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(Colin Luther), 1937-2021","Shepherd, Lemuel C., Jr. (Lemuel Cornick), 1896-1990","Brooke, John M. (John Mercer), 1826-1906","Byrd, Richard E. (Richard Evelyn), 1888-1957","Clark, Francis B. (Francis Barnard), 1850-1896","Lee, Robert E. (Robert Edward), 1807-1870","Patton, George S. (George Smith), 1885-1945","Rockenbach, Samuel D. (Samuel Dickerson), 1869-1952","Saunders, James D., 1824-1851","Shipp, Scott, 1839-1917","Sigel, Franz, 1824-1902","Smith, Francis H. (Francis Henney), 1812-1890","Strange, John B. (John Bowie), 1823-1862","Watson, Edward Minor, 1851-1887","Wise, Henry A. (Henry Alexander), 1906-1982","McKenna, John, 1914-2007","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Kissinger, Henry A. (Henry Alfred), 1923-2023"],"language_ssim":["English"],"total_component_count_is":1160,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:37:30.860Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_841_c02_c04_c15"}},{"id":"vifgm_repositories_2_resources_577","type":"collection","attributes":{"title":"College of Visual and Performing Arts records, 1930/2015","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#creator","type":"document_value","attributes":{"value":"George Mason University. College of Visual \u0026 Performing Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#abstract_or_scope","type":"document_value","attributes":{"value":"The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"normalized_date_ssm":["1930/2015"],"normalized_title_ssm":["College of Visual and Performing Arts records, 1930/2015"],"text":["College of Visual and Performing Arts records, 1930/2015","R0011","/repositories/2/resources/577","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively.","The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\n      Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\n      Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\n      Series 4: \"In The Wings\", 1990s-1999 (Box 13)\n      Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\n      Series 6: Department of Music, 1968-2001 (Boxes 16-27)\n      Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\n      Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\n      Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\n      Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\n      Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018,","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the , the , and the","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.","Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\".","Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.","Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.","It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.","This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"collection_title_tesim":["College of Visual and Performing Arts records, 1930/2015"],"collection_ssim":["College of Visual and Performing Arts records, 1930/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively.","The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\n      Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\n      Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\n      Series 4: \"In The Wings\", 1990s-1999 (Box 13)\n      Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\n      Series 6: Department of Music, 1968-2001 (Boxes 16-27)\n      Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\n      Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\n      Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\n      Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\n      Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018,"],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the , the , and the"],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.","Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\".","Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.","Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.","It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.","This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e\n    "],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-11T00:01:03.594Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"normalized_date_ssm":["1930/2015"],"normalized_title_ssm":["College of Visual and Performing Arts records, 1930/2015"],"text":["College of Visual and Performing Arts records, 1930/2015","R0011","/repositories/2/resources/577","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively.","The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\n      Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\n      Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\n      Series 4: \"In The Wings\", 1990s-1999 (Box 13)\n      Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\n      Series 6: Department of Music, 1968-2001 (Boxes 16-27)\n      Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\n      Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\n      Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\n      Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\n      Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018,","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the , the , and the","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.","Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\".","Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.","Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.","It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.","This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"collection_title_tesim":["College of Visual and Performing Arts records, 1930/2015"],"collection_ssim":["College of Visual and Performing Arts records, 1930/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively.","The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\n      Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\n      Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\n      Series 4: \"In The Wings\", 1990s-1999 (Box 13)\n      Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\n      Series 6: Department of Music, 1968-2001 (Boxes 16-27)\n      Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\n      Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\n      Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\n      Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\n      Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018,"],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the , the , and the"],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.","Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\".","Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.","Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.","It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.","This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e\n    "],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-11T00:01:03.594Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577"}},{"id":"viw_repositories_2_resources_8541","type":"collection","attributes":{"title":"Colonial