{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry.\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry.\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry.\u0026page=3"},"meta":{"pages":{"current_page":3,"next_page":null,"prev_page":2,"total_pages":3,"limit_value":10,"offset_value":20,"total_count":24,"first_page?":false,"last_page?":true}},"data":[{"id":"wvmturhc_repositories_2_resources_5334","type":"collection","attributes":{"title":"Sue Ann Di Bacco, Verse Regarding Kennedy Assassination and Song Regarding West Virginia","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5334#creator","type":"document_value","attributes":{"value":"Di Bacco, Sue Ann.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5334#abstract_or_scope","type":"document_value","attributes":{"value":"Typescript of a poem by Miss DiBacco, \"He Had What It Took to be President Kennedy\"; sheet music of a song,\" We're Proud of the State of West Virginia\" written during the centennial year by Miss DiBacco.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5334#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5334","ead_ssi":"wvmturhc_repositories_2_resources_5334","_root_":"wvmturhc_repositories_2_resources_5334","_nest_parent_":"wvmturhc_repositories_2_resources_5334","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5334.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198629","title_ssm":["Sue Ann Di Bacco, Verse Regarding Kennedy Assassination and Song Regarding West Virginia"],"title_tesim":["Sue Ann Di Bacco, Verse Regarding Kennedy Assassination and Song Regarding West Virginia"],"unitdate_ssm":["1963"],"unitdate_other_ssim":["1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5334"],"text":["A\u0026M 1756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5334","Sue Ann Di Bacco, Verse Regarding Kennedy Assassination and Song Regarding West Virginia","Poetry.","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. 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She has written books and poetry, mostly on Appalachia and themes set around Appalachian life, including  To the Bones  and  In the Lonely Backwater .  Nieman has won several awards, fellowships, and grants, including being a 2013-2014 North Carolina Arts Council poetry fellow, as well as earning a West Virginia Commission on the Arts creative writing grant.  ","This collection includes draft manuscripts of fiction, non-fiction, short stories, and poetry.  Also includes books; photographs; correspondence with fellow writers, publishers, and colleagues; as well as artifacts collected by Nieman.  This collection contains a mixture of both personal and professional material.  The collection also includes audiovisual and born-digital material, described below. Highlights of this collection include a Steno notebook filled with a continuous list of Nieman's accepted and not accepted works from 1975-2015 in Box 11, and personal correspondence with fellow writers Tom Andrews and Jeff Mann (box 1). Other highlights consist of correspondence with poets Timothy Russell and Kevin Rippin, whose crtiques and comments through the 1970s, 1980s, and 1990s, can be seen on drafts of Nieman's early poetry and helped to pave the way for later works.  Timothy Russell commented on drafts of her earlier works, while Kevin Rippin's comments appear on drafts from the 1990s onward. Letters, critiques, and comments from mentor and poet Fred Chappell can be found as well throughout the collection.","Digital materials include 12 3.5 inch floppy disks and one USB drive. The floppy disks consist of draft manuscripts of books and poetry from 1996-2004 as well as professional writing and projects from that time period. The USB drive contains draft files and promotional materials for  In the Lonely Backwater ,  Leopard Lady: A Life in Verse ,  Fidelities ,  Hotel Worthy ,  Survivors ,  To the Bones , assorted poems and short stories, and unpublished works. Also included are limited quantities of correspondence with Fred Chapell.","The addendum of 2025 May 23 includes assorted drafts of Nieman's work, correspondence with other authors, event planners, and others, and other material, as well as publications mentioning Nieman's latest novel,  Upon the Corner of the Moon , programs from events, and more.","Please note, this collection is minimally processed.","Permission to publish or reproduce is required from the copyright holder. 