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Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. 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Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018."],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps."],"corpname_ssim":["George Mason University. 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The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_652#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"normalized_date_ssm":["1979/2009"],"normalized_title_ssm":["Art Attack records, 1979/2009"],"text":["Art Attack records, 1979/2009","C0507","/repositories/2/resources/652","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records","Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. 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Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Art Attack co-founder Lynn McCary in 2018 and 2023."],"access_subjects_ssim":["Art","Art -- Exhibitions","Photography"],"access_subjects_ssm":["Art","Art -- Exhibitions","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["21 Linear Feet 43 boxes, 1 map case"],"extent_tesim":["21 Linear Feet 43 boxes, 1 map case"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted due to content. Please see inventory for more details. All other materials are open to access.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records"],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e \n","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e\n","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e\n","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e\n","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on"],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 74, C 4, S 1-6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English\n,       German\n,       Polish\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"normalized_date_ssm":["1979/2009"],"normalized_title_ssm":["Art Attack records, 1979/2009"],"text":["Art Attack records, 1979/2009","C0507","/repositories/2/resources/652","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records","Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","R 74, C 4, S 1-6","George Mason University. Libraries. Special Collections Research Center","English\n,       German\n,       Polish\n."],"collection_title_tesim":["Art Attack records, 1979/2009"],"collection_ssim":["Art Attack records, 1979/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0507","/repositories/2/resources/652"],"unitid_tesim":["C0507","/repositories/2/resources/652"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Art Attack co-founder Lynn McCary in 2018 and 2023."],"access_subjects_ssim":["Art","Art -- Exhibitions","Photography"],"access_subjects_ssm":["Art","Art -- Exhibitions","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["21 Linear Feet 43 boxes, 1 map case"],"extent_tesim":["21 Linear Feet 43 boxes, 1 map case"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted due to content. Please see inventory for more details. All other materials are open to access.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records"],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e \n","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e\n","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e\n","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e\n","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on"],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 74, C 4, S 1-6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English\n,       German\n,       Polish\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_652"}},{"id":"vifgm_repositories_2_resources_532","type":"collection","attributes":{"title":"Black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope, 1984","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_532#creator","type":"document_value","attributes":{"value":"Swope, Martha","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_532#abstract_or_scope","type":"document_value","attributes":{"value":"Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_532#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_532","ead_ssi":"vifgm_repositories_2_resources_532","_root_":"vifgm_repositories_2_resources_532","_nest_parent_":"vifgm_repositories_2_resources_532","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_532.xml","title_ssm":["Black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope"],"title_tesim":["Black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope"],"unitdate_ssm":["1984"],"unitdate_other_ssim":["1984"],"normalized_date_ssm":["1984"],"normalized_title_ssm":["Black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope, 1984"],"text":["Black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope, 1984","C0464","/repositories/2/resources/532","Ballet","Photography","There are no access restrictions.","This is a single folder collection.","The Editors of Encyclopaedia Britannica. \"Jerome Robbins.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., Accessed January 19, 2021. https://www.britannica.com/biography/Jerome-Robbins.","Gold, Sylviane. \"Martha Swope, 88, Who Etched Dance and Theater History in Photographs, Dies.\" The New York Times, January 12, 2017. Accessed January 19, 2021. https://www.nytimes.com/2017/01/12/arts/design/martha-swope-88-who-etched-dance-and-theater-history-in-photographs-dies.html.","Kisselgoff, Anna. \"Jerome Robbins, 79, Is Dead; Giant of Ballet and Broadway.\" The New York Times, July 30, 1998. Accessed January 19, 2021. https://www.nytimes.com/1998/07/30/theater/jerome-robbins-79-is-dead-giant-of-ballet-and-broadway.html.","New York City Ballet. \"Antique Epigraphs.\" New York City Ballet, Accessed January 19, 2021. https://www.nycballet.com/discover/ballet-repertory/antique-epigraphs/.","Reside, Douglas. \"Martha Swope: capturing the process.\" The New York Public Library for the Performing Arts, Google Arts  Culture, Accessed January 19, 2021. https://artsandculture.google.com/exhibit/martha-swope-capturing-the-process-new-york-public-library-for-the-performing-arts/IQKiySffceSmJA?hl=en.","Jerome Robbins was one of the foremost dancers and choreographers of the 20th century. Born to Russian-Jewish immigrants in New York City in 1918, Robbins rose to prominence in the 1940s with his choreography for a number of Broadway shows. 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Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.","\"Antique Epigraphs\" is a short ballet with music by Claude Debussy and choreography by Jerome Robbins. It premiered at the New York City Ballet on February 2, 1984.","Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984. Both photographs feature Robbins directing the dancers and demonstrating his choreography. The first photograph features from left to right: Helene Alexopoulos, Jerri Kumery, Maria Calegari, and Robbins. The second photograph features from left to right: Florence Fitzgerald, Helene Alexopoulos, Jerri Kumery, Robbins, and Victoria Hall. The dancers are rehearsing in costume.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984.","R 72, C 3, S 5","George Mason University. Libraries. 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Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music on January 26, 2010."],"access_subjects_ssim":["Ballet","Photography"],"access_subjects_ssm":["Ballet","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 2 photographs"],"extent_tesim":[".01 Linear Feet 2 photographs"],"date_range_isim":[1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Jerome Robbins.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., Accessed January 19, 2021. https://www.britannica.com/biography/Jerome-Robbins.\u003c/p\u003e","\u003cp\u003eGold, Sylviane. \"Martha Swope, 88, Who Etched Dance and Theater History in Photographs, Dies.\" The New York Times, January 12, 2017. Accessed January 19, 2021. https://www.nytimes.com/2017/01/12/arts/design/martha-swope-88-who-etched-dance-and-theater-history-in-photographs-dies.html.\u003c/p\u003e","\u003cp\u003eKisselgoff, Anna. \"Jerome Robbins, 79, Is Dead; Giant of Ballet and Broadway.\" The New York Times, July 30, 1998. Accessed January 19, 2021. https://www.nytimes.com/1998/07/30/theater/jerome-robbins-79-is-dead-giant-of-ballet-and-broadway.html. \u003c/p\u003e","\u003cp\u003eNew York City Ballet. \"Antique Epigraphs.\" New York City Ballet, Accessed January 19, 2021. https://www.nycballet.com/discover/ballet-repertory/antique-epigraphs/.\u003c/p\u003e","\u003cp\u003eReside, Douglas. \"Martha Swope: capturing the process.\" The New York Public Library for the Performing Arts, Google Arts  Culture, Accessed January 19, 2021. https://artsandculture.google.com/exhibit/martha-swope-capturing-the-process-new-york-public-library-for-the-performing-arts/IQKiySffceSmJA?hl=en.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Editors of Encyclopaedia Britannica. \"Jerome Robbins.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., Accessed January 19, 2021. https://www.britannica.com/biography/Jerome-Robbins.","Gold, Sylviane. \"Martha Swope, 88, Who Etched Dance and Theater History in Photographs, Dies.\" The New York Times, January 12, 2017. Accessed January 19, 2021. https://www.nytimes.com/2017/01/12/arts/design/martha-swope-88-who-etched-dance-and-theater-history-in-photographs-dies.html.","Kisselgoff, Anna. \"Jerome Robbins, 79, Is Dead; Giant of Ballet and Broadway.\" The New York Times, July 30, 1998. Accessed January 19, 2021. https://www.nytimes.com/1998/07/30/theater/jerome-robbins-79-is-dead-giant-of-ballet-and-broadway.html.","New York City Ballet. \"Antique Epigraphs.\" New York City Ballet, Accessed January 19, 2021. https://www.nycballet.com/discover/ballet-repertory/antique-epigraphs/.","Reside, Douglas. \"Martha Swope: capturing the process.\" The New York Public Library for the Performing Arts, Google Arts  Culture, Accessed January 19, 2021. https://artsandculture.google.com/exhibit/martha-swope-capturing-the-process-new-york-public-library-for-the-performing-arts/IQKiySffceSmJA?hl=en."],"bioghist_html_tesm":["\u003cp\u003eJerome Robbins was one of the foremost dancers and choreographers of the 20th century. Born to Russian-Jewish immigrants in New York City in 1918, Robbins rose to prominence in the 1940s with his choreography for a number of Broadway shows. In 1949 Robbins became the Associate Artistic Director of the New York City Ballet under George Balanchine, cementing his place in the international ballet scene. Robbins gained worldwide fame with his Tony Award-winning choreography for the musicals West Side Story and Fiddler on the Roof, after which he pivoted to ballet for the rest of his career. Robbins passed away in 1998.