Echo records, 1931/2004","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8541#creator","type":"document_value","attributes":{"value":"Colonial Echo","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8541#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection includes photographs and artifacts created for use in the College of William and Mary yearbook, the Colonial Echo. Note that many yearbook photographs may be part of the University Archives Photograph Collection due to the various copies made over time and the irregular accessioning of these photographs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8541#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8541","ead_ssi":"viw_repositories_2_resources_8541","_root_":"viw_repositories_2_resources_8541","_nest_parent_":"viw_repositories_2_resources_8541","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8541.xml","title_filing_ssi":"Colonial Echo records","title_ssm":["Colonial Echo records"],"title_tesim":["Colonial Echo records"],"unitdate_ssm":["1931-2004"],"unitdate_inclusive_ssm":["1931-2004"],"normalized_date_ssm":["1931/2004"],"normalized_title_ssm":["Colonial Echo records, 1931/2004"],"text":["Colonial Echo records, 1931/2004","UA 8.001","/repositories/2/resources/8541","Athletics","College of William and Mary--Commencement","College of William and Mary--History--20th century","College of William and Mary--Students","Fraternities--Social","Sororities--Social","Student Life--1970's","Student Life--1980's","Negatives","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Colonial Echo, the William \u0026 Mary student yearbook, began publication in 1899. 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Many of her articles had a historical connection. The addition mostly consists of material on the 1957 350th Anniversary of Jamestown. Includes photograph and 1957 Press Card of Courtney Sharpe Ward."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Richmond (Va.) News Leader"],"names_coll_ssim":["Richmond (Va.) News Leader"],"persname_ssim":["Ward, Courtney Sharpe"],"names_ssim":["Special Collections Research Center","Richmond (Va.) 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Acc. 2007.25, 2008.106","/repositories/2/resources/8542","Virginia--History--20th century","Williamsburg (Va.)--History--20th century","College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Richmond (Va.)--Newspapers","Clippings (information artifacts)","Correspondence","Photographs","Press releases","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Series one is original 2007.25 accession and series two is 2008.106 addition.  Original order of folders maintained.","Courtney Sharpe Ward was a writer for the Richmond News-Leader in Richmond, Virginia.","An addition to the collection (Mss. Acc. 2008.106) was incorporated into the collection as Box 6 in 2009.","Correspondence, notes, papers, newspaper clippings, drafts and published articles belonging to Courtney Sharpe Ward, a writer for the Richmond News Leader in Richmond, Virginia. Many of her articles had a historical connection. The addition mostly consists of material on the 1957 350th Anniversary of Jamestown. Includes photograph and 1957 Press Card of Courtney Sharpe Ward.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Richmond (Va.) News Leader","Ward, Courtney Sharpe","English"],"collection_title_tesim":["Courtney Sharpe Ward Papers, 1950/1969"],"collection_ssim":["Courtney Sharpe Ward Papers, 1950/1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2007.25, 2008.106","/repositories/2/resources/8542"],"unitid_tesim":["Mss. Acc. 2007.25, 2008.106","/repositories/2/resources/8542"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--20th century","Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Virginia--History--20th century","Williamsburg (Va.)--History--20th century"],"places_ssim":["Virginia--History--20th century","Williamsburg (Va.)--History--20th century"],"creator_ssm":["Ward, Courtney Sharpe"],"creator_ssim":["Ward, Courtney Sharpe"],"creator_persname_ssim":["Ward, Courtney Sharpe"],"creator_corpname_ssim":["Special Collections Research Center","Richmond (Va.) News Leader"],"creators_ssim":["Ward, Courtney Sharpe","Special Collections Research Center","Richmond (Va.) News Leader"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts."],"access_subjects_ssim":["College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Richmond (Va.)--Newspapers","Clippings (information artifacts)","Correspondence","Photographs","Press releases"],"access_subjects_ssm":["College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Richmond (Va.)--Newspapers","Clippings (information artifacts)","Correspondence","Photographs","Press releases"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Clippings (information artifacts)","Correspondence","Photographs","Press releases"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eSeries one is original 2007.25 accession and series two is 2008.106 addition.  Original order of folders maintained.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Series one is original 2007.25 accession and series two is 2008.106 addition.  Original order of folders maintained."],"bioghist_html_tesm":["\u003cp\u003eCourtney Sharpe Ward was a writer for the Richmond News-Leader in Richmond, Virginia.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Courtney Sharpe Ward was a writer for the Richmond News-Leader in Richmond, Virginia."],"prefercite_html_tesm":["\u003cp\u003eCourtney Sharpe Ward Papers, Special Collections Research Center, Swem Library, College of William and Mary\u003c/p\u003e  "],"prefercite_tesim":["Courtney Sharpe Ward Papers, Special Collections Research Center, Swem Library, College of William and Mary"],"processinfo_html_tesm":["\u003cp\u003eAn addition to the collection (Mss. Acc. 2008.106) was incorporated into the collection as Box 6 in 2009.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["An addition to the collection (Mss. Acc. 2008.106) was incorporated into the collection as Box 6 in 2009."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, notes, papers, newspaper clippings, drafts and published articles belonging to Courtney Sharpe Ward, a writer for the Richmond News Leader in Richmond, Virginia. Many of her articles had a historical connection. The addition mostly consists of material on the 1957 350th Anniversary of Jamestown. Includes photograph and 1957 Press Card of Courtney Sharpe Ward.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, notes, papers, newspaper clippings, drafts and published articles belonging to Courtney Sharpe Ward, a writer for the Richmond News Leader in Richmond, Virginia. Many of her articles had a historical connection. The addition mostly consists of material on the 1957 350th Anniversary of Jamestown. Includes photograph and 1957 Press Card of Courtney Sharpe Ward."