{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Portrait+photography\u0026f%5Bdate_range%5D%5B%5D=1962","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Portrait+photography\u0026f%5Bdate_range%5D%5B%5D=1962\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"virmu_repositories_2_resources_37_c03_c03_c05","type":"Item","attributes":{"title":"Daryl, Robin and Cookie: Family, 1960/1969","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c03_c03_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c03_c03_c05","ref_ssm":["virmu_repositories_2_resources_37_c03_c03_c05"],"id":"virmu_repositories_2_resources_37_c03_c03_c05","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c03_c03","parent_ssi":"virmu_repositories_2_resources_37_c03_c03","parent_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 3: Photography: Portraits, 1958/2001","Sub-Series 3.3: Family and Friends, 1960/2000"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c03","virmu_repositories_2_resources_37_c03_c03"],"title_filing_ssi":"Daryl, Robin and Cookie: Family","title_ssm":["Daryl, Robin and Cookie: Family"],"title_tesim":["Daryl, Robin and Cookie: Family"],"normalized_title_ssm":["Daryl, Robin and Cookie: Family, 1960/1969"],"text":["Daryl, Robin and Cookie: Family, 1960/1969","Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 3: Photography: Portraits, 1958/2001","Sub-Series 3.3: Family and Friends, 1960/2000","35mm","box VA-04 Box 26","Item VA04.03.3.002.T1","Draper, Louis H., 1935-2002","Portrait photography","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust."],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 3: Photography: Portraits, 1958/2001","Sub-Series 3.3: Family and Friends, 1960/2000"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 3: Photography: Portraits, 1958/2001","Sub-Series 3.3: Family and Friends, 1960/2000"],"normalized_date_ssm":["1960/1969"],"unitdate_inclusive_ssm":["1960s"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":2695,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"physdesc_tesim":["35mm"],"physfacet_tesim":["Black-and-white negatives"],"containers_ssim":["box VA-04 Box 26","Item VA04.03.3.002.T1"],"creator_ssim":["Draper, Louis H., 1935-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust."],"persname_ssim":["Draper, Louis H., 1935-2002"],"names_ssim":["Draper, Louis H., 1935-2002"],"access_subjects_ssim":["Portrait photography"],"access_subjects_ssm":["Portrait photography"],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust."],"_nest_path_":"/components#2/components#2/components#4","timestamp":"2026-08-01T00:01:51.653Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"normalized_date_ssm":["1945/2005"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"text":["Louis H. Draper Artist Archives (VA-04), 1945/2005","VA-04","/repositories/2/resources/37","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n        Manuscripts, 1947-2005, undated\n      \n      \n        Series 2\n        Publications, 1959-2005, undated\n      \n      \n        Series 3\n        Photography: Portraits, 1958-2001, undated\n      \n      \n        Series 4\n        Photography: United States Locations, 1957-1999, undated\n      \n      \n        Series 5\n        Photography: International Locations, 1978-1990, undated\n      \n      \n        Series 6\n        Photography: Landscapes and Abstractions, 1960-2000, undated\n      \n      \n        Series 7\n        Portfolios, 1964, undated\n      \n      \n        Series 8\n        Photographic Equipment, 1945-1988, undated\n      \n      \n        Series 9\n        Audiovisual Materials, 1972-2000, undated\n      \n      \n        Series 10\n        Born Digital Files, 1996-2001, undated\n      \n      \n        Series 11\n        Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019).","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Beach, Donald","Felip, John","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Kolovakos, Gregory, 1951-1990","Holford, Mary","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","Rosado, Maria","Price, Pamela","Steele, Diana","Fawcetter, Caroline","Young, John","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Smith, Beuford, 1941-","Morris, Jennifer","Lehman, Arnold L.","Duganne, Erina","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Baum, Ralph","Vestal, David, 1924-2013","Petit, Philippe, 1949-","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Cagan, Steve","Doan-Johnson, Susan","McCoy, Regina","Viksjo, Cathy","Post, Kevin","Bledsoe, Lysbeth","Shipley, Barbara","Heisler, Wendy","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Beres, Derek","Dube, Ilene","Kimbrough, Larry","Fischl and Hartman","General Motors Corporation. Chevrolet Motor Division","Madison, Clarence","Maddox, James","Noyes Museum","Lawrenceville School","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Kenyon, Kathleen","Weems, Carrie Mae, 1953-","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Cobb, Vandell","Romais, Miriam","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","Hinzmann, Hilary","Lawrence, Steve","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","Cowans, Adger W., 1936-","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","Dix, Seldon","Littles, Dolores Allen","Dawson, C. 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(George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. 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(Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. 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American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"creators_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton and Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","Sawyer, Frank","Reed, Eli, 1946-","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 11\u003c/label\u003e\n        \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n        Manuscripts, 1947-2005, undated\n      \n      \n        Series 2\n        Publications, 1959-2005, undated\n      \n      \n        Series 3\n        Photography: Portraits, 1958-2001, undated\n      \n      \n        Series 4\n        Photography: United States Locations, 1957-1999, undated\n      \n      \n        Series 5\n        Photography: International Locations, 1978-1990, undated\n      \n      \n        Series 6\n        Photography: Landscapes and Abstractions, 1960-2000, undated\n      \n      \n        Series 7\n        Portfolios, 1964, undated\n      \n      \n        Series 8\n        Photographic Equipment, 1945-1988, undated\n      \n      \n        Series 9\n        Audiovisual Materials, 1972-2000, undated\n      \n      \n        Series 10\n        Born Digital Files, 1996-2001, undated\n      \n      \n        Series 11\n        Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e\n    ","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e\n    ","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e\n  ","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e\n    ","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019)."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e\n    "],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"persname_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. 