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She has written books and poetry, mostly on Appalachia and themes set around Appalachian life, including \u003ctitle\u003e\u003cpart\u003eTo the Bones\u003c/part\u003e\u003c/title\u003e and \u003ctitle\u003e\u003cpart\u003eIn the Lonely Backwater\u003c/part\u003e\u003c/title\u003e.  Nieman has won several awards, fellowships, and grants, including being a 2013-2014 North Carolina Arts Council poetry fellow, as well as earning a West Virginia Commission on the Arts creative writing grant.  \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eThis collection includes draft manuscripts of fiction, non-fiction, short stories, and poetry.  Also includes books; photographs; correspondence with fellow writers, publishers, and colleagues; as well as artifacts collected by Nieman.  This collection contains a mixture of both personal and professional material.  The collection also includes audiovisual and born-digital material, described below. Highlights of this collection include a Steno notebook filled with a continuous list of Nieman's accepted and not accepted works from 1975-2015 in Box 11, and personal correspondence with fellow writers Tom Andrews and Jeff Mann (box 1). Other highlights consist of correspondence with poets Timothy Russell and Kevin Rippin, whose crtiques and comments through the 1970s, 1980s, and 1990s, can be seen on drafts of Nieman's early poetry and helped to pave the way for later works.  Timothy Russell commented on drafts of her earlier works, while Kevin Rippin's comments appear on drafts from the 1990s onward. Letters, critiques, and comments from mentor and poet Fred Chappell can be found as well throughout the collection.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eDigital materials include 12 3.5 inch floppy disks and one USB drive. The floppy disks consist of draft manuscripts of books and poetry from 1996-2004 as well as professional writing and projects from that time period. The USB drive contains draft files and promotional materials for \u003ctitle\u003e\u003cpart\u003eIn the Lonely Backwater\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eLeopard Lady: A Life in Verse\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eFidelities\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eHotel Worthy\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eSurvivors\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eTo the Bones\u003c/part\u003e\u003c/title\u003e, assorted poems and short stories, and unpublished works. Also included are limited quantities of correspondence with Fred Chapell.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2025 May 23 includes assorted drafts of Nieman's work, correspondence with other authors, event planners, and others, and other material, as well as publications mentioning Nieman's latest novel, \u003cpart\u003eUpon the Corner of the Moon\u003c/part\u003e, programs from events, and more.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003ePlease note, this collection is minimally processed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of novelist and poet Valerie Nieman, a graduate of West Virginia University's journalism department. She has written books and poetry, mostly on Appalachia and themes set around Appalachian life, including  To the Bones  and  In the Lonely Backwater .  Nieman has won several awards, fellowships, and grants, including being a 2013-2014 North Carolina Arts Council poetry fellow, as well as earning a West Virginia Commission on the Arts creative writing grant.  ","This collection includes draft manuscripts of fiction, non-fiction, short stories, and poetry.  Also includes books; photographs; correspondence with fellow writers, publishers, and colleagues; as well as artifacts collected by Nieman.  This collection contains a mixture of both personal and professional material.  The collection also includes audiovisual and born-digital material, described below. Highlights of this collection include a Steno notebook filled with a continuous list of Nieman's accepted and not accepted works from 1975-2015 in Box 11, and personal correspondence with fellow writers Tom Andrews and Jeff Mann (box 1). Other highlights consist of correspondence with poets Timothy Russell and Kevin Rippin, whose crtiques and comments through the 1970s, 1980s, and 1990s, can be seen on drafts of Nieman's early poetry and helped to pave the way for later works.  