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Richmond (Va.) News Leader"],"names_coll_ssim":["Richmond (Va.) News Leader"],"persname_ssim":["Ward, Courtney Sharpe"],"names_ssim":["Special Collections Research Center","Richmond (Va.) News Leader","Ward, Courtney Sharpe"],"language_ssim":["English"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:09.560Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8542"}},{"id":"vifgm_repositories_2_resources_520","type":"collection","attributes":{"title":"C-SPAN records, 1809/2012, bulk 1978/2012","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520#creator","type":"document_value","attributes":{"value":"C-SPAN Corporation","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520#abstract_or_scope","type":"document_value","attributes":{"value":"The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_inclusive_ssm":["1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"normalized_date_ssm":["1809/2012, bulk 1978/2012"],"normalized_title_ssm":["C-SPAN records, 1809/2012, bulk 1978/2012"],"text":["C-SPAN records, 1809/2012, bulk 1978/2012","C0270","/repositories/2/resources/520","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed","Series\n      Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n      Series 2: Routers, 1984-1996 (Boxes 51-60)\n      Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n      Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n      Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n      Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n      Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n      Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n      Series 9: Photographs, 1978-2008 (Boxes 403-444)\n      Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n      Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n      Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the Booknotes television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the . Purdue University houses the C-SPAN Video Library. More information is available on the .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"collection_title_tesim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"collection_ssim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed"],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series\n      Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n      Series 2: Routers, 1984-1996 (Boxes 51-60)\n      Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n      Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n      Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n      Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n      Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n      Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n      Series 9: Photographs, 1978-2008 (Boxes 403-444)\n      Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n      Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n      Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the Booknotes television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the . Purdue University houses the C-SPAN Video Library. More information is available on the ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e\n    "],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:54.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_inclusive_ssm":["1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"normalized_date_ssm":["1809/2012, bulk 1978/2012"],"normalized_title_ssm":["C-SPAN records, 1809/2012, bulk 1978/2012"],"text":["C-SPAN records, 1809/2012, bulk 1978/2012","C0270","/repositories/2/resources/520","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed","Series\n      Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n      Series 2: Routers, 1984-1996 (Boxes 51-60)\n      Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n      Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n      Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n      Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n      Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n      Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n      Series 9: Photographs, 1978-2008 (Boxes 403-444)\n      Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n      Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n      Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the Booknotes television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the . Purdue University houses the C-SPAN Video Library. More information is available on the .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"collection_title_tesim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"collection_ssim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed"],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series\n      Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n      Series 2: Routers, 1984-1996 (Boxes 51-60)\n      Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n      Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n      Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n      Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n      Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n      Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n      Series 9: Photographs, 1978-2008 (Boxes 403-444)\n      Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n      Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n      Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the Booknotes television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the . Purdue University houses the C-SPAN Video Library. More information is available on the ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e\n    "],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:54.802Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520"}},{"id":"viw_repositories_2_resources_719","type":"collection","attributes":{"title":"Cynthia Barlowe Collection, 1902/2001","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_719#creator","type":"document_value","attributes":{"value":"Barlowe, Cynthia Beverly Tucker Kimbrough","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_719#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection of photographs, newspaper clippings, publications, postcards and other items relating to Williamsburg, Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_719#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_719","ead_ssi":"viw_repositories_2_resources_719","_root_":"viw_repositories_2_resources_719","_nest_parent_":"viw_repositories_2_resources_719","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_719.xml","title_filing_ssi":"Barlowe, Cynthia, Collection","title_ssm":["Cynthia Barlowe Collection"],"title_tesim":["Cynthia Barlowe Collection"],"unitdate_ssm":["1902-2001"],"unitdate_inclusive_ssm":["1902-2001"],"normalized_date_ssm":["1902/2001"],"normalized_title_ssm":["Cynthia Barlowe Collection, 1902/2001"],"text":["Cynthia Barlowe Collection, 1902/2001","01/Mss. Acc. 2001.19 and 2002.63","/repositories/2/resources/719","Williamsburg (Va.)