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(Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","Sawyer, Frank","Reed, Eli, 1946-"],"language_ssim":["English"],"total_component_count_is":7191,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-01T00:01:51.653Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c03_c03_c05"}},{"id":"vaallhs_repositories_2_resources_175","type":"collection","attributes":{"title":"Elrich W. Murphy Photograph Collection (MS415), 1940/1969","creator":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_175#creator","type":"document_value","attributes":{"value":"Murphy, Elrich William, 1909-1993","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_175#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection documents the professional photography business of Elrich W. Murphy. Over 2,500 professional photographs taken by Murphy capture members of Alexandria's African American community and local events. Images of Murphy's family and friends were taken primarily by Murphy, but there are also family photographs taken by other people. Of interest is an oversized, hand-colored photographic print of the Tidal Basin and the Washington Monument. Included formats in this collection are film negatives, photographic prints, ephemera, and digital surrogates of receipt books and an accounting ledger.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_175#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vaallhs_repositories_2_resources_175","ead_ssi":"vaallhs_repositories_2_resources_175","_root_":"vaallhs_repositories_2_resources_175","_nest_parent_":"vaallhs_repositories_2_resources_175","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_175.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/175","title_ssm":["Elrich W. Murphy Photograph Collection (MS415)"],"title_tesim":["Elrich W. Murphy Photograph Collection (MS415)"],"unitdate_ssm":["c.1940s-1960s"],"unitdate_bulk_ssim":["c.1940s-1960s"],"normalized_date_ssm":["1940/1969"],"normalized_title_ssm":["Elrich W. Murphy Photograph Collection (MS415), 1940/1969"],"text":["Elrich W. Murphy Photograph Collection (MS415), 1940/1969","MS415","/repositories/2/resources/175","Alexandria (Va.)","African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs","United States -- Armed Forces -- African Americans","African Americans -- Virginia -- Alexandria.","African Americans -- Genealogy","African American business enterprises","Parker-Gray Schools (Alexandria, Va.)","Portrait photography","Collection is open for research. Public access and use of some of the photographic materials in this collection are restricted due to privacy concerns. Restricted materials are noted as such. Contact Local History / Special Collections staff for more information.","This collection is arranged in two series documenting Murphy's photographs and his business. Series 1. Photography includes film negatives, photographic prints, and ephemera. Series 2. Business Records contains digital surrogates of receipt books and an accounting ledger.","Elrich William Murphy was a professional photographer who documented life in Alexandria's African American community during the mid-20th century. Born in 1909, he attended St. Joseph's Catholic School in Alexandria and Armstrong High School in Washington, DC. Murphy spent most of his life as an active member of the community and worked at William J. Gallery \u0026 Co., supplier of religious goods, in Washington, DC. His photography business began as a hobby with his box camera in the 1930s. Murphy married Marie Elizabeth Henry in 1944 and had a daughter, Rita Murphy Harris. They later divorced and Murphy did not remarry. Marie married Albert Spinner, Jr., in 1948. Towards the end of his life, Murphy lived with Rita and her family in East Brunswick, New Jersey, then died in 1993.","Alexandria Black Family Reunion Digital Collection","This collection documents the professional photography business of Elrich W. Murphy. Over 2,500 professional photographs taken by Murphy capture members of Alexandria's African American community and local events. Images of Murphy's family and friends were taken primarily by Murphy, but there are also family photographs taken by other people. Of interest is an oversized, hand-colored photographic print of the Tidal Basin and the Washington Monument. Included formats in this collection are film negatives, photographic prints, ephemera, and digital surrogates of receipt books and an accounting ledger.","The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information.","http://rightsstatements.org/vocab/InC/1.0/","Local History and Special Collections Branch, Alexandria Library","Alfred Street Baptist Church (Alexandria, Va.)","Christ Church, Alexandria","St. Joseph Catholic Church (Alexandria, Va.)","Star Cab Association (Alexandria, Va.)","Roberts Memorial United Methodist Church  (Alexandria, Va.)","Murphy, Elrich William, 1909-1993","English"],"collection_title_tesim":["Elrich W. Murphy Photograph Collection (MS415), 1940/1969"],"collection_ssim":["Elrich W. 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Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information.","http://rightsstatements.org/vocab/InC/1.0/"],"access_subjects_ssim":["African Americans -- Virginia -- Alexandria.","African Americans -- Genealogy","African American business enterprises","Parker-Gray Schools (Alexandria, Va.)","Portrait photography"],"access_subjects_ssm":["African Americans -- Virginia -- Alexandria.","African Americans -- Genealogy","African American business enterprises","Parker-Gray Schools (Alexandria, Va.)","Portrait photography"],"has_online_content_ssim":["false"],"extent_ssm":["2.05 Cubic Feet 7 Intercept negative boxes, 1 document box, 1 oversize box, 1 oversize folder","17.5 Gigabytes (digital donation)"],"extent_tesim":["2.05 Cubic Feet 7 Intercept negative boxes, 1 document box, 1 oversize box, 1 oversize folder","17.5 Gigabytes (digital donation)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. 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Business Records contains digital surrogates of receipt books and an accounting ledger.\u003c/p\u003e  "],"arrangement_heading_ssm":["Notes on Arrangement"],"arrangement_tesim":["This collection is arranged in two series documenting Murphy's photographs and his business. Series 1. Photography includes film negatives, photographic prints, and ephemera. Series 2. Business Records contains digital surrogates of receipt books and an accounting ledger."],"bioghist_html_tesm":["\u003cp\u003eElrich William Murphy was a professional photographer who documented life in Alexandria's African American community during the mid-20th century. Born in 1909, he attended St. Joseph's Catholic School in Alexandria and Armstrong High School in Washington, DC. Murphy spent most of his life as an active member of the community and worked at William J. Gallery \u0026amp; Co., supplier of religious goods, in Washington, DC. His photography business began as a hobby with his box camera in the 1930s. Murphy married Marie Elizabeth Henry in 1944 and had a daughter, Rita Murphy Harris. They later divorced and Murphy did not remarry. Marie married Albert Spinner, Jr., in 1948. Towards the end of his life, Murphy lived with Rita and her family in East Brunswick, New Jersey, then died in 1993.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Elrich William Murphy was a professional photographer who documented life in Alexandria's African American community during the mid-20th century. Born in 1909, he attended St. Joseph's Catholic School in Alexandria and Armstrong High School in Washington, DC. Murphy spent most of his life as an active member of the community and worked at William J. Gallery \u0026 Co., supplier of religious goods, in Washington, DC. His photography business began as a hobby with his box camera in the 1930s. Murphy married Marie Elizabeth Henry in 1944 and had a daughter, Rita Murphy Harris. They later divorced and Murphy did not remarry. Marie married Albert Spinner, Jr., in 1948. Towards the end of his life, Murphy lived with Rita and her family in East Brunswick, New Jersey, then died in 1993."