{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1968\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1968\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1968\u0026page=3","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1968\u0026page=3"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":3,"limit_value":10,"offset_value":10,"total_count":26,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_316","type":"collection","attributes":{"title":"East German poster collection film series, 1947/1995","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316#creator","type":"document_value","attributes":{"value":"Wongel, Gisela","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316#abstract_or_scope","type":"document_value","attributes":{"value":"These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. 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Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1870,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:35.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.","Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-","German"],"collection_title_tesim":["East German poster collection film series, 1947/1995"],"collection_ssim":["East German poster collection film series, 1947/1995"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0208","/repositories/2/resources/316"],"unitid_tesim":["C0208","/repositories/2/resources/316"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"places_ssim":["Germany (East)"],"creator_ssm":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"creator_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"creator_persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"creators_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-","George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1870,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:35.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316"}},{"id":"vifgm_repositories_2_resources_317","type":"collection","attributes":{"title":"East German poster collection performing arts series, 1955/1997","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_317#creator","type":"document_value","attributes":{"value":"Palast der Republik (Berlin, Germany)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_317#abstract_or_scope","type":"document_value","attributes":{"value":"This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_317","ead_ssi":"vifgm_repositories_2_resources_317","_root_":"vifgm_repositories_2_resources_317","_nest_parent_":"vifgm_repositories_2_resources_317","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_317.xml","title_ssm":["East German poster collection performing arts series"],"title_tesim":["East German poster collection performing arts series"],"unitdate_ssm":["1955-1997"],"unitdate_inclusive_ssm":["1955-1997"],"normalized_date_ssm":["1955/1997"],"normalized_title_ssm":["East German poster collection performing arts series, 1955/1997"],"text":["East German poster collection performing arts series, 1955/1997","C0209","/repositories/2/resources/317","Germany (East)","Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters","Collection is open to research.","Arranged by subject and a numbering system.","The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.","Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","Map Case 4.1-4.5, 10.5, 20.2","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","German"],"collection_title_tesim":["East German poster collection performing arts series, 1955/1997"],"collection_ssim":["East German poster collection performing arts series, 1955/1997"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0209","/repositories/2/resources/317"],"unitid_tesim":["C0209","/repositories/2/resources/317"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"places_ssim":["Germany (East)"],"creator_ssm":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creators_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"access_subjects_ssm":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["941 posters"],"extent_tesim":["941 posters"],"genreform_ssim":["Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb3f2e8b125dcfea2ab13e34194d4bd\"\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.\u003c/abstract\u003e\n    "],"abstract_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5f6ab7aa6f788afa781b01c0075628a3\"\u003eMap Case 4.1-4.5, 10.5, 20.2\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 4.1-4.5, 10.5, 20.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"names_coll_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:35.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_317","ead_ssi":"vifgm_repositories_2_resources_317","_root_":"vifgm_repositories_2_resources_317","_nest_parent_":"vifgm_repositories_2_resources_317","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_317.xml","title_ssm":["East German poster collection performing arts series"],"title_tesim":["East German poster collection performing arts series"],"unitdate_ssm":["1955-1997"],"unitdate_inclusive_ssm":["1955-1997"],"normalized_date_ssm":["1955/1997"],"normalized_title_ssm":["East German poster collection performing arts series, 1955/1997"],"text":["East German poster collection performing arts series, 1955/1997","C0209","/repositories/2/resources/317","Germany (East)","Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters","Collection is open to research.","Arranged by subject and a numbering system.","The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.","Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","Map Case 4.1-4.5, 10.5, 20.2","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","German"],"collection_title_tesim":["East German poster collection performing arts series, 1955/1997"],"collection_ssim":["East German poster collection performing arts series, 1955/1997"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0209","/repositories/2/resources/317"],"unitid_tesim":["C0209","/repositories/2/resources/317"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"places_ssim":["Germany (East)"],"creator_ssm":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creators_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"access_subjects_ssm":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["941 posters"],"extent_tesim":["941 posters"],"genreform_ssim":["Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb3f2e8b125dcfea2ab13e34194d4bd\"\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.\u003c/abstract\u003e\n    "],"abstract_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5f6ab7aa6f788afa781b01c0075628a3\"\u003eMap Case 4.1-4.5, 10.5, 20.2\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 4.1-4.5, 10.5, 20.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"names_coll_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:35.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_317"}},{"id":"vifgm_repositories_2_resources_177","type":"collection","attributes":{"title":"French Communist Party poster collection, 1945/2008","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177#creator","type":"document_value","attributes":{"value":"Parti communiste français","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177#abstract_or_scope","type":"document_value","attributes":{"value":"Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"normalized_date_ssm":["1945/2008"],"normalized_title_ssm":["French Communist Party poster collection, 1945/2008"],"text":["French Communist Party poster collection, 1945/2008","C0168","/repositories/2/resources/177","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"collection_title_tesim":["French Communist Party poster collection, 1945/2008"],"collection_ssim":["French Communist Party poster collection, 1945/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"places_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e\n    "],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:22.040Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"normalized_date_ssm":["1945/2008"],"normalized_title_ssm":["French Communist Party poster collection, 1945/2008"],"text":["French Communist Party poster collection, 1945/2008","C0168","/repositories/2/resources/177","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"collection_title_tesim":["French Communist Party poster collection, 1945/2008"],"collection_ssim":["French Communist Party poster collection, 1945/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"places_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e\n    "],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:22.040Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177"}},{"id":"viw_repositories_2_resources_1173","type":"collection","attributes":{"title":"Gordon W. \"Bo\" Bohannan Theater Collection, 1950/2014","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1173#creator","type":"document_value","attributes":{"value":"Bohannan, Gordon W.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1173#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains playbills and posters from various theater productions that were collected by Gordon W. \"Bo\" Bohannan from all over the East Coast including New York, Williamsburg, Virginia, Richmond, Virginia, and Myrtle Beach, South Carolina to name a few.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1173#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1173","ead_ssi":"viw_repositories_2_resources_1173","_root_":"viw_repositories_2_resources_1173","_nest_parent_":"viw_repositories_2_resources_1173","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1173.xml","title_filing_ssi":"Bohannan, Gordon W. \"Bo\" Theater Collection","title_ssm":["Gordon W. \"Bo\" Bohannan Theater Collection"],"title_tesim":["Gordon W. \"Bo\" Bohannan Theater Collection"],"unitdate_ssm":["1950-2014"],"unitdate_inclusive_ssm":["1950-2014"],"normalized_date_ssm":["1950/2014"],"normalized_title_ssm":["Gordon W. \"Bo\" Bohannan Theater Collection, 1950/2014"],"text":["Gordon W. \"Bo\" Bohannan Theater Collection, 1950/2014","Mss. 