--Buildings, structures, etc","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Charter Day","Obituaries","Photocopies","Photographs","Poems","Postcards","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Cynthia Barlowe was the daughter of Dr. Janet Kimbrough and a descendant of the Tucker Family of Williamsburg, Virginia. She lived in Mathews County, Va. and was a member of the Class of 1955 at the College of William and Mary. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Mss. 40 T79 Tucker-Coleman Papers","Collection of photographs, newspaper clippings, publications, postcards and other items relating to Williamsburg, Virginia.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)","Morecock family","Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Kimbrough, Janet C","Lee, Edward Myers, Jr","English"],"collection_title_tesim":["Cynthia Barlowe Collection, 1902/2001"],"collection_ssim":["Cynthia Barlowe Collection, 1902/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. Acc. 2001.19 and 2002.63","/repositories/2/resources/719"],"unitid_tesim":["01/Mss. Acc. 2001.19 and 2002.63","/repositories/2/resources/719"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--Buildings, structures, etc","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs"],"geogname_ssim":["Williamsburg (Va.)--Buildings, structures, etc","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs"],"places_ssim":["Williamsburg (Va.)--Buildings, structures, etc","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs"],"creator_ssm":["Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_ssim":["Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_persname_ssim":["Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Kimbrough, Janet C","Lee, Edward Myers, Jr"],"creator_corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)"],"creator_famname_ssim":["Morecock family"],"creators_ssim":["Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Kimbrough, Janet C","Lee, Edward Myers, Jr","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)","Morecock family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift via the Williamsburg Historic Records Association."],"access_subjects_ssim":["Charter Day","Obituaries","Photocopies","Photographs","Poems","Postcards"],"access_subjects_ssm":["Charter Day","Obituaries","Photocopies","Photographs","Poems","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["0.30 Linear Feet"],"extent_tesim":["0.30 Linear Feet"],"genreform_ssim":["Obituaries","Photocopies","Photographs","Poems","Postcards"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eCynthia Barlowe was the daughter of Dr. Janet Kimbrough and a descendant of the Tucker Family of Williamsburg, Virginia. She lived in Mathews County, Va. and was a member of the Class of 1955 at the College of William and Mary. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Cynthia_Beverly_Tucker_Kimbrough_Barlowe\" title=\"Cynthia Beverly Tucker Kimbrough Barlowe\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Cynthia Barlowe was the daughter of Dr. Janet Kimbrough and a descendant of the Tucker Family of Williamsburg, Virginia. She lived in Mathews County, Va. and was a member of the Class of 1955 at the College of William and Mary. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eCynthia Barlowe Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Cynthia Barlowe Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eMss. 40 T79 Tucker-Coleman Papers\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. 40 T79 Tucker-Coleman Papers"],"scopecontent_html_tesm":["\u003cp\u003eCollection of photographs, newspaper clippings, publications, postcards and other items relating to Williamsburg, Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection of photographs, newspaper clippings, publications, postcards and other items relating to Williamsburg, Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)"],"names_coll_ssim":["Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)","Morecock family","Kimbrough, Janet C","Lee, Edward Myers, Jr"],"famname_ssim":["Morecock family"],"persname_ssim":["Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Kimbrough, Janet C","Lee, Edward Myers, Jr"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)","Morecock family","Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Kimbrough, Janet C","Lee, Edward Myers, Jr"],"language_ssim":["English"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:03:03.088Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_719","ead_ssi":"viw_repositories_2_resources_719","_root_":"viw_repositories_2_resources_719","_nest_parent_":"viw_repositories_2_resources_719","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_719.xml","title_filing_ssi":"Barlowe, Cynthia, Collection","title_ssm":["Cynthia Barlowe Collection"],"title_tesim":["Cynthia Barlowe Collection"],"unitdate_ssm":["1902-2001"],"unitdate_inclusive_ssm":["1902-2001"],"normalized_date_ssm":["1902/2001"],"normalized_title_ssm":["Cynthia Barlowe Collection, 1902/2001"],"text":["Cynthia Barlowe Collection, 1902/2001","01/Mss. Acc. 2001.19 and 2002.63","/repositories/2/resources/719","Williamsburg (Va.)--Buildings, structures, etc","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Charter Day","Obituaries","Photocopies","Photographs","Poems","Postcards","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Cynthia Barlowe was the daughter of Dr. Janet Kimbrough and a descendant of the Tucker Family of Williamsburg, Virginia. She lived in Mathews County, Va. and was a member of the Class of 1955 at the College of William and Mary. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eCynthia Barlowe was the daughter of Dr. Janet Kimbrough and a descendant of the Tucker Family of Williamsburg, Virginia. She lived in Mathews County, Va. and was a member of the Class of 1955 at the College of William and Mary. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Cynthia_Beverly_Tucker_Kimbrough_Barlowe\" title=\"Cynthia Beverly Tucker Kimbrough Barlowe\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Cynthia Barlowe was the daughter of Dr. Janet Kimbrough and a descendant of the Tucker Family of Williamsburg, Virginia. She lived in Mathews County, Va. and was a member of the Class of 1955 at the College of William and Mary. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eCynthia Barlowe Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Cynthia Barlowe Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eMss. 40 T79 Tucker-Coleman Papers\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. 