\u003c/p\u003e","\u003cp\u003eMartha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.\u003c/p\u003e","\u003cp\u003e\"Antique Epigraphs\" is a short ballet with music by Claude Debussy and choreography by Jerome Robbins. It premiered at the New York City Ballet on February 2, 1984.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Jerome Robbins was one of the foremost dancers and choreographers of the 20th century. Born to Russian-Jewish immigrants in New York City in 1918, Robbins rose to prominence in the 1940s with his choreography for a number of Broadway shows. In 1949 Robbins became the Associate Artistic Director of the New York City Ballet under George Balanchine, cementing his place in the international ballet scene. Robbins gained worldwide fame with his Tony Award-winning choreography for the musicals West Side Story and Fiddler on the Roof, after which he pivoted to ballet for the rest of his career. Robbins passed away in 1998.","Martha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.","\"Antique Epigraphs\" is a short ballet with music by Claude Debussy and choreography by Jerome Robbins. It premiered at the New York City Ballet on February 2, 1984."],"prefercite_html_tesm":["\u003cp\u003eBlack and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope, C0464, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope, C0464, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cextptr show=\"new\" title=\"Black and white photograph of Jerome Robbins in rehearsal with young ballet dancers for \"\u003e\u003c/extptr\u003eCircus Polka\" by Martha Swope,\" href=\"https://aspace.gmu.edu/repositories/2/resources/531\"/\u0026gt; the ","\u003cextptr show=\"new\" title=\"Color photograph of Jerome Robbins rehearsing 'Circus Polka' with young ballet dancers by Costas,\" href=\"https://aspace.gmu.edu/repositories/2/resources/530\"\u003e\u003c/extptr\u003e\n and the ","\u003cextptr show=\"new\" title=\"Black and white photograph of prominent members of the original \"\u003e\u003c/extptr\u003eWest Side Story\" production team by Friedman-Abeles photography firm\" href=\"https://aspace.gmu.edu/repositories/2/resources/534\"/\u0026gt;. It also holds many other performing arts collections that touch on Robbins, the New York City Ballet, and dance photography.   "],"relatedmaterial_heading_ssm":["Related Materials"],"scopecontent_html_tesm":["\u003cp\u003eTwo black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984. Both photographs feature Robbins directing the dancers and demonstrating his choreography. The first photograph features from left to right: Helene Alexopoulos, Jerri Kumery, Maria Calegari, and Robbins. The second photograph features from left to right: Florence Fitzgerald, Helene Alexopoulos, Jerri Kumery, Robbins, and Victoria Hall. The dancers are rehearsing in costume.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984. Both photographs feature Robbins directing the dancers and demonstrating his choreography. The first photograph features from left to right: Helene Alexopoulos, Jerri Kumery, Maria Calegari, and Robbins. The second photograph features from left to right: Florence Fitzgerald, Helene Alexopoulos, Jerri Kumery, Robbins, and Victoria Hall. The dancers are rehearsing in costume."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c2cbe146e01cd43096334c4b1c9e80e5\" label=\"Abstract\"\u003eTwo black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984.\u003c/abstract\u003e\n    "],"abstract_tesim":["Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_679beacc4ef86d79874190828e3d1ee9\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Swope, Martha","Robbins, Jerome"],"names_coll_ssim":["Robbins, Jerome"],"names_ssim":["George Mason University. Libraries. 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Accessed January 19, 2021. https://www.nytimes.com/1998/07/30/theater/jerome-robbins-79-is-dead-giant-of-ballet-and-broadway.html.","New York City Ballet. \"Antique Epigraphs.\" New York City Ballet, Accessed January 19, 2021. https://www.nycballet.com/discover/ballet-repertory/antique-epigraphs/.","Reside, Douglas. \"Martha Swope: capturing the process.\" The New York Public Library for the Performing Arts, Google Arts  Culture, Accessed January 19, 2021. https://artsandculture.google.com/exhibit/martha-swope-capturing-the-process-new-york-public-library-for-the-performing-arts/IQKiySffceSmJA?hl=en.","Jerome Robbins was one of the foremost dancers and choreographers of the 20th century. Born to Russian-Jewish immigrants in New York City in 1918, Robbins rose to prominence in the 1940s with his choreography for a number of Broadway shows. In 1949 Robbins became the Associate Artistic Director of the New York City Ballet under George Balanchine, cementing his place in the international ballet scene. Robbins gained worldwide fame with his Tony Award-winning choreography for the musicals West Side Story and Fiddler on the Roof, after which he pivoted to ballet for the rest of his career. Robbins passed away in 1998.","Martha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.","\"Antique Epigraphs\" is a short ballet with music by Claude Debussy and choreography by Jerome Robbins. It premiered at the New York City Ballet on February 2, 1984.","Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984. 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Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music on January 26, 2010."],"access_subjects_ssim":["Ballet","Photography"],"access_subjects_ssm":["Ballet","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 2 photographs"],"extent_tesim":[".01 Linear Feet 2 photographs"],"date_range_isim":[1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Jerome Robbins.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., Accessed January 19, 2021. https://www.britannica.com/biography/Jerome-Robbins.\u003c/p\u003e","\u003cp\u003eGold, Sylviane. \"Martha Swope, 88, Who Etched Dance and Theater History in Photographs, Dies.\" The New York Times, January 12, 2017. Accessed January 19, 2021. https://www.nytimes.com/2017/01/12/arts/design/martha-swope-88-who-etched-dance-and-theater-history-in-photographs-dies.html.\u003c/p\u003e","\u003cp\u003eKisselgoff, Anna. \"Jerome Robbins, 79, Is Dead; Giant of Ballet and Broadway.\" The New York Times, July 30, 1998. Accessed January 19, 2021. https://www.nytimes.com/1998/07/30/theater/jerome-robbins-79-is-dead-giant-of-ballet-and-broadway.html. \u003c/p\u003e","\u003cp\u003eNew York City Ballet. \"Antique Epigraphs.\" New York City Ballet, Accessed January 19, 2021. https://www.nycballet.com/discover/ballet-repertory/antique-epigraphs/.\u003c/p\u003e","\u003cp\u003eReside, Douglas. \"Martha Swope: capturing the process.\" The New York Public Library for the Performing Arts, Google Arts  Culture, Accessed January 19, 2021. https://artsandculture.google.com/exhibit/martha-swope-capturing-the-process-new-york-public-library-for-the-performing-arts/IQKiySffceSmJA?hl=en.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Editors of Encyclopaedia Britannica. \"Jerome Robbins.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., Accessed January 19, 2021. https://www.britannica.com/biography/Jerome-Robbins.","Gold, Sylviane. \"Martha Swope, 88, Who Etched Dance and Theater History in Photographs, Dies.\" The New York Times, January 12, 2017. Accessed January 19, 2021. https://www.nytimes.com/2017/01/12/arts/design/martha-swope-88-who-etched-dance-and-theater-history-in-photographs-dies.html.","Kisselgoff, Anna. \"Jerome Robbins, 79, Is Dead; Giant of Ballet and Broadway.\" The New York Times, July 30, 1998. Accessed January 19, 2021. https://www.nytimes.com/1998/07/30/theater/jerome-robbins-79-is-dead-giant-of-ballet-and-broadway.html.","New York City Ballet. \"Antique Epigraphs.\" New York City Ballet, Accessed January 19, 2021. https://www.nycballet.com/discover/ballet-repertory/antique-epigraphs/.","Reside, Douglas. \"Martha Swope: capturing the process.\" The New York Public Library for the Performing Arts, Google Arts  Culture, Accessed January 19, 2021. https://artsandculture.google.com/exhibit/martha-swope-capturing-the-process-new-york-public-library-for-the-performing-arts/IQKiySffceSmJA?hl=en."],"bioghist_html_tesm":["\u003cp\u003eJerome Robbins was one of the foremost dancers and choreographers of the 20th century. Born to Russian-Jewish immigrants in New York City in 1918, Robbins rose to prominence in the 1940s with his choreography for a number of Broadway shows. In 1949 Robbins became the Associate Artistic Director of the New York City Ballet under George Balanchine, cementing his place in the international ballet scene. Robbins gained worldwide fame with his Tony Award-winning choreography for the musicals West Side Story and Fiddler on the Roof, after which he pivoted to ballet for the rest of his career. Robbins passed away in 1998.\u003c/p\u003e","\u003cp\u003eMartha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.\u003c/p\u003e","\u003cp\u003e\"Antique Epigraphs\" is a short ballet with music by Claude Debussy and choreography by Jerome Robbins. It premiered at the New York City Ballet on February 2, 1984.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Jerome Robbins was one of the foremost dancers and choreographers of the 20th century. Born to Russian-Jewish immigrants in New York City in 1918, Robbins rose to prominence in the 1940s with his choreography for a number of Broadway shows. In 1949 Robbins became the Associate Artistic Director of the New York City Ballet under George Balanchine, cementing his place in the international ballet scene. Robbins gained worldwide fame with his Tony Award-winning choreography for the musicals West Side Story and Fiddler on the Roof, after which he pivoted to ballet for the rest of his career. Robbins passed away in 1998.","Martha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.","\"Antique Epigraphs\" is a short ballet with music by Claude Debussy and choreography by Jerome Robbins. It premiered at the New York City Ballet on February 2, 1984."],"prefercite_html_tesm":["\u003cp\u003eBlack and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope, C0464, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" by Martha Swope, C0464, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cextptr show=\"new\" title=\"Black and white photograph of Jerome Robbins in rehearsal with young ballet dancers for \"\u003e\u003c/extptr\u003eCircus Polka\" by Martha Swope,\" href=\"https://aspace.gmu.edu/repositories/2/resources/531\"/\u0026gt; the ","\u003cextptr show=\"new\" title=\"Color photograph of Jerome Robbins rehearsing 'Circus Polka' with young ballet dancers by Costas,\" href=\"https://aspace.gmu.edu/repositories/2/resources/530\"\u003e\u003c/extptr\u003e\n and the ","\u003cextptr show=\"new\" title=\"Black and white photograph of prominent members of the original \"\u003e\u003c/extptr\u003eWest Side Story\" production team by Friedman-Abeles photography firm\" href=\"https://aspace.gmu.edu/repositories/2/resources/534\"/\u0026gt;. It also holds many other performing arts collections that touch on Robbins, the New York City Ballet, and dance photography.   "],"relatedmaterial_heading_ssm":["Related Materials"],"scopecontent_html_tesm":["\u003cp\u003eTwo black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984. Both photographs feature Robbins directing the dancers and demonstrating his choreography. The first photograph features from left to right: Helene Alexopoulos, Jerri Kumery, Maria Calegari, and Robbins. The second photograph features from left to right: Florence Fitzgerald, Helene Alexopoulos, Jerri Kumery, Robbins, and Victoria Hall. The dancers are rehearsing in costume.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984. Both photographs feature Robbins directing the dancers and demonstrating his choreography. The first photograph features from left to right: Helene Alexopoulos, Jerri Kumery, Maria Calegari, and Robbins. The second photograph features from left to right: Florence Fitzgerald, Helene Alexopoulos, Jerri Kumery, Robbins, and Victoria Hall. The dancers are rehearsing in costume."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c2cbe146e01cd43096334c4b1c9e80e5\" label=\"Abstract\"\u003eTwo black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984.\u003c/abstract\u003e\n    "],"abstract_tesim":["Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" at the New York City Ballet, taken by Martha Swope in early 1984."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_679beacc4ef86d79874190828e3d1ee9\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Swope, Martha","Robbins, Jerome"],"names_coll_ssim":["Robbins, Jerome"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Swope, Martha","Robbins, Jerome"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_532"}},{"id":"vihart_repositories_4_resources_407","type":"collection","attributes":{"title":"Blackley Family papers, 1830/2020","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407#creator","type":"document_value","attributes":{"value":"Blackley family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407#abstract_or_scope","type":"document_value","attributes":{"value":"The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_407","ead_ssi":"vihart_repositories_4_resources_407","_root_":"vihart_repositories_4_resources_407","_nest_parent_":"vihart_repositories_4_resources_407","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_407.xml","title_ssm":["Blackley Family papers"],"title_tesim":["Blackley Family papers"],"unitdate_ssm":["1830-2020"],"unitdate_inclusive_ssm":["1830-2020"],"normalized_date_ssm":["1830/2020"],"normalized_title_ssm":["Blackley Family papers, 1830/2020"],"text":["Blackley Family papers, 1830/2020","SC 0232","/repositories/4/resources/407","Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century","Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","Digital images of nineteenth-century correspondence and papers are available upon request.","The collection is arranged in seven series:","Correspondence, 1830-2011\n      Personal Papers, 1857-2016\n      Ephemera, 1856-2004\n      Photographs, circa 1861-1989\n      Scrapbooks, 1862-1931\n      2020-0121 Accession, 1930s-2019\n      2020-0702 Accession, 1882-2020","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.","The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.","Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's Schooma'am yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","English"],"collection_title_tesim":["Blackley Family papers, 1830/2020"],"collection_ssim":["Blackley Family papers, 1830/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0232","/repositories/4/resources/407"],"unitid_tesim":["SC 0232","/repositories/4/resources/407"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"geogname_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"places_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"creator_ssm":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_ssim":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"creator_famname_ssim":["Blackley family"],"creators_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Charles P. Blackley Jr. of Staunton, Virginia donated this material in various accretions between 2015-2020."],"access_subjects_ssim":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"access_subjects_ssm":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"has_online_content_ssim":["false"],"extent_ssm":["14.37 cubic feet 30 boxes, 2 flat folders"],"extent_tesim":["14.37 cubic feet 30 boxes, 2 flat folders"],"genreform_ssim":["Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.\u003c/p\u003e  ","\u003cp\u003eto original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e  ","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","",""],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"altformavail_html_tesm":["\u003cp\u003eDigital images of nineteenth-century correspondence and papers are available upon request.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digital images of nineteenth-century correspondence and papers are available upon request."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1830-2011\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1857-2016\u003c/item\u003e\n      \u003citem\u003eEphemera, 1856-2004\u003c/item\u003e\n      \u003citem\u003ePhotographs, circa 1861-1989\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 1862-1931\u003c/item\u003e\n      \u003citem\u003e2020-0121 Accession, 1930s-2019\u003c/item\u003e\n      \u003citem\u003e2020-0702 Accession, 1882-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series:","Correspondence, 1830-2011\n      Personal Papers, 1857-2016\n      Ephemera, 1856-2004\n      Photographs, circa 1861-1989\n      Scrapbooks, 1862-1931\n      2020-0121 Accession, 1930s-2019\n      2020-0702 Accession, 1882-2020"],"bibliography_html_tesm":["\u003cbibref\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001."],"bioghist_html_tesm":["\u003cp\u003eThe Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.\u003c/p\u003e","\u003cp\u003eLizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).\u003c/p\u003e","\u003cp\u003eIn 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.\u003c/p\u003e","\u003cp\u003eR.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.\u003c/p\u003e","\u003cp\u003eGarrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.\u003c/p\u003e","\u003cp\u003eR.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.\u003c/p\u003e","\u003cp\u003eThe bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).\u003c/p\u003e","\u003cp\u003eCharles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.\u003c/p\u003e","\u003cp\u003eWhile traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.\u003c/p\u003e","\u003cp\u003eChas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.\u003c/p\u003e","\u003cp\u003eCatherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.\u003c/p\u003e","\u003cp\u003eCharles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.\u003c/p\u003e","\u003cp\u003ePatricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://archivesspace.vmi.edu/repositories/3/resources/780\"\u003eCharles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.\u003c/extref\u003e  \u003c/p\u003e","\u003cp\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.utexas.edu/taro/utcah/00426/cah-00426.html\"\u003eLizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.\u003c/extref\u003e \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eYourself and family are invited to attend the feast of Mondamin corn festival\u003c/emph\u003e. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017)."],"scopecontent_html_tesm":["\u003cp\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's \u003cemph render=\"italic\"\u003eSchooma'am\u003c/emph\u003e yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's Schooma'am yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e73d9f92cf4c9d321a4666b26feddd80\"\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"names_coll_ssim":["State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","Blackley, Chuck","Blackley, Pat","Blackley, Chuck"],"famname_ssim":["Blackley family"],"persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"names_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":579,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:59.804Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_407","ead_ssi":"vihart_repositories_4_resources_407","_root_":"vihart_repositories_4_resources_407","_nest_parent_":"vihart_repositories_4_resources_407","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_407.xml","title_ssm":["Blackley Family papers"],"title_tesim":["Blackley Family papers"],"unitdate_ssm":["1830-2020"],"unitdate_inclusive_ssm":["1830-2020"],"normalized_date_ssm":["1830/2020"],"normalized_title_ssm":["Blackley Family papers, 1830/2020"],"text":["Blackley Family papers, 1830/2020","SC 0232","/repositories/4/resources/407","Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century","Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","Digital images of nineteenth-century correspondence and papers are available upon request.","The collection is arranged in seven series:","Correspondence, 1830-2011\n      Personal Papers, 1857-2016\n      Ephemera, 1856-2004\n      Photographs, circa 1861-1989\n      Scrapbooks, 1862-1931\n      2020-0121 Accession, 1930s-2019\n      2020-0702 Accession, 1882-2020","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.","The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.","Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's Schooma'am yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","English"],"collection_title_tesim":["Blackley Family papers, 1830/2020"],"collection_ssim":["Blackley Family papers, 1830/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0232","/repositories/4/resources/407"],"unitid_tesim":["SC 0232","/repositories/4/resources/407"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"geogname_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"places_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"creator_ssm":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_ssim":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"creator_famname_ssim":["Blackley family"],"creators_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Charles P. Blackley Jr. of Staunton, Virginia donated this material in various accretions between 2015-2020."],"access_subjects_ssim":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"access_subjects_ssm":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"has_online_content_ssim":["false"],"extent_ssm":["14.37 cubic feet 30 boxes, 2 flat folders"],"extent_tesim":["14.37 cubic feet 30 boxes, 2 flat folders"],"genreform_ssim":["Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.