{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026page=2\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026page=1\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026page=3\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026page=3\u0026view=compact"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":3,"limit_value":10,"offset_value":10,"total_count":27,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_mcdonnell","type":"collection","attributes":{"title":"James J. McDonnell transportation collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_mcdonnell#creator","type":"document_value","attributes":{"value":"James J. McDonnell\n","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_mcdonnell#abstract_or_scope","type":"document_value","attributes":{"value":"The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_mcdonnell#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_mcdonnell","ead_ssi":"vifgm_mcdonnell","_root_":"vifgm_mcdonnell","_nest_parent_":"vifgm_mcdonnell","ead_source_url_ssi":"data/gmu/mcdonnell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mcdonnell.html","title_ssm":["James J. McDonnell transportation collection"],"title_tesim":["James J. McDonnell transportation collection"],"unitdate_ssm":["1939-1995\n"],"unitdate_inclusive_ssm":["1939-1995\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0104\n"],"text":["C0104\n","James J. McDonnell transportation collection","Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints.","There are no access restrictions.\n","This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n","Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n","Processed by Special Collections and Archives staff. Additional processing by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup by Eron Ackerman in 2010.\n","Special Collections and Archives also holds many other  .\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n","This series contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, DC metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Paper list of publications by McDonnell and summary of travel surveys\n\t","","Report of a conference held July 9-10, 1970\n\t","","","Draft\n\t","Prepared for a Highway Research Board Conference, June 9-10, 1970\n\t","","","Highway Research Board, Bulletins 203 and 257, facsimile\n\t","","Includes photographs and map of Queens County Grand Central Expressway\n\t","","","","","","","","List of speeches by highway planner Thomas H. Macdonald from 1919 to 1952\n\t","","","Contains two photographs mounted on paper\n\t","","","","","","Virginia Department of Transportation (VDOT)\n\t","","","","","","","","Cleveland\n\t","","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","","","","","","","","","","","","","Public Roads Administration\n\t","","Report\n\t","","","Unpublished study\n\t","","","","","","","","","","","","District of Columbia Department of Highways and Traffic, \n\t","","National Capital Regional Planning Council\n\t","","","","This series contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","","","","","","","","Photos show highway and bridge traffic\n\t","5\" x 7\" photographs\n\t","8.5\" x 11\" photos of highway traffic in different weather conditions\n\t","Negatives\n\t","Slides; includes dozens of slides for DC area studies and 91 slides from Upstate New York studies \"for Crighton's AASHO talk at Portland, Oregon\"\n\t","This series contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns. \n","Regional Plan Association\n\t","Automotive Safety Foundation\n\t","Automotive Safety Foundation\n\t","Automotive Safety Foundation\n\t","Regional Highway Planning Committee\n\t","Regional Plan Association\n\t","Metropolitan Transit Authority of Maryland\n\t","Commonwealth of Virginia Department of Highways\n\t","Commonwealth of Virginia Department of Highways\n\t","Commonwealth of Virginia Department of Highways\n\t","National Capital Planning Commission, National Capital Regional Planning Council\n\t","","National Capital Planning Commission, National Capital Regional Planning Council\n\t","","There are no restrictions on personal use. Permission to publish material from the James J. McDonnell transportation collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n","","George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n","English\n"],"unitid_tesim":["C0104\n"],"normalized_title_ssm":["James J. McDonnell transportation collection"],"collection_title_tesim":["James J. McDonnell transportation collection"],"collection_ssim":["James J. McDonnell transportation collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James J. McDonnell\n"],"creator_ssim":["James J. McDonnell\n"],"creator_persname_ssim":["James J. McDonnell\n"],"creators_ssim":["James J. McDonnell\n"],"acqinfo_ssim":["Collection donated by Laurie McDonnell through John Gifford in February 1996.\n"],"access_subjects_ssim":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"access_subjects_ssm":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["6 linear feet (9 boxes"],"extent_tesim":["6 linear feet (9 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into three series according to media format. Each series is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Printed Materials, 1939-1995 (Boxes 1-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1949-1960 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Oversize, 1959-1967 (Boxes 8-9)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n"],"prefercite_html_tesm":["\u003cp\u003eJames J. McDonnell transportation collection, C0104, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["James J. McDonnell transportation collection, C0104, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. Additional processing by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup by Eron Ackerman in 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. Additional processing by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup by Eron Ackerman in 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \u003cextptr type=\"simple\" title=\"transportation collections\" show=\"new\" href=\"http://sca.gmu.edu/collections-subject.php#TRANSPORTATION\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n\u003c/p\u003e","\u003cp\u003eSeries 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n\u003c/p\u003e","\u003cp\u003eThis series contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, DC metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n\u003c/p\u003e","\u003cp\u003ePaper list of publications by McDonnell and summary of travel surveys\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eReport of a conference held July 9-10, 1970\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eDraft\n\t\u003c/p\u003e","\u003cp\u003ePrepared for a Highway Research Board Conference, June 9-10, 1970\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eHighway Research Board, Bulletins 203 and 257, facsimile\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eIncludes photographs and map of Queens County Grand Central Expressway\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eList of speeches by highway planner Thomas H. Macdonald from 1919 to 1952\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains two photographs mounted on paper\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eVirginia Department of Transportation (VDOT)\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCleveland\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePublic Roads Administration\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eReport\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eUnpublished study\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eDistrict of Columbia Department of Highways and Traffic, \n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNational Capital Regional Planning Council\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePhotos show highway and bridge traffic\n\t\u003c/p\u003e","\u003cp\u003e5\" x 7\" photographs\n\t\u003c/p\u003e","\u003cp\u003e8.5\" x 11\" photos of highway traffic in different weather conditions\n\t\u003c/p\u003e","\u003cp\u003eNegatives\n\t\u003c/p\u003e","\u003cp\u003eSlides; includes dozens of slides for DC area studies and 91 slides from Upstate New York studies \"for Crighton's AASHO talk at Portland, Oregon\"\n\t\u003c/p\u003e","\u003cp\u003eThis series contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns. \n\u003c/p\u003e","\u003cp\u003eRegional Plan Association\n\t\u003c/p\u003e","\u003cp\u003eAutomotive Safety Foundation\n\t\u003c/p\u003e","\u003cp\u003eAutomotive Safety Foundation\n\t\u003c/p\u003e","\u003cp\u003eAutomotive Safety Foundation\n\t\u003c/p\u003e","\u003cp\u003eRegional Highway Planning Committee\n\t\u003c/p\u003e","\u003cp\u003eRegional Plan Association\n\t\u003c/p\u003e","\u003cp\u003eMetropolitan Transit Authority of Maryland\n\t\u003c/p\u003e","\u003cp\u003eCommonwealth of Virginia Department of Highways\n\t\u003c/p\u003e","\u003cp\u003eCommonwealth of Virginia Department of Highways\n\t\u003c/p\u003e","\u003cp\u003eCommonwealth of Virginia Department of Highways\n\t\u003c/p\u003e","\u003cp\u003eNational Capital Planning Commission, National Capital Regional Planning Council\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNational Capital Planning Commission, National Capital Regional Planning Council\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n","This series contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, DC metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Paper list of publications by McDonnell and summary of travel surveys\n\t","","Report of a conference held July 9-10, 1970\n\t","","","Draft\n\t","Prepared for a Highway Research Board Conference, June 9-10, 1970\n\t","","","Highway Research Board, Bulletins 203 and 257, facsimile\n\t","","Includes photographs and map of Queens County Grand Central Expressway\n\t","","","","","","","","List of speeches by highway planner Thomas H. Macdonald from 1919 to 1952\n\t","","","Contains two photographs mounted on paper\n\t","","","","","","Virginia Department of Transportation (VDOT)\n\t","","","","","","","","Cleveland\n\t","","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","","","","","","","","","","","","","Public Roads Administration\n\t","","Report\n\t","","","Unpublished study\n\t","","","","","","","","","","","","District of Columbia Department of Highways and Traffic, \n\t","","National Capital Regional Planning Council\n\t","","","","This series contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","","","","","","","","Photos show highway and bridge traffic\n\t","5\" x 7\" photographs\n\t","8.5\" x 11\" photos of highway traffic in different weather conditions\n\t","Negatives\n\t","Slides; includes dozens of slides for DC area studies and 91 slides from Upstate New York studies \"for Crighton's AASHO talk at Portland, Oregon\"\n\t","This series contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns. \n","Regional Plan Association\n\t","Automotive Safety Foundation\n\t","Automotive Safety Foundation\n\t","Automotive Safety Foundation\n\t","Regional Highway Planning Committee\n\t","Regional Plan Association\n\t","Metropolitan Transit Authority of Maryland\n\t","Commonwealth of Virginia Department of Highways\n\t","Commonwealth of Virginia Department of Highways\n\t","Commonwealth of Virginia Department of Highways\n\t","National Capital Planning Commission, National Capital Regional Planning Council\n\t","","National Capital Planning Commission, National Capital Regional Planning Council\n\t",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the James J. McDonnell transportation collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the James J. McDonnell transportation collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n\u003c/abstract\u003e"],"abstract_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration."],"persname_ssim":["James J. McDonnell\n"],"language_ssim":["English\n"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_mcdonnell","ead_ssi":"vifgm_mcdonnell","_root_":"vifgm_mcdonnell","_nest_parent_":"vifgm_mcdonnell","ead_source_url_ssi":"data/gmu/mcdonnell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mcdonnell.html","title_ssm":["James J. McDonnell transportation collection"],"title_tesim":["James J. McDonnell transportation collection"],"unitdate_ssm":["1939-1995\n"],"unitdate_inclusive_ssm":["1939-1995\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0104\n"],"text":["C0104\n","James J. McDonnell transportation collection","Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints.","There are no access restrictions.\n","This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n","Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n","Processed by Special Collections and Archives staff. Additional processing by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup by Eron Ackerman in 2010.\n","Special Collections and Archives also holds many other  .\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n","This series contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, DC metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Paper list of publications by McDonnell and summary of travel surveys\n\t","","Report of a conference held July 9-10, 1970\n\t","","","Draft\n\t","Prepared for a Highway Research Board Conference, June 9-10, 1970\n\t","","","Highway Research Board, Bulletins 203 and 257, facsimile\n\t","","Includes photographs and map of Queens County Grand Central Expressway\n\t","","","","","","","","List of speeches by highway planner Thomas H. Macdonald from 1919 to 1952\n\t","","","Contains two photographs mounted on paper\n\t","","","","","","Virginia Department of Transportation (VDOT)\n\t","","","","","","","","Cleveland\n\t","","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","","","","","","","","","","","","","Public Roads Administration\n\t","","Report\n\t","","","Unpublished study\n\t","","","","","","","","","","","","District of Columbia Department of Highways and Traffic, \n\t","","National Capital Regional Planning Council\n\t","","","","This series contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","","","","","","","","Photos show highway and bridge traffic\n\t","5\" x 7\" photographs\n\t","8.5\" x 11\" photos of highway traffic in different weather conditions\n\t","Negatives\n\t","Slides; includes dozens of slides for DC area studies and 91 slides from Upstate New York studies \"for Crighton's AASHO talk at Portland, Oregon\"\n\t","This series contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns. \n","Regional Plan Association\n\t","Automotive Safety Foundation\n\t","Automotive Safety Foundation\n\t","Automotive Safety Foundation\n\t","Regional Highway Planning Committee\n\t","Regional Plan Association\n\t","Metropolitan Transit Authority of Maryland\n\t","Commonwealth of Virginia Department of Highways\n\t","Commonwealth of Virginia Department of Highways\n\t","Commonwealth of Virginia Department of Highways\n\t","National Capital Planning Commission, National Capital Regional Planning Council\n\t","","National Capital Planning Commission, National Capital Regional Planning Council\n\t","","There are no restrictions on personal use. Permission to publish material from the James J. McDonnell transportation collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n","","George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n","English\n"],"unitid_tesim":["C0104\n"],"normalized_title_ssm":["James J. McDonnell transportation collection"],"collection_title_tesim":["James J. McDonnell transportation collection"],"collection_ssim":["James J. McDonnell transportation collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James J. McDonnell\n"],"creator_ssim":["James J. McDonnell\n"],"creator_persname_ssim":["James J. McDonnell\n"],"creators_ssim":["James J. McDonnell\n"],"acqinfo_ssim":["Collection donated by Laurie McDonnell through John Gifford in February 1996.\n"],"access_subjects_ssim":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"access_subjects_ssm":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["6 linear feet (9 boxes"],"extent_tesim":["6 linear feet (9 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into three series according to media format. Each series is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Printed Materials, 1939-1995 (Boxes 1-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1949-1960 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Oversize, 1959-1967 (Boxes 8-9)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n"],"prefercite_html_tesm":["\u003cp\u003eJames J. McDonnell transportation collection, C0104, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["James J. McDonnell transportation collection, C0104, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. Additional processing by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup by Eron Ackerman in 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. Additional processing by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup by Eron Ackerman in 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \u003cextptr type=\"simple\" title=\"transportation collections\" show=\"new\" href=\"http://sca.gmu.edu/collections-subject.php#TRANSPORTATION\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n\u003c/p\u003e","\u003cp\u003eSeries 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n\u003c/p\u003e","\u003cp\u003eThis series contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, DC metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n\u003c/p\u003e","\u003cp\u003ePaper list of publications by McDonnell and summary of travel surveys\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eReport of a conference held July 9-10, 1970\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eDraft\n\t\u003c/p\u003e","\u003cp\u003ePrepared for a Highway Research Board Conference, June 9-10, 1970\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eHighway Research Board, Bulletins 203 and 257, facsimile\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eIncludes photographs and map of Queens County Grand Central Expressway\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eList of speeches by highway planner Thomas H. Macdonald from 1919 to 1952\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains two photographs mounted on paper\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eVirginia Department of Transportation (VDOT)\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCleveland\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003eCounty of Fairfax, Virginia\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePublic Roads Administration\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eReport\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eUnpublished study\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eDistrict of Columbia Department of Highways and Traffic, \n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNational Capital Regional Planning Council\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePhotos show highway and bridge traffic\n\t\u003c/p\u003e","\u003cp\u003e5\" x 7\" photographs\n\t\u003c/p\u003e","\u003cp\u003e8.5\" x 11\" photos of highway traffic in different weather conditions\n\t\u003c/p\u003e","\u003cp\u003eNegatives\n\t\u003c/p\u003e","\u003cp\u003eSlides; includes dozens of slides for DC area studies and 91 slides from Upstate New York studies \"for Crighton's AASHO talk at Portland, Oregon\"\n\t\u003c/p\u003e","\u003cp\u003eThis series contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns. \n\u003c/p\u003e","\u003cp\u003eRegional Plan Association\n\t\u003c/p\u003e","\u003cp\u003eAutomotive Safety Foundation\n\t\u003c/p\u003e","\u003cp\u003eAutomotive Safety Foundation\n\t\u003c/p\u003e","\u003cp\u003eAutomotive Safety Foundation\n\t\u003c/p\u003e","\u003cp\u003eRegional Highway Planning Committee\n\t\u003c/p\u003e","\u003cp\u003eRegional Plan Association\n\t\u003c/p\u003e","\u003cp\u003eMetropolitan Transit Authority of Maryland\n\t\u003c/p\u003e","\u003cp\u003eCommonwealth of Virginia Department of Highways\n\t\u003c/p\u003e","\u003cp\u003eCommonwealth of Virginia Department of Highways\n\t\u003c/p\u003e","\u003cp\u003eCommonwealth of Virginia Department of Highways\n\t\u003c/p\u003e","\u003cp\u003eNational Capital Planning Commission, National Capital Regional Planning Council\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNational Capital Planning Commission, National Capital Regional Planning Council\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n","This series contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, DC metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Paper list of publications by McDonnell and summary of travel surveys\n\t","","Report of a conference held July 9-10, 1970\n\t","","","Draft\n\t","Prepared for a Highway Research Board Conference, June 9-10, 1970\n\t","","","Highway Research Board, Bulletins 203 and 257, facsimile\n\t","","Includes photographs and map of Queens County Grand Central Expressway\n\t","","","","","","","","List of speeches by highway planner Thomas H. Macdonald from 1919 to 1952\n\t","","","Contains two photographs mounted on paper\n\t","","","","","","Virginia Department of Transportation (VDOT)\n\t","","","","","","","","Cleveland\n\t","","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","County of Fairfax, Virginia\n\t","","","","","","","","","","","","","Public Roads Administration\n\t","","Report\n\t","","","Unpublished study\n\t","","","","","","","","","","","","District of Columbia Department of Highways and Traffic, \n\t","","National Capital Regional Planning Council\n\t","","","","This series contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","","","","","","","","Photos show highway and bridge traffic\n\t","5\" x 7\" photographs\n\t","8.5\" x 11\" photos of highway traffic in different weather conditions\n\t","Negatives\n\t","Slides; includes dozens of slides for DC area studies and 91 slides from Upstate New York studies \"for Crighton's AASHO talk at Portland, Oregon\"\n\t","This series contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns. \n","Regional Plan Association\n\t","Automotive Safety Foundation\n\t","Automotive Safety Foundation\n\t","Automotive Safety Foundation\n\t","Regional Highway Planning Committee\n\t","Regional Plan Association\n\t","Metropolitan Transit Authority of Maryland\n\t","Commonwealth of Virginia Department of Highways\n\t","Commonwealth of Virginia Department of Highways\n\t","Commonwealth of Virginia Department of Highways\n\t","National Capital Planning Commission, National Capital Regional Planning Council\n\t","","National Capital Planning Commission, National Capital Regional Planning Council\n\t",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the James J. McDonnell transportation collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the James J. McDonnell transportation collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n\u003c/abstract\u003e"],"abstract_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration."],"persname_ssim":["James J. McDonnell\n"],"language_ssim":["English\n"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_mcdonnell"}},{"id":"vifgm_barrault","type":"collection","attributes":{"title":"Jean-Louis Barrault photograph collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_barrault#creator","type":"document_value","attributes":{"value":"Jenkins, Paul, 1923- \n","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_barrault#abstract_or_scope","type":"document_value","attributes":{"value":"Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_barrault#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_barrault","ead_ssi":"vifgm_barrault","_root_":"vifgm_barrault","_nest_parent_":"vifgm_barrault","ead_source_url_ssi":"data/gmu/barrault.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/barrault.html","title_ssm":["Jean-Louis Barrault photograph collection"],"title_tesim":["Jean-Louis Barrault photograph collection"],"unitdate_ssm":["1947-1979\n"],"unitdate_inclusive_ssm":["1947-1979\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0019\n"],"text":["C0019\n","Jean-Louis Barrault photograph collection","Theater and society--France--Photographs.","Photographic prints.","There are no access restrictions.\n","The collection is arranged in two series:\n","Series 1: Production Photographs, 1947-1979 (Boxes 1-2)\n Series 2: Non-Production Photographs, 1947-1976 (Box 2)\n","Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n","Processed in 2008 by Sean Tennant. EAD markup completed in 2008 by Sean Tennant.\n","Special Collections Research Center holds several other notable collections on \n\t\t","The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n","Series 1 contains photographs from the collection dealing with specific theatrical productions and events. The photographs are organized alphabetically by production title and chronologically within each folder.\n","3 photographs\n\t","13 photographs\n\t","9 photographs\n\t","4 photographs\n\t","3 photographs\n\t","8 photographs\n\t","16 photographs\n\t","2 photographs\n\t","2 photographs\n\t","6 photographs\n\t","1 photograph\n\t","3 photographs\n\t","3 photographs\n\t","6 photographs\n\t","9 photographs\n\t","5 photographs\n\t","1 photograph\n\t","2 photographs\n\t","16 photographs\n\t","13 photographs\n\t","4 photographs\n\t","3 photographs\n\t","1 photograph\n\t","1 photograph\n\t","5 photographs\n\t","6 photographs\n\t","3 photographs\n\t","4 photographs\n\t","4 photographs\n\t","7 photographs\n\t","2 photographs\n\t","1 photograph\n\t","1 photograph\n\t","4 photographs\n\t","1 photograph\n\t","1 photograph\n\t","11 photographs\n\t","7 photographs\n\t","14 photographs\n\t","12 photographs\n\t","1 photograph\n\t","6 photographs\n\t","1 photograph\n\t","1 photograph\n\t","6 photographs\n\t","3 photographs\n\t","11 photographs\n\t","2 photographs\n\t","12 photographs\n\t","9 photographs\n\t","7 photographs\n\t","4 photographs\n\t","10 photographs\n\t","7 photographs\n\t","10 photographs\n\t","5 photographs\n\t","7 photographs\n\t","16 photographs\n\t","2 photographs\n\t","1 photograph\n\t","5 photographs\n\t","7 photographs\n\t","4 photographs\n\t","1 photograph\n\t","4 photographs\n\t","2 photographs\n\t","1 photograph\n\t","1 photograph\n\t","4 photographs\n\t","1 photograph\n\t","2 photographs\n\t","2 photographs\n\t","6 photographs\n\t","Series 2 contains the nonproduction photographs, such as publicity photographs, images of rehearsals, and pictures of playbills and signs. The photographs are arranged chronologically within each folder.\n","5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.\n\t","12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.\n\t","15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. Additionally, the folder contains images of a lecture given by Barrault about his production of Numance.\n\t","There are no restrictions on personal use. Permission to publish material from the Jean-Louis Barrault Photograph Collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n","Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n","George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand.","Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs.","French\n"],"unitid_tesim":["C0019\n"],"normalized_title_ssm":["Jean-Louis Barrault photograph collection"],"collection_title_tesim":["Jean-Louis Barrault photograph collection"],"collection_ssim":["Jean-Louis Barrault photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Jenkins, Paul, 1923- \n"],"creator_ssim":["Jenkins, Paul, 1923- \n"],"creator_persname_ssim":["Jenkins, Paul, 1923- \n"],"creators_ssim":["Jenkins, Paul, 1923- \n"],"acqinfo_ssim":["Gift of Suzanne Donnelly Jenkins and Paul Jenkins, 2007.\n"],"access_subjects_ssim":["Theater and society--France--Photographs.","Photographic prints."],"access_subjects_ssm":["Theater and society--France--Photographs.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["1 linear foot (2 boxes)"],"extent_tesim":["1 linear foot (2 boxes)"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Production Photographs, 1947-1979 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Non-Production Photographs, 1947-1976 (Box 2)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged in two series:\n","Series 1: Production Photographs, 1947-1979 (Boxes 1-2)\n Series 2: Non-Production Photographs, 1947-1976 (Box 2)\n"],"bioghist_html_tesm":["\u003cp\u003eBarrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n"],"prefercite_html_tesm":["\u003cp\u003eJean-Louis Barrault photograph collection, C0019, Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Jean-Louis Barrault photograph collection, C0019, Special Collections Research Center, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sean Tennant. EAD markup completed in 2008 by Sean Tennant.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed in 2008 by Sean Tennant. EAD markup completed in 2008 by Sean Tennant.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds several other notable collections on \n\t\t\u003cextptr type=\"simple\" title=\"Theatre and the Performing Arts.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections Research Center holds several other notable collections on \n\t\t"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs from the collection dealing with specific theatrical productions and events. The photographs are organized alphabetically by production title and chronologically within each folder.\n\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e13 photographs\n\t\u003c/p\u003e","\u003cp\u003e9 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e8 photographs\n\t\u003c/p\u003e","\u003cp\u003e16 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e9 photographs\n\t\u003c/p\u003e","\u003cp\u003e5 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e16 photographs\n\t\u003c/p\u003e","\u003cp\u003e13 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e5 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e11 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e14 photographs\n\t\u003c/p\u003e","\u003cp\u003e12 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e11 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e12 photographs\n\t\u003c/p\u003e","\u003cp\u003e9 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e10 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e10 photographs\n\t\u003c/p\u003e","\u003cp\u003e5 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e16 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e5 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003eSeries 2 contains the nonproduction photographs, such as publicity photographs, images of rehearsals, and pictures of playbills and signs. The photographs are arranged chronologically within each folder.\n\u003c/p\u003e","\u003cp\u003e5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.\n\t\u003c/p\u003e","\u003cp\u003e12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.\n\t\u003c/p\u003e","\u003cp\u003e15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. Additionally, the folder contains images of a lecture given by Barrault about his production of Numance.\n\t\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n","Series 1 contains photographs from the collection dealing with specific theatrical productions and events. The photographs are organized alphabetically by production title and chronologically within each folder.\n","3 photographs\n\t","13 photographs\n\t","9 photographs\n\t","4 photographs\n\t","3 photographs\n\t","8 photographs\n\t","16 photographs\n\t","2 photographs\n\t","2 photographs\n\t","6 photographs\n\t","1 photograph\n\t","3 photographs\n\t","3 photographs\n\t","6 photographs\n\t","9 photographs\n\t","5 photographs\n\t","1 photograph\n\t","2 photographs\n\t","16 photographs\n\t","13 photographs\n\t","4 photographs\n\t","3 photographs\n\t","1 photograph\n\t","1 photograph\n\t","5 photographs\n\t","6 photographs\n\t","3 photographs\n\t","4 photographs\n\t","4 photographs\n\t","7 photographs\n\t","2 photographs\n\t","1 photograph\n\t","1 photograph\n\t","4 photographs\n\t","1 photograph\n\t","1 photograph\n\t","11 photographs\n\t","7 photographs\n\t","14 photographs\n\t","12 photographs\n\t","1 photograph\n\t","6 photographs\n\t","1 photograph\n\t","1 photograph\n\t","6 photographs\n\t","3 photographs\n\t","11 photographs\n\t","2 photographs\n\t","12 photographs\n\t","9 photographs\n\t","7 photographs\n\t","4 photographs\n\t","10 photographs\n\t","7 photographs\n\t","10 photographs\n\t","5 photographs\n\t","7 photographs\n\t","16 photographs\n\t","2 photographs\n\t","1 photograph\n\t","5 photographs\n\t","7 photographs\n\t","4 photographs\n\t","1 photograph\n\t","4 photographs\n\t","2 photographs\n\t","1 photograph\n\t","1 photograph\n\t","4 photographs\n\t","1 photograph\n\t","2 photographs\n\t","2 photographs\n\t","6 photographs\n\t","Series 2 contains the nonproduction photographs, such as publicity photographs, images of rehearsals, and pictures of playbills and signs. The photographs are arranged chronologically within each folder.\n","5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.\n\t","12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.\n\t","15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. Additionally, the folder contains images of a lecture given by Barrault about his production of Numance.\n\t"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Jean-Louis Barrault Photograph Collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jean-Louis Barrault Photograph Collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eContains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n\u003c/abstract\u003e"],"abstract_tesim":["Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n"],"names_ssim":["George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand.","Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs."],"corpname_ssim":["George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand."],"persname_ssim":["Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs."],"language_ssim":["French\n"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_barrault","ead_ssi":"vifgm_barrault","_root_":"vifgm_barrault","_nest_parent_":"vifgm_barrault","ead_source_url_ssi":"data/gmu/barrault.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/barrault.html","title_ssm":["Jean-Louis Barrault photograph collection"],"title_tesim":["Jean-Louis Barrault photograph collection"],"unitdate_ssm":["1947-1979\n"],"unitdate_inclusive_ssm":["1947-1979\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0019\n"],"text":["C0019\n","Jean-Louis Barrault photograph collection","Theater and society--France--Photographs.","Photographic prints.","There are no access restrictions.\n","The collection is arranged in two series:\n","Series 1: Production Photographs, 1947-1979 (Boxes 1-2)\n Series 2: Non-Production Photographs, 1947-1976 (Box 2)\n","Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n","Processed in 2008 by Sean Tennant. EAD markup completed in 2008 by Sean Tennant.\n","Special Collections Research Center holds several other notable collections on \n\t\t","The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n","Series 1 contains photographs from the collection dealing with specific theatrical productions and events. The photographs are organized alphabetically by production title and chronologically within each folder.\n","3 photographs\n\t","13 photographs\n\t","9 photographs\n\t","4 photographs\n\t","3 photographs\n\t","8 photographs\n\t","16 photographs\n\t","2 photographs\n\t","2 photographs\n\t","6 photographs\n\t","1 photograph\n\t","3 photographs\n\t","3 photographs\n\t","6 photographs\n\t","9 photographs\n\t","5 photographs\n\t","1 photograph\n\t","2 photographs\n\t","16 photographs\n\t","13 photographs\n\t","4 photographs\n\t","3 photographs\n\t","1 photograph\n\t","1 photograph\n\t","5 photographs\n\t","6 photographs\n\t","3 photographs\n\t","4 photographs\n\t","4 photographs\n\t","7 photographs\n\t","2 photographs\n\t","1 photograph\n\t","1 photograph\n\t","4 photographs\n\t","1 photograph\n\t","1 photograph\n\t","11 photographs\n\t","7 photographs\n\t","14 photographs\n\t","12 photographs\n\t","1 photograph\n\t","6 photographs\n\t","1 photograph\n\t","1 photograph\n\t","6 photographs\n\t","3 photographs\n\t","11 photographs\n\t","2 photographs\n\t","12 photographs\n\t","9 photographs\n\t","7 photographs\n\t","4 photographs\n\t","10 photographs\n\t","7 photographs\n\t","10 photographs\n\t","5 photographs\n\t","7 photographs\n\t","16 photographs\n\t","2 photographs\n\t","1 photograph\n\t","5 photographs\n\t","7 photographs\n\t","4 photographs\n\t","1 photograph\n\t","4 photographs\n\t","2 photographs\n\t","1 photograph\n\t","1 photograph\n\t","4 photographs\n\t","1 photograph\n\t","2 photographs\n\t","2 photographs\n\t","6 photographs\n\t","Series 2 contains the nonproduction photographs, such as publicity photographs, images of rehearsals, and pictures of playbills and signs. The photographs are arranged chronologically within each folder.\n","5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.\n\t","12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.\n\t","15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. Additionally, the folder contains images of a lecture given by Barrault about his production of Numance.\n\t","There are no restrictions on personal use. Permission to publish material from the Jean-Louis Barrault Photograph Collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n","Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n","George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand.","Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs.","French\n"],"unitid_tesim":["C0019\n"],"normalized_title_ssm":["Jean-Louis Barrault photograph collection"],"collection_title_tesim":["Jean-Louis Barrault photograph collection"],"collection_ssim":["Jean-Louis Barrault photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Jenkins, Paul, 1923- \n"],"creator_ssim":["Jenkins, Paul, 1923- \n"],"creator_persname_ssim":["Jenkins, Paul, 1923- \n"],"creators_ssim":["Jenkins, Paul, 1923- \n"],"acqinfo_ssim":["Gift of Suzanne Donnelly Jenkins and Paul Jenkins, 2007.\n"],"access_subjects_ssim":["Theater and society--France--Photographs.","Photographic prints."],"access_subjects_ssm":["Theater and society--France--Photographs.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["1 linear foot (2 boxes)"],"extent_tesim":["1 linear foot (2 boxes)"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Production Photographs, 1947-1979 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Non-Production Photographs, 1947-1976 (Box 2)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged in two series:\n","Series 1: Production Photographs, 1947-1979 (Boxes 1-2)\n Series 2: Non-Production Photographs, 1947-1976 (Box 2)\n"],"bioghist_html_tesm":["\u003cp\u003eBarrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n"],"prefercite_html_tesm":["\u003cp\u003eJean-Louis Barrault photograph collection, C0019, Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Jean-Louis Barrault photograph collection, C0019, Special Collections Research Center, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2008 by Sean Tennant. EAD markup completed in 2008 by Sean Tennant.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed in 2008 by Sean Tennant. EAD markup completed in 2008 by Sean Tennant.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds several other notable collections on \n\t\t\u003cextptr type=\"simple\" title=\"Theatre and the Performing Arts.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections Research Center holds several other notable collections on \n\t\t"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs from the collection dealing with specific theatrical productions and events. The photographs are organized alphabetically by production title and chronologically within each folder.\n\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e13 photographs\n\t\u003c/p\u003e","\u003cp\u003e9 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e8 photographs\n\t\u003c/p\u003e","\u003cp\u003e16 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e9 photographs\n\t\u003c/p\u003e","\u003cp\u003e5 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e16 photographs\n\t\u003c/p\u003e","\u003cp\u003e13 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e5 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e11 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e14 photographs\n\t\u003c/p\u003e","\u003cp\u003e12 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e3 photographs\n\t\u003c/p\u003e","\u003cp\u003e11 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e12 photographs\n\t\u003c/p\u003e","\u003cp\u003e9 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e10 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e10 photographs\n\t\u003c/p\u003e","\u003cp\u003e5 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e16 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e5 photographs\n\t\u003c/p\u003e","\u003cp\u003e7 photographs\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e4 photographs\n\t\u003c/p\u003e","\u003cp\u003e1 photograph\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e2 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003eSeries 2 contains the nonproduction photographs, such as publicity photographs, images of rehearsals, and pictures of playbills and signs. The photographs are arranged chronologically within each folder.\n\u003c/p\u003e","\u003cp\u003e5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.\n\t\u003c/p\u003e","\u003cp\u003e12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.\n\t\u003c/p\u003e","\u003cp\u003e15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. Additionally, the folder contains images of a lecture given by Barrault about his production of Numance.\n\t\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n","Series 1 contains photographs from the collection dealing with specific theatrical productions and events. The photographs are organized alphabetically by production title and chronologically within each folder.\n","3 photographs\n\t","13 photographs\n\t","9 photographs\n\t","4 photographs\n\t","3 photographs\n\t","8 photographs\n\t","16 photographs\n\t","2 photographs\n\t","2 photographs\n\t","6 photographs\n\t","1 photograph\n\t","3 photographs\n\t","3 photographs\n\t","6 photographs\n\t","9 photographs\n\t","5 photographs\n\t","1 photograph\n\t","2 photographs\n\t","16 photographs\n\t","13 photographs\n\t","4 photographs\n\t","3 photographs\n\t","1 photograph\n\t","1 photograph\n\t","5 photographs\n\t","6 photographs\n\t","3 photographs\n\t","4 photographs\n\t","4 photographs\n\t","7 photographs\n\t","2 photographs\n\t","1 photograph\n\t","1 photograph\n\t","4 photographs\n\t","1 photograph\n\t","1 photograph\n\t","11 photographs\n\t","7 photographs\n\t","14 photographs\n\t","12 photographs\n\t","1 photograph\n\t","6 photographs\n\t","1 photograph\n\t","1 photograph\n\t","6 photographs\n\t","3 photographs\n\t","11 photographs\n\t","2 photographs\n\t","12 photographs\n\t","9 photographs\n\t","7 photographs\n\t","4 photographs\n\t","10 photographs\n\t","7 photographs\n\t","10 photographs\n\t","5 photographs\n\t","7 photographs\n\t","16 photographs\n\t","2 photographs\n\t","1 photograph\n\t","5 photographs\n\t","7 photographs\n\t","4 photographs\n\t","1 photograph\n\t","4 photographs\n\t","2 photographs\n\t","1 photograph\n\t","1 photograph\n\t","4 photographs\n\t","1 photograph\n\t","2 photographs\n\t","2 photographs\n\t","6 photographs\n\t","Series 2 contains the nonproduction photographs, such as publicity photographs, images of rehearsals, and pictures of playbills and signs. The photographs are arranged chronologically within each folder.\n","5 photographs. This folder contains images of Barrault and other actors in rehearsal for various productions.\n\t","12 photographs. This folder contains photographs of signage and playbills for the productions of Barrault's company at various theaters.\n\t","15 photographs. This folder contains publicity photographs for various actors associated with Barrault and his productions, such as Barrault, Madeleine Renaud, and Marcel Marceau. Additionally, the folder contains images of a lecture given by Barrault about his production of Numance.\n\t"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Jean-Louis Barrault Photograph Collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jean-Louis Barrault Photograph Collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eContains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n\u003c/abstract\u003e"],"abstract_tesim":["Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n"],"names_ssim":["George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand.","Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs."],"corpname_ssim":["George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand."],"persname_ssim":["Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs."],"language_ssim":["French\n"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_barrault"}},{"id":"vifgm_clapsaddle","type":"collection","attributes":{"title":"Jerry Clapsaddle papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_clapsaddle#creator","type":"document_value","attributes":{"value":"Jerry Clapsaddle, 1941-\n","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_clapsaddle#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_clapsaddle#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_clapsaddle","ead_ssi":"vifgm_clapsaddle","_root_":"vifgm_clapsaddle","_nest_parent_":"vifgm_clapsaddle","ead_source_url_ssi":"data/gmu/clapsaddle.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/clapsaddle.html","title_ssm":["Jerry Clapsaddle papers"],"title_tesim":["Jerry Clapsaddle papers"],"unitdate_ssm":["1981-2005\n"],"unitdate_inclusive_ssm":["1981-2005\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0064\n"],"text":["C0064\n","Jerry Clapsaddle papers","Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings","There are no access restrictions.\n","Organized into three series.\n","Series 1: Subject Files, 1981-2004 (Boxes 1-7)\n Series 2: Photographs and Slides, 1973-2002 (Box 8)\n Series 3: Videotapes, 1995-2000 (Boxes 9-10)\n","Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\n","Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\n","Special Collections and Archives also holds the George Mason University Archives.\n","Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook. \n","This series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.\n","Getting Hired\n\t","Goals\n\t","Faculty Profile\n\t","Floor Plans \n\t","Memorandums, Annual Report, Arts Gala\n\t","Memorandums, Travel Request, Postcard\n\t","Correspondence, Papermaking Workshop, Accounting Report, \n\t","","","Promotion and Tenure Committee\n\t","Correspondence\n\t","Biographical and Professional Material from 1941-1986\n\t","Correspondence\n\t","","","","","","","Facts and Figures Comparisons\n\t","Correspondence, Postcard, Petree Graphics\n\t","","","","","","","","","","","Correspondence, Department Responsibilities\n\t","","","Correspondence, Fellowships, Tenure Track Faculty\n\t","","Correspondence, Report, Pamphlets\n\t","","Correspondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar\n\t","","Correspondence, Newspaper Article\n\t","Bachelor of Individual Study\n\t","Bachelors of Individual Study\n\t","New York, Student Reports\n\t","","","","","","","","","","","Name Listings, Articles\n\t","","","","Bryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"\n\t","Cancelled\n\t","CUE Art, New York\n\t","CUE Art, Participant List\n\t","New York, The Art World, Participant List\n\t","New York, Correspondence\n\t","Development\n\t","Overnight to New York, Honors Seminar\n\t","New York\n\t","New York, Correspondence, Carolee Schneemann\n\t","Receipts, Correspondence, Participant List, Wait List, New York\n\t","Art and Visual Technologies, Correspondence, Participant List, Itinerary, New York\n\t","Receipts, Contracts, Correspondence, New York\n\t","New York, Wait List, Participant List, \n\t","Participant List, New York\n\t","Davor Vrankic, Participant List, Letter of Complaint, New York\n\t","New York, Participant List, Wait List\n\t","Flier\n\t","Invoices, Fliers, Correspondence, Brochures\n\t","New York, Participant List, Guides\n\t","Correspondence, Participant List, Art Magazine, Wait List, New York\n\t","Correspondence, Arts Bus Video Advertisement, Mark Stevens, Participant List\n\t","Correspondence, Risk Release Agreement, \n\t","Correspondence, Wait List\n\t","Participant List, Response to Student Comments, Receipts\n\t","New York, Articles\n\t","New York, Art Mark Stevens, War Stories, The Museum of Modern Art\n\t","Flier, Chuck Close, Robert Storr\n\t","New York, Participant List\n\t","New York, Flier, Correspondence, Art Magazine Copy\n\t","New York, Flier, Correspondence\n\t","New York, Chris Martin\n\t","New York, \n\t","New York\n\t","New York, Art Magazine Copy, Correspondence\n\t","New York, Articles\n\t","New York, Correspondence, Museum of Modern Art\n\t","New York\n\t","New York\n\t","New York\n\t","New York, Fliers, Brochures, Pratt Institute, Articles\n\t","New York, Meret Oppenheim \"Beyond the Teacup\"\n\t","","","","Correspondence\n\t","Mission Statement, Correspondence, Memorandums\n\t","Correspondence, Newspaper Articles, Call for Entries \n\t","Fliers, Pamphlets, Correspondence\n\t","Course Syllabi, Articles, Correspondence\n\t","Faculty Meetings, Memorandums\n\t","Agenda, Meetings, Training Scenarios, ByLaws\n\t","Correspondence, Forms\n\t","Correspondence\n\t","","Meeting Minutes\n\t","","","Memorandums, By Laws\n\t","Correspondence, Article\n\t","Sculpture Proposal, Newspaper Articles, Correspondence\n\t","","","20 Years of Service\n\t","Memorandums, Correspondence, Convocation\n\t","","","","","Personal Mythology\n\t","","","Alumni Lists Class of 1976 and Forward\n\t","","Fliers, Newsletters, Pamphlets\n\t","Correspondence, Cards\n\t","","","","Correspondence\n\t","","Articles, Correspondence\n\t","","Convocation, Correspondence\n\t","Correspondence, Financial Records\n\t","Correspondence, Forms, Progress Reports\n\t","Pamphlets, Post Cards, Examples of Public Art\n\t","Pamphlets\n\t","Newspaper Articles\n\t","Newspaper Article, Pamphlets\n\t","Articles, Pamphlets, Booklets\n\t","Correspondence, Contract\n\t","Correspondence, Cultural Park Map and Plans\n\t","Budget Reports\n\t","","","","Newspaper Articles\n\t","Correspondence\n\t","","University of Massachusetts Art Council\n\t","Pamphlets, Guide to Philadelphia Architecture\n\t","","","Newspaper Articles\n\t","Newspaper Articles\n\t","Magazines, Newspaper Articles\n\t","","Ballston Gateway Proposal\n\t","Urban Design\n\t","Newspapers\n\t","","Booklets, Newsletters\n\t","","","","","Newspaper Articles\n\t","","","Building the Modern City\n\t","Newsletter\n\t","","","","","Livability, Art in Form\n\t","","Newspaper Articles\n\t","","Correspondence, Articles\n\t","Correspondence, Events, Awards\n\t","","","","","Correspondence, Plan for the Arts\n\t","","Possible Split Between Art and Art History\n\t","","","Meeting Minutes\n\t","","Newspaper Articles\n\t","","Newspaper Articles\n\t","","Correspondence, Prospectus\n\t","Meeting Minutes\n\t","","Correspondence, Text Suggestions, Calendar\n\t","","Newspaper Articles\n\t","","","","","","Goals, Teaching, Articles, Fliers, Studio Fundamentals, \n\t","","","Correspondence, Short on Faculty\n\t","","","Faculty Agenda\n\t","Course Lists, Fliers, Correspondence\n\t","","","","","Correspondence, Meeting\n\t","","","","Instructional Rating Reports, Events, Booklets\n\t","Faculty Workload, Art Studies Handbook\n\t","Mission Statement, Meeting Minutes\n\t","New Website\n\t","","","","","","Correspondence, Drafts for Restructuring Ideas\n\t","","","","First Issue of Platform\n\t","","Discussion of Curriculum Changes\n\t","","Correspondence, Institute of Arts Peer Review\n\t","VHS Price Lists, Video Catalogs\n\t","","","","Expenses, Copy\n\t","","","","","","Correspondence, Newspaper Articles, Booklets, Fliers\n\t","Itinerary, New York City\n\t","Correspondence, Articles on Events\n\t","Correspondence, Expenses, Exhibition Information, New York City\n\t","","","Correspondence, Newspaper Articles, Notes\n\t","Art Guides\n\t","Epic Vision, Review\n\t","New York City, Arts Guide\n\t","Subway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps\n\t","","Newspaper Articles, Restaurant Reviews\n\t","Correspondence, Guide Books\n\t","","","Articles, Museum References\n\t","","","","","Memorandums, Financial Statements\n\t","Correspondence, Newspaper Articles\n\t","","","Notes\n\t","Board List, New York City, Overnight Trip\n\t","","Correspondence\n\t","Correspondence\n\t","","","","Maps and Exhibition Lists for New York City\n\t","","This series contains photographs and slides of art from students and museums, as well as art in public places.\n","Slides\n\t","Slides\n\t","Oakton High School\n\t","Slides\n\t","Journal, Slides, Cassette Tape\n\t","Photographs\n\t","Cassette Tapes\n\t","Photographs\n\t","Blue Container\n\t","","This serious contains VHS tapes of art projects by students.\n","Fliers, Response Gallery, Video Rental, Correspondence\n\t","","","GMU-TV\n\t","","","","","","","","","SF2 Student Videos\n\t","","","","","","Students of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton\n\t","","","There are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n","This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. School of Art.","Jerry Clapsaddle, 1941-\n","Clapsaddle, Jerry, 1941-","English\n"],"unitid_tesim":["C0064\n"],"normalized_title_ssm":["Jerry Clapsaddle papers"],"collection_title_tesim":["Jerry Clapsaddle papers"],"collection_ssim":["Jerry Clapsaddle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Jerry Clapsaddle, 1941-\n"],"creator_ssim":["Jerry Clapsaddle, 1941-\n"],"creator_persname_ssim":["Jerry Clapsaddle, 1941-\n"],"creators_ssim":["Jerry Clapsaddle, 1941-\n"],"acqinfo_ssim":["Collection donated by Jerry Clapsaddle in 2005-2006.\n"],"access_subjects_ssim":["Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings"],"access_subjects_ssm":["Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 linear feet (24 boxes)"],"extent_tesim":["10 linear feet (24 boxes)"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Subject Files, 1981-2004 (Boxes 1-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs and Slides, 1973-2002 (Box 8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Videotapes, 1995-2000 (Boxes 9-10)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into three series.\n","Series 1: Subject Files, 1981-2004 (Boxes 1-7)\n Series 2: Photographs and Slides, 1973-2002 (Box 8)\n Series 3: Videotapes, 1995-2000 (Boxes 9-10)\n"],"bioghist_html_tesm":["\u003cp\u003eJerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\n"],"prefercite_html_tesm":["\u003cp\u003eJerry Clapsaddle collection, C0064, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Jerry Clapsaddle collection, C0064, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the George Mason University Archives.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the George Mason University Archives.\n"],"scopecontent_html_tesm":["\u003cp\u003eContains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook. \n\u003c/p\u003e","\u003cp\u003eThis series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.