40 T79 Tucker-Coleman Papers"],"scopecontent_html_tesm":["\u003cp\u003eCollection of photographs, newspaper clippings, publications, postcards and other items relating to Williamsburg, Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection of photographs, newspaper clippings, publications, postcards and other items relating to Williamsburg, Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)"],"names_coll_ssim":["Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)","Morecock family","Kimbrough, Janet C","Lee, Edward Myers, Jr"],"famname_ssim":["Morecock family"],"persname_ssim":["Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Kimbrough, Janet C","Lee, Edward Myers, Jr"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Colonial Williamsburg Foundation","Daughters of the American Revolution","International Order of the King's Daughters and Sons","King's Daughters (Williamsburg, Va.)","Morecock family","Barlowe, Cynthia Beverly Tucker Kimbrough","Goodwin, William Archer Rutherfoord, 1869-1939","Page, Delia Bryan","Smith, Estelle","Kimbrough, Janet C","Lee, Edward Myers, Jr"],"language_ssim":["English"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:03:03.088Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_719"}},{"id":"vihart_repositories_4_resources_636","type":"collection","attributes":{"title":"Daisy Bacon Papers, 1857/1986","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_636#creator","type":"document_value","attributes":{"value":"Bacon, Daisy, 1898-1986","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_636#abstract_or_scope","type":"document_value","attributes":{"value":"The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cem\u003eLove Story Magazine\u003c/em\u003e. The papers of select immediate and extended family members are also included in this collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_636#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"normalized_date_ssm":["1857/1986"],"normalized_title_ssm":["Daisy Bacon Papers, 1857/1986"],"text":["Daisy Bacon Papers, 1857/1986","SC 0304","/repositories/4/resources/636","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\n      Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of Love Story covers are grouped together which only slightly disrupts the chronological arrangement.\n      Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\n      Personal Papers and Correspondence, 1857-1975, is arranged chronologically.\n      Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers, Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular Love Story Magazine from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the Love Story advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, Love Story's weekly circulation reportedly reached 600,000. In addition to Love Story and other publications, Daisy edited Real Love, Ainslee's Smart Love Stories, The Shadow, Pocket Love, Detective Story Magazine, Romantic Range, and Doc Savage. The publication of Love Story ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except Astounding Stories.","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published Love Story Writer, an instruction manual on how to write romance stories. After regaining the copyright to Love Story Writer in 1963, Bacon established Gemini Books and republished the book as a paperback under the title Love Story Editor. Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart).","Plastic covers were removed from three scrapbooks containing Love Story covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in Queen of the Pulps. Most of these photographs were interfiled with other groupings.","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"collection_title_tesim":["Daisy Bacon Papers, 1857/1986"],"collection_ssim":["Daisy Bacon Papers, 1857/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","James Madison University Libraries Special Collections","Belmont Stakes"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine. Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\n      Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of Love Story covers are grouped together which only slightly disrupts the chronological arrangement.\n      Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\n      Personal Papers and Correspondence, 1857-1975, is arranged chronologically.\n      Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers, Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular Love Story Magazine from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the Love Story advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, Love Story's weekly circulation reportedly reached 600,000. In addition to Love Story and other publications, Daisy edited Real Love, Ainslee's Smart Love Stories, The Shadow, Pocket Love, Detective Story Magazine, Romantic Range, and Doc Savage. The publication of Love Story ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except Astounding Stories.","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published Love Story Writer, an instruction manual on how to write romance stories. After regaining the copyright to Love Story Writer in 1963, Bacon established Gemini Books and republished the book as a paperback under the title Love Story Editor. Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart).","Plastic covers were removed from three scrapbooks containing Love Story covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in Queen of the Pulps. Most of these photographs were interfiled with other groupings.","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select immediate and extended family members are also included in this collection."],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"normalized_date_ssm":["1857/1986"],"normalized_title_ssm":["Daisy Bacon Papers, 1857/1986"],"text":["Daisy Bacon Papers, 1857/1986","SC 0304","/repositories/4/resources/636","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\n      Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of Love Story covers are grouped together which only slightly disrupts the chronological arrangement.\n      Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\n      Personal Papers and Correspondence, 1857-1975, is arranged chronologically.\n      Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers, Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular Love Story Magazine from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the Love Story advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, Love Story's weekly circulation reportedly reached 600,000. In addition to Love Story and other publications, Daisy edited Real Love, Ainslee's Smart Love Stories, The Shadow, Pocket Love, Detective Story Magazine, Romantic Range, and Doc Savage. The publication of Love Story ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except Astounding Stories.","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published Love Story Writer, an instruction manual on how to write romance stories. After regaining the copyright to Love Story Writer in 1963, Bacon established Gemini Books and republished the book as a paperback under the title Love Story Editor. Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart).","Plastic covers were removed from three scrapbooks containing Love Story covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in Queen of the Pulps. Most of these photographs were interfiled with other groupings.","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"collection_title_tesim":["Daisy Bacon Papers, 1857/1986"],"collection_ssim":["Daisy Bacon Papers, 1857/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","James Madison University Libraries Special Collections","Belmont Stakes"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine. Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\n      Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of Love Story covers are grouped together which only slightly disrupts the chronological arrangement.\n      Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\n      Personal Papers and Correspondence, 1857-1975, is arranged chronologically.\n      Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers, Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular Love Story Magazine from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the Love Story advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, Love Story's weekly circulation reportedly reached 600,000. In addition to Love Story and other publications, Daisy edited Real Love, Ainslee's Smart Love Stories, The Shadow, Pocket Love, Detective Story Magazine, Romantic Range, and Doc Savage. The publication of Love Story ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except Astounding Stories.","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published Love Story Writer, an instruction manual on how to write romance stories. After regaining the copyright to Love Story Writer in 1963, Bacon established Gemini Books and republished the book as a paperback under the title Love Story Editor. Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart).","Plastic covers were removed from three scrapbooks containing Love Story covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in Queen of the Pulps. Most of these photographs were interfiled with other groupings.","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select immediate and extended family members are also included in this collection."],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_636"}},{"id":"viblbv_repositories_2_resources_1246","type":"collection","attributes":{"title":"Daniel E. Wright Papers, 1903/1973","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1246#creator","type":"document_value","attributes":{"value":"Wright, Daniel E.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1246#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, the United Nations Public Health Service, and the United Nations Relief and Rehabilitation Administration. Also includes correspondence to and from Daniel E. Wright while a colonel on the staff of Gen. Joseph W. Stilwell and at the U.S. Middle Eastern Command Headquarters in Cairo, as well as photographs from his travels.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1246#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1246","ead_ssi":"viblbv_repositories_2_resources_1246","_root_":"viblbv_repositories_2_resources_1246","_nest_parent_":"viblbv_repositories_2_resources_1246","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1246.xml","title_filing_ssi":"Wright, Daniel E., Papers","title_ssm":["Daniel E. Wright Papers"],"title_tesim":["Daniel E. Wright Papers"],"unitdate_ssm":["1903-1973"],"unitdate_inclusive_ssm":["1903-1973"],"normalized_date_ssm":["1903/1973"],"normalized_title_ssm":["Daniel E. Wright Papers, 1903/1973"],"text":["Daniel E. Wright Papers, 1903/1973","Ms.1968.007","Diseases","Folk, historical, and patent medicine","Medicine","Science and Technology","Students and alumni","Photographs","The collection is open for research.","The collection is arranged alphabetically by subject matter.","Born in Winchester, Virginia, Daniel E. Wright recieved a B.S. in Civil Engineering from Virginia Polytechnic Institute in 1904. He went on to participate in the construction of the Panama Canal and in the public health activities which rid the Canal Zone of yellow fever and malaria. In 1921, Wright was awarded the Theodor Roosevelt Medal of Honor for this work in the Canal Zone. He then served as a consultant (1921-29) for the Columbian and Panamanian governments, joined the staff of the Rockefeller Foundation in 1929, and worked in Greece and Turkey on water supply and disease control. Wright also worked with the United Nations Public Health Service (UNPHS) in Burma during World War II, before joining the United Nations Relief and Rehabilitation Administration (UNRRA) from 1944 until 1949.","The guide to the Daniel E. Wright Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Daniel E. Wright Papers commenced in August 2006 and was completed in September 2006. Preliminary processing took place in 2001.","The collection consists of materials from 1903 to 1973 with the bulk from the 1940s and 1950s. This collection contains reports, speeches, magazine and newspaper articles, and correspondence concerning Daniel E. Wright's travels and sanitation work in the Panama Canal, Greece, Turkey, and the Middle East.","During this period Wright pioneered the use of DDT to control malaria, dysentery, and other endemic diseases afflicting the Greek population. Collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, and the UNRRA and the UNPHS. Also includes extensive correspondence to his family while a colonel on the staff of Gen. Joseph W. Stilwell and later of the U.S. Middle Eastern Command Headquarters in Cairo, and photographs (ca. 250) from his travels.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, the United Nations Public Health Service, and the United Nations Relief and Rehabilitation Administration. Also includes correspondence to and from Daniel E. Wright while a colonel on the staff of Gen. Joseph W. Stilwell and at the U.S. Middle Eastern Command Headquarters in Cairo, as well as photographs from his travels.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Wright, Daniel E.","The materials in the collection are in English."],"collection_title_tesim":["Daniel E. Wright Papers, 1903/1973"],"collection_ssim":["Daniel E. Wright Papers, 1903/1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1968.007"],"unitid_tesim":["Ms.1968.007"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wright, Daniel E."],"creator_ssim":["Wright, Daniel E."],"creator_persname_ssim":["Wright, Daniel E."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"creators_ssim":["Wright, Daniel E.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This collection was donated to the Special Collections prior to 1968 and in 1968, 1969, and 1970."],"access_subjects_ssim":["Diseases","Folk, historical, and patent medicine","Medicine","Science and Technology","Students and alumni","Photographs"],"access_subjects_ssm":["Diseases","Folk, historical, and patent medicine","Medicine","Science and Technology","Students and alumni","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Cubic Feet 3 boxes"],"extent_tesim":["2.5 Cubic Feet 3 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by subject matter.