\u003c/p\u003e  ","\u003cp\u003eto original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e  ","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","",""],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"altformavail_html_tesm":["\u003cp\u003eDigital images of nineteenth-century correspondence and papers are available upon request.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digital images of nineteenth-century correspondence and papers are available upon request."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1830-2011\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1857-2016\u003c/item\u003e\n      \u003citem\u003eEphemera, 1856-2004\u003c/item\u003e\n      \u003citem\u003ePhotographs, circa 1861-1989\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 1862-1931\u003c/item\u003e\n      \u003citem\u003e2020-0121 Accession, 1930s-2019\u003c/item\u003e\n      \u003citem\u003e2020-0702 Accession, 1882-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series:","Correspondence, 1830-2011\n      Personal Papers, 1857-2016\n      Ephemera, 1856-2004\n      Photographs, circa 1861-1989\n      Scrapbooks, 1862-1931\n      2020-0121 Accession, 1930s-2019\n      2020-0702 Accession, 1882-2020"],"bibliography_html_tesm":["\u003cbibref\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001."],"bioghist_html_tesm":["\u003cp\u003eThe Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.\u003c/p\u003e","\u003cp\u003eLizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).\u003c/p\u003e","\u003cp\u003eIn 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.\u003c/p\u003e","\u003cp\u003eR.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.\u003c/p\u003e","\u003cp\u003eGarrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.\u003c/p\u003e","\u003cp\u003eR.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.\u003c/p\u003e","\u003cp\u003eThe bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).\u003c/p\u003e","\u003cp\u003eCharles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.\u003c/p\u003e","\u003cp\u003eWhile traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.\u003c/p\u003e","\u003cp\u003eChas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.\u003c/p\u003e","\u003cp\u003eCatherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.\u003c/p\u003e","\u003cp\u003eCharles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.\u003c/p\u003e","\u003cp\u003ePatricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://archivesspace.vmi.edu/repositories/3/resources/780\"\u003eCharles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.\u003c/extref\u003e  \u003c/p\u003e","\u003cp\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.utexas.edu/taro/utcah/00426/cah-00426.html\"\u003eLizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.\u003c/extref\u003e \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eYourself and family are invited to attend the feast of Mondamin corn festival\u003c/emph\u003e. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017)."],"scopecontent_html_tesm":["\u003cp\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's \u003cemph render=\"italic\"\u003eSchooma'am\u003c/emph\u003e yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's Schooma'am yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e73d9f92cf4c9d321a4666b26feddd80\"\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"names_coll_ssim":["State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","Blackley, Chuck","Blackley, Pat","Blackley, Chuck"],"famname_ssim":["Blackley family"],"persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"names_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":579,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:59.804Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_407"}},{"id":"wvmturhc_repositories_2_resources_5820","type":"collection","attributes":{"title":"Blanche Lazzell, Artist, Papers, 1881/1992","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#creator","type":"document_value","attributes":{"value":"Lazzell, Blanche, 1878-1956","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#abstract_or_scope","type":"document_value","attributes":{"value":"Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5820","ead_ssi":"wvmturhc_repositories_2_resources_5820","_root_":"wvmturhc_repositories_2_resources_5820","_nest_parent_":"wvmturhc_repositories_2_resources_5820","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5820.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198907","title_ssm":["Blanche Lazzell, Artist, Papers"],"title_tesim":["Blanche Lazzell, Artist, Papers"],"unitdate_ssm":["1881-1992"],"unitdate_inclusive_ssm":["1881-1992"],"normalized_date_ssm":["1881/1992"],"normalized_title_ssm":["Blanche Lazzell, Artist, Papers, 1881/1992"],"text":["Blanche Lazzell, Artist, Papers, 1881/1992","A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820","Morgantown (W. Va.)","West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists","No special access restriction applies.","Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.","Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","English\n."],"collection_title_tesim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"collection_ssim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"unitid_tesim":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Lazzell, Blanche, 1878-1956"],"creator_ssim":["Lazzell, Blanche, 1878-1956"],"creator_persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"creator_corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"creator_famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"creators_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"access_subjects_ssm":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"has_online_content_ssim":["false"],"extent_ssm":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"extent_tesim":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eBlanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026amp;M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). \u003c/p\u003e","\u003cp\u003eAddenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/08/14\u003c/emph\u003e includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/11/15\u003c/emph\u003e includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1994/05/25\u003c/emph\u003e includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 2007/02/02\u003c/emph\u003e includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dea1a9900484fc3d40483a866c08af85\"\u003ePhotographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e208fe22eff30687496707ddde2bea69\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"names_coll_ssim":["Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Lazzell, Blanche, 1878-1956","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"names_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:10:52.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5820","ead_ssi":"wvmturhc_repositories_2_resources_5820","_root_":"wvmturhc_repositories_2_resources_5820","_nest_parent_":"wvmturhc_repositories_2_resources_5820","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5820.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198907","title_ssm":["Blanche Lazzell, Artist, Papers"],"title_tesim":["Blanche Lazzell, Artist, Papers"],"unitdate_ssm":["1881-1992"],"unitdate_inclusive_ssm":["1881-1992"],"normalized_date_ssm":["1881/1992"],"normalized_title_ssm":["Blanche Lazzell, Artist, Papers, 1881/1992"],"text":["Blanche Lazzell, Artist, Papers, 1881/1992","A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820","Morgantown (W. Va.)","West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists","No special access restriction applies.","Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.","Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","English\n."],"collection_title_tesim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"collection_ssim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"unitid_tesim":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. 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She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026amp;M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). \u003c/p\u003e","\u003cp\u003eAddenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/08/14\u003c/emph\u003e includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/11/15\u003c/emph\u003e includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1994/05/25\u003c/emph\u003e includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 2007/02/02\u003c/emph\u003e includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dea1a9900484fc3d40483a866c08af85\"\u003ePhotographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e208fe22eff30687496707ddde2bea69\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"names_coll_ssim":["Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Lazzell, Blanche, 1878-1956","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"names_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:10:52.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820"}},{"id":"vifgm_repositories_2_resources_547","type":"collection","attributes":{"title":"Charles Lietwiler transportation collection, 1903/2005","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547#creator","type":"document_value","attributes":{"value":"Lietwiler, Charles","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_547","ead_ssi":"vifgm_repositories_2_resources_547","_root_":"vifgm_repositories_2_resources_547","_nest_parent_":"vifgm_repositories_2_resources_547","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_547.xml","title_ssm":["Charles Lietwiler transportation collection"],"title_tesim":["Charles Lietwiler transportation collection"],"unitdate_ssm":["1903 - 2005"],"unitdate_inclusive_ssm":["1903 - 2005"],"normalized_date_ssm":["1903/2005"],"normalized_title_ssm":["Charles Lietwiler transportation collection, 1903/2005"],"text":["Charles Lietwiler transportation collection, 1903/2005","C0324","/repositories/2/resources/547","D.C.