 posters"],"extent_tesim":["941 posters"],"genreform_ssim":["Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb3f2e8b125dcfea2ab13e34194d4bd\"\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.\u003c/abstract\u003e\n    "],"abstract_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5f6ab7aa6f788afa781b01c0075628a3\"\u003eMap Case 4.1-4.5, 10.5, 20.2\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 4.1-4.5, 10.5, 20.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"names_coll_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:35.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_317"}},{"id":"vifgm_repositories_2_resources_177","type":"collection","attributes":{"title":"French Communist Party poster collection, 1945/2008","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177#creator","type":"document_value","attributes":{"value":"Parti communiste français","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177#abstract_or_scope","type":"document_value","attributes":{"value":"Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"normalized_date_ssm":["1945/2008"],"normalized_title_ssm":["French Communist Party poster collection, 1945/2008"],"text":["French Communist Party poster collection, 1945/2008","C0168","/repositories/2/resources/177","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"collection_title_tesim":["French Communist Party poster collection, 1945/2008"],"collection_ssim":["French Communist Party poster collection, 1945/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"places_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e\n    "],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:22.040Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"normalized_date_ssm":["1945/2008"],"normalized_title_ssm":["French Communist Party poster collection, 1945/2008"],"text":["French Communist Party poster collection, 1945/2008","C0168","/repositories/2/resources/177","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"collection_title_tesim":["French Communist Party poster collection, 1945/2008"],"collection_ssim":["French Communist Party poster collection, 1945/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"places_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e\n    "],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"corpname_ssim":["George Mason University. Libraries. 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