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a13b3e1c-99a4-4a0f-a949-19ad26857c81/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection"],"prefercite_html_tesm":["\u003cp\u003e[item description], Elrich W. Murphy Photograph Collection, MS415, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[item description], Elrich W. Murphy Photograph Collection, MS415, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/172\"\u003eAlexandria Black Family Reunion Digital Collection\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alexandria Black Family Reunion Digital Collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional photography business of Elrich W. Murphy. Over 2,500 professional photographs taken by Murphy capture members of Alexandria's African American community and local events. Images of Murphy's family and friends were taken primarily by Murphy, but there are also family photographs taken by other people. Of interest is an oversized, hand-colored photographic print of the Tidal Basin and the Washington Monument. Included formats in this collection are film negatives, photographic prints, ephemera, and digital surrogates of receipt books and an accounting ledger.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection documents the professional photography business of Elrich W. Murphy. Over 2,500 professional photographs taken by Murphy capture members of Alexandria's African American community and local events. Images of Murphy's family and friends were taken primarily by Murphy, but there are also family photographs taken by other people. Of interest is an oversized, hand-colored photographic print of the Tidal Basin and the Washington Monument. Included formats in this collection are film negatives, photographic prints, ephemera, and digital surrogates of receipt books and an accounting ledger."],"userestrict_html_tesm":["\u003cp\u003eThe materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"http://rightsstatements.org/vocab/InC/1.0/\"\u003e http://rightsstatements.org/vocab/InC/1.0/\u003c/a\u003e\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information.","http://rightsstatements.org/vocab/InC/1.0/"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alfred Street Baptist Church (Alexandria, Va.)","Christ Church, Alexandria","St. Joseph Catholic Church (Alexandria, Va.)","Star Cab Association (Alexandria, Va.)","Roberts Memorial United Methodist Church  (Alexandria, Va.)"],"names_coll_ssim":["Alfred Street Baptist Church (Alexandria, Va.)","Christ Church, Alexandria","St. Joseph Catholic Church (Alexandria, Va.)","Star Cab Association (Alexandria, Va.)","Roberts Memorial United Methodist Church  (Alexandria, Va.)"],"persname_ssim":["Murphy, Elrich William, 1909-1993"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alfred Street Baptist Church (Alexandria, Va.)","Christ Church, Alexandria","St. Joseph Catholic Church (Alexandria, Va.)","Star Cab Association (Alexandria, Va.)","Roberts Memorial United Methodist Church  (Alexandria, Va.)","Murphy, Elrich William, 1909-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2590,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-31T00:01:08.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_175","ead_ssi":"vaallhs_repositories_2_resources_175","_root_":"vaallhs_repositories_2_resources_175","_nest_parent_":"vaallhs_repositories_2_resources_175","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_175.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/175","title_ssm":["Elrich W. 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Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information.","http://rightsstatements.org/vocab/InC/1.0/","Local History and Special Collections Branch, Alexandria Library","Alfred Street Baptist Church (Alexandria, Va.)","Christ Church, Alexandria","St. Joseph Catholic Church (Alexandria, Va.)","Star Cab Association (Alexandria, Va.)","Roberts Memorial United Methodist Church  (Alexandria, Va.)","Murphy, Elrich William, 1909-1993","English"],"collection_title_tesim":["Elrich W. Murphy Photograph Collection (MS415), 1940/1969"],"collection_ssim":["Elrich W. 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Public access and use of some of the photographic materials in this collection are restricted due to privacy concerns. Restricted materials are noted as such. Contact Local History / Special Collections staff for more information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Public access and use of some of the photographic materials in this collection are restricted due to privacy concerns. Restricted materials are noted as such. Contact Local History / Special Collections staff for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series documenting Murphy's photographs and his business. Series 1. Photography includes film negatives, photographic prints, and ephemera. Series 2. Business Records contains digital surrogates of receipt books and an accounting ledger.\u003c/p\u003e  "],"arrangement_heading_ssm":["Notes on Arrangement"],"arrangement_tesim":["This collection is arranged in two series documenting Murphy's photographs and his business. Series 1. Photography includes film negatives, photographic prints, and ephemera. Series 2. Business Records contains digital surrogates of receipt books and an accounting ledger."],"bioghist_html_tesm":["\u003cp\u003eElrich William Murphy was a professional photographer who documented life in Alexandria's African American community during the mid-20th century. Born in 1909, he attended St. Joseph's Catholic School in Alexandria and Armstrong High School in Washington, DC. Murphy spent most of his life as an active member of the community and worked at William J. Gallery \u0026amp; Co., supplier of religious goods, in Washington, DC. His photography business began as a hobby with his box camera in the 1930s. Murphy married Marie Elizabeth Henry in 1944 and had a daughter, Rita Murphy Harris. They later divorced and Murphy did not remarry. Marie married Albert Spinner, Jr., in 1948. Towards the end of his life, Murphy lived with Rita and her family in East Brunswick, New Jersey, then died in 1993.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Elrich William Murphy was a professional photographer who documented life in Alexandria's African American community during the mid-20th century. Born in 1909, he attended St. Joseph's Catholic School in Alexandria and Armstrong High School in Washington, DC. Murphy spent most of his life as an active member of the community and worked at William J. Gallery \u0026 Co., supplier of religious goods, in Washington, DC. His photography business began as a hobby with his box camera in the 1930s. Murphy married Marie Elizabeth Henry in 1944 and had a daughter, Rita Murphy Harris. They later divorced and Murphy did not remarry. Marie married Albert Spinner, Jr., in 1948. Towards the end of his life, Murphy lived with Rita and her family in East Brunswick, New Jersey, then died in 1993."