-Metro area","Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning","There are no access restrictions.","This collection is arranged in into six series:","Series\n      Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\n      Series 2: United States mass transit, 1932-2000 (Boxes 5-7)\n      Series 3: International mass transit, 1903-1992(Boxes 7-9)\n      Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\n      Series 5: Audio and video reels, 1960s-1970s (Box 40)\n      Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)","Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.","Special Collections Research Center holds many other collections related to transportation and planning, such as the  and the  Click  to see all transportation and planning materials held by Special Collections Research Center.","The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.","R 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4","George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles","English"],"collection_title_tesim":["Charles Lietwiler transportation collection, 1903/2005"],"collection_ssim":["Charles Lietwiler transportation collection, 1903/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0324","/repositories/2/resources/547"],"unitid_tesim":["C0324","/repositories/2/resources/547"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["D.C.-Metro area"],"geogname_ssim":["D.C.-Metro area"],"places_ssim":["D.C.-Metro area"],"creator_ssm":["Lietwiler, Charles"],"creator_ssim":["Lietwiler, Charles"],"creator_persname_ssim":["Lietwiler, Charles"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"creators_ssim":["Lietwiler, Charles","George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Northern Virginia Transportation Commission on September 20, 2018."],"access_subjects_ssim":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"access_subjects_ssm":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"has_online_content_ssim":["false"],"extent_ssm":["33.0 Linear Feet 40 boxes, 2 map cases"],"extent_tesim":["33.0 Linear Feet 40 boxes, 2 map cases"],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in into six series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 2: United States mass transit, 1932-2000 (Boxes 5-7)\u003c/item\u003e\n      \u003citem\u003eSeries 3: International mass transit, 1903-1992(Boxes 7-9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audio and video reels, 1960s-1970s (Box 40)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in into six series:","Series\n      Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\n      Series 2: United States mass transit, 1932-2000 (Boxes 5-7)\n      Series 3: International mass transit, 1903-1992(Boxes 7-9)\n      Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\n      Series 5: Audio and video reels, 1960s-1970s (Box 40)\n      Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)"],"bioghist_html_tesm":["\u003cp\u003eCharles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eCharles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other collections related to transportation and planning, such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/mertz.html\" title=\"William L. Mertz transportation collection\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/apta.html\" title=\"American Public Transportation records.\" show=\"new\"\u003e\u003c/extptr\u003e Click \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#TRANSPORTATION\" title=\"here\" show=\"new\"\u003e\u003c/extptr\u003e to see all transportation and planning materials held by Special Collections Research Center.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other collections related to transportation and planning, such as the  and the  Click  to see all transportation and planning materials held by Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.\u003c/p\u003e","\u003cp\u003eSeries 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.\u003c/p\u003e","\u003cp\u003eSeries 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.\u003c/p\u003e","\u003cp\u003eSeries 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.\u003c/p\u003e","\u003cp\u003eSeries 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.\u003c/p\u003e","\u003cp\u003eSeries 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.\u003c/p\u003e","\u003cp\u003eSeries 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThis collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ac7d219b7a43e34bd672980dfe90dff9\"\u003e\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"names_coll_ssim":["Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"persname_ssim":["Lietwiler, Charles"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":425,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_547","ead_ssi":"vifgm_repositories_2_resources_547","_root_":"vifgm_repositories_2_resources_547","_nest_parent_":"vifgm_repositories_2_resources_547","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_547.xml","title_ssm":["Charles Lietwiler transportation collection"],"title_tesim":["Charles Lietwiler transportation collection"],"unitdate_ssm":["1903 - 2005"],"unitdate_inclusive_ssm":["1903 - 2005"],"normalized_date_ssm":["1903/2005"],"normalized_title_ssm":["Charles Lietwiler transportation collection, 1903/2005"],"text":["Charles Lietwiler transportation collection, 1903/2005","C0324","/repositories/2/resources/547","D.C.-Metro area","Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning","There are no access restrictions.","This collection is arranged in into six series:","Series\n      Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\n      Series 2: United States mass transit, 1932-2000 (Boxes 5-7)\n      Series 3: International mass transit, 1903-1992(Boxes 7-9)\n      Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\n      Series 5: Audio and video reels, 1960s-1970s (Box 40)\n      Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)","Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.","Special Collections Research Center holds many other collections related to transportation and planning, such as the  and the  Click  to see all transportation and planning materials held by Special Collections Research Center.","The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.","R 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4","George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles","English"],"collection_title_tesim":["Charles Lietwiler transportation collection, 1903/2005"],"collection_ssim":["Charles Lietwiler transportation collection, 1903/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0324","/repositories/2/resources/547"],"unitid_tesim":["C0324","/repositories/2/resources/547"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["D.C.-Metro area"],"geogname_ssim":["D.C.-Metro area"],"places_ssim":["D.C.-Metro area"],"creator_ssm":["Lietwiler, Charles"],"creator_ssim":["Lietwiler, Charles"],"creator_persname_ssim":["Lietwiler, Charles"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"creators_ssim":["Lietwiler, Charles","George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Northern Virginia Transportation Commission on September 20, 2018."],"access_subjects_ssim":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"access_subjects_ssm":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"has_online_content_ssim":["false"],"extent_ssm":["33.0 Linear Feet 40 boxes, 2 map cases"],"extent_tesim":["33.0 Linear Feet 40 boxes, 2 map cases"],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in into six series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 2: United States mass transit, 1932-2000 (Boxes 5-7)\u003c/item\u003e\n      \u003citem\u003eSeries 3: International mass transit, 1903-1992(Boxes 7-9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audio and video reels, 1960s-1970s (Box 40)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in into six series:","Series\n      Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\n      Series 2: United States mass transit, 1932-2000 (Boxes 5-7)\n      Series 3: International mass transit, 1903-1992(Boxes 7-9)\n      Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\n      Series 5: Audio and video reels, 1960s-1970s (Box 40)\n      Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)"],"bioghist_html_tesm":["\u003cp\u003eCharles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eCharles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other collections related to transportation and planning, such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/mertz.html\" title=\"William L. Mertz transportation collection\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/apta.html\" title=\"American Public Transportation records.\" show=\"new\"\u003e\u003c/extptr\u003e Click \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#TRANSPORTATION\" title=\"here\" show=\"new\"\u003e\u003c/extptr\u003e to see all transportation and planning materials held by Special Collections Research Center.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other collections related to transportation and planning, such as the  and the  Click  to see all transportation and planning materials held by Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.\u003c/p\u003e","\u003cp\u003eSeries 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.\u003c/p\u003e","\u003cp\u003eSeries 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.\u003c/p\u003e","\u003cp\u003eSeries 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.\u003c/p\u003e","\u003cp\u003eSeries 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.\u003c/p\u003e","\u003cp\u003eSeries 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.