\n\u003c/p\u003e","\u003cp\u003eGetting Hired\n\t\u003c/p\u003e","\u003cp\u003eGoals\n\t\u003c/p\u003e","\u003cp\u003eFaculty Profile\n\t\u003c/p\u003e","\u003cp\u003eFloor Plans \n\t\u003c/p\u003e","\u003cp\u003eMemorandums, Annual Report, Arts Gala\n\t\u003c/p\u003e","\u003cp\u003eMemorandums, Travel Request, Postcard\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Papermaking Workshop, Accounting Report, \n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePromotion and Tenure Committee\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003eBiographical and Professional Material from 1941-1986\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFacts and Figures Comparisons\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Postcard, Petree Graphics\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Department Responsibilities\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Fellowships, Tenure Track Faculty\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Report, 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Tightrope\"\n\t\u003c/p\u003e","\u003cp\u003eCancelled\n\t\u003c/p\u003e","\u003cp\u003eCUE Art, New York\n\t\u003c/p\u003e","\u003cp\u003eCUE Art, Participant List\n\t\u003c/p\u003e","\u003cp\u003eNew York, The Art World, Participant List\n\t\u003c/p\u003e","\u003cp\u003eNew York, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eDevelopment\n\t\u003c/p\u003e","\u003cp\u003eOvernight to New York, Honors Seminar\n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Correspondence, Carolee Schneemann\n\t\u003c/p\u003e","\u003cp\u003eReceipts, Correspondence, Participant List, Wait List, New York\n\t\u003c/p\u003e","\u003cp\u003eArt and Visual Technologies, Correspondence, Participant List, Itinerary, New York\n\t\u003c/p\u003e","\u003cp\u003eReceipts, Contracts, Correspondence, New York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Wait List, Participant List, \n\t\u003c/p\u003e","\u003cp\u003eParticipant List, New York\n\t\u003c/p\u003e","\u003cp\u003eDavor 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York, Participant List\n\t\u003c/p\u003e","\u003cp\u003eNew York, Flier, Correspondence, Art Magazine Copy\n\t\u003c/p\u003e","\u003cp\u003eNew York, Flier, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eNew York, Chris Martin\n\t\u003c/p\u003e","\u003cp\u003eNew York, \n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Art Magazine Copy, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eNew York, Articles\n\t\u003c/p\u003e","\u003cp\u003eNew York, Correspondence, Museum of Modern Art\n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Fliers, Brochures, Pratt Institute, Articles\n\t\u003c/p\u003e","\u003cp\u003eNew York, Meret Oppenheim \"Beyond the Teacup\"\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003eMission Statement, Correspondence, Memorandums\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Articles, Call for Entries \n\t\u003c/p\u003e","\u003cp\u003eFliers, Pamphlets, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eCourse Syllabi, Articles, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eFaculty Meetings, Memorandums\n\t\u003c/p\u003e","\u003cp\u003eAgenda, Meetings, Training Scenarios, ByLaws\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Forms\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMemorandums, By Laws\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Article\n\t\u003c/p\u003e","\u003cp\u003eSculpture Proposal, Newspaper Articles, Correspondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e20 Years of 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Reports\n\t\u003c/p\u003e","\u003cp\u003ePamphlets, Post Cards, Examples of Public Art\n\t\u003c/p\u003e","\u003cp\u003ePamphlets\n\t\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003eNewspaper Article, Pamphlets\n\t\u003c/p\u003e","\u003cp\u003eArticles, Pamphlets, Booklets\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Contract\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Cultural Park Map and Plans\n\t\u003c/p\u003e","\u003cp\u003eBudget Reports\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eUniversity of Massachusetts Art Council\n\t\u003c/p\u003e","\u003cp\u003ePamphlets, Guide to Philadelphia Architecture\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003eMagazines, Newspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBallston Gateway Proposal\n\t\u003c/p\u003e","\u003cp\u003eUrban Design\n\t\u003c/p\u003e","\u003cp\u003eNewspapers\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBooklets, Newsletters\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBuilding the Modern City\n\t\u003c/p\u003e","\u003cp\u003eNewsletter\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eLivability, Art in Form\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Articles\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Events, Awards\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Plan for the Arts\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePossible Split Between Art and Art History\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Prospectus\n\t\u003c/p\u003e","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Text Suggestions, Calendar\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eGoals, Teaching, Articles, Fliers, Studio Fundamentals, \n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Short on Faculty\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFaculty Agenda\n\t\u003c/p\u003e","\u003cp\u003eCourse Lists, Fliers, Correspondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Meeting\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eInstructional Rating Reports, Events, Booklets\n\t\u003c/p\u003e","\u003cp\u003eFaculty Workload, Art Studies Handbook\n\t\u003c/p\u003e","\u003cp\u003eMission Statement, Meeting Minutes\n\t\u003c/p\u003e","\u003cp\u003eNew Website\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Drafts for Restructuring Ideas\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFirst Issue of Platform\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eDiscussion of Curriculum Changes\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Institute of Arts Peer Review\n\t\u003c/p\u003e","\u003cp\u003eVHS Price Lists, Video Catalogs\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eExpenses, Copy\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Articles, Booklets, Fliers\n\t\u003c/p\u003e","\u003cp\u003eItinerary, New York City\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Articles on Events\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Expenses, Exhibition Information, New York City\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Articles, Notes\n\t\u003c/p\u003e","\u003cp\u003eArt Guides\n\t\u003c/p\u003e","\u003cp\u003eEpic Vision, Review\n\t\u003c/p\u003e","\u003cp\u003eNew York City, Arts Guide\n\t\u003c/p\u003e","\u003cp\u003eSubway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles, Restaurant Reviews\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Guide Books\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eArticles, Museum References\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMemorandums, Financial Statements\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNotes\n\t\u003c/p\u003e","\u003cp\u003eBoard List, New York City, Overnight Trip\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMaps and Exhibition Lists for New York City\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs and slides of art from students and museums, as well as art in public places.\n\u003c/p\u003e","\u003cp\u003eSlides\n\t\u003c/p\u003e","\u003cp\u003eSlides\n\t\u003c/p\u003e","\u003cp\u003eOakton High School\n\t\u003c/p\u003e","\u003cp\u003eSlides\n\t\u003c/p\u003e","\u003cp\u003eJournal, Slides, Cassette Tape\n\t\u003c/p\u003e","\u003cp\u003ePhotographs\n\t\u003c/p\u003e","\u003cp\u003eCassette Tapes\n\t\u003c/p\u003e","\u003cp\u003ePhotographs\n\t\u003c/p\u003e","\u003cp\u003eBlue Container\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis serious contains VHS tapes of art projects by students.\n\u003c/p\u003e","\u003cp\u003eFliers, Response Gallery, Video Rental, Correspondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eGMU-TV\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eSF2 Student Videos\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eStudents of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook. \n","This series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.\n","Getting Hired\n\t","Goals\n\t","Faculty Profile\n\t","Floor Plans \n\t","Memorandums, Annual Report, Arts Gala\n\t","Memorandums, Travel Request, Postcard\n\t","Correspondence, Papermaking Workshop, Accounting Report, \n\t","","","Promotion and Tenure Committee\n\t","Correspondence\n\t","Biographical and Professional Material from 1941-1986\n\t","Correspondence\n\t","","","","","","","Facts and Figures Comparisons\n\t","Correspondence, Postcard, Petree Graphics\n\t","","","","","","","","","","","Correspondence, Department Responsibilities\n\t","","","Correspondence, Fellowships, Tenure Track Faculty\n\t","","Correspondence, Report, Pamphlets\n\t","","Correspondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar\n\t","","Correspondence, Newspaper Article\n\t","Bachelor of Individual Study\n\t","Bachelors of Individual Study\n\t","New York, Student Reports\n\t","","","","","","","","","","","Name Listings, Articles\n\t","","","","Bryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"\n\t","Cancelled\n\t","CUE Art, New York\n\t","CUE Art, Participant List\n\t","New York, The Art World, Participant List\n\t","New York, Correspondence\n\t","Development\n\t","Overnight to New York, Honors Seminar\n\t","New York\n\t","New York, Correspondence, Carolee Schneemann\n\t","Receipts, Correspondence, Participant List, Wait List, New York\n\t","Art and Visual Technologies, Correspondence, Participant List, Itinerary, New York\n\t","Receipts, Contracts, Correspondence, New York\n\t","New York, Wait List, Participant List, \n\t","Participant List, New York\n\t","Davor Vrankic, Participant List, Letter of Complaint, New York\n\t","New York, Participant List, Wait List\n\t","Flier\n\t","Invoices, Fliers, Correspondence, Brochures\n\t","New York, Participant List, Guides\n\t","Correspondence, Participant List, Art Magazine, Wait List, New York\n\t","Correspondence, Arts Bus Video Advertisement, Mark Stevens, Participant List\n\t","Correspondence, Risk Release Agreement, \n\t","Correspondence, Wait List\n\t","Participant List, Response to Student Comments, Receipts\n\t","New York, Articles\n\t","New York, Art Mark Stevens, War Stories, The Museum of Modern Art\n\t","Flier, Chuck Close, Robert Storr\n\t","New York, Participant List\n\t","New York, Flier, Correspondence, Art Magazine Copy\n\t","New York, Flier, Correspondence\n\t","New York, Chris Martin\n\t","New York, \n\t","New York\n\t","New York, Art Magazine Copy, Correspondence\n\t","New York, Articles\n\t","New York, Correspondence, Museum of Modern Art\n\t","New York\n\t","New York\n\t","New York\n\t","New York, Fliers, Brochures, Pratt Institute, Articles\n\t","New York, Meret Oppenheim \"Beyond the Teacup\"\n\t","","","","Correspondence\n\t","Mission Statement, Correspondence, Memorandums\n\t","Correspondence, Newspaper Articles, Call for Entries \n\t","Fliers, Pamphlets, Correspondence\n\t","Course Syllabi, Articles, Correspondence\n\t","Faculty Meetings, Memorandums\n\t","Agenda, Meetings, Training Scenarios, ByLaws\n\t","Correspondence, Forms\n\t","Correspondence\n\t","","Meeting Minutes\n\t","","","Memorandums, By Laws\n\t","Correspondence, Article\n\t","Sculpture Proposal, Newspaper Articles, Correspondence\n\t","","","20 Years of Service\n\t","Memorandums, Correspondence, Convocation\n\t","","","","","Personal Mythology\n\t","","","Alumni Lists Class of 1976 and Forward\n\t","","Fliers, Newsletters, Pamphlets\n\t","Correspondence, Cards\n\t","","","","Correspondence\n\t","","Articles, Correspondence\n\t","","Convocation, Correspondence\n\t","Correspondence, Financial Records\n\t","Correspondence, Forms, Progress Reports\n\t","Pamphlets, Post Cards, Examples of Public Art\n\t","Pamphlets\n\t","Newspaper Articles\n\t","Newspaper Article, Pamphlets\n\t","Articles, Pamphlets, Booklets\n\t","Correspondence, Contract\n\t","Correspondence, Cultural Park Map and Plans\n\t","Budget Reports\n\t","","","","Newspaper Articles\n\t","Correspondence\n\t","","University of Massachusetts Art Council\n\t","Pamphlets, Guide to Philadelphia Architecture\n\t","","","Newspaper Articles\n\t","Newspaper Articles\n\t","Magazines, Newspaper Articles\n\t","","Ballston Gateway Proposal\n\t","Urban Design\n\t","Newspapers\n\t","","Booklets, Newsletters\n\t","","","","","Newspaper Articles\n\t","","","Building the Modern City\n\t","Newsletter\n\t","","","","","Livability, Art in Form\n\t","","Newspaper Articles\n\t","","Correspondence, Articles\n\t","Correspondence, Events, Awards\n\t","","","","","Correspondence, Plan for the Arts\n\t","","Possible Split Between Art and Art History\n\t","","","Meeting Minutes\n\t","","Newspaper Articles\n\t","","Newspaper Articles\n\t","","Correspondence, Prospectus\n\t","Meeting Minutes\n\t","","Correspondence, Text Suggestions, Calendar\n\t","","Newspaper Articles\n\t","","","","","","Goals, Teaching, Articles, Fliers, Studio Fundamentals, \n\t","","","Correspondence, Short on Faculty\n\t","","","Faculty Agenda\n\t","Course Lists, Fliers, Correspondence\n\t","","","","","Correspondence, Meeting\n\t","","","","Instructional Rating Reports, Events, Booklets\n\t","Faculty Workload, Art Studies Handbook\n\t","Mission Statement, Meeting Minutes\n\t","New Website\n\t","","","","","","Correspondence, Drafts for Restructuring Ideas\n\t","","","","First Issue of Platform\n\t","","Discussion of Curriculum Changes\n\t","","Correspondence, Institute of Arts Peer Review\n\t","VHS Price Lists, Video Catalogs\n\t","","","","Expenses, Copy\n\t","","","","","","Correspondence, Newspaper Articles, Booklets, Fliers\n\t","Itinerary, New York City\n\t","Correspondence, Articles on Events\n\t","Correspondence, Expenses, Exhibition Information, New York City\n\t","","","Correspondence, Newspaper Articles, Notes\n\t","Art Guides\n\t","Epic Vision, Review\n\t","New York City, Arts Guide\n\t","Subway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps\n\t","","Newspaper Articles, Restaurant Reviews\n\t","Correspondence, Guide Books\n\t","","","Articles, Museum References\n\t","","","","","Memorandums, Financial Statements\n\t","Correspondence, Newspaper Articles\n\t","","","Notes\n\t","Board List, New York City, Overnight Trip\n\t","","Correspondence\n\t","Correspondence\n\t","","","","Maps and Exhibition Lists for New York City\n\t","","This series contains photographs and slides of art from students and museums, as well as art in public places.\n","Slides\n\t","Slides\n\t","Oakton High School\n\t","Slides\n\t","Journal, Slides, Cassette Tape\n\t","Photographs\n\t","Cassette Tapes\n\t","Photographs\n\t","Blue Container\n\t","","This serious contains VHS tapes of art projects by students.\n","Fliers, Response Gallery, Video Rental, Correspondence\n\t","","","GMU-TV\n\t","","","","","","","","","SF2 Student Videos\n\t","","","","","","Students of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton\n\t","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. School of Art.","Jerry Clapsaddle, 1941-\n","Clapsaddle, Jerry, 1941-"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. School of Art."],"persname_ssim":["Jerry Clapsaddle, 1941-\n","Clapsaddle, Jerry, 1941-"],"language_ssim":["English\n"],"total_component_count_is":329,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:18:50.228Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_clapsaddle","ead_ssi":"vifgm_clapsaddle","_root_":"vifgm_clapsaddle","_nest_parent_":"vifgm_clapsaddle","ead_source_url_ssi":"data/gmu/clapsaddle.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/clapsaddle.html","title_ssm":["Jerry Clapsaddle papers"],"title_tesim":["Jerry Clapsaddle papers"],"unitdate_ssm":["1981-2005\n"],"unitdate_inclusive_ssm":["1981-2005\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0064\n"],"text":["C0064\n","Jerry Clapsaddle papers","Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings","There are no access restrictions.\n","Organized into three series.\n","Series 1: Subject Files, 1981-2004 (Boxes 1-7)\n Series 2: Photographs and Slides, 1973-2002 (Box 8)\n Series 3: Videotapes, 1995-2000 (Boxes 9-10)\n","Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\n","Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\n","Special Collections and Archives also holds the George Mason University Archives.\n","Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook. \n","This series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.\n","Getting Hired\n\t","Goals\n\t","Faculty Profile\n\t","Floor Plans \n\t","Memorandums, Annual Report, Arts Gala\n\t","Memorandums, Travel Request, Postcard\n\t","Correspondence, Papermaking Workshop, Accounting Report, \n\t","","","Promotion and Tenure Committee\n\t","Correspondence\n\t","Biographical and Professional Material from 1941-1986\n\t","Correspondence\n\t","","","","","","","Facts and Figures Comparisons\n\t","Correspondence, Postcard, Petree Graphics\n\t","","","","","","","","","","","Correspondence, Department Responsibilities\n\t","","","Correspondence, Fellowships, Tenure Track Faculty\n\t","","Correspondence, Report, Pamphlets\n\t","","Correspondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar\n\t","","Correspondence, Newspaper Article\n\t","Bachelor of Individual Study\n\t","Bachelors of Individual Study\n\t","New York, Student Reports\n\t","","","","","","","","","","","Name Listings, Articles\n\t","","","","Bryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"\n\t","Cancelled\n\t","CUE Art, New York\n\t","CUE Art, Participant List\n\t","New York, The Art World, Participant List\n\t","New York, Correspondence\n\t","Development\n\t","Overnight to New York, Honors Seminar\n\t","New York\n\t","New York, Correspondence, Carolee Schneemann\n\t","Receipts, Correspondence, Participant List, Wait List, New York\n\t","Art and Visual Technologies, Correspondence, Participant List, Itinerary, New York\n\t","Receipts, Contracts, Correspondence, New York\n\t","New York, Wait List, Participant List, \n\t","Participant List, New York\n\t","Davor Vrankic, Participant List, Letter of Complaint, New York\n\t","New York, Participant List, Wait List\n\t","Flier\n\t","Invoices, Fliers, Correspondence, Brochures\n\t","New York, Participant List, Guides\n\t","Correspondence, Participant List, Art Magazine, Wait List, New York\n\t","Correspondence, Arts Bus Video Advertisement, Mark Stevens, Participant List\n\t","Correspondence, Risk Release Agreement, \n\t","Correspondence, Wait List\n\t","Participant List, Response to Student Comments, Receipts\n\t","New York, Articles\n\t","New York, Art Mark Stevens, War Stories, The Museum of Modern Art\n\t","Flier, Chuck Close, Robert Storr\n\t","New York, Participant List\n\t","New York, Flier, Correspondence, Art Magazine Copy\n\t","New York, Flier, Correspondence\n\t","New York, Chris Martin\n\t","New York, \n\t","New York\n\t","New York, Art Magazine Copy, Correspondence\n\t","New York, Articles\n\t","New York, Correspondence, Museum of Modern Art\n\t","New York\n\t","New York\n\t","New York\n\t","New York, Fliers, Brochures, Pratt Institute, Articles\n\t","New York, Meret Oppenheim \"Beyond the Teacup\"\n\t","","","","Correspondence\n\t","Mission Statement, Correspondence, Memorandums\n\t","Correspondence, Newspaper Articles, Call for Entries \n\t","Fliers, Pamphlets, Correspondence\n\t","Course Syllabi, Articles, Correspondence\n\t","Faculty Meetings, Memorandums\n\t","Agenda, Meetings, Training Scenarios, ByLaws\n\t","Correspondence, Forms\n\t","Correspondence\n\t","","Meeting Minutes\n\t","","","Memorandums, By Laws\n\t","Correspondence, Article\n\t","Sculpture Proposal, Newspaper Articles, Correspondence\n\t","","","20 Years of Service\n\t","Memorandums, Correspondence, Convocation\n\t","","","","","Personal Mythology\n\t","","","Alumni Lists Class of 1976 and Forward\n\t","","Fliers, Newsletters, Pamphlets\n\t","Correspondence, Cards\n\t","","","","Correspondence\n\t","","Articles, Correspondence\n\t","","Convocation, Correspondence\n\t","Correspondence, Financial Records\n\t","Correspondence, Forms, Progress Reports\n\t","Pamphlets, Post Cards, Examples of Public Art\n\t","Pamphlets\n\t","Newspaper Articles\n\t","Newspaper Article, Pamphlets\n\t","Articles, Pamphlets, Booklets\n\t","Correspondence, Contract\n\t","Correspondence, Cultural Park Map and Plans\n\t","Budget Reports\n\t","","","","Newspaper Articles\n\t","Correspondence\n\t","","University of Massachusetts Art Council\n\t","Pamphlets, Guide to Philadelphia Architecture\n\t","","","Newspaper Articles\n\t","Newspaper Articles\n\t","Magazines, Newspaper Articles\n\t","","Ballston Gateway Proposal\n\t","Urban Design\n\t","Newspapers\n\t","","Booklets, Newsletters\n\t","","","","","Newspaper Articles\n\t","","","Building the Modern City\n\t","Newsletter\n\t","","","","","Livability, Art in Form\n\t","","Newspaper Articles\n\t","","Correspondence, Articles\n\t","Correspondence, Events, Awards\n\t","","","","","Correspondence, Plan for the Arts\n\t","","Possible Split Between Art and Art History\n\t","","","Meeting Minutes\n\t","","Newspaper Articles\n\t","","Newspaper Articles\n\t","","Correspondence, Prospectus\n\t","Meeting Minutes\n\t","","Correspondence, Text Suggestions, Calendar\n\t","","Newspaper Articles\n\t","","","","","","Goals, Teaching, Articles, Fliers, Studio Fundamentals, \n\t","","","Correspondence, Short on Faculty\n\t","","","Faculty Agenda\n\t","Course Lists, Fliers, Correspondence\n\t","","","","","Correspondence, Meeting\n\t","","","","Instructional Rating Reports, Events, Booklets\n\t","Faculty Workload, Art Studies Handbook\n\t","Mission Statement, Meeting Minutes\n\t","New Website\n\t","","","","","","Correspondence, Drafts for Restructuring Ideas\n\t","","","","First Issue of Platform\n\t","","Discussion of Curriculum Changes\n\t","","Correspondence, Institute of Arts Peer Review\n\t","VHS Price Lists, Video Catalogs\n\t","","","","Expenses, Copy\n\t","","","","","","Correspondence, Newspaper Articles, Booklets, Fliers\n\t","Itinerary, New York City\n\t","Correspondence, Articles on Events\n\t","Correspondence, Expenses, Exhibition Information, New York City\n\t","","","Correspondence, Newspaper Articles, Notes\n\t","Art Guides\n\t","Epic Vision, Review\n\t","New York City, Arts Guide\n\t","Subway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps\n\t","","Newspaper Articles, Restaurant Reviews\n\t","Correspondence, Guide Books\n\t","","","Articles, Museum References\n\t","","","","","Memorandums, Financial Statements\n\t","Correspondence, Newspaper Articles\n\t","","","Notes\n\t","Board List, New York City, Overnight Trip\n\t","","Correspondence\n\t","Correspondence\n\t","","","","Maps and Exhibition Lists for New York City\n\t","","This series contains photographs and slides of art from students and museums, as well as art in public places.\n","Slides\n\t","Slides\n\t","Oakton High School\n\t","Slides\n\t","Journal, Slides, Cassette Tape\n\t","Photographs\n\t","Cassette Tapes\n\t","Photographs\n\t","Blue Container\n\t","","This serious contains VHS tapes of art projects by students.\n","Fliers, Response Gallery, Video Rental, Correspondence\n\t","","","GMU-TV\n\t","","","","","","","","","SF2 Student Videos\n\t","","","","","","Students of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton\n\t","","","There are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n","This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. School of Art.","Jerry Clapsaddle, 1941-\n","Clapsaddle, Jerry, 1941-","English\n"],"unitid_tesim":["C0064\n"],"normalized_title_ssm":["Jerry Clapsaddle papers"],"collection_title_tesim":["Jerry Clapsaddle papers"],"collection_ssim":["Jerry Clapsaddle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Jerry Clapsaddle, 1941-\n"],"creator_ssim":["Jerry Clapsaddle, 1941-\n"],"creator_persname_ssim":["Jerry Clapsaddle, 1941-\n"],"creators_ssim":["Jerry Clapsaddle, 1941-\n"],"acqinfo_ssim":["Collection donated by Jerry Clapsaddle in 2005-2006.\n"],"access_subjects_ssim":["Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings"],"access_subjects_ssm":["Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 linear feet (24 boxes)"],"extent_tesim":["10 linear feet (24 boxes)"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Subject Files, 1981-2004 (Boxes 1-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs and Slides, 1973-2002 (Box 8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Videotapes, 1995-2000 (Boxes 9-10)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into three series.\n","Series 1: Subject Files, 1981-2004 (Boxes 1-7)\n Series 2: Photographs and Slides, 1973-2002 (Box 8)\n Series 3: Videotapes, 1995-2000 (Boxes 9-10)\n"],"bioghist_html_tesm":["\u003cp\u003eJerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\n"],"prefercite_html_tesm":["\u003cp\u003eJerry Clapsaddle collection, C0064, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Jerry Clapsaddle collection, C0064, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the George Mason University Archives.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the George Mason University Archives.\n"],"scopecontent_html_tesm":["\u003cp\u003eContains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook. \n\u003c/p\u003e","\u003cp\u003eThis series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.\n\u003c/p\u003e","\u003cp\u003eGetting Hired\n\t\u003c/p\u003e","\u003cp\u003eGoals\n\t\u003c/p\u003e","\u003cp\u003eFaculty Profile\n\t\u003c/p\u003e","\u003cp\u003eFloor Plans \n\t\u003c/p\u003e","\u003cp\u003eMemorandums, Annual Report, Arts Gala\n\t\u003c/p\u003e","\u003cp\u003eMemorandums, Travel Request, Postcard\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Papermaking Workshop, Accounting Report, \n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePromotion and Tenure Committee\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003eBiographical and Professional Material from 1941-1986\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFacts and Figures Comparisons\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Postcard, Petree Graphics\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Department Responsibilities\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Fellowships, Tenure Track Faculty\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Report, Pamphlets\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Article\n\t\u003c/p\u003e","\u003cp\u003eBachelor of Individual Study\n\t\u003c/p\u003e","\u003cp\u003eBachelors of Individual Study\n\t\u003c/p\u003e","\u003cp\u003eNew York, Student Reports\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eName Listings, Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"\n\t\u003c/p\u003e","\u003cp\u003eCancelled\n\t\u003c/p\u003e","\u003cp\u003eCUE Art, New York\n\t\u003c/p\u003e","\u003cp\u003eCUE Art, Participant List\n\t\u003c/p\u003e","\u003cp\u003eNew York, The Art World, Participant List\n\t\u003c/p\u003e","\u003cp\u003eNew York, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eDevelopment\n\t\u003c/p\u003e","\u003cp\u003eOvernight to New York, Honors Seminar\n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Correspondence, Carolee Schneemann\n\t\u003c/p\u003e","\u003cp\u003eReceipts, Correspondence, Participant List, Wait List, New York\n\t\u003c/p\u003e","\u003cp\u003eArt and Visual Technologies, Correspondence, Participant List, Itinerary, New York\n\t\u003c/p\u003e","\u003cp\u003eReceipts, Contracts, Correspondence, New York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Wait List, Participant List, \n\t\u003c/p\u003e","\u003cp\u003eParticipant List, New York\n\t\u003c/p\u003e","\u003cp\u003eDavor Vrankic, Participant List, Letter of Complaint, New York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Participant List, Wait List\n\t\u003c/p\u003e","\u003cp\u003eFlier\n\t\u003c/p\u003e","\u003cp\u003eInvoices, Fliers, Correspondence, Brochures\n\t\u003c/p\u003e","\u003cp\u003eNew York, Participant List, Guides\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Participant List, Art Magazine, Wait List, New York\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Arts Bus Video Advertisement, Mark Stevens, Participant List\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Risk Release Agreement, \n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Wait List\n\t\u003c/p\u003e","\u003cp\u003eParticipant List, Response to Student Comments, Receipts\n\t\u003c/p\u003e","\u003cp\u003eNew York, Articles\n\t\u003c/p\u003e","\u003cp\u003eNew York, Art Mark Stevens, War Stories, The Museum of Modern Art\n\t\u003c/p\u003e","\u003cp\u003eFlier, Chuck Close, Robert Storr\n\t\u003c/p\u003e","\u003cp\u003eNew York, Participant List\n\t\u003c/p\u003e","\u003cp\u003eNew York, Flier, Correspondence, Art Magazine Copy\n\t\u003c/p\u003e","\u003cp\u003eNew York, Flier, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eNew York, Chris Martin\n\t\u003c/p\u003e","\u003cp\u003eNew York, \n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Art Magazine Copy, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eNew York, Articles\n\t\u003c/p\u003e","\u003cp\u003eNew York, Correspondence, Museum of Modern Art\n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York\n\t\u003c/p\u003e","\u003cp\u003eNew York, Fliers, Brochures, Pratt Institute, Articles\n\t\u003c/p\u003e","\u003cp\u003eNew York, Meret Oppenheim \"Beyond the Teacup\"\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003eMission Statement, Correspondence, Memorandums\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Articles, Call for Entries \n\t\u003c/p\u003e","\u003cp\u003eFliers, Pamphlets, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eCourse Syllabi, Articles, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eFaculty Meetings, Memorandums\n\t\u003c/p\u003e","\u003cp\u003eAgenda, Meetings, Training Scenarios, ByLaws\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Forms\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMemorandums, By Laws\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Article\n\t\u003c/p\u003e","\u003cp\u003eSculpture Proposal, Newspaper Articles, Correspondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e20 Years of Service\n\t\u003c/p\u003e","\u003cp\u003eMemorandums, Correspondence, Convocation\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePersonal Mythology\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eAlumni Lists Class of 1976 and Forward\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFliers, Newsletters, Pamphlets\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Cards\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eArticles, Correspondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eConvocation, Correspondence\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Financial Records\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Forms, Progress Reports\n\t\u003c/p\u003e","\u003cp\u003ePamphlets, Post Cards, Examples of Public Art\n\t\u003c/p\u003e","\u003cp\u003ePamphlets\n\t\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003eNewspaper Article, Pamphlets\n\t\u003c/p\u003e","\u003cp\u003eArticles, Pamphlets, Booklets\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Contract\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Cultural Park Map and Plans\n\t\u003c/p\u003e","\u003cp\u003eBudget Reports\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eUniversity of Massachusetts Art Council\n\t\u003c/p\u003e","\u003cp\u003ePamphlets, Guide to Philadelphia Architecture\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003eMagazines, Newspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBallston Gateway Proposal\n\t\u003c/p\u003e","\u003cp\u003eUrban Design\n\t\u003c/p\u003e","\u003cp\u003eNewspapers\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBooklets, Newsletters\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBuilding the Modern City\n\t\u003c/p\u003e","\u003cp\u003eNewsletter\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eLivability, Art in Form\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Articles\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Events, Awards\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Plan for the Arts\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePossible Split Between Art and Art History\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Prospectus\n\t\u003c/p\u003e","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Text Suggestions, Calendar\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eGoals, Teaching, Articles, Fliers, Studio Fundamentals, \n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Short on Faculty\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFaculty Agenda\n\t\u003c/p\u003e","\u003cp\u003eCourse Lists, Fliers, Correspondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Meeting\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eInstructional Rating Reports, Events, Booklets\n\t\u003c/p\u003e","\u003cp\u003eFaculty Workload, Art Studies Handbook\n\t\u003c/p\u003e","\u003cp\u003eMission Statement, Meeting Minutes\n\t\u003c/p\u003e","\u003cp\u003eNew Website\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Drafts for Restructuring Ideas\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFirst Issue of Platform\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eDiscussion of Curriculum Changes\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Institute of Arts Peer Review\n\t\u003c/p\u003e","\u003cp\u003eVHS Price Lists, Video Catalogs\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eExpenses, Copy\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Articles, Booklets, Fliers\n\t\u003c/p\u003e","\u003cp\u003eItinerary, New York City\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Articles on Events\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Expenses, Exhibition Information, New York City\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Articles, Notes\n\t\u003c/p\u003e","\u003cp\u003eArt Guides\n\t\u003c/p\u003e","\u003cp\u003eEpic Vision, Review\n\t\u003c/p\u003e","\u003cp\u003eNew York City, Arts Guide\n\t\u003c/p\u003e","\u003cp\u003eSubway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNewspaper Articles, Restaurant Reviews\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Guide Books\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eArticles, Museum References\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMemorandums, Financial Statements\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence, Newspaper Articles\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eNotes\n\t\u003c/p\u003e","\u003cp\u003eBoard List, New York City, Overnight Trip\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eMaps and Exhibition Lists for New York City\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs and slides of art from students and museums, as well as art in public places.\n\u003c/p\u003e","\u003cp\u003eSlides\n\t\u003c/p\u003e","\u003cp\u003eSlides\n\t\u003c/p\u003e","\u003cp\u003eOakton High School\n\t\u003c/p\u003e","\u003cp\u003eSlides\n\t\u003c/p\u003e","\u003cp\u003eJournal, Slides, Cassette Tape\n\t\u003c/p\u003e","\u003cp\u003ePhotographs\n\t\u003c/p\u003e","\u003cp\u003eCassette Tapes\n\t\u003c/p\u003e","\u003cp\u003ePhotographs\n\t\u003c/p\u003e","\u003cp\u003eBlue Container\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis serious contains VHS tapes of art projects by students.\n\u003c/p\u003e","\u003cp\u003eFliers, Response Gallery, Video Rental, Correspondence\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eGMU-TV\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eSF2 Student Videos\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eStudents of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook. \n","This series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.\n","Getting Hired\n\t","Goals\n\t","Faculty Profile\n\t","Floor Plans \n\t","Memorandums, Annual Report, Arts Gala\n\t","Memorandums, Travel Request, Postcard\n\t","Correspondence, Papermaking Workshop, Accounting Report, \n\t","","","Promotion and Tenure Committee\n\t","Correspondence\n\t","Biographical and Professional Material from 1941-1986\n\t","Correspondence\n\t","","","","","","","Facts and Figures Comparisons\n\t","Correspondence, Postcard, Petree Graphics\n\t","","","","","","","","","","","Correspondence, Department Responsibilities\n\t","","","Correspondence, Fellowships, Tenure Track Faculty\n\t","","Correspondence, Report, Pamphlets\n\t","","Correspondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar\n\t","","Correspondence, Newspaper Article\n\t","Bachelor of Individual Study\n\t","Bachelors of Individual Study\n\t","New York, Student Reports\n\t","","","","","","","","","","","Name Listings, Articles\n\t","","","","Bryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"\n\t","Cancelled\n\t","CUE Art, New York\n\t","CUE Art, Participant List\n\t","New York, The Art World, Participant List\n\t","New York, Correspondence\n\t","Development\n\t","Overnight to New York, Honors Seminar\n\t","New York\n\t","New York, Correspondence, Carolee Schneemann\n\t","Receipts, Correspondence, Participant List, Wait List, New York\n\t","Art and Visual Technologies, Correspondence, Participant List, Itinerary, New York\n\t","Receipts, Contracts, Correspondence, New York\n\t","New York, Wait List, Participant List, \n\t","Participant List, New York\n\t","Davor Vrankic, Participant List, Letter of Complaint, New York\n\t","New York, Participant List, Wait List\n\t","Flier\n\t","Invoices, Fliers, Correspondence, Brochures\n\t","New York, Participant List, Guides\n\t","Correspondence, Participant List, Art Magazine, Wait List, New York\n\t","Correspondence, Arts Bus Video Advertisement, Mark Stevens, Participant List\n\t","Correspondence, Risk Release Agreement, \n\t","Correspondence, Wait List\n\t","Participant List, Response to Student Comments, Receipts\n\t","New York, Articles\n\t","New York, Art Mark Stevens, War Stories, The Museum of Modern Art\n\t","Flier, Chuck Close, Robert Storr\n\t","New York, Participant List\n\t","New York, Flier, Correspondence, Art Magazine Copy\n\t","New York, Flier, Correspondence\n\t","New York, Chris Martin\n\t","New York, \n\t","New York\n\t","New York, Art Magazine Copy, Correspondence\n\t","New York, Articles\n\t","New York, Correspondence, Museum of Modern Art\n\t","New York\n\t","New York\n\t","New York\n\t","New York, Fliers, Brochures, Pratt Institute, Articles\n\t","New York, Meret Oppenheim \"Beyond the Teacup\"\n\t","","","","Correspondence\n\t","Mission Statement, Correspondence, Memorandums\n\t","Correspondence, Newspaper Articles, Call for Entries \n\t","Fliers, Pamphlets, Correspondence\n\t","Course Syllabi, Articles, Correspondence\n\t","Faculty Meetings, Memorandums\n\t","Agenda, Meetings, Training Scenarios, ByLaws\n\t","Correspondence, Forms\n\t","Correspondence\n\t","","Meeting Minutes\n\t","","","Memorandums, By Laws\n\t","Correspondence, Article\n\t","Sculpture Proposal, Newspaper Articles, Correspondence\n\t","","","20 Years of Service\n\t","Memorandums, Correspondence, Convocation\n\t","","","","","Personal Mythology\n\t","","","Alumni Lists Class of 1976 and Forward\n\t","","Fliers, Newsletters, Pamphlets\n\t","Correspondence, Cards\n\t","","","","Correspondence\n\t","","Articles, Correspondence\n\t","","Convocation, Correspondence\n\t","Correspondence, Financial Records\n\t","Correspondence, Forms, Progress Reports\n\t","Pamphlets, Post Cards, Examples of Public Art\n\t","Pamphlets\n\t","Newspaper Articles\n\t","Newspaper Article, Pamphlets\n\t","Articles, Pamphlets, Booklets\n\t","Correspondence, Contract\n\t","Correspondence, Cultural Park Map and Plans\n\t","Budget Reports\n\t","","","","Newspaper Articles\n\t","Correspondence\n\t","","University of Massachusetts Art Council\n\t","Pamphlets, Guide to Philadelphia Architecture\n\t","","","Newspaper Articles\n\t","Newspaper Articles\n\t","Magazines, Newspaper Articles\n\t","","Ballston Gateway Proposal\n\t","Urban Design\n\t","Newspapers\n\t","","Booklets, Newsletters\n\t","","","","","Newspaper Articles\n\t","","","Building the Modern City\n\t","Newsletter\n\t","","","","","Livability, Art in Form\n\t","","Newspaper Articles\n\t","","Correspondence, Articles\n\t","Correspondence, Events, Awards\n\t","","","","","Correspondence, Plan for the Arts\n\t","","Possible Split Between Art and Art History\n\t","","","Meeting Minutes\n\t","","Newspaper Articles\n\t","","Newspaper Articles\n\t","","Correspondence, Prospectus\n\t","Meeting Minutes\n\t","","Correspondence, Text Suggestions, Calendar\n\t","","Newspaper Articles\n\t","","","","","","Goals, Teaching, Articles, Fliers, Studio Fundamentals, \n\t","","","Correspondence, Short on Faculty\n\t","","","Faculty Agenda\n\t","Course Lists, Fliers, Correspondence\n\t","","","","","Correspondence, Meeting\n\t","","","","Instructional Rating Reports, Events, Booklets\n\t","Faculty Workload, Art Studies Handbook\n\t","Mission Statement, Meeting Minutes\n\t","New Website\n\t","","","","","","Correspondence, Drafts for Restructuring Ideas\n\t","","","","First Issue of Platform\n\t","","Discussion of Curriculum Changes\n\t","","Correspondence, Institute of Arts Peer Review\n\t","VHS Price Lists, Video Catalogs\n\t","","","","Expenses, Copy\n\t","","","","","","Correspondence, Newspaper Articles, Booklets, Fliers\n\t","Itinerary, New York City\n\t","Correspondence, Articles on Events\n\t","Correspondence, Expenses, Exhibition Information, New York City\n\t","","","Correspondence, Newspaper Articles, Notes\n\t","Art Guides\n\t","Epic Vision, Review\n\t","New York City, Arts Guide\n\t","Subway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps\n\t","","Newspaper Articles, Restaurant Reviews\n\t","Correspondence, Guide Books\n\t","","","Articles, Museum References\n\t","","","","","Memorandums, Financial Statements\n\t","Correspondence, Newspaper Articles\n\t","","","Notes\n\t","Board List, New York City, Overnight Trip\n\t","","Correspondence\n\t","Correspondence\n\t","","","","Maps and Exhibition Lists for New York City\n\t","","This series contains photographs and slides of art from students and museums, as well as art in public places.\n","Slides\n\t","Slides\n\t","Oakton High School\n\t","Slides\n\t","Journal, Slides, Cassette Tape\n\t","Photographs\n\t","Cassette Tapes\n\t","Photographs\n\t","Blue Container\n\t","","This serious contains VHS tapes of art projects by students.\n","Fliers, Response Gallery, Video Rental, Correspondence\n\t","","","GMU-TV\n\t","","","","","","","","","SF2 Student Videos\n\t","","","","","","Students of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton\n\t","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. School of Art.","Jerry Clapsaddle, 1941-\n","Clapsaddle, Jerry, 1941-"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. School of Art."],"persname_ssim":["Jerry Clapsaddle, 1941-\n","Clapsaddle, Jerry, 1941-"],"language_ssim":["English\n"],"total_component_count_is":329,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:18:50.228Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_clapsaddle"}},{"id":"vifgm_vifgm00038","type":"collection","attributes":{"title":"Kuratorium Unteilbares Deutschland photograph collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00038#creator","type":"document_value","attributes":{"value":"Kuratorium Unteilbares Deutschland\n","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00038#abstract_or_scope","type":"document_value","attributes":{"value":"The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\". ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00038#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00038","ead_ssi":"vifgm_vifgm00038","_root_":"vifgm_vifgm00038","_nest_parent_":"vifgm_vifgm00038","ead_source_url_ssi":"data/gmu/vifgm00038.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Kuratorium Unteilbares Deutschland photograph collection"],"title_tesim":["Kuratorium Unteilbares Deutschland photograph collection"],"unitdate_ssm":["1959-1964\n"],"unitdate_inclusive_ssm":["1959-1964\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0061\n"],"text":["C0061\n","Kuratorium Unteilbares Deutschland photograph collection","Berlin Wall, Berlin, Germany, 1961-1989--Photographs.","Protest movements--Germany--Berlin--Photographs.","Photographic prints.","Portraits.","Collection is open to research.\n","Organized by subject.","The KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of détente in the late 1960s. In 1991 the KUD ceased to exist.","Shortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member.","Processed by Jordan Patty in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in 2010.","Special Collections and Archives also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s.","The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","Some of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are repsonsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s.\n","Consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\". There are also other materials, including ephemera and a book that features some of the photographs from the collection.\n","200 photograghs\n\t","200 photograghs\n\t","100 photograghs\n\t","83 photographs\n\t","55 photographs\n\t","134 photographs\n\t","51 photographs\n\t","16 photographs\n\t","6 photographs\n\t","111 photographs\n\t","44 photographs\n\t","98 photographs\n\t","116 photographs\n\t","25 photographs\n\t","30 photographs\n\t","49 photographs\n\t","48 photographs\n\t","79 photographs\n\t","200 photographs\n\t","23 photographs\n\t","105 photographs\n\t","50 photographs\n\t","173 photographs\n\t","179 photographs\n\t","85 photographs\n\t","268 photographs\n\t","400 photographs\n\t","29 photographs\n\t","57 photographs\n\t","181 photographs\n\t","185 photographs\n\t","40 photographs\n\t","42 photographs\n\t","31 photographs\n\t","book\n\t","There are no restrictions.\n","The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\n","George Mason University.  Special Collections and Archives.\n","Kuratorium Unteilbares Deutschland\n","Adenauer, Konrad, 1876-1967--Photographs.","Brandt, Willy, 1913-1992--Photographs.","Löbe, Paul, 1875-1967--Photographs.","Lübke, Heinrich, 1894-1972--Photographs.","Mende, Erich, 1916- --Photographs.","Schütz, Wilhelm Wolfgang, 1911- ---Photographs.","Wehner, Herbert, 1906-1990--Photographs.","English\n"],"unitid_tesim":["C0061\n"],"normalized_title_ssm":["Kuratorium Unteilbares Deutschland photograph collection"],"collection_title_tesim":["Kuratorium Unteilbares Deutschland photograph collection"],"collection_ssim":["Kuratorium Unteilbares Deutschland photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Kuratorium Unteilbares Deutschland\n"],"creator_ssim":["Kuratorium Unteilbares Deutschland\n"],"creator_corpname_ssim":["Kuratorium Unteilbares Deutschland\n"],"creators_ssim":["Kuratorium Unteilbares Deutschland\n"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Berlin Wall, Berlin, Germany, 1961-1989--Photographs.","Protest movements--Germany--Berlin--Photographs.","Photographic prints.","Portraits."],"access_subjects_ssm":["Berlin Wall, Berlin, Germany, 1961-1989--Photographs.","Protest movements--Germany--Berlin--Photographs.","Photographic prints.","Portraits."],"has_online_content_ssim":["false"],"extent_ssm":["5.5 linear feet (11 boxes"],"extent_tesim":["5.5 linear feet (11 boxes"],"date_range_isim":[1959,1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized by subject."],"bioghist_html_tesm":["\u003cp\u003eThe KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of détente in the late 1960s. In 1991 the KUD ceased to exist.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["The KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of détente in the late 1960s. In 1991 the KUD ceased to exist."],"custodhist_html_tesm":["\u003cp\u003eShortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Shortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member."],"prefercite_html_tesm":["\u003cp\u003eKuratorium Unteilbares Deutschland photograph collection, Collection #C0061, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Kuratorium Unteilbares Deutschland photograph collection, Collection #C0061, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Jordan Patty in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s."],"scopecontent_html_tesm":["\u003cp\u003eThe Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\u003c/p\u003e","\u003cp\u003eSome of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are repsonsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s.\n\u003c/p\u003e","\u003cp\u003eConsists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\". There are also other materials, including ephemera and a book that features some of the photographs from the collection.\n\u003c/p\u003e","\u003cp\u003e200 photograghs\n\t\u003c/p\u003e","\u003cp\u003e200 photograghs\n\t\u003c/p\u003e","\u003cp\u003e100 photograghs\n\t\u003c/p\u003e","\u003cp\u003e83 photographs\n\t\u003c/p\u003e","\u003cp\u003e55 photographs\n\t\u003c/p\u003e","\u003cp\u003e134 photographs\n\t\u003c/p\u003e","\u003cp\u003e51 photographs\n\t\u003c/p\u003e","\u003cp\u003e16 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e111 photographs\n\t\u003c/p\u003e","\u003cp\u003e44 photographs\n\t\u003c/p\u003e","\u003cp\u003e98 photographs\n\t\u003c/p\u003e","\u003cp\u003e116 photographs\n\t\u003c/p\u003e","\u003cp\u003e25 photographs\n\t\u003c/p\u003e","\u003cp\u003e30 photographs\n\t\u003c/p\u003e","\u003cp\u003e49 photographs\n\t\u003c/p\u003e","\u003cp\u003e48 photographs\n\t\u003c/p\u003e","\u003cp\u003e79 photographs\n\t\u003c/p\u003e","\u003cp\u003e200 photographs\n\t\u003c/p\u003e","\u003cp\u003e23 photographs\n\t\u003c/p\u003e","\u003cp\u003e105 photographs\n\t\u003c/p\u003e","\u003cp\u003e50 photographs\n\t\u003c/p\u003e","\u003cp\u003e173 photographs\n\t\u003c/p\u003e","\u003cp\u003e179 photographs\n\t\u003c/p\u003e","\u003cp\u003e85 photographs\n\t\u003c/p\u003e","\u003cp\u003e268 photographs\n\t\u003c/p\u003e","\u003cp\u003e400 photographs\n\t\u003c/p\u003e","\u003cp\u003e29 photographs\n\t\u003c/p\u003e","\u003cp\u003e57 photographs\n\t\u003c/p\u003e","\u003cp\u003e181 photographs\n\t\u003c/p\u003e","\u003cp\u003e185 photographs\n\t\u003c/p\u003e","\u003cp\u003e40 photographs\n\t\u003c/p\u003e","\u003cp\u003e42 photographs\n\t\u003c/p\u003e","\u003cp\u003e31 photographs\n\t\u003c/p\u003e","\u003cp\u003ebook\n\t\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","Some of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are repsonsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s.\n","Consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\". There are also other materials, including ephemera and a book that features some of the photographs from the collection.\n","200 photograghs\n\t","200 photograghs\n\t","100 photograghs\n\t","83 photographs\n\t","55 photographs\n\t","134 photographs\n\t","51 photographs\n\t","16 photographs\n\t","6 photographs\n\t","111 photographs\n\t","44 photographs\n\t","98 photographs\n\t","116 photographs\n\t","25 photographs\n\t","30 photographs\n\t","49 photographs\n\t","48 photographs\n\t","79 photographs\n\t","200 photographs\n\t","23 photographs\n\t","105 photographs\n\t","50 photographs\n\t","173 photographs\n\t","179 photographs\n\t","85 photographs\n\t","268 photographs\n\t","400 photographs\n\t","29 photographs\n\t","57 photographs\n\t","181 photographs\n\t","185 photographs\n\t","40 photographs\n\t","42 photographs\n\t","31 photographs\n\t","book\n\t"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\n\u003c/abstract\u003e"],"abstract_tesim":["The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Kuratorium Unteilbares Deutschland\n","Adenauer, Konrad, 1876-1967--Photographs.","Brandt, Willy, 1913-1992--Photographs.","Löbe, Paul, 1875-1967--Photographs.","Lübke, Heinrich, 1894-1972--Photographs.","Mende, Erich, 1916- --Photographs.","Schütz, Wilhelm Wolfgang, 1911- ---Photographs.","Wehner, Herbert, 1906-1990--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Kuratorium Unteilbares Deutschland\n"],"persname_ssim":["Adenauer, Konrad, 1876-1967--Photographs.","Brandt, Willy, 1913-1992--Photographs.","Löbe, Paul, 1875-1967--Photographs.","Lübke, Heinrich, 1894-1972--Photographs.","Mende, Erich, 1916- --Photographs.","Schütz, Wilhelm Wolfgang, 1911- ---Photographs.","Wehner, Herbert, 1906-1990--Photographs."],"language_ssim":["English\n"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:42:20.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00038","ead_ssi":"vifgm_vifgm00038","_root_":"vifgm_vifgm00038","_nest_parent_":"vifgm_vifgm00038","ead_source_url_ssi":"data/gmu/vifgm00038.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Kuratorium Unteilbares Deutschland photograph collection"],"title_tesim":["Kuratorium Unteilbares Deutschland photograph collection"],"unitdate_ssm":["1959-1964\n"],"unitdate_inclusive_ssm":["1959-1964\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0061\n"],"text":["C0061\n","Kuratorium Unteilbares Deutschland photograph collection","Berlin Wall, Berlin, Germany, 1961-1989--Photographs.","Protest movements--Germany--Berlin--Photographs.","Photographic prints.","Portraits.","Collection is open to research.\n","Organized by subject.","The KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of détente in the late 1960s. In 1991 the KUD ceased to exist.","Shortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member.","Processed by Jordan Patty in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in 2010.","Special Collections and Archives also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s.","The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","Some of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are repsonsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s.\n","Consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\". There are also other materials, including ephemera and a book that features some of the photographs from the collection.\n","200 photograghs\n\t","200 photograghs\n\t","100 photograghs\n\t","83 photographs\n\t","55 photographs\n\t","134 photographs\n\t","51 photographs\n\t","16 photographs\n\t","6 photographs\n\t","111 photographs\n\t","44 photographs\n\t","98 photographs\n\t","116 photographs\n\t","25 photographs\n\t","30 photographs\n\t","49 photographs\n\t","48 photographs\n\t","79 photographs\n\t","200 photographs\n\t","23 photographs\n\t","105 photographs\n\t","50 photographs\n\t","173 photographs\n\t","179 photographs\n\t","85 photographs\n\t","268 photographs\n\t","400 photographs\n\t","29 photographs\n\t","57 photographs\n\t","181 photographs\n\t","185 photographs\n\t","40 photographs\n\t","42 photographs\n\t","31 photographs\n\t","book\n\t","There are no restrictions.\n","The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\n","George Mason University.  Special Collections and Archives.\n","Kuratorium Unteilbares Deutschland\n","Adenauer, Konrad, 1876-1967--Photographs.","Brandt, Willy, 1913-1992--Photographs.","Löbe, Paul, 1875-1967--Photographs.","Lübke, Heinrich, 1894-1972--Photographs.","Mende, Erich, 1916- --Photographs.","Schütz, Wilhelm Wolfgang, 1911- ---Photographs.","Wehner, Herbert, 1906-1990--Photographs.","English\n"],"unitid_tesim":["C0061\n"],"normalized_title_ssm":["Kuratorium Unteilbares Deutschland photograph collection"],"collection_title_tesim":["Kuratorium Unteilbares Deutschland photograph collection"],"collection_ssim":["Kuratorium Unteilbares Deutschland photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Kuratorium Unteilbares Deutschland\n"],"creator_ssim":["Kuratorium Unteilbares Deutschland\n"],"creator_corpname_ssim":["Kuratorium Unteilbares Deutschland\n"],"creators_ssim":["Kuratorium Unteilbares Deutschland\n"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Berlin Wall, Berlin, Germany, 1961-1989--Photographs.","Protest movements--Germany--Berlin--Photographs.","Photographic prints.","Portraits."],"access_subjects_ssm":["Berlin Wall, Berlin, Germany, 1961-1989--Photographs.","Protest movements--Germany--Berlin--Photographs.","Photographic prints.","Portraits."],"has_online_content_ssim":["false"],"extent_ssm":["5.5 linear feet (11 boxes"],"extent_tesim":["5.5 linear feet (11 boxes"],"date_range_isim":[1959,1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized by subject."],"bioghist_html_tesm":["\u003cp\u003eThe KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of détente in the late 1960s. In 1991 the KUD ceased to exist.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["The KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of détente in the late 1960s. In 1991 the KUD ceased to exist."],"custodhist_html_tesm":["\u003cp\u003eShortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Shortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member."],"prefercite_html_tesm":["\u003cp\u003eKuratorium Unteilbares Deutschland photograph collection, Collection #C0061, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Kuratorium Unteilbares Deutschland photograph collection, Collection #C0061, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Jordan Patty in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s."],"scopecontent_html_tesm":["\u003cp\u003eThe Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\u003c/p\u003e","\u003cp\u003eSome of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are repsonsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s.\n\u003c/p\u003e","\u003cp\u003eConsists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\". There are also other materials, including ephemera and a book that features some of the photographs from the collection.\n\u003c/p\u003e","\u003cp\u003e200 photograghs\n\t\u003c/p\u003e","\u003cp\u003e200 photograghs\n\t\u003c/p\u003e","\u003cp\u003e100 photograghs\n\t\u003c/p\u003e","\u003cp\u003e83 photographs\n\t\u003c/p\u003e","\u003cp\u003e55 photographs\n\t\u003c/p\u003e","\u003cp\u003e134 photographs\n\t\u003c/p\u003e","\u003cp\u003e51 photographs\n\t\u003c/p\u003e","\u003cp\u003e16 photographs\n\t\u003c/p\u003e","\u003cp\u003e6 photographs\n\t\u003c/p\u003e","\u003cp\u003e111 photographs\n\t\u003c/p\u003e","\u003cp\u003e44 photographs\n\t\u003c/p\u003e","\u003cp\u003e98 photographs\n\t\u003c/p\u003e","\u003cp\u003e116 photographs\n\t\u003c/p\u003e","\u003cp\u003e25 photographs\n\t\u003c/p\u003e","\u003cp\u003e30 photographs\n\t\u003c/p\u003e","\u003cp\u003e49 photographs\n\t\u003c/p\u003e","\u003cp\u003e48 photographs\n\t\u003c/p\u003e","\u003cp\u003e79 photographs\n\t\u003c/p\u003e","\u003cp\u003e200 photographs\n\t\u003c/p\u003e","\u003cp\u003e23 photographs\n\t\u003c/p\u003e","\u003cp\u003e105 photographs\n\t\u003c/p\u003e","\u003cp\u003e50 photographs\n\t\u003c/p\u003e","\u003cp\u003e173 photographs\n\t\u003c/p\u003e","\u003cp\u003e179 photographs\n\t\u003c/p\u003e","\u003cp\u003e85 photographs\n\t\u003c/p\u003e","\u003cp\u003e268 photographs\n\t\u003c/p\u003e","\u003cp\u003e400 photographs\n\t\u003c/p\u003e","\u003cp\u003e29 photographs\n\t\u003c/p\u003e","\u003cp\u003e57 photographs\n\t\u003c/p\u003e","\u003cp\u003e181 photographs\n\t\u003c/p\u003e","\u003cp\u003e185 photographs\n\t\u003c/p\u003e","\u003cp\u003e40 photographs\n\t\u003c/p\u003e","\u003cp\u003e42 photographs\n\t\u003c/p\u003e","\u003cp\u003e31 photographs\n\t\u003c/p\u003e","\u003cp\u003ebook\n\t\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","Some of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are repsonsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s.\n","Consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\". There are also other materials, including ephemera and a book that features some of the photographs from the collection.\n","200 photograghs\n\t","200 photograghs\n\t","100 photograghs\n\t","83 photographs\n\t","55 photographs\n\t","134 photographs\n\t","51 photographs\n\t","16 photographs\n\t","6 photographs\n\t","111 photographs\n\t","44 photographs\n\t","98 photographs\n\t","116 photographs\n\t","25 photographs\n\t","30 photographs\n\t","49 photographs\n\t","48 photographs\n\t","79 photographs\n\t","200 photographs\n\t","23 photographs\n\t","105 photographs\n\t","50 photographs\n\t","173 photographs\n\t","179 photographs\n\t","85 photographs\n\t","268 photographs\n\t","400 photographs\n\t","29 photographs\n\t","57 photographs\n\t","181 photographs\n\t","185 photographs\n\t","40 photographs\n\t","42 photographs\n\t","31 photographs\n\t","book\n\t"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\n\u003c/abstract\u003e"],"abstract_tesim":["The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions.  