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a13b3e1c-99a4-4a0f-a949-19ad26857c81/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection"],"prefercite_html_tesm":["\u003cp\u003e[item description], Elrich W. Murphy Photograph Collection, MS415, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[item description], Elrich W. Murphy Photograph Collection, MS415, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/172\"\u003eAlexandria Black Family Reunion Digital Collection\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alexandria Black Family Reunion Digital Collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional photography business of Elrich W. Murphy. Over 2,500 professional photographs taken by Murphy capture members of Alexandria's African American community and local events. Images of Murphy's family and friends were taken primarily by Murphy, but there are also family photographs taken by other people. Of interest is an oversized, hand-colored photographic print of the Tidal Basin and the Washington Monument. Included formats in this collection are film negatives, photographic prints, ephemera, and digital surrogates of receipt books and an accounting ledger.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection documents the professional photography business of Elrich W. Murphy. Over 2,500 professional photographs taken by Murphy capture members of Alexandria's African American community and local events. Images of Murphy's family and friends were taken primarily by Murphy, but there are also family photographs taken by other people. Of interest is an oversized, hand-colored photographic print of the Tidal Basin and the Washington Monument. Included formats in this collection are film negatives, photographic prints, ephemera, and digital surrogates of receipt books and an accounting ledger."],"userestrict_html_tesm":["\u003cp\u003eThe materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"http://rightsstatements.org/vocab/InC/1.0/\"\u003e http://rightsstatements.org/vocab/InC/1.0/\u003c/a\u003e\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information.","http://rightsstatements.org/vocab/InC/1.0/"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alfred Street Baptist Church (Alexandria, Va.)","Christ Church, Alexandria","St. Joseph Catholic Church (Alexandria, Va.)","Star Cab Association (Alexandria, Va.)","Roberts Memorial United Methodist Church  (Alexandria, Va.)"],"names_coll_ssim":["Alfred Street Baptist Church (Alexandria, Va.)","Christ Church, Alexandria","St. Joseph Catholic Church (Alexandria, Va.)","Star Cab Association (Alexandria, Va.)","Roberts Memorial United Methodist Church  (Alexandria, Va.)"],"persname_ssim":["Murphy, Elrich William, 1909-1993"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alfred Street Baptist Church (Alexandria, Va.)","Christ Church, Alexandria","St. Joseph Catholic Church (Alexandria, Va.)","Star Cab Association (Alexandria, Va.)","Roberts Memorial United Methodist Church  (Alexandria, Va.)","Murphy, Elrich William, 1909-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2590,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-31T00:01:08.577Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_175"}},{"id":"wvmturhc_repositories_2_resources_4908","type":"collection","attributes":{"title":"Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4908#creator","type":"document_value","attributes":{"value":"Gravely and Moore Studio","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4908#abstract_or_scope","type":"document_value","attributes":{"value":"Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4908#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4908","ead_ssi":"wvmturhc_repositories_2_resources_4908","_root_":"wvmturhc_repositories_2_resources_4908","_nest_parent_":"wvmturhc_repositories_2_resources_4908","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4908.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/204971","title_ssm":["Gravely and Moore Studio, Photography Business in Charleston, Negatives"],"title_tesim":["Gravely and Moore Studio, Photography Business in Charleston, Negatives"],"unitdate_ssm":["1860s-1960s","1930-1945"],"unitdate_inclusive_ssm":["1860s-1960s"],"unitdate_bulk_ssim":["1930-1945"],"normalized_date_ssm":["1860/1969, bulk 1930/1945"],"normalized_title_ssm":["Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945"],"text":["Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945","A\u0026M 2523","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4908","Charleston (W. Va.)","Kanawha County (W. Va.)","Advertising photography","Aerial photographs.","Architectural photography","Chemical industry","Church buildings","Civil Service -- Employees","Coal industry.","Coal mines and mining","Dance and dancers.","Department stores","High school students -- West Virginia","High Schools -- West Virginia","Immigrants and immigration.","Military Personnel - United States.","Missionaries","Nurses","Photographers","Photography of children","Photography","Police, State - West Virginia.","Portrait photography","Schools -- West Virginia","Universities and colleges","Wedding photography.","This collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the studio; the contents of these files are stored in envelopes usually containing one or two negatives, but can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives.","The majority of these files are identified with an index number and description, while the remainder have only a description or are unidentified. A personal name in the description of a file usually identifies the customer who commissioned a project and purchased the resulting photographs; the customer is also often the subject of those photographs, but this is not always the case. Some files are identified by subject rather than customer. In the case of files with an index number, more information regarding the customer and project may be found in box 33, \"Gravely Photo Index\", a card catalog of original records kept by the Gravely and Moore Studio that is organized alphabetically by the last name of a customer.","The majority of photographs within the collection are portraits of individual adults. Other prominent subjects of individual and group portraits include:\n- Families\n - Children, including infants, toddlers, and young children\n - Members of West Virginia State Police\n - Members of the United States Armed Forces, primarily dating from World War II\n - Civil servants\n - Nurses\n - Missionaries belonging to the Church of Latter-day Saints and other religious organizations\n - Students, sports teams, and other school related activities of West Virginia public schools, including Thomas Jefferson High School and Widen High School\n - High school students selected as their school's \"Student of the Week\"\n - Students and faculty members at colleges and universities\n - Graduates\n - Portraits and other photographs taken for a newspaper, most likely the Charleston Gazette and other publications\n - photographs for registration procedures, including naturalization, citizenship, and licenses\n - Injured or sick persons\n - Weddings","Subjects related to businesses include: \n - Esso\n - Standard Oil\n - Other West Virginia and national businesses\n - advertising, including storefronts, decorated window fronts, and signs\n - Equipment and machinery\n - Special events, including meetings, banquets, and boat races\n - Photographs of accidents for insurance companies","Subjects related to organizations include: \n - The West Virginia State Board of Control\n - The Salvation Army\n - Beni Kedem, the Shriners Temple in Charleston, West Virginia\n - The Scottish Rite of Freemasonry\n Other subjects include: \n - Aerial photographs of cities, businesses, and other locations\n - Commercial, residential, and governmental buildings","The collection also contains two photograph album containing cartes-de-visite and tintypes, ca. 1860-1880. The subjects of the photographs are not identified.","To find the location of glass plate negatives, search for the character string \"[glass]\" in the contents list. Other information in square brackets was sourced from descriptions recorded to the archival negative envelopes (which are transcriptions of text from the original envelopes), and from new insights gained from inspection of the collection.","The Gravely and Moore Studio was located at 124 1/2 Capitol Street, Charleston, West Virginia.","Please see the control folder at the West Virginia \u0026 Regional History Center for a paper contents list to this collection. An electronic version is also available in this finding aid--most of the collection is described at the level of the customer project files.  