Timothy Russell commented on drafts of her earlier works, while Kevin Rippin's comments appear on drafts from the 1990s onward. Letters, critiques, and comments from mentor and poet Fred Chappell can be found as well throughout the collection.","Digital materials include 12 3.5 inch floppy disks and one USB drive. The floppy disks consist of draft manuscripts of books and poetry from 1996-2004 as well as professional writing and projects from that time period. The USB drive contains draft files and promotional materials for  In the Lonely Backwater ,  Leopard Lady: A Life in Verse ,  Fidelities ,  Hotel Worthy ,  Survivors ,  To the Bones , assorted poems and short stories, and unpublished works. Also included are limited quantities of correspondence with Fred Chapell.","The addendum of 2025 May 23 includes assorted drafts of Nieman's work, correspondence with other authors, event planners, and others, and other material, as well as publications mentioning Nieman's latest novel,  Upon the Corner of the Moon , programs from events, and more.","Please note, this collection is minimally processed."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.\u003c/p\u003e\n","\u003cp\u003eThe donor continues to retain all intellectual property rights during her lifetime (including right, title and interest in the use thereof, and to copyrights trademarks or rights of reproduction), after which such rights (with the exception of those pertaining to published books \u003ctitle\u003e\u003cpart\u003eNeena Gathering\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eSurvivors\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eFidelities\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eBlood Clay\u003c/part\u003e\u003c/title\u003e, and \u003ctitle\u003e\u003cpart\u003eTo the Bones\u003c/part\u003e\u003c/title\u003e and works-in-progress (\u003ctitle\u003e\u003cpart\u003eDead Hand\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eThe Women\u003c/part\u003e\u003c/title\u003e and \u003ctitle\u003e\u003cpart\u003eThe Lady in Her Aspects\u003c/part\u003e\u003c/title\u003e trilogy) revert to the West Virginia \u0026amp; Regional History Center at West Virginia University.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The donor continues to retain all intellectual property rights during her lifetime (including right, title and interest in the use thereof, and to copyrights trademarks or rights of reproduction), after which such rights (with the exception of those pertaining to published books  Neena Gathering ,  Survivors ,  Fidelities ,  Blood Clay , and  To the Bones  and works-in-progress ( Dead Hand ,  The Women  and  The Lady in Her Aspects  trilogy) revert to the West Virginia \u0026 Regional History Center at West Virginia University."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e0fa8109e1c0559c80f954f5d3a24435\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:10:14.977Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6927","ead_ssi":"wvmturhc_repositories_2_resources_6927","_root_":"wvmturhc_repositories_2_resources_6927","_nest_parent_":"wvmturhc_repositories_2_resources_6927","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6927.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/212662","title_ssm":["Valerie Nieman Papers"],"title_tesim":["Valerie Nieman Papers"],"unitdate_ssm":["circa 1975-2025 and undated"],"unitdate_inclusive_ssm":["circa 1975-2025 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4542","Archival Resource Key","/repositories/2/resources/6927"],"text":["A\u0026M 4542","Archival Resource Key","/repositories/2/resources/6927","Valerie Nieman Papers","Poets, American -- 20th century","Poetry.","Authors -- Letters and papers","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Papers of novelist and poet Valerie Nieman, a graduate of West Virginia University's journalism department. She has written books and poetry, mostly on Appalachia and themes set around Appalachian life, including  To the Bones  and  In the Lonely Backwater .  Nieman has won several awards, fellowships, and grants, including being a 2013-2014 North Carolina Arts Council poetry fellow, as well as earning a West Virginia Commission on the Arts creative writing grant.  ","This collection includes draft manuscripts of fiction, non-fiction, short stories, and poetry.  