There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Kuratorium Unteilbares Deutschland\n","Adenauer, Konrad, 1876-1967--Photographs.","Brandt, Willy, 1913-1992--Photographs.","Löbe, Paul, 1875-1967--Photographs.","Lübke, Heinrich, 1894-1972--Photographs.","Mende, Erich, 1916- --Photographs.","Schütz, Wilhelm Wolfgang, 1911- ---Photographs.","Wehner, Herbert, 1906-1990--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Kuratorium Unteilbares Deutschland\n"],"persname_ssim":["Adenauer, Konrad, 1876-1967--Photographs.","Brandt, Willy, 1913-1992--Photographs.","Löbe, Paul, 1875-1967--Photographs.","Lübke, Heinrich, 1894-1972--Photographs.","Mende, Erich, 1916- --Photographs.","Schütz, Wilhelm Wolfgang, 1911- ---Photographs.","Wehner, Herbert, 1906-1990--Photographs."],"language_ssim":["English\n"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:42:20.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00038"}},{"id":"vifgm_wohl","type":"collection","attributes":{"title":"Martin Wohl papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_wohl#creator","type":"document_value","attributes":{"value":"Martin Wohl, 1930-2009\n","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_wohl#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_wohl#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_wohl","ead_ssi":"vifgm_wohl","_root_":"vifgm_wohl","_nest_parent_":"vifgm_wohl","ead_source_url_ssi":"data/gmu/wohl.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/wohl.html","title_ssm":["Martin Wohl papers"],"title_tesim":["Martin Wohl papers"],"unitdate_ssm":["1919-2000s\n"],"unitdate_inclusive_ssm":["1919-2000s\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0174\n"],"text":["C0174\n","Martin Wohl papers","Local transit--United States.","Transportation engineering--United States.","Transportation--United States--Planning.","Photographic prints.","Scrapbooks.","There are no access restrictions.\n","Organized into three series.\n","Series 1: Subject Files, 1958-1993 (Box 1-7)\n Series 2: Photographs, 1919-2000s (Box 8)\n Series 3: Scrapbooks, 1930s-1960s (Box 9-10)\n","Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.\n","Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\n","Special Collections and Archives holds many other  .\n","This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \n","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.\n","Contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).\n","","","","","The Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member\n","","","","Jan-Feb-March\n","April\n","May-June-July-August\n","Sept-Oct-Nov-Dec\n","","","","","","","","","","","","","","Development Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography\n","","","","","","","","","","","","","","","","","","","\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"\n","","","","","\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"\n","\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"\n","","","","","","","\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"\n","\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"\n","","Consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.\n","Includes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not  included)\"\n","","","Anne Wolf, Stanley S. Wohl, \n","","","Contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s\n","","","There are no restrictions on personal use. Permission to publish material from the Martin Wohl papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n","Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\n","George Mason University.  Special Collections and Archives.\n","Martin Wohl, 1930-2009\n","Wohl, Martin.","English\n"],"unitid_tesim":["C0174\n"],"normalized_title_ssm":["Martin Wohl papers"],"collection_title_tesim":["Martin Wohl papers"],"collection_ssim":["Martin Wohl papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Martin Wohl, 1930-2009\n"],"creator_ssim":["Martin Wohl, 1930-2009\n"],"creator_persname_ssim":["Martin Wohl, 1930-2009\n"],"creators_ssim":["Martin Wohl, 1930-2009\n"],"acqinfo_ssim":["Donated by Damian Kulash in 2009.\n"],"access_subjects_ssim":["Local transit--United States.","Transportation engineering--United States.","Transportation--United States--Planning.","Photographic prints.","Scrapbooks."],"access_subjects_ssm":["Local transit--United States.","Transportation engineering--United States.","Transportation--United States--Planning.","Photographic prints.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["7.25 linear ft.; 10 boxes"],"extent_tesim":["7.25 linear ft.; 10 boxes"],"date_range_isim":[1919],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Subject Files, 1958-1993 (Box 1-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1919-2000s (Box 8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Scrapbooks, 1930s-1960s (Box 9-10)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into three series.\n","Series 1: Subject Files, 1958-1993 (Box 1-7)\n Series 2: Photographs, 1919-2000s (Box 8)\n Series 3: Scrapbooks, 1930s-1960s (Box 9-10)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.\n"],"prefercite_html_tesm":["\u003cp\u003eMartin Wohl papers, C0174, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Martin Wohl papers, C0174, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds many other \u003cextptr type=\"simple\" title=\"transportation-related collections\" show=\"new\" href=\"http://sca.gmu.edu/collections-subject.php#TRANSPORTATION\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives holds many other  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \n\u003c/p\u003e","\u003cp\u003eThe first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.\n\u003c/p\u003e","\u003cp\u003eContains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eJan-Feb-March\n\u003c/p\u003e","\u003cp\u003eApril\n\u003c/p\u003e","\u003cp\u003eMay-June-July-August\n\u003c/p\u003e","\u003cp\u003eSept-Oct-Nov-Dec\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eDevelopment Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"\n\u003c/p\u003e","\u003cp\u003e\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"\n\u003c/p\u003e","\u003cp\u003e\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eConsists of photographs, mostly black and white snapshots. 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The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \n","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.\n","Contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).\n","","","","","The Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member\n","","","","Jan-Feb-March\n","April\n","May-June-July-August\n","Sept-Oct-Nov-Dec\n","","","","","","","","","","","","","","Development Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography\n","","","","","","","","","","","","","","","","","","","\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"\n","","","","","\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"\n","\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"\n","","","","","","","\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"\n","\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"\n","","Consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.\n","Includes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not  included)\"\n","","","Anne Wolf, Stanley S. Wohl, \n","","","Contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s\n","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Martin Wohl papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Martin Wohl papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eConsists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\n\u003c/abstract\u003e"],"abstract_tesim":["Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Martin Wohl, 1930-2009\n","Wohl, Martin."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Martin Wohl, 1930-2009\n","Wohl, Martin."],"language_ssim":["English\n"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_wohl","ead_ssi":"vifgm_wohl","_root_":"vifgm_wohl","_nest_parent_":"vifgm_wohl","ead_source_url_ssi":"data/gmu/wohl.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/wohl.html","title_ssm":["Martin Wohl papers"],"title_tesim":["Martin Wohl papers"],"unitdate_ssm":["1919-2000s\n"],"unitdate_inclusive_ssm":["1919-2000s\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0174\n"],"text":["C0174\n","Martin Wohl papers","Local transit--United States.","Transportation engineering--United States.","Transportation--United States--Planning.","Photographic prints.","Scrapbooks.","There are no access restrictions.\n","Organized into three series.\n","Series 1: Subject Files, 1958-1993 (Box 1-7)\n Series 2: Photographs, 1919-2000s (Box 8)\n Series 3: Scrapbooks, 1930s-1960s (Box 9-10)\n","Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.\n","Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\n","Special Collections and Archives holds many other  .\n","This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \n","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.\n","Contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).\n","","","","","The Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member\n","","","","Jan-Feb-March\n","April\n","May-June-July-August\n","Sept-Oct-Nov-Dec\n","","","","","","","","","","","","","","Development Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography\n","","","","","","","","","","","","","","","","","","","\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"\n","","","","","\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"\n","\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"\n","","","","","","","\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"\n","\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"\n","","Consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.\n","Includes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not  included)\"\n","","","Anne Wolf, Stanley S. Wohl, \n","","","Contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s\n","","","There are no restrictions on personal use. Permission to publish material from the Martin Wohl papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n","Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\n","George Mason University.  Special Collections and Archives.\n","Martin Wohl, 1930-2009\n","Wohl, Martin.","English\n"],"unitid_tesim":["C0174\n"],"normalized_title_ssm":["Martin Wohl papers"],"collection_title_tesim":["Martin Wohl papers"],"collection_ssim":["Martin Wohl papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Martin Wohl, 1930-2009\n"],"creator_ssim":["Martin Wohl, 1930-2009\n"],"creator_persname_ssim":["Martin Wohl, 1930-2009\n"],"creators_ssim":["Martin Wohl, 1930-2009\n"],"acqinfo_ssim":["Donated by Damian Kulash in 2009.\n"],"access_subjects_ssim":["Local transit--United States.","Transportation engineering--United States.","Transportation--United States--Planning.","Photographic prints.","Scrapbooks."],"access_subjects_ssm":["Local transit--United States.","Transportation engineering--United States.","Transportation--United States--Planning.","Photographic prints.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["7.25 linear ft.; 10 boxes"],"extent_tesim":["7.25 linear ft.; 10 boxes"],"date_range_isim":[1919],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Subject Files, 1958-1993 (Box 1-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1919-2000s (Box 8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Scrapbooks, 1930s-1960s (Box 9-10)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into three series.\n","Series 1: Subject Files, 1958-1993 (Box 1-7)\n Series 2: Photographs, 1919-2000s (Box 8)\n Series 3: Scrapbooks, 1930s-1960s (Box 9-10)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. 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He died in 2009 at his home in Fairfax City, Virginia.\n"],"prefercite_html_tesm":["\u003cp\u003eMartin Wohl papers, C0174, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Martin Wohl papers, C0174, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds many other \u003cextptr type=\"simple\" title=\"transportation-related collections\" show=\"new\" href=\"http://sca.gmu.edu/collections-subject.php#TRANSPORTATION\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives holds many other  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \n\u003c/p\u003e","\u003cp\u003eThe first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.\n\u003c/p\u003e","\u003cp\u003eContains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eJan-Feb-March\n\u003c/p\u003e","\u003cp\u003eApril\n\u003c/p\u003e","\u003cp\u003eMay-June-July-August\n\u003c/p\u003e","\u003cp\u003eSept-Oct-Nov-Dec\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eDevelopment Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"\n\u003c/p\u003e","\u003cp\u003e\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"\n\u003c/p\u003e","\u003cp\u003e\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eConsists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.\n\u003c/p\u003e","\u003cp\u003eIncludes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not  included)\"\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eAnne Wolf, Stanley S. Wohl, \n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \n","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.\n","Contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).\n","","","","","The Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member\n","","","","Jan-Feb-March\n","April\n","May-June-July-August\n","Sept-Oct-Nov-Dec\n","","","","","","","","","","","","","","Development Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography\n","","","","","","","","","","","","","","","","","","","\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"\n","","","","","\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"\n","\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"\n","","","","","","","\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"\n","\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"\n","","Consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.\n","Includes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not  included)\"\n","","","Anne Wolf, Stanley S. Wohl, \n","","","Contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s\n","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Martin Wohl papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Martin Wohl papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eConsists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\n\u003c/abstract\u003e"],"abstract_tesim":["Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Martin Wohl, 1930-2009\n","Wohl, Martin."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Martin Wohl, 1930-2009\n","Wohl, Martin."],"language_ssim":["English\n"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_wohl"}},{"id":"vifgm_vifgm00030","type":"collection","attributes":{"title":"Mary Elsie Fox photograph collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00030#creator","type":"document_value","attributes":{"value":"Mary Elsie Fox\n","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00030#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains approximately 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her husband, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\". ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00030#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00030","ead_ssi":"vifgm_vifgm00030","_root_":"vifgm_vifgm00030","_nest_parent_":"vifgm_vifgm00030","ead_source_url_ssi":"data/gmu/vifgm00030.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Mary Elsie Fox photograph collection"],"title_tesim":["Mary Elsie Fox photograph collection"],"unitdate_ssm":["1935-1959\n"],"unitdate_inclusive_ssm":["1935-1959\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0067\n"],"text":["C0067\n","Mary Elsie Fox photograph collection","Domestic life--Washington (D.C.)--20th century--Photographs.","Leisure--Washington (D.C.)--20th century--Photographs.","Group portraits.","Photographic prints.","Portrait photographs.","Collection is open to research.\n","Organized into three series.\n","Series 1: Small Photographs, 1935-1959 (Boxes 1-2)\n Series 2: Medium Photographs, 1940s (Box 2)\n Series 3: Large Photographs, 1940s (Boxes 2-3)\n","Mary Elsie Fox, a resident of Hinton, West Virginia, served as executive secretary for a number of generals of the U.S. Air Force and later in the office of Vice President Spiro T. Agnew. Born in 1923, Mary Elsie Fox spent most of her adult life in Washington, D.C. before her death in 1994.\n","Processed by Kate Norman in March 2010. EAD markup completed by Kate Norman in March 2010.\n","Special Collections and Archives also holds the  John Rapp, Jr. photograph collection  and the  Larkin family photograph collection .\n","This collection contains about 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her brother, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n"," The collection includes photographs of parties, dinners, outdoor recreation, children, American military, a friend's time abroad in Norway, and general portrait photographs. The collection also includes photographs of DC monuments and important buildings, ranging from the Pentagon to the Carnegie Library. Many of these photographs have writing on the back, especially those taken in Norway.\n"," The first series includes small photographs from 1935-1959. Spanning two boxes and about 100 pages, this series contains photographs from parties, domestic life, outdoor recreation, American military personnel, Washington, D.C., Norway, and children.  The second series contains medium photographs taken during the 1940s. This series contains photographs of Turkey, American military personnel, parties, and leisure. The third series contains large photographs taken during the 1940s. This series consists mainly of photographs of the Pentagon but also includes images of weddings, leisure activities, and American military personnel.\n","This series contains small photographs ranging in size from 1 1/4x2 1/4\" to 5x4\" \n","Mrs. Liston,  Mr. and Mrs. Bill Studervant, Theda Portir, Major Tourdlau, Mrs. Stancook, Mrs. Pat Redd\n\t"," Mary Elsie Fox, Elayne Scott\n\t","Mary Sevcik, Mary Elsie Fox, Bob Rancine, Tim Donovan\n\t"," Mary Elsie Fox, Dave O'Connel, Ann Sevcik O'Connel\n\t","Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t"," Edna Earle Whitt, Mary Elsie, Fox, Janice Rigler Stoops\n\t"," Mary Elsie Fox, Mary Sevcik\n\t"," Edna Earle Whitt, Mary Elsie Fox, Mary Sevcik\n\t"," New Jersey shore, sailors.\n\t"," Mary Elsie Fox, Elayne Scott, Mary Sevcik\n\t"," Mary Elsie Fox, Mary Sevcik, Tony Pecar, Ted Palmerine, Elayne Scott\n\t","Janice Rigler Stoops, Marion W. Stoops\n\t"," Mary Elsie Fox, Jo-Ann Maddy\n\t","Mary Elsie Fox, Elayne Scott, Edna Earle Whitt\n\t"," Mary Elsie Fox\n\t","Mary Elsie Fox, Mary Sevcik, Ann Sevcik O'Connel, Jan Sevcik\n\t"," Mary Elsie Fox\n\t"," Processed by Peoples Drugstores\n\t"," Mary Elsie Fox\n\t","Mary Sevcik\n\t"," Mary Sevcik, Jan Sevcik, Ann Sevcik\n\t"," Mary Sevcik\n\t"," Mary Elsie Fox, Edna Earle Whitt, Elayne Scott\n\t"," Thelma Tefler\n\t","Color photos of Mary Elsie Fox\n\t"," Jan Sevick\n\t"," Mrs. McNeer, Anna Mae McNeer\n\t"," Mary K. Sevcik\n\t"," Mary K. Sevcik\n\t"," Ann Sevcik O'Connel\n\t"," Ann Sevcik O'Connel, Jan Sevcik\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Jan Sevcik, \"Smarty\"\n\t"," Writing on back of photograph\n\t"," House after a snowstorm\n\t",""," Mary Elsie Fox, Edna Earle Whitt, Captain Ralph Lewis, Elayne Scott, Captain Mack, Captain Joe Schieferly, Major Sturdevant, Helen Karwchuk Perlman, Captain Ken Jordan, Peggy Hill, Captain Bill Miles\n\t"," Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t"," Mary Elsie Fox, Edna Earle Whitt, Dick Perlman, Helen Krawchuk Perlman, Ken Ramey\n\t"," One outdoor portrait photograph of Edna Earle Whitt\n\t"," Mary Elsie Fox, Helen Krawchuk Perlman, Dick Perlman, Ken Ramey, Edna Earle Whitt\n\t"," Mary Elsie Fox, Tim Donovan, Mary Sevcik, Bob Rancine\n\t"," Dick Perlman\n\t"," Mary Sevcik\n\t"," Mary Elsie Fox\n\t"," Color Photograph\n\t"," View of Jefferson Memorial through cherry blossoms; bridge\n\t"," Deveolped By Brown Photo Service, Minnepolis, MN\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," In front of the Capitol Theatre\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," Washington Presbyterian Church\n\t"," Mary Elsie Fox\n\t"," Jefferson Memorial, Lincoln Memorial, Washington Monument, cherry blossoms\n\t"," Mary Elsie Fox\n\t"," Capitol Building, Pentagon, Lincoln Memorial, White House, Jefferson Memorial, Carnegie Library, National Gallery of Art\n\t"," Captain Schieferly, Captain Miles\n\t"," Diane Miller\n\t"," Diane Miller\n\t"," Diane Miller\n\t"," Writing on back of photograph\n\t"," Tim Donovan\n\t"," Tim Donovan\n\t","Writing on back of photograph\n\t"," Tim Donovan\n\t"," Tim Donovan\n\t"," Developed by Peoples Drug Stores\n\t","Major Mulford, Major Flynn\n\t"," Mary Sevcik\n\t","Skiing Photographs. Some developed by Nerlien.\n\t"," Mary Sevcik, Jan Sevcik\n\t","Outdoor Photographs\n\t"," Mike Riley, Charlie La Cour\n\t"," Mary Sevcik, Elsa Beach\n\t"," Writing on back of photographs\n\t"," Mary Sevcik, Jan Sevcik\n\t"," Mary Sevcik, Bill Shiflet\n\t"," Writing on back of photographs\n\t"," Mary Sevcik, Dorothy Smith, Eric Karl Hellstrom, Fritiof Falkstrand\n\t"," Writing on back of photographs\n\t"," Writing on back of photographs\n\t"," Bob Berg, Mrs. Berg\n\t"," Writing on back of photographs\n\t"," Joe Moline, Mary Sevcik, Major Scully\n\t"," Writing on back of photographs\n\t",""," Writing on back of photographs\n\t"," Mary Sevcik\n\t"," Mary Sevcik\n\t","Mary Sevcik\n\t"," Writing on back of photograph\n\t"," Mike Riley\n\t"," Mary Elsie Fox, Mary Sevcik\n\t","This series contains medium photographs ranging in size from 5 3/4x2 1/2\" to 7 1/4x5 1/4\".\n"," Edna Earle Whitt, Mary Elsie Fox, Elayne Scott, Peggy Hill, Captain Ken Jordan, Captain Joe Schieferly, Captain Bill Miles, Captain Ralph Lewis\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," Mary Elsie Fox\n\t","Edna Earle Whitt, Jerry Whitt, Mary Elsie Fox\n\t","Elayne Scott, Mary Elsie Fox\n\t"," Elayne Scott, Mary Elsie Fox, Edna Earle Whitt, Myrtle Parker, Lee Parnell, Myrtle Lacy, Dorothy Rupert, JoAnn Srubb, Ruth Anderson, Mrs. Attaway\n\t"," Tim Donovan\n\t"," Writing on back of photograph\n\t"," Captain Joe Schieferly\n\t","This series contains large photographs ranging in size from 1 1/2x9\" to 8x10\".\n"," Captain Joe Schieferly\n\t"," Writing on front of photograph\n\t"," Mr. and Mrs. James Miller, Dick Bennett, Mike Riley, Charlie La Cour, Bill and Sonja Malberg, Mr. and Mrs. Johnny Fay-Schojle, Mr. and Mrs. Bill Farbe, Bobbie Robahan, Ingrid Galtung, Pei Wan, Mr. and Mrs. Bill Slack, Mary Sevcik\n\t"," Mary Elsie Fox\n\t"," Hessler Photography, Washington, DC\n\t"," Edna Earle Whitt, Paul Taylor, Mary Elsie Fox\n\t"," Underwood and Underwood Photography, Washington\n\t"," Diane Miller\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Elayne Scott, Edna Earle Whitt, Mary Elsie Fox\n\t"," Captain Joe Schieferly, Alma Chalk\n\t"," Pentagon, Washington Monument, Jefferson Memorial, Capitol Building\n\t"," Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","There are no restrictions.\n","This collection contains approximately 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her husband, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n","George Mason University.  Special Collections and Archives.\n","Mary Elsie Fox\n","Fox, Mary Elsie, 1923-1994.","English\n"],"unitid_tesim":["C0067\n"],"normalized_title_ssm":["Mary Elsie Fox photograph collection"],"collection_title_tesim":["Mary Elsie Fox photograph collection"],"collection_ssim":["Mary Elsie Fox photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mary Elsie Fox\n"],"creator_ssim":["Mary Elsie Fox\n"],"creator_persname_ssim":["Mary Elsie Fox\n"],"creators_ssim":["Mary Elsie Fox\n"],"acqinfo_ssim":["Collection donated by Tish Como in 2006.\n"],"access_subjects_ssim":["Domestic life--Washington (D.C.)--20th century--Photographs.","Leisure--Washington (D.C.)--20th century--Photographs.","Group portraits.","Photographic prints.","Portrait photographs."],"access_subjects_ssm":["Domestic life--Washington (D.C.)--20th century--Photographs.","Leisure--Washington (D.C.)--20th century--Photographs.","Group portraits.","Photographic prints.","Portrait photographs."],"has_online_content_ssim":["false"],"extent_ssm":["1 linear feet (3 boxes)"],"extent_tesim":["1 linear feet (3 boxes)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Small Photographs, 1935-1959 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Medium Photographs, 1940s (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Large Photographs, 1940s (Boxes 2-3)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into three series.\n","Series 1: Small Photographs, 1935-1959 (Boxes 1-2)\n Series 2: Medium Photographs, 1940s (Box 2)\n Series 3: Large Photographs, 1940s (Boxes 2-3)\n"],"bioghist_html_tesm":["\u003cp\u003eMary Elsie Fox, a resident of Hinton, West Virginia, served as executive secretary for a number of generals of the U.S. Air Force and later in the office of Vice President Spiro T. Agnew. Born in 1923, Mary Elsie Fox spent most of her adult life in Washington, D.C. before her death in 1994.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Mary Elsie Fox, a resident of Hinton, West Virginia, served as executive secretary for a number of generals of the U.S. Air Force and later in the office of Vice President Spiro T. Agnew. Born in 1923, Mary Elsie Fox spent most of her adult life in Washington, D.C. before her death in 1994.\n"],"prefercite_html_tesm":["\u003cp\u003eMary Elsie Fox photogaph collection, Collection #C0067, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Mary Elsie Fox photogaph collection, Collection #C0067, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman in March 2010. EAD markup completed by Kate Norman in March 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Kate Norman in March 2010. EAD markup completed by Kate Norman in March 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/rapp.html\"\u003eJohn Rapp, Jr. photograph collection\u003c/extref\u003e and the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/larkin.html\"\u003eLarkin family photograph collection\u003c/extref\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  John Rapp, Jr. photograph collection  and the  Larkin family photograph collection .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains about 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her brother, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n\u003c/p\u003e","\u003cp\u003e The collection includes photographs of parties, dinners, outdoor recreation, children, American military, a friend's time abroad in Norway, and general portrait photographs. The collection also includes photographs of DC monuments and important buildings, ranging from the Pentagon to the Carnegie Library. Many of these photographs have writing on the back, especially those taken in Norway.\n\u003c/p\u003e","\u003cp\u003e The first series includes small photographs from 1935-1959. Spanning two boxes and about 100 pages, this series contains photographs from parties, domestic life, outdoor recreation, American military personnel, Washington, D.C., Norway, and children.  The second series contains medium photographs taken during the 1940s. This series contains photographs of Turkey, American military personnel, parties, and leisure. The third series contains large photographs taken during the 1940s. This series consists mainly of photographs of the Pentagon but also includes images of weddings, leisure activities, and American military personnel.\n\u003c/p\u003e","\u003cp\u003eThis series contains small photographs ranging in size from 1 1/4x2 1/4\" to 5x4\" \n\u003c/p\u003e","\u003cp\u003eMrs. Liston,  Mr. and Mrs. Bill Studervant, Theda Portir, Major Tourdlau, Mrs. Stancook, Mrs. Pat Redd\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Elayne Scott\n\t\u003c/p\u003e","\u003cp\u003eMary Sevcik, Mary Elsie Fox, Bob Rancine, Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dave O'Connel, Ann Sevcik O'Connel\n\t\u003c/p\u003e","\u003cp\u003eMary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t\u003c/p\u003e","\u003cp\u003e Edna Earle Whitt, Mary Elsie, Fox, Janice Rigler Stoops\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Edna Earle Whitt, Mary Elsie Fox, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e New Jersey shore, sailors.\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Elayne Scott, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Mary Sevcik, Tony Pecar, Ted Palmerine, Elayne Scott\n\t\u003c/p\u003e","\u003cp\u003eJanice Rigler Stoops, Marion W. Stoops\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Jo-Ann Maddy\n\t\u003c/p\u003e","\u003cp\u003eMary Elsie Fox, Elayne Scott, Edna Earle Whitt\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003eMary Elsie Fox, Mary Sevcik, Ann Sevcik O'Connel, Jan Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Processed by Peoples Drugstores\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003eMary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Jan Sevcik, Ann Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Edna Earle Whitt, Elayne Scott\n\t\u003c/p\u003e","\u003cp\u003e Thelma Tefler\n\t\u003c/p\u003e","\u003cp\u003eColor photos of Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Jan Sevick\n\t\u003c/p\u003e","\u003cp\u003e Mrs. McNeer, Anna Mae McNeer\n\t\u003c/p\u003e","\u003cp\u003e Mary K. Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary K. Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Ann Sevcik O'Connel\n\t\u003c/p\u003e","\u003cp\u003e Ann Sevcik O'Connel, Jan Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Jan Sevcik, \"Smarty\"\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e House after a snowstorm\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Edna Earle Whitt, Captain Ralph Lewis, Elayne Scott, Captain Mack, Captain Joe Schieferly, Major Sturdevant, Helen Karwchuk Perlman, Captain Ken Jordan, Peggy Hill, Captain Bill Miles\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Edna Earle Whitt, Dick Perlman, Helen Krawchuk Perlman, Ken Ramey\n\t\u003c/p\u003e","\u003cp\u003e One outdoor portrait photograph of Edna Earle Whitt\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Helen Krawchuk Perlman, Dick Perlman, Ken Ramey, Edna Earle Whitt\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Tim Donovan, Mary Sevcik, Bob Rancine\n\t\u003c/p\u003e","\u003cp\u003e Dick Perlman\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Color Photograph\n\t\u003c/p\u003e","\u003cp\u003e View of Jefferson Memorial through cherry blossoms; bridge\n\t\u003c/p\u003e","\u003cp\u003e Deveolped By Brown Photo Service, Minnepolis, MN\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dempsey Fox\n\t\u003c/p\u003e","\u003cp\u003e In front of the Capitol Theatre\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dempsey Fox\n\t\u003c/p\u003e","\u003cp\u003e Washington Presbyterian Church\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Jefferson Memorial, Lincoln Memorial, Washington Monument, cherry blossoms\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Capitol Building, Pentagon, Lincoln Memorial, White House, Jefferson Memorial, Carnegie Library, National Gallery of Art\n\t\u003c/p\u003e","\u003cp\u003e Captain Schieferly, Captain Miles\n\t\u003c/p\u003e","\u003cp\u003e Diane Miller\n\t\u003c/p\u003e","\u003cp\u003e Diane Miller\n\t\u003c/p\u003e","\u003cp\u003e Diane Miller\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003eWriting on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Developed by Peoples Drug Stores\n\t\u003c/p\u003e","\u003cp\u003eMajor Mulford, Major Flynn\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003eSkiing Photographs. Some developed by Nerlien.\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Jan Sevcik\n\t\u003c/p\u003e","\u003cp\u003eOutdoor Photographs\n\t\u003c/p\u003e","\u003cp\u003e Mike Riley, Charlie La Cour\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Elsa Beach\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Jan Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Bill Shiflet\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Dorothy Smith, Eric Karl Hellstrom, Fritiof Falkstrand\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Bob Berg, Mrs. Berg\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Joe Moline, Mary Sevcik, Major Scully\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003eMary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e Mike Riley\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003eThis series contains medium photographs ranging in size from 5 3/4x2 1/2\" to 7 1/4x5 1/4\".\n\u003c/p\u003e","\u003cp\u003e Edna Earle Whitt, Mary Elsie Fox, Elayne Scott, Peggy Hill, Captain Ken Jordan, Captain Joe Schieferly, Captain Bill Miles, Captain Ralph Lewis\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dempsey Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003eEdna Earle Whitt, Jerry Whitt, Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003eElayne Scott, Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Elayne Scott, Mary Elsie Fox, Edna Earle Whitt, Myrtle Parker, Lee Parnell, Myrtle Lacy, Dorothy Rupert, JoAnn Srubb, Ruth Anderson, Mrs. Attaway\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e Captain Joe Schieferly\n\t\u003c/p\u003e","\u003cp\u003eThis series contains large photographs ranging in size from 1 1/2x9\" to 8x10\".\n\u003c/p\u003e","\u003cp\u003e Captain Joe Schieferly\n\t\u003c/p\u003e","\u003cp\u003e Writing on front of photograph\n\t\u003c/p\u003e","\u003cp\u003e Mr. and Mrs. James Miller, Dick Bennett, Mike Riley, Charlie La Cour, Bill and Sonja Malberg, Mr. and Mrs. Johnny Fay-Schojle, Mr. and Mrs. Bill Farbe, Bobbie Robahan, Ingrid Galtung, Pei Wan, Mr. and Mrs. Bill Slack, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Hessler Photography, Washington, DC\n\t\u003c/p\u003e","\u003cp\u003e Edna Earle Whitt, Paul Taylor, Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Underwood and Underwood Photography, Washington\n\t\u003c/p\u003e","\u003cp\u003e Diane Miller\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Elayne Scott, Edna Earle Whitt, Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Captain Joe Schieferly, Alma Chalk\n\t\u003c/p\u003e","\u003cp\u003e Pentagon, Washington Monument, Jefferson Memorial, Capitol Building\n\t\u003c/p\u003e","\u003cp\u003e Signal Corps Photograph\n\t\u003c/p\u003e","\u003cp\u003eSignal Corps Photograph\n\t\u003c/p\u003e","\u003cp\u003eSignal Corps Photograph\n\t\u003c/p\u003e","\u003cp\u003eSignal Corps Photograph\n\t\u003c/p\u003e","\u003cp\u003eSignal Corps Photograph\n\t\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains about 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her brother, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n"," The collection includes photographs of parties, dinners, outdoor recreation, children, American military, a friend's time abroad in Norway, and general portrait photographs. The collection also includes photographs of DC monuments and important buildings, ranging from the Pentagon to the Carnegie Library. Many of these photographs have writing on the back, especially those taken in Norway.\n"," The first series includes small photographs from 1935-1959. Spanning two boxes and about 100 pages, this series contains photographs from parties, domestic life, outdoor recreation, American military personnel, Washington, D.C., Norway, and children.  The second series contains medium photographs taken during the 1940s. This series contains photographs of Turkey, American military personnel, parties, and leisure. The third series contains large photographs taken during the 1940s. This series consists mainly of photographs of the Pentagon but also includes images of weddings, leisure activities, and American military personnel.\n","This series contains small photographs ranging in size from 1 1/4x2 1/4\" to 5x4\" \n","Mrs. Liston,  Mr. and Mrs. Bill Studervant, Theda Portir, Major Tourdlau, Mrs. Stancook, Mrs. Pat Redd\n\t"," Mary Elsie Fox, Elayne Scott\n\t","Mary Sevcik, Mary Elsie Fox, Bob Rancine, Tim Donovan\n\t"," Mary Elsie Fox, Dave O'Connel, Ann Sevcik O'Connel\n\t","Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t"," Edna Earle Whitt, Mary Elsie, Fox, Janice Rigler Stoops\n\t"," Mary Elsie Fox, Mary Sevcik\n\t"," Edna Earle Whitt, Mary Elsie Fox, Mary Sevcik\n\t"," New Jersey shore, sailors.\n\t"," Mary Elsie Fox, Elayne Scott, Mary Sevcik\n\t"," Mary Elsie Fox, Mary Sevcik, Tony Pecar, Ted Palmerine, Elayne Scott\n\t","Janice Rigler Stoops, Marion W. Stoops\n\t"," Mary Elsie Fox, Jo-Ann Maddy\n\t","Mary Elsie Fox, Elayne Scott, Edna Earle Whitt\n\t"," Mary Elsie Fox\n\t","Mary Elsie Fox, Mary Sevcik, Ann Sevcik O'Connel, Jan Sevcik\n\t"," Mary Elsie Fox\n\t"," Processed by Peoples Drugstores\n\t"," Mary Elsie Fox\n\t","Mary Sevcik\n\t"," Mary Sevcik, Jan Sevcik, Ann Sevcik\n\t"," Mary Sevcik\n\t"," Mary Elsie Fox, Edna Earle Whitt, Elayne Scott\n\t"," Thelma Tefler\n\t","Color photos of Mary Elsie Fox\n\t"," Jan Sevick\n\t"," Mrs. McNeer, Anna Mae McNeer\n\t"," Mary K. Sevcik\n\t"," Mary K. Sevcik\n\t"," Ann Sevcik O'Connel\n\t"," Ann Sevcik O'Connel, Jan Sevcik\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Jan Sevcik, \"Smarty\"\n\t"," Writing on back of photograph\n\t"," House after a snowstorm\n\t",""," Mary Elsie Fox, Edna Earle Whitt, Captain Ralph Lewis, Elayne Scott, Captain Mack, Captain Joe Schieferly, Major Sturdevant, Helen Karwchuk Perlman, Captain Ken Jordan, Peggy Hill, Captain Bill Miles\n\t"," Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t"," Mary Elsie Fox, Edna Earle Whitt, Dick Perlman, Helen Krawchuk Perlman, Ken Ramey\n\t"," One outdoor portrait photograph of Edna Earle Whitt\n\t"," Mary Elsie Fox, Helen Krawchuk Perlman, Dick Perlman, Ken Ramey, Edna Earle Whitt\n\t"," Mary Elsie Fox, Tim Donovan, Mary Sevcik, Bob Rancine\n\t"," Dick Perlman\n\t"," Mary Sevcik\n\t"," Mary Elsie Fox\n\t"," Color Photograph\n\t"," View of Jefferson Memorial through cherry blossoms; bridge\n\t"," Deveolped By Brown Photo Service, Minnepolis, MN\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," In front of the Capitol Theatre\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," Washington Presbyterian Church\n\t"," Mary Elsie Fox\n\t"," Jefferson Memorial, Lincoln Memorial, Washington Monument, cherry blossoms\n\t"," Mary Elsie Fox\n\t"," Capitol Building, Pentagon, Lincoln Memorial, White House, Jefferson Memorial, Carnegie Library, National Gallery of Art\n\t"," Captain Schieferly, Captain Miles\n\t"," Diane Miller\n\t"," Diane Miller\n\t"," Diane Miller\n\t"," Writing on back of photograph\n\t"," Tim Donovan\n\t"," Tim Donovan\n\t","Writing on back of photograph\n\t"," Tim Donovan\n\t"," Tim Donovan\n\t"," Developed by Peoples Drug Stores\n\t","Major Mulford, Major Flynn\n\t"," Mary Sevcik\n\t","Skiing Photographs. Some developed by Nerlien.\n\t"," Mary Sevcik, Jan Sevcik\n\t","Outdoor Photographs\n\t"," Mike Riley, Charlie La Cour\n\t"," Mary Sevcik, Elsa Beach\n\t"," Writing on back of photographs\n\t"," Mary Sevcik, Jan Sevcik\n\t"," Mary Sevcik, Bill Shiflet\n\t"," Writing on back of photographs\n\t"," Mary Sevcik, Dorothy Smith, Eric Karl Hellstrom, Fritiof Falkstrand\n\t"," Writing on back of photographs\n\t"," Writing on back of photographs\n\t"," Bob Berg, Mrs. Berg\n\t"," Writing on back of photographs\n\t"," Joe Moline, Mary Sevcik, Major Scully\n\t"," Writing on back of photographs\n\t",""," Writing on back of photographs\n\t"," Mary Sevcik\n\t"," Mary Sevcik\n\t","Mary Sevcik\n\t"," Writing on back of photograph\n\t"," Mike Riley\n\t"," Mary Elsie Fox, Mary Sevcik\n\t","This series contains medium photographs ranging in size from 5 3/4x2 1/2\" to 7 1/4x5 1/4\".\n"," Edna Earle Whitt, Mary Elsie Fox, Elayne Scott, Peggy Hill, Captain Ken Jordan, Captain Joe Schieferly, Captain Bill Miles, Captain Ralph Lewis\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," Mary Elsie Fox\n\t","Edna Earle Whitt, Jerry Whitt, Mary Elsie Fox\n\t","Elayne Scott, Mary Elsie Fox\n\t"," Elayne Scott, Mary Elsie Fox, Edna Earle Whitt, Myrtle Parker, Lee Parnell, Myrtle Lacy, Dorothy Rupert, JoAnn Srubb, Ruth Anderson, Mrs. Attaway\n\t"," Tim Donovan\n\t"," Writing on back of photograph\n\t"," Captain Joe Schieferly\n\t","This series contains large photographs ranging in size from 1 1/2x9\" to 8x10\".\n"," Captain Joe Schieferly\n\t"," Writing on front of photograph\n\t"," Mr. and Mrs. James Miller, Dick Bennett, Mike Riley, Charlie La Cour, Bill and Sonja Malberg, Mr. and Mrs. Johnny Fay-Schojle, Mr. and Mrs. Bill Farbe, Bobbie Robahan, Ingrid Galtung, Pei Wan, Mr. and Mrs. Bill Slack, Mary Sevcik\n\t"," Mary Elsie Fox\n\t"," Hessler Photography, Washington, DC\n\t"," Edna Earle Whitt, Paul Taylor, Mary Elsie Fox\n\t"," Underwood and Underwood Photography, Washington\n\t"," Diane Miller\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Elayne Scott, Edna Earle Whitt, Mary Elsie Fox\n\t"," Captain Joe Schieferly, Alma Chalk\n\t"," Pentagon, Washington Monument, Jefferson Memorial, Capitol Building\n\t"," Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains approximately 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her husband, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains approximately 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her husband, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Mary Elsie Fox\n","Fox, Mary Elsie, 1923-1994."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Mary Elsie Fox\n","Fox, Mary Elsie, 1923-1994."],"language_ssim":["English\n"],"total_component_count_is":123,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00030","ead_ssi":"vifgm_vifgm00030","_root_":"vifgm_vifgm00030","_nest_parent_":"vifgm_vifgm00030","ead_source_url_ssi":"data/gmu/vifgm00030.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Mary Elsie Fox photograph collection"],"title_tesim":["Mary Elsie Fox photograph collection"],"unitdate_ssm":["1935-1959\n"],"unitdate_inclusive_ssm":["1935-1959\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0067\n"],"text":["C0067\n","Mary Elsie Fox photograph collection","Domestic life--Washington (D.C.)--20th century--Photographs.","Leisure--Washington (D.C.)--20th century--Photographs.","Group portraits.","Photographic prints.","Portrait photographs.","Collection is open to research.\n","Organized into three series.\n","Series 1: Small Photographs, 1935-1959 (Boxes 1-2)\n Series 2: Medium Photographs, 1940s (Box 2)\n Series 3: Large Photographs, 1940s (Boxes 2-3)\n","Mary Elsie Fox, a resident of Hinton, West Virginia, served as executive secretary for a number of generals of the U.S. Air Force and later in the office of Vice President Spiro T. Agnew. Born in 1923, Mary Elsie Fox spent most of her adult life in Washington, D.C. before her death in 1994.\n","Processed by Kate Norman in March 2010. EAD markup completed by Kate Norman in March 2010.\n","Special Collections and Archives also holds the  John Rapp, Jr. photograph collection  and the  Larkin family photograph collection .\n","This collection contains about 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her brother, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n"," The collection includes photographs of parties, dinners, outdoor recreation, children, American military, a friend's time abroad in Norway, and general portrait photographs. The collection also includes photographs of DC monuments and important buildings, ranging from the Pentagon to the Carnegie Library. Many of these photographs have writing on the back, especially those taken in Norway.\n"," The first series includes small photographs from 1935-1959. Spanning two boxes and about 100 pages, this series contains photographs from parties, domestic life, outdoor recreation, American military personnel, Washington, D.C., Norway, and children.  The second series contains medium photographs taken during the 1940s. This series contains photographs of Turkey, American military personnel, parties, and leisure. The third series contains large photographs taken during the 1940s. This series consists mainly of photographs of the Pentagon but also includes images of weddings, leisure activities, and American military personnel.\n","This series contains small photographs ranging in size from 1 1/4x2 1/4\" to 5x4\" \n","Mrs. Liston,  Mr. and Mrs. Bill Studervant, Theda Portir, Major Tourdlau, Mrs. Stancook, Mrs. Pat Redd\n\t"," Mary Elsie Fox, Elayne Scott\n\t","Mary Sevcik, Mary Elsie Fox, Bob Rancine, Tim Donovan\n\t"," Mary Elsie Fox, Dave O'Connel, Ann Sevcik O'Connel\n\t","Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t"," Edna Earle Whitt, Mary Elsie, Fox, Janice Rigler Stoops\n\t"," Mary Elsie Fox, Mary Sevcik\n\t"," Edna Earle Whitt, Mary Elsie Fox, Mary Sevcik\n\t"," New Jersey shore, sailors.\n\t"," Mary Elsie Fox, Elayne Scott, Mary Sevcik\n\t"," Mary Elsie Fox, Mary Sevcik, Tony Pecar, Ted Palmerine, Elayne Scott\n\t","Janice Rigler Stoops, Marion W. Stoops\n\t"," Mary Elsie Fox, Jo-Ann Maddy\n\t","Mary Elsie Fox, Elayne Scott, Edna Earle Whitt\n\t"," Mary Elsie Fox\n\t","Mary Elsie Fox, Mary Sevcik, Ann Sevcik O'Connel, Jan Sevcik\n\t"," Mary Elsie Fox\n\t"," Processed by Peoples Drugstores\n\t"," Mary Elsie Fox\n\t","Mary Sevcik\n\t"," Mary Sevcik, Jan Sevcik, Ann Sevcik\n\t"," Mary Sevcik\n\t"," Mary Elsie Fox, Edna Earle Whitt, Elayne Scott\n\t"," Thelma Tefler\n\t","Color photos of Mary Elsie Fox\n\t"," Jan Sevick\n\t"," Mrs. McNeer, Anna Mae McNeer\n\t"," Mary K. Sevcik\n\t"," Mary K. Sevcik\n\t"," Ann Sevcik O'Connel\n\t"," Ann Sevcik O'Connel, Jan Sevcik\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Jan Sevcik, \"Smarty\"\n\t"," Writing on back of photograph\n\t"," House after a snowstorm\n\t",""," Mary Elsie Fox, Edna Earle Whitt, Captain Ralph Lewis, Elayne Scott, Captain Mack, Captain Joe Schieferly, Major Sturdevant, Helen Karwchuk Perlman, Captain Ken Jordan, Peggy Hill, Captain Bill Miles\n\t"," Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t"," Mary Elsie Fox, Edna Earle Whitt, Dick Perlman, Helen Krawchuk Perlman, Ken Ramey\n\t"," One outdoor portrait photograph of Edna Earle Whitt\n\t"," Mary Elsie Fox, Helen Krawchuk Perlman, Dick Perlman, Ken Ramey, Edna Earle Whitt\n\t"," Mary Elsie Fox, Tim Donovan, Mary Sevcik, Bob Rancine\n\t"," Dick Perlman\n\t"," Mary Sevcik\n\t"," Mary Elsie Fox\n\t"," Color Photograph\n\t"," View of Jefferson Memorial through cherry blossoms; bridge\n\t"," Deveolped By Brown Photo Service, Minnepolis, MN\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," In front of the Capitol Theatre\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," Washington Presbyterian Church\n\t"," Mary Elsie Fox\n\t"," Jefferson Memorial, Lincoln Memorial, Washington Monument, cherry blossoms\n\t"," Mary Elsie Fox\n\t"," Capitol Building, Pentagon, Lincoln Memorial, White House, Jefferson Memorial, Carnegie Library, National Gallery of Art\n\t"," Captain Schieferly, Captain Miles\n\t"," Diane Miller\n\t"," Diane Miller\n\t"," Diane Miller\n\t"," Writing on back of photograph\n\t"," Tim Donovan\n\t"," Tim Donovan\n\t","Writing on back of photograph\n\t"," Tim Donovan\n\t"," Tim Donovan\n\t"," Developed by Peoples Drug Stores\n\t","Major Mulford, Major Flynn\n\t"," Mary Sevcik\n\t","Skiing Photographs. Some developed by Nerlien.\n\t"," Mary Sevcik, Jan Sevcik\n\t","Outdoor Photographs\n\t"," Mike Riley, Charlie La Cour\n\t"," Mary Sevcik, Elsa Beach\n\t"," Writing on back of photographs\n\t"," Mary Sevcik, Jan Sevcik\n\t"," Mary Sevcik, Bill Shiflet\n\t"," Writing on back of photographs\n\t"," Mary Sevcik, Dorothy Smith, Eric Karl Hellstrom, Fritiof Falkstrand\n\t"," Writing on back of photographs\n\t"," Writing on back of photographs\n\t"," Bob Berg, Mrs. Berg\n\t"," Writing on back of photographs\n\t"," Joe Moline, Mary Sevcik, Major Scully\n\t"," Writing on back of photographs\n\t",""," Writing on back of photographs\n\t"," Mary Sevcik\n\t"," Mary Sevcik\n\t","Mary Sevcik\n\t"," Writing on back of photograph\n\t"," Mike Riley\n\t"," Mary Elsie Fox, Mary Sevcik\n\t","This series contains medium photographs ranging in size from 5 3/4x2 1/2\" to 7 1/4x5 1/4\".\n"," Edna Earle Whitt, Mary Elsie Fox, Elayne Scott, Peggy Hill, Captain Ken Jordan, Captain Joe Schieferly, Captain Bill Miles, Captain Ralph Lewis\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," Mary Elsie Fox\n\t","Edna Earle Whitt, Jerry Whitt, Mary Elsie Fox\n\t","Elayne Scott, Mary Elsie Fox\n\t"," Elayne Scott, Mary Elsie Fox, Edna Earle Whitt, Myrtle Parker, Lee Parnell, Myrtle Lacy, Dorothy Rupert, JoAnn Srubb, Ruth Anderson, Mrs. Attaway\n\t"," Tim Donovan\n\t"," Writing on back of photograph\n\t"," Captain Joe Schieferly\n\t","This series contains large photographs ranging in size from 1 1/2x9\" to 8x10\".\n"," Captain Joe Schieferly\n\t"," Writing on front of photograph\n\t"," Mr. and Mrs. James Miller, Dick Bennett, Mike Riley, Charlie La Cour, Bill and Sonja Malberg, Mr. and Mrs. Johnny Fay-Schojle, Mr. and Mrs. Bill Farbe, Bobbie Robahan, Ingrid Galtung, Pei Wan, Mr. and Mrs. Bill Slack, Mary Sevcik\n\t"," Mary Elsie Fox\n\t"," Hessler Photography, Washington, DC\n\t"," Edna Earle Whitt, Paul Taylor, Mary Elsie Fox\n\t"," Underwood and Underwood Photography, Washington\n\t"," Diane Miller\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Elayne Scott, Edna Earle Whitt, Mary Elsie Fox\n\t"," Captain Joe Schieferly, Alma Chalk\n\t"," Pentagon, Washington Monument, Jefferson Memorial, Capitol Building\n\t"," Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","There are no restrictions.\n","This collection contains approximately 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her husband, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n","George Mason University.  Special Collections and Archives.\n","Mary Elsie Fox\n","Fox, Mary Elsie, 1923-1994.","English\n"],"unitid_tesim":["C0067\n"],"normalized_title_ssm":["Mary Elsie Fox photograph collection"],"collection_title_tesim":["Mary Elsie Fox photograph collection"],"collection_ssim":["Mary Elsie Fox photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mary Elsie Fox\n"],"creator_ssim":["Mary Elsie Fox\n"],"creator_persname_ssim":["Mary Elsie Fox\n"],"creators_ssim":["Mary Elsie Fox\n"],"acqinfo_ssim":["Collection donated by Tish Como in 2006.\n"],"access_subjects_ssim":["Domestic life--Washington (D.C.)--20th century--Photographs.","Leisure--Washington (D.C.)--20th century--Photographs.","Group portraits.","Photographic prints.","Portrait photographs."],"access_subjects_ssm":["Domestic life--Washington (D.C.)--20th century--Photographs.","Leisure--Washington (D.C.)--20th century--Photographs.","Group portraits.","Photographic prints.","Portrait photographs."],"has_online_content_ssim":["false"],"extent_ssm":["1 linear feet (3 boxes)"],"extent_tesim":["1 linear feet (3 boxes)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Small Photographs, 1935-1959 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Medium Photographs, 1940s (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Large Photographs, 1940s (Boxes 2-3)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into three series.\n","Series 1: Small Photographs, 1935-1959 (Boxes 1-2)\n Series 2: Medium Photographs, 1940s (Box 2)\n Series 3: Large Photographs, 1940s (Boxes 2-3)\n"],"bioghist_html_tesm":["\u003cp\u003eMary Elsie Fox, a resident of Hinton, West Virginia, served as executive secretary for a number of generals of the U.S. Air Force and later in the office of Vice President Spiro T. Agnew. Born in 1923, Mary Elsie Fox spent most of her adult life in Washington, D.C. before her death in 1994.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Mary Elsie Fox, a resident of Hinton, West Virginia, served as executive secretary for a number of generals of the U.S. Air Force and later in the office of Vice President Spiro T. Agnew. Born in 1923, Mary Elsie Fox spent most of her adult life in Washington, D.C. before her death in 1994.\n"],"prefercite_html_tesm":["\u003cp\u003eMary Elsie Fox photogaph collection, Collection #C0067, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Mary Elsie Fox photogaph collection, Collection #C0067, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman in March 2010. EAD markup completed by Kate Norman in March 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Kate Norman in March 2010. EAD markup completed by Kate Norman in March 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/rapp.html\"\u003eJohn Rapp, Jr. photograph collection\u003c/extref\u003e and the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/larkin.html\"\u003eLarkin family photograph collection\u003c/extref\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  John Rapp, Jr. photograph collection  and the  Larkin family photograph collection .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains about 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her brother, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n\u003c/p\u003e","\u003cp\u003e The collection includes photographs of parties, dinners, outdoor recreation, children, American military, a friend's time abroad in Norway, and general portrait photographs. The collection also includes photographs of DC monuments and important buildings, ranging from the Pentagon to the Carnegie Library. Many of these photographs have writing on the back, especially those taken in Norway.\n\u003c/p\u003e","\u003cp\u003e The first series includes small photographs from 1935-1959. Spanning two boxes and about 100 pages, this series contains photographs from parties, domestic life, outdoor recreation, American military personnel, Washington, D.C., Norway, and children.  The second series contains medium photographs taken during the 1940s. This series contains photographs of Turkey, American military personnel, parties, and leisure. The third series contains large photographs taken during the 1940s. This series consists mainly of photographs of the Pentagon but also includes images of weddings, leisure activities, and American military personnel.\n\u003c/p\u003e","\u003cp\u003eThis series contains small photographs ranging in size from 1 1/4x2 1/4\" to 5x4\" \n\u003c/p\u003e","\u003cp\u003eMrs. Liston,  Mr. and Mrs. Bill Studervant, Theda Portir, Major Tourdlau, Mrs. Stancook, Mrs. Pat Redd\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Elayne Scott\n\t\u003c/p\u003e","\u003cp\u003eMary Sevcik, Mary Elsie Fox, Bob Rancine, Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dave O'Connel, Ann Sevcik O'Connel\n\t\u003c/p\u003e","\u003cp\u003eMary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t\u003c/p\u003e","\u003cp\u003e Edna Earle Whitt, Mary Elsie, Fox, Janice Rigler Stoops\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Edna Earle Whitt, Mary Elsie Fox, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e New Jersey shore, sailors.\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Elayne Scott, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Mary Sevcik, Tony Pecar, Ted Palmerine, Elayne Scott\n\t\u003c/p\u003e","\u003cp\u003eJanice Rigler Stoops, Marion W. Stoops\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Jo-Ann Maddy\n\t\u003c/p\u003e","\u003cp\u003eMary Elsie Fox, Elayne Scott, Edna Earle Whitt\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003eMary Elsie Fox, Mary Sevcik, Ann Sevcik O'Connel, Jan Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Processed by Peoples Drugstores\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003eMary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Jan Sevcik, Ann Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Edna Earle Whitt, Elayne Scott\n\t\u003c/p\u003e","\u003cp\u003e Thelma Tefler\n\t\u003c/p\u003e","\u003cp\u003eColor photos of Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Jan Sevick\n\t\u003c/p\u003e","\u003cp\u003e Mrs. McNeer, Anna Mae McNeer\n\t\u003c/p\u003e","\u003cp\u003e Mary K. Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary K. Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Ann Sevcik O'Connel\n\t\u003c/p\u003e","\u003cp\u003e Ann Sevcik O'Connel, Jan Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Jan Sevcik, \"Smarty\"\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e House after a snowstorm\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Edna Earle Whitt, Captain Ralph Lewis, Elayne Scott, Captain Mack, Captain Joe Schieferly, Major Sturdevant, Helen Karwchuk Perlman, Captain Ken Jordan, Peggy Hill, Captain Bill Miles\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Edna Earle Whitt, Dick Perlman, Helen Krawchuk Perlman, Ken Ramey\n\t\u003c/p\u003e","\u003cp\u003e One outdoor portrait photograph of Edna Earle Whitt\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Helen Krawchuk Perlman, Dick Perlman, Ken Ramey, Edna Earle Whitt\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Tim Donovan, Mary Sevcik, Bob Rancine\n\t\u003c/p\u003e","\u003cp\u003e Dick Perlman\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Color Photograph\n\t\u003c/p\u003e","\u003cp\u003e View of Jefferson Memorial through cherry blossoms; bridge\n\t\u003c/p\u003e","\u003cp\u003e Deveolped By Brown Photo Service, Minnepolis, MN\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dempsey Fox\n\t\u003c/p\u003e","\u003cp\u003e In front of the Capitol Theatre\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dempsey Fox\n\t\u003c/p\u003e","\u003cp\u003e Washington Presbyterian Church\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Jefferson Memorial, Lincoln Memorial, Washington Monument, cherry blossoms\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Capitol Building, Pentagon, Lincoln Memorial, White House, Jefferson Memorial, Carnegie Library, National Gallery of Art\n\t\u003c/p\u003e","\u003cp\u003e Captain Schieferly, Captain Miles\n\t\u003c/p\u003e","\u003cp\u003e Diane Miller\n\t\u003c/p\u003e","\u003cp\u003e Diane Miller\n\t\u003c/p\u003e","\u003cp\u003e Diane Miller\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003eWriting on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Developed by Peoples Drug Stores\n\t\u003c/p\u003e","\u003cp\u003eMajor Mulford, Major Flynn\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003eSkiing Photographs. Some developed by Nerlien.