Box 30, folder 4 through box 33 are described more generally.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School","English\n."],"collection_title_tesim":["Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945"],"collection_ssim":["Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2523","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4908"],"unitid_tesim":["A\u0026M 2523","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4908"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Charleston (W. Va.)","Kanawha County (W. Va.)"],"geogname_ssim":["Charleston (W. Va.)","Kanawha County (W. Va.)"],"places_ssim":["Charleston (W. Va.)","Kanawha County (W. Va.)"],"creator_ssm":["Gravely and Moore Studio"],"creator_ssim":["Gravely and Moore Studio"],"creator_corpname_ssim":["West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School"],"creators_ssim":["West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Advertising photography","Aerial photographs.","Architectural photography","Chemical industry","Church buildings","Civil Service -- Employees","Coal industry.","Coal mines and mining","Dance and dancers.","Department stores","High school students -- West Virginia","High Schools -- West Virginia","Immigrants and immigration.","Military Personnel - United States.","Missionaries","Nurses","Photographers","Photography of children","Photography","Police, State - West Virginia.","Portrait photography","Schools -- West Virginia","Universities and colleges","Wedding photography."],"access_subjects_ssm":["Advertising photography","Aerial photographs.","Architectural photography","Chemical industry","Church buildings","Civil Service -- Employees","Coal industry.","Coal mines and mining","Dance and dancers.","Department stores","High school students -- West Virginia","High Schools -- West Virginia","Immigrants and immigration.","Military Personnel - United States.","Missionaries","Nurses","Photographers","Photography of children","Photography","Police, State - West Virginia.","Portrait photography","Schools -- West Virginia","Universities and colleges","Wedding photography."],"has_online_content_ssim":["false"],"extent_ssm":["14.79 Linear Feet 32 document cases, 5 in. each; 1 index card box, 15 in.; 1 document case, 2.5 in (box 25a)"],"extent_tesim":["14.79 Linear Feet 32 document cases, 5 in. each; 1 index card box, 15 in.; 1 document case, 2.5 in (box 25a)"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Gravely and Moore Studio, Photography Business in Charleston, Negatives, A\u0026amp;M 2523, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Gravely and Moore Studio, Photography Business in Charleston, Negatives, A\u0026M 2523, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eNegatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the studio; the contents of these files are stored in envelopes usually containing one or two negatives, but can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives.\u003c/p\u003e","\u003cp\u003e The majority of these files are identified with an index number and description, while the remainder have only a description or are unidentified. A personal name in the description of a file usually identifies the customer who commissioned a project and purchased the resulting photographs; the customer is also often the subject of those photographs, but this is not always the case. Some files are identified by subject rather than customer. In the case of files with an index number, more information regarding the customer and project may be found in box 33, \"Gravely Photo Index\", a card catalog of original records kept by the Gravely and Moore Studio that is organized alphabetically by the last name of a customer.\u003c/p\u003e","\u003cp\u003e The majority of photographs within the collection are portraits of individual adults. Other prominent subjects of individual and group portraits include:\u003clb\u003e\u003c/lb\u003e\n- Families\u003clb\u003e\u003c/lb\u003e\n - Children, including infants, toddlers, and young children\u003clb\u003e\u003c/lb\u003e\n - Members of West Virginia State Police\u003clb\u003e\u003c/lb\u003e\n - Members of the United States Armed Forces, primarily dating from World War II\u003clb\u003e\u003c/lb\u003e\n - Civil servants\u003clb\u003e\u003c/lb\u003e\n - Nurses\u003clb\u003e\u003c/lb\u003e\n - Missionaries belonging to the Church of Latter-day Saints and other religious organizations\u003clb\u003e\u003c/lb\u003e\n - Students, sports teams, and other school related activities of West Virginia public schools, including Thomas Jefferson High School and Widen High School\u003clb\u003e\u003c/lb\u003e\n - High school students selected as their school's \"Student of the Week\"\u003clb\u003e\u003c/lb\u003e\n - Students and faculty members at colleges and universities\u003clb\u003e\u003c/lb\u003e\n - Graduates\u003clb\u003e\u003c/lb\u003e\n - Portraits and other photographs taken for a newspaper, most likely the Charleston Gazette and other publications\u003clb\u003e\u003c/lb\u003e\n - photographs for registration procedures, including naturalization, citizenship, and licenses\u003clb\u003e\u003c/lb\u003e\n - Injured or sick persons\u003clb\u003e\u003c/lb\u003e\n - Weddings\u003c/p\u003e","\u003cp\u003e Subjects related to businesses include: \u003clb\u003e\u003c/lb\u003e\n - Esso\u003clb\u003e\u003c/lb\u003e\n - Standard Oil\u003clb\u003e\u003c/lb\u003e\n - Other West Virginia and national businesses\u003clb\u003e\u003c/lb\u003e\n - advertising, including storefronts, decorated window fronts, and signs\u003clb\u003e\u003c/lb\u003e\n - Equipment and machinery\u003clb\u003e\u003c/lb\u003e\n - Special events, including meetings, banquets, and boat races\u003clb\u003e\u003c/lb\u003e\n - Photographs of accidents for insurance companies\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003e Subjects related to organizations include: \u003clb\u003e\u003c/lb\u003e\n - The West Virginia State Board of Control\u003clb\u003e\u003c/lb\u003e\n - The Salvation Army\u003clb\u003e\u003c/lb\u003e\n - Beni Kedem, the Shriners Temple in Charleston, West Virginia\u003clb\u003e\u003c/lb\u003e\n - The Scottish Rite of Freemasonry\n Other subjects include: \u003clb\u003e\u003c/lb\u003e\n - Aerial photographs of cities, businesses, and other locations\u003clb\u003e\u003c/lb\u003e\n - Commercial, residential, and governmental buildings\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003e The collection also contains two photograph album containing cartes-de-visite and tintypes, ca. 1860-1880. The subjects of the photographs are not identified.