Also includes books; photographs; correspondence with fellow writers, publishers, and colleagues; as well as artifacts collected by Nieman.  This collection contains a mixture of both personal and professional material.  The collection also includes audiovisual and born-digital material, described below. Highlights of this collection include a Steno notebook filled with a continuous list of Nieman's accepted and not accepted works from 1975-2015 in Box 11, and personal correspondence with fellow writers Tom Andrews and Jeff Mann (box 1). Other highlights consist of correspondence with poets Timothy Russell and Kevin Rippin, whose crtiques and comments through the 1970s, 1980s, and 1990s, can be seen on drafts of Nieman's early poetry and helped to pave the way for later works.  Timothy Russell commented on drafts of her earlier works, while Kevin Rippin's comments appear on drafts from the 1990s onward. Letters, critiques, and comments from mentor and poet Fred Chappell can be found as well throughout the collection.","Digital materials include 12 3.5 inch floppy disks and one USB drive. The floppy disks consist of draft manuscripts of books and poetry from 1996-2004 as well as professional writing and projects from that time period. The USB drive contains draft files and promotional materials for  In the Lonely Backwater ,  Leopard Lady: A Life in Verse ,  Fidelities ,  Hotel Worthy ,  Survivors ,  To the Bones , assorted poems and short stories, and unpublished works. Also included are limited quantities of correspondence with Fred Chapell.","The addendum of 2025 May 23 includes assorted drafts of Nieman's work, correspondence with other authors, event planners, and others, and other material, as well as publications mentioning Nieman's latest novel,  Upon the Corner of the Moon , programs from events, and more.","Please note, this collection is minimally processed.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The donor continues to retain all intellectual property rights during her lifetime (including right, title and interest in the use thereof, and to copyrights trademarks or rights of reproduction), after which such rights (with the exception of those pertaining to published books  Neena Gathering ,  Survivors ,  Fidelities ,  Blood Clay , and  To the Bones  and works-in-progress ( Dead Hand ,  The Women  and  The Lady in Her Aspects  trilogy) revert to the West Virginia \u0026 Regional History Center at West Virginia University.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","English \n.    "],"unitid_tesim":["A\u0026M 4542","Archival Resource Key","/repositories/2/resources/6927"],"normalized_title_ssm":["Valerie Nieman Papers"],"collection_title_tesim":["Valerie Nieman Papers"],"collection_ssim":["Valerie Nieman Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The donor continues to retain all intellectual property rights during her lifetime (including right, title and interest in the use thereof, and to copyrights trademarks or rights of reproduction), after which such rights (with the exception of those pertaining to published books  Neena Gathering ,  Survivors ,  Fidelities ,  Blood Clay , and  To the Bones  and works-in-progress ( Dead Hand ,  The Women  and  The Lady in Her Aspects  trilogy) revert to the West Virginia \u0026 Regional History Center at West Virginia University."],"acqinfo_ssim":["Gift of Valerie Nieman, 2021, 2023, 2024, and 2025."],"access_subjects_ssim":["Poets, American -- 20th century","Poetry.","Authors -- Letters and papers"],"access_subjects_ssm":["Poets, American -- 20th century","Poetry.","Authors -- Letters and papers"],"has_online_content_ssim":["false"],"extent_ssm":["13.47 Linear Feet 9 record cartons, 15 in. each; 4 document cases, 5 in. each; 2 flat storage boxes, 3 in. each; 1 framed item, 0.5 in.; 1 oversized folder, 0.1 in.","4.52 Gigabytes 1,570 files, primarily Microsoft Word, Word Perfect, and Apple iWork documents"],"extent_tesim":["13.47 Linear Feet 9 record cartons, 15 in. each; 4 document cases, 5 in. each; 2 flat storage boxes, 3 in. each; 1 framed item, 0.5 in.; 1 oversized folder, 0.1 in.","4.52 Gigabytes 1,570 files, primarily Microsoft Word, Word Perfect, and Apple iWork documents"],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Valerie Nieman Papers, A\u0026amp;M 4542, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Valerie Nieman Papers, A\u0026M 4542, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of novelist and poet Valerie Nieman, a graduate of West Virginia University's journalism department. She has written books and poetry, mostly on Appalachia and themes set around Appalachian life, including \u003ctitle\u003e\u003cpart\u003eTo the Bones\u003c/part\u003e\u003c/title\u003e and \u003ctitle\u003e\u003cpart\u003eIn the Lonely Backwater\u003c/part\u003e\u003c/title\u003e.  