\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Jan Sevcik\n\t\u003c/p\u003e","\u003cp\u003eOutdoor Photographs\n\t\u003c/p\u003e","\u003cp\u003e Mike Riley, Charlie La Cour\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Elsa Beach\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Jan Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Bill Shiflet\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik, Dorothy Smith, Eric Karl Hellstrom, Fritiof Falkstrand\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Bob Berg, Mrs. Berg\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Joe Moline, Mary Sevcik, Major Scully\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e Writing on back of photographs\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003eMary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e Mike Riley\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003eThis series contains medium photographs ranging in size from 5 3/4x2 1/2\" to 7 1/4x5 1/4\".\n\u003c/p\u003e","\u003cp\u003e Edna Earle Whitt, Mary Elsie Fox, Elayne Scott, Peggy Hill, Captain Ken Jordan, Captain Joe Schieferly, Captain Bill Miles, Captain Ralph Lewis\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox, Dempsey Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003eEdna Earle Whitt, Jerry Whitt, Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003eElayne Scott, Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Elayne Scott, Mary Elsie Fox, Edna Earle Whitt, Myrtle Parker, Lee Parnell, Myrtle Lacy, Dorothy Rupert, JoAnn Srubb, Ruth Anderson, Mrs. Attaway\n\t\u003c/p\u003e","\u003cp\u003e Tim Donovan\n\t\u003c/p\u003e","\u003cp\u003e Writing on back of photograph\n\t\u003c/p\u003e","\u003cp\u003e Captain Joe Schieferly\n\t\u003c/p\u003e","\u003cp\u003eThis series contains large photographs ranging in size from 1 1/2x9\" to 8x10\".\n\u003c/p\u003e","\u003cp\u003e Captain Joe Schieferly\n\t\u003c/p\u003e","\u003cp\u003e Writing on front of photograph\n\t\u003c/p\u003e","\u003cp\u003e Mr. and Mrs. James Miller, Dick Bennett, Mike Riley, Charlie La Cour, Bill and Sonja Malberg, Mr. and Mrs. Johnny Fay-Schojle, Mr. and Mrs. Bill Farbe, Bobbie Robahan, Ingrid Galtung, Pei Wan, Mr. and Mrs. Bill Slack, Mary Sevcik\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Hessler Photography, Washington, DC\n\t\u003c/p\u003e","\u003cp\u003e Edna Earle Whitt, Paul Taylor, Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Underwood and Underwood Photography, Washington\n\t\u003c/p\u003e","\u003cp\u003e Diane Miller\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Elayne Scott, Edna Earle Whitt, Mary Elsie Fox\n\t\u003c/p\u003e","\u003cp\u003e Captain Joe Schieferly, Alma Chalk\n\t\u003c/p\u003e","\u003cp\u003e Pentagon, Washington Monument, Jefferson Memorial, Capitol Building\n\t\u003c/p\u003e","\u003cp\u003e Signal Corps Photograph\n\t\u003c/p\u003e","\u003cp\u003eSignal Corps Photograph\n\t\u003c/p\u003e","\u003cp\u003eSignal Corps Photograph\n\t\u003c/p\u003e","\u003cp\u003eSignal Corps Photograph\n\t\u003c/p\u003e","\u003cp\u003eSignal Corps Photograph\n\t\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains about 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her brother, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n"," The collection includes photographs of parties, dinners, outdoor recreation, children, American military, a friend's time abroad in Norway, and general portrait photographs. The collection also includes photographs of DC monuments and important buildings, ranging from the Pentagon to the Carnegie Library. Many of these photographs have writing on the back, especially those taken in Norway.\n"," The first series includes small photographs from 1935-1959. Spanning two boxes and about 100 pages, this series contains photographs from parties, domestic life, outdoor recreation, American military personnel, Washington, D.C., Norway, and children.  The second series contains medium photographs taken during the 1940s. This series contains photographs of Turkey, American military personnel, parties, and leisure. The third series contains large photographs taken during the 1940s. This series consists mainly of photographs of the Pentagon but also includes images of weddings, leisure activities, and American military personnel.\n","This series contains small photographs ranging in size from 1 1/4x2 1/4\" to 5x4\" \n","Mrs. Liston,  Mr. and Mrs. Bill Studervant, Theda Portir, Major Tourdlau, Mrs. Stancook, Mrs. Pat Redd\n\t"," Mary Elsie Fox, Elayne Scott\n\t","Mary Sevcik, Mary Elsie Fox, Bob Rancine, Tim Donovan\n\t"," Mary Elsie Fox, Dave O'Connel, Ann Sevcik O'Connel\n\t","Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t"," Edna Earle Whitt, Mary Elsie, Fox, Janice Rigler Stoops\n\t"," Mary Elsie Fox, Mary Sevcik\n\t"," Edna Earle Whitt, Mary Elsie Fox, Mary Sevcik\n\t"," New Jersey shore, sailors.\n\t"," Mary Elsie Fox, Elayne Scott, Mary Sevcik\n\t"," Mary Elsie Fox, Mary Sevcik, Tony Pecar, Ted Palmerine, Elayne Scott\n\t","Janice Rigler Stoops, Marion W. Stoops\n\t"," Mary Elsie Fox, Jo-Ann Maddy\n\t","Mary Elsie Fox, Elayne Scott, Edna Earle Whitt\n\t"," Mary Elsie Fox\n\t","Mary Elsie Fox, Mary Sevcik, Ann Sevcik O'Connel, Jan Sevcik\n\t"," Mary Elsie Fox\n\t"," Processed by Peoples Drugstores\n\t"," Mary Elsie Fox\n\t","Mary Sevcik\n\t"," Mary Sevcik, Jan Sevcik, Ann Sevcik\n\t"," Mary Sevcik\n\t"," Mary Elsie Fox, Edna Earle Whitt, Elayne Scott\n\t"," Thelma Tefler\n\t","Color photos of Mary Elsie Fox\n\t"," Jan Sevick\n\t"," Mrs. McNeer, Anna Mae McNeer\n\t"," Mary K. Sevcik\n\t"," Mary K. Sevcik\n\t"," Ann Sevcik O'Connel\n\t"," Ann Sevcik O'Connel, Jan Sevcik\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Jan Sevcik, \"Smarty\"\n\t"," Writing on back of photograph\n\t"," House after a snowstorm\n\t",""," Mary Elsie Fox, Edna Earle Whitt, Captain Ralph Lewis, Elayne Scott, Captain Mack, Captain Joe Schieferly, Major Sturdevant, Helen Karwchuk Perlman, Captain Ken Jordan, Peggy Hill, Captain Bill Miles\n\t"," Mary Elsie Fox, Dick Perlman, Helen Krawchuk Perlman\n\t"," Mary Elsie Fox, Edna Earle Whitt, Dick Perlman, Helen Krawchuk Perlman, Ken Ramey\n\t"," One outdoor portrait photograph of Edna Earle Whitt\n\t"," Mary Elsie Fox, Helen Krawchuk Perlman, Dick Perlman, Ken Ramey, Edna Earle Whitt\n\t"," Mary Elsie Fox, Tim Donovan, Mary Sevcik, Bob Rancine\n\t"," Dick Perlman\n\t"," Mary Sevcik\n\t"," Mary Elsie Fox\n\t"," Color Photograph\n\t"," View of Jefferson Memorial through cherry blossoms; bridge\n\t"," Deveolped By Brown Photo Service, Minnepolis, MN\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," In front of the Capitol Theatre\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," Washington Presbyterian Church\n\t"," Mary Elsie Fox\n\t"," Jefferson Memorial, Lincoln Memorial, Washington Monument, cherry blossoms\n\t"," Mary Elsie Fox\n\t"," Capitol Building, Pentagon, Lincoln Memorial, White House, Jefferson Memorial, Carnegie Library, National Gallery of Art\n\t"," Captain Schieferly, Captain Miles\n\t"," Diane Miller\n\t"," Diane Miller\n\t"," Diane Miller\n\t"," Writing on back of photograph\n\t"," Tim Donovan\n\t"," Tim Donovan\n\t","Writing on back of photograph\n\t"," Tim Donovan\n\t"," Tim Donovan\n\t"," Developed by Peoples Drug Stores\n\t","Major Mulford, Major Flynn\n\t"," Mary Sevcik\n\t","Skiing Photographs. Some developed by Nerlien.\n\t"," Mary Sevcik, Jan Sevcik\n\t","Outdoor Photographs\n\t"," Mike Riley, Charlie La Cour\n\t"," Mary Sevcik, Elsa Beach\n\t"," Writing on back of photographs\n\t"," Mary Sevcik, Jan Sevcik\n\t"," Mary Sevcik, Bill Shiflet\n\t"," Writing on back of photographs\n\t"," Mary Sevcik, Dorothy Smith, Eric Karl Hellstrom, Fritiof Falkstrand\n\t"," Writing on back of photographs\n\t"," Writing on back of photographs\n\t"," Bob Berg, Mrs. Berg\n\t"," Writing on back of photographs\n\t"," Joe Moline, Mary Sevcik, Major Scully\n\t"," Writing on back of photographs\n\t",""," Writing on back of photographs\n\t"," Mary Sevcik\n\t"," Mary Sevcik\n\t","Mary Sevcik\n\t"," Writing on back of photograph\n\t"," Mike Riley\n\t"," Mary Elsie Fox, Mary Sevcik\n\t","This series contains medium photographs ranging in size from 5 3/4x2 1/2\" to 7 1/4x5 1/4\".\n"," Edna Earle Whitt, Mary Elsie Fox, Elayne Scott, Peggy Hill, Captain Ken Jordan, Captain Joe Schieferly, Captain Bill Miles, Captain Ralph Lewis\n\t"," Mary Elsie Fox, Dempsey Fox\n\t"," Mary Elsie Fox\n\t","Edna Earle Whitt, Jerry Whitt, Mary Elsie Fox\n\t","Elayne Scott, Mary Elsie Fox\n\t"," Elayne Scott, Mary Elsie Fox, Edna Earle Whitt, Myrtle Parker, Lee Parnell, Myrtle Lacy, Dorothy Rupert, JoAnn Srubb, Ruth Anderson, Mrs. Attaway\n\t"," Tim Donovan\n\t"," Writing on back of photograph\n\t"," Captain Joe Schieferly\n\t","This series contains large photographs ranging in size from 1 1/2x9\" to 8x10\".\n"," Captain Joe Schieferly\n\t"," Writing on front of photograph\n\t"," Mr. and Mrs. James Miller, Dick Bennett, Mike Riley, Charlie La Cour, Bill and Sonja Malberg, Mr. and Mrs. Johnny Fay-Schojle, Mr. and Mrs. Bill Farbe, Bobbie Robahan, Ingrid Galtung, Pei Wan, Mr. and Mrs. Bill Slack, Mary Sevcik\n\t"," Mary Elsie Fox\n\t"," Hessler Photography, Washington, DC\n\t"," Edna Earle Whitt, Paul Taylor, Mary Elsie Fox\n\t"," Underwood and Underwood Photography, Washington\n\t"," Diane Miller\n\t"," Mary Elsie Fox\n\t"," Mary Elsie Fox\n\t"," Elayne Scott, Edna Earle Whitt, Mary Elsie Fox\n\t"," Captain Joe Schieferly, Alma Chalk\n\t"," Pentagon, Washington Monument, Jefferson Memorial, Capitol Building\n\t"," Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t","Signal Corps Photograph\n\t"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains approximately 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her husband, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains approximately 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4\" snapshots of Fox, her husband, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2\" to 8x10\".\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Mary Elsie Fox\n","Fox, Mary Elsie, 1923-1994."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Mary Elsie Fox\n","Fox, Mary Elsie, 1923-1994."],"language_ssim":["English\n"],"total_component_count_is":123,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00030"}},{"id":"vifgm_macv58","type":"collection","attributes":{"title":"Military Assistance Command, Vietnam Team 58 photograph collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_macv58#creator","type":"document_value","attributes":{"value":"United States. Military Assistance Command, Vietnam. Advisory Team 58.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_macv58#abstract_or_scope","type":"document_value","attributes":{"value":"The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_macv58#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_macv58","ead_ssi":"vifgm_macv58","_root_":"vifgm_macv58","_nest_parent_":"vifgm_macv58","ead_source_url_ssi":"data/gmu/macv58.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/vietnammaagphotos.html","title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"unitdate_ssm":["1964-1965"],"unitdate_inclusive_ssm":["1964-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0196"],"text":["C0196","Military Assistance Command, Vietnam Team 58 photograph collection","Military camps--Photographs.","Vietnam War, 1961-1975--Photographs.","Aerial photographs.","Group portraits.","Photographic prints.","Portraits.","There are no access restrictions.","The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series 1: Photos by Administrative NCO, 1965 (pages 1-26) Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)","MACV (Military Assistance Command, Vietnam) was an organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.","Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018.","Special Collections and Archives also hold the \n                  which includes photographs related to the Vietnam War. \n                  and the \n                  both contain anti-Vietnam War materials.","The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.","Man delivering a speech, viewed from behind.","Man giving a speech, viewed from right.","Man giving a speech, viewed from right.","Man delivering a speech, viewed from the point of view of the crowd behind him.","Man delivering a speech, viewed from the point of view of the crowd behind him.","View of the crowd at the assembly including millitary personnel and civilians.","Alternate view of the crowd at the assembly.","Crowd at assembly with banners displaying Vietnamese slogans.","Soldiers at assembly with Vietnamese banner.","Soldiers at assembly with Vietnamese banner.","Camp bedroom featuring two beds and a nightstand.","M1 carbines and M14 hanging on the wall.","Wall of a camp bedroom with dresser and clothing hanging on wall.","Camp bedroom with a bed, table and chairs, dresser and nightstand.","Camp mess hall with maps of Choung Thien province on an easel.","Camp mess hall with maps of Choung Thien province on an easel.","Building made of corrugated metal and hit by Viet Cong mortar fire.","View of the entrance gate to MACV Team 58 compound. Sign still says MAAG.","Building in the camp seen from the side, including sand bag bunker and \"gym\" workout area.","Aerial view of the camp including several different complexes of buildings.","Army 3/4 ton truck parked in the Southeast corner of the compound behind bunker and reinforcements made of sandbags.","View of South Vietnamese Regional Force/Popular Force (RF/PF) training center across the main canal in Vi Thanh, shot from a team jeep.","Large building in Vi Thanh.","Building in the camp seen from the side.","Duplicate picture.","Building in the camp shot from a different angle.","Building in the camp with corrugated roof.","Small building in the camp with army personnel inside.","Building in the camp with corrugated roof. A new worker on a lader is making repairs to the building.","Major Otis A Moran, Sector Senior Advisor, Major Thomas Lavasseur, Assistant Senior Advisor, and an unidentified individual standing outside several buildings in the camp on a Sunday.","View of the entrance gate to MACV Team 58 compound, with a shower and latrine on the right and Vietnamese police serving as gate guards.","Overhead shot of corrugated roofs with camp name and location printed on it.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show prepartions.","USO show prepartions.","USO show prepartions.","Military personnel in a mess hall.","Small building in the camp with army personnel inside and army 3/4 ton truck.","Military personnel outside buildings working on trailers.","Military personnel in mess hall.","Vietnamese National Police guarding the compound during the day, with shower and latrine building in the background.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Two unidentified US NCOs and Major Thomas LeVasseuer standing at the back of an aircraft.","List of the names of Advisory Team 58 members written in the sand.","Local children on court while military personnel play tennis. Vietnamese Brigade Headquarters is in the background.","Military personnel playing tennis. Vietnamese Brigade Headquarters is in the background.","","A river bank in Vi Thanh.","Store front in Vi Thanh with local residents and military personel.","Store front in Vi Thanh with local residents.","Store front in Vi Thanh with local residents and military personel.","Local residents and military personnel.","Major Thomas LeVasseur, Deputy Sector Advisor and a team Administrative NCO posed in uniform.","Unidentified team Administrative NCO taking a picture in the mirror.","Military advisor taking pictures from the top of the compound water tower.","Military advisor taking pictures from the top of the compound water tower.","Military advisor taking pictures from the top of the compound water tower.","1st Lieutenant Kevin Renahan sitting in the compound on a Sunday.","Two Vietnamese Police gate guards sitting behind sandbags in the compound entrance, bunker in the background.","Captain Clyde Myer sitting at his desk behind a type writer.","Several team members sitting in the mess hall.","Unidentified NCO sitting at a desk or table.","Vietnamese interpreterer sitting at a desk with a map of Choung Thien province behind him.","1st Lieutenant Kevin Renahan behind the mess hall; generator shed in the rear.","Photograph of an Administrative NCO in a stripped shirt.","Major Donald Gluck and Major Otis A Moran (incoming and outgoing Senior Sector Advisors) on a Sunday.","Unidentified lieutenant reading something in bed.","Vietnamese interpreter for Team 58 driving a jeep at the compound.","Group portrait of US and Vietnamese personnel eating a meal, probably at the province chief's home; Major Donald Gluck is second on left.","Two team NCOs sitting in the back of Caribao Aircraft, one man in the forground faces away from the camera.","A man getting his haircut in the camp.","Administrative NCO at his desk in the sector office.","Photograph of an Administrative NCO (the photographer of most of the pictures in the collection) in a white tee-shirt.","Major Thomas LeVasseur washing a shovel in the rear of the compound.","Captain Whittman and an unidentified officer (rear) at their desks in Brigade HQ.","Group portrait of army personel playing volleyball in the compound; Major Thomas LeVasseur is on the left.","Two Vietnamese Police gate guards sitting in the camp behind sandbags.","Vietnamese interpreter and Admin NCO in uniform sitting at a desk in the sector office.","An Administrative NCO posing with several cars.","Three NCOs sitting around a table in a bedroom.","Man posing with a Boa constrictor.","Military advisor on water tower taking pictures.","Two NCOs posed with military jeeps.","Photograph of an Administrative NCO in a white shirt in front of a building.","Group portrait of military advisors at a party.","Two men in the mess hall, one reading and one at a desk.","Captain Whittman (seated) and another man standing in front of a camp building.","Communications NCO in uniform posed in the mess hall entry.","Administrative NCO outside in the compound posed in front of sandbags.","USO speed painter preparing for USO show in the mess hall.","Vietnamese interpreter sitting at his desk with a map of Vietnam behind him.","Group portrait of (left to right) Lieutenant Colonel Preston, senior advisor, Lieutenant Colonel Diep, province chief, Captain Loi, Vietnamese inelligence officer, Major Donald Gluck, and unidentified NCOs sitting outside.","4 unidentified NCOs sitting outside the rear of the compound with the \"gym\" in the background.","Captain Whitman seated at desk looking at the camera, Captain Clyde Myer with his back to the camera.","Unidentified USAF Pilot and Major Thomas LeVasseur talking.","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama team members travelling by boat to performance site.\n","1st Lieutenant Albert V. Short presenting to Vietnamese woman.\n","Captain Clyde Meyer, Sam Daeli, 1st Lieutenant Albert V. Short, and unidentified Vietnamese Province (Sector) officials. \n","1st Lieutenant Kevin Renahan and Lieutenant Buu having beer in Vi Thanh with an unidentified Vietnamese man. \n","Lieutenant Buu, Sector Logistical Officer.\n","Captain Loi (Vietnamese Sector Intelligence Officer) and Lieutenant Colonel Zom drinking Budweiser at the MACV compound. \n","Ken Thien District Chief being promoted to Captain by Province Chief Major Nghia.\n","Lieutenant Colonel Nguyen Ngoc Diep, Choung Thien province chief.\n","Lieutenant Tri, Provincial Assistant S-5 in field with his PSYOP team.\n","US Army L-19 on the \"new\" strip at Vi Thanh.\n","US Army HUEY-B model gun-ships on the ground at Vi Thanh.\n","US Army troop carying HUEY helicopters departing with Vietnamese forces from Vi Thanh.\n","Advisory Team 58 Jeep at MACV Team 58 compound gate.\n","French \"steam roller,\" circa 1910.\n","Vietnamese Navy Riverine Assault Group (RAG) 26 vessel.\n","Main street shops in Vi Thanh alongside the main canal.\n","Central market in the early morning.\n","Central market fruit vendor.\n","Central marketplace after a fire.\n","Army of the Republic of Vietnam military dependents (4 children).\n","Army of the Republic of Vietnam military dependents (10 children).\n","Army of the Republic of Vietnam military dependent (1 child).\n","Gate to Army of the Republic of Vietnam 2nd Battalion 31st Infantry Regiment compound.\n","Old woman holding a government propaganda leaflet in the village near Vi Thanh.\n","Old man in the village near Vi Thanh.\n","Woman reading a newspaper in the village near Vi Thanh.\n","View across the main canal at the east end of Vi Thanh.\n","Two US advisors paddling a boat across the main canal at Vi Thanh to go to the Regional Forces/Popular Forces training center.\n","1st Lieutenant Kevin Renahan inside the MACV Advisory Team 58 compound gate with local children.\n","US advisor and Army of the Republic of Vietnam soldier buying snacks from street vendors.\n","The main canal in the vicinity of Vi Thanh.\n","The main canal in the vicinity of Vi Thanh.\n","Boat traffic on the main canal in the vicinity of Vi Thanh.\n","Boat traffic on the main canal in the vicinity of Vi Thanh.\n","Water buffalo and herder next to the MACV Team 58 Compound.\n","Three water buffalo next to the MACV Team 58 Compound\n","Large barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n","Large barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n","Barge hauling fresh water in Vi Thanh.\n","Popular Force guards at the \"new\" airfield.\n","View out the gate of the MACV Team 58 Compound at sundown.\n","Regional Force block house in the vicinity of Duc Long.\n","View from a jeep on the bridge at Duc Long crossing the main canal.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Battalion commander of the 2nd Battalion/31st Infantry regiment in the field southwest of Vi Thanh.\n","Captain Paul Yuracheck, Senior Advisor of the 2nd Battalion 31st Infantry regiment practicing Vietnamese with children while the Vietnamese Battalion Commander lies in a hammock. \n","Captain Paul Yuracheck with the Vietnamese Battalion Commander and radio operator southwest of Vi Thanh.\n","Buddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n","Buddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n","Building near Buddhist pagoda (Kai Suu?) southwest of Vi Thanh; Battalion Commanding Officer without helmet.\n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members embarked in landing craft enroute to an operation with Regional Forces/Popular Forces.\n","Captain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh.\n","Captain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh crossing a small canal.\n","Room in a \"long house\" on the MACV Advisory Team 58 Compound.\n","Sunday afternoon get-together between the buildings.\n","Sunday night barbeque with three team Non-Commissioned Officers doing the cooking\n","Sunday \"service\" in the compound - Lieutenant Colonel Preston and two unidentified Non-Commissioned Officers\n","Sunday afternoon sing along with Captain Eugene J. Wyles on guitar, Major Donald Gluck, Major Thomas LeVasseur, Jr, Captain John Coyne, Captain Stanley Bonta, Captain Clyde Meyers, and Lieutenant Colonel Preston.\n","Mess hall meeting on a Sunday - Major Otis Moran, Major Donald Gluck, Major Thomas LeVasseur, Jr, and Captain Clyde Meyers\n","1st Lieutenant Albert V. Short in the \"library,\" a corner of the mess hall.\n","1st Lieutenant Kevin Renahan and two Vietnamese children.\n","Portrait of Captain John Coyne.\n","Portrait of Captain John Coyne.\n","Portrait of Captain John Coyne.\n","Captain John Coyne reading mail from home.\n","Major Thomas J. LeVasseur with a Vietnamese interpreter presenting gifts to the Mother Superior at the Catholic orphanage. \n","1st Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","2nd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","3rd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","Dinner hosted by Choung Thien Province Chief, Lieutenant Nguyen Ngoc Diep, with Major Otis A. Moran and Major Donald Gluck.\n","1st Lieutenant Ronald Johnson in the team mess hall on a Sunday.\n","Captain Royal having coffee in the team mess hall on a Sunday.\n","1st Lieutenant Eugene Gray in Team 58 mess hall in Vi Thanh.\n","Captain Clyde E. Meyers and Sargent Van Corbach surveying the \"new\" Vi Thanh airfield.\n","Captain Thomas of the US Air Force.\n","Captain James Degan taking a smoke break.\n","Captain John Coyne, Captain Loi (Vietnamese Provincial Intelligence Officer), and Major Thomas J. Levasseur, Jr. at the Brigade HQ map.\n","US light weapons infantry Non-Commissioned Officer and his Vietnamese counterpart drinking beer in a Vi Thanh restauraunt.\n","Major Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Also pictured are Captain John Coyne, Sergeants Spearman and Creamer, Captain Royal, and Captain Clyde E. Meyers.      \n","Major Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Lieutenant Colonel Diep, the province chief, is in the background.\n","Lietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  Also pictured are Captain John Coyne and Sergeants Spearman and Creamer.\n","Lietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  A team administrative Non-Commissioned Officer and Vietnamese National Police guards are also pictured.\n","","","There are no restrictions on personal use. Permission to publish material from the Military Assistance Command, Vietnam Team 58 photograph collection must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","George Mason University. Libraries. Special Collections Research Center.","United States. Military Assistance Command, Vietnam. Advisory Team 58.","United States. Army--Photographs.","English\n            \t"],"unitid_tesim":["C0196"],"normalized_title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"collection_title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"collection_ssim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["United States. Military Assistance Command, Vietnam. Advisory Team 58."],"creator_ssim":["United States. Military Assistance Command, Vietnam. Advisory Team 58."],"creator_corpname_ssim":["United States. Military Assistance Command, Vietnam. Advisory Team 58."],"creators_ssim":["United States. Military Assistance Command, Vietnam. Advisory Team 58."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Military Assistance Command, Vietnam Team 58 photograph collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["104 photographs purchased from Between the Covers in August of 2011. An additional 94 photographs donated by Al Short in January 2017."],"access_subjects_ssim":["Military camps--Photographs.","Vietnam War, 1961-1975--Photographs.","Aerial photographs.","Group portraits.","Photographic prints.","Portraits."],"access_subjects_ssm":["Military camps--Photographs.","Vietnam War, 1961-1975--Photographs.","Aerial photographs.","Group portraits.","Photographic prints.","Portraits."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 linear feet (1 box)"],"extent_tesim":["0.25 linear feet (1 box)"],"date_range_isim":[1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Photos by Administrative NCO, 1965 (pages 1-26)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series 1: Photos by Administrative NCO, 1965 (pages 1-26) Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)"],"bioghist_html_tesm":["\u003cp\u003eMACV (Military Assistance Command, Vietnam) was an organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["MACV (Military Assistance Command, Vietnam) was an organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province."],"prefercite_html_tesm":["\u003cp\u003eMilitary Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also hold the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"http://sca.gmu.edu/finding_aids/atkins.html\"\u003e\u003c/extptr\u003e which includes photographs related to the Vietnam War. \n                \u003cextptr type=\"simple\" show=\"new\" title=\"The French Communist Party poster collection\" href=\"http://sca.gmu.edu/finding_aids/pcf.html\"\u003e\u003c/extptr\u003e and the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Edwin W. Lynch Vietnam War protest collection\" href=\"http://sca.gmu.edu/finding_aids/lynch.html\"\u003e\u003c/extptr\u003e both contain anti-Vietnam War materials.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also hold the \n                  which includes photographs related to the Vietnam War. \n                  and the \n                  both contain anti-Vietnam War materials."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.\u003c/p\u003e","\u003cp\u003eSeries 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.\u003c/p\u003e","\u003cp\u003eSeries 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.\u003c/p\u003e","\u003cp\u003eMan delivering a speech, viewed from behind.\u003c/p\u003e","\u003cp\u003eMan giving a speech, viewed from right.\u003c/p\u003e","\u003cp\u003eMan giving a speech, viewed from right.\u003c/p\u003e","\u003cp\u003eMan delivering a speech, viewed from the point of view of the crowd behind him.\u003c/p\u003e","\u003cp\u003eMan delivering a speech, viewed from the point of view of the crowd behind him.\u003c/p\u003e","\u003cp\u003eView of the crowd at the assembly including millitary personnel and civilians.\u003c/p\u003e","\u003cp\u003eAlternate view of the crowd at the assembly.\u003c/p\u003e","\u003cp\u003eCrowd at assembly with banners displaying Vietnamese slogans.\u003c/p\u003e","\u003cp\u003eSoldiers at assembly with Vietnamese banner.\u003c/p\u003e","\u003cp\u003eSoldiers at assembly with Vietnamese banner.\u003c/p\u003e","\u003cp\u003eCamp bedroom featuring two beds and a nightstand.\u003c/p\u003e","\u003cp\u003eM1 carbines and M14 hanging on the wall.\u003c/p\u003e","\u003cp\u003eWall of a camp bedroom with dresser and clothing hanging on wall.\u003c/p\u003e","\u003cp\u003eCamp bedroom with a bed, table and chairs, dresser and nightstand.\u003c/p\u003e","\u003cp\u003eCamp mess hall with maps of Choung Thien province on an easel.\u003c/p\u003e","\u003cp\u003eCamp mess hall with maps of Choung Thien province on an easel.\u003c/p\u003e","\u003cp\u003eBuilding made of corrugated metal and hit by Viet Cong mortar fire.\u003c/p\u003e","\u003cp\u003eView of the entrance gate to MACV Team 58 compound. Sign still says MAAG.\u003c/p\u003e","\u003cp\u003eBuilding in the camp seen from the side, including sand bag bunker and \"gym\" workout area.\u003c/p\u003e","\u003cp\u003eAerial view of the camp including several different complexes of buildings.\u003c/p\u003e","\u003cp\u003eArmy 3/4 ton truck parked in the Southeast corner of the compound behind bunker and reinforcements made of sandbags.\u003c/p\u003e","\u003cp\u003eView of South Vietnamese Regional Force/Popular Force (RF/PF) training center across the main canal in Vi Thanh, shot from a team jeep.\u003c/p\u003e","\u003cp\u003eLarge building in Vi Thanh.\u003c/p\u003e","\u003cp\u003eBuilding in the camp seen from the side.\u003c/p\u003e","\u003cp\u003eDuplicate picture.\u003c/p\u003e","\u003cp\u003eBuilding in the camp shot from a different angle.\u003c/p\u003e","\u003cp\u003eBuilding in the camp with corrugated roof.\u003c/p\u003e","\u003cp\u003eSmall building in the camp with army personnel inside.\u003c/p\u003e","\u003cp\u003eBuilding in the camp with corrugated roof. A new worker on a lader is making repairs to the building.\u003c/p\u003e","\u003cp\u003eMajor Otis A Moran, Sector Senior Advisor, Major Thomas Lavasseur, Assistant Senior Advisor, and an unidentified individual standing outside several buildings in the camp on a Sunday.\u003c/p\u003e","\u003cp\u003eView of the entrance gate to MACV Team 58 compound, with a shower and latrine on the right and Vietnamese police serving as gate guards.\u003c/p\u003e","\u003cp\u003eOverhead shot of corrugated roofs with camp name and location printed on it.\u003c/p\u003e","\u003cp\u003eUSO show in the MACV Team 58 mess hall.\u003c/p\u003e","\u003cp\u003eUSO show in the MACV Team 58 mess hall.\u003c/p\u003e","\u003cp\u003eUSO show in the MACV Team 58 mess hall.\u003c/p\u003e","\u003cp\u003eUSO show in the MACV Team 58 mess hall.\u003c/p\u003e","\u003cp\u003eUSO show prepartions.\u003c/p\u003e","\u003cp\u003eUSO show prepartions.\u003c/p\u003e","\u003cp\u003eUSO show prepartions.\u003c/p\u003e","\u003cp\u003eMilitary personnel in a mess hall.\u003c/p\u003e","\u003cp\u003eSmall building in the camp with army personnel inside and army 3/4 ton truck.\u003c/p\u003e","\u003cp\u003eMilitary personnel outside buildings working on trailers.\u003c/p\u003e","\u003cp\u003eMilitary personnel in mess hall.\u003c/p\u003e","\u003cp\u003eVietnamese National Police guarding the compound during the day, with shower and latrine building in the background.\u003c/p\u003e","\u003cp\u003eImage of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.\u003c/p\u003e","\u003cp\u003eImage of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.\u003c/p\u003e","\u003cp\u003eImage of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.\u003c/p\u003e","\u003cp\u003eImage of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.\u003c/p\u003e","\u003cp\u003eSector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.\u003c/p\u003e","\u003cp\u003eSector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.\u003c/p\u003e","\u003cp\u003eSector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.\u003c/p\u003e","\u003cp\u003eTwo unidentified US NCOs and Major Thomas LeVasseuer standing at the back of an aircraft.\u003c/p\u003e","\u003cp\u003eList of the names of Advisory Team 58 members written in the sand.\u003c/p\u003e","\u003cp\u003eLocal children on court while military personnel play tennis. Vietnamese Brigade Headquarters is in the background.\u003c/p\u003e","\u003cp\u003eMilitary personnel playing tennis. Vietnamese Brigade Headquarters is in the background.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eA river bank in Vi Thanh.\u003c/p\u003e","\u003cp\u003eStore front in Vi Thanh with local residents and military personel.\u003c/p\u003e","\u003cp\u003eStore front in Vi Thanh with local residents.\u003c/p\u003e","\u003cp\u003eStore front in Vi Thanh with local residents and military personel.\u003c/p\u003e","\u003cp\u003eLocal residents and military personnel.\u003c/p\u003e","\u003cp\u003eMajor Thomas LeVasseur, Deputy Sector Advisor and a team Administrative NCO posed in uniform.\u003c/p\u003e","\u003cp\u003eUnidentified team Administrative NCO taking a picture in the mirror.\u003c/p\u003e","\u003cp\u003eMilitary advisor taking pictures from the top of the compound water tower.\u003c/p\u003e","\u003cp\u003eMilitary advisor taking pictures from the top of the compound water tower.\u003c/p\u003e","\u003cp\u003eMilitary advisor taking pictures from the top of the compound water tower.\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan sitting in the compound on a Sunday.\u003c/p\u003e","\u003cp\u003eTwo Vietnamese Police gate guards sitting behind sandbags in the compound entrance, bunker in the background.\u003c/p\u003e","\u003cp\u003eCaptain Clyde Myer sitting at his desk behind a type writer.\u003c/p\u003e","\u003cp\u003eSeveral team members sitting in the mess hall.\u003c/p\u003e","\u003cp\u003eUnidentified NCO sitting at a desk or table.\u003c/p\u003e","\u003cp\u003eVietnamese interpreterer sitting at a desk with a map of Choung Thien province behind him.\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan behind the mess hall; generator shed in the rear.\u003c/p\u003e","\u003cp\u003ePhotograph of an Administrative NCO in a stripped shirt.\u003c/p\u003e","\u003cp\u003eMajor Donald Gluck and Major Otis A Moran (incoming and outgoing Senior Sector Advisors) on a Sunday.\u003c/p\u003e","\u003cp\u003eUnidentified lieutenant reading something in bed.\u003c/p\u003e","\u003cp\u003eVietnamese interpreter for Team 58 driving a jeep at the compound.\u003c/p\u003e","\u003cp\u003eGroup portrait of US and Vietnamese personnel eating a meal, probably at the province chief's home; Major Donald Gluck is second on left.\u003c/p\u003e","\u003cp\u003eTwo team NCOs sitting in the back of Caribao Aircraft, one man in the forground faces away from the camera.\u003c/p\u003e","\u003cp\u003eA man getting his haircut in the camp.\u003c/p\u003e","\u003cp\u003eAdministrative NCO at his desk in the sector office.\u003c/p\u003e","\u003cp\u003ePhotograph of an Administrative NCO (the photographer of most of the pictures in the collection) in a white tee-shirt.\u003c/p\u003e","\u003cp\u003eMajor Thomas LeVasseur washing a shovel in the rear of the compound.\u003c/p\u003e","\u003cp\u003eCaptain Whittman and an unidentified officer (rear) at their desks in Brigade HQ.\u003c/p\u003e","\u003cp\u003eGroup portrait of army personel playing volleyball in the compound; Major Thomas LeVasseur is on the left.\u003c/p\u003e","\u003cp\u003eTwo Vietnamese Police gate guards sitting in the camp behind sandbags.\u003c/p\u003e","\u003cp\u003eVietnamese interpreter and Admin NCO in uniform sitting at a desk in the sector office.\u003c/p\u003e","\u003cp\u003eAn Administrative NCO posing with several cars.\u003c/p\u003e","\u003cp\u003eThree NCOs sitting around a table in a bedroom.\u003c/p\u003e","\u003cp\u003eMan posing with a Boa constrictor.\u003c/p\u003e","\u003cp\u003eMilitary advisor on water tower taking pictures.\u003c/p\u003e","\u003cp\u003eTwo NCOs posed with military jeeps.\u003c/p\u003e","\u003cp\u003ePhotograph of an Administrative NCO in a white shirt in front of a building.\u003c/p\u003e","\u003cp\u003eGroup portrait of military advisors at a party.\u003c/p\u003e","\u003cp\u003eTwo men in the mess hall, one reading and one at a desk.\u003c/p\u003e","\u003cp\u003eCaptain Whittman (seated) and another man standing in front of a camp building.\u003c/p\u003e","\u003cp\u003eCommunications NCO in uniform posed in the mess hall entry.\u003c/p\u003e","\u003cp\u003eAdministrative NCO outside in the compound posed in front of sandbags.\u003c/p\u003e","\u003cp\u003eUSO speed painter preparing for USO show in the mess hall.\u003c/p\u003e","\u003cp\u003eVietnamese interpreter sitting at his desk with a map of Vietnam behind him.\u003c/p\u003e","\u003cp\u003eGroup portrait of (left to right) Lieutenant Colonel Preston, senior advisor, Lieutenant Colonel Diep, province chief, Captain Loi, Vietnamese inelligence officer, Major Donald Gluck, and unidentified NCOs sitting outside.\u003c/p\u003e","\u003cp\u003e4 unidentified NCOs sitting outside the rear of the compound with the \"gym\" in the background.\u003c/p\u003e","\u003cp\u003eCaptain Whitman seated at desk looking at the camera, Captain Clyde Myer with his back to the camera.\u003c/p\u003e","\u003cp\u003eUnidentified USAF Pilot and Major Thomas LeVasseur talking.\u003c/p\u003e","\u003cp\u003eVietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n\u003c/p\u003e","\u003cp\u003eVietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n\u003c/p\u003e","\u003cp\u003eVietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n\u003c/p\u003e","\u003cp\u003eVietnamese Army Cultural Drama team members travelling by boat to performance site.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Albert V. Short presenting to Vietnamese woman.\n\u003c/p\u003e","\u003cp\u003eCaptain Clyde Meyer, Sam Daeli, 1st Lieutenant Albert V. Short, and unidentified Vietnamese Province (Sector) officials. \n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan and Lieutenant Buu having beer in Vi Thanh with an unidentified Vietnamese man. \n\u003c/p\u003e","\u003cp\u003eLieutenant Buu, Sector Logistical Officer.\n\u003c/p\u003e","\u003cp\u003eCaptain Loi (Vietnamese Sector Intelligence Officer) and Lieutenant Colonel Zom drinking Budweiser at the MACV compound. \n\u003c/p\u003e","\u003cp\u003eKen Thien District Chief being promoted to Captain by Province Chief Major Nghia.\n\u003c/p\u003e","\u003cp\u003eLieutenant Colonel Nguyen Ngoc Diep, Choung Thien province chief.\n\u003c/p\u003e","\u003cp\u003eLieutenant Tri, Provincial Assistant S-5 in field with his PSYOP team.\n\u003c/p\u003e","\u003cp\u003eUS Army L-19 on the \"new\" strip at Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eUS Army HUEY-B model gun-ships on the ground at Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eUS Army troop carying HUEY helicopters departing with Vietnamese forces from Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eAdvisory Team 58 Jeep at MACV Team 58 compound gate.\n\u003c/p\u003e","\u003cp\u003eFrench \"steam roller,\" circa 1910.\n\u003c/p\u003e","\u003cp\u003eVietnamese Navy Riverine Assault Group (RAG) 26 vessel.\n\u003c/p\u003e","\u003cp\u003eMain street shops in Vi Thanh alongside the main canal.\n\u003c/p\u003e","\u003cp\u003eCentral market in the early morning.\n\u003c/p\u003e","\u003cp\u003eCentral market fruit vendor.\n\u003c/p\u003e","\u003cp\u003eCentral marketplace after a fire.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam military dependents (4 children).\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam military dependents (10 children).\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam military dependent (1 child).\n\u003c/p\u003e","\u003cp\u003eGate to Army of the Republic of Vietnam 2nd Battalion 31st Infantry Regiment compound.\n\u003c/p\u003e","\u003cp\u003eOld woman holding a government propaganda leaflet in the village near Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eOld man in the village near Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eWoman reading a newspaper in the village near Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eView across the main canal at the east end of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eTwo US advisors paddling a boat across the main canal at Vi Thanh to go to the Regional Forces/Popular Forces training center.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan inside the MACV Advisory Team 58 compound gate with local children.\n\u003c/p\u003e","\u003cp\u003eUS advisor and Army of the Republic of Vietnam soldier buying snacks from street vendors.\n\u003c/p\u003e","\u003cp\u003eThe main canal in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eThe main canal in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBoat traffic on the main canal in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBoat traffic on the main canal in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eWater buffalo and herder next to the MACV Team 58 Compound.\n\u003c/p\u003e","\u003cp\u003eThree water buffalo next to the MACV Team 58 Compound\n\u003c/p\u003e","\u003cp\u003eLarge barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eLarge barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBarge hauling fresh water in Vi Thanh.\n\u003c/p\u003e","\u003cp\u003ePopular Force guards at the \"new\" airfield.\n\u003c/p\u003e","\u003cp\u003eView out the gate of the MACV Team 58 Compound at sundown.\n\u003c/p\u003e","\u003cp\u003eRegional Force block house in the vicinity of Duc Long.\n\u003c/p\u003e","\u003cp\u003eView from a jeep on the bridge at Duc Long crossing the main canal.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBattalion commander of the 2nd Battalion/31st Infantry regiment in the field southwest of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eCaptain Paul Yuracheck, Senior Advisor of the 2nd Battalion 31st Infantry regiment practicing Vietnamese with children while the Vietnamese Battalion Commander lies in a hammock. \n\u003c/p\u003e","\u003cp\u003eCaptain Paul Yuracheck with the Vietnamese Battalion Commander and radio operator southwest of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBuddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBuddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBuilding near Buddhist pagoda (Kai Suu?) southwest of Vi Thanh; Battalion Commanding Officer without helmet.\n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members embarked in landing craft enroute to an operation with Regional Forces/Popular Forces.\n\u003c/p\u003e","\u003cp\u003eCaptain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eCaptain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh crossing a small canal.\n\u003c/p\u003e","\u003cp\u003eRoom in a \"long house\" on the MACV Advisory Team 58 Compound.\n\u003c/p\u003e","\u003cp\u003eSunday afternoon get-together between the buildings.\n\u003c/p\u003e","\u003cp\u003eSunday night barbeque with three team Non-Commissioned Officers doing the cooking\n\u003c/p\u003e","\u003cp\u003eSunday \"service\" in the compound - Lieutenant Colonel Preston and two unidentified Non-Commissioned Officers\n\u003c/p\u003e","\u003cp\u003eSunday afternoon sing along with Captain Eugene J. Wyles on guitar, Major Donald Gluck, Major Thomas LeVasseur, Jr, Captain John Coyne, Captain Stanley Bonta, Captain Clyde Meyers, and Lieutenant Colonel Preston.\n\u003c/p\u003e","\u003cp\u003eMess hall meeting on a Sunday - Major Otis Moran, Major Donald Gluck, Major Thomas LeVasseur, Jr, and Captain Clyde Meyers\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Albert V. Short in the \"library,\" a corner of the mess hall.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan and two Vietnamese children.\n\u003c/p\u003e","\u003cp\u003ePortrait of Captain John Coyne.\n\u003c/p\u003e","\u003cp\u003ePortrait of Captain John Coyne.\n\u003c/p\u003e","\u003cp\u003ePortrait of Captain John Coyne.\n\u003c/p\u003e","\u003cp\u003eCaptain John Coyne reading mail from home.\n\u003c/p\u003e","\u003cp\u003eMajor Thomas J. LeVasseur with a Vietnamese interpreter presenting gifts to the Mother Superior at the Catholic orphanage. \n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n\u003c/p\u003e","\u003cp\u003e2nd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n\u003c/p\u003e","\u003cp\u003e3rd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eDinner hosted by Choung Thien Province Chief, Lieutenant Nguyen Ngoc Diep, with Major Otis A. Moran and Major Donald Gluck.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Ronald Johnson in the team mess hall on a Sunday.\n\u003c/p\u003e","\u003cp\u003eCaptain Royal having coffee in the team mess hall on a Sunday.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Eugene Gray in Team 58 mess hall in Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eCaptain Clyde E. Meyers and Sargent Van Corbach surveying the \"new\" Vi Thanh airfield.\n\u003c/p\u003e","\u003cp\u003eCaptain Thomas of the US Air Force.\n\u003c/p\u003e","\u003cp\u003eCaptain James Degan taking a smoke break.\n\u003c/p\u003e","\u003cp\u003eCaptain John Coyne, Captain Loi (Vietnamese Provincial Intelligence Officer), and Major Thomas J. Levasseur, Jr. at the Brigade HQ map.\n\u003c/p\u003e","\u003cp\u003eUS light weapons infantry Non-Commissioned Officer and his Vietnamese counterpart drinking beer in a Vi Thanh restauraunt.\n\u003c/p\u003e","\u003cp\u003eMajor Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Also pictured are Captain John Coyne, Sergeants Spearman and Creamer, Captain Royal, and Captain Clyde E. Meyers.      \n\u003c/p\u003e","\u003cp\u003eMajor Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Lieutenant Colonel Diep, the province chief, is in the background.\n\u003c/p\u003e","\u003cp\u003eLietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  Also pictured are Captain John Coyne and Sergeants Spearman and Creamer.\n\u003c/p\u003e","\u003cp\u003eLietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  A team administrative Non-Commissioned Officer and Vietnamese National Police guards are also pictured.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.","Man delivering a speech, viewed from behind.","Man giving a speech, viewed from right.","Man giving a speech, viewed from right.","Man delivering a speech, viewed from the point of view of the crowd behind him.","Man delivering a speech, viewed from the point of view of the crowd behind him.","View of the crowd at the assembly including millitary personnel and civilians.","Alternate view of the crowd at the assembly.","Crowd at assembly with banners displaying Vietnamese slogans.","Soldiers at assembly with Vietnamese banner.","Soldiers at assembly with Vietnamese banner.","Camp bedroom featuring two beds and a nightstand.","M1 carbines and M14 hanging on the wall.","Wall of a camp bedroom with dresser and clothing hanging on wall.","Camp bedroom with a bed, table and chairs, dresser and nightstand.","Camp mess hall with maps of Choung Thien province on an easel.","Camp mess hall with maps of Choung Thien province on an easel.","Building made of corrugated metal and hit by Viet Cong mortar fire.","View of the entrance gate to MACV Team 58 compound. Sign still says MAAG.","Building in the camp seen from the side, including sand bag bunker and \"gym\" workout area.","Aerial view of the camp including several different complexes of buildings.","Army 3/4 ton truck parked in the Southeast corner of the compound behind bunker and reinforcements made of sandbags.","View of South Vietnamese Regional Force/Popular Force (RF/PF) training center across the main canal in Vi Thanh, shot from a team jeep.","Large building in Vi Thanh.","Building in the camp seen from the side.","Duplicate picture.","Building in the camp shot from a different angle.","Building in the camp with corrugated roof.","Small building in the camp with army personnel inside.","Building in the camp with corrugated roof. A new worker on a lader is making repairs to the building.","Major Otis A Moran, Sector Senior Advisor, Major Thomas Lavasseur, Assistant Senior Advisor, and an unidentified individual standing outside several buildings in the camp on a Sunday.","View of the entrance gate to MACV Team 58 compound, with a shower and latrine on the right and Vietnamese police serving as gate guards.","Overhead shot of corrugated roofs with camp name and location printed on it.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show prepartions.","USO show prepartions.","USO show prepartions.","Military personnel in a mess hall.","Small building in the camp with army personnel inside and army 3/4 ton truck.","Military personnel outside buildings working on trailers.","Military personnel in mess hall.","Vietnamese National Police guarding the compound during the day, with shower and latrine building in the background.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Two unidentified US NCOs and Major Thomas LeVasseuer standing at the back of an aircraft.","List of the names of Advisory Team 58 members written in the sand.","Local children on court while military personnel play tennis. Vietnamese Brigade Headquarters is in the background.","Military personnel playing tennis. Vietnamese Brigade Headquarters is in the background.","","A river bank in Vi Thanh.","Store front in Vi Thanh with local residents and military personel.","Store front in Vi Thanh with local residents.","Store front in Vi Thanh with local residents and military personel.","Local residents and military personnel.","Major Thomas LeVasseur, Deputy Sector Advisor and a team Administrative NCO posed in uniform.","Unidentified team Administrative NCO taking a picture in the mirror.","Military advisor taking pictures from the top of the compound water tower.","Military advisor taking pictures from the top of the compound water tower.","Military advisor taking pictures from the top of the compound water tower.","1st Lieutenant Kevin Renahan sitting in the compound on a Sunday.","Two Vietnamese Police gate guards sitting behind sandbags in the compound entrance, bunker in the background.","Captain Clyde Myer sitting at his desk behind a type writer.","Several team members sitting in the mess hall.","Unidentified NCO sitting at a desk or table.","Vietnamese interpreterer sitting at a desk with a map of Choung Thien province behind him.","1st Lieutenant Kevin Renahan behind the mess hall; generator shed in the rear.","Photograph of an Administrative NCO in a stripped shirt.","Major Donald Gluck and Major Otis A Moran (incoming and outgoing Senior Sector Advisors) on a Sunday.","Unidentified lieutenant reading something in bed.","Vietnamese interpreter for Team 58 driving a jeep at the compound.","Group portrait of US and Vietnamese personnel eating a meal, probably at the province chief's home; Major Donald Gluck is second on left.","Two team NCOs sitting in the back of Caribao Aircraft, one man in the forground faces away from the camera.","A man getting his haircut in the camp.","Administrative NCO at his desk in the sector office.","Photograph of an Administrative NCO (the photographer of most of the pictures in the collection) in a white tee-shirt.","Major Thomas LeVasseur washing a shovel in the rear of the compound.","Captain Whittman and an unidentified officer (rear) at their desks in Brigade HQ.","Group portrait of army personel playing volleyball in the compound; Major Thomas LeVasseur is on the left.","Two Vietnamese Police gate guards sitting in the camp behind sandbags.","Vietnamese interpreter and Admin NCO in uniform sitting at a desk in the sector office.","An Administrative NCO posing with several cars.","Three NCOs sitting around a table in a bedroom.","Man posing with a Boa constrictor.","Military advisor on water tower taking pictures.","Two NCOs posed with military jeeps.","Photograph of an Administrative NCO in a white shirt in front of a building.","Group portrait of military advisors at a party.","Two men in the mess hall, one reading and one at a desk.","Captain Whittman (seated) and another man standing in front of a camp building.","Communications NCO in uniform posed in the mess hall entry.","Administrative NCO outside in the compound posed in front of sandbags.","USO speed painter preparing for USO show in the mess hall.","Vietnamese interpreter sitting at his desk with a map of Vietnam behind him.","Group portrait of (left to right) Lieutenant Colonel Preston, senior advisor, Lieutenant Colonel Diep, province chief, Captain Loi, Vietnamese inelligence officer, Major Donald Gluck, and unidentified NCOs sitting outside.","4 unidentified NCOs sitting outside the rear of the compound with the \"gym\" in the background.","Captain Whitman seated at desk looking at the camera, Captain Clyde Myer with his back to the camera.","Unidentified USAF Pilot and Major Thomas LeVasseur talking.","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama team members travelling by boat to performance site.\n","1st Lieutenant Albert V. Short presenting to Vietnamese woman.\n","Captain Clyde Meyer, Sam Daeli, 1st Lieutenant Albert V. Short, and unidentified Vietnamese Province (Sector) officials. \n","1st Lieutenant Kevin Renahan and Lieutenant Buu having beer in Vi Thanh with an unidentified Vietnamese man. \n","Lieutenant Buu, Sector Logistical Officer.\n","Captain Loi (Vietnamese Sector Intelligence Officer) and Lieutenant Colonel Zom drinking Budweiser at the MACV compound. \n","Ken Thien District Chief being promoted to Captain by Province Chief Major Nghia.\n","Lieutenant Colonel Nguyen Ngoc Diep, Choung Thien province chief.\n","Lieutenant Tri, Provincial Assistant S-5 in field with his PSYOP team.\n","US Army L-19 on the \"new\" strip at Vi Thanh.\n","US Army HUEY-B model gun-ships on the ground at Vi Thanh.\n","US Army troop carying HUEY helicopters departing with Vietnamese forces from Vi Thanh.\n","Advisory Team 58 Jeep at MACV Team 58 compound gate.\n","French \"steam roller,\" circa 1910.\n","Vietnamese Navy Riverine Assault Group (RAG) 26 vessel.\n","Main street shops in Vi Thanh alongside the main canal.\n","Central market in the early morning.\n","Central market fruit vendor.\n","Central marketplace after a fire.\n","Army of the Republic of Vietnam military dependents (4 children).\n","Army of the Republic of Vietnam military dependents (10 children).\n","Army of the Republic of Vietnam military dependent (1 child).\n","Gate to Army of the Republic of Vietnam 2nd Battalion 31st Infantry Regiment compound.\n","Old woman holding a government propaganda leaflet in the village near Vi Thanh.\n","Old man in the village near Vi Thanh.\n","Woman reading a newspaper in the village near Vi Thanh.\n","View across the main canal at the east end of Vi Thanh.\n","Two US advisors paddling a boat across the main canal at Vi Thanh to go to the Regional Forces/Popular Forces training center.\n","1st Lieutenant Kevin Renahan inside the MACV Advisory Team 58 compound gate with local children.\n","US advisor and Army of the Republic of Vietnam soldier buying snacks from street vendors.\n","The main canal in the vicinity of Vi Thanh.\n","The main canal in the vicinity of Vi Thanh.\n","Boat traffic on the main canal in the vicinity of Vi Thanh.\n","Boat traffic on the main canal in the vicinity of Vi Thanh.\n","Water buffalo and herder next to the MACV Team 58 Compound.\n","Three water buffalo next to the MACV Team 58 Compound\n","Large barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n","Large barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n","Barge hauling fresh water in Vi Thanh.\n","Popular Force guards at the \"new\" airfield.\n","View out the gate of the MACV Team 58 Compound at sundown.\n","Regional Force block house in the vicinity of Duc Long.\n","View from a jeep on the bridge at Duc Long crossing the main canal.