\u003c/p\u003e","\u003cp\u003e To find the location of glass plate negatives, search for the character string \"[glass]\" in the contents list. Other information in square brackets was sourced from descriptions recorded to the archival negative envelopes (which are transcriptions of text from the original envelopes), and from new insights gained from inspection of the collection.\u003c/p\u003e","\u003cp\u003e The Gravely and Moore Studio was located at 124 1/2 Capitol Street, Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003ePlease see the control folder at the West Virginia \u0026amp; Regional History Center for a paper contents list to this collection. An electronic version is also available in this finding aid--most of the collection is described at the level of the customer project files.  Box 30, folder 4 through box 33 are described more generally.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the studio; the contents of these files are stored in envelopes usually containing one or two negatives, but can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives.","The majority of these files are identified with an index number and description, while the remainder have only a description or are unidentified. A personal name in the description of a file usually identifies the customer who commissioned a project and purchased the resulting photographs; the customer is also often the subject of those photographs, but this is not always the case. Some files are identified by subject rather than customer. In the case of files with an index number, more information regarding the customer and project may be found in box 33, \"Gravely Photo Index\", a card catalog of original records kept by the Gravely and Moore Studio that is organized alphabetically by the last name of a customer.","The majority of photographs within the collection are portraits of individual adults. Other prominent subjects of individual and group portraits include:\n- Families\n - Children, including infants, toddlers, and young children\n - Members of West Virginia State Police\n - Members of the United States Armed Forces, primarily dating from World War II\n - Civil servants\n - Nurses\n - Missionaries belonging to the Church of Latter-day Saints and other religious organizations\n - Students, sports teams, and other school related activities of West Virginia public schools, including Thomas Jefferson High School and Widen High School\n - High school students selected as their school's \"Student of the Week\"\n - Students and faculty members at colleges and universities\n - Graduates\n - Portraits and other photographs taken for a newspaper, most likely the Charleston Gazette and other publications\n - photographs for registration procedures, including naturalization, citizenship, and licenses\n - Injured or sick persons\n - Weddings","Subjects related to businesses include: \n - Esso\n - Standard Oil\n - Other West Virginia and national businesses\n - advertising, including storefronts, decorated window fronts, and signs\n - Equipment and machinery\n - Special events, including meetings, banquets, and boat races\n - Photographs of accidents for insurance companies","Subjects related to organizations include: \n - The West Virginia State Board of Control\n - The Salvation Army\n - Beni Kedem, the Shriners Temple in Charleston, West Virginia\n - The Scottish Rite of Freemasonry\n Other subjects include: \n - Aerial photographs of cities, businesses, and other locations\n - Commercial, residential, and governmental buildings","The collection also contains two photograph album containing cartes-de-visite and tintypes, ca. 1860-1880. The subjects of the photographs are not identified.","To find the location of glass plate negatives, search for the character string \"[glass]\" in the contents list. Other information in square brackets was sourced from descriptions recorded to the archival negative envelopes (which are transcriptions of text from the original envelopes), and from new insights gained from inspection of the collection.","The Gravely and Moore Studio was located at 124 1/2 Capitol Street, Charleston, West Virginia.","Please see the control folder at the West Virginia \u0026 Regional History Center for a paper contents list to this collection. An electronic version is also available in this finding aid--most of the collection is described at the level of the customer project files.  Box 30, folder 4 through box 33 are described more generally."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_053c5598017911b0b789963bf243c7ef\"\u003eNegatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others.\u003c/abstract\u003e\n    "],"abstract_tesim":["Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d70fac6af19da05a55263efadb69019\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School"],"names_coll_ssim":["United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School"],"names_ssim":["West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:57:54.405Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4908","ead_ssi":"wvmturhc_repositories_2_resources_4908","_root_":"wvmturhc_repositories_2_resources_4908","_nest_parent_":"wvmturhc_repositories_2_resources_4908","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4908.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/204971","title_ssm":["Gravely and Moore Studio, Photography Business in Charleston, Negatives"],"title_tesim":["Gravely and Moore Studio, Photography Business in Charleston, Negatives"],"unitdate_ssm":["1860s-1960s","1930-1945"],"unitdate_inclusive_ssm":["1860s-1960s"],"unitdate_bulk_ssim":["1930-1945"],"normalized_date_ssm":["1860/1969, bulk 1930/1945"],"normalized_title_ssm":["Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945"],"text":["Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945","A\u0026M 2523","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4908","Charleston (W. Va.)","Kanawha County (W. Va.)","Advertising photography","Aerial photographs.","Architectural photography","Chemical industry","Church buildings","Civil Service -- Employees","Coal industry.","Coal mines and mining","Dance and dancers.","Department stores","High school students -- West Virginia","High Schools -- West Virginia","Immigrants and immigration.","Military Personnel - United States.","Missionaries","Nurses","Photographers","Photography of children","Photography","Police, State - West Virginia.","Portrait photography","Schools -- West Virginia","Universities and colleges","Wedding photography.","This collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the studio; the contents of these files are stored in envelopes usually containing one or two negatives, but can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives.","The majority of these files are identified with an index number and description, while the remainder have only a description or are unidentified. A personal name in the description of a file usually identifies the customer who commissioned a project and purchased the resulting photographs; the customer is also often the subject of those photographs, but this is not always the case. Some files are identified by subject rather than customer. In the case of files with an index number, more information regarding the customer and project may be found in box 33, \"Gravely Photo Index\", a card catalog of original records kept by the Gravely and Moore Studio that is organized alphabetically by the last name of a customer.","The majority of photographs within the collection