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The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.","The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders.","Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection.","The Paul Green Papers are held by the UNC Libraries.","Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).","Box 14 transferred to the artifact collection in 2009.","All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory","English"],"collection_title_tesim":["Jamestown Corporation Records, 1946/1979"],"collection_ssim":["Jamestown Corporation Records, 1946/1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 77 C73","/repositories/2/resources/8864"],"unitid_tesim":["01/Mss. 77 C73","/repositories/2/resources/8864"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"geogname_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"places_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"creator_ssm":["Jamestown Corporation"],"creator_ssim":["Jamestown Corporation"],"creator_persname_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. 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Royall 1994.04 Gift of Jones Library, Lynchburg 1994.23 Gift of Howard Scammon 1994.54 Gift of Howard Scammon 1999.24 Gift of Roger Sherman 2001.20 Gift of Frances Robb and unknown. 2003.22 Came in with material given to University Archives. 2008.90 Richard Krown 2010.387 Gift of David Dudley"],"access_subjects_ssim":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"access_subjects_ssm":["Drama--20th century","Green, Paul, 1894-1981. 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Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Jamestown_Corporation\" title=\"Jamestown Corporation\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. 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Royall 1994.04 Gift of Jones Library, Lynchburg 1994.23 Gift of Howard Scammon 1994.54 Gift of Howard Scammon 1999.24 Gift of Roger Sherman 2001.20 Gift of Frances Robb and unknown. 2003.22 Came in with material given to University Archives. 2008.90 Richard Krown 2010.387 Gift of David Dudley"],"access_subjects_ssim":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"access_subjects_ssm":["Drama--20th century","Green, Paul, 1894-1981. 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The team has made 20 appearances in the NCAA championships with a combined record of 21–19. Furthermore, after also joining the Colonial Athletic Association in 1984, the women's team has won 24 Colonial Athletic Association titles."],"prefercite_html_tesm":["\u003cp\u003eMen's and Women's Tennis records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Men's and Women's Tennis records, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eDepartment of Athletics records\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Department of Athletics records"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of one box of programs, news reports, schedules, rosters, ephemera posters and other materials related to William \u0026amp; Mary's men's and women's tennis teams. 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Two folders contain material pertaining exclusively to the men's team while two folders contain material pertaining exclusively to the women's team. The remaining three folders contain material pertaining to both teams."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. 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Over the course of its long history, the men's basketball team has competed in three athletic conferences, including the Colonial Athletic Association which the college has been a member of since 1982. The team has won three conference titles in the CAA. The men's basketball team is yet to make an appearance in the NCAA tournament, making it one of only five original Division 1 NCAA teams in history to have never participated in that tournament. Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States.","Dept. of Athletics Records","The collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026 Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. 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Department of Athletics.","College of William and Mary--Basketball","College of William and Mary--Sports"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Transfer"],"access_subjects_ssim":["Athletics--Basketball","College sports","Posters"],"access_subjects_ssm":["Athletics--Basketball","College sports","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 5 Hollinger boxes and 1 oversize folder"],"extent_tesim":["4 Linear Feet 5 Hollinger boxes and 1 oversize folder"],"genreform_ssim":["Posters"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary has been represented in intercollegiate men's basketball competition since the first decade of the 20th century. Over the course of its long history, the men's basketball team has competed in three athletic conferences, including the Colonial Athletic Association which the college has been a member of since 1982. The team has won three conference titles in the CAA. The men's basketball team is yet to make an appearance in the NCAA tournament, making it one of only five original Division 1 NCAA teams in history to have never participated in that tournament. Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William \u0026 Mary has been represented in intercollegiate men's basketball competition since the first decade of the 20th century. Over the course of its long history, the men's basketball team has competed in three athletic conferences, including the Colonial Athletic Association which the college has been a member of since 1982. The team has won three conference titles in the CAA. The men's basketball team is yet to make an appearance in the NCAA tournament, making it one of only five original Division 1 NCAA teams in history to have never participated in that tournament. Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States."],"prefercite_html_tesm":["\u003cp\u003eMen's Basketball records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e  "],"prefercite_tesim":["Men's Basketball records, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eDept. of Athletics Records\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Dept. of Athletics Records"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026amp; Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026 Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Basketball","College of William and Mary--Sports"],"names_coll_ssim":["College of William and Mary--Basketball","College of William and Mary--Sports"],"names_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Basketball","College of William and Mary--Sports"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":46,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:48:09.289Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1425"}},{"id":"vihart_repositories_4_resources_401","type":"collection","attributes":{"title":"Patricia Chalfant Women's Rights Collection, 1968/1978","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_401#creator","type":"document_value","attributes":{"value":"Chalfant, Patricia, 1941-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_401#abstract_or_scope","type":"document_value","attributes":{"value":"The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_401#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_401","ead_ssi":"vihart_repositories_4_resources_401","_root_":"vihart_repositories_4_resources_401","_nest_parent_":"vihart_repositories_4_resources_401","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_401.xml","title_ssm":["Patricia Chalfant Women's Rights Collection"],"title_tesim":["Patricia Chalfant Women's Rights Collection"],"unitdate_ssm":["1968-1978"],"unitdate_inclusive_ssm":["1968-1978"],"normalized_date_ssm":["1968/1978"],"normalized_title_ssm":["Patricia Chalfant Women's Rights Collection, 1968/1978"],"text":["Patricia Chalfant Women's Rights Collection, 1968/1978","SC 0240","Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978\n      Conferences and Events, 1975-1978\n      Ephemera, 1974-1978","Obituary for Patricia Jeanne Chalfant, Intelligencer Journal (Lancaster, PA), December 11, 2006.","Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.","This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.","All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file.","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Received on December 12, 2015 from Reba Leiding, former librarian at JMU."],"access_subjects_ssim":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"access_subjects_ssm":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 cubic feet 3 boxes, 1 flat folder"],"extent_tesim":["1.65 cubic feet 3 boxes, 1 flat folder"],"genreform_ssim":["Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. All series are arranged chronologically.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePublications, 1968-1978\u003c/item\u003e\n      \u003citem\u003eConferences and Events, 1975-1978\u003c/item\u003e\n      \u003citem\u003eEphemera, 1974-1978\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978\n      Conferences and Events, 1975-1978\n      Ephemera, 1974-1978"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Patricia Jeanne Chalfant, \u003cemph render=\"italic\"\u003eIntelligencer Journal\u003c/emph\u003e (Lancaster, PA), December 11, 2006.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Patricia Jeanne Chalfant, Intelligencer Journal (Lancaster, PA), December 11, 2006."],"bioghist_html_tesm":["\u003cp\u003ePatricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Information"],"bioghist_tesim":["Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania."],"custodhist_html_tesm":["\u003cp\u003eThis collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAll publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event."],"scopecontent_html_tesm":["\u003cp\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. \u003c/p\u003e","\u003cp\u003eSeries 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.