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Battalion commander of the 2nd Battalion/31st Infantry regiment in the field southwest of Vi Thanh.\n","Captain Paul Yuracheck, Senior Advisor of the 2nd Battalion 31st Infantry regiment practicing Vietnamese with children while the Vietnamese Battalion Commander lies in a hammock. \n","Captain Paul Yuracheck with the Vietnamese Battalion Commander and radio operator southwest of Vi Thanh.\n","Buddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n","Buddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n","Building near Buddhist pagoda (Kai Suu?) southwest of Vi Thanh; Battalion Commanding Officer without helmet.\n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members embarked in landing craft enroute to an operation with Regional Forces/Popular Forces.\n","Captain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh.\n","Captain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh crossing a small canal.\n","Room in a \"long house\" on the MACV Advisory Team 58 Compound.\n","Sunday afternoon get-together between the buildings.\n","Sunday night barbeque with three team Non-Commissioned Officers doing the cooking\n","Sunday \"service\" in the compound - Lieutenant Colonel Preston and two unidentified Non-Commissioned Officers\n","Sunday afternoon sing along with Captain Eugene J. Wyles on guitar, Major Donald Gluck, Major Thomas LeVasseur, Jr, Captain John Coyne, Captain Stanley Bonta, Captain Clyde Meyers, and Lieutenant Colonel Preston.\n","Mess hall meeting on a Sunday - Major Otis Moran, Major Donald Gluck, Major Thomas LeVasseur, Jr, and Captain Clyde Meyers\n","1st Lieutenant Albert V. Short in the \"library,\" a corner of the mess hall.\n","1st Lieutenant Kevin Renahan and two Vietnamese children.\n","Portrait of Captain John Coyne.\n","Portrait of Captain John Coyne.\n","Portrait of Captain John Coyne.\n","Captain John Coyne reading mail from home.\n","Major Thomas J. LeVasseur with a Vietnamese interpreter presenting gifts to the Mother Superior at the Catholic orphanage. \n","1st Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","2nd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","3rd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","Dinner hosted by Choung Thien Province Chief, Lieutenant Nguyen Ngoc Diep, with Major Otis A. Moran and Major Donald Gluck.\n","1st Lieutenant Ronald Johnson in the team mess hall on a Sunday.\n","Captain Royal having coffee in the team mess hall on a Sunday.\n","1st Lieutenant Eugene Gray in Team 58 mess hall in Vi Thanh.\n","Captain Clyde E. Meyers and Sargent Van Corbach surveying the \"new\" Vi Thanh airfield.\n","Captain Thomas of the US Air Force.\n","Captain James Degan taking a smoke break.\n","Captain John Coyne, Captain Loi (Vietnamese Provincial Intelligence Officer), and Major Thomas J. Levasseur, Jr. at the Brigade HQ map.\n","US light weapons infantry Non-Commissioned Officer and his Vietnamese counterpart drinking beer in a Vi Thanh restauraunt.\n","Major Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Also pictured are Captain John Coyne, Sergeants Spearman and Creamer, Captain Royal, and Captain Clyde E. Meyers.      \n","Major Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Lieutenant Colonel Diep, the province chief, is in the background.\n","Lietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  Also pictured are Captain John Coyne and Sergeants Spearman and Creamer.\n","Lietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  A team administrative Non-Commissioned Officer and Vietnamese National Police guards are also pictured.\n","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Military Assistance Command, Vietnam Team 58 photograph collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Military Assistance Command, Vietnam Team 58 photograph collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","United States. Military Assistance Command, Vietnam. Advisory Team 58.","United States. Army--Photographs."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","United States. Military Assistance Command, Vietnam. Advisory Team 58.","United States. Army--Photographs."],"language_ssim":["English\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_macv58","ead_ssi":"vifgm_macv58","_root_":"vifgm_macv58","_nest_parent_":"vifgm_macv58","ead_source_url_ssi":"data/gmu/macv58.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/vietnammaagphotos.html","title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"unitdate_ssm":["1964-1965"],"unitdate_inclusive_ssm":["1964-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0196"],"text":["C0196","Military Assistance Command, Vietnam Team 58 photograph collection","Military camps--Photographs.","Vietnam War, 1961-1975--Photographs.","Aerial photographs.","Group portraits.","Photographic prints.","Portraits.","There are no access restrictions.","The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series 1: Photos by Administrative NCO, 1965 (pages 1-26) Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)","MACV (Military Assistance Command, Vietnam) was an organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.","Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018.","Special Collections and Archives also hold the \n                  which includes photographs related to the Vietnam War. \n                  and the \n                  both contain anti-Vietnam War materials.","The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.","Man delivering a speech, viewed from behind.","Man giving a speech, viewed from right.","Man giving a speech, viewed from right.","Man delivering a speech, viewed from the point of view of the crowd behind him.","Man delivering a speech, viewed from the point of view of the crowd behind him.","View of the crowd at the assembly including millitary personnel and civilians.","Alternate view of the crowd at the assembly.","Crowd at assembly with banners displaying Vietnamese slogans.","Soldiers at assembly with Vietnamese banner.","Soldiers at assembly with Vietnamese banner.","Camp bedroom featuring two beds and a nightstand.","M1 carbines and M14 hanging on the wall.","Wall of a camp bedroom with dresser and clothing hanging on wall.","Camp bedroom with a bed, table and chairs, dresser and nightstand.","Camp mess hall with maps of Choung Thien province on an easel.","Camp mess hall with maps of Choung Thien province on an easel.","Building made of corrugated metal and hit by Viet Cong mortar fire.","View of the entrance gate to MACV Team 58 compound. Sign still says MAAG.","Building in the camp seen from the side, including sand bag bunker and \"gym\" workout area.","Aerial view of the camp including several different complexes of buildings.","Army 3/4 ton truck parked in the Southeast corner of the compound behind bunker and reinforcements made of sandbags.","View of South Vietnamese Regional Force/Popular Force (RF/PF) training center across the main canal in Vi Thanh, shot from a team jeep.","Large building in Vi Thanh.","Building in the camp seen from the side.","Duplicate picture.","Building in the camp shot from a different angle.","Building in the camp with corrugated roof.","Small building in the camp with army personnel inside.","Building in the camp with corrugated roof. A new worker on a lader is making repairs to the building.","Major Otis A Moran, Sector Senior Advisor, Major Thomas Lavasseur, Assistant Senior Advisor, and an unidentified individual standing outside several buildings in the camp on a Sunday.","View of the entrance gate to MACV Team 58 compound, with a shower and latrine on the right and Vietnamese police serving as gate guards.","Overhead shot of corrugated roofs with camp name and location printed on it.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show prepartions.","USO show prepartions.","USO show prepartions.","Military personnel in a mess hall.","Small building in the camp with army personnel inside and army 3/4 ton truck.","Military personnel outside buildings working on trailers.","Military personnel in mess hall.","Vietnamese National Police guarding the compound during the day, with shower and latrine building in the background.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Two unidentified US NCOs and Major Thomas LeVasseuer standing at the back of an aircraft.","List of the names of Advisory Team 58 members written in the sand.","Local children on court while military personnel play tennis. Vietnamese Brigade Headquarters is in the background.","Military personnel playing tennis. Vietnamese Brigade Headquarters is in the background.","","A river bank in Vi Thanh.","Store front in Vi Thanh with local residents and military personel.","Store front in Vi Thanh with local residents.","Store front in Vi Thanh with local residents and military personel.","Local residents and military personnel.","Major Thomas LeVasseur, Deputy Sector Advisor and a team Administrative NCO posed in uniform.","Unidentified team Administrative NCO taking a picture in the mirror.","Military advisor taking pictures from the top of the compound water tower.","Military advisor taking pictures from the top of the compound water tower.","Military advisor taking pictures from the top of the compound water tower.","1st Lieutenant Kevin Renahan sitting in the compound on a Sunday.","Two Vietnamese Police gate guards sitting behind sandbags in the compound entrance, bunker in the background.","Captain Clyde Myer sitting at his desk behind a type writer.","Several team members sitting in the mess hall.","Unidentified NCO sitting at a desk or table.","Vietnamese interpreterer sitting at a desk with a map of Choung Thien province behind him.","1st Lieutenant Kevin Renahan behind the mess hall; generator shed in the rear.","Photograph of an Administrative NCO in a stripped shirt.","Major Donald Gluck and Major Otis A Moran (incoming and outgoing Senior Sector Advisors) on a Sunday.","Unidentified lieutenant reading something in bed.","Vietnamese interpreter for Team 58 driving a jeep at the compound.","Group portrait of US and Vietnamese personnel eating a meal, probably at the province chief's home; Major Donald Gluck is second on left.","Two team NCOs sitting in the back of Caribao Aircraft, one man in the forground faces away from the camera.","A man getting his haircut in the camp.","Administrative NCO at his desk in the sector office.","Photograph of an Administrative NCO (the photographer of most of the pictures in the collection) in a white tee-shirt.","Major Thomas LeVasseur washing a shovel in the rear of the compound.","Captain Whittman and an unidentified officer (rear) at their desks in Brigade HQ.","Group portrait of army personel playing volleyball in the compound; Major Thomas LeVasseur is on the left.","Two Vietnamese Police gate guards sitting in the camp behind sandbags.","Vietnamese interpreter and Admin NCO in uniform sitting at a desk in the sector office.","An Administrative NCO posing with several cars.","Three NCOs sitting around a table in a bedroom.","Man posing with a Boa constrictor.","Military advisor on water tower taking pictures.","Two NCOs posed with military jeeps.","Photograph of an Administrative NCO in a white shirt in front of a building.","Group portrait of military advisors at a party.","Two men in the mess hall, one reading and one at a desk.","Captain Whittman (seated) and another man standing in front of a camp building.","Communications NCO in uniform posed in the mess hall entry.","Administrative NCO outside in the compound posed in front of sandbags.","USO speed painter preparing for USO show in the mess hall.","Vietnamese interpreter sitting at his desk with a map of Vietnam behind him.","Group portrait of (left to right) Lieutenant Colonel Preston, senior advisor, Lieutenant Colonel Diep, province chief, Captain Loi, Vietnamese inelligence officer, Major Donald Gluck, and unidentified NCOs sitting outside.","4 unidentified NCOs sitting outside the rear of the compound with the \"gym\" in the background.","Captain Whitman seated at desk looking at the camera, Captain Clyde Myer with his back to the camera.","Unidentified USAF Pilot and Major Thomas LeVasseur talking.","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama team members travelling by boat to performance site.\n","1st Lieutenant Albert V. Short presenting to Vietnamese woman.\n","Captain Clyde Meyer, Sam Daeli, 1st Lieutenant Albert V. Short, and unidentified Vietnamese Province (Sector) officials. \n","1st Lieutenant Kevin Renahan and Lieutenant Buu having beer in Vi Thanh with an unidentified Vietnamese man. \n","Lieutenant Buu, Sector Logistical Officer.\n","Captain Loi (Vietnamese Sector Intelligence Officer) and Lieutenant Colonel Zom drinking Budweiser at the MACV compound. \n","Ken Thien District Chief being promoted to Captain by Province Chief Major Nghia.\n","Lieutenant Colonel Nguyen Ngoc Diep, Choung Thien province chief.\n","Lieutenant Tri, Provincial Assistant S-5 in field with his PSYOP team.\n","US Army L-19 on the \"new\" strip at Vi Thanh.\n","US Army HUEY-B model gun-ships on the ground at Vi Thanh.\n","US Army troop carying HUEY helicopters departing with Vietnamese forces from Vi Thanh.\n","Advisory Team 58 Jeep at MACV Team 58 compound gate.\n","French \"steam roller,\" circa 1910.\n","Vietnamese Navy Riverine Assault Group (RAG) 26 vessel.\n","Main street shops in Vi Thanh alongside the main canal.\n","Central market in the early morning.\n","Central market fruit vendor.\n","Central marketplace after a fire.\n","Army of the Republic of Vietnam military dependents (4 children).\n","Army of the Republic of Vietnam military dependents (10 children).\n","Army of the Republic of Vietnam military dependent (1 child).\n","Gate to Army of the Republic of Vietnam 2nd Battalion 31st Infantry Regiment compound.\n","Old woman holding a government propaganda leaflet in the village near Vi Thanh.\n","Old man in the village near Vi Thanh.\n","Woman reading a newspaper in the village near Vi Thanh.\n","View across the main canal at the east end of Vi Thanh.\n","Two US advisors paddling a boat across the main canal at Vi Thanh to go to the Regional Forces/Popular Forces training center.\n","1st Lieutenant Kevin Renahan inside the MACV Advisory Team 58 compound gate with local children.\n","US advisor and Army of the Republic of Vietnam soldier buying snacks from street vendors.\n","The main canal in the vicinity of Vi Thanh.\n","The main canal in the vicinity of Vi Thanh.\n","Boat traffic on the main canal in the vicinity of Vi Thanh.\n","Boat traffic on the main canal in the vicinity of Vi Thanh.\n","Water buffalo and herder next to the MACV Team 58 Compound.\n","Three water buffalo next to the MACV Team 58 Compound\n","Large barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n","Large barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n","Barge hauling fresh water in Vi Thanh.\n","Popular Force guards at the \"new\" airfield.\n","View out the gate of the MACV Team 58 Compound at sundown.\n","Regional Force block house in the vicinity of Duc Long.\n","View from a jeep on the bridge at Duc Long crossing the main canal.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Battalion commander of the 2nd Battalion/31st Infantry regiment in the field southwest of Vi Thanh.\n","Captain Paul Yuracheck, Senior Advisor of the 2nd Battalion 31st Infantry regiment practicing Vietnamese with children while the Vietnamese Battalion Commander lies in a hammock. \n","Captain Paul Yuracheck with the Vietnamese Battalion Commander and radio operator southwest of Vi Thanh.\n","Buddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n","Buddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n","Building near Buddhist pagoda (Kai Suu?) southwest of Vi Thanh; Battalion Commanding Officer without helmet.\n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members embarked in landing craft enroute to an operation with Regional Forces/Popular Forces.\n","Captain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh.\n","Captain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh crossing a small canal.\n","Room in a \"long house\" on the MACV Advisory Team 58 Compound.\n","Sunday afternoon get-together between the buildings.\n","Sunday night barbeque with three team Non-Commissioned Officers doing the cooking\n","Sunday \"service\" in the compound - Lieutenant Colonel Preston and two unidentified Non-Commissioned Officers\n","Sunday afternoon sing along with Captain Eugene J. Wyles on guitar, Major Donald Gluck, Major Thomas LeVasseur, Jr, Captain John Coyne, Captain Stanley Bonta, Captain Clyde Meyers, and Lieutenant Colonel Preston.\n","Mess hall meeting on a Sunday - Major Otis Moran, Major Donald Gluck, Major Thomas LeVasseur, Jr, and Captain Clyde Meyers\n","1st Lieutenant Albert V. Short in the \"library,\" a corner of the mess hall.\n","1st Lieutenant Kevin Renahan and two Vietnamese children.\n","Portrait of Captain John Coyne.\n","Portrait of Captain John Coyne.\n","Portrait of Captain John Coyne.\n","Captain John Coyne reading mail from home.\n","Major Thomas J. LeVasseur with a Vietnamese interpreter presenting gifts to the Mother Superior at the Catholic orphanage. \n","1st Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","2nd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","3rd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","Dinner hosted by Choung Thien Province Chief, Lieutenant Nguyen Ngoc Diep, with Major Otis A. Moran and Major Donald Gluck.\n","1st Lieutenant Ronald Johnson in the team mess hall on a Sunday.\n","Captain Royal having coffee in the team mess hall on a Sunday.\n","1st Lieutenant Eugene Gray in Team 58 mess hall in Vi Thanh.\n","Captain Clyde E. Meyers and Sargent Van Corbach surveying the \"new\" Vi Thanh airfield.\n","Captain Thomas of the US Air Force.\n","Captain James Degan taking a smoke break.\n","Captain John Coyne, Captain Loi (Vietnamese Provincial Intelligence Officer), and Major Thomas J. Levasseur, Jr. at the Brigade HQ map.\n","US light weapons infantry Non-Commissioned Officer and his Vietnamese counterpart drinking beer in a Vi Thanh restauraunt.\n","Major Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Also pictured are Captain John Coyne, Sergeants Spearman and Creamer, Captain Royal, and Captain Clyde E. Meyers.      \n","Major Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Lieutenant Colonel Diep, the province chief, is in the background.\n","Lietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  Also pictured are Captain John Coyne and Sergeants Spearman and Creamer.\n","Lietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  A team administrative Non-Commissioned Officer and Vietnamese National Police guards are also pictured.\n","","","There are no restrictions on personal use. Permission to publish material from the Military Assistance Command, Vietnam Team 58 photograph collection must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","George Mason University. Libraries. Special Collections Research Center.","United States. Military Assistance Command, Vietnam. Advisory Team 58.","United States. Army--Photographs.","English\n            \t"],"unitid_tesim":["C0196"],"normalized_title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"collection_title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"collection_ssim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["United States. Military Assistance Command, Vietnam. Advisory Team 58."],"creator_ssim":["United States. Military Assistance Command, Vietnam. Advisory Team 58."],"creator_corpname_ssim":["United States. Military Assistance Command, Vietnam. Advisory Team 58."],"creators_ssim":["United States. Military Assistance Command, Vietnam. Advisory Team 58."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Military Assistance Command, Vietnam Team 58 photograph collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["104 photographs purchased from Between the Covers in August of 2011. An additional 94 photographs donated by Al Short in January 2017."],"access_subjects_ssim":["Military camps--Photographs.","Vietnam War, 1961-1975--Photographs.","Aerial photographs.","Group portraits.","Photographic prints.","Portraits."],"access_subjects_ssm":["Military camps--Photographs.","Vietnam War, 1961-1975--Photographs.","Aerial photographs.","Group portraits.","Photographic prints.","Portraits."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 linear feet (1 box)"],"extent_tesim":["0.25 linear feet (1 box)"],"date_range_isim":[1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Photos by Administrative NCO, 1965 (pages 1-26)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series 1: Photos by Administrative NCO, 1965 (pages 1-26) Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)"],"bioghist_html_tesm":["\u003cp\u003eMACV (Military Assistance Command, Vietnam) was an organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["MACV (Military Assistance Command, Vietnam) was an organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province."],"prefercite_html_tesm":["\u003cp\u003eMilitary Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also hold the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"http://sca.gmu.edu/finding_aids/atkins.html\"\u003e\u003c/extptr\u003e which includes photographs related to the Vietnam War. \n                \u003cextptr type=\"simple\" show=\"new\" title=\"The French Communist Party poster collection\" href=\"http://sca.gmu.edu/finding_aids/pcf.html\"\u003e\u003c/extptr\u003e and the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Edwin W. Lynch Vietnam War protest collection\" href=\"http://sca.gmu.edu/finding_aids/lynch.html\"\u003e\u003c/extptr\u003e both contain anti-Vietnam War materials.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also hold the \n                  which includes photographs related to the Vietnam War. \n                  and the \n                  both contain anti-Vietnam War materials."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.\u003c/p\u003e","\u003cp\u003eSeries 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.\u003c/p\u003e","\u003cp\u003eSeries 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.\u003c/p\u003e","\u003cp\u003eMan delivering a speech, viewed from behind.\u003c/p\u003e","\u003cp\u003eMan giving a speech, viewed from right.\u003c/p\u003e","\u003cp\u003eMan giving a speech, viewed from right.\u003c/p\u003e","\u003cp\u003eMan delivering a speech, viewed from the point of view of the crowd behind him.\u003c/p\u003e","\u003cp\u003eMan delivering a speech, viewed from the point of view of the crowd behind him.\u003c/p\u003e","\u003cp\u003eView of the crowd at the assembly including millitary personnel and civilians.\u003c/p\u003e","\u003cp\u003eAlternate view of the crowd at the assembly.\u003c/p\u003e","\u003cp\u003eCrowd at assembly with banners displaying Vietnamese slogans.\u003c/p\u003e","\u003cp\u003eSoldiers at assembly with Vietnamese banner.\u003c/p\u003e","\u003cp\u003eSoldiers at assembly with Vietnamese banner.\u003c/p\u003e","\u003cp\u003eCamp bedroom featuring two beds and a nightstand.\u003c/p\u003e","\u003cp\u003eM1 carbines and M14 hanging on the wall.\u003c/p\u003e","\u003cp\u003eWall of a camp bedroom with dresser and clothing hanging on wall.\u003c/p\u003e","\u003cp\u003eCamp bedroom with a bed, table and chairs, dresser and nightstand.\u003c/p\u003e","\u003cp\u003eCamp mess hall with maps of Choung Thien province on an easel.\u003c/p\u003e","\u003cp\u003eCamp mess hall with maps of Choung Thien province on an easel.\u003c/p\u003e","\u003cp\u003eBuilding made of corrugated metal and hit by Viet Cong mortar fire.\u003c/p\u003e","\u003cp\u003eView of the entrance gate to MACV Team 58 compound. Sign still says MAAG.\u003c/p\u003e","\u003cp\u003eBuilding in the camp seen from the side, including sand bag bunker and \"gym\" workout area.\u003c/p\u003e","\u003cp\u003eAerial view of the camp including several different complexes of buildings.\u003c/p\u003e","\u003cp\u003eArmy 3/4 ton truck parked in the Southeast corner of the compound behind bunker and reinforcements made of sandbags.\u003c/p\u003e","\u003cp\u003eView of South Vietnamese Regional Force/Popular Force (RF/PF) training center across the main canal in Vi Thanh, shot from a team jeep.\u003c/p\u003e","\u003cp\u003eLarge building in Vi Thanh.\u003c/p\u003e","\u003cp\u003eBuilding in the camp seen from the side.\u003c/p\u003e","\u003cp\u003eDuplicate picture.\u003c/p\u003e","\u003cp\u003eBuilding in the camp shot from a different angle.\u003c/p\u003e","\u003cp\u003eBuilding in the camp with corrugated roof.\u003c/p\u003e","\u003cp\u003eSmall building in the camp with army personnel inside.\u003c/p\u003e","\u003cp\u003eBuilding in the camp with corrugated roof. A new worker on a lader is making repairs to the building.\u003c/p\u003e","\u003cp\u003eMajor Otis A Moran, Sector Senior Advisor, Major Thomas Lavasseur, Assistant Senior Advisor, and an unidentified individual standing outside several buildings in the camp on a Sunday.\u003c/p\u003e","\u003cp\u003eView of the entrance gate to MACV Team 58 compound, with a shower and latrine on the right and Vietnamese police serving as gate guards.\u003c/p\u003e","\u003cp\u003eOverhead shot of corrugated roofs with camp name and location printed on it.\u003c/p\u003e","\u003cp\u003eUSO show in the MACV Team 58 mess hall.\u003c/p\u003e","\u003cp\u003eUSO show in the MACV Team 58 mess hall.\u003c/p\u003e","\u003cp\u003eUSO show in the MACV Team 58 mess hall.\u003c/p\u003e","\u003cp\u003eUSO show in the MACV Team 58 mess hall.\u003c/p\u003e","\u003cp\u003eUSO show prepartions.\u003c/p\u003e","\u003cp\u003eUSO show prepartions.\u003c/p\u003e","\u003cp\u003eUSO show prepartions.\u003c/p\u003e","\u003cp\u003eMilitary personnel in a mess hall.\u003c/p\u003e","\u003cp\u003eSmall building in the camp with army personnel inside and army 3/4 ton truck.\u003c/p\u003e","\u003cp\u003eMilitary personnel outside buildings working on trailers.\u003c/p\u003e","\u003cp\u003eMilitary personnel in mess hall.\u003c/p\u003e","\u003cp\u003eVietnamese National Police guarding the compound during the day, with shower and latrine building in the background.\u003c/p\u003e","\u003cp\u003eImage of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.\u003c/p\u003e","\u003cp\u003eImage of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.\u003c/p\u003e","\u003cp\u003eImage of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.\u003c/p\u003e","\u003cp\u003eImage of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.\u003c/p\u003e","\u003cp\u003eSector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.\u003c/p\u003e","\u003cp\u003eSector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.\u003c/p\u003e","\u003cp\u003eSector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.\u003c/p\u003e","\u003cp\u003eTwo unidentified US NCOs and Major Thomas LeVasseuer standing at the back of an aircraft.\u003c/p\u003e","\u003cp\u003eList of the names of Advisory Team 58 members written in the sand.\u003c/p\u003e","\u003cp\u003eLocal children on court while military personnel play tennis. Vietnamese Brigade Headquarters is in the background.\u003c/p\u003e","\u003cp\u003eMilitary personnel playing tennis. Vietnamese Brigade Headquarters is in the background.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eA river bank in Vi Thanh.\u003c/p\u003e","\u003cp\u003eStore front in Vi Thanh with local residents and military personel.\u003c/p\u003e","\u003cp\u003eStore front in Vi Thanh with local residents.\u003c/p\u003e","\u003cp\u003eStore front in Vi Thanh with local residents and military personel.\u003c/p\u003e","\u003cp\u003eLocal residents and military personnel.\u003c/p\u003e","\u003cp\u003eMajor Thomas LeVasseur, Deputy Sector Advisor and a team Administrative NCO posed in uniform.\u003c/p\u003e","\u003cp\u003eUnidentified team Administrative NCO taking a picture in the mirror.\u003c/p\u003e","\u003cp\u003eMilitary advisor taking pictures from the top of the compound water tower.\u003c/p\u003e","\u003cp\u003eMilitary advisor taking pictures from the top of the compound water tower.\u003c/p\u003e","\u003cp\u003eMilitary advisor taking pictures from the top of the compound water tower.\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan sitting in the compound on a Sunday.\u003c/p\u003e","\u003cp\u003eTwo Vietnamese Police gate guards sitting behind sandbags in the compound entrance, bunker in the background.\u003c/p\u003e","\u003cp\u003eCaptain Clyde Myer sitting at his desk behind a type writer.\u003c/p\u003e","\u003cp\u003eSeveral team members sitting in the mess hall.\u003c/p\u003e","\u003cp\u003eUnidentified NCO sitting at a desk or table.\u003c/p\u003e","\u003cp\u003eVietnamese interpreterer sitting at a desk with a map of Choung Thien province behind him.\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan behind the mess hall; generator shed in the rear.\u003c/p\u003e","\u003cp\u003ePhotograph of an Administrative NCO in a stripped shirt.\u003c/p\u003e","\u003cp\u003eMajor Donald Gluck and Major Otis A Moran (incoming and outgoing Senior Sector Advisors) on a Sunday.\u003c/p\u003e","\u003cp\u003eUnidentified lieutenant reading something in bed.\u003c/p\u003e","\u003cp\u003eVietnamese interpreter for Team 58 driving a jeep at the compound.\u003c/p\u003e","\u003cp\u003eGroup portrait of US and Vietnamese personnel eating a meal, probably at the province chief's home; Major Donald Gluck is second on left.\u003c/p\u003e","\u003cp\u003eTwo team NCOs sitting in the back of Caribao Aircraft, one man in the forground faces away from the camera.\u003c/p\u003e","\u003cp\u003eA man getting his haircut in the camp.\u003c/p\u003e","\u003cp\u003eAdministrative NCO at his desk in the sector office.\u003c/p\u003e","\u003cp\u003ePhotograph of an Administrative NCO (the photographer of most of the pictures in the collection) in a white tee-shirt.\u003c/p\u003e","\u003cp\u003eMajor Thomas LeVasseur washing a shovel in the rear of the compound.\u003c/p\u003e","\u003cp\u003eCaptain Whittman and an unidentified officer (rear) at their desks in Brigade HQ.\u003c/p\u003e","\u003cp\u003eGroup portrait of army personel playing volleyball in the compound; Major Thomas LeVasseur is on the left.\u003c/p\u003e","\u003cp\u003eTwo Vietnamese Police gate guards sitting in the camp behind sandbags.\u003c/p\u003e","\u003cp\u003eVietnamese interpreter and Admin NCO in uniform sitting at a desk in the sector office.\u003c/p\u003e","\u003cp\u003eAn Administrative NCO posing with several cars.\u003c/p\u003e","\u003cp\u003eThree NCOs sitting around a table in a bedroom.\u003c/p\u003e","\u003cp\u003eMan posing with a Boa constrictor.\u003c/p\u003e","\u003cp\u003eMilitary advisor on water tower taking pictures.\u003c/p\u003e","\u003cp\u003eTwo NCOs posed with military jeeps.\u003c/p\u003e","\u003cp\u003ePhotograph of an Administrative NCO in a white shirt in front of a building.\u003c/p\u003e","\u003cp\u003eGroup portrait of military advisors at a party.\u003c/p\u003e","\u003cp\u003eTwo men in the mess hall, one reading and one at a desk.\u003c/p\u003e","\u003cp\u003eCaptain Whittman (seated) and another man standing in front of a camp building.\u003c/p\u003e","\u003cp\u003eCommunications NCO in uniform posed in the mess hall entry.\u003c/p\u003e","\u003cp\u003eAdministrative NCO outside in the compound posed in front of sandbags.\u003c/p\u003e","\u003cp\u003eUSO speed painter preparing for USO show in the mess hall.\u003c/p\u003e","\u003cp\u003eVietnamese interpreter sitting at his desk with a map of Vietnam behind him.\u003c/p\u003e","\u003cp\u003eGroup portrait of (left to right) Lieutenant Colonel Preston, senior advisor, Lieutenant Colonel Diep, province chief, Captain Loi, Vietnamese inelligence officer, Major Donald Gluck, and unidentified NCOs sitting outside.\u003c/p\u003e","\u003cp\u003e4 unidentified NCOs sitting outside the rear of the compound with the \"gym\" in the background.\u003c/p\u003e","\u003cp\u003eCaptain Whitman seated at desk looking at the camera, Captain Clyde Myer with his back to the camera.\u003c/p\u003e","\u003cp\u003eUnidentified USAF Pilot and Major Thomas LeVasseur talking.\u003c/p\u003e","\u003cp\u003eVietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n\u003c/p\u003e","\u003cp\u003eVietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n\u003c/p\u003e","\u003cp\u003eVietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n\u003c/p\u003e","\u003cp\u003eVietnamese Army Cultural Drama team members travelling by boat to performance site.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Albert V. Short presenting to Vietnamese woman.\n\u003c/p\u003e","\u003cp\u003eCaptain Clyde Meyer, Sam Daeli, 1st Lieutenant Albert V. Short, and unidentified Vietnamese Province (Sector) officials. \n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan and Lieutenant Buu having beer in Vi Thanh with an unidentified Vietnamese man. \n\u003c/p\u003e","\u003cp\u003eLieutenant Buu, Sector Logistical Officer.\n\u003c/p\u003e","\u003cp\u003eCaptain Loi (Vietnamese Sector Intelligence Officer) and Lieutenant Colonel Zom drinking Budweiser at the MACV compound. \n\u003c/p\u003e","\u003cp\u003eKen Thien District Chief being promoted to Captain by Province Chief Major Nghia.\n\u003c/p\u003e","\u003cp\u003eLieutenant Colonel Nguyen Ngoc Diep, Choung Thien province chief.\n\u003c/p\u003e","\u003cp\u003eLieutenant Tri, Provincial Assistant S-5 in field with his PSYOP team.\n\u003c/p\u003e","\u003cp\u003eUS Army L-19 on the \"new\" strip at Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eUS Army HUEY-B model gun-ships on the ground at Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eUS Army troop carying HUEY helicopters departing with Vietnamese forces from Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eAdvisory Team 58 Jeep at MACV Team 58 compound gate.\n\u003c/p\u003e","\u003cp\u003eFrench \"steam roller,\" circa 1910.\n\u003c/p\u003e","\u003cp\u003eVietnamese Navy Riverine Assault Group (RAG) 26 vessel.\n\u003c/p\u003e","\u003cp\u003eMain street shops in Vi Thanh alongside the main canal.\n\u003c/p\u003e","\u003cp\u003eCentral market in the early morning.\n\u003c/p\u003e","\u003cp\u003eCentral market fruit vendor.\n\u003c/p\u003e","\u003cp\u003eCentral marketplace after a fire.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam military dependents (4 children).\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam military dependents (10 children).\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam military dependent (1 child).\n\u003c/p\u003e","\u003cp\u003eGate to Army of the Republic of Vietnam 2nd Battalion 31st Infantry Regiment compound.\n\u003c/p\u003e","\u003cp\u003eOld woman holding a government propaganda leaflet in the village near Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eOld man in the village near Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eWoman reading a newspaper in the village near Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eView across the main canal at the east end of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eTwo US advisors paddling a boat across the main canal at Vi Thanh to go to the Regional Forces/Popular Forces training center.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan inside the MACV Advisory Team 58 compound gate with local children.\n\u003c/p\u003e","\u003cp\u003eUS advisor and Army of the Republic of Vietnam soldier buying snacks from street vendors.\n\u003c/p\u003e","\u003cp\u003eThe main canal in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eThe main canal in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBoat traffic on the main canal in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBoat traffic on the main canal in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eWater buffalo and herder next to the MACV Team 58 Compound.\n\u003c/p\u003e","\u003cp\u003eThree water buffalo next to the MACV Team 58 Compound\n\u003c/p\u003e","\u003cp\u003eLarge barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eLarge barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBarge hauling fresh water in Vi Thanh.\n\u003c/p\u003e","\u003cp\u003ePopular Force guards at the \"new\" airfield.\n\u003c/p\u003e","\u003cp\u003eView out the gate of the MACV Team 58 Compound at sundown.\n\u003c/p\u003e","\u003cp\u003eRegional Force block house in the vicinity of Duc Long.\n\u003c/p\u003e","\u003cp\u003eView from a jeep on the bridge at Duc Long crossing the main canal.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eArmy of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBattalion commander of the 2nd Battalion/31st Infantry regiment in the field southwest of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eCaptain Paul Yuracheck, Senior Advisor of the 2nd Battalion 31st Infantry regiment practicing Vietnamese with children while the Vietnamese Battalion Commander lies in a hammock. \n\u003c/p\u003e","\u003cp\u003eCaptain Paul Yuracheck with the Vietnamese Battalion Commander and radio operator southwest of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBuddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBuddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eBuilding near Buddhist pagoda (Kai Suu?) southwest of Vi Thanh; Battalion Commanding Officer without helmet.\n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n\u003c/p\u003e","\u003cp\u003eProvincial PSYOP team members embarked in landing craft enroute to an operation with Regional Forces/Popular Forces.\n\u003c/p\u003e","\u003cp\u003eCaptain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eCaptain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh crossing a small canal.\n\u003c/p\u003e","\u003cp\u003eRoom in a \"long house\" on the MACV Advisory Team 58 Compound.\n\u003c/p\u003e","\u003cp\u003eSunday afternoon get-together between the buildings.\n\u003c/p\u003e","\u003cp\u003eSunday night barbeque with three team Non-Commissioned Officers doing the cooking\n\u003c/p\u003e","\u003cp\u003eSunday \"service\" in the compound - Lieutenant Colonel Preston and two unidentified Non-Commissioned Officers\n\u003c/p\u003e","\u003cp\u003eSunday afternoon sing along with Captain Eugene J. Wyles on guitar, Major Donald Gluck, Major Thomas LeVasseur, Jr, Captain John Coyne, Captain Stanley Bonta, Captain Clyde Meyers, and Lieutenant Colonel Preston.\n\u003c/p\u003e","\u003cp\u003eMess hall meeting on a Sunday - Major Otis Moran, Major Donald Gluck, Major Thomas LeVasseur, Jr, and Captain Clyde Meyers\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Albert V. Short in the \"library,\" a corner of the mess hall.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Kevin Renahan and two Vietnamese children.\n\u003c/p\u003e","\u003cp\u003ePortrait of Captain John Coyne.\n\u003c/p\u003e","\u003cp\u003ePortrait of Captain John Coyne.\n\u003c/p\u003e","\u003cp\u003ePortrait of Captain John Coyne.\n\u003c/p\u003e","\u003cp\u003eCaptain John Coyne reading mail from home.\n\u003c/p\u003e","\u003cp\u003eMajor Thomas J. LeVasseur with a Vietnamese interpreter presenting gifts to the Mother Superior at the Catholic orphanage. \n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n\u003c/p\u003e","\u003cp\u003e2nd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n\u003c/p\u003e","\u003cp\u003e3rd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eDinner hosted by Choung Thien Province Chief, Lieutenant Nguyen Ngoc Diep, with Major Otis A. Moran and Major Donald Gluck.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Ronald Johnson in the team mess hall on a Sunday.\n\u003c/p\u003e","\u003cp\u003eCaptain Royal having coffee in the team mess hall on a Sunday.\n\u003c/p\u003e","\u003cp\u003e1st Lieutenant Eugene Gray in Team 58 mess hall in Vi Thanh.\n\u003c/p\u003e","\u003cp\u003eCaptain Clyde E. Meyers and Sargent Van Corbach surveying the \"new\" Vi Thanh airfield.\n\u003c/p\u003e","\u003cp\u003eCaptain Thomas of the US Air Force.\n\u003c/p\u003e","\u003cp\u003eCaptain James Degan taking a smoke break.\n\u003c/p\u003e","\u003cp\u003eCaptain John Coyne, Captain Loi (Vietnamese Provincial Intelligence Officer), and Major Thomas J. Levasseur, Jr. at the Brigade HQ map.\n\u003c/p\u003e","\u003cp\u003eUS light weapons infantry Non-Commissioned Officer and his Vietnamese counterpart drinking beer in a Vi Thanh restauraunt.\n\u003c/p\u003e","\u003cp\u003eMajor Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Also pictured are Captain John Coyne, Sergeants Spearman and Creamer, Captain Royal, and Captain Clyde E. Meyers.      \n\u003c/p\u003e","\u003cp\u003eMajor Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Lieutenant Colonel Diep, the province chief, is in the background.\n\u003c/p\u003e","\u003cp\u003eLietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  Also pictured are Captain John Coyne and Sergeants Spearman and Creamer.\n\u003c/p\u003e","\u003cp\u003eLietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  A team administrative Non-Commissioned Officer and Vietnamese National Police guards are also pictured.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.","Man delivering a speech, viewed from behind.","Man giving a speech, viewed from right.","Man giving a speech, viewed from right.","Man delivering a speech, viewed from the point of view of the crowd behind him.","Man delivering a speech, viewed from the point of view of the crowd behind him.","View of the crowd at the assembly including millitary personnel and civilians.","Alternate view of the crowd at the assembly.","Crowd at assembly with banners displaying Vietnamese slogans.","Soldiers at assembly with Vietnamese banner.","Soldiers at assembly with Vietnamese banner.","Camp bedroom featuring two beds and a nightstand.","M1 carbines and M14 hanging on the wall.","Wall of a camp bedroom with dresser and clothing hanging on wall.","Camp bedroom with a bed, table and chairs, dresser and nightstand.","Camp mess hall with maps of Choung Thien province on an easel.","Camp mess hall with maps of Choung Thien province on an easel.","Building made of corrugated metal and hit by Viet Cong mortar fire.","View of the entrance gate to MACV Team 58 compound. Sign still says MAAG.","Building in the camp seen from the side, including sand bag bunker and \"gym\" workout area.","Aerial view of the camp including several different complexes of buildings.","Army 3/4 ton truck parked in the Southeast corner of the compound behind bunker and reinforcements made of sandbags.","View of South Vietnamese Regional Force/Popular Force (RF/PF) training center across the main canal in Vi Thanh, shot from a team jeep.","Large building in Vi Thanh.","Building in the camp seen from the side.","Duplicate picture.","Building in the camp shot from a different angle.","Building in the camp with corrugated roof.","Small building in the camp with army personnel inside.","Building in the camp with corrugated roof. A new worker on a lader is making repairs to the building.","Major Otis A Moran, Sector Senior Advisor, Major Thomas Lavasseur, Assistant Senior Advisor, and an unidentified individual standing outside several buildings in the camp on a Sunday.","View of the entrance gate to MACV Team 58 compound, with a shower and latrine on the right and Vietnamese police serving as gate guards.","Overhead shot of corrugated roofs with camp name and location printed on it.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show in the MACV Team 58 mess hall.","USO show prepartions.","USO show prepartions.","USO show prepartions.","Military personnel in a mess hall.","Small building in the camp with army personnel inside and army 3/4 ton truck.","Military personnel outside buildings working on trailers.","Military personnel in mess hall.","Vietnamese National Police guarding the compound during the day, with shower and latrine building in the background.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Image of land, taken from an aircraft. Fires on the ground are farmers burning rice straw in fields after the harvest.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Sector L-19 (piper cub) landing at the \"new\" Vi Thanh airport, completed by Vietnamese engineers in early 1965.","Two unidentified US NCOs and Major Thomas LeVasseuer standing at the back of an aircraft.","List of the names of Advisory Team 58 members written in the sand.","Local children on court while military personnel play tennis. Vietnamese Brigade Headquarters is in the background.","Military personnel playing tennis. Vietnamese Brigade Headquarters is in the background.","","A river bank in Vi Thanh.","Store front in Vi Thanh with local residents and military personel.","Store front in Vi Thanh with local residents.","Store front in Vi Thanh with local residents and military personel.","Local residents and military personnel.","Major Thomas LeVasseur, Deputy Sector Advisor and a team Administrative NCO posed in uniform.","Unidentified team Administrative NCO taking a picture in the mirror.","Military advisor taking pictures from the top of the compound water tower.","Military advisor taking pictures from the top of the compound water tower.","Military advisor taking pictures from the top of the compound water tower.","1st Lieutenant Kevin Renahan sitting in the compound on a Sunday.","Two Vietnamese Police gate guards sitting behind sandbags in the compound entrance, bunker in the background.","Captain Clyde Myer sitting at his desk behind a type writer.","Several team members sitting in the mess hall.","Unidentified NCO sitting at a desk or table.","Vietnamese interpreterer sitting at a desk with a map of Choung Thien province behind him.","1st Lieutenant Kevin Renahan behind the mess hall; generator shed in the rear.","Photograph of an Administrative NCO in a stripped shirt.","Major Donald Gluck and Major Otis A Moran (incoming and outgoing Senior Sector Advisors) on a Sunday.","Unidentified lieutenant reading something in bed.","Vietnamese interpreter for Team 58 driving a jeep at the compound.","Group portrait of US and Vietnamese personnel eating a meal, probably at the province chief's home; Major Donald Gluck is second on left.","Two team NCOs sitting in the back of Caribao Aircraft, one man in the forground faces away from the camera.","A man getting his haircut in the camp.","Administrative NCO at his desk in the sector office.","Photograph of an Administrative NCO (the photographer of most of the pictures in the collection) in a white tee-shirt.","Major Thomas LeVasseur washing a shovel in the rear of the compound.","Captain Whittman and an unidentified officer (rear) at their desks in Brigade HQ.","Group portrait of army personel playing volleyball in the compound; Major Thomas LeVasseur is on the left.","Two Vietnamese Police gate guards sitting in the camp behind sandbags.","Vietnamese interpreter and Admin NCO in uniform sitting at a desk in the sector office.","An Administrative NCO posing with several cars.","Three NCOs sitting around a table in a bedroom.","Man posing with a Boa constrictor.","Military advisor on water tower taking pictures.","Two NCOs posed with military jeeps.","Photograph of an Administrative NCO in a white shirt in front of a building.","Group portrait of military advisors at a party.","Two men in the mess hall, one reading and one at a desk.","Captain Whittman (seated) and another man standing in front of a camp building.","Communications NCO in uniform posed in the mess hall entry.","Administrative NCO outside in the compound posed in front of sandbags.","USO speed painter preparing for USO show in the mess hall.","Vietnamese interpreter sitting at his desk with a map of Vietnam behind him.","Group portrait of (left to right) Lieutenant Colonel Preston, senior advisor, Lieutenant Colonel Diep, province chief, Captain Loi, Vietnamese inelligence officer, Major Donald Gluck, and unidentified NCOs sitting outside.","4 unidentified NCOs sitting outside the rear of the compound with the \"gym\" in the background.","Captain Whitman seated at desk looking at the camera, Captain Clyde Myer with his back to the camera.","Unidentified USAF Pilot and Major Thomas LeVasseur talking.","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama show at Sub-Sector Location, likely Duc Long.\n","Vietnamese Army Cultural Drama team members travelling by boat to performance site.\n","1st Lieutenant Albert V. Short presenting to Vietnamese woman.\n","Captain Clyde Meyer, Sam Daeli, 1st Lieutenant Albert V. Short, and unidentified Vietnamese Province (Sector) officials. \n","1st Lieutenant Kevin Renahan and Lieutenant Buu having beer in Vi Thanh with an unidentified Vietnamese man. \n","Lieutenant Buu, Sector Logistical Officer.\n","Captain Loi (Vietnamese Sector Intelligence Officer) and Lieutenant Colonel Zom drinking Budweiser at the MACV compound. \n","Ken Thien District Chief being promoted to Captain by Province Chief Major Nghia.\n","Lieutenant Colonel Nguyen Ngoc Diep, Choung Thien province chief.\n","Lieutenant Tri, Provincial Assistant S-5 in field with his PSYOP team.\n","US Army L-19 on the \"new\" strip at Vi Thanh.\n","US Army HUEY-B model gun-ships on the ground at Vi Thanh.\n","US Army troop carying HUEY helicopters departing with Vietnamese forces from Vi Thanh.\n","Advisory Team 58 Jeep at MACV Team 58 compound gate.\n","French \"steam roller,\" circa 1910.\n","Vietnamese Navy Riverine Assault Group (RAG) 26 vessel.\n","Main street shops in Vi Thanh alongside the main canal.\n","Central market in the early morning.\n","Central market fruit vendor.\n","Central marketplace after a fire.\n","Army of the Republic of Vietnam military dependents (4 children).\n","Army of the Republic of Vietnam military dependents (10 children).\n","Army of the Republic of Vietnam military dependent (1 child).\n","Gate to Army of the Republic of Vietnam 2nd Battalion 31st Infantry Regiment compound.\n","Old woman holding a government propaganda leaflet in the village near Vi Thanh.\n","Old man in the village near Vi Thanh.\n","Woman reading a newspaper in the village near Vi Thanh.\n","View across the main canal at the east end of Vi Thanh.\n","Two US advisors paddling a boat across the main canal at Vi Thanh to go to the Regional Forces/Popular Forces training center.\n","1st Lieutenant Kevin Renahan inside the MACV Advisory Team 58 compound gate with local children.\n","US advisor and Army of the Republic of Vietnam soldier buying snacks from street vendors.\n","The main canal in the vicinity of Vi Thanh.\n","The main canal in the vicinity of Vi Thanh.\n","Boat traffic on the main canal in the vicinity of Vi Thanh.\n","Boat traffic on the main canal in the vicinity of Vi Thanh.\n","Water buffalo and herder next to the MACV Team 58 Compound.\n","Three water buffalo next to the MACV Team 58 Compound\n","Large barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n","Large barges from Cambodia hauling rock for the \"new\" airfield construction at Vi Thanh.\n","Barge hauling fresh water in Vi Thanh.\n","Popular Force guards at the \"new\" airfield.\n","View out the gate of the MACV Team 58 Compound at sundown.\n","Regional Force block house in the vicinity of Duc Long.\n","View from a jeep on the bridge at Duc Long crossing the main canal.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Army of the Republic of Vietnam 2nd Battalion 31st Infantry regiment in the field in the vicinity of Vi Thanh.\n","Battalion commander of the 2nd Battalion/31st Infantry regiment in the field southwest of Vi Thanh.\n","Captain Paul Yuracheck, Senior Advisor of the 2nd Battalion 31st Infantry regiment practicing Vietnamese with children while the Vietnamese Battalion Commander lies in a hammock. \n","Captain Paul Yuracheck with the Vietnamese Battalion Commander and radio operator southwest of Vi Thanh.\n","Buddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n","Buddhist pagoda (Kai Suu?) southwest of Vi Thanh.\n","Building near Buddhist pagoda (Kai Suu?) southwest of Vi Thanh; Battalion Commanding Officer without helmet.\n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members working with 2nd Battalion 31st Infantry regiment southwest of Vi Thanh. \n","Provincial PSYOP team members embarked in landing craft enroute to an operation with Regional Forces/Popular Forces.\n","Captain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh.\n","Captain James Degan, Regional Forces advisor, on operation in the vicinity of Vi Thanh crossing a small canal.\n","Room in a \"long house\" on the MACV Advisory Team 58 Compound.\n","Sunday afternoon get-together between the buildings.\n","Sunday night barbeque with three team Non-Commissioned Officers doing the cooking\n","Sunday \"service\" in the compound - Lieutenant Colonel Preston and two unidentified Non-Commissioned Officers\n","Sunday afternoon sing along with Captain Eugene J. Wyles on guitar, Major Donald Gluck, Major Thomas LeVasseur, Jr, Captain John Coyne, Captain Stanley Bonta, Captain Clyde Meyers, and Lieutenant Colonel Preston.\n","Mess hall meeting on a Sunday - Major Otis Moran, Major Donald Gluck, Major Thomas LeVasseur, Jr, and Captain Clyde Meyers\n","1st Lieutenant Albert V. Short in the \"library,\" a corner of the mess hall.\n","1st Lieutenant Kevin Renahan and two Vietnamese children.\n","Portrait of Captain John Coyne.\n","Portrait of Captain John Coyne.\n","Portrait of Captain John Coyne.\n","Captain John Coyne reading mail from home.\n","Major Thomas J. LeVasseur with a Vietnamese interpreter presenting gifts to the Mother Superior at the Catholic orphanage. \n","1st Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","2nd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","3rd Lieutenant Albert V. Short in the Chinese Park in the vicinity of the Province Chief's office, Vi Thanh.\n","Dinner hosted by Choung Thien Province Chief, Lieutenant Nguyen Ngoc Diep, with Major Otis A. Moran and Major Donald Gluck.\n","1st Lieutenant Ronald Johnson in the team mess hall on a Sunday.\n","Captain Royal having coffee in the team mess hall on a Sunday.\n","1st Lieutenant Eugene Gray in Team 58 mess hall in Vi Thanh.\n","Captain Clyde E. Meyers and Sargent Van Corbach surveying the \"new\" Vi Thanh airfield.\n","Captain Thomas of the US Air Force.\n","Captain James Degan taking a smoke break.\n","Captain John Coyne, Captain Loi (Vietnamese Provincial Intelligence Officer), and Major Thomas J. Levasseur, Jr. at the Brigade HQ map.\n","US light weapons infantry Non-Commissioned Officer and his Vietnamese counterpart drinking beer in a Vi Thanh restauraunt.\n","Major Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Also pictured are Captain John Coyne, Sergeants Spearman and Creamer, Captain Royal, and Captain Clyde E. Meyers.      \n","Major Otis A. Moran presenting the Combat Infantryman's Badge to 1st Lieutenant Albert V. Short.  Lieutenant Colonel Diep, the province chief, is in the background.\n","Lietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  Also pictured are Captain John Coyne and Sergeants Spearman and Creamer.\n","Lietenant Colonel Diep, Province Chief, congratulates 1st Lieutenant Albert V. Short on award of Combat Infantryman's Badge.  A team administrative Non-Commissioned Officer and Vietnamese National Police guards are also pictured.\n","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Military Assistance Command, Vietnam Team 58 photograph collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Military Assistance Command, Vietnam Team 58 photograph collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","United States. Military Assistance Command, Vietnam. Advisory Team 58.","United States. Army--Photographs."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","United States. Military Assistance Command, Vietnam. Advisory Team 58.","United States. Army--Photographs."],"language_ssim":["English\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_macv58"}},{"id":"vifgm_musiccenteratreston","type":"collection","attributes":{"title":"Northern Virginia Music Center at Reston collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_musiccenteratreston#creator","type":"document_value","attributes":{"value":"Meir, Robert C.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_musiccenteratreston#abstract_or_scope","type":"document_value","attributes":{"value":"The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_musiccenteratreston#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_musiccenteratreston","ead_ssi":"vifgm_musiccenteratreston","_root_":"vifgm_musiccenteratreston","_nest_parent_":"vifgm_musiccenteratreston","ead_source_url_ssi":"data/gmu/musiccenteratreston.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/musiccenteratreston.html","title_ssm":["Northern Virginia Music Center at Reston collection"],"title_tesim":["Northern Virginia Music Center at Reston collection"],"unitdate_ssm":["1967-1979"],"unitdate_inclusive_ssm":["1967-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0191"],"text":["C0191","Northern Virginia Music Center at Reston collection","Music.","Live sound recordings.","Photographic prints.","Only the digitized recordings are available for listening.","This collection is arranged by subject.","Series 1: Music Center Papers, 1967-1979 (Boxes 1-2) Series 2: Reston Recordings, 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)","The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.","Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty.","Special Collections and Archives also holds many other collections on Reston, Virginia.","The Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.","Series 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students.","This series consists of digital duplicates created in 2014 from the open reel tapes of the original concerts. The open reel audio was saved as MP3 and WAV and stored on nine compact discs and an external hard drive. Recordings are arranged in the same order as the recordings in Series 2.","There may be restrictions on use of the sound recordings.","The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.","George Mason University. Libraries. Special Collections \u0026 Archives","Meir, Robert C.","English\n\t\t"],"unitid_tesim":["C0191"],"normalized_title_ssm":["Northern Virginia Music Center at Reston collection"],"collection_title_tesim":["Northern Virginia Music Center at Reston collection"],"collection_ssim":["Northern Virginia Music Center at Reston collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Meir, Robert C."],"creator_ssim":["Meir, Robert C."],"creator_persname_ssim":["Meir, Robert C."],"creators_ssim":["Meir, Robert C."],"access_terms_ssm":["There may be restrictions on use of the sound recordings."],"acqinfo_ssim":["This collection was donated by Loren Bruce of the Reston Historical Trust."],"access_subjects_ssim":["Music.","Live sound recordings.","Photographic prints."],"access_subjects_ssm":["Music.","Live sound recordings.