Nieman has won several awards, fellowships, and grants, including being a 2013-2014 North Carolina Arts Council poetry fellow, as well as earning a West Virginia Commission on the Arts creative writing grant.  \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eThis collection includes draft manuscripts of fiction, non-fiction, short stories, and poetry.  Also includes books; photographs; correspondence with fellow writers, publishers, and colleagues; as well as artifacts collected by Nieman.  This collection contains a mixture of both personal and professional material.  The collection also includes audiovisual and born-digital material, described below. Highlights of this collection include a Steno notebook filled with a continuous list of Nieman's accepted and not accepted works from 1975-2015 in Box 11, and personal correspondence with fellow writers Tom Andrews and Jeff Mann (box 1). Other highlights consist of correspondence with poets Timothy Russell and Kevin Rippin, whose crtiques and comments through the 1970s, 1980s, and 1990s, can be seen on drafts of Nieman's early poetry and helped to pave the way for later works.  Timothy Russell commented on drafts of her earlier works, while Kevin Rippin's comments appear on drafts from the 1990s onward. Letters, critiques, and comments from mentor and poet Fred Chappell can be found as well throughout the collection.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eDigital materials include 12 3.5 inch floppy disks and one USB drive. The floppy disks consist of draft manuscripts of books and poetry from 1996-2004 as well as professional writing and projects from that time period. The USB drive contains draft files and promotional materials for \u003ctitle\u003e\u003cpart\u003eIn the Lonely Backwater\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eLeopard Lady: A Life in Verse\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eFidelities\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eHotel Worthy\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eSurvivors\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eTo the Bones\u003c/part\u003e\u003c/title\u003e, assorted poems and short stories, and unpublished works. Also included are limited quantities of correspondence with Fred Chapell.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2025 May 23 includes assorted drafts of Nieman's work, correspondence with other authors, event planners, and others, and other material, as well as publications mentioning Nieman's latest novel, \u003cpart\u003eUpon the Corner of the Moon\u003c/part\u003e, programs from events, and more.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003ePlease note, this collection is minimally processed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of novelist and poet Valerie Nieman, a graduate of West Virginia University's journalism department. She has written books and poetry, mostly on Appalachia and themes set around Appalachian life, including  To the Bones  and  In the Lonely Backwater .  Nieman has won several awards, fellowships, and grants, including being a 2013-2014 North Carolina Arts Council poetry fellow, as well as earning a West Virginia Commission on the Arts creative writing grant.  ","This collection includes draft manuscripts of fiction, non-fiction, short stories, and poetry.  Also includes books; photographs; correspondence with fellow writers, publishers, and colleagues; as well as artifacts collected by Nieman.  This collection contains a mixture of both personal and professional material.  The collection also includes audiovisual and born-digital material, described below. Highlights of this collection include a Steno notebook filled with a continuous list of Nieman's accepted and not accepted works from 1975-2015 in Box 11, and personal correspondence with fellow writers Tom Andrews and Jeff Mann (box 1). Other highlights consist of correspondence with poets Timothy Russell and Kevin Rippin, whose crtiques and comments through the 1970s, 1980s, and 1990s, can be seen on drafts of Nieman's early poetry and helped to pave the way for later works.  