\u003c/p\u003e","\u003cp\u003eSeries 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.\u003c/p\u003e","\u003cp\u003eSeries 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file.","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_90a374b9e69dc87763b2f3ec22480d37\"\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C."],"corpname_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)"],"names_coll_ssim":["National Organization for Women -- History -- 20th century"],"persname_ssim":["Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"names_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)","Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":50,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:22:07.934Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_401","ead_ssi":"vihart_repositories_4_resources_401","_root_":"vihart_repositories_4_resources_401","_nest_parent_":"vihart_repositories_4_resources_401","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_401.xml","title_ssm":["Patricia Chalfant Women's Rights Collection"],"title_tesim":["Patricia Chalfant Women's Rights Collection"],"unitdate_ssm":["1968-1978"],"unitdate_inclusive_ssm":["1968-1978"],"normalized_date_ssm":["1968/1978"],"normalized_title_ssm":["Patricia Chalfant Women's Rights Collection, 1968/1978"],"text":["Patricia Chalfant Women's Rights Collection, 1968/1978","SC 0240","Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978\n      Conferences and Events, 1975-1978\n      Ephemera, 1974-1978","Obituary for Patricia Jeanne Chalfant, Intelligencer Journal (Lancaster, PA), December 11, 2006.","Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.","This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.","All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file.","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Received on December 12, 2015 from Reba Leiding, former librarian at JMU."],"access_subjects_ssim":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"access_subjects_ssm":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 cubic feet 3 boxes, 1 flat folder"],"extent_tesim":["1.65 cubic feet 3 boxes, 1 flat folder"],"genreform_ssim":["Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. All series are arranged chronologically.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePublications, 1968-1978\u003c/item\u003e\n      \u003citem\u003eConferences and Events, 1975-1978\u003c/item\u003e\n      \u003citem\u003eEphemera, 1974-1978\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978\n      Conferences and Events, 1975-1978\n      Ephemera, 1974-1978"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Patricia Jeanne Chalfant, \u003cemph render=\"italic\"\u003eIntelligencer Journal\u003c/emph\u003e (Lancaster, PA), December 11, 2006.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Patricia Jeanne Chalfant, Intelligencer Journal (Lancaster, PA), December 11, 2006."],"bioghist_html_tesm":["\u003cp\u003ePatricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Information"],"bioghist_tesim":["Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania."],"custodhist_html_tesm":["\u003cp\u003eThis collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAll publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event."],"scopecontent_html_tesm":["\u003cp\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. \u003c/p\u003e","\u003cp\u003eSeries 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.\u003c/p\u003e","\u003cp\u003eSeries 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.\u003c/p\u003e","\u003cp\u003eSeries 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file.","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_90a374b9e69dc87763b2f3ec22480d37\"\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C."],"corpname_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)"],"names_coll_ssim":["National Organization for Women -- History -- 20th century"],"persname_ssim":["Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"names_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)","Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":50,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:22:07.934Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_401"}},{"id":"viblbv_repositories_2_resources_3440","type":"collection","attributes":{"title":"Records of War Memorial Chapel, 1949/2001","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3440#creator","type":"document_value","attributes":{"value":"Virginia Polytechnic Institute (1944-1970)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3440#abstract_or_scope","type":"document_value","attributes":{"value":"The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3440#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3440","ead_ssi":"viblbv_repositories_2_resources_3440","_root_":"viblbv_repositories_2_resources_3440","_nest_parent_":"viblbv_repositories_2_resources_3440","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3440.xml","title_filing_ssi":"War Memorial Chapel, Records of","title_ssm":["Records of War Memorial Chapel"],"title_tesim":["Records of War Memorial Chapel"],"unitdate_ssm":["1949-1985, 2001, undated"],"unitdate_inclusive_ssm":["1949-1985, 2001, undated"],"normalized_date_ssm":["1949/2001"],"normalized_title_ssm":["Records of War Memorial Chapel, 1949/2001"],"text":["Records of War Memorial Chapel, 1949/2001","RG.06.03.09","University Archives","University History","Blueprints (reprographic copies)","Posters","Sketches","The collection is open for research. However, some documents are restricted for 75 years from date of creation in accordance with the Family Education Rights and Privacy Act and Virginia Tech Special Collections' policy regarding confidential information and privacy. Contact Special Collections for more information.","This collection is arranged into four series:","Series I: War Memorial Court and Chapel Pictures and Sketches\nSeries II: WWII Memorial VPI Blueprints\nSeries III: Oversize Sketches, Concept Prints, and Posters\nSeries IV: Chronological Files","Construction on the War Memorial Chapel started in spring 1951 and completed in May 1960, with renovations undertaken in 2000 to 2001. Initial funding was raised by alumni to build a non-denominational religious building on campus and memorial to alumni who died while serving in the United States Armed Forces. The sculpture inside was designed by Donald DeLue. It is a popular location for weddings and other events.","The Memorial Court on the chapel roof includes the iconic Pylons etched with the names of every Virginia Tech student and graduate who died in service, starting with World War I. The four left pylons - Brotherhood, Honor, Leadership, and Sacrifice - were designed by Henry Kries and the right pylons - Service, Loyalty, Duty, and Ut Prosim - by Charles Rudy. At the center of the Court, the cenotaph has the names of the Medal of Honor recipients who attended Virginia Tech.","The carillon purchased as part of the War Memorial Chapel fund was installed in Burruss Hall in 1957. An electronic carillon was donated by the Class of 1958 and installed in 1997.","Sources:","Young, Denise. \"Hear ye, the bells of Burruss.\" In Virginia Tech magazine, Spring 2011. Accessed December 3, 2019. https://www.vtmag.vt.edu/spring11/feature2.html.","Virginia Tech. \"Virginia Tech Buildings: War Memorial Chapel.\" VT.edu. Accessed December 3, 2019. https://vt.edu/about/locations/buildings/war-memorial-chapel.html.","The guide to the Records of War Memorial Chapel by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description of the Records of War Memorial Chapel collection was completed in November 2019.","A model sculpture of Sacrifice, one of the Pylon statues, is in the Artifact Collection.","For architectural records of Virginia Tech buildings, see Virginia Tech Buildings Architectural Collection, RG 6/3/2e.","The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened. The collection is arranged into four series.","Series I: War Memorial Chapel Pictures and Sketches is made up of information from the construction of War Memorial Chapel, including the Memorial Court. There are small plan sheets, pictures of the sculpture models, newspaper clippings, and photographs of the construction process. Items also document when the Chapel was commemorated and dedicated and include prints of the Chapel and the Drillfield.","Series II: WWII Memorial VPI Blueprints includes reinforcing steel plans, chapel floor plans, elevation plans, and detail plans for the exterior opening, limestone bench, electrical details, and door and window openings. Most of the blueprints are dated January 14, 1950, but there are also some dated November 1, 1950, and February 19-20, 1951.","Series III: Oversize Sketches, Concept Prints, and Posters contains 3-D rendering concepts of War Memorial Court, a poster of photographs of the half-sized sculpture models for War Memorial Court, oversize photos of War Memorial Court, a folder of scale drawings for the memorial and oversize sketches of War Memorial Chapel.","Series IV: Chronological Files includes letters, reports, calendars, and other files from the chapel. Additionally, there are wedding applications and confidential documents, which are restricted.