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["3.5 linear feet (9 boxes)"],"extent_tesim":["3.5 linear feet (9 boxes)"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eOnly the digitized recordings are available for listening.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Only the digitized recordings are available for listening."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Music Center Papers, 1967-1979 (Boxes 1-2)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Reston Recordings, 1969-1972 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Digital Duplicates, 1969-1972 (Boxes 7-9)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series 1: Music Center Papers, 1967-1979 (Boxes 1-2) Series 2: Reston Recordings, 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Music Center at Reston collection, C0191, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Music Center at Reston collection, C0191, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other collections on Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other collections on Reston, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.\u003c/p\u003e","\u003cp\u003eSeries 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003eSeries 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.\u003c/p\u003e","\u003cp\u003eSeries 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series.\u003c/p\u003e","\u003cp\u003eSeries 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances.\u003c/p\u003e","\u003cp\u003eSeries 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students.\u003c/p\u003e","\u003cp\u003eThis series consists of digital duplicates created in 2014 from the open reel tapes of the original concerts. The open reel audio was saved as MP3 and WAV and stored on nine compact discs and an external hard drive. Recordings are arranged in the same order as the recordings in Series 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.","Series 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students.","This series consists of digital duplicates created in 2014 from the open reel tapes of the original concerts. The open reel audio was saved as MP3 and WAV and stored on nine compact discs and an external hard drive. Recordings are arranged in the same order as the recordings in Series 2."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on use of the sound recordings.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on use of the sound recordings."],"abstract_html_tesm":["\u003cabstract id=\"ref89\" label=\"Abstract\"\u003eThe Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.\u003c/abstract\u003e"],"abstract_tesim":["The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Meir, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Meir, Robert C."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:33:36.071Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_musiccenteratreston","ead_ssi":"vifgm_musiccenteratreston","_root_":"vifgm_musiccenteratreston","_nest_parent_":"vifgm_musiccenteratreston","ead_source_url_ssi":"data/gmu/musiccenteratreston.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/musiccenteratreston.html","title_ssm":["Northern Virginia Music Center at Reston collection"],"title_tesim":["Northern Virginia Music Center at Reston collection"],"unitdate_ssm":["1967-1979"],"unitdate_inclusive_ssm":["1967-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0191"],"text":["C0191","Northern Virginia Music Center at Reston collection","Music.","Live sound recordings.","Photographic prints.","Only the digitized recordings are available for listening.","This collection is arranged by subject.","Series 1: Music Center Papers, 1967-1979 (Boxes 1-2) Series 2: Reston Recordings, 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)","The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.","Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty.","Special Collections and Archives also holds many other collections on Reston, Virginia.","The Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.","Series 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students.","This series consists of digital duplicates created in 2014 from the open reel tapes of the original concerts. The open reel audio was saved as MP3 and WAV and stored on nine compact discs and an external hard drive. Recordings are arranged in the same order as the recordings in Series 2.","There may be restrictions on use of the sound recordings.","The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.","George Mason University. Libraries. Special Collections \u0026 Archives","Meir, Robert C.","English\n\t\t"],"unitid_tesim":["C0191"],"normalized_title_ssm":["Northern Virginia Music Center at Reston collection"],"collection_title_tesim":["Northern Virginia Music Center at Reston collection"],"collection_ssim":["Northern Virginia Music Center at Reston collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Meir, Robert C."],"creator_ssim":["Meir, Robert C."],"creator_persname_ssim":["Meir, Robert C."],"creators_ssim":["Meir, Robert C."],"access_terms_ssm":["There may be restrictions on use of the sound recordings."],"acqinfo_ssim":["This collection was donated by Loren Bruce of the Reston Historical Trust."],"access_subjects_ssim":["Music.","Live sound recordings.","Photographic prints."],"access_subjects_ssm":["Music.","Live sound recordings.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["3.5 linear feet (9 boxes)"],"extent_tesim":["3.5 linear feet (9 boxes)"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eOnly the digitized recordings are available for listening.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Only the digitized recordings are available for listening."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Music Center Papers, 1967-1979 (Boxes 1-2)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Reston Recordings, 1969-1972 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Digital Duplicates, 1969-1972 (Boxes 7-9)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series 1: Music Center Papers, 1967-1979 (Boxes 1-2) Series 2: Reston Recordings, 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Music Center at Reston collection, C0191, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Music Center at Reston collection, C0191, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other collections on Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other collections on Reston, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.\u003c/p\u003e","\u003cp\u003eSeries 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003eSeries 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.\u003c/p\u003e","\u003cp\u003eSeries 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series.\u003c/p\u003e","\u003cp\u003eSeries 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances.\u003c/p\u003e","\u003cp\u003eSeries 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students.\u003c/p\u003e","\u003cp\u003eThis series consists of digital duplicates created in 2014 from the open reel tapes of the original concerts. The open reel audio was saved as MP3 and WAV and stored on nine compact discs and an external hard drive. Recordings are arranged in the same order as the recordings in Series 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.","Series 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students.","This series consists of digital duplicates created in 2014 from the open reel tapes of the original concerts. The open reel audio was saved as MP3 and WAV and stored on nine compact discs and an external hard drive. Recordings are arranged in the same order as the recordings in Series 2."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on use of the sound recordings.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on use of the sound recordings."],"abstract_html_tesm":["\u003cabstract id=\"ref89\" label=\"Abstract\"\u003eThe Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.\u003c/abstract\u003e"],"abstract_tesim":["The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Meir, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Meir, Robert C."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:33:36.071Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_musiccenteratreston"}},{"id":"vifgm_vifgm00036","type":"collection","attributes":{"title":"Oliver F. Atkins photograph collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00036#creator","type":"document_value","attributes":{"value":"Oliver F. Atkins, 1916-1977\n","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00036#abstract_or_scope","type":"document_value","attributes":{"value":"The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00036#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00036","ead_ssi":"vifgm_vifgm00036","_root_":"vifgm_vifgm00036","_nest_parent_":"vifgm_vifgm00036","ead_source_url_ssi":"data/gmu/vifgm00036.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975\n"],"unitdate_inclusive_ssm":["1943-1975\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0036\n"],"text":["C0036\n","Oliver F. Atkins photograph collection","Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides.","Collection is open to research.\n","Portions of the Atkins collection are available online through the  Oliver F. Atkins Photograph Collection   and the  1972 Richard Nixon Campaign Photographs .","Organized into five series:","Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n","Special Collections and Archives also holds many other photograph collections including the  Arthur E. Scott photograph collection .\n","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n","\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n","\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n","\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n","\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t","Storage and moving trade in Washington, D.C.\n","Guinea; Nigeria; South Africa\n","Japan\n","Portraits with family\n","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n","Winston Churchill, Harry Truman\n","School improvement programs in Arlington, Virginia\n","Entomology at Shenandoah National Park, Virginia\n","Oliver Atkins and Norman Rockwell\n","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n","Oliver Atkins and Gerald Ford\n","Portrait\n","Ernest P. Walker in Washington, D.C.\n","Includes negatives\n","American Machine \u0026 Foundry Company, New York City\n","Kenneth Wherry\n","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n","Richard M. Nixon in Washington, D.C.\n","Robert Taft in Canton, OH\n","Washington, D.C.; Norfolk, Virginia; United States Navy\n","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n","Dwight D. Eisenhower in Boise, Idaho\n","Washington, D.C.; includes contact sheets\n","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n","Mrs. Winfield Smart and family in Falls Church, Virginia\n","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n","Bathtubs, Washington, D.C.\n","Library of Congress; Luther Evans\n","Boy reading, taken in Fairfax, Virginia\n","Unemployment, Washington, D.C.\n","Ambassadors in Washington, D.C.\n","Portrait of Pat McCarran in Washington, D.C.\n","Ezra Taft Benson; Hume, Virginia; Washington, D.C.\n","Federal Maritime Administration; Washington, D.C.\n","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n","Portraits\n","Battle Creek, Michigan; Delaware; New York City; Trinity Church\n","Betty Goldwater; William Miller; John McClellan\n","Marriott Hot Shoppe in Arlington, Virginia\n","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n","Albert Gore and family in Carthage, Tennessee\n","\"Five percenters\" investigation in Washington, D.C.\n","Statler Hotel; Washington, D.C.; New York City; Boston\n","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n","portrait\n","Washington, D.C.; McLean; Arlington, Virginia\n","Harry Truman; Fred Vinson; in Key West, Florida\n","Agriculture in Zirconia, North Carolina\n","Dr. V. Stefan Krajcovic in Washington, D.C.\n","Gordon W. Rule in Washington, D.C.\n","Richard M. Nixon and family in Washington, D.C.\n","Modern movement (architecture); Washington, D.C.\n","Portrait\n","Andrews Air Force Base\n","Presidential campaign\n","Inauguration\n","Oval office\n","Lyndon B. Johnson with cabinet members and advisors\n","Lyndon B. Johnson with cabinet members and advisors\n","Portraits\n","Portraits\n","Lyndon B. Johnson with Lady Bird Johnson\n","Lyndon B. Johnson ranch\n","Hubert Humphrey; Pope Paul VI\n","Hospital care in New York City\n","World War II\n","World War II\n","Playing football and sailing\n","Kennedy family\n","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n","Official White House portrait and other portraits\n","Campaigning in Colorado\n","Campaigning in Wisconsin\n","Democratic Convention in California\n","Campaigning\n","Campaigning in California\n","Campaigning in Michigan\n","Campaigning in Texas\n","Campaigning in Washington\n","Television debate with Richard M. Nixon\n","Ceremonies and gatherings\n","Meetings with staff and international leaders\n","Oval office\n","Press conferences\n","Inauguration\n","State of the Union\n","Funeral\n","Assassination and related events\n","Labor racketeering hearings; John McClellan\n","Portraits\n","Robert F. Kennedy family\n","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger\n","Presidential campaign announcement\n","Presidential campaign in California\n","Funeral service\n","Mr. and Mrs. Knowland\n","Syngman Rhee\n","Two terrible nights with the 23rd\n","General file\n","The fighting French\n","Greeks know how to die\n","How well do Negroes fight\n","The worlds worst railroad headache\n","Nurses story; original article manuscript; Far East command press releases\n","Machine gunners; article manuscript\n","The flying poison\n","The Chinese telegraph their punch\n","Marines\n","Hokkaido story\n","Kaesong Conference\n","Refugees\n","The big thaw\n","The pious killer of Korea; United States Air Force\n","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia\n","Actor Irving Fisher in New York City\n","Everett M. Dirksen\n","Olney, Maryland\n","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n","Sewing machine use in Tokyo, Japan\n","United States Postal Inspection Service in Washington, D.C.\n","Rockville, Maryland\n","Woods Hole, Massachusetts\n","Washington, D.C.; includes contact sheets and negatives\n","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.\n","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n","Chevy Chase and Aberdeen, Maryland; Washington, D.C.\n","Henry C. Lodge\n","Rosenberg execution protest in Washington, D.C.\n","John I. Williams and Preston C. Williams\n","Tom Connally in Washington, D.C.\n","Agnes McCall Parker in Washington, D.C.\n","Bird dogs in Annapolis, Maryland\n","Commissioner Bob Christenberry in New York City\n","Telegraph agents of the USSR in Washington, D.C.\n","Aberdeen Proving Grounds in Aberdeen, Maryland\n","Washington, D.C.\n","Government Printing Office in Washington, D.C.; Arlington, Virginia\n","Joint Chiefs of Staff in Washington, D.C.\n","Portrait signed by Truman to Ollie Atkins\n","Senate subway construction\n","Marine biology in Milford, Connecticut\n","Librarian with full set of volumes\n","Carlton Hotel; John L. Lewis; Washington, D.C.\n","United States Air Force at Patuxent Naval Air Station in Maryland\n","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n","Thomas A. Walden in Washington, D.C.\n","Submarine in Key West, Florida\n","Cold weather clothing tests in Lawrence, Massachusetts\n","Allen Dulles\n","Camp Gordon, Georgia; U.S. Army Military Police School\n","Dayton, Ohio; Yellow Springs, Ohio\n","Arthur M. Whitehill and family; Chapel Hill, North Carolina\n","Joe McCarthy checking a pone for wire tapping\n","Washington, D.C.\n","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t","1 of 4; 1968 campaign\n","2 of 4; 1968 campaign\n","3 of 4; 1968 campaign\n","4 of 4; 1968 campaign\n","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives\n","Also see Box 58","December 1955; 34 negatives\n","Includes Winston Churchill and Harry S. Truman; 36 negatives\n","Maxwell Taylor, August 1955; 14 negatives\n","Jamestown, Virginia, May 1956; 17 negatives\n","Donald Quarles; 13 negatives\n","Also see Box 58","National Institute of Dry Cleaning; 19 negatives\n","Library of Congress, June 1950; 25 negatives\n","Georgetown, Washington, D.C.; 23 negatives\n","14 negatives\n","T. James Tumulty\n","Also see Box 58","12 negatives\n","Ernest P. Walker; 5 negatives\n","Hines, Illinois, August 1950; 8 negatives\n","James Bryden; 9 negatives\n","Robert Woodruff, December 1950; 47 negatives\n","July 1955; 26 negatives\n","37 negatives\n","Sherman Adams, December 1952; 14 negatives\n","May 1953; 18 negatives\n","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n","Steven Derounian; 18 negatives\n","Charles Potter, November 1952; 17 negatives\n","Kenneth Wherry; 13 negatives\n","Robert Taft; 32 negatives\n","Arthur Whitehall; 13 negatives\n","Statler Hotel; 35 negatives\n","Also see Box 58","David K. Niles\n","Abraham Ribicoff; 2 negatives\n","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n","27 negatives\n","Also see Box 58","9 negatives\n","Milford, Connecticut, September 1951; 16 negatives\n","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n","Ralph Bunche; 10 negatives\n","June 1955; 7 negatives\n","Atlantic City, New Jersey, 1955; 22 negatives\n","Robert Cutler; 13 negatives\n","Also see Box 58","Stephen Foster, January 1953; 11 negatives\n","James Pinkston; 8 negatives\n","5 negatives\n","Maurice Tobin; 29 negatives\n","Warren Olney III; 5 negatives\n","Also see Box 58","17 negatives\n","Also see Box 58","James Maurice Gavin; 29 negatives\n","April 1952; 33 negatives\n","William F. Dean; 13 negatives\n","John J. Williams; 22 negatives\n","12 negatives\n","Also see Box 58","June 1952; 17 negatives\n","May 1953; 32 negatives\n","Eugene Millikin, April 1953; 23 negatives\n","8 negatives\n","May 1950; 4 negatives\n","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives\n","4 negatives\n","13 negatives\n","February 1952; 20 negatives\n","Washington Senators baseball team; 14 negatives\n","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives\n","Also see Box 58","December 1949; 20 negatives\n","William Leahy; 14 negatives\n","April 1950; 30 negatives\n","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives\n","George Tetlet, December 1947; 32 negatives\n","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n","Jack Kroll; 19 negatives\n","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives\n","23 negatives\n","17 negatives\n","William F. Halsey, USS Missouri; 4 color positives\n","8 negatives\n","27 negatives\n","James Francis Marion Jones; 59 negatives\n","Louis Arthur Johnson, June 1949; 5 negatives\n","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives\n","March 1950; 1 negative\n","Wilhelm Munthe. de Morgenstierne; 12 negatives \n","Clifford Garner, July 1950; 9 negatives\n","Library of Congress, July 1950; 9 negatives\n","Irving Fisher; 29 negatives\n","Joseph Lawton Collins, November 1950; 8 negatives\n","H. K. Riggs; 9 negatives\n","Paul Douglas; 17 negatives\n","35 negatives\n","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives\n","June 1952; 5 negatives\n","February 1954; 5 negatives\n","Also see Box 58","September 1952; 12 negatives\n","Jim Perry, Bud Camp; 25 negatives\n","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives\n","Matthew B. Ridgway; 13 negatives\n","League of Women Voters; 18 negatives\n","Good Humor Corporation, April 1949; 39 negatives\n","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n","Tomb of the Unknown Soldier, February 1954; 2 negatives\n","Robert Murphy; 12 negatives\n","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n","Includes Dean Acheson; 9 negatives\n","Also see Box 58","39 negatives\n","Mike Monroney, Charles B. Brownson; 13 negatives\n","November 1952; 21 negatives\n","Atomic Energy Commission; September 1953; 18 negatives\n","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n","Mrs. Winfield Smart, November 1952; 5 negatives\n","34 negatives\n","Also see Box 58","Dwight D. Eisenhower; 42 negatives\n","Also see Box 58","21 negatives\n","Ray \"Mike\" Dow; 22 negatives\n","Tom Durrance; 15 negatives\n","Sidney W. Souers, includes Dean Acheson; 15 negatives\n","Josephine Crisler, October 1948; 10 negatives\n","Clifton Bledsoe Cates; December 1948; 10 negatives\n","Howard University, November 1948; 24 negatives\n","Robert M. Redmond, August 1949; 5 negatives\n","Also see Box 58","16 negatives\n","George J. Schoeneman; 1 negative\n","Also see Box 58","38 negatives\n","34 negatives\n","24 negatives\n","1 negatives\n","8 negatives\n","B-29s, Tucson Arizona; 41 negatives\n","Werner Knop, October 1948; 12 negatives\n","Lou Boudreau, August 1948; 14 negatives\n","Also see Box 58","13 negatives\n","40 negatives\n","45 negatives\n","Witton Lawler; 6 negatives\n","Jesse M. Donaldson, December 1947; 21 negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n","Also see Box 58","Howard University, December 1948; 26 negatives\n","1 negative\n","Also see Box 58","22 negatives\n","15 negatives\n","Louis B. Meyer, Paul V. McNutt; 5 negatives\n","National Airport, Capitol Hill, 1947; 49 negatives\n","19 negatives\n","Also see Box 58","14 negatives\n","John McCloy, April 1947; 10 negatives\n","28 negatives\n","Kenilworth garbage dump; 31 negatives\n","19 negatives\n","33 negatives\n","F. Edward Herbert; 27 negatives\n","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives\n","Bureau of Indian Affairs; 21 negatives\n","11 negatives\n","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n","Demolitions Disposal Unit; 21 negatives\n","Stefan Krajcovic; 8 negatives\n","Trinity Church, Gary Edwards; 16 negatives\n","5 negatives\n","2 negatives\n","17 negatives\n","includes Hubert Humphrey, Eugenie Anderson\n","10 negatives\n","National Gallery of Art; 39 negatives\n","19 negatives\n","Clarence Cannon, includes Harry S. Truman; 17 negatives\n","March 1956; 35mm negatives\n","Also see Box 49","35mm negatives\n","Donald Quarles; 35mm negatives\n","Also see Box 49","Wayne Morse; 35mm negatives\n","T. James Tumulty; 35mm negatives\n","Also see Box 49","35mm and 2x2\" negatives\n","Statler Hotel; 35mm negatives\n","Also see Box 50\n","35mm negatives\n","Also see Box 50","Robert Cutler; 35mm negatives\n","Also see Box 50","Warren Olney III; 35mm negatives\n","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives\n","35mm negatives\n","Also see Box 51","35mm negatives\n","2x2\" negatives\n","May 1950; 2x2\" negatives\n","Also see Box 51","Washington Senators baseball team; 14 negatives\n","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives\n","Also see Box 52","April 1950; 2x2\" negatives\n","Also see Box 52","35mm negatives\n","Stuart Symington, June, 1956; 35mm negatives\n","35mm negatives\n","35mm negatives\n","Louis Arthur Johnson, June 1949; 2x2\" negatives\n","Also see Box 53","2x2\" negatives\n","2x2\" negatives\n","35mm negatives\n","35mm negatives\n","35mm and 2x2\" negatives\n","35mm negatives\n","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n","Also see Box 53","February 1954; 2x2\" negatives\n","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives\n","Also see Box 53","Earl Warren; 35mm negatives\n","Alben William Barkley; 2x2\" negatives\n","Includes Dean Acheson; 2x2\" negatives\n","Also see Box 53","35mm negatives\n","35mm negatives\n","2x2\" negatives\n","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives\n","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives\n","Also see Box 54","George J. Schoeneman; 2x2\" negatives\n","Also see Box 54","2x2\" negatives\n","Lou Boudreau, August 1948; 2x2\" negatives\n","Also see Box 55","2x2\" negatives\n","2x2\" negatives\n","2x2\" negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n","Also see Box 55","2x2\" negatives\n","Also see Box 56","2x2\" negatives\n","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n","Legacy Finding Aid for Series 3","The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. ","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n","Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n","(1 of 4)\n","(2 of 4)\n","(3 of 4)\n","(4 of 4)\n","Connecticut Gubernatorial Campaign\n","Georgetown House portraits\n","Polling\n","I Flew Supersonic\n","How to Speak French\n","Portraits\n","Stewart Alsop Family\n","How to Write a Magazine Article\n","Polling, Negro poll\n","Alsop poll \"Mood of America\"\n","John F. Kennedy\n","Portraits\n","Alsop poll \n","Biplanes\n","They Make Flying Fun Again\n","Trevor Armbristen Family\n","Lyndon B. Johnson\n","Golf's Banking on Burke\n","by Sherwood Harris\n","Mercury 6 launch\n","Portraits\n","Generals LeMay and White\n","color slides\n","Includes John F. Kennedy\n","Bernard Goldfine\n","1 of 4\n","2 of 4\n","3 of 4\n","4 of 4\n","Includes Jacqueline Kennedy\n","Lyndon B. Johnson with military\n","1 of 2\n","2 of 2\n","color slides 1\n","color slides 2\n","color slides 3\n","color slides 4\n","color slides 5\n","color slides 6\n","Meetings, public events\n","Presidential campaign\n","Election\n","Church near the Lyndon B. Johnson Ranch\n","Oval Office\n","Inauguration\n","Ranch\n","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n","Glassboro, New Jersey; Alexei Kosygin\n","Glassboro, New Jersey; Alexei Kosygin\n","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives\n","Funeral, Arlington National Cemetery\n","Arlington National Cemetery\n","Presidential campaign\n","Presidential campaign\n","Presidential campaign\n","White House and Congressional budget meetings and hearings\n","Ranger, Saturn, Mercury\n","1 of 3\n","2 of 3\n","3 of 3\n","4x5 negatives\n","I Can Say He's a Wonderful Guy\n","1 of 2\n","2 of 2\n","Rose Mary Woode\n","Hospitals\n","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n","John Foster Dulles, Charles Erwin Wilson, Robert Taft\n","Blair House\n","John F. Kennedy, Richard M. Nixon\n","John F. Kennedy, Richard M. Nixon\n","Some images may have been created in the 1950s; 1 of 2\n","2 of 2\n","Saturday Evening Post writer\n","Macy's New York City\n","T. I. Swartz and Sons\n","Includes images of construction\n","Includes Lyndon B. Johnson\n","National Mall, Pentagon, United States Supreme Court Building, Pan American Building\n","American Red Cross, Tunisia, Italy\n","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n","Includes memorabilia\n","1 of 3\n","2 of 3\n","3 of 3\n","Series 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10 1/8\"\n","13\" x 10\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","9 5/8\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 1/8'\" x 11 1/4\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","10\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","two copies; 10 1/4\" x 13\"\n","two copies; 10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n","13 1/8\" x 10 1/4\"\n","8 5/8\" x 13 1/4\"\n","13\" x 10\"\n","13 1/4\" by 10 1/4\"\n","three copies\n","13 3/8\" x 8 5/8\"\n","10 1/4\" x 13\"\n","13 1/4\" x 10\"\n","13 7/8\" x 8 1/2\"\n","10 1/4\" x 13\"\n","10\" x 13\"\n","10 1/8\" x 13\"\n","12 3/4\" x 10\"\n","9\" x 13\"\n","13\" x 10\"\n","13\" x 10\"\n","10\" x 12\"\n","10\" x 13\"\n","10\" x 13\"\n","10\" x 12 1/2\"\n","13\" x 10\"\n","12 1/2\" x 10\"\n","13\" x 10\"\n","13\" x 10\"\n","12 1/2\" x 9 3/4\"\n","11 3/4\" x 10\"\n","11 1/4\" x 13\"\n","8 1/4\" x 5 1/4\"\n","13 1/2\" x 10\"\n","13\" x 10\"\n","7 1/4\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13 1/4\" x 8 1/8\"\n","13 1/4\" x 9 3/4\"\n","13\" x 9 3/4\"\n","13 1/4 x 9 3/4\"\n","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n","7\" x 4 3/4\"\n","9 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/4\"\n","8 3/4\" x 13 1/8\"\n","20\" x 16\"\n","5\" x 8\"\n","5\" x 8\"\n","5\" x 8\"\n","10 5/8\" x 13 1/2\"\n","13\" x 10 1/4\"\n","13\" x 10 3/8\"\n","13\" x 10 1/4\"\n","10 1/4\" x 11 3/4\"\n","10 1/4\" 13\"\n","10 3/4\" x 13\"\n","10\" x 13\"\n","13\" x 8 1/2\"\n","9 1/2\" x 13\"\n","9 1/4\" x 13\"\n","9 1/4\" x 13\"\n","9 1/2\" x 13\"\n","13\" x 10 1/4\"\n","13 1/8 x 10 1/8\"\n","17\" x 11 5/8\"\n","13 1/4\" x 10\"\n","13 1/4\" x 5 5/8\"\n","13 1/2\" x 9\"\n","13\" x 8 6/8\"\n","12 1/4\" x 8 1/8\"\n","9 1/2\" x 13 1/4\"\n","10\" x 13 1/4\"\n","9 1/4\" x 13 1/4\"\n","9\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","8 3/8\" x 13 1/4\"\n","8 3/4\" x 13 1/4\"\n","15\" x 19 3/4\"\n","14 1/2\" x 15 3/4\"\n","14 3/4\" x 19 1/4\"\n","14\" x 17 1/2\"\n","18\" x 14\"\n","17 5/8\" x 11 1/2\"\n","13 1/2\" x 10 3/8\"\n","13 1/4\" x 9\"\n","13 1/4\" x 8 1/2\"\n","9 1/8\" x 13 1/4\"\n","10 1/4\" x 13\"\n","12 5/8\" x 9 7/8\"\n","7 1/8\" x 13 1/4\"\n","10 1/4\" x 13 1/2\"\n","10 3/8\" x 12 1/2\"\n","8 1/8\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","9\" x 13 1/4\"\n","13 1/8\" x 9 1/4\"\n","9 1/8\" x 13 3/4\"\n","8 1/2\" x 13 1/2\"\n","9 3/4 x 13 1/4\"\n","9\" x 13 1/8\"\n","9 1/8\" x 13 1/4\"\n","8 1/2\" x 13\"\n","10 1/4\" x 13 1/8\"\n","13 1/2\" x 9 1/4\"\n","10 1/8\" x 10 1/4\"\n","9 3/8\" x 13\"\n","8 1/4\" x 13\"\n","10 1/2\" x 13 1/2\"\n","13 1/4\" x 10 1/2\"\n","13 1/2\" x 9 1/4\"\n","12 7/8\" x 8 1/8\"\n","12 3/4\" x 7 3/4\"\n","9 3/4\" x 9 3/4\"\n","10 1/4\" x 11 1/2\"\n","10 1/4\" x 10 3/8\"\n","9 1/4\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 1/8\" x 13\"\n","8 3/4\" x 12 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 10 1/4\"\n","13 1/8 x 10\"\n","13 1/4\" x 7 7/8\"\n","10 1/2\" x 12 5/8\"\n","10 1/4\" x 12 1/4\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 10 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 3/8\" x 10 1/2\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","13 1/4 x 10 1/4\"\n","10 1/8\" x 13\"\n","9\" x 13 1/4\"\n","9\" x 13 1/4\"\n","11 7/8\" x 18 3/4\"\n","12 3/8\" x 9 5/8\"\n","9\" x 11\"\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/2\" x 9 1/4\"\n","13 1/2\" x 7 3/4\"\n","13 1/4\" x 9 1/2\"\n","13 1/4\" x 9 1/2\"\n","13\" x 9 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 8 1/2\"\n","16\" x 10 1/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 8 1/4\"\n","13 1/4\" x 8 1/4\"\n","13\" x 8 3/4\"\n","13\" x 8 3/4\"\n","13\" x 9\"\n","10\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","13\" x 8 3/4\"\n","13 1/4\" x 10 1/4\"\n","13\" x 9 1/2\"\n","10\" x 13 1/4\"\n","13 1/2\" x 8 1/4\"\n","8 1/2\" x 13 1/4\"\n","13\" x 10\"\n","10 3/8\" x 13 1/8\"\n","12 3/4\" x 10 1/2\"\n","12 7/8\" x 10\"\n","13 1/4\" x 8 1/4\"\n","13 3/8\" x 8 1/8\"\n","13\" x 10 3/8\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 8 1/2\"\n","7 3/8\" x 13 3/8\"\n","13 1/2\" x 8 3/4\"\n","13 1/2\" x 8 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/2\" x 10 5/8\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","9 1/4\" x 13 1/4\"\n","13 1/4\" x 9 1/4\"\n","12 7/8\" x 9 3/4\"\n","13 1/4\" x 9 1/4\"\n","13 3/8\" x 8 7/8\n","13\" x 9 1/4\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 12 3/4\"\n","13 1/4\" x 11\"\n","10 1/4\" x 13 1/4\"\n","10\" x 12 1/2\"\n","10 3/8\" x 13\"\n","10 1/4\" x 13 1/4\"\n","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 3/8\" x 12 7/8\"\n","10 3/8\" x 13 1/8\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 3/8\" x 13 1/8\"\n","10 1/2\" x 13 1/4\"\n","9 1/2\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 1/2\" x 19 5/8\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10\"\n","10\" x 13 1/4\"\n","13 1/4\" x 10 1/8\"\n","10\" x 13\"\n","9\" x 13 1/4\"\n","9 1/2\" x 13 3/8\"\n","9 1/2\" x 13 1/4\"\n","12 3/4\" x 9 1/4\"\n","9\" x 11 7/8\"\n","13 1/4\" x 9 1/8\"\n","13\" x 10 5/8\"\n","13 3/8\" x 10 1/4\"\n","9 1/4\" diameter\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 9 3/8\"\n","color\n","color\n","color\n","Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n","George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs.","Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs.","English\n"],"unitid_tesim":["C0036\n"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"collection_title_tesim":["Oliver F. Atkins photograph collection"],"collection_ssim":["Oliver F. Atkins photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Oliver F. Atkins, 1916-1977\n"],"creator_ssim":["Oliver F. Atkins, 1916-1977\n"],"creator_persname_ssim":["Oliver F. Atkins, 1916-1977\n"],"creators_ssim":["Oliver F. Atkins, 1916-1977\n"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987.\n"],"access_subjects_ssim":["Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides."],"access_subjects_ssm":["Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["59.5 linear ft.; 113 boxes"],"extent_tesim":["59.5 linear ft.; 113 boxes"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"altformavail_html_tesm":["\u003cp\u003ePortions of the Atkins collection are available online through the \u003cextref type=\"simple\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~15~15\"\u003eOliver F. Atkins Photograph Collection\u003c/extref\u003e  and the \u003cextref type=\"simple\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/767\"\u003e1972 Richard Nixon Campaign Photographs\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Atkins collection are available online through the  Oliver F. Atkins Photograph Collection   and the  1972 Richard Nixon Campaign Photographs ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series:\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into five series:","Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, Collection #C0036, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Oliver F. Atkins photograph collection, Collection #C0036, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n\u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other photograph collections including the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/scotta.html\"\u003eArthur E. Scott photograph collection\u003c/extref\u003e.\n\u003c/p\u003e","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other photograph collections including the  Arthur E. Scott photograph collection .\n","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n\u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n\u003c/p\u003e","\u003cp\u003e\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n\u003c/p\u003e","\u003cp\u003e\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n\u003c/p\u003e","\u003cp\u003e\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n\u003c/p\u003e","\u003cp\u003e\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n\u003c/p\u003e","\u003cp\u003eThis subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t\u003c/p\u003e","\u003cp\u003eStorage and moving trade in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eGuinea; Nigeria; South Africa\n\u003c/p\u003e","\u003cp\u003eJapan\n\u003c/p\u003e","\u003cp\u003ePortraits with family\n\u003c/p\u003e","\u003cp\u003eU.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n\u003c/p\u003e","\u003cp\u003eWinston Churchill, Harry Truman\n\u003c/p\u003e","\u003cp\u003eSchool improvement programs in Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eEntomology at Shenandoah National Park, Virginia\n\u003c/p\u003e","\u003cp\u003eOliver Atkins and Norman Rockwell\n\u003c/p\u003e","\u003cp\u003eOliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n\u003c/p\u003e","\u003cp\u003eOliver Atkins and Gerald Ford\n\u003c/p\u003e","\u003cp\u003ePortrait\n\u003c/p\u003e","\u003cp\u003eErnest P. Walker in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eIncludes negatives\n\u003c/p\u003e","\u003cp\u003eAmerican Machine \u0026amp; Foundry Company, New York City\n\u003c/p\u003e","\u003cp\u003eKenneth Wherry\n\u003c/p\u003e","\u003cp\u003eCarl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRichard M. Nixon in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRobert Taft in Canton, OH\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; Norfolk, Virginia; United States Navy\n\u003c/p\u003e","\u003cp\u003eHarry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower in Boise, Idaho\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets\n\u003c/p\u003e","\u003cp\u003eJoint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart and family in Falls Church, Virginia\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n\u003c/p\u003e","\u003cp\u003eBathtubs, Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress; Luther Evans\n\u003c/p\u003e","\u003cp\u003eBoy reading, taken in Fairfax, Virginia\n\u003c/p\u003e","\u003cp\u003eUnemployment, Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAmbassadors in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait of Pat McCarran in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eEzra Taft Benson; Hume, Virginia; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eFederal Maritime Administration; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eJulie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eBattle Creek, Michigan; Delaware; New York City; Trinity Church\n\u003c/p\u003e","\u003cp\u003eBetty Goldwater; William Miller; John McClellan\n\u003c/p\u003e","\u003cp\u003eMarriott Hot Shoppe in Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eSteven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n\u003c/p\u003e","\u003cp\u003eAlbert Gore and family in Carthage, Tennessee\n\u003c/p\u003e","\u003cp\u003e\"Five percenters\" investigation in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; Washington, D.C.; New York City; Boston\n\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n\u003c/p\u003e","\u003cp\u003eportrait\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; McLean; Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eHarry Truman; Fred Vinson; in Key West, Florida\n\u003c/p\u003e","\u003cp\u003eAgriculture in Zirconia, North Carolina\n\u003c/p\u003e","\u003cp\u003eDr. V. Stefan Krajcovic in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eGordon W. Rule in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRichard M. Nixon and family in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eModern movement (architecture); Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait\n\u003c/p\u003e","\u003cp\u003eAndrews Air Force Base\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eOval office\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with Lady Bird Johnson\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson ranch\n\u003c/p\u003e","\u003cp\u003eHubert Humphrey; Pope Paul VI\n\u003c/p\u003e","\u003cp\u003eHospital care in New York City\n\u003c/p\u003e","\u003cp\u003eWorld War II\n\u003c/p\u003e","\u003cp\u003eWorld War II\n\u003c/p\u003e","\u003cp\u003ePlaying football and sailing\n\u003c/p\u003e","\u003cp\u003eKennedy family\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n\u003c/p\u003e","\u003cp\u003eOfficial White House portrait and other portraits\n\u003c/p\u003e","\u003cp\u003eCampaigning in Colorado\n\u003c/p\u003e","\u003cp\u003eCampaigning in Wisconsin\n\u003c/p\u003e","\u003cp\u003eDemocratic Convention in California\n\u003c/p\u003e","\u003cp\u003eCampaigning\n\u003c/p\u003e","\u003cp\u003eCampaigning in California\n\u003c/p\u003e","\u003cp\u003eCampaigning in Michigan\n\u003c/p\u003e","\u003cp\u003eCampaigning in Texas\n\u003c/p\u003e","\u003cp\u003eCampaigning in Washington\n\u003c/p\u003e","\u003cp\u003eTelevision debate with Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eCeremonies and gatherings\n\u003c/p\u003e","\u003cp\u003eMeetings with staff and international leaders\n\u003c/p\u003e","\u003cp\u003eOval office\n\u003c/p\u003e","\u003cp\u003ePress conferences\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eState of the Union\n\u003c/p\u003e","\u003cp\u003eFuneral\n\u003c/p\u003e","\u003cp\u003eAssassination and related events\n\u003c/p\u003e","\u003cp\u003eLabor racketeering hearings; John McClellan\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy family\n\u003c/p\u003e","\u003cp\u003eDemocratic convention in California; Kenneth O'Donnell and Pierre Salinger\n\u003c/p\u003e","\u003cp\u003ePresidential campaign announcement\n\u003c/p\u003e","\u003cp\u003ePresidential campaign in California\n\u003c/p\u003e","\u003cp\u003eFuneral service\n\u003c/p\u003e","\u003cp\u003eMr. and Mrs. Knowland\n\u003c/p\u003e","\u003cp\u003eSyngman Rhee\n\u003c/p\u003e","\u003cp\u003eTwo terrible nights with the 23rd\n\u003c/p\u003e","\u003cp\u003eGeneral file\n\u003c/p\u003e","\u003cp\u003eThe fighting French\n\u003c/p\u003e","\u003cp\u003eGreeks know how to die\n\u003c/p\u003e","\u003cp\u003eHow well do Negroes fight\n\u003c/p\u003e","\u003cp\u003eThe worlds worst railroad headache\n\u003c/p\u003e","\u003cp\u003eNurses story; original article manuscript; Far East command press releases\n\u003c/p\u003e","\u003cp\u003eMachine gunners; article manuscript\n\u003c/p\u003e","\u003cp\u003eThe flying poison\n\u003c/p\u003e","\u003cp\u003eThe Chinese telegraph their punch\n\u003c/p\u003e","\u003cp\u003eMarines\n\u003c/p\u003e","\u003cp\u003eHokkaido story\n\u003c/p\u003e","\u003cp\u003eKaesong Conference\n\u003c/p\u003e","\u003cp\u003eRefugees\n\u003c/p\u003e","\u003cp\u003eThe big thaw\n\u003c/p\u003e","\u003cp\u003eThe pious killer of Korea; United States Air Force\n\u003c/p\u003e","\u003cp\u003eCoal miners in White Haven, Pennsylvania and Affinity, West Virginia\n\u003c/p\u003e","\u003cp\u003eActor Irving Fisher in New York City\n\u003c/p\u003e","\u003cp\u003eEverett M. Dirksen\n\u003c/p\u003e","\u003cp\u003eOlney, Maryland\n\u003c/p\u003e","\u003cp\u003eBurned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n\u003c/p\u003e","\u003cp\u003eDetroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n\u003c/p\u003e","\u003cp\u003eSewing machine use in Tokyo, Japan\n\u003c/p\u003e","\u003cp\u003eUnited States Postal Inspection Service in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRockville, Maryland\n\u003c/p\u003e","\u003cp\u003eWoods Hole, Massachusetts\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets and negatives\n\u003c/p\u003e","\u003cp\u003eHarry Truman; Portrait of Clarence Cannon; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eOzark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eChevy Chase and Aberdeen, Maryland; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eHenry C. Lodge\n\u003c/p\u003e","\u003cp\u003eRosenberg execution protest in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eJohn I. Williams and Preston C. Williams\n\u003c/p\u003e","\u003cp\u003eTom Connally in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAgnes McCall Parker in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eBird dogs in Annapolis, Maryland\n\u003c/p\u003e","\u003cp\u003eCommissioner Bob Christenberry in New York City\n\u003c/p\u003e","\u003cp\u003eTelegraph agents of the USSR in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAberdeen Proving Grounds in Aberdeen, Maryland\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.\n\u003c/p\u003e","\u003cp\u003eGovernment Printing Office in Washington, D.C.; Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eJoint Chiefs of Staff in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait signed by Truman to Ollie Atkins\n\u003c/p\u003e","\u003cp\u003eSenate subway construction\n\u003c/p\u003e","\u003cp\u003eMarine biology in Milford, Connecticut\n\u003c/p\u003e","\u003cp\u003eLibrarian with full set of volumes\n\u003c/p\u003e","\u003cp\u003eCarlton Hotel; John L. Lewis; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eUnited States Air Force at Patuxent Naval Air Station in Maryland\n\u003c/p\u003e","\u003cp\u003eRoland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eThomas A. Walden in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eSubmarine in Key West, Florida\n\u003c/p\u003e","\u003cp\u003eCold weather clothing tests in Lawrence, Massachusetts\n\u003c/p\u003e","\u003cp\u003eAllen Dulles\n\u003c/p\u003e","\u003cp\u003eCamp Gordon, Georgia; U.S. Army Military Police School\n\u003c/p\u003e","\u003cp\u003eDayton, Ohio; Yellow Springs, Ohio\n\u003c/p\u003e","\u003cp\u003eArthur M. Whitehill and family; Chapel Hill, North Carolina\n\u003c/p\u003e","\u003cp\u003eJoe McCarthy checking a pone for wire tapping\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.\n\u003c/p\u003e","\u003cp\u003eThis subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t\u003c/p\u003e","\u003cp\u003eCopy negative\u003c/p\u003e","\u003cp\u003eContact sheets and negatives.\u003c/p\u003e","\u003cp\u003eSubseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t\u003c/p\u003e","\u003cp\u003e1 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e2 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e3 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e4 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n\u003c/p\u003e","\u003cp\u003eFerry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives\u003c/p\u003e","\u003cp\u003eMarch 1956; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1955; 34 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Winston Churchill and Harry S. Truman; 36 negatives\n\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, August 1955; 14 negatives\n\u003c/p\u003e","\u003cp\u003eJamestown, Virginia, May 1956; 17 negatives\n\u003c/p\u003e","\u003cp\u003eDonald Quarles; 13 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Institute of Dry Cleaning; 19 negatives\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress, June 1950; 25 negatives\n\u003c/p\u003e","\u003cp\u003eGeorgetown, Washington, D.C.; 23 negatives\n\u003c/p\u003e","\u003cp\u003e14 negatives\n\u003c/p\u003e","\u003cp\u003eT. James Tumulty\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e12 negatives\n\u003c/p\u003e","\u003cp\u003eErnest P. Walker; 5 negatives\n\u003c/p\u003e","\u003cp\u003eHines, Illinois, August 1950; 8 negatives\n\u003c/p\u003e","\u003cp\u003eJames Bryden; 9 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Woodruff, December 1950; 47 negatives\n\u003c/p\u003e","\u003cp\u003eJuly 1955; 26 negatives\n\u003c/p\u003e","\u003cp\u003e37 negatives\n\u003c/p\u003e","\u003cp\u003eSherman Adams, December 1952; 14 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1953; 18 negatives\n\u003c/p\u003e","\u003cp\u003eJames Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n\u003c/p\u003e","\u003cp\u003eSteven Derounian; 18 negatives\n\u003c/p\u003e","\u003cp\u003eCharles Potter, November 1952; 17 negatives\n\u003c/p\u003e","\u003cp\u003eKenneth Wherry; 13 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Taft; 32 negatives\n\u003c/p\u003e","\u003cp\u003eArthur Whitehall; 13 negatives\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDavid K. Niles\n\u003c/p\u003e","\u003cp\u003eAbraham Ribicoff; 2 negatives\n\u003c/p\u003e","\u003cp\u003eSpirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n\u003c/p\u003e","\u003cp\u003e27 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e9 negatives\n\u003c/p\u003e","\u003cp\u003eMilford, Connecticut, September 1951; 16 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n\u003c/p\u003e","\u003cp\u003eRalph Bunche; 10 negatives\n\u003c/p\u003e","\u003cp\u003eJune 1955; 7 negatives\n\u003c/p\u003e","\u003cp\u003eAtlantic City, New Jersey, 1955; 22 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Cutler; 13 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eStephen Foster, January 1953; 11 negatives\n\u003c/p\u003e","\u003cp\u003eJames Pinkston; 8 negatives\n\u003c/p\u003e","\u003cp\u003e5 negatives\n\u003c/p\u003e","\u003cp\u003eMaurice Tobin; 29 negatives\n\u003c/p\u003e","\u003cp\u003eWarren Olney III; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJames Maurice Gavin; 29 negatives\n\u003c/p\u003e","\u003cp\u003eApril 1952; 33 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam F. Dean; 13 negatives\n\u003c/p\u003e","\u003cp\u003eJohn J. Williams; 22 negatives\n\u003c/p\u003e","\u003cp\u003e12 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJune 1952; 17 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1953; 32 negatives\n\u003c/p\u003e","\u003cp\u003eEugene Millikin, April 1953; 23 negatives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1950; 4 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eTom Connally, includes Harry S. Truman; 30 negatives\n\u003c/p\u003e","\u003cp\u003e4 negatives\n\u003c/p\u003e","\u003cp\u003e13 negatives\n\u003c/p\u003e","\u003cp\u003eFebruary 1952; 20 negatives\n\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1949; 20 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam Leahy; 14 negatives\n\u003c/p\u003e","\u003cp\u003eApril 1950; 30 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Archives and Records Administration, June 1948; 30 negatives\n\u003c/p\u003e","\u003cp\u003eGeorge Tetlet, December 1947; 32 negatives\n\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n\u003c/p\u003e","\u003cp\u003eJack Kroll; 19 negatives\n\u003c/p\u003e","\u003cp\u003eArthur Burns, includes Dwight D. Eisenhower; 10 negatives\n\u003c/p\u003e","\u003cp\u003e23 negatives\n\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam F. Halsey, USS Missouri; 4 color positives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003e27 negatives\n\u003c/p\u003e","\u003cp\u003eJames Francis Marion Jones; 59 negatives\n\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eCarlton hotel, Washington, D.C., August 1949; 3 negatives\n\u003c/p\u003e","\u003cp\u003eMarch 1950; 1 negative\n\u003c/p\u003e","\u003cp\u003eWilhelm Munthe. de Morgenstierne; 12 negatives \n\u003c/p\u003e","\u003cp\u003eClifford Garner, July 1950; 9 negatives\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress, July 1950; 9 negatives\n\u003c/p\u003e","\u003cp\u003eIrving Fisher; 29 negatives\n\u003c/p\u003e","\u003cp\u003eJoseph Lawton Collins, November 1950; 8 negatives\n\u003c/p\u003e","\u003cp\u003eH. K. Riggs; 9 negatives\n\u003c/p\u003e","\u003cp\u003ePaul Douglas; 17 negatives\n\u003c/p\u003e","\u003cp\u003e35 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, includes Harry F. Byrd; 18 negatives\n\u003c/p\u003e","\u003cp\u003eJune 1952; 5 negatives\n\u003c/p\u003e","\u003cp\u003eFebruary 1954; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eSeptember 1952; 12 negatives\n\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 25 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eMilo Coplan; October and November 1952; 31 negatives\n\u003c/p\u003e","\u003cp\u003eMatthew B. Ridgway; 13 negatives\n\u003c/p\u003e","\u003cp\u003eLeague of Women Voters; 18 negatives\n\u003c/p\u003e","\u003cp\u003eGood Humor Corporation, April 1949; 39 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n\u003c/p\u003e","\u003cp\u003eTomb of the Unknown Soldier, February 1954; 2 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Murphy; 12 negatives\n\u003c/p\u003e","\u003cp\u003eAlbert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e39 negatives\n\u003c/p\u003e","\u003cp\u003eMike Monroney, Charles B. Brownson; 13 negatives\n\u003c/p\u003e","\u003cp\u003eNovember 1952; 21 negatives\n\u003c/p\u003e","\u003cp\u003eAtomic Energy Commission; September 1953; 18 negatives\n\u003c/p\u003e","\u003cp\u003eFrances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart, November 1952; 5 negatives\n\u003c/p\u003e","\u003cp\u003e34 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 42 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e21 negatives\n\u003c/p\u003e","\u003cp\u003eRay \"Mike\" Dow; 22 negatives\n\u003c/p\u003e","\u003cp\u003eTom Durrance; 15 negatives\n\u003c/p\u003e","\u003cp\u003eSidney W. Souers, includes Dean Acheson; 15 negatives\n\u003c/p\u003e","\u003cp\u003eJosephine Crisler, October 1948; 10 negatives\n\u003c/p\u003e","\u003cp\u003eClifton Bledsoe Cates; December 1948; 10 negatives\n\u003c/p\u003e","\u003cp\u003eHoward University, November 1948; 24 negatives\n\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e16 negatives\n\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 1 negative\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e38 negatives\n\u003c/p\u003e","\u003cp\u003e34 negatives\n\u003c/p\u003e","\u003cp\u003e24 negatives\n\u003c/p\u003e","\u003cp\u003e1 negatives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003eB-29s, Tucson Arizona; 41 negatives\n\u003c/p\u003e","\u003cp\u003eWerner Knop, October 1948; 12 negatives\n\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e13 negatives\n\u003c/p\u003e","\u003cp\u003e40 negatives\n\u003c/p\u003e","\u003cp\u003e45 negatives\n\u003c/p\u003e","\u003cp\u003eWitton Lawler; 6 negatives\n\u003c/p\u003e","\u003cp\u003eJesse M. Donaldson, December 1947; 21 negatives\n\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eHoward University, December 1948; 26 negatives\n\u003c/p\u003e","\u003cp\u003e1 negative\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e22 negatives\n\u003c/p\u003e","\u003cp\u003e15 negatives\n\u003c/p\u003e","\u003cp\u003eLouis B. Meyer, Paul V. McNutt; 5 negatives\n\u003c/p\u003e","\u003cp\u003eNational Airport, Capitol Hill, 1947; 49 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e14 negatives\n\u003c/p\u003e","\u003cp\u003eJohn McCloy, April 1947; 10 negatives\n\u003c/p\u003e","\u003cp\u003e28 negatives\n\u003c/p\u003e","\u003cp\u003eKenilworth garbage dump; 31 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003e33 negatives\n\u003c/p\u003e","\u003cp\u003eF. Edward Herbert; 27 negatives\n\u003c/p\u003e","\u003cp\u003ePhiladelphia, Pennsylvania, Frank Monaghan; 27 negatives\n\u003c/p\u003e","\u003cp\u003eBureau of Indian Affairs; 21 negatives\n\u003c/p\u003e","\u003cp\u003e11 negatives\n\u003c/p\u003e","\u003cp\u003eEmbassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n\u003c/p\u003e","\u003cp\u003eDemolitions Disposal Unit; 21 negatives\n\u003c/p\u003e","\u003cp\u003eStefan Krajcovic; 8 negatives\n\u003c/p\u003e","\u003cp\u003eTrinity Church, Gary Edwards; 16 negatives\n\u003c/p\u003e","\u003cp\u003e5 negatives\n\u003c/p\u003e","\u003cp\u003e2 negatives\n\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eincludes Hubert Humphrey, Eugenie Anderson\n\u003c/p\u003e","\u003cp\u003e10 negatives\n\u003c/p\u003e","\u003cp\u003eNational Gallery of Art; 39 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003eClarence Cannon, includes Harry S. Truman; 17 negatives\n\u003c/p\u003e","\u003cp\u003eMarch 1956; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eDonald Quarles; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003eWayne Morse; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eT. James Tumulty; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eRobert Cutler; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eWarren Olney III; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eMay 1950; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eApril 1950; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eStuart Symington, June, 1956; 35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFebruary 1954; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eEarl Warren; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlben William Barkley; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n\u003c/p\u003e","\u003cp\u003e\n            \u003cextref type=\"simple\" href=\"http://furbo.gmu.edu/sca/Atkins_oldFA.pdf\"\u003eLegacy Finding Aid for Series 3\u003c/extref\u003e\n          \u003c/p\u003e","\u003cp\u003eThe legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. \u003c/p\u003e","\u003cp\u003eSubseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n\u003c/p\u003e","\u003cp\u003eSubseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n\u003c/p\u003e","\u003cp\u003e(1 of 4)\n\u003c/p\u003e","\u003cp\u003e(2 of 4)\n\u003c/p\u003e","\u003cp\u003e(3 of 4)\n\u003c/p\u003e","\u003cp\u003e(4 of 4)\n\u003c/p\u003e","\u003cp\u003eConnecticut Gubernatorial Campaign\n\u003c/p\u003e","\u003cp\u003eGeorgetown House portraits\n\u003c/p\u003e","\u003cp\u003ePolling\n\u003c/p\u003e","\u003cp\u003eI Flew Supersonic\n\u003c/p\u003e","\u003cp\u003eHow to Speak French\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eStewart Alsop Family\n\u003c/p\u003e","\u003cp\u003eHow to Write a Magazine Article\n\u003c/p\u003e","\u003cp\u003ePolling, Negro poll\n\u003c/p\u003e","\u003cp\u003eAlsop poll \"Mood of America\"\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eAlsop poll \n\u003c/p\u003e","\u003cp\u003eBiplanes\n\u003c/p\u003e","\u003cp\u003eThey Make Flying Fun Again\n\u003c/p\u003e","\u003cp\u003eTrevor Armbristen Family\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson\n\u003c/p\u003e","\u003cp\u003eGolf's Banking on Burke\n\u003c/p\u003e","\u003cp\u003eby Sherwood Harris\n\u003c/p\u003e","\u003cp\u003eMercury 6 launch\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eGenerals LeMay and White\n\u003c/p\u003e","\u003cp\u003ecolor slides\n\u003c/p\u003e","\u003cp\u003eIncludes John F. Kennedy\n\u003c/p\u003e","\u003cp\u003eBernard Goldfine\n\u003c/p\u003e","\u003cp\u003e1 of 4\n\u003c/p\u003e","\u003cp\u003e2 of 4\n\u003c/p\u003e","\u003cp\u003e3 of 4\n\u003c/p\u003e","\u003cp\u003e4 of 4\n\u003c/p\u003e","\u003cp\u003eIncludes Jacqueline Kennedy\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with military\n\u003c/p\u003e","\u003cp\u003e1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003ecolor slides 1\n\u003c/p\u003e","\u003cp\u003ecolor slides 2\n\u003c/p\u003e","\u003cp\u003ecolor slides 3\n\u003c/p\u003e","\u003cp\u003ecolor slides 4\n\u003c/p\u003e","\u003cp\u003ecolor slides 5\n\u003c/p\u003e","\u003cp\u003ecolor slides 6\n\u003c/p\u003e","\u003cp\u003eMeetings, public events\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eElection\n\u003c/p\u003e","\u003cp\u003eChurch near the Lyndon B. Johnson Ranch\n\u003c/p\u003e","\u003cp\u003eOval Office\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eRanch\n\u003c/p\u003e","\u003cp\u003eOmaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\n\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\n\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n\u003c/p\u003e","\u003cp\u003eSaturday Evening Post stories about John F. Kennedy; 4x5 negatives\n\u003c/p\u003e","\u003cp\u003eFuneral, Arlington National Cemetery\n\u003c/p\u003e","\u003cp\u003eArlington National Cemetery\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eWhite House and Congressional budget meetings and hearings\n\u003c/p\u003e","\u003cp\u003eRanger, Saturn, Mercury\n\u003c/p\u003e","\u003cp\u003e1 of 3\n\u003c/p\u003e","\u003cp\u003e2 of 3\n\u003c/p\u003e","\u003cp\u003e3 of 3\n\u003c/p\u003e","\u003cp\u003e4x5 negatives\n\u003c/p\u003e","\u003cp\u003eI Can Say He's a Wonderful Guy\n\u003c/p\u003e","\u003cp\u003e1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003eRose Mary Woode\n\u003c/p\u003e","\u003cp\u003eHospitals\n\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n\u003c/p\u003e","\u003cp\u003eJohn Foster Dulles, Charles Erwin Wilson, Robert Taft\n\u003c/p\u003e","\u003cp\u003eBlair House\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eSome images may have been created in the 1950s; 1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003eSaturday Evening Post writer\n\u003c/p\u003e","\u003cp\u003eMacy's New York City\n\u003c/p\u003e","\u003cp\u003eT. I. Swartz and Sons\n\u003c/p\u003e","\u003cp\u003eIncludes images of construction\n\u003c/p\u003e","\u003cp\u003eIncludes Lyndon B. Johnson\n\u003c/p\u003e","\u003cp\u003eNational Mall, Pentagon, United States Supreme Court Building, Pan American Building\n\u003c/p\u003e","\u003cp\u003eAmerican Red Cross, Tunisia, Italy\n\u003c/p\u003e","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n\u003c/p\u003e","\u003cp\u003eJacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n\u003c/p\u003e","\u003cp\u003eIncludes memorabilia\n\u003c/p\u003e","\u003cp\u003e1 of 3\n\u003c/p\u003e","\u003cp\u003e2 of 3\n\u003c/p\u003e","\u003cp\u003e3 of 3\n\u003c/p\u003e","\u003cp\u003eSeries 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 5/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8'\" x 11 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 5/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" by 10 1/4\"\n\u003c/p\u003e","\u003cp\u003ethree copies\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 7/8\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e12 1/2\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e12 1/2\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e11 3/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e11 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 1/4\" x 5 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e7 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4 x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n\u003c/p\u003e","\u003cp\u003e7\" x 4 3/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e20\" x 16\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e10 5/8\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 3/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" 13\"\n\u003c/p\u003e","\u003cp\u003e10 3/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8 x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e17\" x 11 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 5 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 6/8\"\n\u003c/p\u003e","\u003cp\u003e12 1/4\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e8 3/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e15\" x 19 3/4\"\n\u003c/p\u003e","\u003cp\u003e14 1/2\" x 15 3/4\"\n\u003c/p\u003e","\u003cp\u003e14 3/4\" x 19 1/4\"\n\u003c/p\u003e","\u003cp\u003e14\" x 17 1/2\"\n\u003c/p\u003e","\u003cp\u003e18\" x 14\"\n\u003c/p\u003e","\u003cp\u003e17 5/8\" x 11 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e12 5/8\" x 9 7/8\"\n\u003c/p\u003e","\u003cp\u003e7 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e8 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 3/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 3/4 x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 7 3/4\"\n\u003c/p\u003e","\u003cp\u003e9 3/4\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 12 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8 x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 7 7/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 12 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 12 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4 x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e11 7/8\" x 18 3/4\"\n\u003c/p\u003e","\u003cp\u003e12 3/8\" x 9 5/8\"\n\u003c/p\u003e","\u003cp\u003e9\" x 11\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 7 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e16\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e7 3/8\" x 13 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 7/8\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 12 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 11\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003eadditional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 7/8\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 19 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 3/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 11 7/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" diameter\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 3/8\"\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n","\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n","\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n","\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n","\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t","Storage and moving trade in Washington, D.C.