are portraits of individual adults. Other prominent subjects of individual and group portraits include:\n- Families\n - Children, including infants, toddlers, and young children\n - Members of West Virginia State Police\n - Members of the United States Armed Forces, primarily dating from World War II\n - Civil servants\n - Nurses\n - Missionaries belonging to the Church of Latter-day Saints and other religious organizations\n - Students, sports teams, and other school related activities of West Virginia public schools, including Thomas Jefferson High School and Widen High School\n - High school students selected as their school's \"Student of the Week\"\n - Students and faculty members at colleges and universities\n - Graduates\n - Portraits and other photographs taken for a newspaper, most likely the Charleston Gazette and other publications\n - photographs for registration procedures, including naturalization, citizenship, and licenses\n - Injured or sick persons\n - Weddings","Subjects related to businesses include: \n - Esso\n - Standard Oil\n - Other West Virginia and national businesses\n - advertising, including storefronts, decorated window fronts, and signs\n - Equipment and machinery\n - Special events, including meetings, banquets, and boat races\n - Photographs of accidents for insurance companies","Subjects related to organizations include: \n - The West Virginia State Board of Control\n - The Salvation Army\n - Beni Kedem, the Shriners Temple in Charleston, West Virginia\n - The Scottish Rite of Freemasonry\n Other subjects include: \n - Aerial photographs of cities, businesses, and other locations\n - Commercial, residential, and governmental buildings","The collection also contains two photograph album containing cartes-de-visite and tintypes, ca. 1860-1880. The subjects of the photographs are not identified.","To find the location of glass plate negatives, search for the character string \"[glass]\" in the contents list. Other information in square brackets was sourced from descriptions recorded to the archival negative envelopes (which are transcriptions of text from the original envelopes), and from new insights gained from inspection of the collection.","The Gravely and Moore Studio was located at 124 1/2 Capitol Street, Charleston, West Virginia.","Please see the control folder at the West Virginia \u0026 Regional History Center for a paper contents list to this collection. An electronic version is also available in this finding aid--most of the collection is described at the level of the customer project files.  Box 30, folder 4 through box 33 are described more generally.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School","English\n."],"collection_title_tesim":["Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945"],"collection_ssim":["Gravely and Moore Studio, Photography Business in Charleston, Negatives, 1860/1969, bulk 1930/1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2523","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4908"],"unitid_tesim":["A\u0026M 2523","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4908"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Charleston (W. Va.)","Kanawha County (W. Va.)"],"geogname_ssim":["Charleston (W. Va.)","Kanawha County (W. Va.)"],"places_ssim":["Charleston (W. Va.)","Kanawha County (W. Va.)"],"creator_ssm":["Gravely and Moore Studio"],"creator_ssim":["Gravely and Moore Studio"],"creator_corpname_ssim":["West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School"],"creators_ssim":["West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. Air Corps","American Red Cross","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America. Beni-Kedem Temple (Charleston, W. Va.)","Berkeley Springs Sanitarium","Carbide and Carbon Chemicals Corporation","Church of Jesus Christ of Latter-day Saints","Esso Standard Oil Company","Girl Scouts of the United States of America","Hopemont Sanitarium","Industrial Home for Colored Girls.","Industrial Home for Girls.","Industrial School for Boys.","Industrial School for Colored Boys.","Morris Harvey College","Salvation Army","West Virginia School for the Colored Deaf and Blind","West Virginia Schools for the Deaf and the Blind","Scottish Rite (Masonic Order)","Standard Oil Company","Thomas Jefferson High School","Thomas Jefferson Junior High School","Triple State Electric Company","State Board of Control of West Virginia","West Virginia State College (Institute, W. Va.)","Widen High School"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Advertising photography","Aerial photographs.","Architectural photography","Chemical industry","Church buildings","Civil Service -- Employees","Coal industry.","Coal mines and mining","Dance and dancers.","Department stores","High school students -- West Virginia","High Schools -- West Virginia","Immigrants and immigration.","Military Personnel - United States.","Missionaries","Nurses","Photographers","Photography of children","Photography","Police, State - West Virginia.","Portrait photography","Schools -- West Virginia","Universities and colleges","Wedding photography."],"access_subjects_ssm":["Advertising photography","Aerial photographs.","Architectural photography","Chemical industry","Church buildings","Civil Service -- Employees","Coal industry.","Coal mines and mining","Dance and dancers.","Department stores","High school students -- West Virginia","High Schools -- West Virginia","Immigrants and immigration.","Military Personnel - United States.","Missionaries","Nurses","Photographers","Photography of children","Photography","Police, State - West Virginia.","Portrait photography","Schools -- West Virginia","Universities and colleges","Wedding photography."],"has_online_content_ssim":["false"],"extent_ssm":["14.79 Linear Feet 32 document cases, 5 in. each; 1 index card box, 15 in.; 1 document case, 2.5 in (box 25a)"],"extent_tesim":["14.79 Linear Feet 32 document cases, 5 in. each; 1 index card box, 15 in.; 1 document case, 2.5 in (box 25a)"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Gravely and Moore Studio, Photography Business in Charleston, Negatives, A\u0026amp;M 2523, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Gravely and Moore Studio, Photography Business in Charleston, Negatives, A\u0026M 2523, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eNegatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the studio; the contents of these files are stored in envelopes usually containing one or two negatives, but can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives.\u003c/p\u003e","\u003cp\u003e The majority of these files are identified with an index number and description, while the remainder have only a description or are unidentified. A personal name in the description of a file usually identifies the customer who commissioned a project and purchased the resulting photographs; the customer is also often the subject of those photographs, but this is not always the case. Some files are identified by subject rather than customer. In the case of files with an index number, more information regarding the customer and project may be found in box 33, \"Gravely Photo Index\", a card catalog of original records kept by the Gravely and Moore Studio that is organized alphabetically by the last name of a customer.