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"collection_title_tesim":["Records of War Memorial Chapel, 1949/2001"],"collection_ssim":["Records of War Memorial Chapel, 1949/2001"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.06.03.09"],"unitid_tesim":["RG.06.03.09"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creator_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of War Memorial Chapel were transferred to Special Collections and University Archives prior to 1980. Additional materials were transferred in 1989 and 2019."],"access_subjects_ssim":["University Archives","University History","Blueprints (reprographic copies)","Posters","Sketches"],"access_subjects_ssm":["University Archives","University History","Blueprints (reprographic copies)","Posters","Sketches"],"has_online_content_ssim":["false"],"extent_ssm":["8.2 Cubic Feet 6 boxes, 2 oversize folders"],"extent_tesim":["8.2 Cubic Feet 6 boxes, 2 oversize folders"],"genreform_ssim":["Blueprints (reprographic copies)","Posters","Sketches"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. However, some documents are restricted for 75 years from date of creation in accordance with the Family Education Rights and Privacy Act and Virginia Tech Special Collections' policy regarding confidential information and privacy. Contact Special Collections for more information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. However, some documents are restricted for 75 years from date of creation in accordance with the Family Education Rights and Privacy Act and Virginia Tech Special Collections' policy regarding confidential information and privacy. Contact Special Collections for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series: \u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I: War Memorial Court and Chapel Pictures and Sketches\u003c/item\u003e\n\u003citem\u003eSeries II: WWII Memorial VPI Blueprints\u003c/item\u003e\n\u003citem\u003eSeries III: Oversize Sketches, Concept Prints, and Posters\u003c/item\u003e\n\u003citem\u003eSeries IV: Chronological Files\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series:","Series I: War Memorial Court and Chapel Pictures and Sketches\nSeries II: WWII Memorial VPI Blueprints\nSeries III: Oversize Sketches, Concept Prints, and Posters\nSeries IV: Chronological Files"],"bioghist_html_tesm":["\u003cp\u003eConstruction on the War Memorial Chapel started in spring 1951 and completed in May 1960, with renovations undertaken in 2000 to 2001. Initial funding was raised by alumni to build a non-denominational religious building on campus and memorial to alumni who died while serving in the United States Armed Forces. The sculpture inside was designed by Donald DeLue. It is a popular location for weddings and other events.\u003c/p\u003e","\u003cp\u003eThe Memorial Court on the chapel roof includes the iconic Pylons etched with the names of every Virginia Tech student and graduate who died in service, starting with World War I. The four left pylons - Brotherhood, Honor, Leadership, and Sacrifice - were designed by Henry Kries and the right pylons - Service, Loyalty, Duty, and \u003ci\u003eUt Prosim\u003c/i\u003e - by Charles Rudy. At the center of the Court, the cenotaph has the names of the Medal of Honor recipients who attended Virginia Tech. \u003c/p\u003e","\u003cp\u003eThe carillon purchased as part of the War Memorial Chapel fund was installed in Burruss Hall in 1957. An electronic carillon was donated by the Class of 1958 and installed in 1997.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eYoung, Denise. \"Hear ye, the bells of Burruss.\" In \u003ci\u003eVirginia Tech magazine\u003c/i\u003e, Spring 2011. Accessed December 3, 2019. \u003ca href=\"https://www.vtmag.vt.edu/spring11/feature2.html\" target=\"new\"\u003ehttps://www.vtmag.vt.edu/spring11/feature2.html\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eVirginia Tech. \"Virginia Tech Buildings: War Memorial Chapel.\" VT.edu. Accessed December 3, 2019. \u003ca href=\"https://vt.edu/about/locations/buildings/war-memorial-chapel.html\" target=\"new\"\u003ehttps://vt.edu/about/locations/buildings/war-memorial-chapel.html\u003c/a\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Construction on the War Memorial Chapel started in spring 1951 and completed in May 1960, with renovations undertaken in 2000 to 2001. Initial funding was raised by alumni to build a non-denominational religious building on campus and memorial to alumni who died while serving in the United States Armed Forces. The sculpture inside was designed by Donald DeLue. It is a popular location for weddings and other events.","The Memorial Court on the chapel roof includes the iconic Pylons etched with the names of every Virginia Tech student and graduate who died in service, starting with World War I. The four left pylons - Brotherhood, Honor, Leadership, and Sacrifice - were designed by Henry Kries and the right pylons - Service, Loyalty, Duty, and Ut Prosim - by Charles Rudy. At the center of the Court, the cenotaph has the names of the Medal of Honor recipients who attended Virginia Tech.","The carillon purchased as part of the War Memorial Chapel fund was installed in Burruss Hall in 1957. An electronic carillon was donated by the Class of 1958 and installed in 1997.","Sources:","Young, Denise. \"Hear ye, the bells of Burruss.\" In Virginia Tech magazine, Spring 2011. Accessed December 3, 2019. https://www.vtmag.vt.edu/spring11/feature2.html.","Virginia Tech. \"Virginia Tech Buildings: War Memorial Chapel.\" VT.edu. Accessed December 3, 2019. https://vt.edu/about/locations/buildings/war-memorial-chapel.html."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of War Memorial Chapel by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of War Memorial Chapel by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of War Memorial Chapel, RG 6/3/9, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of War Memorial Chapel, RG 6/3/9, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of War Memorial Chapel collection was completed in November 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of War Memorial Chapel collection was completed in November 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eA model sculpture of Sacrifice, one of the Pylon statues, is in the Artifact Collection.\u003c/p\u003e","\u003cp\u003eFor architectural records of Virginia Tech buildings, see \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00989.xml\" target=\"new\"\u003eVirginia Tech Buildings Architectural Collection, RG 6/3/2e\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A model sculpture of Sacrifice, one of the Pylon statues, is in the Artifact Collection.","For architectural records of Virginia Tech buildings, see Virginia Tech Buildings Architectural Collection, RG 6/3/2e."],"scopecontent_html_tesm":["\u003cp\u003eThe Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened. The collection is arranged into four series.\u003c/p\u003e","\u003cp\u003eSeries I: War Memorial Chapel Pictures and Sketches is made up of information from the construction of War Memorial Chapel, including the Memorial Court. There are small plan sheets, pictures of the sculpture models, newspaper clippings, and photographs of the construction process. Items also document when the Chapel was commemorated and dedicated and include prints of the Chapel and the Drillfield. \u003c/p\u003e","\u003cp\u003eSeries II: WWII Memorial VPI Blueprints includes reinforcing steel plans, chapel floor plans, elevation plans, and detail plans for the exterior opening, limestone bench, electrical details, and door and window openings. Most of the blueprints are dated January 14, 1950, but there are also some dated November 1, 1950, and February 19-20, 1951.\u003c/p\u003e","\u003cp\u003eSeries III: Oversize Sketches, Concept Prints, and Posters contains 3-D rendering concepts of War Memorial Court, a poster of photographs of the half-sized sculpture models for War Memorial Court, oversize photos of War Memorial Court, a folder of scale drawings for the memorial and oversize sketches of War Memorial Chapel.  \u003c/p\u003e","\u003cp\u003eSeries IV: Chronological Files includes letters, reports, calendars, and other files from the chapel. Additionally, there are wedding applications and confidential documents, which are restricted.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened. The collection is arranged into four series.","Series I: War Memorial Chapel Pictures and Sketches is made up of information from the construction of War Memorial Chapel, including the Memorial Court. There are small plan sheets, pictures of the sculpture models, newspaper clippings, and photographs of the construction process. Items also document when the Chapel was commemorated and dedicated and include prints of the Chapel and the Drillfield.","Series II: WWII Memorial VPI Blueprints includes reinforcing steel plans, chapel floor plans, elevation plans, and detail plans for the exterior opening, limestone bench, electrical details, and door and window openings. Most of the blueprints are dated January 14, 1950, but there are also some dated November 1, 1950, and February 19-20, 1951.","Series III: Oversize Sketches, Concept Prints, and Posters contains 3-D rendering concepts of War Memorial Court, a poster of photographs of the half-sized sculpture models for War Memorial Court, oversize photos of War Memorial Court, a folder of scale drawings for the memorial and oversize sketches of War Memorial Chapel.","Series IV: Chronological Files includes letters, reports, calendars, and other files from the chapel. Additionally, there are wedding applications and confidential documents, which are restricted."