Timothy Russell commented on drafts of her earlier works, while Kevin Rippin's comments appear on drafts from the 1990s onward. Letters, critiques, and comments from mentor and poet Fred Chappell can be found as well throughout the collection.","Digital materials include 12 3.5 inch floppy disks and one USB drive. The floppy disks consist of draft manuscripts of books and poetry from 1996-2004 as well as professional writing and projects from that time period. The USB drive contains draft files and promotional materials for  In the Lonely Backwater ,  Leopard Lady: A Life in Verse ,  Fidelities ,  Hotel Worthy ,  Survivors ,  To the Bones , assorted poems and short stories, and unpublished works. Also included are limited quantities of correspondence with Fred Chapell.","The addendum of 2025 May 23 includes assorted drafts of Nieman's work, correspondence with other authors, event planners, and others, and other material, as well as publications mentioning Nieman's latest novel,  Upon the Corner of the Moon , programs from events, and more.","Please note, this collection is minimally processed."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.\u003c/p\u003e\n","\u003cp\u003eThe donor continues to retain all intellectual property rights during her lifetime (including right, title and interest in the use thereof, and to copyrights trademarks or rights of reproduction), after which such rights (with the exception of those pertaining to published books \u003ctitle\u003e\u003cpart\u003eNeena Gathering\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eSurvivors\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eFidelities\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eBlood Clay\u003c/part\u003e\u003c/title\u003e, and \u003ctitle\u003e\u003cpart\u003eTo the Bones\u003c/part\u003e\u003c/title\u003e and works-in-progress (\u003ctitle\u003e\u003cpart\u003eDead Hand\u003c/part\u003e\u003c/title\u003e, \u003ctitle\u003e\u003cpart\u003eThe Women\u003c/part\u003e\u003c/title\u003e and \u003ctitle\u003e\u003cpart\u003eThe Lady in Her Aspects\u003c/part\u003e\u003c/title\u003e trilogy) revert to the West Virginia \u0026amp; Regional History Center at West Virginia University.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The donor continues to retain all intellectual property rights during her lifetime (including right, title and interest in the use thereof, and to copyrights trademarks or rights of reproduction), after which such rights (with the exception of those pertaining to published books  Neena Gathering ,  Survivors ,  Fidelities ,  Blood Clay , and  To the Bones  and works-in-progress ( Dead Hand ,  The Women  and  The Lady in Her Aspects  trilogy) revert to the West Virginia \u0026 Regional History Center at West Virginia University."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e0fa8109e1c0559c80f954f5d3a24435\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:10:14.977Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6927"}},{"id":"vaallhs_repositories_2_resources_4_c02_c03","type":"File","attributes":{"title":"\"Verses to a Dancer\" by C.R. Woods","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_4_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_4_c02_c03","ref_ssm":["vaallhs_repositories_2_resources_4_c02_c03"],"id":"vaallhs_repositories_2_resources_4_c02_c03","ead_ssi":"vaallhs_repositories_2_resources_4","_root_":"vaallhs_repositories_2_resources_4","_nest_parent_":"vaallhs_repositories_2_resources_4_c02","parent_ssi":"vaallhs_repositories_2_resources_4_c02","parent_ssim":["vaallhs_repositories_2_resources_4","vaallhs_repositories_2_resources_4_c02"],"parent_ids_ssim":["vaallhs_repositories_2_resources_4","vaallhs_repositories_2_resources_4_c02"],"parent_unittitles_ssm":["Elanora Peake Zint Collection (MS345)","Series II: Correspondence and Ephemera"],"parent_unittitles_tesim":["Elanora Peake Zint Collection (MS345)","Series II: Correspondence and Ephemera"],"text":["Elanora Peake Zint Collection (MS345)","Series II: Correspondence and Ephemera","\"Verses to a Dancer\" by C.R. Woods","Zint, Elanora Peake, 1907-1957","Woods, C. R.","Zint, Elanora Peake, 1907-1957","Poetry.","English .","box 1","folder 32"],"title_filing_ssi":"\"Verses to a Dancer\" by C.R. Woods","title_ssm":["\"Verses to a Dancer\" by C.R. Woods"],"title_tesim":["\"Verses to a Dancer\" by C.R. Woods"],"unitdate_other_ssim":["1926"],"normalized_date_ssm":["1926"],"normalized_title_ssm":["\"Verses to a Dancer\" by C.R. Woods"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Elanora Peake Zint Collection (MS345)"],"creator_ssim":["Woods, C. R."