\n","Guinea; Nigeria; South Africa\n","Japan\n","Portraits with family\n","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n","Winston Churchill, Harry Truman\n","School improvement programs in Arlington, Virginia\n","Entomology at Shenandoah National Park, Virginia\n","Oliver Atkins and Norman Rockwell\n","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n","Oliver Atkins and Gerald Ford\n","Portrait\n","Ernest P. Walker in Washington, D.C.\n","Includes negatives\n","American Machine \u0026 Foundry Company, New York City\n","Kenneth Wherry\n","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n","Richard M. Nixon in Washington, D.C.\n","Robert Taft in Canton, OH\n","Washington, D.C.; Norfolk, Virginia; United States Navy\n","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n","Dwight D. Eisenhower in Boise, Idaho\n","Washington, D.C.; includes contact sheets\n","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n","Mrs. Winfield Smart and family in Falls Church, Virginia\n","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n","Bathtubs, Washington, D.C.\n","Library of Congress; Luther Evans\n","Boy reading, taken in Fairfax, Virginia\n","Unemployment, Washington, D.C.\n","Ambassadors in Washington, D.C.\n","Portrait of Pat McCarran in Washington, D.C.\n","Ezra Taft Benson; Hume, Virginia; Washington, D.C.\n","Federal Maritime Administration; Washington, D.C.\n","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n","Portraits\n","Battle Creek, Michigan; Delaware; New York City; Trinity Church\n","Betty Goldwater; William Miller; John McClellan\n","Marriott Hot Shoppe in Arlington, Virginia\n","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n","Albert Gore and family in Carthage, Tennessee\n","\"Five percenters\" investigation in Washington, D.C.\n","Statler Hotel; Washington, D.C.; New York City; Boston\n","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n","portrait\n","Washington, D.C.; McLean; Arlington, Virginia\n","Harry Truman; Fred Vinson; in Key West, Florida\n","Agriculture in Zirconia, North Carolina\n","Dr. V. Stefan Krajcovic in Washington, D.C.\n","Gordon W. Rule in Washington, D.C.\n","Richard M. Nixon and family in Washington, D.C.\n","Modern movement (architecture); Washington, D.C.\n","Portrait\n","Andrews Air Force Base\n","Presidential campaign\n","Inauguration\n","Oval office\n","Lyndon B. Johnson with cabinet members and advisors\n","Lyndon B. Johnson with cabinet members and advisors\n","Portraits\n","Portraits\n","Lyndon B. Johnson with Lady Bird Johnson\n","Lyndon B. Johnson ranch\n","Hubert Humphrey; Pope Paul VI\n","Hospital care in New York City\n","World War II\n","World War II\n","Playing football and sailing\n","Kennedy family\n","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n","Official White House portrait and other portraits\n","Campaigning in Colorado\n","Campaigning in Wisconsin\n","Democratic Convention in California\n","Campaigning\n","Campaigning in California\n","Campaigning in Michigan\n","Campaigning in Texas\n","Campaigning in Washington\n","Television debate with Richard M. Nixon\n","Ceremonies and gatherings\n","Meetings with staff and international leaders\n","Oval office\n","Press conferences\n","Inauguration\n","State of the Union\n","Funeral\n","Assassination and related events\n","Labor racketeering hearings; John McClellan\n","Portraits\n","Robert F. Kennedy family\n","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger\n","Presidential campaign announcement\n","Presidential campaign in California\n","Funeral service\n","Mr. and Mrs. Knowland\n","Syngman Rhee\n","Two terrible nights with the 23rd\n","General file\n","The fighting French\n","Greeks know how to die\n","How well do Negroes fight\n","The worlds worst railroad headache\n","Nurses story; original article manuscript; Far East command press releases\n","Machine gunners; article manuscript\n","The flying poison\n","The Chinese telegraph their punch\n","Marines\n","Hokkaido story\n","Kaesong Conference\n","Refugees\n","The big thaw\n","The pious killer of Korea; United States Air Force\n","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia\n","Actor Irving Fisher in New York City\n","Everett M. Dirksen\n","Olney, Maryland\n","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n","Sewing machine use in Tokyo, Japan\n","United States Postal Inspection Service in Washington, D.C.\n","Rockville, Maryland\n","Woods Hole, Massachusetts\n","Washington, D.C.; includes contact sheets and negatives\n","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.\n","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n","Chevy Chase and Aberdeen, Maryland; Washington, D.C.\n","Henry C. Lodge\n","Rosenberg execution protest in Washington, D.C.\n","John I. Williams and Preston C. Williams\n","Tom Connally in Washington, D.C.\n","Agnes McCall Parker in Washington, D.C.\n","Bird dogs in Annapolis, Maryland\n","Commissioner Bob Christenberry in New York City\n","Telegraph agents of the USSR in Washington, D.C.\n","Aberdeen Proving Grounds in Aberdeen, Maryland\n","Washington, D.C.\n","Government Printing Office in Washington, D.C.; Arlington, Virginia\n","Joint Chiefs of Staff in Washington, D.C.\n","Portrait signed by Truman to Ollie Atkins\n","Senate subway construction\n","Marine biology in Milford, Connecticut\n","Librarian with full set of volumes\n","Carlton Hotel; John L. Lewis; Washington, D.C.\n","United States Air Force at Patuxent Naval Air Station in Maryland\n","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n","Thomas A. Walden in Washington, D.C.\n","Submarine in Key West, Florida\n","Cold weather clothing tests in Lawrence, Massachusetts\n","Allen Dulles\n","Camp Gordon, Georgia; U.S. Army Military Police School\n","Dayton, Ohio; Yellow Springs, Ohio\n","Arthur M. Whitehill and family; Chapel Hill, North Carolina\n","Joe McCarthy checking a pone for wire tapping\n","Washington, D.C.\n","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t","1 of 4; 1968 campaign\n","2 of 4; 1968 campaign\n","3 of 4; 1968 campaign\n","4 of 4; 1968 campaign\n","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives\n","Also see Box 58","December 1955; 34 negatives\n","Includes Winston Churchill and Harry S. Truman; 36 negatives\n","Maxwell Taylor, August 1955; 14 negatives\n","Jamestown, Virginia, May 1956; 17 negatives\n","Donald Quarles; 13 negatives\n","Also see Box 58","National Institute of Dry Cleaning; 19 negatives\n","Library of Congress, June 1950; 25 negatives\n","Georgetown, Washington, D.C.; 23 negatives\n","14 negatives\n","T. James Tumulty\n","Also see Box 58","12 negatives\n","Ernest P. Walker; 5 negatives\n","Hines, Illinois, August 1950; 8 negatives\n","James Bryden; 9 negatives\n","Robert Woodruff, December 1950; 47 negatives\n","July 1955; 26 negatives\n","37 negatives\n","Sherman Adams, December 1952; 14 negatives\n","May 1953; 18 negatives\n","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n","Steven Derounian; 18 negatives\n","Charles Potter, November 1952; 17 negatives\n","Kenneth Wherry; 13 negatives\n","Robert Taft; 32 negatives\n","Arthur Whitehall; 13 negatives\n","Statler Hotel; 35 negatives\n","Also see Box 58","David K. Niles\n","Abraham Ribicoff; 2 negatives\n","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n","27 negatives\n","Also see Box 58","9 negatives\n","Milford, Connecticut, September 1951; 16 negatives\n","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n","Ralph Bunche; 10 negatives\n","June 1955; 7 negatives\n","Atlantic City, New Jersey, 1955; 22 negatives\n","Robert Cutler; 13 negatives\n","Also see Box 58","Stephen Foster, January 1953; 11 negatives\n","James Pinkston; 8 negatives\n","5 negatives\n","Maurice Tobin; 29 negatives\n","Warren Olney III; 5 negatives\n","Also see Box 58","17 negatives\n","Also see Box 58","James Maurice Gavin; 29 negatives\n","April 1952; 33 negatives\n","William F. Dean; 13 negatives\n","John J. Williams; 22 negatives\n","12 negatives\n","Also see Box 58","June 1952; 17 negatives\n","May 1953; 32 negatives\n","Eugene Millikin, April 1953; 23 negatives\n","8 negatives\n","May 1950; 4 negatives\n","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives\n","4 negatives\n","13 negatives\n","February 1952; 20 negatives\n","Washington Senators baseball team; 14 negatives\n","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives\n","Also see Box 58","December 1949; 20 negatives\n","William Leahy; 14 negatives\n","April 1950; 30 negatives\n","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives\n","George Tetlet, December 1947; 32 negatives\n","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n","Jack Kroll; 19 negatives\n","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives\n","23 negatives\n","17 negatives\n","William F. Halsey, USS Missouri; 4 color positives\n","8 negatives\n","27 negatives\n","James Francis Marion Jones; 59 negatives\n","Louis Arthur Johnson, June 1949; 5 negatives\n","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives\n","March 1950; 1 negative\n","Wilhelm Munthe. de Morgenstierne; 12 negatives \n","Clifford Garner, July 1950; 9 negatives\n","Library of Congress, July 1950; 9 negatives\n","Irving Fisher; 29 negatives\n","Joseph Lawton Collins, November 1950; 8 negatives\n","H. K. Riggs; 9 negatives\n","Paul Douglas; 17 negatives\n","35 negatives\n","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives\n","June 1952; 5 negatives\n","February 1954; 5 negatives\n","Also see Box 58","September 1952; 12 negatives\n","Jim Perry, Bud Camp; 25 negatives\n","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives\n","Matthew B. Ridgway; 13 negatives\n","League of Women Voters; 18 negatives\n","Good Humor Corporation, April 1949; 39 negatives\n","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n","Tomb of the Unknown Soldier, February 1954; 2 negatives\n","Robert Murphy; 12 negatives\n","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n","Includes Dean Acheson; 9 negatives\n","Also see Box 58","39 negatives\n","Mike Monroney, Charles B. Brownson; 13 negatives\n","November 1952; 21 negatives\n","Atomic Energy Commission; September 1953; 18 negatives\n","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n","Mrs. Winfield Smart, November 1952; 5 negatives\n","34 negatives\n","Also see Box 58","Dwight D. Eisenhower; 42 negatives\n","Also see Box 58","21 negatives\n","Ray \"Mike\" Dow; 22 negatives\n","Tom Durrance; 15 negatives\n","Sidney W. Souers, includes Dean Acheson; 15 negatives\n","Josephine Crisler, October 1948; 10 negatives\n","Clifton Bledsoe Cates; December 1948; 10 negatives\n","Howard University, November 1948; 24 negatives\n","Robert M. Redmond, August 1949; 5 negatives\n","Also see Box 58","16 negatives\n","George J. Schoeneman; 1 negative\n","Also see Box 58","38 negatives\n","34 negatives\n","24 negatives\n","1 negatives\n","8 negatives\n","B-29s, Tucson Arizona; 41 negatives\n","Werner Knop, October 1948; 12 negatives\n","Lou Boudreau, August 1948; 14 negatives\n","Also see Box 58","13 negatives\n","40 negatives\n","45 negatives\n","Witton Lawler; 6 negatives\n","Jesse M. Donaldson, December 1947; 21 negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n","Also see Box 58","Howard University, December 1948; 26 negatives\n","1 negative\n","Also see Box 58","22 negatives\n","15 negatives\n","Louis B. Meyer, Paul V. McNutt; 5 negatives\n","National Airport, Capitol Hill, 1947; 49 negatives\n","19 negatives\n","Also see Box 58","14 negatives\n","John McCloy, April 1947; 10 negatives\n","28 negatives\n","Kenilworth garbage dump; 31 negatives\n","19 negatives\n","33 negatives\n","F. Edward Herbert; 27 negatives\n","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives\n","Bureau of Indian Affairs; 21 negatives\n","11 negatives\n","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n","Demolitions Disposal Unit; 21 negatives\n","Stefan Krajcovic; 8 negatives\n","Trinity Church, Gary Edwards; 16 negatives\n","5 negatives\n","2 negatives\n","17 negatives\n","includes Hubert Humphrey, Eugenie Anderson\n","10 negatives\n","National Gallery of Art; 39 negatives\n","19 negatives\n","Clarence Cannon, includes Harry S. Truman; 17 negatives\n","March 1956; 35mm negatives\n","Also see Box 49","35mm negatives\n","Donald Quarles; 35mm negatives\n","Also see Box 49","Wayne Morse; 35mm negatives\n","T. James Tumulty; 35mm negatives\n","Also see Box 49","35mm and 2x2\" negatives\n","Statler Hotel; 35mm negatives\n","Also see Box 50\n","35mm negatives\n","Also see Box 50","Robert Cutler; 35mm negatives\n","Also see Box 50","Warren Olney III; 35mm negatives\n","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives\n","35mm negatives\n","Also see Box 51","35mm negatives\n","2x2\" negatives\n","May 1950; 2x2\" negatives\n","Also see Box 51","Washington Senators baseball team; 14 negatives\n","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives\n","Also see Box 52","April 1950; 2x2\" negatives\n","Also see Box 52","35mm negatives\n","Stuart Symington, June, 1956; 35mm negatives\n","35mm negatives\n","35mm negatives\n","Louis Arthur Johnson, June 1949; 2x2\" negatives\n","Also see Box 53","2x2\" negatives\n","2x2\" negatives\n","35mm negatives\n","35mm negatives\n","35mm and 2x2\" negatives\n","35mm negatives\n","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n","Also see Box 53","February 1954; 2x2\" negatives\n","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives\n","Also see Box 53","Earl Warren; 35mm negatives\n","Alben William Barkley; 2x2\" negatives\n","Includes Dean Acheson; 2x2\" negatives\n","Also see Box 53","35mm negatives\n","35mm negatives\n","2x2\" negatives\n","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives\n","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives\n","Also see Box 54","George J. Schoeneman; 2x2\" negatives\n","Also see Box 54","2x2\" negatives\n","Lou Boudreau, August 1948; 2x2\" negatives\n","Also see Box 55","2x2\" negatives\n","2x2\" negatives\n","2x2\" negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n","Also see Box 55","2x2\" negatives\n","Also see Box 56","2x2\" negatives\n","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n","Legacy Finding Aid for Series 3","The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. ","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n","Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n","(1 of 4)\n","(2 of 4)\n","(3 of 4)\n","(4 of 4)\n","Connecticut Gubernatorial Campaign\n","Georgetown House portraits\n","Polling\n","I Flew Supersonic\n","How to Speak French\n","Portraits\n","Stewart Alsop Family\n","How to Write a Magazine Article\n","Polling, Negro poll\n","Alsop poll \"Mood of America\"\n","John F. Kennedy\n","Portraits\n","Alsop poll \n","Biplanes\n","They Make Flying Fun Again\n","Trevor Armbristen Family\n","Lyndon B. Johnson\n","Golf's Banking on Burke\n","by Sherwood Harris\n","Mercury 6 launch\n","Portraits\n","Generals LeMay and White\n","color slides\n","Includes John F. Kennedy\n","Bernard Goldfine\n","1 of 4\n","2 of 4\n","3 of 4\n","4 of 4\n","Includes Jacqueline Kennedy\n","Lyndon B. Johnson with military\n","1 of 2\n","2 of 2\n","color slides 1\n","color slides 2\n","color slides 3\n","color slides 4\n","color slides 5\n","color slides 6\n","Meetings, public events\n","Presidential campaign\n","Election\n","Church near the Lyndon B. Johnson Ranch\n","Oval Office\n","Inauguration\n","Ranch\n","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n","Glassboro, New Jersey; Alexei Kosygin\n","Glassboro, New Jersey; Alexei Kosygin\n","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives\n","Funeral, Arlington National Cemetery\n","Arlington National Cemetery\n","Presidential campaign\n","Presidential campaign\n","Presidential campaign\n","White House and Congressional budget meetings and hearings\n","Ranger, Saturn, Mercury\n","1 of 3\n","2 of 3\n","3 of 3\n","4x5 negatives\n","I Can Say He's a Wonderful Guy\n","1 of 2\n","2 of 2\n","Rose Mary Woode\n","Hospitals\n","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n","John Foster Dulles, Charles Erwin Wilson, Robert Taft\n","Blair House\n","John F. Kennedy, Richard M. Nixon\n","John F. Kennedy, Richard M. Nixon\n","Some images may have been created in the 1950s; 1 of 2\n","2 of 2\n","Saturday Evening Post writer\n","Macy's New York City\n","T. I. Swartz and Sons\n","Includes images of construction\n","Includes Lyndon B. Johnson\n","National Mall, Pentagon, United States Supreme Court Building, Pan American Building\n","American Red Cross, Tunisia, Italy\n","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n","Includes memorabilia\n","1 of 3\n","2 of 3\n","3 of 3\n","Series 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10 1/8\"\n","13\" x 10\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","9 5/8\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 1/8'\" x 11 1/4\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","10\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","two copies; 10 1/4\" x 13\"\n","two copies; 10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n","13 1/8\" x 10 1/4\"\n","8 5/8\" x 13 1/4\"\n","13\" x 10\"\n","13 1/4\" by 10 1/4\"\n","three copies\n","13 3/8\" x 8 5/8\"\n","10 1/4\" x 13\"\n","13 1/4\" x 10\"\n","13 7/8\" x 8 1/2\"\n","10 1/4\" x 13\"\n","10\" x 13\"\n","10 1/8\" x 13\"\n","12 3/4\" x 10\"\n","9\" x 13\"\n","13\" x 10\"\n","13\" x 10\"\n","10\" x 12\"\n","10\" x 13\"\n","10\" x 13\"\n","10\" x 12 1/2\"\n","13\" x 10\"\n","12 1/2\" x 10\"\n","13\" x 10\"\n","13\" x 10\"\n","12 1/2\" x 9 3/4\"\n","11 3/4\" x 10\"\n","11 1/4\" x 13\"\n","8 1/4\" x 5 1/4\"\n","13 1/2\" x 10\"\n","13\" x 10\"\n","7 1/4\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13 1/4\" x 8 1/8\"\n","13 1/4\" x 9 3/4\"\n","13\" x 9 3/4\"\n","13 1/4 x 9 3/4\"\n","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n","7\" x 4 3/4\"\n","9 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/4\"\n","8 3/4\" x 13 1/8\"\n","20\" x 16\"\n","5\" x 8\"\n","5\" x 8\"\n","5\" x 8\"\n","10 5/8\" x 13 1/2\"\n","13\" x 10 1/4\"\n","13\" x 10 3/8\"\n","13\" x 10 1/4\"\n","10 1/4\" x 11 3/4\"\n","10 1/4\" 13\"\n","10 3/4\" x 13\"\n","10\" x 13\"\n","13\" x 8 1/2\"\n","9 1/2\" x 13\"\n","9 1/4\" x 13\"\n","9 1/4\" x 13\"\n","9 1/2\" x 13\"\n","13\" x 10 1/4\"\n","13 1/8 x 10 1/8\"\n","17\" x 11 5/8\"\n","13 1/4\" x 10\"\n","13 1/4\" x 5 5/8\"\n","13 1/2\" x 9\"\n","13\" x 8 6/8\"\n","12 1/4\" x 8 1/8\"\n","9 1/2\" x 13 1/4\"\n","10\" x 13 1/4\"\n","9 1/4\" x 13 1/4\"\n","9\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","8 3/8\" x 13 1/4\"\n","8 3/4\" x 13 1/4\"\n","15\" x 19 3/4\"\n","14 1/2\" x 15 3/4\"\n","14 3/4\" x 19 1/4\"\n","14\" x 17 1/2\"\n","18\" x 14\"\n","17 5/8\" x 11 1/2\"\n","13 1/2\" x 10 3/8\"\n","13 1/4\" x 9\"\n","13 1/4\" x 8 1/2\"\n","9 1/8\" x 13 1/4\"\n","10 1/4\" x 13\"\n","12 5/8\" x 9 7/8\"\n","7 1/8\" x 13 1/4\"\n","10 1/4\" x 13 1/2\"\n","10 3/8\" x 12 1/2\"\n","8 1/8\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","9\" x 13 1/4\"\n","13 1/8\" x 9 1/4\"\n","9 1/8\" x 13 3/4\"\n","8 1/2\" x 13 1/2\"\n","9 3/4 x 13 1/4\"\n","9\" x 13 1/8\"\n","9 1/8\" x 13 1/4\"\n","8 1/2\" x 13\"\n","10 1/4\" x 13 1/8\"\n","13 1/2\" x 9 1/4\"\n","10 1/8\" x 10 1/4\"\n","9 3/8\" x 13\"\n","8 1/4\" x 13\"\n","10 1/2\" x 13 1/2\"\n","13 1/4\" x 10 1/2\"\n","13 1/2\" x 9 1/4\"\n","12 7/8\" x 8 1/8\"\n","12 3/4\" x 7 3/4\"\n","9 3/4\" x 9 3/4\"\n","10 1/4\" x 11 1/2\"\n","10 1/4\" x 10 3/8\"\n","9 1/4\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 1/8\" x 13\"\n","8 3/4\" x 12 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 10 1/4\"\n","13 1/8 x 10\"\n","13 1/4\" x 7 7/8\"\n","10 1/2\" x 12 5/8\"\n","10 1/4\" x 12 1/4\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 10 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 3/8\" x 10 1/2\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","13 1/4 x 10 1/4\"\n","10 1/8\" x 13\"\n","9\" x 13 1/4\"\n","9\" x 13 1/4\"\n","11 7/8\" x 18 3/4\"\n","12 3/8\" x 9 5/8\"\n","9\" x 11\"\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/2\" x 9 1/4\"\n","13 1/2\" x 7 3/4\"\n","13 1/4\" x 9 1/2\"\n","13 1/4\" x 9 1/2\"\n","13\" x 9 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 8 1/2\"\n","16\" x 10 1/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 8 1/4\"\n","13 1/4\" x 8 1/4\"\n","13\" x 8 3/4\"\n","13\" x 8 3/4\"\n","13\" x 9\"\n","10\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","13\" x 8 3/4\"\n","13 1/4\" x 10 1/4\"\n","13\" x 9 1/2\"\n","10\" x 13 1/4\"\n","13 1/2\" x 8 1/4\"\n","8 1/2\" x 13 1/4\"\n","13\" x 10\"\n","10 3/8\" x 13 1/8\"\n","12 3/4\" x 10 1/2\"\n","12 7/8\" x 10\"\n","13 1/4\" x 8 1/4\"\n","13 3/8\" x 8 1/8\"\n","13\" x 10 3/8\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 8 1/2\"\n","7 3/8\" x 13 3/8\"\n","13 1/2\" x 8 3/4\"\n","13 1/2\" x 8 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/2\" x 10 5/8\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","9 1/4\" x 13 1/4\"\n","13 1/4\" x 9 1/4\"\n","12 7/8\" x 9 3/4\"\n","13 1/4\" x 9 1/4\"\n","13 3/8\" x 8 7/8\n","13\" x 9 1/4\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 12 3/4\"\n","13 1/4\" x 11\"\n","10 1/4\" x 13 1/4\"\n","10\" x 12 1/2\"\n","10 3/8\" x 13\"\n","10 1/4\" x 13 1/4\"\n","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 3/8\" x 12 7/8\"\n","10 3/8\" x 13 1/8\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 3/8\" x 13 1/8\"\n","10 1/2\" x 13 1/4\"\n","9 1/2\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 1/2\" x 19 5/8\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10\"\n","10\" x 13 1/4\"\n","13 1/4\" x 10 1/8\"\n","10\" x 13\"\n","9\" x 13 1/4\"\n","9 1/2\" x 13 3/8\"\n","9 1/2\" x 13 1/4\"\n","12 3/4\" x 9 1/4\"\n","9\" x 11 7/8\"\n","13 1/4\" x 9 1/8\"\n","13\" x 10 5/8\"\n","13 3/8\" x 10 1/4\"\n","9 1/4\" diameter\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 9 3/8\"\n","color\n","color\n","color\n"],"userestrict_html_tesm":["\u003cp\u003eCopyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n\u003c/abstract\u003e"],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs.","Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs."],"persname_ssim":["Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs."],"language_ssim":["English\n"],"total_component_count_is":1680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00036","ead_ssi":"vifgm_vifgm00036","_root_":"vifgm_vifgm00036","_nest_parent_":"vifgm_vifgm00036","ead_source_url_ssi":"data/gmu/vifgm00036.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975\n"],"unitdate_inclusive_ssm":["1943-1975\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0036\n"],"text":["C0036\n","Oliver F. Atkins photograph collection","Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides.","Collection is open to research.\n","Portions of the Atkins collection are available online through the  Oliver F. Atkins Photograph Collection   and the  1972 Richard Nixon Campaign Photographs .","Organized into five series:","Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n","Special Collections and Archives also holds many other photograph collections including the  Arthur E. Scott photograph collection .\n","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n","\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n","\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n","\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n","\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t","Storage and moving trade in Washington, D.C.\n","Guinea; Nigeria; South Africa\n","Japan\n","Portraits with family\n","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n","Winston Churchill, Harry Truman\n","School improvement programs in Arlington, Virginia\n","Entomology at Shenandoah National Park, Virginia\n","Oliver Atkins and Norman Rockwell\n","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n","Oliver Atkins and Gerald Ford\n","Portrait\n","Ernest P. Walker in Washington, D.C.\n","Includes negatives\n","American Machine \u0026 Foundry Company, New York City\n","Kenneth Wherry\n","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n","Richard M. Nixon in Washington, D.C.\n","Robert Taft in Canton, OH\n","Washington, D.C.; Norfolk, Virginia; United States Navy\n","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n","Dwight D. Eisenhower in Boise, Idaho\n","Washington, D.C.; includes contact sheets\n","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n","Mrs. Winfield Smart and family in Falls Church, Virginia\n","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n","Bathtubs, Washington, D.C.\n","Library of Congress; Luther Evans\n","Boy reading, taken in Fairfax, Virginia\n","Unemployment, Washington, D.C.\n","Ambassadors in Washington, D.C.\n","Portrait of Pat McCarran in Washington, D.C.\n","Ezra Taft Benson; Hume, Virginia; Washington, D.C.\n","Federal Maritime Administration; Washington, D.C.\n","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n","Portraits\n","Battle Creek, Michigan; Delaware; New York City; Trinity Church\n","Betty Goldwater; William Miller; John McClellan\n","Marriott Hot Shoppe in Arlington, Virginia\n","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n","Albert Gore and family in Carthage, Tennessee\n","\"Five percenters\" investigation in Washington, D.C.\n","Statler Hotel; Washington, D.C.; New York City; Boston\n","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n","portrait\n","Washington, D.C.; McLean; Arlington, Virginia\n","Harry Truman; Fred Vinson; in Key West, Florida\n","Agriculture in Zirconia, North Carolina\n","Dr. V. Stefan Krajcovic in Washington, D.C.\n","Gordon W. Rule in Washington, D.C.\n","Richard M. Nixon and family in Washington, D.C.\n","Modern movement (architecture); Washington, D.C.\n","Portrait\n","Andrews Air Force Base\n","Presidential campaign\n","Inauguration\n","Oval office\n","Lyndon B. Johnson with cabinet members and advisors\n","Lyndon B. Johnson with cabinet members and advisors\n","Portraits\n","Portraits\n","Lyndon B. Johnson with Lady Bird Johnson\n","Lyndon B. Johnson ranch\n","Hubert Humphrey; Pope Paul VI\n","Hospital care in New York City\n","World War II\n","World War II\n","Playing football and sailing\n","Kennedy family\n","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n","Official White House portrait and other portraits\n","Campaigning in Colorado\n","Campaigning in Wisconsin\n","Democratic Convention in California\n","Campaigning\n","Campaigning in California\n","Campaigning in Michigan\n","Campaigning in Texas\n","Campaigning in Washington\n","Television debate with Richard M. Nixon\n","Ceremonies and gatherings\n","Meetings with staff and international leaders\n","Oval office\n","Press conferences\n","Inauguration\n","State of the Union\n","Funeral\n","Assassination and related events\n","Labor racketeering hearings; John McClellan\n","Portraits\n","Robert F. Kennedy family\n","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger\n","Presidential campaign announcement\n","Presidential campaign in California\n","Funeral service\n","Mr. and Mrs. Knowland\n","Syngman Rhee\n","Two terrible nights with the 23rd\n","General file\n","The fighting French\n","Greeks know how to die\n","How well do Negroes fight\n","The worlds worst railroad headache\n","Nurses story; original article manuscript; Far East command press releases\n","Machine gunners; article manuscript\n","The flying poison\n","The Chinese telegraph their punch\n","Marines\n","Hokkaido story\n","Kaesong Conference\n","Refugees\n","The big thaw\n","The pious killer of Korea; United States Air Force\n","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia\n","Actor Irving Fisher in New York City\n","Everett M. Dirksen\n","Olney, Maryland\n","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n","Sewing machine use in Tokyo, Japan\n","United States Postal Inspection Service in Washington, D.C.\n","Rockville, Maryland\n","Woods Hole, Massachusetts\n","Washington, D.C.; includes contact sheets and negatives\n","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.\n","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n","Chevy Chase and Aberdeen, Maryland; Washington, D.C.\n","Henry C. Lodge\n","Rosenberg execution protest in Washington, D.C.\n","John I. Williams and Preston C. Williams\n","Tom Connally in Washington, D.C.\n","Agnes McCall Parker in Washington, D.C.\n","Bird dogs in Annapolis, Maryland\n","Commissioner Bob Christenberry in New York City\n","Telegraph agents of the USSR in Washington, D.C.\n","Aberdeen Proving Grounds in Aberdeen, Maryland\n","Washington, D.C.\n","Government Printing Office in Washington, D.C.; Arlington, Virginia\n","Joint Chiefs of Staff in Washington, D.C.\n","Portrait signed by Truman to Ollie Atkins\n","Senate subway construction\n","Marine biology in Milford, Connecticut\n","Librarian with full set of volumes\n","Carlton Hotel; John L. Lewis; Washington, D.C.\n","United States Air Force at Patuxent Naval Air Station in Maryland\n","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n","Thomas A. Walden in Washington, D.C.\n","Submarine in Key West, Florida\n","Cold weather clothing tests in Lawrence, Massachusetts\n","Allen Dulles\n","Camp Gordon, Georgia; U.S. Army Military Police School\n","Dayton, Ohio; Yellow Springs, Ohio\n","Arthur M. Whitehill and family; Chapel Hill, North Carolina\n","Joe McCarthy checking a pone for wire tapping\n","Washington, D.C.\n","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t","1 of 4; 1968 campaign\n","2 of 4; 1968 campaign\n","3 of 4; 1968 campaign\n","4 of 4; 1968 campaign\n","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives\n","Also see Box 58","December 1955; 34 negatives\n","Includes Winston Churchill and Harry S. Truman; 36 negatives\n","Maxwell Taylor, August 1955; 14 negatives\n","Jamestown, Virginia, May 1956; 17 negatives\n","Donald Quarles; 13 negatives\n","Also see Box 58","National Institute of Dry Cleaning; 19 negatives\n","Library of Congress, June 1950; 25 negatives\n","Georgetown, Washington, D.C.; 23 negatives\n","14 negatives\n","T. James Tumulty\n","Also see Box 58","12 negatives\n","Ernest P. Walker; 5 negatives\n","Hines, Illinois, August 1950; 8 negatives\n","James Bryden; 9 negatives\n","Robert Woodruff, December 1950; 47 negatives\n","July 1955; 26 negatives\n","37 negatives\n","Sherman Adams, December 1952; 14 negatives\n","May 1953; 18 negatives\n","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n","Steven Derounian; 18 negatives\n","Charles Potter, November 1952; 17 negatives\n","Kenneth Wherry; 13 negatives\n","Robert Taft; 32 negatives\n","Arthur Whitehall; 13 negatives\n","Statler Hotel; 35 negatives\n","Also see Box 58","David K. Niles\n","Abraham Ribicoff; 2 negatives\n","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n","27 negatives\n","Also see Box 58","9 negatives\n","Milford, Connecticut, September 1951; 16 negatives\n","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n","Ralph Bunche; 10 negatives\n","June 1955; 7 negatives\n","Atlantic City, New Jersey, 1955; 22 negatives\n","Robert Cutler; 13 negatives\n","Also see Box 58","Stephen Foster, January 1953; 11 negatives\n","James Pinkston; 8 negatives\n","5 negatives\n","Maurice Tobin; 29 negatives\n","Warren Olney III; 5 negatives\n","Also see Box 58","17 negatives\n","Also see Box 58","James Maurice Gavin; 29 negatives\n","April 1952; 33 negatives\n","William F. Dean; 13 negatives\n","John J. Williams; 22 negatives\n","12 negatives\n","Also see Box 58","June 1952; 17 negatives\n","May 1953; 32 negatives\n","Eugene Millikin, April 1953; 23 negatives\n","8 negatives\n","May 1950; 4 negatives\n","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives\n","4 negatives\n","13 negatives\n","February 1952; 20 negatives\n","Washington Senators baseball team; 14 negatives\n","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives\n","Also see Box 58","December 1949; 20 negatives\n","William Leahy; 14 negatives\n","April 1950; 30 negatives\n","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives\n","George Tetlet, December 1947; 32 negatives\n","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n","Jack Kroll; 19 negatives\n","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives\n","23 negatives\n","17 negatives\n","William F. Halsey, USS Missouri; 4 color positives\n","8 negatives\n","27 negatives\n","James Francis Marion Jones; 59 negatives\n","Louis Arthur Johnson, June 1949; 5 negatives\n","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives\n","March 1950; 1 negative\n","Wilhelm Munthe. de Morgenstierne; 12 negatives \n","Clifford Garner, July 1950; 9 negatives\n","Library of Congress, July 1950; 9 negatives\n","Irving Fisher; 29 negatives\n","Joseph Lawton Collins, November 1950; 8 negatives\n","H. K. Riggs; 9 negatives\n","Paul Douglas; 17 negatives\n","35 negatives\n","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives\n","June 1952; 5 negatives\n","February 1954; 5 negatives\n","Also see Box 58","September 1952; 12 negatives\n","Jim Perry, Bud Camp; 25 negatives\n","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives\n","Matthew B. Ridgway; 13 negatives\n","League of Women Voters; 18 negatives\n","Good Humor Corporation, April 1949; 39 negatives\n","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n","Tomb of the Unknown Soldier, February 1954; 2 negatives\n","Robert Murphy; 12 negatives\n","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n","Includes Dean Acheson; 9 negatives\n","Also see Box 58","39 negatives\n","Mike Monroney, Charles B. Brownson; 13 negatives\n","November 1952; 21 negatives\n","Atomic Energy Commission; September 1953; 18 negatives\n","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n","Mrs. Winfield Smart, November 1952; 5 negatives\n","34 negatives\n","Also see Box 58","Dwight D. Eisenhower; 42 negatives\n","Also see Box 58","21 negatives\n","Ray \"Mike\" Dow; 22 negatives\n","Tom Durrance; 15 negatives\n","Sidney W. Souers, includes Dean Acheson; 15 negatives\n","Josephine Crisler, October 1948; 10 negatives\n","Clifton Bledsoe Cates; December 1948; 10 negatives\n","Howard University, November 1948; 24 negatives\n","Robert M. Redmond, August 1949; 5 negatives\n","Also see Box 58","16 negatives\n","George J. Schoeneman; 1 negative\n","Also see Box 58","38 negatives\n","34 negatives\n","24 negatives\n","1 negatives\n","8 negatives\n","B-29s, Tucson Arizona; 41 negatives\n","Werner Knop, October 1948; 12 negatives\n","Lou Boudreau, August 1948; 14 negatives\n","Also see Box 58","13 negatives\n","40 negatives\n","45 negatives\n","Witton Lawler; 6 negatives\n","Jesse M. Donaldson, December 1947; 21 negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n","Also see Box 58","Howard University, December 1948; 26 negatives\n","1 negative\n","Also see Box 58","22 negatives\n","15 negatives\n","Louis B. Meyer, Paul V. McNutt; 5 negatives\n","National Airport, Capitol Hill, 1947; 49 negatives\n","19 negatives\n","Also see Box 58","14 negatives\n","John McCloy, April 1947; 10 negatives\n","28 negatives\n","Kenilworth garbage dump; 31 negatives\n","19 negatives\n","33 negatives\n","F. Edward Herbert; 27 negatives\n","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives\n","Bureau of Indian Affairs; 21 negatives\n","11 negatives\n","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n","Demolitions Disposal Unit; 21 negatives\n","Stefan Krajcovic; 8 negatives\n","Trinity Church, Gary Edwards; 16 negatives\n","5 negatives\n","2 negatives\n","17 negatives\n","includes Hubert Humphrey, Eugenie Anderson\n","10 negatives\n","National Gallery of Art; 39 negatives\n","19 negatives\n","Clarence Cannon, includes Harry S. Truman; 17 negatives\n","March 1956; 35mm negatives\n","Also see Box 49","35mm negatives\n","Donald Quarles; 35mm negatives\n","Also see Box 49","Wayne Morse; 35mm negatives\n","T. James Tumulty; 35mm negatives\n","Also see Box 49","35mm and 2x2\" negatives\n","Statler Hotel; 35mm negatives\n","Also see Box 50\n","35mm negatives\n","Also see Box 50","Robert Cutler; 35mm negatives\n","Also see Box 50","Warren Olney III; 35mm negatives\n","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives\n","35mm negatives\n","Also see Box 51","35mm negatives\n","2x2\" negatives\n","May 1950; 2x2\" negatives\n","Also see Box 51","Washington Senators baseball team; 14 negatives\n","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives\n","Also see Box 52","April 1950; 2x2\" negatives\n","Also see Box 52","35mm negatives\n","Stuart Symington, June, 1956; 35mm negatives\n","35mm negatives\n","35mm negatives\n","Louis Arthur Johnson, June 1949; 2x2\" negatives\n","Also see Box 53","2x2\" negatives\n","2x2\" negatives\n","35mm negatives\n","35mm negatives\n","35mm and 2x2\" negatives\n","35mm negatives\n","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n","Also see Box 53","February 1954; 2x2\" negatives\n","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives\n","Also see Box 53","Earl Warren; 35mm negatives\n","Alben William Barkley; 2x2\" negatives\n","Includes Dean Acheson; 2x2\" negatives\n","Also see Box 53","35mm negatives\n","35mm negatives\n","2x2\" negatives\n","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives\n","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives\n","Also see Box 54","George J. Schoeneman; 2x2\" negatives\n","Also see Box 54","2x2\" negatives\n","Lou Boudreau, August 1948; 2x2\" negatives\n","Also see Box 55","2x2\" negatives\n","2x2\" negatives\n","2x2\" negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n","Also see Box 55","2x2\" negatives\n","Also see Box 56","2x2\" negatives\n","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n","Legacy Finding Aid for Series 3","The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. ","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n","Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n","(1 of 4)\n","(2 of 4)\n","(3 of 4)\n","(4 of 4)\n","Connecticut Gubernatorial Campaign\n","Georgetown House portraits\n","Polling\n","I Flew Supersonic\n","How to Speak French\n","Portraits\n","Stewart Alsop Family\n","How to Write a Magazine Article\n","Polling, Negro poll\n","Alsop poll \"Mood of America\"\n","John F. Kennedy\n","Portraits\n","Alsop poll \n","Biplanes\n","They Make Flying Fun Again\n","Trevor Armbristen Family\n","Lyndon B. Johnson\n","Golf's Banking on Burke\n","by Sherwood Harris\n","Mercury 6 launch\n","Portraits\n","Generals LeMay and White\n","color slides\n","Includes John F. Kennedy\n","Bernard Goldfine\n","1 of 4\n","2 of 4\n","3 of 4\n","4 of 4\n","Includes Jacqueline Kennedy\n","Lyndon B. Johnson with military\n","1 of 2\n","2 of 2\n","color slides 1\n","color slides 2\n","color slides 3\n","color slides 4\n","color slides 5\n","color slides 6\n","Meetings, public events\n","Presidential campaign\n","Election\n","Church near the Lyndon B. Johnson Ranch\n","Oval Office\n","Inauguration\n","Ranch\n","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n","Glassboro, New Jersey; Alexei Kosygin\n","Glassboro, New Jersey; Alexei Kosygin\n","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives\n","Funeral, Arlington National Cemetery\n","Arlington National Cemetery\n","Presidential campaign\n","Presidential campaign\n","Presidential campaign\n","White House and Congressional budget meetings and hearings\n","Ranger, Saturn, Mercury\n","1 of 3\n","2 of 3\n","3 of 3\n","4x5 negatives\n","I Can Say He's a Wonderful Guy\n","1 of 2\n","2 of 2\n","Rose Mary Woode\n","Hospitals\n","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n","John Foster Dulles, Charles Erwin Wilson, Robert Taft\n","Blair House\n","John F. Kennedy, Richard M. Nixon\n","John F. Kennedy, Richard M. Nixon\n","Some images may have been created in the 1950s; 1 of 2\n","2 of 2\n","Saturday Evening Post writer\n","Macy's New York City\n","T. I. Swartz and Sons\n","Includes images of construction\n","Includes Lyndon B. Johnson\n","National Mall, Pentagon, United States Supreme Court Building, Pan American Building\n","American Red Cross, Tunisia, Italy\n","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n","Includes memorabilia\n","1 of 3\n","2 of 3\n","3 of 3\n","Series 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10 1/8\"\n","13\" x 10\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","9 5/8\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 1/8'\" x 11 1/4\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","10\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","two copies; 10 1/4\" x 13\"\n","two copies; 10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n","13 1/8\" x 10 1/4\"\n","8 5/8\" x 13 1/4\"\n","13\" x 10\"\n","13 1/4\" by 10 1/4\"\n","three copies\n","13 3/8\" x 8 5/8\"\n","10 1/4\" x 13\"\n","13 1/4\" x 10\"\n","13 7/8\" x 8 1/2\"\n","10 1/4\" x 13\"\n","10\" x 13\"\n","10 1/8\" x 13\"\n","12 3/4\" x 10\"\n","9\" x 13\"\n","13\" x 10\"\n","13\" x 10\"\n","10\" x 12\"\n","10\" x 13\"\n","10\" x 13\"\n","10\" x 12 1/2\"\n","13\" x 10\"\n","12 1/2\" x 10\"\n","13\" x 10\"\n","13\" x 10\"\n","12 1/2\" x 9 3/4\"\n","11 3/4\" x 10\"\n","11 1/4\" x 13\"\n","8 1/4\" x 5 1/4\"\n","13 1/2\" x 10\"\n","13\" x 10\"\n","7 1/4\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13 1/4\" x 8 1/8\"\n","13 1/4\" x 9 3/4\"\n","13\" x 9 3/4\"\n","13 1/4 x 9 3/4\"\n","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n","7\" x 4 3/4\"\n","9 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/4\"\n","8 3/4\" x 13 1/8\"\n","20\" x 16\"\n","5\" x 8\"\n","5\" x 8\"\n","5\" x 8\"\n","10 5/8\" x 13 1/2\"\n","13\" x 10 1/4\"\n","13\" x 10 3/8\"\n","13\" x 10 1/4\"\n","10 1/4\" x 11 3/4\"\n","10 1/4\" 13\"\n","10 3/4\" x 13\"\n","10\" x 13\"\n","13\" x 8 1/2\"\n","9 1/2\" x 13\"\n","9 1/4\" x 13\"\n","9 1/4\" x 13\"\n","9 1/2\" x 13\"\n","13\" x 10 1/4\"\n","13 1/8 x 10 1/8\"\n","17\" x 11 5/8\"\n","13 1/4\" x 10\"\n","13 1/4\" x 5 5/8\"\n","13 1/2\" x 9\"\n","13\" x 8 6/8\"\n","12 1/4\" x 8 1/8\"\n","9 1/2\" x 13 1/4\"\n","10\" x 13 1/4\"\n","9 1/4\" x 13 1/4\"\n","9\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","8 3/8\" x 13 1/4\"\n","8 3/4\" x 13 1/4\"\n","15\" x 19 3/4\"\n","14 1/2\" x 15 3/4\"\n","14 3/4\" x 19 1/4\"\n","14\" x 17 1/2\"\n","18\" x 14\"\n","17 5/8\" x 11 1/2\"\n","13 1/2\" x 10 3/8\"\n","13 1/4\" x 9\"\n","13 1/4\" x 8 1/2\"\n","9 1/8\" x 13 1/4\"\n","10 1/4\" x 13\"\n","12 5/8\" x 9 7/8\"\n","7 1/8\" x 13 1/4\"\n","10 1/4\" x 13 1/2\"\n","10 3/8\" x 12 1/2\"\n","8 1/8\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","9\" x 13 1/4\"\n","13 1/8\" x 9 1/4\"\n","9 1/8\" x 13 3/4\"\n","8 1/2\" x 13 1/2\"\n","9 3/4 x 13 1/4\"\n","9\" x 13 1/8\"\n","9 1/8\" x 13 1/4\"\n","8 1/2\" x 13\"\n","10 1/4\" x 13 1/8\"\n","13 1/2\" x 9 1/4\"\n","10 1/8\" x 10 1/4\"\n","9 3/8\" x 13\"\n","8 1/4\" x 13\"\n","10 1/2\" x 13 1/2\"\n","13 1/4\" x 10 1/2\"\n","13 1/2\" x 9 1/4\"\n","12 7/8\" x 8 1/8\"\n","12 3/4\" x 7 3/4\"\n","9 3/4\" x 9 3/4\"\n","10 1/4\" x 11 1/2\"\n","10 1/4\" x 10 3/8\"\n","9 1/4\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 1/8\" x 13\"\n","8 3/4\" x 12 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 10 1/4\"\n","13 1/8 x 10\"\n","13 1/4\" x 7 7/8\"\n","10 1/2\" x 12 5/8\"\n","10 1/4\" x 12 1/4\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 10 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 3/8\" x 10 1/2\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","13 1/4 x 10 1/4\"\n","10 1/8\" x 13\"\n","9\" x 13 1/4\"\n","9\" x 13 1/4\"\n","11 7/8\" x 18 3/4\"\n","12 3/8\" x 9 5/8\"\n","9\" x 11\"\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/2\" x 9 1/4\"\n","13 1/2\" x 7 3/4\"\n","13 1/4\" x 9 1/2\"\n","13 1/4\" x 9 1/2\"\n","13\" x 9 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 8 1/2\"\n","16\" x 10 1/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 8 1/4\"\n","13 1/4\" x 8 1/4\"\n","13\" x 8 3/4\"\n","13\" x 8 3/4\"\n","13\" x 9\"\n","10\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","13\" x 8 3/4\"\n","13 1/4\" x 10 1/4\"\n","13\" x 9 1/2\"\n","10\" x 13 1/4\"\n","13 1/2\" x 8 1/4\"\n","8 1/2\" x 13 1/4\"\n","13\" x 10\"\n","10 3/8\" x 13 1/8\"\n","12 3/4\" x 10 1/2\"\n","12 7/8\" x 10\"\n","13 1/4\" x 8 1/4\"\n","13 3/8\" x 8 1/8\"\n","13\" x 10 3/8\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 8 1/2\"\n","7 3/8\" x 13 3/8\"\n","13 1/2\" x 8 3/4\"\n","13 1/2\" x 8 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/2\" x 10 5/8\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","9 1/4\" x 13 1/4\"\n","13 1/4\" x 9 1/4\"\n","12 7/8\" x 9 3/4\"\n","13 1/4\" x 9 1/4\"\n","13 3/8\" x 8 7/8\n","13\" x 9 1/4\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 12 3/4\"\n","13 1/4\" x 11\"\n","10 1/4\" x 13 1/4\"\n","10\" x 12 1/2\"\n","10 3/8\" x 13\"\n","10 1/4\" x 13 1/4\"\n","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 3/8\" x 12 7/8\"\n","10 3/8\" x 13 1/8\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 3/8\" x 13 1/8\"\n","10 1/2\" x 13 1/4\"\n","9 1/2\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 1/2\" x 19 5/8\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10\"\n","10\" x 13 1/4\"\n","13 1/4\" x 10 1/8\"\n","10\" x 13\"\n","9\" x 13 1/4\"\n","9 1/2\" x 13 3/8\"\n","9 1/2\" x 13 1/4\"\n","12 3/4\" x 9 1/4\"\n","9\" x 11 7/8\"\n","13 1/4\" x 9 1/8\"\n","13\" x 10 5/8\"\n","13 3/8\" x 10 1/4\"\n","9 1/4\" diameter\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 9 3/8\"\n","color\n","color\n","color\n","Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n","George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs.","Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs.","English\n"],"unitid_tesim":["C0036\n"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"collection_title_tesim":["Oliver F. Atkins photograph collection"],"collection_ssim":["Oliver F. Atkins photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Oliver F. Atkins, 1916-1977\n"],"creator_ssim":["Oliver F. Atkins, 1916-1977\n"],"creator_persname_ssim":["Oliver F. Atkins, 1916-1977\n"],"creators_ssim":["Oliver F. Atkins, 1916-1977\n"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987.\n"],"access_subjects_ssim":["Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides."],"access_subjects_ssm":["Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["59.5 linear ft.; 113 boxes"],"extent_tesim":["59.5 linear ft.; 113 boxes"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"altformavail_html_tesm":["\u003cp\u003ePortions of the Atkins collection are available online through the \u003cextref type=\"simple\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~15~15\"\u003eOliver F. Atkins Photograph Collection\u003c/extref\u003e  and the \u003cextref type=\"simple\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/767\"\u003e1972 Richard Nixon Campaign Photographs\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Atkins collection are available online through the  Oliver F. Atkins Photograph Collection   and the  1972 Richard Nixon Campaign Photographs ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series:\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into five series:","Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, Collection #C0036, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Oliver F. Atkins photograph collection, Collection #C0036, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n\u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other photograph collections including the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/scotta.html\"\u003eArthur E. Scott photograph collection\u003c/extref\u003e.\n\u003c/p\u003e","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other photograph collections including the  Arthur E. Scott photograph collection .\n","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n\u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n\u003c/p\u003e","\u003cp\u003e\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n\u003c/p\u003e","\u003cp\u003e\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n\u003c/p\u003e","\u003cp\u003e\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n\u003c/p\u003e","\u003cp\u003e\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n\u003c/p\u003e","\u003cp\u003eThis subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t\u003c/p\u003e","\u003cp\u003eStorage and moving trade in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eGuinea; Nigeria; South Africa\n\u003c/p\u003e","\u003cp\u003eJapan\n\u003c/p\u003e","\u003cp\u003ePortraits with family\n\u003c/p\u003e","\u003cp\u003eU.