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b8f5471c90fcd4e66fae2b3a0f1f76a3\" label=\"Abstract\"\u003eThe Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":104,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:41.487Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3440","ead_ssi":"viblbv_repositories_2_resources_3440","_root_":"viblbv_repositories_2_resources_3440","_nest_parent_":"viblbv_repositories_2_resources_3440","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3440.xml","title_filing_ssi":"War Memorial Chapel, Records of","title_ssm":["Records of War Memorial Chapel"],"title_tesim":["Records of War Memorial Chapel"],"unitdate_ssm":["1949-1985, 2001, undated"],"unitdate_inclusive_ssm":["1949-1985, 2001, undated"],"normalized_date_ssm":["1949/2001"],"normalized_title_ssm":["Records of War Memorial Chapel, 1949/2001"],"text":["Records of War Memorial Chapel, 1949/2001","RG.06.03.09","University Archives","University History","Blueprints (reprographic copies)","Posters","Sketches","The collection is open for research. However, some documents are restricted for 75 years from date of creation in accordance with the Family Education Rights and Privacy Act and Virginia Tech Special Collections' policy regarding confidential information and privacy. Contact Special Collections for more information.","This collection is arranged into four series:","Series I: War Memorial Court and Chapel Pictures and Sketches\nSeries II: WWII Memorial VPI Blueprints\nSeries III: Oversize Sketches, Concept Prints, and Posters\nSeries IV: Chronological Files","Construction on the War Memorial Chapel started in spring 1951 and completed in May 1960, with renovations undertaken in 2000 to 2001. Initial funding was raised by alumni to build a non-denominational religious building on campus and memorial to alumni who died while serving in the United States Armed Forces. The sculpture inside was designed by Donald DeLue. It is a popular location for weddings and other events.","The Memorial Court on the chapel roof includes the iconic Pylons etched with the names of every Virginia Tech student and graduate who died in service, starting with World War I. The four left pylons - Brotherhood, Honor, Leadership, and Sacrifice - were designed by Henry Kries and the right pylons - Service, Loyalty, Duty, and Ut Prosim - by Charles Rudy. At the center of the Court, the cenotaph has the names of the Medal of Honor recipients who attended Virginia Tech.","The carillon purchased as part of the War Memorial Chapel fund was installed in Burruss Hall in 1957. An electronic carillon was donated by the Class of 1958 and installed in 1997.","Sources:","Young, Denise. \"Hear ye, the bells of Burruss.\" In Virginia Tech magazine, Spring 2011. Accessed December 3, 2019. https://www.vtmag.vt.edu/spring11/feature2.html.","Virginia Tech. \"Virginia Tech Buildings: War Memorial Chapel.\" VT.edu. Accessed December 3, 2019. https://vt.edu/about/locations/buildings/war-memorial-chapel.html.","The guide to the Records of War Memorial Chapel by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description of the Records of War Memorial Chapel collection was completed in November 2019.","A model sculpture of Sacrifice, one of the Pylon statues, is in the Artifact Collection.","For architectural records of Virginia Tech buildings, see Virginia Tech Buildings Architectural Collection, RG 6/3/2e.","The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened. The collection is arranged into four series.","Series I: War Memorial Chapel Pictures and Sketches is made up of information from the construction of War Memorial Chapel, including the Memorial Court. There are small plan sheets, pictures of the sculpture models, newspaper clippings, and photographs of the construction process. Items also document when the Chapel was commemorated and dedicated and include prints of the Chapel and the Drillfield.","Series II: WWII Memorial VPI Blueprints includes reinforcing steel plans, chapel floor plans, elevation plans, and detail plans for the exterior opening, limestone bench, electrical details, and door and window openings. Most of the blueprints are dated January 14, 1950, but there are also some dated November 1, 1950, and February 19-20, 1951.","Series III: Oversize Sketches, Concept Prints, and Posters contains 3-D rendering concepts of War Memorial Court, a poster of photographs of the half-sized sculpture models for War Memorial Court, oversize photos of War Memorial Court, a folder of scale drawings for the memorial and oversize sketches of War Memorial Chapel.","Series IV: Chronological Files includes letters, reports, calendars, and other files from the chapel. Additionally, there are wedding applications and confidential documents, which are restricted.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"collection_title_tesim":["Records of War Memorial Chapel, 1949/2001"],"collection_ssim":["Records of War Memorial Chapel, 1949/2001"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.06.03.09"],"unitid_tesim":["RG.06.03.09"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creator_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of War Memorial Chapel were transferred to Special Collections and University Archives prior to 1980. Additional materials were transferred in 1989 and 2019."],"access_subjects_ssim":["University Archives","University History","Blueprints (reprographic copies)","Posters","Sketches"],"access_subjects_ssm":["University Archives","University History","Blueprints (reprographic copies)","Posters","Sketches"],"has_online_content_ssim":["false"],"extent_ssm":["8.2 Cubic Feet 6 boxes, 2 oversize folders"],"extent_tesim":["8.2 Cubic Feet 6 boxes, 2 oversize folders"],"genreform_ssim":["Blueprints (reprographic copies)","Posters","Sketches"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. However, some documents are restricted for 75 years from date of creation in accordance with the Family Education Rights and Privacy Act and Virginia Tech Special Collections' policy regarding confidential information and privacy. Contact Special Collections for more information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. However, some documents are restricted for 75 years from date of creation in accordance with the Family Education Rights and Privacy Act and Virginia Tech Special Collections' policy regarding confidential information and privacy. Contact Special Collections for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series: \u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I: War Memorial Court and Chapel Pictures and Sketches\u003c/item\u003e\n\u003citem\u003eSeries II: WWII Memorial VPI Blueprints\u003c/item\u003e\n\u003citem\u003eSeries III: Oversize Sketches, Concept Prints, and Posters\u003c/item\u003e\n\u003citem\u003eSeries IV: Chronological Files\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series:","Series I: War Memorial Court and Chapel Pictures and Sketches\nSeries II: WWII Memorial VPI Blueprints\nSeries III: Oversize Sketches, Concept Prints, and Posters\nSeries IV: Chronological Files"],"bioghist_html_tesm":["\u003cp\u003eConstruction on the War Memorial Chapel started in spring 1951 and completed in May 1960, with renovations undertaken in 2000 to 2001. Initial funding was raised by alumni to build a non-denominational religious building on campus and memorial to alumni who died while serving in the United States Armed Forces. The sculpture inside was designed by Donald DeLue. It is a popular location for weddings and other events.\u003c/p\u003e","\u003cp\u003eThe Memorial Court on the chapel roof includes the iconic Pylons etched with the names of every Virginia Tech student and graduate who died in service, starting with World War I. The four left pylons - Brotherhood, Honor, Leadership, and Sacrifice - were designed by Henry Kries and the right pylons - Service, Loyalty, Duty, and \u003ci\u003eUt Prosim\u003c/i\u003e - by Charles Rudy. At the center of the Court, the cenotaph has the names of the Medal of Honor recipients who attended Virginia Tech. \u003c/p\u003e","\u003cp\u003eThe carillon purchased as part of the War Memorial Chapel fund was installed in Burruss Hall in 1957. An electronic carillon was donated by the Class of 1958 and installed in 1997.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eYoung, Denise. \"Hear ye, the bells of Burruss.\" In \u003ci\u003eVirginia Tech magazine\u003c/i\u003e, Spring 2011. Accessed December 3, 2019. \u003ca href=\"https://www.vtmag.vt.edu/spring11/feature2.html\" target=\"new\"\u003ehttps://www.vtmag.vt.edu/spring11/feature2.html\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eVirginia Tech. \"Virginia Tech Buildings: War Memorial Chapel.\" VT.edu. Accessed December 3, 2019. \u003ca href=\"https://vt.edu/about/locations/buildings/war-memorial-chapel.html\" target=\"new\"\u003ehttps://vt.edu/about/locations/buildings/war-memorial-chapel.html\u003c/a\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Construction on the War Memorial Chapel started in spring 1951 and completed in May 1960, with renovations undertaken in 2000 to 2001. Initial funding was raised by alumni to build a non-denominational religious building on campus and memorial to alumni who died while serving in the United States Armed Forces. The sculpture inside was designed by Donald DeLue. It is a popular location for weddings and other events.","The Memorial Court on the chapel roof includes the iconic Pylons etched with the names of every Virginia Tech student and graduate who died in service, starting with World War I. The four left pylons - Brotherhood, Honor, Leadership, and Sacrifice - were designed by Henry Kries and the right pylons - Service, Loyalty, Duty, and Ut Prosim - by Charles Rudy. At the center of the Court, the cenotaph has the names of the Medal of Honor recipients who attended Virginia Tech.","The carillon purchased as part of the War Memorial Chapel fund was installed in Burruss Hall in 1957. An electronic carillon was donated by the Class of 1958 and installed in 1997.","Sources:","Young, Denise. \"Hear ye, the bells of Burruss.\" In Virginia Tech magazine, Spring 2011. Accessed December 3, 2019. https://www.vtmag.vt.edu/spring11/feature2.html.","Virginia Tech. \"Virginia Tech Buildings: War Memorial Chapel.\" VT.edu. Accessed December 3, 2019. https://vt.edu/about/locations/buildings/war-memorial-chapel.html."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of War Memorial Chapel by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of War Memorial Chapel by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of War Memorial Chapel, RG 6/3/9, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of War Memorial Chapel, RG 6/3/9, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of War Memorial Chapel collection was completed in November 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of War Memorial Chapel collection was completed in November 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eA model sculpture of Sacrifice, one of the Pylon statues, is in the Artifact Collection.