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":34,"date_range_isim":[1926],"names_ssim":["Zint, Elanora Peake, 1907-1957","Woods, C. R.","Zint, Elanora Peake, 1907-1957"],"persname_ssim":["Woods, C. R.","Zint, Elanora Peake, 1907-1957"],"access_subjects_ssim":["Poetry."],"access_subjects_ssm":["Poetry."],"language_ssim":["English ."],"containers_ssim":["box 1","folder 32"],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-21T04:00:03.266Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_4","ead_ssi":"vaallhs_repositories_2_resources_4","_root_":"vaallhs_repositories_2_resources_4","_nest_parent_":"vaallhs_repositories_2_resources_4","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_4.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/4","title_ssm":["Elanora Peake Zint Collection (MS345)"],"title_tesim":["Elanora Peake Zint Collection (MS345)"],"unitdate_ssm":["1924-2006"],"unitdate_inclusive_ssm":["1924-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS345"],"text":["MS345","Elanora Peake Zint Collection (MS345)","Great Falls of the Potomac (Md. and Va.)","Niagara Falls National Heritage Area (N.Y.)","Washington (D.C.) -- Social life and customs.","Ballet.","Vaudeville.","Circus.","Pantages Circuit of Vaudeville Theatres","Tourism.","Jones, Bobby, 1902-1971","Negri, Pola, 1899-1987","Dance Teachers.","The collections has been divided into two series:\nSeries I: Photographs and Negatives, 1920-1957\nSeries II: Correspondence and Ephemera","Elanora Zint nee Peake was born December 20th 1907 in Alexandria, VA, where she attended St. Mary's Academy. In the 1920's, she was a ballerina with the Pemberton Dancers, led by Stafford Pemberton, dancing in venues around Washington D.C, such as the Earle (now Warner) theater. In 1928 she joined the Pantages Vaudeville Circuit, where she met her future husband, Raymond Zint, and they were married in 1930. With the onset of the depression, Elanora and her husband moved to Wapakoneta, OH, Raymond's hometown, where she owned and taught in a dance studio.  In 1942, they moved to Alexandria, where they both served in the OSS and the CIA. Elanora Zint died April 20th, 1957 due to complications from an operation.","The collection consists of primarily of photographs, with some artwork, correspondence, and contracts included. The photos are primarily centered around the 1920's Washington D.C. vaudeville scene. Included are letters from Allen Dulles, former head of the CIA, one concerning Elanora's death and service, and another commending Raymond upon his retirement. Another letter concerns a friend of Elanora's, which describes her experience with the Mange Bros. Circus in Venezuela. There are also a small number of photos and negatives of the couple's travels in the 1940's and 50's to Niagara Falls, and Great Falls, VA.  ","This folder contains several photographs of actors, dancers, and entertainers from the 1920s.  Included are Josie Carole, Paul Douglas, Walter Hebb, and Jack Spangler.","Originall folder said \"3 Graces.\"","This folder contains 2 photocopied letters written by Allen W. Dulles as director of the CIA.  One letter is to Raymond Zint, and is a condollence on the death of Elanora, noting her service to the CIA.  The other is to congratulate Raymond Zint on his retirement from the CIA.  Also in this folder are photocopies of Elanora's obituary.","Folder contains a letter to Elanora Peake Zint from someone named Victoria about travelling with the Mange Bros Circus to Venezuela.  The letter was sent from Caracas.","This folder contains 3 items: a poem written on a negative sleeve, a receipt from a photo studio, and a business card for Perry Oakes, an artist representative from New York.","This folder contains a Christmas Card from Edsel and Ardath Rohm and features a photograph of their children Keith and Karen.","This folder contains several newspaper clippings about various people and dancers.  