\u003c/p\u003e","\u003cp\u003eSeries 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThis collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ac7d219b7a43e34bd672980dfe90dff9\"\u003e\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"names_coll_ssim":["Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"persname_ssim":["Lietwiler, Charles"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":425,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547"}},{"id":"viblbv_repositories_2_resources_4058","type":"collection","attributes":{"title":"Duncan Alexander MacLeod Collection, 1932/1986","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4058#creator","type":"document_value","attributes":{"value":"MacLeod, Duncan Alexander, 1926-1951","label":"Creator"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4058#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4058","ead_ssi":"viblbv_repositories_2_resources_4058","_root_":"viblbv_repositories_2_resources_4058","_nest_parent_":"viblbv_repositories_2_resources_4058","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4058.xml","title_filing_ssi":"MacLeod, Duncan Alexander, Collection","title_ssm":["Duncan Alexander MacLeod Collection"],"title_tesim":["Duncan Alexander MacLeod Collection"],"unitdate_ssm":["1932-1986"],"unitdate_inclusive_ssm":["1932-1986"],"normalized_date_ssm":["1932/1986"],"normalized_title_ssm":["Duncan Alexander MacLeod Collection, 1932/1986"],"text":["Duncan Alexander MacLeod Collection, 1932/1986","Ms.2023.013","Lynchburg (Va.)","Korean War, 1950-1953","Photography","Wedding photography","Correspondence","Photographs","Special Collections and 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Cabbell, an author, poet, editor, and historian documents subjects regarding African-American history in Appalachia, encompassing the colonial period through 1988. The materials include research papers, articles, photographs, clippings, books, and publications such as \"Then \u0026 Now\" and \"Black Diamonds\". There is also information pertaining to the John Henry legend and includes articles, music references and literature. There are photographs of paintings and sculptures of John Henry, candid images of the John Henry Folk Festivals, Edward J. Cabbell as the director of the John Henry Memorial Foundation and Louis W. Chappell, a West Virginia University professor who compiled a massive collection of Appalachia folklore and music, including John Henry material."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_093bdc8e1fb8905ceeae63179b0f2d93\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Wiles\" featuring portrait of J.W. Wiles and photo of the \"Wiles Block\" building in Morgantown, WV; there is also letterhead for the \"Star Glass Company\" and \"Union Realty and Development Co.,\" both of Morgantown; illustrated envelopes for the \"Hotel Morgan\" of Morgantown, \"The Waldo\" of Clarksburg, and \"The Ruffner\" of Charleston. Signed calling card of J.W. Wiles. There is an extensive collection of greeting cards, including Valentines. There is also a printed invitation card for a luncheon with President and Mrs. Taft (1912). Addendum of 2019/06/17 includes four greeting cards from the Young family of Morgantown, including two large Valentine cards (including windmill and seesaw graphics; undated), one small Valentine card (undated), and one Christmas card (booklet, \"One Christmas Back in Grandfather's Time\"; 1952).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5974#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5974","ead_ssi":"wvmturhc_repositories_2_resources_5974","_root_":"wvmturhc_repositories_2_resources_5974","_nest_parent_":"wvmturhc_repositories_2_resources_5974","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5974.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199011","title_ssm":["Ephemera Collection"],"title_tesim":["Ephemera Collection"],"unitdate_ssm":["circa 1900-1993","1900-1930"],"unitdate_inclusive_ssm":["circa 1900-1993"],"unitdate_bulk_ssim":["1900-1930"],"normalized_date_ssm":["1900/1993, bulk 1900/1930"],"normalized_title_ssm":["Ephemera Collection, 1900/1993, bulk 1900/1930"],"text":["Ephemera Collection, 1900/1993, bulk 1900/1930","A\u0026M 2116","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5974","Parkersburg (W. Va.)","Philippi.","Ritchie County (W. Va.)","Churches  -- Philippi United Brethren","Ephemera.","Oil and Gas Industry and Fields.","Photography","West Virginia Collection - Archives and Manuscripts.","West Virginia Collection - West Virginia Room.","West Virginia Collection - West Virginia University Library.","West Virginia - statehood proclamation.","No special access restriction applies.","Separated to the Printed Ephemera Colletion (PEC):\nA children's picture book entitled \"The Night Before Christmas or A Visit of St. Nicholas\"; copyright 1896 by McLaughlin Brothers.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Paper ephemera, including: illustrated letterhead titled \"Offices of J.W. Wiles\" featuring portrait of J.W. Wiles and photo of the \"Wiles Block\" building in Morgantown, WV; there is also letterhead for the \"Star Glass Company\" and \"Union Realty and Development Co.,\" both of Morgantown; illustrated envelopes for the \"Hotel Morgan\" of Morgantown, \"The Waldo\" of Clarksburg, and \"The Ruffner\" of Charleston. Signed calling card of J.W. Wiles. There is an extensive collection of greeting cards, including Valentines. There is also a printed invitation card for a luncheon with President and Mrs. Taft (1912).\n\nAddendum of 2019/06/17 includes four greeting cards from the Young family of Morgantown, including two large Valentine cards (including windmill and seesaw graphics; undated), one small Valentine card (undated), and one Christmas card (booklet, \"One Christmas Back in Grandfather's Time\"; 1952).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection","Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman.","English\n."],"collection_title_tesim":["Ephemera Collection, 1900/1993, bulk 1900/1930"],"collection_ssim":["Ephemera Collection, 1900/1993, bulk 1900/1930"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2116","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5974"],"unitid_tesim":["A\u0026M 2116","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5974"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Parkersburg (W. 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West Virginia Collection"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Churches  -- Philippi United Brethren","Ephemera.","Oil and Gas Industry and Fields.","Photography","West Virginia Collection - Archives and Manuscripts.","West Virginia Collection - West Virginia Room.","West Virginia Collection - West Virginia University Library.","West Virginia - statehood proclamation."],"access_subjects_ssm":["Churches  -- Philippi United Brethren","Ephemera.","Oil and Gas Industry and Fields.","Photography","West Virginia Collection - Archives and Manuscripts.","West Virginia Collection - West Virginia Room.","West Virginia Collection - West Virginia University Library.","West Virginia - statehood proclamation."],"has_online_content_ssim":["false"],"extent_ssm":["3.8 Linear Feet 3 ft. 9 1/2 in. (7 document cases, 5 in. each); (3 document cases, 2 1/2 in. each); (1 small flat storage box, 3 in.); (1 oversize folder)"],"extent_tesim":["3.8 Linear Feet 3 ft. 9 1/2 in. (7 document cases, 5 in. each); (3 document cases, 2 1/2 in. each); (1 small flat storage box, 3 in.); (1 oversize folder)"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ephemera Collection, A\u0026amp;M 2116, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ephemera Collection, A\u0026M 2116, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the Printed Ephemera Colletion (PEC):\nA children's picture book entitled \"The Night Before Christmas or A Visit of St. Nicholas\"; copyright 1896 by McLaughlin Brothers.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the Printed Ephemera Colletion (PEC):\nA children's picture book entitled \"The Night Before Christmas or A Visit of St. Nicholas\"; copyright 1896 by McLaughlin Brothers."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5aa9ac62d19cb0ab8b559261a13253ce\"\u003ePaper ephemera, including: illustrated letterhead titled \"Offices of J.W. Wiles\" featuring portrait of J.W. Wiles and photo of the \"Wiles Block\" building in Morgantown, WV; there is also letterhead for the \"Star Glass Company\" and \"Union Realty and Development Co.,\" both of Morgantown; illustrated envelopes for the \"Hotel Morgan\" of Morgantown, \"The Waldo\" of Clarksburg, and \"The Ruffner\" of Charleston. Signed calling card of J.W. Wiles. There is an extensive collection of greeting cards, including Valentines. There is also a printed invitation card for a luncheon with President and Mrs. Taft (1912).\n\nAddendum of 2019/06/17 includes four greeting cards from the Young family of Morgantown, including two large Valentine cards (including windmill and seesaw graphics; undated), one small Valentine card (undated), and one Christmas card (booklet, \"One Christmas Back in Grandfather's Time\"; 1952).\u003c/abstract\u003e\n    "],"abstract_tesim":["Paper ephemera, including: illustrated letterhead titled \"Offices of J.W. Wiles\" featuring portrait of J.W. Wiles and photo of the \"Wiles Block\" building in Morgantown, WV; there is also letterhead for the \"Star Glass Company\" and \"Union Realty and Development Co.,\" both of Morgantown; illustrated envelopes for the \"Hotel Morgan\" of Morgantown, \"The Waldo\" of Clarksburg, and \"The Ruffner\" of Charleston. Signed calling card of J.W. Wiles. There is an extensive collection of greeting cards, including Valentines. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection"],"names_coll_ssim":["Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection","Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman."],"persname_ssim":["Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman."],"names_ssim":["West Virginia and Regional History Center","Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection","Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:10:52.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5974","ead_ssi":"wvmturhc_repositories_2_resources_5974","_root_":"wvmturhc_repositories_2_resources_5974","_nest_parent_":"wvmturhc_repositories_2_resources_5974","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5974.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199011","title_ssm":["Ephemera Collection"],"title_tesim":["Ephemera Collection"],"unitdate_ssm":["circa 1900-1993","1900-1930"],"unitdate_inclusive_ssm":["circa 1900-1993"],"unitdate_bulk_ssim":["1900-1930"],"normalized_date_ssm":["1900/1993, bulk 1900/1930"],"normalized_title_ssm":["Ephemera Collection, 1900/1993, bulk 1900/1930"],"text":["Ephemera Collection, 1900/1993, bulk 1900/1930","A\u0026M 2116","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5974","Parkersburg (W. Va.)","Philippi.","Ritchie County (W. Va.)","Churches  -- Philippi United Brethren","Ephemera.","Oil and Gas Industry and Fields.","Photography","West Virginia Collection - Archives and Manuscripts.","West Virginia Collection - West Virginia Room.","West Virginia Collection - West Virginia University Library.","West Virginia - statehood proclamation.","No special access restriction applies.","Separated to the Printed Ephemera Colletion (PEC):\nA children's picture book entitled \"The Night Before Christmas or A Visit of St. Nicholas\"; copyright 1896 by McLaughlin Brothers.