\u003c/p\u003e","\u003cp\u003e The majority of photographs within the collection are portraits of individual adults. Other prominent subjects of individual and group portraits include:\u003clb\u003e\u003c/lb\u003e\n- Families\u003clb\u003e\u003c/lb\u003e\n - Children, including infants, toddlers, and young children\u003clb\u003e\u003c/lb\u003e\n - Members of West Virginia State Police\u003clb\u003e\u003c/lb\u003e\n - Members of the United States Armed Forces, primarily dating from World War II\u003clb\u003e\u003c/lb\u003e\n - Civil servants\u003clb\u003e\u003c/lb\u003e\n - Nurses\u003clb\u003e\u003c/lb\u003e\n - Missionaries belonging to the Church of Latter-day Saints and other religious organizations\u003clb\u003e\u003c/lb\u003e\n - Students, sports teams, and other school related activities of West Virginia public schools, including Thomas Jefferson High School and Widen High School\u003clb\u003e\u003c/lb\u003e\n - High school students selected as their school's \"Student of the Week\"\u003clb\u003e\u003c/lb\u003e\n - Students and faculty members at colleges and universities\u003clb\u003e\u003c/lb\u003e\n - Graduates\u003clb\u003e\u003c/lb\u003e\n - Portraits and other photographs taken for a newspaper, most likely the Charleston Gazette and other publications\u003clb\u003e\u003c/lb\u003e\n - photographs for registration procedures, including naturalization, citizenship, and licenses\u003clb\u003e\u003c/lb\u003e\n - Injured or sick persons\u003clb\u003e\u003c/lb\u003e\n - Weddings\u003c/p\u003e","\u003cp\u003e Subjects related to businesses include: \u003clb\u003e\u003c/lb\u003e\n - Esso\u003clb\u003e\u003c/lb\u003e\n - Standard Oil\u003clb\u003e\u003c/lb\u003e\n - Other West Virginia and national businesses\u003clb\u003e\u003c/lb\u003e\n - advertising, including storefronts, decorated window fronts, and signs\u003clb\u003e\u003c/lb\u003e\n - Equipment and machinery\u003clb\u003e\u003c/lb\u003e\n - Special events, including meetings, banquets, and boat races\u003clb\u003e\u003c/lb\u003e\n - Photographs of accidents for insurance companies\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003e Subjects related to organizations include: \u003clb\u003e\u003c/lb\u003e\n - The West Virginia State Board of Control\u003clb\u003e\u003c/lb\u003e\n - The Salvation Army\u003clb\u003e\u003c/lb\u003e\n - Beni Kedem, the Shriners Temple in Charleston, West Virginia\u003clb\u003e\u003c/lb\u003e\n - The Scottish Rite of Freemasonry\n Other subjects include: \u003clb\u003e\u003c/lb\u003e\n - Aerial photographs of cities, businesses, and other locations\u003clb\u003e\u003c/lb\u003e\n - Commercial, residential, and governmental buildings\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003e The collection also contains two photograph album containing cartes-de-visite and tintypes, ca. 1860-1880. The subjects of the photographs are not identified.\u003c/p\u003e","\u003cp\u003e To find the location of glass plate negatives, search for the character string \"[glass]\" in the contents list. Other information in square brackets was sourced from descriptions recorded to the archival negative envelopes (which are transcriptions of text from the original envelopes), and from new insights gained from inspection of the collection.\u003c/p\u003e","\u003cp\u003e The Gravely and Moore Studio was located at 124 1/2 Capitol Street, Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003ePlease see the control folder at the West Virginia \u0026amp; Regional History Center for a paper contents list to this collection. An electronic version is also available in this finding aid--most of the collection is described at the level of the customer project files.  Box 30, folder 4 through box 33 are described more generally.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the studio; the contents of these files are stored in envelopes usually containing one or two negatives, but can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives.","The majority of these files are identified with an index number and description, while the remainder have only a description or are unidentified. A personal name in the description of a file usually identifies the customer who commissioned a project and purchased the resulting photographs; the customer is also often the subject of those photographs, but this is not always the case. Some files are identified by subject rather than customer. In the case of files with an index number, more information regarding the customer and project may be found in box 33, \"Gravely Photo Index\", a card catalog of original records kept by the Gravely and Moore Studio that is organized alphabetically by the last name of a customer.","The majority of photographs within the collection are portraits of individual adults. Other prominent subjects of individual and group portraits include:\n- Families\n - Children, including infants, toddlers, and young children\n - Members of West Virginia State Police\n - Members of the United States Armed Forces, primarily dating from World War II\n - Civil servants\n - Nurses\n - Missionaries belonging to the Church of Latter-day Saints and other religious organizations\n - Students, sports teams, and other school related activities of West Virginia public schools, including Thomas Jefferson High School and Widen High School\n - High school students selected as their school's \"Student of the Week\"\n - Students and faculty members at colleges and universities\n - Graduates\n - Portraits and other photographs taken for a newspaper, most likely the Charleston Gazette and other publications\n - photographs for registration procedures, including naturalization, citizenship, and licenses\n - Injured or sick persons\n - Weddings","Subjects related to businesses include: \n - Esso\n - Standard Oil\n - Other West Virginia and national businesses\n - advertising, including storefronts, decorated window fronts, and signs\n - Equipment and machinery\n - Special events, including meetings, banquets, and boat races\n - Photographs of accidents for insurance companies","Subjects related to organizations include: \n - The West Virginia State Board of Control\n - The Salvation Army\n - Beni Kedem, the Shriners Temple in Charleston, West Virginia\n - The Scottish Rite of Freemasonry\n Other subjects include: \n - Aerial photographs of cities, businesses, and other locations\n - Commercial, residential, and governmental buildings","The collection also contains two photograph album containing cartes-de-visite and tintypes, ca. 1860-1880. The subjects of the photographs are not identified.","To find the location of glass plate negatives, search for the character string \"[glass]\" in the contents list. Other information in square brackets was sourced from descriptions recorded to the archival negative envelopes (which are transcriptions of text from the original envelopes), and from new insights gained from inspection of the collection.","The Gravely and Moore Studio was located at 124 1/2 Capitol Street, Charleston, West Virginia.","Please see the control folder at the West Virginia \u0026 Regional History Center for a paper contents list to this collection. An electronic version is also available in this finding aid--most of the collection is described at the level of the customer project files.  Box 30, folder 4 through box 33 are described more generally."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_053c5598017911b0b789963bf243c7ef\"\u003eNegatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others.\u003c/abstract\u003e\n    "],"abstract_tesim":["Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d70fac6af19da05a55263efadb69019\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Gravely and Moore Studio","United States. Army. 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