Some of the names found in this folder:","Florence Ambler, Dolores Carey, Lucille Luitich, MOrse Allen, Virginia Catlett, Gertrude Smith, Cleitte Bradley, Sarah Loftin, Evelyn Wellman, Margaret Suggs, Mrs. John Foreman, Jean Stewart, and Elizabeth Yeoder.","Local History and Special Collections Branch, Alexandria Library","Zint, Elanora Peake, 1907-1957","Zint, Raymond W. (Raymond William), 1899-1962","Woods, C. R.","English \n.    "],"unitid_tesim":["MS345"],"normalized_title_ssm":["Elanora Peake Zint Collection (MS345)"],"collection_title_tesim":["Elanora Peake Zint Collection (MS345)"],"collection_ssim":["Elanora Peake Zint Collection (MS345)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Great Falls of the Potomac (Md. and Va.)","Niagara Falls National Heritage Area (N.Y.)","Washington (D.C.) -- Social life and customs."],"geogname_ssim":["Great Falls of the Potomac (Md. and Va.)","Niagara Falls National Heritage Area (N.Y.)","Washington (D.C.) -- Social life and customs."],"creator_ssm":["Zint, Elanora Peake, 1907-1957","Zint, Raymond W. (Raymond William), 1899-1962"],"creator_ssim":["Zint, Elanora Peake, 1907-1957","Zint, Raymond W. (Raymond William), 1899-1962"],"creator_persname_ssim":["Zint, Elanora Peake, 1907-1957","Zint, Raymond W. (Raymond William), 1899-1962"],"creators_ssim":["Zint, Elanora Peake, 1907-1957","Zint, Raymond W. (Raymond William), 1899-1962"],"places_ssim":["Great Falls of the Potomac (Md. and Va.)","Niagara Falls National Heritage Area (N.Y.)","Washington (D.C.) -- Social life and customs."],"acqinfo_ssim":["Gift of Fred Zint, 2006"],"access_subjects_ssim":["Ballet.","Vaudeville.","Circus.","Pantages Circuit of Vaudeville Theatres","Tourism.","Jones, Bobby, 1902-1971","Negri, Pola, 1899-1987","Dance Teachers."],"access_subjects_ssm":["Ballet.","Vaudeville.","Circus.","Pantages Circuit of Vaudeville Theatres","Tourism.","Jones, Bobby, 1902-1971","Negri, Pola, 1899-1987","Dance Teachers."],"has_online_content_ssim":["false"],"extent_ssm":[".42 Linear Feet 1 box, 44 folders"],"extent_tesim":[".42 Linear Feet 1 box, 44 folders"],"physfacet_tesim":["correspondence, silver gelatin prints, chromogenic negatives"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe collections has been divided into two series:\nSeries I: Photographs and Negatives, 1920-1957\nSeries II: Correspondence and Ephemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collections has been divided into two series:\nSeries I: Photographs and Negatives, 1920-1957\nSeries II: Correspondence and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eElanora Zint nee Peake was born December 20th 1907 in Alexandria, VA, where she attended St. Mary's Academy. 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The letter was sent from Caracas.","This folder contains 3 items: a poem written on a negative sleeve, a receipt from a photo studio, and a business card for Perry Oakes, an artist representative from New York.","This folder contains a Christmas Card from Edsel and Ardath Rohm and features a photograph of their children Keith and Karen.","This folder contains several newspaper clippings about various people and dancers.  Some of the names found in this folder:","Florence Ambler, Dolores Carey, Lucille Luitich, MOrse Allen, Virginia Catlett, Gertrude Smith, Cleitte Bradley, Sarah Loftin, Evelyn Wellman, Margaret Suggs, Mrs. John Foreman, Jean Stewart, and Elizabeth Yeoder."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Zint, Elanora Peake, 1907-1957","Zint, Raymond W. (Raymond William), 1899-1962","Woods, C. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4acd4d83c5ab21cbf705706bf9ec462d\"\u003ePoetry and verse unaccompanied with music notation about West Virginia, western Virginia and Appalachia or by area authors unknown, little known, unpublished or rarely published, such as Ida L. Reed. Reed is the author of the poem, \"Come to the Cross Today\".\u003c/abstract\u003e"],"abstract_tesim":["Poetry and verse unaccompanied with music notation about West Virginia, western Virginia and Appalachia or by area authors unknown, little known, unpublished or rarely published, such as Ida L. Reed. Reed is the author of the poem, \"Come to the Cross Today\"."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d5c0dbdea39d7cd5116d2acd4813fe7d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Grafton National Cemetary","Lemaster, Arabella.","Reed, Ida L. 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