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n\u003c/p\u003e","\u003cp\u003eWinston Churchill, Harry Truman\n\u003c/p\u003e","\u003cp\u003eSchool improvement programs in Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eEntomology at Shenandoah National Park, Virginia\n\u003c/p\u003e","\u003cp\u003eOliver Atkins and Norman Rockwell\n\u003c/p\u003e","\u003cp\u003eOliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n\u003c/p\u003e","\u003cp\u003eOliver Atkins and Gerald Ford\n\u003c/p\u003e","\u003cp\u003ePortrait\n\u003c/p\u003e","\u003cp\u003eErnest P. Walker in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eIncludes negatives\n\u003c/p\u003e","\u003cp\u003eAmerican Machine \u0026amp; Foundry Company, New York City\n\u003c/p\u003e","\u003cp\u003eKenneth Wherry\n\u003c/p\u003e","\u003cp\u003eCarl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRichard M. Nixon in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRobert Taft in Canton, OH\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; Norfolk, Virginia; United States Navy\n\u003c/p\u003e","\u003cp\u003eHarry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower in Boise, Idaho\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets\n\u003c/p\u003e","\u003cp\u003eJoint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart and family in Falls Church, Virginia\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n\u003c/p\u003e","\u003cp\u003eBathtubs, Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress; Luther Evans\n\u003c/p\u003e","\u003cp\u003eBoy reading, taken in Fairfax, Virginia\n\u003c/p\u003e","\u003cp\u003eUnemployment, Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAmbassadors in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait of Pat McCarran in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eEzra Taft Benson; Hume, Virginia; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eFederal Maritime Administration; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eJulie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eBattle Creek, Michigan; Delaware; New York City; Trinity Church\n\u003c/p\u003e","\u003cp\u003eBetty Goldwater; William Miller; John McClellan\n\u003c/p\u003e","\u003cp\u003eMarriott Hot Shoppe in Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eSteven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n\u003c/p\u003e","\u003cp\u003eAlbert Gore and family in Carthage, Tennessee\n\u003c/p\u003e","\u003cp\u003e\"Five percenters\" investigation in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; Washington, D.C.; New York City; Boston\n\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n\u003c/p\u003e","\u003cp\u003eportrait\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; McLean; Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eHarry Truman; Fred Vinson; in Key West, Florida\n\u003c/p\u003e","\u003cp\u003eAgriculture in Zirconia, North Carolina\n\u003c/p\u003e","\u003cp\u003eDr. V. Stefan Krajcovic in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eGordon W. Rule in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRichard M. Nixon and family in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eModern movement (architecture); Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait\n\u003c/p\u003e","\u003cp\u003eAndrews Air Force Base\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eOval office\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with Lady Bird Johnson\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson ranch\n\u003c/p\u003e","\u003cp\u003eHubert Humphrey; Pope Paul VI\n\u003c/p\u003e","\u003cp\u003eHospital care in New York City\n\u003c/p\u003e","\u003cp\u003eWorld War II\n\u003c/p\u003e","\u003cp\u003eWorld War II\n\u003c/p\u003e","\u003cp\u003ePlaying football and sailing\n\u003c/p\u003e","\u003cp\u003eKennedy family\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n\u003c/p\u003e","\u003cp\u003eOfficial White House portrait and other portraits\n\u003c/p\u003e","\u003cp\u003eCampaigning in Colorado\n\u003c/p\u003e","\u003cp\u003eCampaigning in Wisconsin\n\u003c/p\u003e","\u003cp\u003eDemocratic Convention in California\n\u003c/p\u003e","\u003cp\u003eCampaigning\n\u003c/p\u003e","\u003cp\u003eCampaigning in California\n\u003c/p\u003e","\u003cp\u003eCampaigning in Michigan\n\u003c/p\u003e","\u003cp\u003eCampaigning in Texas\n\u003c/p\u003e","\u003cp\u003eCampaigning in Washington\n\u003c/p\u003e","\u003cp\u003eTelevision debate with Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eCeremonies and gatherings\n\u003c/p\u003e","\u003cp\u003eMeetings with staff and international leaders\n\u003c/p\u003e","\u003cp\u003eOval office\n\u003c/p\u003e","\u003cp\u003ePress conferences\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eState of the Union\n\u003c/p\u003e","\u003cp\u003eFuneral\n\u003c/p\u003e","\u003cp\u003eAssassination and related events\n\u003c/p\u003e","\u003cp\u003eLabor racketeering hearings; John McClellan\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy family\n\u003c/p\u003e","\u003cp\u003eDemocratic convention in California; Kenneth O'Donnell and Pierre Salinger\n\u003c/p\u003e","\u003cp\u003ePresidential campaign announcement\n\u003c/p\u003e","\u003cp\u003ePresidential campaign in California\n\u003c/p\u003e","\u003cp\u003eFuneral service\n\u003c/p\u003e","\u003cp\u003eMr. and Mrs. Knowland\n\u003c/p\u003e","\u003cp\u003eSyngman Rhee\n\u003c/p\u003e","\u003cp\u003eTwo terrible nights with the 23rd\n\u003c/p\u003e","\u003cp\u003eGeneral file\n\u003c/p\u003e","\u003cp\u003eThe fighting French\n\u003c/p\u003e","\u003cp\u003eGreeks know how to die\n\u003c/p\u003e","\u003cp\u003eHow well do Negroes fight\n\u003c/p\u003e","\u003cp\u003eThe worlds worst railroad headache\n\u003c/p\u003e","\u003cp\u003eNurses story; original article manuscript; Far East command press releases\n\u003c/p\u003e","\u003cp\u003eMachine gunners; article manuscript\n\u003c/p\u003e","\u003cp\u003eThe flying poison\n\u003c/p\u003e","\u003cp\u003eThe Chinese telegraph their punch\n\u003c/p\u003e","\u003cp\u003eMarines\n\u003c/p\u003e","\u003cp\u003eHokkaido story\n\u003c/p\u003e","\u003cp\u003eKaesong Conference\n\u003c/p\u003e","\u003cp\u003eRefugees\n\u003c/p\u003e","\u003cp\u003eThe big thaw\n\u003c/p\u003e","\u003cp\u003eThe pious killer of Korea; United States Air Force\n\u003c/p\u003e","\u003cp\u003eCoal miners in White Haven, Pennsylvania and Affinity, West Virginia\n\u003c/p\u003e","\u003cp\u003eActor Irving Fisher in New York City\n\u003c/p\u003e","\u003cp\u003eEverett M. Dirksen\n\u003c/p\u003e","\u003cp\u003eOlney, Maryland\n\u003c/p\u003e","\u003cp\u003eBurned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n\u003c/p\u003e","\u003cp\u003eDetroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n\u003c/p\u003e","\u003cp\u003eSewing machine use in Tokyo, Japan\n\u003c/p\u003e","\u003cp\u003eUnited States Postal Inspection Service in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRockville, Maryland\n\u003c/p\u003e","\u003cp\u003eWoods Hole, Massachusetts\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets and negatives\n\u003c/p\u003e","\u003cp\u003eHarry Truman; Portrait of Clarence Cannon; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eOzark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eChevy Chase and Aberdeen, Maryland; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eHenry C. Lodge\n\u003c/p\u003e","\u003cp\u003eRosenberg execution protest in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eJohn I. Williams and Preston C. Williams\n\u003c/p\u003e","\u003cp\u003eTom Connally in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAgnes McCall Parker in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eBird dogs in Annapolis, Maryland\n\u003c/p\u003e","\u003cp\u003eCommissioner Bob Christenberry in New York City\n\u003c/p\u003e","\u003cp\u003eTelegraph agents of the USSR in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAberdeen Proving Grounds in Aberdeen, Maryland\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.\n\u003c/p\u003e","\u003cp\u003eGovernment Printing Office in Washington, D.C.; Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eJoint Chiefs of Staff in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait signed by Truman to Ollie Atkins\n\u003c/p\u003e","\u003cp\u003eSenate subway construction\n\u003c/p\u003e","\u003cp\u003eMarine biology in Milford, Connecticut\n\u003c/p\u003e","\u003cp\u003eLibrarian with full set of volumes\n\u003c/p\u003e","\u003cp\u003eCarlton Hotel; John L. Lewis; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eUnited States Air Force at Patuxent Naval Air Station in Maryland\n\u003c/p\u003e","\u003cp\u003eRoland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eThomas A. Walden in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eSubmarine in Key West, Florida\n\u003c/p\u003e","\u003cp\u003eCold weather clothing tests in Lawrence, Massachusetts\n\u003c/p\u003e","\u003cp\u003eAllen Dulles\n\u003c/p\u003e","\u003cp\u003eCamp Gordon, Georgia; U.S. Army Military Police School\n\u003c/p\u003e","\u003cp\u003eDayton, Ohio; Yellow Springs, Ohio\n\u003c/p\u003e","\u003cp\u003eArthur M. Whitehill and family; Chapel Hill, North Carolina\n\u003c/p\u003e","\u003cp\u003eJoe McCarthy checking a pone for wire tapping\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.\n\u003c/p\u003e","\u003cp\u003eThis subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t\u003c/p\u003e","\u003cp\u003eCopy negative\u003c/p\u003e","\u003cp\u003eContact sheets and negatives.\u003c/p\u003e","\u003cp\u003eSubseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t\u003c/p\u003e","\u003cp\u003e1 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e2 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e3 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e4 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n\u003c/p\u003e","\u003cp\u003eFerry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives\u003c/p\u003e","\u003cp\u003eMarch 1956; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1955; 34 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Winston Churchill and Harry S. Truman; 36 negatives\n\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, August 1955; 14 negatives\n\u003c/p\u003e","\u003cp\u003eJamestown, Virginia, May 1956; 17 negatives\n\u003c/p\u003e","\u003cp\u003eDonald Quarles; 13 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Institute of Dry Cleaning; 19 negatives\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress, June 1950; 25 negatives\n\u003c/p\u003e","\u003cp\u003eGeorgetown, Washington, D.C.; 23 negatives\n\u003c/p\u003e","\u003cp\u003e14 negatives\n\u003c/p\u003e","\u003cp\u003eT. James Tumulty\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e12 negatives\n\u003c/p\u003e","\u003cp\u003eErnest P. Walker; 5 negatives\n\u003c/p\u003e","\u003cp\u003eHines, Illinois, August 1950; 8 negatives\n\u003c/p\u003e","\u003cp\u003eJames Bryden; 9 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Woodruff, December 1950; 47 negatives\n\u003c/p\u003e","\u003cp\u003eJuly 1955; 26 negatives\n\u003c/p\u003e","\u003cp\u003e37 negatives\n\u003c/p\u003e","\u003cp\u003eSherman Adams, December 1952; 14 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1953; 18 negatives\n\u003c/p\u003e","\u003cp\u003eJames Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n\u003c/p\u003e","\u003cp\u003eSteven Derounian; 18 negatives\n\u003c/p\u003e","\u003cp\u003eCharles Potter, November 1952; 17 negatives\n\u003c/p\u003e","\u003cp\u003eKenneth Wherry; 13 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Taft; 32 negatives\n\u003c/p\u003e","\u003cp\u003eArthur Whitehall; 13 negatives\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDavid K. Niles\n\u003c/p\u003e","\u003cp\u003eAbraham Ribicoff; 2 negatives\n\u003c/p\u003e","\u003cp\u003eSpirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n\u003c/p\u003e","\u003cp\u003e27 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e9 negatives\n\u003c/p\u003e","\u003cp\u003eMilford, Connecticut, September 1951; 16 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n\u003c/p\u003e","\u003cp\u003eRalph Bunche; 10 negatives\n\u003c/p\u003e","\u003cp\u003eJune 1955; 7 negatives\n\u003c/p\u003e","\u003cp\u003eAtlantic City, New Jersey, 1955; 22 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Cutler; 13 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eStephen Foster, January 1953; 11 negatives\n\u003c/p\u003e","\u003cp\u003eJames Pinkston; 8 negatives\n\u003c/p\u003e","\u003cp\u003e5 negatives\n\u003c/p\u003e","\u003cp\u003eMaurice Tobin; 29 negatives\n\u003c/p\u003e","\u003cp\u003eWarren Olney III; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJames Maurice Gavin; 29 negatives\n\u003c/p\u003e","\u003cp\u003eApril 1952; 33 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam F. Dean; 13 negatives\n\u003c/p\u003e","\u003cp\u003eJohn J. Williams; 22 negatives\n\u003c/p\u003e","\u003cp\u003e12 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJune 1952; 17 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1953; 32 negatives\n\u003c/p\u003e","\u003cp\u003eEugene Millikin, April 1953; 23 negatives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1950; 4 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eTom Connally, includes Harry S. Truman; 30 negatives\n\u003c/p\u003e","\u003cp\u003e4 negatives\n\u003c/p\u003e","\u003cp\u003e13 negatives\n\u003c/p\u003e","\u003cp\u003eFebruary 1952; 20 negatives\n\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1949; 20 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam Leahy; 14 negatives\n\u003c/p\u003e","\u003cp\u003eApril 1950; 30 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Archives and Records Administration, June 1948; 30 negatives\n\u003c/p\u003e","\u003cp\u003eGeorge Tetlet, December 1947; 32 negatives\n\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n\u003c/p\u003e","\u003cp\u003eJack Kroll; 19 negatives\n\u003c/p\u003e","\u003cp\u003eArthur Burns, includes Dwight D. Eisenhower; 10 negatives\n\u003c/p\u003e","\u003cp\u003e23 negatives\n\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam F. Halsey, USS Missouri; 4 color positives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003e27 negatives\n\u003c/p\u003e","\u003cp\u003eJames Francis Marion Jones; 59 negatives\n\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eCarlton hotel, Washington, D.C., August 1949; 3 negatives\n\u003c/p\u003e","\u003cp\u003eMarch 1950; 1 negative\n\u003c/p\u003e","\u003cp\u003eWilhelm Munthe. de Morgenstierne; 12 negatives \n\u003c/p\u003e","\u003cp\u003eClifford Garner, July 1950; 9 negatives\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress, July 1950; 9 negatives\n\u003c/p\u003e","\u003cp\u003eIrving Fisher; 29 negatives\n\u003c/p\u003e","\u003cp\u003eJoseph Lawton Collins, November 1950; 8 negatives\n\u003c/p\u003e","\u003cp\u003eH. K. Riggs; 9 negatives\n\u003c/p\u003e","\u003cp\u003ePaul Douglas; 17 negatives\n\u003c/p\u003e","\u003cp\u003e35 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, includes Harry F. Byrd; 18 negatives\n\u003c/p\u003e","\u003cp\u003eJune 1952; 5 negatives\n\u003c/p\u003e","\u003cp\u003eFebruary 1954; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eSeptember 1952; 12 negatives\n\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 25 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eMilo Coplan; October and November 1952; 31 negatives\n\u003c/p\u003e","\u003cp\u003eMatthew B. Ridgway; 13 negatives\n\u003c/p\u003e","\u003cp\u003eLeague of Women Voters; 18 negatives\n\u003c/p\u003e","\u003cp\u003eGood Humor Corporation, April 1949; 39 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n\u003c/p\u003e","\u003cp\u003eTomb of the Unknown Soldier, February 1954; 2 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Murphy; 12 negatives\n\u003c/p\u003e","\u003cp\u003eAlbert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e39 negatives\n\u003c/p\u003e","\u003cp\u003eMike Monroney, Charles B. Brownson; 13 negatives\n\u003c/p\u003e","\u003cp\u003eNovember 1952; 21 negatives\n\u003c/p\u003e","\u003cp\u003eAtomic Energy Commission; September 1953; 18 negatives\n\u003c/p\u003e","\u003cp\u003eFrances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart, November 1952; 5 negatives\n\u003c/p\u003e","\u003cp\u003e34 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 42 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e21 negatives\n\u003c/p\u003e","\u003cp\u003eRay \"Mike\" Dow; 22 negatives\n\u003c/p\u003e","\u003cp\u003eTom Durrance; 15 negatives\n\u003c/p\u003e","\u003cp\u003eSidney W. Souers, includes Dean Acheson; 15 negatives\n\u003c/p\u003e","\u003cp\u003eJosephine Crisler, October 1948; 10 negatives\n\u003c/p\u003e","\u003cp\u003eClifton Bledsoe Cates; December 1948; 10 negatives\n\u003c/p\u003e","\u003cp\u003eHoward University, November 1948; 24 negatives\n\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e16 negatives\n\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 1 negative\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e38 negatives\n\u003c/p\u003e","\u003cp\u003e34 negatives\n\u003c/p\u003e","\u003cp\u003e24 negatives\n\u003c/p\u003e","\u003cp\u003e1 negatives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003eB-29s, Tucson Arizona; 41 negatives\n\u003c/p\u003e","\u003cp\u003eWerner Knop, October 1948; 12 negatives\n\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e13 negatives\n\u003c/p\u003e","\u003cp\u003e40 negatives\n\u003c/p\u003e","\u003cp\u003e45 negatives\n\u003c/p\u003e","\u003cp\u003eWitton Lawler; 6 negatives\n\u003c/p\u003e","\u003cp\u003eJesse M. Donaldson, December 1947; 21 negatives\n\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eHoward University, December 1948; 26 negatives\n\u003c/p\u003e","\u003cp\u003e1 negative\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e22 negatives\n\u003c/p\u003e","\u003cp\u003e15 negatives\n\u003c/p\u003e","\u003cp\u003eLouis B. Meyer, Paul V. McNutt; 5 negatives\n\u003c/p\u003e","\u003cp\u003eNational Airport, Capitol Hill, 1947; 49 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e14 negatives\n\u003c/p\u003e","\u003cp\u003eJohn McCloy, April 1947; 10 negatives\n\u003c/p\u003e","\u003cp\u003e28 negatives\n\u003c/p\u003e","\u003cp\u003eKenilworth garbage dump; 31 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003e33 negatives\n\u003c/p\u003e","\u003cp\u003eF. Edward Herbert; 27 negatives\n\u003c/p\u003e","\u003cp\u003ePhiladelphia, Pennsylvania, Frank Monaghan; 27 negatives\n\u003c/p\u003e","\u003cp\u003eBureau of Indian Affairs; 21 negatives\n\u003c/p\u003e","\u003cp\u003e11 negatives\n\u003c/p\u003e","\u003cp\u003eEmbassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n\u003c/p\u003e","\u003cp\u003eDemolitions Disposal Unit; 21 negatives\n\u003c/p\u003e","\u003cp\u003eStefan Krajcovic; 8 negatives\n\u003c/p\u003e","\u003cp\u003eTrinity Church, Gary Edwards; 16 negatives\n\u003c/p\u003e","\u003cp\u003e5 negatives\n\u003c/p\u003e","\u003cp\u003e2 negatives\n\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eincludes Hubert Humphrey, Eugenie Anderson\n\u003c/p\u003e","\u003cp\u003e10 negatives\n\u003c/p\u003e","\u003cp\u003eNational Gallery of Art; 39 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003eClarence Cannon, includes Harry S. Truman; 17 negatives\n\u003c/p\u003e","\u003cp\u003eMarch 1956; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eDonald Quarles; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003eWayne Morse; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eT. James Tumulty; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eRobert Cutler; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eWarren Olney III; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eMay 1950; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eApril 1950; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eStuart Symington, June, 1956; 35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFebruary 1954; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eEarl Warren; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlben William Barkley; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n\u003c/p\u003e","\u003cp\u003e\n            \u003cextref type=\"simple\" href=\"http://furbo.gmu.edu/sca/Atkins_oldFA.pdf\"\u003eLegacy Finding Aid for Series 3\u003c/extref\u003e\n          \u003c/p\u003e","\u003cp\u003eThe legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. \u003c/p\u003e","\u003cp\u003eSubseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n\u003c/p\u003e","\u003cp\u003eSubseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n\u003c/p\u003e","\u003cp\u003e(1 of 4)\n\u003c/p\u003e","\u003cp\u003e(2 of 4)\n\u003c/p\u003e","\u003cp\u003e(3 of 4)\n\u003c/p\u003e","\u003cp\u003e(4 of 4)\n\u003c/p\u003e","\u003cp\u003eConnecticut Gubernatorial Campaign\n\u003c/p\u003e","\u003cp\u003eGeorgetown House portraits\n\u003c/p\u003e","\u003cp\u003ePolling\n\u003c/p\u003e","\u003cp\u003eI Flew Supersonic\n\u003c/p\u003e","\u003cp\u003eHow to Speak French\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eStewart Alsop Family\n\u003c/p\u003e","\u003cp\u003eHow to Write a Magazine Article\n\u003c/p\u003e","\u003cp\u003ePolling, Negro poll\n\u003c/p\u003e","\u003cp\u003eAlsop poll \"Mood of America\"\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eAlsop poll \n\u003c/p\u003e","\u003cp\u003eBiplanes\n\u003c/p\u003e","\u003cp\u003eThey Make Flying Fun Again\n\u003c/p\u003e","\u003cp\u003eTrevor Armbristen Family\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson\n\u003c/p\u003e","\u003cp\u003eGolf's Banking on Burke\n\u003c/p\u003e","\u003cp\u003eby Sherwood Harris\n\u003c/p\u003e","\u003cp\u003eMercury 6 launch\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eGenerals LeMay and White\n\u003c/p\u003e","\u003cp\u003ecolor slides\n\u003c/p\u003e","\u003cp\u003eIncludes John F. Kennedy\n\u003c/p\u003e","\u003cp\u003eBernard Goldfine\n\u003c/p\u003e","\u003cp\u003e1 of 4\n\u003c/p\u003e","\u003cp\u003e2 of 4\n\u003c/p\u003e","\u003cp\u003e3 of 4\n\u003c/p\u003e","\u003cp\u003e4 of 4\n\u003c/p\u003e","\u003cp\u003eIncludes Jacqueline Kennedy\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with military\n\u003c/p\u003e","\u003cp\u003e1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003ecolor slides 1\n\u003c/p\u003e","\u003cp\u003ecolor slides 2\n\u003c/p\u003e","\u003cp\u003ecolor slides 3\n\u003c/p\u003e","\u003cp\u003ecolor slides 4\n\u003c/p\u003e","\u003cp\u003ecolor slides 5\n\u003c/p\u003e","\u003cp\u003ecolor slides 6\n\u003c/p\u003e","\u003cp\u003eMeetings, public events\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eElection\n\u003c/p\u003e","\u003cp\u003eChurch near the Lyndon B. Johnson Ranch\n\u003c/p\u003e","\u003cp\u003eOval Office\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eRanch\n\u003c/p\u003e","\u003cp\u003eOmaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\n\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\n\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n\u003c/p\u003e","\u003cp\u003eSaturday Evening Post stories about John F. Kennedy; 4x5 negatives\n\u003c/p\u003e","\u003cp\u003eFuneral, Arlington National Cemetery\n\u003c/p\u003e","\u003cp\u003eArlington National Cemetery\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eWhite House and Congressional budget meetings and hearings\n\u003c/p\u003e","\u003cp\u003eRanger, Saturn, Mercury\n\u003c/p\u003e","\u003cp\u003e1 of 3\n\u003c/p\u003e","\u003cp\u003e2 of 3\n\u003c/p\u003e","\u003cp\u003e3 of 3\n\u003c/p\u003e","\u003cp\u003e4x5 negatives\n\u003c/p\u003e","\u003cp\u003eI Can Say He's a Wonderful Guy\n\u003c/p\u003e","\u003cp\u003e1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003eRose Mary Woode\n\u003c/p\u003e","\u003cp\u003eHospitals\n\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n\u003c/p\u003e","\u003cp\u003eJohn Foster Dulles, Charles Erwin Wilson, Robert Taft\n\u003c/p\u003e","\u003cp\u003eBlair House\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eSome images may have been created in the 1950s; 1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003eSaturday Evening Post writer\n\u003c/p\u003e","\u003cp\u003eMacy's New York City\n\u003c/p\u003e","\u003cp\u003eT. I. Swartz and Sons\n\u003c/p\u003e","\u003cp\u003eIncludes images of construction\n\u003c/p\u003e","\u003cp\u003eIncludes Lyndon B. Johnson\n\u003c/p\u003e","\u003cp\u003eNational Mall, Pentagon, United States Supreme Court Building, Pan American Building\n\u003c/p\u003e","\u003cp\u003eAmerican Red Cross, Tunisia, Italy\n\u003c/p\u003e","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n\u003c/p\u003e","\u003cp\u003eJacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n\u003c/p\u003e","\u003cp\u003eIncludes memorabilia\n\u003c/p\u003e","\u003cp\u003e1 of 3\n\u003c/p\u003e","\u003cp\u003e2 of 3\n\u003c/p\u003e","\u003cp\u003e3 of 3\n\u003c/p\u003e","\u003cp\u003eSeries 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 5/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8'\" x 11 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 5/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" by 10 1/4\"\n\u003c/p\u003e","\u003cp\u003ethree copies\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 7/8\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e12 1/2\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e12 1/2\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e11 3/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e11 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 1/4\" x 5 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e7 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4 x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n\u003c/p\u003e","\u003cp\u003e7\" x 4 3/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e20\" x 16\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e10 5/8\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 3/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" 13\"\n\u003c/p\u003e","\u003cp\u003e10 3/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8 x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e17\" x 11 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 5 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 6/8\"\n\u003c/p\u003e","\u003cp\u003e12 1/4\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e8 3/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e15\" x 19 3/4\"\n\u003c/p\u003e","\u003cp\u003e14 1/2\" x 15 3/4\"\n\u003c/p\u003e","\u003cp\u003e14 3/4\" x 19 1/4\"\n\u003c/p\u003e","\u003cp\u003e14\" x 17 1/2\"\n\u003c/p\u003e","\u003cp\u003e18\" x 14\"\n\u003c/p\u003e","\u003cp\u003e17 5/8\" x 11 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e12 5/8\" x 9 7/8\"\n\u003c/p\u003e","\u003cp\u003e7 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e8 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 3/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 3/4 x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 7 3/4\"\n\u003c/p\u003e","\u003cp\u003e9 3/4\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 12 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8 x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 7 7/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 12 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 12 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4 x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e11 7/8\" x 18 3/4\"\n\u003c/p\u003e","\u003cp\u003e12 3/8\" x 9 5/8\"\n\u003c/p\u003e","\u003cp\u003e9\" x 11\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 7 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e16\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e7 3/8\" x 13 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 7/8\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 12 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 11\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003eadditional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 7/8\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 19 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 3/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 11 7/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" diameter\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 3/8\"\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n","\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n","\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n","\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n","\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t","Storage and moving trade in Washington, D.C.\n","Guinea; Nigeria; South Africa\n","Japan\n","Portraits with family\n","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n","Winston Churchill, Harry Truman\n","School improvement programs in Arlington, Virginia\n","Entomology at Shenandoah National Park, Virginia\n","Oliver Atkins and Norman Rockwell\n","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n","Oliver Atkins and Gerald Ford\n","Portrait\n","Ernest P. Walker in Washington, D.C.\n","Includes negatives\n","American Machine \u0026 Foundry Company, New York City\n","Kenneth Wherry\n","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n","Richard M. Nixon in Washington, D.C.\n","Robert Taft in Canton, OH\n","Washington, D.C.; Norfolk, Virginia; United States Navy\n","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n","Dwight D. Eisenhower in Boise, Idaho\n","Washington, D.C.; includes contact sheets\n","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n","Mrs. Winfield Smart and family in Falls Church, Virginia\n","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n","Bathtubs, Washington, D.C.\n","Library of Congress; Luther Evans\n","Boy reading, taken in Fairfax, Virginia\n","Unemployment, Washington, D.C.\n","Ambassadors in Washington, D.C.\n","Portrait of Pat McCarran in Washington, D.C.\n","Ezra Taft Benson; Hume, Virginia; Washington, D.C.\n","Federal Maritime Administration; Washington, D.C.\n","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n","Portraits\n","Battle Creek, Michigan; Delaware; New York City; Trinity Church\n","Betty Goldwater; William Miller; John McClellan\n","Marriott Hot Shoppe in Arlington, Virginia\n","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n","Albert Gore and family in Carthage, Tennessee\n","\"Five percenters\" investigation in Washington, D.C.\n","Statler Hotel; Washington, D.C.; New York City; Boston\n","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n","portrait\n","Washington, D.C.; McLean; Arlington, Virginia\n","Harry Truman; Fred Vinson; in Key West, Florida\n","Agriculture in Zirconia, North Carolina\n","Dr. V. Stefan Krajcovic in Washington, D.C.\n","Gordon W. Rule in Washington, D.C.\n","Richard M. Nixon and family in Washington, D.C.\n","Modern movement (architecture); Washington, D.C.\n","Portrait\n","Andrews Air Force Base\n","Presidential campaign\n","Inauguration\n","Oval office\n","Lyndon B. Johnson with cabinet members and advisors\n","Lyndon B. Johnson with cabinet members and advisors\n","Portraits\n","Portraits\n","Lyndon B. Johnson with Lady Bird Johnson\n","Lyndon B. Johnson ranch\n","Hubert Humphrey; Pope Paul VI\n","Hospital care in New York City\n","World War II\n","World War II\n","Playing football and sailing\n","Kennedy family\n","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n","Official White House portrait and other portraits\n","Campaigning in Colorado\n","Campaigning in Wisconsin\n","Democratic Convention in California\n","Campaigning\n","Campaigning in California\n","Campaigning in Michigan\n","Campaigning in Texas\n","Campaigning in Washington\n","Television debate with Richard M. Nixon\n","Ceremonies and gatherings\n","Meetings with staff and international leaders\n","Oval office\n","Press conferences\n","Inauguration\n","State of the Union\n","Funeral\n","Assassination and related events\n","Labor racketeering hearings; John McClellan\n","Portraits\n","Robert F. Kennedy family\n","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger\n","Presidential campaign announcement\n","Presidential campaign in California\n","Funeral service\n","Mr. and Mrs. Knowland\n","Syngman Rhee\n","Two terrible nights with the 23rd\n","General file\n","The fighting French\n","Greeks know how to die\n","How well do Negroes fight\n","The worlds worst railroad headache\n","Nurses story; original article manuscript; Far East command press releases\n","Machine gunners; article manuscript\n","The flying poison\n","The Chinese telegraph their punch\n","Marines\n","Hokkaido story\n","Kaesong Conference\n","Refugees\n","The big thaw\n","The pious killer of Korea; United States Air Force\n","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia\n","Actor Irving Fisher in New York City\n","Everett M. Dirksen\n","Olney, Maryland\n","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n","Sewing machine use in Tokyo, Japan\n","United States Postal Inspection Service in Washington, D.C.\n","Rockville, Maryland\n","Woods Hole, Massachusetts\n","Washington, D.C.; includes contact sheets and negatives\n","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.\n","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n","Chevy Chase and Aberdeen, Maryland; Washington, D.C.\n","Henry C. Lodge\n","Rosenberg execution protest in Washington, D.C.\n","John I. Williams and Preston C. Williams\n","Tom Connally in Washington, D.C.\n","Agnes McCall Parker in Washington, D.C.\n","Bird dogs in Annapolis, Maryland\n","Commissioner Bob Christenberry in New York City\n","Telegraph agents of the USSR in Washington, D.C.\n","Aberdeen Proving Grounds in Aberdeen, Maryland\n","Washington, D.C.\n","Government Printing Office in Washington, D.C.; Arlington, Virginia\n","Joint Chiefs of Staff in Washington, D.C.\n","Portrait signed by Truman to Ollie Atkins\n","Senate subway construction\n","Marine biology in Milford, Connecticut\n","Librarian with full set of volumes\n","Carlton Hotel; John L. Lewis; Washington, D.C.\n","United States Air Force at Patuxent Naval Air Station in Maryland\n","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n","Thomas A. Walden in Washington, D.C.\n","Submarine in Key West, Florida\n","Cold weather clothing tests in Lawrence, Massachusetts\n","Allen Dulles\n","Camp Gordon, Georgia; U.S. Army Military Police School\n","Dayton, Ohio; Yellow Springs, Ohio\n","Arthur M. Whitehill and family; Chapel Hill, North Carolina\n","Joe McCarthy checking a pone for wire tapping\n","Washington, D.C.\n","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t","1 of 4; 1968 campaign\n","2 of 4; 1968 campaign\n","3 of 4; 1968 campaign\n","4 of 4; 1968 campaign\n","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives\n","Also see Box 58","December 1955; 34 negatives\n","Includes Winston Churchill and Harry S. Truman; 36 negatives\n","Maxwell Taylor, August 1955; 14 negatives\n","Jamestown, Virginia, May 1956; 17 negatives\n","Donald Quarles; 13 negatives\n","Also see Box 58","National Institute of Dry Cleaning; 19 negatives\n","Library of Congress, June 1950; 25 negatives\n","Georgetown, Washington, D.C.; 23 negatives\n","14 negatives\n","T. James Tumulty\n","Also see Box 58","12 negatives\n","Ernest P. Walker; 5 negatives\n","Hines, Illinois, August 1950; 8 negatives\n","James Bryden; 9 negatives\n","Robert Woodruff, December 1950; 47 negatives\n","July 1955; 26 negatives\n","37 negatives\n","Sherman Adams, December 1952; 14 negatives\n","May 1953; 18 negatives\n","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n","Steven Derounian; 18 negatives\n","Charles Potter, November 1952; 17 negatives\n","Kenneth Wherry; 13 negatives\n","Robert Taft; 32 negatives\n","Arthur Whitehall; 13 negatives\n","Statler Hotel; 35 negatives\n","Also see Box 58","David K. Niles\n","Abraham Ribicoff; 2 negatives\n","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n","27 negatives\n","Also see Box 58","9 negatives\n","Milford, Connecticut, September 1951; 16 negatives\n","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n","Ralph Bunche; 10 negatives\n","June 1955; 7 negatives\n","Atlantic City, New Jersey, 1955; 22 negatives\n","Robert Cutler; 13 negatives\n","Also see Box 58","Stephen Foster, January 1953; 11 negatives\n","James Pinkston; 8 negatives\n","5 negatives\n","Maurice Tobin; 29 negatives\n","Warren Olney III; 5 negatives\n","Also see Box 58","17 negatives\n","Also see Box 58","James Maurice Gavin; 29 negatives\n","April 1952; 33 negatives\n","William F. Dean; 13 negatives\n","John J. Williams; 22 negatives\n","12 negatives\n","Also see Box 58","June 1952; 17 negatives\n","May 1953; 32 negatives\n","Eugene Millikin, April 1953; 23 negatives\n","8 negatives\n","May 1950; 4 negatives\n","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives\n","4 negatives\n","13 negatives\n","February 1952; 20 negatives\n","Washington Senators baseball team; 14 negatives\n","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives\n","Also see Box 58","December 1949; 20 negatives\n","William Leahy; 14 negatives\n","April 1950; 30 negatives\n","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives\n","George Tetlet, December 1947; 32 negatives\n","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n","Jack Kroll; 19 negatives\n","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives\n","23 negatives\n","17 negatives\n","William F. Halsey, USS Missouri; 4 color positives\n","8 negatives\n","27 negatives\n","James Francis Marion Jones; 59 negatives\n","Louis Arthur Johnson, June 1949; 5 negatives\n","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives\n","March 1950; 1 negative\n","Wilhelm Munthe. de Morgenstierne; 12 negatives \n","Clifford Garner, July 1950; 9 negatives\n","Library of Congress, July 1950; 9 negatives\n","Irving Fisher; 29 negatives\n","Joseph Lawton Collins, November 1950; 8 negatives\n","H. K. Riggs; 9 negatives\n","Paul Douglas; 17 negatives\n","35 negatives\n","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives\n","June 1952; 5 negatives\n","February 1954; 5 negatives\n","Also see Box 58","September 1952; 12 negatives\n","Jim Perry, Bud Camp; 25 negatives\n","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives\n","Matthew B. Ridgway; 13 negatives\n","League of Women Voters; 18 negatives\n","Good Humor Corporation, April 1949; 39 negatives\n","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n","Tomb of the Unknown Soldier, February 1954; 2 negatives\n","Robert Murphy; 12 negatives\n","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n","Includes Dean Acheson; 9 negatives\n","Also see Box 58","39 negatives\n","Mike Monroney, Charles B. Brownson; 13 negatives\n","November 1952; 21 negatives\n","Atomic Energy Commission; September 1953; 18 negatives\n","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n","Mrs. Winfield Smart, November 1952; 5 negatives\n","34 negatives\n","Also see Box 58","Dwight D. Eisenhower; 42 negatives\n","Also see Box 58","21 negatives\n","Ray \"Mike\" Dow; 22 negatives\n","Tom Durrance; 15 negatives\n","Sidney W. Souers, includes Dean Acheson; 15 negatives\n","Josephine Crisler, October 1948; 10 negatives\n","Clifton Bledsoe Cates; December 1948; 10 negatives\n","Howard University, November 1948; 24 negatives\n","Robert M. Redmond, August 1949; 5 negatives\n","Also see Box 58","16 negatives\n","George J. Schoeneman; 1 negative\n","Also see Box 58","38 negatives\n","34 negatives\n","24 negatives\n","1 negatives\n","8 negatives\n","B-29s, Tucson Arizona; 41 negatives\n","Werner Knop, October 1948; 12 negatives\n","Lou Boudreau, August 1948; 14 negatives\n","Also see Box 58","13 negatives\n","40 negatives\n","45 negatives\n","Witton Lawler; 6 negatives\n","Jesse M. Donaldson, December 1947; 21 negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n","Also see Box 58","Howard University, December 1948; 26 negatives\n","1 negative\n","Also see Box 58","22 negatives\n","15 negatives\n","Louis B. Meyer, Paul V. McNutt; 5 negatives\n","National Airport, Capitol Hill, 1947; 49 negatives\n","19 negatives\n","Also see Box 58","14 negatives\n","John McCloy, April 1947; 10 negatives\n","28 negatives\n","Kenilworth garbage dump; 31 negatives\n","19 negatives\n","33 negatives\n","F. Edward Herbert; 27 negatives\n","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives\n","Bureau of Indian Affairs; 21 negatives\n","11 negatives\n","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n","Demolitions Disposal Unit; 21 negatives\n","Stefan Krajcovic; 8 negatives\n","Trinity Church, Gary Edwards; 16 negatives\n","5 negatives\n","2 negatives\n","17 negatives\n","includes Hubert Humphrey, Eugenie Anderson\n","10 negatives\n","National Gallery of Art; 39 negatives\n","19 negatives\n","Clarence Cannon, includes Harry S. Truman; 17 negatives\n","March 1956; 35mm negatives\n","Also see Box 49","35mm negatives\n","Donald Quarles; 35mm negatives\n","Also see Box 49","Wayne Morse; 35mm negatives\n","T. James Tumulty; 35mm negatives\n","Also see Box 49","35mm and 2x2\" negatives\n","Statler Hotel; 35mm negatives\n","Also see Box 50\n","35mm negatives\n","Also see Box 50","Robert Cutler; 35mm negatives\n","Also see Box 50","Warren Olney III; 35mm negatives\n","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives\n","35mm negatives\n","Also see Box 51","35mm negatives\n","2x2\" negatives\n","May 1950; 2x2\" negatives\n","Also see Box 51","Washington Senators baseball team; 14 negatives\n","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives\n","Also see Box 52","April 1950; 2x2\" negatives\n","Also see Box 52","35mm negatives\n","Stuart Symington, June, 1956; 35mm negatives\n","35mm negatives\n","35mm negatives\n","Louis Arthur Johnson, June 1949; 2x2\" negatives\n","Also see Box 53","2x2\" negatives\n","2x2\" negatives\n","35mm negatives\n","35mm negatives\n","35mm and 2x2\" negatives\n","35mm negatives\n","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n","Also see Box 53","February 1954; 2x2\" negatives\n","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives\n","Also see Box 53","Earl Warren; 35mm negatives\n","Alben William Barkley; 2x2\" negatives\n","Includes Dean Acheson; 2x2\" negatives\n","Also see Box 53","35mm negatives\n","35mm negatives\n","2x2\" negatives\n","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives\n","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives\n","Also see Box 54","George J. Schoeneman; 2x2\" negatives\n","Also see Box 54","2x2\" negatives\n","Lou Boudreau, August 1948; 2x2\" negatives\n","Also see Box 55","2x2\" negatives\n","2x2\" negatives\n","2x2\" negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n","Also see Box 55","2x2\" negatives\n","Also see Box 56","2x2\" negatives\n","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n","Legacy Finding Aid for Series 3","The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. ","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n","Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n","(1 of 4)\n","(2 of 4)\n","(3 of 4)\n","(4 of 4)\n","Connecticut Gubernatorial Campaign\n","Georgetown House portraits\n","Polling\n","I Flew Supersonic\n","How to Speak French\n","Portraits\n","Stewart Alsop Family\n","How to Write a Magazine Article\n","Polling, Negro poll\n","Alsop poll \"Mood of America\"\n","John F. Kennedy\n","Portraits\n","Alsop poll \n","Biplanes\n","They Make Flying Fun Again\n","Trevor Armbristen Family\n","Lyndon B. Johnson\n","Golf's Banking on Burke\n","by Sherwood Harris\n","Mercury 6 launch\n","Portraits\n","Generals LeMay and White\n","color slides\n","Includes John F. Kennedy\n","Bernard Goldfine\n","1 of 4\n","2 of 4\n","3 of 4\n","4 of 4\n","Includes Jacqueline Kennedy\n","Lyndon B. Johnson with military\n","1 of 2\n","2 of 2\n","color slides 1\n","color slides 2\n","color slides 3\n","color slides 4\n","color slides 5\n","color slides 6\n","Meetings, public events\n","Presidential campaign\n","Election\n","Church near the Lyndon B. Johnson Ranch\n","Oval Office\n","Inauguration\n","Ranch\n","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n","Glassboro, New Jersey; Alexei Kosygin\n","Glassboro, New Jersey; Alexei Kosygin\n","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives\n","Funeral, Arlington National Cemetery\n","Arlington National Cemetery\n","Presidential campaign\n","Presidential campaign\n","Presidential campaign\n","White House and Congressional budget meetings and hearings\n","Ranger, Saturn, Mercury\n","1 of 3\n","2 of 3\n","3 of 3\n","4x5 negatives\n","I Can Say He's a Wonderful Guy\n","1 of 2\n","2 of 2\n","Rose Mary Woode\n","Hospitals\n","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n","John Foster Dulles, Charles Erwin Wilson, Robert Taft\n","Blair House\n","John F. Kennedy, Richard M. Nixon\n","John F. Kennedy, Richard M. Nixon\n","Some images may have been created in the 1950s; 1 of 2\n","2 of 2\n","Saturday Evening Post writer\n","Macy's New York City\n","T. I. Swartz and Sons\n","Includes images of construction\n","Includes Lyndon B. Johnson\n","National Mall, Pentagon, United States Supreme Court Building, Pan American Building\n","American Red Cross, Tunisia, Italy\n","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n","Includes memorabilia\n","1 of 3\n","2 of 3\n","3 of 3\n","Series 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10 1/8\"\n","13\" x 10\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","9 5/8\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 1/8'\" x 11 1/4\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","10\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","two copies; 10 1/4\" x 13\"\n","two copies; 10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n","13 1/8\" x 10 1/4\"\n","8 5/8\" x 13 1/4\"\n","13\" x 10\"\n","13 1/4\" by 10 1/4\"\n","three copies\n","13 3/8\" x 8 5/8\"\n","10 1/4\" x 13\"\n","13 1/4\" x 10\"\n","13 7/8\" x 8 1/2\"\n","10 1/4\" x 13\"\n","10\" x 13\"\n","10 1/8\" x 13\"\n","12 3/4\" x 10\"\n","9\" x 13\"\n","13\" x 10\"\n","13\" x 10\"\n","10\" x 12\"\n","10\" x 13\"\n","10\" x 13\"\n","10\" x 12 1/2\"\n","13\" x 10\"\n","12 1/2\" x 10\"\n","13\" x 10\"\n","13\" x 10\"\n","12 1/2\" x 9 3/4\"\n","11 3/4\" x 10\"\n","11 1/4\" x 13\"\n","8 1/4\" x 5 1/4\"\n","13 1/2\" x 10\"\n","13\" x 10\"\n","7 1/4\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13 1/4\" x 8 1/8\"\n","13 1/4\" x 9 3/4\"\n","13\" x 9 3/4\"\n","13 1/4 x 9 3/4\"\n","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n","7\" x 4 3/4\"\n","9 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/4\"\n","8 3/4\" x 13 1/8\"\n","20\" x 16\"\n","5\" x 8\"\n","5\" x 8\"\n","5\" x 8\"\n","10 5/8\" x 13 1/2\"\n","13\" x 10 1/4\"\n","13\" x 10 3/8\"\n","13\" x 10 1/4\"\n","10 1/4\" x 11 3/4\"\n","10 1/4\" 13\"\n","10 3/4\" x 13\"\n","10\" x 13\"\n","13\" x 8 1/2\"\n","9 1/2\" x 13\"\n","9 1/4\" x 13\"\n","9 1/4\" x 13\"\n","9 1/2\" x 13\"\n","13\" x 10 1/4\"\n","13 1/8 x 10 1/8\"\n","17\" x 11 5/8\"\n","13 1/4\" x 10\"\n","13 1/4\" x 5 5/8\"\n","13 1/2\" x 9\"\n","13\" x 8 6/8\"\n","12 1/4\" x 8 1/8\"\n","9 1/2\" x 13 1/4\"\n","10\" x 13 1/4\"\n","9 1/4\" x 13 1/4\"\n","9\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","8 3/8\" x 13 1/4\"\n","8 3/4\" x 13 1/4\"\n","15\" x 19 3/4\"\n","14 1/2\" x 15 3/4\"\n","14 3/4\" x 19 1/4\"\n","14\" x 17 1/2\"\n","18\" x 14\"\n","17 5/8\" x 11 1/2\"\n","13 1/2\" x 10 3/8\"\n","13 1/4\" x 9\"\n","13 1/4\" x 8 1/2\"\n","9 1/8\" x 13 1/4\"\n","10 1/4\" x 13\"\n","12 5/8\" x 9 7/8\"\n","7 1/8\" x 13 1/4\"\n","10 1/4\" x 13 1/2\"\n","10 3/8\" x 12 1/2\"\n","8 1/8\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","9\" x 13 1/4\"\n","13 1/8\" x 9 1/4\"\n","9 1/8\" x 13 3/4\"\n","8 1/2\" x 13 1/2\"\n","9 3/4 x 13 1/4\"\n","9\" x 13 1/8\"\n","9 1/8\" x 13 1/4\"\n","8 1/2\" x 13\"\n","10 1/4\" x 13 1/8\"\n","13 1/2\" x 9 1/4\"\n","10 1/8\" x 10 1/4\"\n","9 3/8\" x 13\"\n","8 1/4\" x 13\"\n","10 1/2\" x 13 1/2\"\n","13 1/4\" x 10 1/2\"\n","13 1/2\" x 9 1/4\"\n","12 7/8\" x 8 1/8\"\n","12 3/4\" x 7 3/4\"\n","9 3/4\" x 9 3/4\"\n","10 1/4\" x 11 1/2\"\n","10 1/4\" x 10 3/8\"\n","9 1/4\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 1/8\" x 13\"\n","8 3/4\" x 12 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 10 1/4\"\n","13 1/8 x 10\"\n","13 1/4\" x 7 7/8\"\n","10 1/2\" x 12 5/8\"\n","10 1/4\" x 12 1/4\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 10 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 3/8\" x 10 1/2\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","13 1/4 x 10 1/4\"\n","10 1/8\" x 13\"\n","9\" x 13 1/4\"\n","9\" x 13 1/4\"\n","11 7/8\" x 18 3/4\"\n","12 3/8\" x 9 5/8\"\n","9\" x 11\"\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/2\" x 9 1/4\"\n","13 1/2\" x 7 3/4\"\n","13 1/4\" x 9 1/2\"\n","13 1/4\" x 9 1/2\"\n","13\" x 9 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 8 1/2\"\n","16\" x 10 1/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 8 1/4\"\n","13 1/4\" x 8 1/4\"\n","13\" x 8 3/4\"\n","13\" x 8 3/4\"\n","13\" x 9\"\n","10\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","13\" x 8 3/4\"\n","13 1/4\" x 10 1/4\"\n","13\" x 9 1/2\"\n","10\" x 13 1/4\"\n","13 1/2\" x 8 1/4\"\n","8 1/2\" x 13 1/4\"\n","13\" x 10\"\n","10 3/8\" x 13 1/8\"\n","12 3/4\" x 10 1/2\"\n","12 7/8\" x 10\"\n","13 1/4\" x 8 1/4\"\n","13 3/8\" x 8 1/8\"\n","13\" x 10 3/8\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 8 1/2\"\n","7 3/8\" x 13 3/8\"\n","13 1/2\" x 8 3/4\"\n","13 1/2\" x 8 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/2\" x 10 5/8\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","9 1/4\" x 13 1/4\"\n","13 1/4\" x 9 1/4\"\n","12 7/8\" x 9 3/4\"\n","13 1/4\" x 9 1/4\"\n","13 3/8\" x 8 7/8\n","13\" x 9 1/4\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 12 3/4\"\n","13 1/4\" x 11\"\n","10 1/4\" x 13 1/4\"\n","10\" x 12 1/2\"\n","10 3/8\" x 13\"\n","10 1/4\" x 13 1/4\"\n","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 3/8\" x 12 7/8\"\n","10 3/8\" x 13 1/8\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 3/8\" x 13 1/8\"\n","10 1/2\" x 13 1/4\"\n","9 1/2\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 1/2\" x 19 5/8\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10\"\n","10\" x 13 1/4\"\n","13 1/4\" x 10 1/8\"\n","10\" x 13\"\n","9\" x 13 1/4\"\n","9 1/2\" x 13 3/8\"\n","9 1/2\" x 13 1/4\"\n","12 3/4\" x 9 1/4\"\n","9\" x 11 7/8\"\n","13 1/4\" x 9 1/8\"\n","13\" x 10 5/8\"\n","13 3/8\" x 10 1/4\"\n","9 1/4\" diameter\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 9 3/8\"\n","color\n","color\n","color\n"],"userestrict_html_tesm":["\u003cp\u003eCopyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n\u003c/abstract\u003e"],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs.","Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs."],"persname_ssim":["Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs."],"language_ssim":["English\n"],"total_component_count_is":1680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00036"}},{"id":"vifgm_performingartsmanuscripts","type":"collection","attributes":{"title":"Performing arts manuscripts collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_performingartsmanuscripts#creator","type":"document_value","attributes":{"value":"Gerber, Steven K.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_performingartsmanuscripts#abstract_or_scope","type":"document_value","attributes":{"value":"Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_performingartsmanuscripts#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"text":["C0215","Performing arts manuscripts collection","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other ","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","Acquisition date - October 2009\n","Acquisition date - December 2009\n","Acquisition date - February 2010\n","Acquisition date - September 2010\n","Acquisition date - October 2011\n","Acquisition date - October 2011\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Call number NE671.16.V58 1610; Acquisition date - September 2013\n","Acquisition date - October 2016\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - December 2017\n","Acquisition date - October 2011\n","Acquisition date - January 2016\n","Acquisition date - May 2016\n","Acquisition date - May 2016\n","Acquisition date - June 2012\n","Acquisition date - September 2016\n","Acquisition date - September 2016\n","Acquisition date - September 2017\n","Acquisition date - March 2018\n","Call number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n","Acquisition date - February 2017\n","Call number Oversize M2147 XV .M3; Acquisition date - February 2017\n","Call number Oversize M2147 XVI .M4; Acquisition date - February 2017\n","Call number M2013.5 .M58 1700z; Acquisition date - September 2017\n","Call number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n","Call number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n","Call number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n","Acquisition date - March 2012\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - March 2012\n","Acquisition date - March 2015\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - July 2012\n","Acquisition date - September 2017\n","Acquisition date - July 2018\n","Acquisition date - July 2018\n","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"unitid_tesim":["C0215"],"normalized_title_ssm":["Performing arts manuscripts collection"],"collection_title_tesim":["Performing arts manuscripts collection"],"collection_ssim":["Performing arts manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K."],"creators_ssim":["Gerber, Steven K."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - December 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eCall number NE671.16.V58 1610; Acquisition date - September 2013\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - December 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - January 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - May 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - May 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - June 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2018\n\u003c/p\u003e","\u003cp\u003eCall number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number Oversize M2147 XV .M3; Acquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number Oversize M2147 XVI .M4; Acquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number M2013.5 .M58 1700z; Acquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eCall number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eCall number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n\u003c/p\u003e","\u003cp\u003eCall number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2015\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2018\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2018\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","Acquisition date - October 2009\n","Acquisition date - December 2009\n","Acquisition date - February 2010\n","Acquisition date - September 2010\n","Acquisition date - October 2011\n","Acquisition date - October 2011\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Call number NE671.16.V58 1610; Acquisition date - September 2013\n","Acquisition date - October 2016\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - December 2017\n","Acquisition date - October 2011\n","Acquisition date - January 2016\n","Acquisition date - May 2016\n","Acquisition date - May 2016\n","Acquisition date - June 2012\n","Acquisition date - September 2016\n","Acquisition date - September 2016\n","Acquisition date - September 2017\n","Acquisition date - March 2018\n","Call number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n","Acquisition date - February 2017\n","Call number Oversize M2147 XV .M3; Acquisition date - February 2017\n","Call number Oversize M2147 XVI .M4; Acquisition date - February 2017\n","Call number M2013.5 .M58 1700z; Acquisition date - September 2017\n","Call number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n","Call number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n","Call number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n","Acquisition date - March 2012\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - March 2012\n","Acquisition date - March 2015\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - July 2012\n","Acquisition date - September 2017\n","Acquisition date - July 2018\n","Acquisition date - July 2018\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"persname_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"language_ssim":["Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"text":["C0215","Performing arts manuscripts collection","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other ","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","Acquisition date - October 2009\n","Acquisition date - December 2009\n","Acquisition date - February 2010\n","Acquisition date - September 2010\n","Acquisition date - October 2011\n","Acquisition date - October 2011\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Call number NE671.16.V58 1610; Acquisition date - September 2013\n","Acquisition date - October 2016\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - December 2017\n","Acquisition date - October 2011\n","Acquisition date - January 2016\n","Acquisition date - May 2016\n","Acquisition date - May 2016\n","Acquisition date - June 2012\n","Acquisition date - September 2016\n","Acquisition date - September 2016\n","Acquisition date - September 2017\n","Acquisition date - March 2018\n","Call number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n","Acquisition date - February 2017\n","Call number Oversize M2147 XV .M3; Acquisition date - February 2017\n","Call number Oversize M2147 XVI .M4; Acquisition date - February 2017\n","Call number M2013.5 .M58 1700z; Acquisition date - September 2017\n","Call number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n","Call number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n","Call number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n","Acquisition date - March 2012\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - March 2012\n","Acquisition date - March 2015\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - July 2012\n","Acquisition date - September 2017\n","Acquisition date - July 2018\n","Acquisition date - July 2018\n","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"unitid_tesim":["C0215"],"normalized_title_ssm":["Performing arts manuscripts collection"],"collection_title_tesim":["Performing arts manuscripts collection"],"collection_ssim":["Performing arts manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K."],"creators_ssim":["Gerber, Steven K."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - December 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eCall number NE671.16.V58 1610; Acquisition date - September 2013\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - December 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - January 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - May 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - May 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - June 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2018\n\u003c/p\u003e","\u003cp\u003eCall number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number Oversize M2147 XV .M3; Acquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number Oversize M2147 XVI .M4; Acquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number M2013.5 .M58 1700z; Acquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eCall number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eCall number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n\u003c/p\u003e","\u003cp\u003eCall number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2015\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2018\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2018\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","Acquisition date - October 2009\n","Acquisition date - December 2009\n","Acquisition date - February 2010\n","Acquisition date - September 2010\n","Acquisition date - October 2011\n","Acquisition date - October 2011\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Call number NE671.16.V58 1610; Acquisition date - September 2013\n","Acquisition date - October 2016\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - December 2017\n","Acquisition date - October 2011\n","Acquisition date - January 2016\n","Acquisition date - May 2016\n","Acquisition date - May 2016\n","Acquisition date - June 2012\n","Acquisition date - September 2016\n","Acquisition date - September 2016\n","Acquisition date - September 2017\n","Acquisition date - March 2018\n","Call number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n","Acquisition date - February 2017\n","Call number Oversize M2147 XV .M3; Acquisition date - February 2017\n","Call number Oversize M2147 XVI .M4; Acquisition date - February 2017\n","Call number M2013.5 .M58 1700z; Acquisition date - September 2017\n","Call number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n","Call number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n","Call number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n","Acquisition date - March 2012\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - March 2012\n","Acquisition date - March 2015\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - July 2012\n","Acquisition date - September 2017\n","Acquisition date - July 2018\n","Acquisition date - July 2018\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"names_ssim":["George Mason University. Libraries. 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