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Paper ephemera, including: illustrated letterhead titled \"Offices of J.W. Wiles\" featuring portrait of J.W. Wiles and photo of the \"Wiles Block\" building in Morgantown, WV; there is also letterhead for the \"Star Glass Company\" and \"Union Realty and Development Co.,\" both of Morgantown; illustrated envelopes for the \"Hotel Morgan\" of Morgantown, \"The Waldo\" of Clarksburg, and \"The Ruffner\" of Charleston. Signed calling card of J.W. Wiles. There is an extensive collection of greeting cards, including Valentines. There is also a printed invitation card for a luncheon with President and Mrs. Taft (1912).\n\nAddendum of 2019/06/17 includes four greeting cards from the Young family of Morgantown, including two large Valentine cards (including windmill and seesaw graphics; undated), one small Valentine card (undated), and one Christmas card (booklet, \"One Christmas Back in Grandfather's Time\"; 1952).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection","Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman.","English\n."],"collection_title_tesim":["Ephemera Collection, 1900/1993, bulk 1900/1930"],"collection_ssim":["Ephemera Collection, 1900/1993, bulk 1900/1930"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2116","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5974"],"unitid_tesim":["A\u0026M 2116","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5974"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Parkersburg (W. Va.)","Philippi.","Ritchie County (W. Va.)"],"geogname_ssim":["Parkersburg (W. Va.)","Philippi.","Ritchie County (W. Va.)"],"places_ssim":["Parkersburg (W. Va.)","Philippi.","Ritchie County (W. Va.)"],"creator_persname_ssim":["Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman."],"creator_corpname_ssim":["West Virginia and Regional History Center","Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection"],"creators_ssim":["Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman.","West Virginia and Regional History Center","Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Churches  -- Philippi United Brethren","Ephemera.","Oil and Gas Industry and Fields.","Photography","West Virginia Collection - Archives and Manuscripts.","West Virginia Collection - West Virginia Room.","West Virginia Collection - West Virginia University Library.","West Virginia - statehood proclamation."],"access_subjects_ssm":["Churches  -- Philippi United Brethren","Ephemera.","Oil and Gas Industry and Fields.","Photography","West Virginia Collection - Archives and Manuscripts.","West Virginia Collection - West Virginia Room.","West Virginia Collection - West Virginia University Library.","West Virginia - statehood proclamation."],"has_online_content_ssim":["false"],"extent_ssm":["3.8 Linear Feet 3 ft. 9 1/2 in. (7 document cases, 5 in. each); (3 document cases, 2 1/2 in. each); (1 small flat storage box, 3 in.); (1 oversize folder)"],"extent_tesim":["3.8 Linear Feet 3 ft. 9 1/2 in. (7 document cases, 5 in. each); (3 document cases, 2 1/2 in. each); (1 small flat storage box, 3 in.); (1 oversize folder)"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ephemera Collection, A\u0026amp;M 2116, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ephemera Collection, A\u0026M 2116, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the Printed Ephemera Colletion (PEC):\nA children's picture book entitled \"The Night Before Christmas or A Visit of St. Nicholas\"; copyright 1896 by McLaughlin Brothers.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the Printed Ephemera Colletion (PEC):\nA children's picture book entitled \"The Night Before Christmas or A Visit of St. Nicholas\"; copyright 1896 by McLaughlin Brothers."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. 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Wiles and photo of the \"Wiles Block\" building in Morgantown, WV; there is also letterhead for the \"Star Glass Company\" and \"Union Realty and Development Co.,\" both of Morgantown; illustrated envelopes for the \"Hotel Morgan\" of Morgantown, \"The Waldo\" of Clarksburg, and \"The Ruffner\" of Charleston. Signed calling card of J.W. Wiles. There is an extensive collection of greeting cards, including Valentines. There is also a printed invitation card for a luncheon with President and Mrs. Taft (1912).\n\nAddendum of 2019/06/17 includes four greeting cards from the Young family of Morgantown, including two large Valentine cards (including windmill and seesaw graphics; undated), one small Valentine card (undated), and one Christmas card (booklet, \"One Christmas Back in Grandfather's Time\"; 1952).\u003c/abstract\u003e\n    "],"abstract_tesim":["Paper ephemera, including: illustrated letterhead titled \"Offices of J.W. Wiles\" featuring portrait of J.W. Wiles and photo of the \"Wiles Block\" building in Morgantown, WV; there is also letterhead for the \"Star Glass Company\" and \"Union Realty and Development Co.,\" both of Morgantown; illustrated envelopes for the \"Hotel Morgan\" of Morgantown, \"The Waldo\" of Clarksburg, and \"The Ruffner\" of Charleston. Signed calling card of J.W. Wiles. There is an extensive collection of greeting cards, including Valentines. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection"],"names_coll_ssim":["Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection","Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman."],"persname_ssim":["Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman."],"names_ssim":["West Virginia and Regional History Center","Carr Oil Company","Cornwallis, Ritchie Company","Fairmont Field Club","Goose Hunters, Inc.","Watson Drilling \u0026 Development Company","West Virginia University. Library. West Virginia Collection","Burdette, George.","Ganer, William M.","Lincoln, Abraham, 1809-1865","Upton, Marceline Louise.","Upton, Okey.","Warner, Freeman."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:10:52.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5974"}},{"id":"wvmturhc_repositories_2_resources_1429","type":"collection","attributes":{"title":"John Burns Murphy, Compiler, Genealogy of Murphy and Related Families, 1890/1988","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1429#creator","type":"document_value","attributes":{"value":"Murphy, John Burns.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1429#abstract_or_scope","type":"document_value","attributes":{"value":"Three volumes of genealogical compilations of family group sheet forms of the Murphy family and allied families by John Burns Murphy (b. July 5, 1914-d. November 24, 1992). There are three separate name indexes, one for each volume, and 12 captioned photos of the William and Hester Murphy family of Moatsville, Barbour Co., WV, 1770-1988, 1 1/2 ft. 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Materials cover the years 1770-1988.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1429#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1429","ead_ssi":"wvmturhc_repositories_2_resources_1429","_root_":"wvmturhc_repositories_2_resources_1429","_nest_parent_":"wvmturhc_repositories_2_resources_1429","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1429.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195730","title_ssm":["John Burns Murphy, Compiler, Genealogy of Murphy and Related Families"],"title_tesim":["John Burns Murphy, Compiler, Genealogy of Murphy and Related Families"],"unitdate_ssm":["ca. 1890-1988"],"unitdate_inclusive_ssm":["ca. 1890-1988"],"normalized_date_ssm":["1890/1988"],"normalized_title_ssm":["John Burns Murphy, Compiler, Genealogy of Murphy and Related Families, 1890/1988"],"text":["John Burns Murphy, Compiler, Genealogy of Murphy and Related Families, 1890/1988","A\u0026M 3199","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1429","Barbour County (W. Va.)","Genealogy","Photography","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Three volumes of genealogical compilations of family group sheet forms of the Murphy family and allied families by John Burns Murphy (b. July 5, 1914-d. November 24, 1992). There are three separate name indexes, one for each volume, and 12 captioned photos of the William and Hester Murphy family of Moatsville, Barbour Co., WV, 1770-1988, 1 1/2 ft. Other families mentioned most often in the index are Allen, Amos, Anderson, Anon, Arnett, Ashcraft, Bailey, Baker, Ball, Barnes, Barr, Bartlett, Baughman, Bennett, Benson, Blake, Boggess, Bolyard, Booth, Boyles, Brady, Brown, Bryan, Campbell, Canfield, Carpenter, Coffman, Cole, Copenhaver, Corder, Cox, Crim, Crites, Cross, Cunningham, Davis, Davisson, Digman, Duckworth, Duncan, Dye, Edgell, Ellifritt, Elliot, Ellison, Ellyson, Eneix, Farence, Felton, Ferguson, Flowers, Forman, Fortney, Freeman, Friend, Gainer, Gall, Gatrell, Glasscock, Glover, Godwin, Griffin, Gum, Haddix, Hall, Haller, Hannah, Harbert, Hart, Harvey, Hathaway, Hawker, Hawkins, Heldreth, Hess, Hoffman, Holbert, Huey, Huffman, Hustead, Ice, Isner, Jackson, James, Jefferies, Jenkins, Johnson, Jones, Keller, Kelly, Kennedy, Kittle, Knotts, Laulis, Lawson, Leach, Linville, Long, Looman, Lyons, Markley, Marple, Marsh, Martin, Mason, Matthews, McDaniel, McGee, McIntire, McIntosh, McVicker, Minear, Mitchell, Moats, Moore, Mouser, Nay, Nestor, Nutter, Odle, Ogden, O'Neal, Phillips, Pigott, Poe, Poling, Price, Pritchard, Proudfoot, Rector, Reed, Rice, Richardson, Rittenhouse, Robbins, Robey, Robinson, Rogers, Rusk, Saffell, Sanders, Sandy, Sayre, Shaffer, Shanabarger, Sharp, Shaver, Shaw, Shinn, Shreve, Simons Sinsel, Stansberry, Stark, Stemple, Stewart, Stickel, Straight, Stump, Sturm, Swiger, Swisher, Switzer, Talbott, Talkington, Taylor, Tetrick, Tharp, Thompson, Tibbs, Van Scoy, Wadsworth, Wass, Watson, Weaver, Webb, White, Whiteman, Whitman, Williams, Williamson, Wilmoth, Wilson, Woodford, Wright, Wyer, Zinn. Materials cover the years 1770-1988.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Murphy family","Robinson family","Murphy, John Burns.","Murphy, William \u0026 Hester family.","English"],"collection_title_tesim":["John Burns Murphy, Compiler, Genealogy of Murphy and Related Families, 1890/1988"],"collection_ssim":["John Burns Murphy, Compiler, Genealogy of Murphy and Related Families, 1890/1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3199","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1429"],"unitid_tesim":["A\u0026M 3199","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1429"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Barbour County (W. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_74a79b0aa02d0980e72a9b864235337d\"\u003eThree volumes of genealogical compilations of family group sheet forms of the Murphy family and allied families by John Burns Murphy (b. July 5, 1914-d. November 24, 1992). There are three separate name indexes, one for each volume, and 12 captioned photos of the William and Hester Murphy family of Moatsville, Barbour Co., WV, 1770-1988, 1 1/2 ft. Other families mentioned most often in the index are Allen, Amos, Anderson, Anon, Arnett, Ashcraft, Bailey, Baker, Ball, Barnes, Barr, Bartlett, Baughman, Bennett, Benson, Blake, Boggess, Bolyard, Booth, Boyles, Brady, Brown, Bryan, Campbell, Canfield, Carpenter, Coffman, Cole, Copenhaver, Corder, Cox, Crim, Crites, Cross, Cunningham, Davis, Davisson, Digman, Duckworth, Duncan, Dye, Edgell, Ellifritt, Elliot, Ellison, Ellyson, Eneix, Farence, Felton, Ferguson, Flowers, Forman, Fortney, Freeman, Friend, Gainer, Gall, Gatrell, Glasscock, Glover, Godwin, Griffin, Gum, Haddix, Hall, Haller, Hannah, Harbert, Hart, Harvey, Hathaway, Hawker, Hawkins, Heldreth, Hess, Hoffman, Holbert, Huey, Huffman, Hustead, Ice, Isner, Jackson, James, Jefferies, Jenkins, Johnson, Jones, Keller, Kelly, Kennedy, Kittle, Knotts, Laulis, Lawson, Leach, Linville, Long, Looman, Lyons, Markley, Marple, Marsh, Martin, Mason, Matthews, McDaniel, McGee, McIntire, McIntosh, McVicker, Minear, Mitchell, Moats, Moore, Mouser, Nay, Nestor, Nutter, Odle, Ogden, O'Neal, Phillips, Pigott, Poe, Poling, Price, Pritchard, Proudfoot, Rector, Reed, Rice, Richardson, Rittenhouse, Robbins, Robey, Robinson, Rogers, Rusk, Saffell, Sanders, Sandy, Sayre, Shaffer, Shanabarger, Sharp, Shaver, Shaw, Shinn, Shreve, Simons Sinsel, Stansberry, Stark, Stemple, Stewart, Stickel, Straight, Stump, Sturm, Swiger, Swisher, Switzer, Talbott, Talkington, Taylor, Tetrick, Tharp, Thompson, Tibbs, Van Scoy, Wadsworth, Wass, Watson, Weaver, Webb, White, Whiteman, Whitman, Williams, Williamson, Wilmoth, Wilson, Woodford, Wright, Wyer, Zinn. Materials cover the years 1770-1988.\u003c/abstract\u003e\n    "],"abstract_tesim":["Three volumes of genealogical compilations of family group sheet forms of the Murphy family and allied families by John Burns Murphy (b. July 5, 1914-d. November 24, 1992). There are three separate name indexes, one for each volume, and 12 captioned photos of the William and Hester Murphy family of Moatsville, Barbour Co., WV, 1770-1988, 1 1/2 ft. Other families mentioned most often in the index are Allen, Amos, Anderson, Anon, Arnett, Ashcraft, Bailey, Baker, Ball, Barnes, Barr, Bartlett, Baughman, Bennett, Benson, Blake, Boggess, Bolyard, Booth, Boyles, Brady, Brown, Bryan, Campbell, Canfield, Carpenter, Coffman, Cole, Copenhaver, Corder, Cox, Crim, Crites, Cross, Cunningham, Davis, Davisson, Digman, Duckworth, Duncan, Dye, Edgell, Ellifritt, Elliot, Ellison, Ellyson, Eneix, Farence, Felton, Ferguson, Flowers, Forman, Fortney, Freeman, Friend, Gainer, Gall, Gatrell, Glasscock, Glover, Godwin, Griffin, Gum, Haddix, Hall, Haller, Hannah, Harbert, Hart, Harvey, Hathaway, Hawker, Hawkins, Heldreth, Hess, Hoffman, Holbert, Huey, Huffman, Hustead, Ice, Isner, Jackson, James, Jefferies, Jenkins, Johnson, Jones, Keller, Kelly, Kennedy, Kittle, Knotts, Laulis, Lawson, Leach, Linville, Long, Looman, Lyons, Markley, Marple, Marsh, Martin, Mason, Matthews, McDaniel, McGee, McIntire, McIntosh, McVicker, Minear, Mitchell, Moats, Moore, Mouser, Nay, Nestor, Nutter, Odle, Ogden, O'Neal, Phillips, Pigott, Poe, Poling, Price, Pritchard, Proudfoot, Rector, Reed, Rice, Richardson, Rittenhouse, Robbins, Robey, Robinson, Rogers, Rusk, Saffell, Sanders, Sandy, Sayre, Shaffer, Shanabarger, Sharp, Shaver, Shaw, Shinn, Shreve, Simons Sinsel, Stansberry, Stark, Stemple, Stewart, Stickel, Straight, Stump, Sturm, Swiger, Swisher, Switzer, Talbott, Talkington, Taylor, Tetrick, Tharp, Thompson, Tibbs, Van Scoy, Wadsworth, Wass, Watson, Weaver, Webb, White, Whiteman, Whitman, Williams, Williamson, Wilmoth, Wilson, Woodford, Wright, Wyer, Zinn. Materials cover the years 1770-1988."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1cb0a66c7840a26e03a70becec70b31a\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Va.)","Genealogy","Photography","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Three volumes of genealogical compilations of family group sheet forms of the Murphy family and allied families by John Burns Murphy (b. July 5, 1914-d. November 24, 1992). There are three separate name indexes, one for each volume, and 12 captioned photos of the William and Hester Murphy family of Moatsville, Barbour Co., WV, 1770-1988, 1 1/2 ft. Other families mentioned most often in the index are Allen, Amos, Anderson, Anon, Arnett, Ashcraft, Bailey, Baker, Ball, Barnes, Barr, Bartlett, Baughman, Bennett, Benson, Blake, Boggess, Bolyard, Booth, Boyles, Brady, Brown, Bryan, Campbell, Canfield, Carpenter, Coffman, Cole, Copenhaver, Corder, Cox, Crim, Crites, Cross, Cunningham, Davis, Davisson, Digman, Duckworth, Duncan, Dye, Edgell, Ellifritt, Elliot, Ellison, Ellyson, Eneix, Farence, Felton, Ferguson, Flowers, Forman, Fortney, Freeman, Friend, Gainer, Gall, Gatrell, Glasscock, Glover, Godwin, Griffin, Gum, Haddix, Hall, Haller, Hannah, Harbert, Hart, Harvey, Hathaway, Hawker, Hawkins, Heldreth, Hess, Hoffman, Holbert, Huey, Huffman, Hustead, Ice, Isner, Jackson, James, Jefferies, Jenkins, Johnson, Jones, Keller, Kelly, Kennedy, Kittle, Knotts, Laulis, Lawson, Leach, Linville, Long, Looman, Lyons, Markley, Marple, Marsh, Martin, Mason, Matthews, McDaniel, McGee, McIntire, McIntosh, McVicker, Minear, Mitchell, Moats, Moore, Mouser, Nay, Nestor, Nutter, Odle, Ogden, O'Neal, Phillips, Pigott, Poe, Poling, Price, Pritchard, Proudfoot, Rector, Reed, Rice, Richardson, Rittenhouse, Robbins, Robey, Robinson, Rogers, Rusk, Saffell, Sanders, Sandy, Sayre, Shaffer, Shanabarger, Sharp, Shaver, Shaw, Shinn, Shreve, Simons Sinsel, Stansberry, Stark, Stemple, Stewart, Stickel, Straight, Stump, Sturm, Swiger, Swisher, Switzer, Talbott, Talkington, Taylor, Tetrick, Tharp, Thompson, Tibbs, Van Scoy, Wadsworth, Wass, Watson, Weaver, Webb, White, Whiteman, Whitman, Williams, Williamson, Wilmoth, Wilson, Woodford, Wright, Wyer, Zinn. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_74a79b0aa02d0980e72a9b864235337d\"\u003eThree volumes of genealogical compilations of family group sheet forms of the Murphy family and allied families by John Burns Murphy (b. July 5, 1914-d. November 24, 1992). There are three separate name indexes, one for each volume, and 12 captioned photos of the William and Hester Murphy family of Moatsville, Barbour Co., WV, 1770-1988, 1 1/2 ft. Other families mentioned most often in the index are Allen, Amos, Anderson, Anon, Arnett, Ashcraft, Bailey, Baker, Ball, Barnes, Barr, Bartlett, Baughman, Bennett, Benson, Blake, Boggess, Bolyard, Booth, Boyles, Brady, Brown, Bryan, Campbell, Canfield, Carpenter, Coffman, Cole, Copenhaver, Corder, Cox, Crim, Crites, Cross, Cunningham, Davis, Davisson, Digman, Duckworth, Duncan, Dye, Edgell, Ellifritt, Elliot, Ellison, Ellyson, Eneix, Farence, Felton, Ferguson, Flowers, Forman, Fortney, Freeman, Friend, Gainer, Gall, Gatrell, Glasscock, Glover, Godwin, Griffin, Gum, Haddix, Hall, Haller, Hannah, Harbert, Hart, Harvey, Hathaway, Hawker, Hawkins, Heldreth, Hess, Hoffman, Holbert, Huey, Huffman, Hustead, Ice, Isner, Jackson, James, Jefferies, Jenkins, Johnson, Jones, Keller, Kelly, Kennedy, Kittle, Knotts, Laulis, Lawson, Leach, Linville, Long, Looman, Lyons, Markley, Marple, Marsh, Martin, Mason, Matthews, McDaniel, McGee, McIntire, McIntosh, McVicker, Minear, Mitchell, Moats, Moore, Mouser, Nay, Nestor, Nutter, Odle, Ogden, O'Neal, Phillips, Pigott, Poe, Poling, Price, Pritchard, Proudfoot, Rector, Reed, Rice, Richardson, Rittenhouse, Robbins, Robey, Robinson, Rogers, Rusk, Saffell, Sanders, Sandy, Sayre, Shaffer, Shanabarger, Sharp, Shaver, Shaw, Shinn, Shreve, Simons Sinsel, Stansberry, Stark, Stemple, Stewart, Stickel, Straight, Stump, Sturm, Swiger, Swisher, Switzer, Talbott, Talkington, Taylor, Tetrick, Tharp, Thompson, Tibbs, Van Scoy, Wadsworth, Wass, Watson, Weaver, Webb, White, Whiteman, Whitman, Williams, Williamson, Wilmoth, Wilson, Woodford, Wright, Wyer, Zinn. Materials cover the years 1770-1988.\u003c/abstract\u003e\n    "],"abstract_tesim":["Three volumes of genealogical compilations of family group sheet forms of the Murphy family and allied families by John Burns Murphy (b. July 5, 1914-d. November 24, 1992). There are three separate name indexes, one for each volume, and 12 captioned photos of the William and Hester Murphy family of Moatsville, Barbour Co., WV, 1770-1988, 1 1/2 ft. Other families mentioned most often in the index are Allen, Amos, Anderson, Anon, Arnett, Ashcraft, Bailey, Baker, Ball, Barnes, Barr, Bartlett, Baughman, Bennett, Benson, Blake, Boggess, Bolyard, Booth, Boyles, Brady, Brown, Bryan, Campbell, Canfield, Carpenter, Coffman, Cole, Copenhaver, Corder, Cox, Crim, Crites, Cross, Cunningham, Davis, Davisson, Digman, Duckworth, Duncan, Dye, Edgell, Ellifritt, Elliot, Ellison, Ellyson, Eneix, Farence, Felton, Ferguson, Flowers, Forman, Fortney, Freeman, Friend, Gainer, Gall, Gatrell, Glasscock, Glover, Godwin, Griffin, Gum, Haddix, Hall, Haller, Hannah, Harbert, Hart, Harvey, Hathaway, Hawker, Hawkins, Heldreth, Hess, Hoffman, Holbert, Huey, Huffman, Hustead, Ice, Isner, Jackson, James, Jefferies, Jenkins, Johnson, Jones, Keller, Kelly, Kennedy, Kittle, Knotts, Laulis, Lawson, Leach, Linville, Long, Looman, Lyons, Markley, Marple, Marsh, Martin, Mason, Matthews, McDaniel, McGee, McIntire, McIntosh, McVicker, Minear, Mitchell, Moats, Moore, Mouser, Nay, Nestor, Nutter, Odle, Ogden, O'Neal, Phillips, Pigott, Poe, Poling, Price, Pritchard, Proudfoot, Rector, Reed, Rice, Richardson, Rittenhouse, Robbins, Robey, Robinson, Rogers, Rusk, Saffell, Sanders, Sandy, Sayre, Shaffer, Shanabarger, Sharp, Shaver, Shaw, Shinn, Shreve, Simons Sinsel, Stansberry, Stark, Stemple, Stewart, Stickel, Straight, Stump, Sturm, Swiger, Swisher, Switzer, Talbott, Talkington, Taylor, Tetrick, Tharp, Thompson, Tibbs, Van Scoy, Wadsworth, Wass, Watson, Weaver, Webb, White, Whiteman, Whitman, Williams, Williamson, Wilmoth, Wilson, Woodford, Wright, Wyer, Zinn. Materials cover the years 1770-1988."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1cb0a66c7840a26e03a70becec70b31a\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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