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically by subject matter."],"bioghist_html_tesm":["\u003cp\u003eBorn in Winchester, Virginia, Daniel E. Wright recieved a B.S. in Civil Engineering from Virginia Polytechnic Institute in 1904. He went on to participate in the construction of the Panama Canal and in the public health activities which rid the Canal Zone of yellow fever and malaria. In 1921, Wright was awarded the Theodor Roosevelt Medal of Honor for this work in the Canal Zone. He then served as a consultant (1921-29) for the Columbian and Panamanian governments, joined the staff of the Rockefeller Foundation in 1929, and worked in Greece and Turkey on water supply and disease control. Wright also worked with the United Nations Public Health Service (UNPHS) in Burma during World War II, before joining the United Nations Relief and Rehabilitation Administration (UNRRA) from 1944 until 1949.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Winchester, Virginia, Daniel E. Wright recieved a B.S. in Civil Engineering from Virginia Polytechnic Institute in 1904. He went on to participate in the construction of the Panama Canal and in the public health activities which rid the Canal Zone of yellow fever and malaria. In 1921, Wright was awarded the Theodor Roosevelt Medal of Honor for this work in the Canal Zone. He then served as a consultant (1921-29) for the Columbian and Panamanian governments, joined the staff of the Rockefeller Foundation in 1929, and worked in Greece and Turkey on water supply and disease control. Wright also worked with the United Nations Public Health Service (UNPHS) in Burma during World War II, before joining the United Nations Relief and Rehabilitation Administration (UNRRA) from 1944 until 1949."],"odd_html_tesm":["\u003cp\u003eThe guide to the Daniel E. Wright Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Daniel E. Wright Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Daniel E. Wright Papers, Ms1968-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Daniel E. Wright Papers, Ms1968-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Daniel E. Wright Papers commenced in August 2006 and was completed in September 2006. Preliminary processing took place in 2001.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Daniel E. Wright Papers commenced in August 2006 and was completed in September 2006. Preliminary processing took place in 2001."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of materials from 1903 to 1973 with the bulk from the 1940s and 1950s. This collection contains reports, speeches, magazine and newspaper articles, and correspondence concerning Daniel E. Wright's travels and sanitation work in the Panama Canal, Greece, Turkey, and the Middle East. \u003c/p\u003e","\u003cp\u003eDuring this period Wright pioneered the use of DDT to control malaria, dysentery, and other endemic diseases afflicting the Greek population. Collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, and the UNRRA and the UNPHS. Also includes extensive correspondence to his family while a colonel on the staff of Gen. Joseph W. Stilwell and later of the U.S. Middle Eastern Command Headquarters in Cairo, and photographs (ca. 250) from his travels.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of materials from 1903 to 1973 with the bulk from the 1940s and 1950s. This collection contains reports, speeches, magazine and newspaper articles, and correspondence concerning Daniel E. Wright's travels and sanitation work in the Panama Canal, Greece, Turkey, and the Middle East.","During this period Wright pioneered the use of DDT to control malaria, dysentery, and other endemic diseases afflicting the Greek population. Collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, and the UNRRA and the UNPHS. Also includes extensive correspondence to his family while a colonel on the staff of Gen. Joseph W. Stilwell and later of the U.S. Middle Eastern Command Headquarters in Cairo, and photographs (ca. 250) from his travels."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bb6e11d62b81a3f2843c6db2c4f3620e\" label=\"Abstract\"\u003eThis collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, the United Nations Public Health Service, and the United Nations Relief and Rehabilitation Administration. Also includes correspondence to and from Daniel E. Wright while a colonel on the staff of Gen. Joseph W. Stilwell and at the U.S. Middle Eastern Command Headquarters in Cairo, as well as photographs from his travels.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, the United Nations Public Health Service, and the United Nations Relief and Rehabilitation Administration. Also includes correspondence to and from Daniel E. Wright while a colonel on the staff of Gen. Joseph W. Stilwell and at the U.S. Middle Eastern Command Headquarters in Cairo, as well as photographs from his travels."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"persname_ssim":["Wright, Daniel E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Wright, Daniel E."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:13.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1246","ead_ssi":"viblbv_repositories_2_resources_1246","_root_":"viblbv_repositories_2_resources_1246","_nest_parent_":"viblbv_repositories_2_resources_1246","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1246.xml","title_filing_ssi":"Wright, Daniel E., Papers","title_ssm":["Daniel E. Wright Papers"],"title_tesim":["Daniel E. Wright Papers"],"unitdate_ssm":["1903-1973"],"unitdate_inclusive_ssm":["1903-1973"],"normalized_date_ssm":["1903/1973"],"normalized_title_ssm":["Daniel E. Wright Papers, 1903/1973"],"text":["Daniel E. Wright Papers, 1903/1973","Ms.1968.007","Diseases","Folk, historical, and patent medicine","Medicine","Science and Technology","Students and alumni","Photographs","The collection is open for research.","The collection is arranged alphabetically by subject matter.","Born in Winchester, Virginia, Daniel E. Wright recieved a B.S. in Civil Engineering from Virginia Polytechnic Institute in 1904. He went on to participate in the construction of the Panama Canal and in the public health activities which rid the Canal Zone of yellow fever and malaria. In 1921, Wright was awarded the Theodor Roosevelt Medal of Honor for this work in the Canal Zone. He then served as a consultant (1921-29) for the Columbian and Panamanian governments, joined the staff of the Rockefeller Foundation in 1929, and worked in Greece and Turkey on water supply and disease control. Wright also worked with the United Nations Public Health Service (UNPHS) in Burma during World War II, before joining the United Nations Relief and Rehabilitation Administration (UNRRA) from 1944 until 1949.","The guide to the Daniel E. Wright Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Daniel E. Wright Papers commenced in August 2006 and was completed in September 2006. Preliminary processing took place in 2001.","The collection consists of materials from 1903 to 1973 with the bulk from the 1940s and 1950s. This collection contains reports, speeches, magazine and newspaper articles, and correspondence concerning Daniel E. Wright's travels and sanitation work in the Panama Canal, Greece, Turkey, and the Middle East.","During this period Wright pioneered the use of DDT to control malaria, dysentery, and other endemic diseases afflicting the Greek population. Collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, and the UNRRA and the UNPHS. Also includes extensive correspondence to his family while a colonel on the staff of Gen. Joseph W. Stilwell and later of the U.S. Middle Eastern Command Headquarters in Cairo, and photographs (ca. 250) from his travels.