\u003c/p\u003e","\u003cp\u003eFor architectural records of Virginia Tech buildings, see \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00989.xml\" target=\"new\"\u003eVirginia Tech Buildings Architectural Collection, RG 6/3/2e\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A model sculpture of Sacrifice, one of the Pylon statues, is in the Artifact Collection.","For architectural records of Virginia Tech buildings, see Virginia Tech Buildings Architectural Collection, RG 6/3/2e."],"scopecontent_html_tesm":["\u003cp\u003eThe Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened. The collection is arranged into four series.\u003c/p\u003e","\u003cp\u003eSeries I: War Memorial Chapel Pictures and Sketches is made up of information from the construction of War Memorial Chapel, including the Memorial Court. There are small plan sheets, pictures of the sculpture models, newspaper clippings, and photographs of the construction process. Items also document when the Chapel was commemorated and dedicated and include prints of the Chapel and the Drillfield. \u003c/p\u003e","\u003cp\u003eSeries II: WWII Memorial VPI Blueprints includes reinforcing steel plans, chapel floor plans, elevation plans, and detail plans for the exterior opening, limestone bench, electrical details, and door and window openings. Most of the blueprints are dated January 14, 1950, but there are also some dated November 1, 1950, and February 19-20, 1951.\u003c/p\u003e","\u003cp\u003eSeries III: Oversize Sketches, Concept Prints, and Posters contains 3-D rendering concepts of War Memorial Court, a poster of photographs of the half-sized sculpture models for War Memorial Court, oversize photos of War Memorial Court, a folder of scale drawings for the memorial and oversize sketches of War Memorial Chapel.  \u003c/p\u003e","\u003cp\u003eSeries IV: Chronological Files includes letters, reports, calendars, and other files from the chapel. Additionally, there are wedding applications and confidential documents, which are restricted.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened. The collection is arranged into four series.","Series I: War Memorial Chapel Pictures and Sketches is made up of information from the construction of War Memorial Chapel, including the Memorial Court. There are small plan sheets, pictures of the sculpture models, newspaper clippings, and photographs of the construction process. Items also document when the Chapel was commemorated and dedicated and include prints of the Chapel and the Drillfield.","Series II: WWII Memorial VPI Blueprints includes reinforcing steel plans, chapel floor plans, elevation plans, and detail plans for the exterior opening, limestone bench, electrical details, and door and window openings. Most of the blueprints are dated January 14, 1950, but there are also some dated November 1, 1950, and February 19-20, 1951.","Series III: Oversize Sketches, Concept Prints, and Posters contains 3-D rendering concepts of War Memorial Court, a poster of photographs of the half-sized sculpture models for War Memorial Court, oversize photos of War Memorial Court, a folder of scale drawings for the memorial and oversize sketches of War Memorial Chapel.","Series IV: Chronological Files includes letters, reports, calendars, and other files from the chapel. Additionally, there are wedding applications and confidential documents, which are restricted."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b8f5471c90fcd4e66fae2b3a0f1f76a3\" label=\"Abstract\"\u003eThe Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Records of War Memorial Chapel contain architectural records, posters, photographs, and prints  pertaining to Virginia Tech's War Memorial Chapel - including the Memorial Court, pylons, and cenotaph - and its construction in the 1950s and early 1960s. There are also a few pamphlets detailing the dedication and commemoration of the chapel, as well as records from the chapel after it was opened."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":104,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:41.487Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3440"}},{"id":"viw_repositories_2_resources_8882","type":"collection","attributes":{"title":"Theodore R. Reinhart Papers, 1967/2009","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8882#creator","type":"document_value","attributes":{"value":"Reinhart, Theodore R., 1938-2025","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8882#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes correspondence, research journals, travel journals, publications, slides, artifacts and other material pertaining to Dr. Theodore R. Reinhart's research and teaching career in the Department of Anthropology at the College of William and Mary and his participation in the Council of Virginia Archaeologists (COVA) and the Department of Historical Resources (DHR). \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8882#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8882","ead_ssi":"viw_repositories_2_resources_8882","_root_":"viw_repositories_2_resources_8882","_nest_parent_":"viw_repositories_2_resources_8882","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8882.xml","title_filing_ssi":"Reinhart, Theodore R., Papers","title_ssm":["Theodore R. Reinhart Papers"],"title_tesim":["Theodore R. Reinhart Papers"],"unitdate_ssm":["1967-2009"],"unitdate_inclusive_ssm":["1967-2009"],"normalized_date_ssm":["1967/2009"],"normalized_title_ssm":["Theodore R. Reinhart Papers, 1967/2009"],"text":["Theodore R. Reinhart Papers, 1967/2009","UA 6.030","/repositories/2/resources/8882","Navajo Indians","Navajo calendar","Class materials","Correspondence","Posters","Reports","Boxes 4-6 are closed until 2075. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. The collection is divided into the series: Professional Correspondence/Research Journals; Council of Virginia Archaeologists/Department of Historical Resources; Student Papers; Student Correspondence; and Slides.","Theodore Russell Reinhart received his Ph.D. in anthropology from the University of New Mexico in 1968. He arrived at William \u0026 Mary as an Assistant Professor of Anthropology in 1968, was appointed Associate Professor in 1974, and achieved the rank of full professor in 1986. He retired from William \u0026 Mary in May 2003. Dr. Reinhart has extensive archaeological field experience in several states, including New Mexico, Arizona, Kansas, Florida, and Virginia, and he has published articles and books on a wide range of topics. He specializes in North American archaeology, Native American cultures, and historical archaeology. He also played an instrumental role in the formation of the Council of Virginia Archaeologists (COVA).","Acc. 2008.35, Acc. 2008.41, and Acc. 2008.110 accessioned and minimally described by Amy C. Schindler, University Archivist, at the time of accessioning in 2008. Acc. 2010.305 accessioned by Steven Bookman, University Archives Specialist, 5/25/2010. Acc. 2011.035-048 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011.","The University Archives Artifact Collection (UA 13).","This collection includes correspondence, research journals, travel journals, publications, slides, artifacts and other material pertaining to Dr. Theodore R. Reinhart's research and teaching career in the Department of Anthropology at the College of William and Mary and his participation in the Council of Virginia Archaeologists (COVA) and the Department of Historical Resources (DHR).","The most recently received material (received April 2008 forward) is not fully described in this finding aid. It includes: Dr. Reinhart's class notes for various anthropology classes; miscellaneous college material; George Washington University, Penn State University, and University of New Mexico notes; samples; research photographs; slides; brochures and pamphlets; guides; and other material. Consult a staff member for assistance.","Acc. 2008.110 consists mainly of slides taken during excavations performed by Dr. Reinhart from 1965-1998.  Some of the excavations covered by the slides include Shirley Plantation in 1979, Kingsmill from 1973-1974, Hewick Plantation from 1989-1995, and the North Rim of the Grand Canyon.  There are also compact discs of slide shows given by Dr. Reinhart for his archeology classes on Mesoamerica, presentations given at the Smithsonian Institution on the Battle of Little Bighorn, and personal research programs such as Governor's Land Archeology from 1983-1985.  Daily journals of Dr. Reinhart from 1999-2003 as well as student papers are also present.","Acc. 2010.305 contains a calendar, made up of 14 24\" x 36\" posters, celebrating the history of the Navajo people published to commemorate the 100th Anniversary of the signing of the Treaty of June 1, 1868. Throughout the calendar are images of people from the Navajo tribe and paintings. Published in 1968 by the Navajo Tribal Museum of Window Rock, Arizona.","Acc. 2011.034-48 contains posters collected by professor Reinhart over the years documenting archaeology and historic preservation. Featured in the posters are national historic landmarks, Virginia Archaeology Month posters, exhibits that feature archaeological artifacts, and prints that contain Native Americans as their subjects.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Anthropology","Navajo Tribal Museum","College of William and Mary. Dept. of Anthropology","Council of Virginia Archaeologists","Reinhart, Theodore R., 1938-2025","Reinhart, Joy","English"],"collection_title_tesim":["Theodore R. Reinhart Papers, 1967/2009"],"collection_ssim":["Theodore R. Reinhart Papers, 1967/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.030","/repositories/2/resources/8882"],"unitid_tesim":["UA 6.030","/repositories/2/resources/8882"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Reinhart, Theodore R., 1938-2025","Dept. of Anthropology","Navajo Tribal Museum","Reinhart, Joy"],"creator_ssim":["Reinhart, Theodore R., 1938-2025","Dept. of Anthropology","Navajo Tribal Museum","Reinhart, Joy"],"creator_persname_ssim":["Reinhart, Theodore R., 1938-2025","Reinhart, Joy"],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Anthropology","Navajo Tribal Museum","College of William and Mary. Dept. of Anthropology","Council of Virginia Archaeologists"],"creators_ssim":["Reinhart, Theodore R., 1938-2025","Reinhart, Joy","Special Collections Research Center","Dept. of Anthropology","Navajo Tribal Museum","College of William and Mary. Dept. of Anthropology","Council of Virginia Archaeologists"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.008 received on 7/17/2003 from Theodore R. Reinhart (5 cubic ft.); Acc. 2008.35 received on 4/03/2008 from Theodore R. and Joy Reinhart (4 cubic ft.); Acc. 2008.41 received on 4/8/2008 from Theodore R. and Joy Reinhart (17 cubic ft.); Acc. 2008.110 received on 10/16/2008 from Theodore R. Reinhart. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Navajo Indians","Navajo calendar","Class materials","Correspondence","Posters","Reports"],"access_subjects_ssm":["Navajo Indians","Navajo calendar","Class materials","Correspondence","Posters","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["26.75 Linear Feet"],"extent_tesim":["26.75 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Posters","Reports"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 4-6 are closed until 2075. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Boxes 4-6 are closed until 2075. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. The collection is divided into the series: Professional Correspondence/Research Journals; Council of Virginia Archaeologists/Department of Historical Resources; Student Papers; Student Correspondence; and Slides.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. The collection is divided into the series: Professional Correspondence/Research Journals; Council of Virginia Archaeologists/Department of Historical Resources; Student Papers; Student Correspondence; and Slides."],"bioghist_html_tesm":["\u003cp\u003eTheodore Russell Reinhart received his Ph.D. in anthropology from the University of New Mexico in 1968. He arrived at William \u0026amp; Mary as an Assistant Professor of Anthropology in 1968, was appointed Associate Professor in 1974, and achieved the rank of full professor in 1986. He retired from William \u0026amp; Mary in May 2003. Dr. Reinhart has extensive archaeological field experience in several states, including New Mexico, Arizona, Kansas, Florida, and Virginia, and he has published articles and books on a wide range of topics. He specializes in North American archaeology, Native American cultures, and historical archaeology. He also played an instrumental role in the formation of the Council of Virginia Archaeologists (COVA).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Theodore Russell Reinhart received his Ph.D. in anthropology from the University of New Mexico in 1968. He arrived at William \u0026 Mary as an Assistant Professor of Anthropology in 1968, was appointed Associate Professor in 1974, and achieved the rank of full professor in 1986. He retired from William \u0026 Mary in May 2003. Dr. Reinhart has extensive archaeological field experience in several states, including New Mexico, Arizona, Kansas, Florida, and Virginia, and he has published articles and books on a wide range of topics. He specializes in North American archaeology, Native American cultures, and historical archaeology. He also played an instrumental role in the formation of the Council of Virginia Archaeologists (COVA)."],"prefercite_html_tesm":["\u003cp\u003eTheodore R. Reinhart Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Theodore R. Reinhart Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2008.35, Acc. 2008.41, and Acc. 2008.110 accessioned and minimally described by Amy C. Schindler, University Archivist, at the time of accessioning in 2008. Acc. 2010.305 accessioned by Steven Bookman, University Archives Specialist, 5/25/2010. Acc. 2011.035-048 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2008.35, Acc. 2008.41, and Acc. 2008.110 accessioned and minimally described by Amy C. Schindler, University Archivist, at the time of accessioning in 2008. Acc. 2010.305 accessioned by Steven Bookman, University Archives Specialist, 5/25/2010. Acc. 2011.035-048 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe University Archives Artifact Collection (UA 13).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The University Archives Artifact Collection (UA 13)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes correspondence, research journals, travel journals, publications, slides, artifacts and other material pertaining to Dr. Theodore R. Reinhart's research and teaching career in the Department of Anthropology at the College of William and Mary and his participation in the Council of Virginia Archaeologists (COVA) and the Department of Historical Resources (DHR).  \u003c/p\u003e","\u003cp\u003eThe most recently received material (received April 2008 forward) is not fully described in this finding aid. It includes: Dr. Reinhart's class notes for various anthropology classes; miscellaneous college material; George Washington University, Penn State University, and University of New Mexico notes; samples; research photographs; slides; brochures and pamphlets; guides; and other material. Consult a staff member for assistance.\u003c/p\u003e","\u003cp\u003eAcc. 2008.110 consists mainly of slides taken during excavations performed by Dr. Reinhart from 1965-1998.  Some of the excavations covered by the slides include Shirley Plantation in 1979, Kingsmill from 1973-1974, Hewick Plantation from 1989-1995, and the North Rim of the Grand Canyon.  There are also compact discs of slide shows given by Dr. Reinhart for his archeology classes on Mesoamerica, presentations given at the Smithsonian Institution on the Battle of Little Bighorn, and personal research programs such as Governor's Land Archeology from 1983-1985.  Daily journals of Dr. Reinhart from 1999-2003 as well as student papers are also present.\u003c/p\u003e","\u003cp\u003eAcc. 2010.305 contains a calendar, made up of 14 24\" x 36\" posters, celebrating the history of the Navajo people published to commemorate the 100th Anniversary of the signing of the Treaty of June 1, 1868. Throughout the calendar are images of people from the Navajo tribe and paintings. Published in 1968 by the Navajo Tribal Museum of Window Rock, Arizona.\u003c/p\u003e","\u003cp\u003eAcc. 2011.034-48 contains posters collected by professor Reinhart over the years documenting archaeology and historic preservation. Featured in the posters are national historic landmarks, Virginia Archaeology Month posters, exhibits that feature archaeological artifacts, and prints that contain Native Americans as their subjects.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes correspondence, research journals, travel journals, publications, slides, artifacts and other material pertaining to Dr. Theodore R. Reinhart's research and teaching career in the Department of Anthropology at the College of William and Mary and his participation in the Council of Virginia Archaeologists (COVA) and the Department of Historical Resources (DHR).","The most recently received material (received April 2008 forward) is not fully described in this finding aid. It includes: Dr. Reinhart's class notes for various anthropology classes; miscellaneous college material; George Washington University, Penn State University, and University of New Mexico notes; samples; research photographs; slides; brochures and pamphlets; guides; and other material. Consult a staff member for assistance.","Acc. 2008.110 consists mainly of slides taken during excavations performed by Dr. Reinhart from 1965-1998.  Some of the excavations covered by the slides include Shirley Plantation in 1979, Kingsmill from 1973-1974, Hewick Plantation from 1989-1995, and the North Rim of the Grand Canyon.  There are also compact discs of slide shows given by Dr. Reinhart for his archeology classes on Mesoamerica, presentations given at the Smithsonian Institution on the Battle of Little Bighorn, and personal research programs such as Governor's Land Archeology from 1983-1985.  Daily journals of Dr. Reinhart from 1999-2003 as well as student papers are also present.","Acc. 2010.305 contains a calendar, made up of 14 24\" x 36\" posters, celebrating the history of the Navajo people published to commemorate the 100th Anniversary of the signing of the Treaty of June 1, 1868. Throughout the calendar are images of people from the Navajo tribe and paintings. Published in 1968 by the Navajo Tribal Museum of Window Rock, Arizona.","Acc. 2011.034-48 contains posters collected by professor Reinhart over the years documenting archaeology and historic preservation. Featured in the posters are national historic landmarks, Virginia Archaeology Month posters, exhibits that feature archaeological artifacts, and prints that contain Native Americans as their subjects."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Anthropology","Navajo Tribal Museum","College of William and Mary. Dept. of Anthropology","Council of Virginia Archaeologists"],"names_coll_ssim":["College of William and Mary. Dept. of Anthropology","Council of Virginia Archaeologists"],"persname_ssim":["Reinhart, Theodore R., 1938-2025","Reinhart, Joy"],"names_ssim":["Special Collections Research Center","Dept. of Anthropology","Navajo Tribal Museum","College of William and Mary. Dept. of Anthropology","Council of Virginia Archaeologists","Reinhart, Theodore R., 1938-2025","Reinhart, Joy"],"language_ssim":["English"],"total_component_count_is":180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:52:04.561Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8882","ead_ssi":"viw_repositories_2_resources_8882","_root_":"viw_repositories_2_resources_8882","_nest_parent_":"viw_repositories_2_resources_8882","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8882.xml","title_filing_ssi":"Reinhart, Theodore R., Papers","title_ssm":["Theodore R. Reinhart Papers"],"title_tesim":["Theodore R. Reinhart Papers"],"unitdate_ssm":["1967-2009"],"unitdate_inclusive_ssm":["1967-2009"],"normalized_date_ssm":["1967/2009"],"normalized_title_ssm":["Theodore R. Reinhart Papers, 1967/2009"],"text":["Theodore R. Reinhart Papers, 1967/2009","UA 6.030","/repositories/2/resources/8882","Navajo Indians","Navajo calendar","Class materials","Correspondence","Posters","Reports","Boxes 4-6 are closed until 2075. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. The collection is divided into the series: Professional Correspondence/Research Journals; Council of Virginia Archaeologists/Department of Historical Resources; Student Papers; Student Correspondence; and Slides.","Theodore Russell Reinhart received his Ph.D. in anthropology from the University of New Mexico in 1968. He arrived at William \u0026 Mary as an Assistant Professor of Anthropology in 1968, was appointed Associate Professor in 1974, and achieved the rank of full professor in 1986. He retired from William \u0026 Mary in May 2003. Dr. Reinhart has extensive archaeological field experience in several states, including New Mexico, Arizona, Kansas, Florida, and Virginia, and he has published articles and books on a wide range of topics. He specializes in North American archaeology, Native American cultures, and historical archaeology. He also played an instrumental role in the formation of the Council of Virginia Archaeologists (COVA).","Acc. 2008.35, Acc. 2008.41, and Acc. 2008.110 accessioned and minimally described by Amy C. Schindler, University Archivist, at the time of accessioning in 2008. Acc. 2010.305 accessioned by Steven Bookman, University Archives Specialist, 5/25/2010. Acc. 2011.035-048 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011.","The University Archives Artifact Collection (UA 13).","This collection includes correspondence, research journals, travel journals, publications, slides, artifacts and other material pertaining to Dr. Theodore R. Reinhart's research and teaching career in the Department of Anthropology at the College of William and Mary and his participation in the Council of Virginia Archaeologists (COVA) and the Department of Historical Resources (DHR).","The most recently received material (received April 2008 forward) is not fully described in this finding aid. It includes: Dr. Reinhart's class notes for various anthropology classes; miscellaneous college material; George Washington University, Penn State University, and University of New Mexico notes; samples; research photographs; slides; brochures and pamphlets; guides; and other material. Consult a staff member for assistance.","Acc. 2008.110 consists mainly of slides taken during excavations performed by Dr. Reinhart from 1965-1998.  Some of the excavations covered by the slides include Shirley Plantation in 1979, Kingsmill from 1973-1974, Hewick Plantation from 1989-1995, and the North Rim of the Grand Canyon.  There are also compact discs of slide shows given by Dr. Reinhart for his archeology classes on Mesoamerica, presentations given at the Smithsonian Institution on the Battle of Little Bighorn, and personal research programs such as Governor's Land Archeology from 1983-1985.  Daily journals of Dr. Reinhart from 1999-2003 as well as student papers are also present.","Acc. 2010.305 contains a calendar, made up of 14 24\" x 36\" posters, celebrating the history of the Navajo people published to commemorate the 100th Anniversary of the signing of the Treaty of June 1, 1868. Throughout the calendar are images of people from the Navajo tribe and paintings. Published in 1968 by the Navajo Tribal Museum of Window Rock, Arizona.","Acc. 2011.034-48 contains posters collected by professor Reinhart over the years documenting archaeology and historic preservation. Featured in the posters are national historic landmarks, Virginia Archaeology Month posters, exhibits that feature archaeological artifacts, and prints that contain Native Americans as their subjects.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Anthropology","Navajo Tribal Museum","College of William and Mary. Dept. of Anthropology","Council of Virginia Archaeologists","Reinhart, Theodore R., 1938-2025","Reinhart, Joy","English"],"collection_title_tesim":["Theodore R. Reinhart Papers, 1967/2009"],"collection_ssim":["Theodore R. 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Dept. of Anthropology","Council of Virginia Archaeologists"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.008 received on 7/17/2003 from Theodore R. Reinhart (5 cubic ft.); Acc. 2008.35 received on 4/03/2008 from Theodore R. and Joy Reinhart (4 cubic ft.); Acc. 2008.41 received on 4/8/2008 from Theodore R. and Joy Reinhart (17 cubic ft.); Acc. 2008.110 received on 10/16/2008 from Theodore R. Reinhart. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Navajo Indians","Navajo calendar","Class materials","Correspondence","Posters","Reports"],"access_subjects_ssm":["Navajo Indians","Navajo calendar","Class materials","Correspondence","Posters","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["26.75 Linear Feet"],"extent_tesim":["26.75 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Posters","Reports"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 4-6 are closed until 2075. 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Dr. Reinhart has extensive archaeological field experience in several states, including New Mexico, Arizona, Kansas, Florida, and Virginia, and he has published articles and books on a wide range of topics. He specializes in North American archaeology, Native American cultures, and historical archaeology. He also played an instrumental role in the formation of the Council of Virginia Archaeologists (COVA).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Theodore Russell Reinhart received his Ph.D. in anthropology from the University of New Mexico in 1968. He arrived at William \u0026 Mary as an Assistant Professor of Anthropology in 1968, was appointed Associate Professor in 1974, and achieved the rank of full professor in 1986. He retired from William \u0026 Mary in May 2003. Dr. Reinhart has extensive archaeological field experience in several states, including New Mexico, Arizona, Kansas, Florida, and Virginia, and he has published articles and books on a wide range of topics. He specializes in North American archaeology, Native American cultures, and historical archaeology. He also played an instrumental role in the formation of the Council of Virginia Archaeologists (COVA)."],"prefercite_html_tesm":["\u003cp\u003eTheodore R. Reinhart Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Theodore R. Reinhart Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2008.35, Acc. 2008.41, and Acc. 2008.110 accessioned and minimally described by Amy C. Schindler, University Archivist, at the time of accessioning in 2008. Acc. 2010.305 accessioned by Steven Bookman, University Archives Specialist, 5/25/2010. 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Acc. 2011.035-048 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe University Archives Artifact Collection (UA 13).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The University Archives Artifact Collection (UA 13)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes correspondence, research journals, travel journals, publications, slides, artifacts and other material pertaining to Dr. Theodore R. Reinhart's research and teaching career in the Department of Anthropology at the College of William and Mary and his participation in the Council of Virginia Archaeologists (COVA) and the Department of Historical Resources (DHR).  \u003c/p\u003e","\u003cp\u003eThe most recently received material (received April 2008 forward) is not fully described in this finding aid. It includes: Dr. Reinhart's class notes for various anthropology classes; miscellaneous college material; George Washington University, Penn State University, and University of New Mexico notes; samples; research photographs; slides; brochures and pamphlets; guides; and other material. Consult a staff member for assistance.\u003c/p\u003e","\u003cp\u003eAcc. 2008.110 consists mainly of slides taken during excavations performed by Dr. Reinhart from 1965-1998.  Some of the excavations covered by the slides include Shirley Plantation in 1979, Kingsmill from 1973-1974, Hewick Plantation from 1989-1995, and the North Rim of the Grand Canyon.  There are also compact discs of slide shows given by Dr. Reinhart for his archeology classes on Mesoamerica, presentations given at the Smithsonian Institution on the Battle of Little Bighorn, and personal research programs such as Governor's Land Archeology from 1983-1985.  Daily journals of Dr. Reinhart from 1999-2003 as well as student papers are also present.\u003c/p\u003e","\u003cp\u003eAcc. 2010.305 contains a calendar, made up of 14 24\" x 36\" posters, celebrating the history of the Navajo people published to commemorate the 100th Anniversary of the signing of the Treaty of June 1, 1868. 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Consult a staff member for assistance.","Acc. 2008.110 consists mainly of slides taken during excavations performed by Dr. Reinhart from 1965-1998.  Some of the excavations covered by the slides include Shirley Plantation in 1979, Kingsmill from 1973-1974, Hewick Plantation from 1989-1995, and the North Rim of the Grand Canyon.  There are also compact discs of slide shows given by Dr. Reinhart for his archeology classes on Mesoamerica, presentations given at the Smithsonian Institution on the Battle of Little Bighorn, and personal research programs such as Governor's Land Archeology from 1983-1985.  Daily journals of Dr. Reinhart from 1999-2003 as well as student papers are also present.","Acc. 2010.305 contains a calendar, made up of 14 24\" x 36\" posters, celebrating the history of the Navajo people published to commemorate the 100th Anniversary of the signing of the Treaty of June 1, 1868. Throughout the calendar are images of people from the Navajo tribe and paintings. Published in 1968 by the Navajo Tribal Museum of Window Rock, Arizona.","Acc. 2011.034-48 contains posters collected by professor Reinhart over the years documenting archaeology and historic preservation. 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