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, the United Nations Public Health Service, and the United Nations Relief and Rehabilitation Administration. Also includes correspondence to and from Daniel E. Wright while a colonel on the staff of Gen. Joseph W. Stilwell and at the U.S. Middle Eastern Command Headquarters in Cairo, as well as photographs from his travels.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Wright, Daniel E.","The materials in the collection are in English."],"collection_title_tesim":["Daniel E. Wright Papers, 1903/1973"],"collection_ssim":["Daniel E. Wright Papers, 1903/1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1968.007"],"unitid_tesim":["Ms.1968.007"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wright, Daniel E."],"creator_ssim":["Wright, Daniel E."],"creator_persname_ssim":["Wright, Daniel E."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"creators_ssim":["Wright, Daniel E.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This collection was donated to the Special Collections prior to 1968 and in 1968, 1969, and 1970."],"access_subjects_ssim":["Diseases","Folk, historical, and patent medicine","Medicine","Science and Technology","Students and alumni","Photographs"],"access_subjects_ssm":["Diseases","Folk, historical, and patent medicine","Medicine","Science and Technology","Students and alumni","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Cubic Feet 3 boxes"],"extent_tesim":["2.5 Cubic Feet 3 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by subject matter.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically by subject matter."],"bioghist_html_tesm":["\u003cp\u003eBorn in Winchester, Virginia, Daniel E. Wright recieved a B.S. in Civil Engineering from Virginia Polytechnic Institute in 1904. He went on to participate in the construction of the Panama Canal and in the public health activities which rid the Canal Zone of yellow fever and malaria. In 1921, Wright was awarded the Theodor Roosevelt Medal of Honor for this work in the Canal Zone. He then served as a consultant (1921-29) for the Columbian and Panamanian governments, joined the staff of the Rockefeller Foundation in 1929, and worked in Greece and Turkey on water supply and disease control. Wright also worked with the United Nations Public Health Service (UNPHS) in Burma during World War II, before joining the United Nations Relief and Rehabilitation Administration (UNRRA) from 1944 until 1949.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Winchester, Virginia, Daniel E. Wright recieved a B.S. in Civil Engineering from Virginia Polytechnic Institute in 1904. He went on to participate in the construction of the Panama Canal and in the public health activities which rid the Canal Zone of yellow fever and malaria. In 1921, Wright was awarded the Theodor Roosevelt Medal of Honor for this work in the Canal Zone. He then served as a consultant (1921-29) for the Columbian and Panamanian governments, joined the staff of the Rockefeller Foundation in 1929, and worked in Greece and Turkey on water supply and disease control. Wright also worked with the United Nations Public Health Service (UNPHS) in Burma during World War II, before joining the United Nations Relief and Rehabilitation Administration (UNRRA) from 1944 until 1949."],"odd_html_tesm":["\u003cp\u003eThe guide to the Daniel E. Wright Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Daniel E. Wright Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Daniel E. Wright Papers, Ms1968-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Daniel E. Wright Papers, Ms1968-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Daniel E. Wright Papers commenced in August 2006 and was completed in September 2006. Preliminary processing took place in 2001.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Daniel E. Wright Papers commenced in August 2006 and was completed in September 2006. Preliminary processing took place in 2001."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of materials from 1903 to 1973 with the bulk from the 1940s and 1950s. This collection contains reports, speeches, magazine and newspaper articles, and correspondence concerning Daniel E. Wright's travels and sanitation work in the Panama Canal, Greece, Turkey, and the Middle East. \u003c/p\u003e","\u003cp\u003eDuring this period Wright pioneered the use of DDT to control malaria, dysentery, and other endemic diseases afflicting the Greek population. Collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, and the UNRRA and the UNPHS. Also includes extensive correspondence to his family while a colonel on the staff of Gen. Joseph W. Stilwell and later of the U.S. Middle Eastern Command Headquarters in Cairo, and photographs (ca. 250) from his travels.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of materials from 1903 to 1973 with the bulk from the 1940s and 1950s. This collection contains reports, speeches, magazine and newspaper articles, and correspondence concerning Daniel E. Wright's travels and sanitation work in the Panama Canal, Greece, Turkey, and the Middle East.","During this period Wright pioneered the use of DDT to control malaria, dysentery, and other endemic diseases afflicting the Greek population. Collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, and the UNRRA and the UNPHS. Also includes extensive correspondence to his family while a colonel on the staff of Gen. Joseph W. Stilwell and later of the U.S. Middle Eastern Command Headquarters in Cairo, and photographs (ca. 250) from his travels."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bb6e11d62b81a3f2843c6db2c4f3620e\" label=\"Abstract\"\u003eThis collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, the United Nations Public Health Service, and the United Nations Relief and Rehabilitation Administration. Also includes correspondence to and from Daniel E. Wright while a colonel on the staff of Gen. Joseph W. Stilwell and at the U.S. Middle Eastern Command Headquarters in Cairo, as well as photographs from his travels.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials dealing with the Panama Canal, the public health activities of the Rockefeller Foundation, the United Nations Public Health Service, and the United Nations Relief and Rehabilitation Administration. Also includes correspondence to and from Daniel E. Wright while a colonel on the staff of Gen. Joseph W. Stilwell and at the U.S. Middle Eastern Command Headquarters in Cairo, as well as photographs from his travels."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"persname_ssim":["Wright, Daniel E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Wright, Daniel E."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content 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