{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=George+Mason+University","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":9,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_arenastage","type":"collection","attributes":{"title":"Arena Stage records, 1949/2010","creator":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#creator","type":"document_value","attributes":{"value":"Arena Stage","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e\n            "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\nContains letters from Sigourney Weaver.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n   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Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n           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Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n 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photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n      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subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n      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Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:57.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e\n            "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\nContains letters from Sigourney Weaver.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n           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Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n 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subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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           ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eVinegar\n\u003c/p\u003e\n            ","\u003cp\u003eUnraveling - Vinegar\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e\n            ","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eTape 3\n\u003c/p\u003e\n            ","\u003cp\u003eTape 4\n\u003c/p\u003e\n            ","\u003cp\u003eTape 5\n\u003c/p\u003e\n            ","\u003cp\u003eTape 6\n\u003c/p\u003e\n            ","\u003cp\u003eReel #168\n\u003c/p\u003e\n            ","\u003cp\u003eReel #169\n\u003c/p\u003e\n            ","\u003cp\u003eReel #170\n\u003c/p\u003e\n            ","\u003cp\u003e3 copies\n\u003c/p\u003e\n            ","\u003cp\u003e2 copies\n\u003c/p\u003e\n            ","\u003cp\u003e2 copies\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:57.452Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_arenastage"}},{"id":"vifgm_vifgm00049","type":"collection","attributes":{"title":"Charles A. Veatch papers, 1970/2004","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00049#creator","type":"document_value","attributes":{"value":"Veatch, Charles A., 1942-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00049#abstract_or_scope","type":"document_value","attributes":{"value":"Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00049#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00049","ead_ssi":"vifgm_vifgm00049","_root_":"vifgm_vifgm00049","_nest_parent_":"vifgm_vifgm00049","ead_source_url_ssi":"data/gmu/vifgm00049.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Charles A. Veatch papers"],"title_tesim":["Charles A. Veatch papers"],"unitdate_ssm":["1970-2004"],"unitdate_inclusive_ssm":["1970-2004"],"normalized_date_ssm":["1970/2004"],"normalized_title_ssm":["Charles A. Veatch papers, 1970/2004"],"text":["Charles A. Veatch papers, 1970/2004","C0138","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings.","Collection is open to research.","This collection is arranged according to subject.","Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment.","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","Special Collections and Archives also holds many other personal and organizational collections on the history and development of Reston, Virginia.","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","There are no restrictions.","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","George Mason University. Special Collections and Archives.","Reston Land Corporation.","Veatch, Charles A., 1942-","English"],"collection_title_tesim":["Charles A. Veatch papers, 1970/2004"],"collection_ssim":["Charles A. Veatch papers, 1970/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0138"],"unitid_tesim":["C0138"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Veatch, Charles A., 1942-"],"creator_ssim":["Veatch, Charles A., 1942-"],"creator_persname_ssim":["Veatch, Charles A., 1942-"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Land Corporation."],"creators_ssim":["Veatch, Charles A., 1942-","George Mason University. Special Collections and Archives.","Reston Land Corporation."],"acqinfo_ssim":["Collection donated by Charles Veatch in 1999-2004."],"access_subjects_ssim":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"access_subjects_ssm":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["6.9 linear feet (14 boxes)"],"extent_tesim":["6.9 linear feet (14 boxes)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to subject."],"bioghist_html_tesm":["\u003cp\u003eCharles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n\u003c/p\u003e\n      ","\u003cp\u003e\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n\u003c/p\u003e\n      ","\u003cp\u003e\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment."],"prefercite_html_tesm":["\u003cp\u003eCharles A. Veatch papers, Collection #C0138, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Charles A. Veatch papers, Collection #C0138, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other personal and organizational collections on the history and development of Reston, Virginia.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other personal and organizational collections on the history and development of Reston, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Land Corporation."],"persname_ssim":["Veatch, Charles A., 1942-"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Land Corporation.","Veatch, Charles A., 1942-"],"language_ssim":["English"],"total_component_count_is":295,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:48.151Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00049","ead_ssi":"vifgm_vifgm00049","_root_":"vifgm_vifgm00049","_nest_parent_":"vifgm_vifgm00049","ead_source_url_ssi":"data/gmu/vifgm00049.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Charles A. Veatch papers"],"title_tesim":["Charles A. Veatch papers"],"unitdate_ssm":["1970-2004"],"unitdate_inclusive_ssm":["1970-2004"],"normalized_date_ssm":["1970/2004"],"normalized_title_ssm":["Charles A. Veatch papers, 1970/2004"],"text":["Charles A. Veatch papers, 1970/2004","C0138","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings.","Collection is open to research.","This collection is arranged according to subject.","Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment.","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","Special Collections and Archives also holds many other personal and organizational collections on the history and development of Reston, Virginia.","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","There are no restrictions.","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","George Mason University. Special Collections and Archives.","Reston Land Corporation.","Veatch, Charles A., 1942-","English"],"collection_title_tesim":["Charles A. Veatch papers, 1970/2004"],"collection_ssim":["Charles A. Veatch papers, 1970/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0138"],"unitid_tesim":["C0138"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Veatch, Charles A., 1942-"],"creator_ssim":["Veatch, Charles A., 1942-"],"creator_persname_ssim":["Veatch, Charles A., 1942-"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Land Corporation."],"creators_ssim":["Veatch, Charles A., 1942-","George Mason University. Special Collections and Archives.","Reston Land Corporation."],"acqinfo_ssim":["Collection donated by Charles Veatch in 1999-2004."],"access_subjects_ssim":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"access_subjects_ssm":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["6.9 linear feet (14 boxes)"],"extent_tesim":["6.9 linear feet (14 boxes)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to subject."],"bioghist_html_tesm":["\u003cp\u003eCharles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n\u003c/p\u003e\n      ","\u003cp\u003e\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n\u003c/p\u003e\n      ","\u003cp\u003e\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment."],"prefercite_html_tesm":["\u003cp\u003eCharles A. Veatch papers, Collection #C0138, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Charles A. Veatch papers, Collection #C0138, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other personal and organizational collections on the history and development of Reston, Virginia.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other personal and organizational collections on the history and development of Reston, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Land Corporation."],"persname_ssim":["Veatch, Charles A., 1942-"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Land Corporation.","Veatch, Charles A., 1942-"],"language_ssim":["English"],"total_component_count_is":295,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:48.151Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00049"}},{"id":"vifgm_kincannon","type":"collection","attributes":{"title":"Claire Kincannon theatre collection, 1955/2011","creator":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon#creator","type":"document_value","attributes":{"value":"Lois Claire Kincannon","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"normalized_date_ssm":["1955/2011"],"normalized_title_ssm":["Claire Kincannon theatre collection, 1955/2011"],"text":["Claire Kincannon theatre collection, 1955/2011","C0018","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\n        Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\n        Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\n        Series 4: Film-related Materials, 1956-1992 (Box 29)\n        Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","The first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.","Program for multiple performances.","Press packet. Ten photographs.","Program.","Production of the National Theatre of Great Britain. Stagebill.","Documents regarding workshops. Press releases.","Invitation; Program, photographs.","Program.","Program.","Program.","Photograph; Program.","Program.","Program.","Stagebill.","Production of the New York Metropolitan Opera. Stagebill.","Stagebill.","Program.","Program.","Production of the Tokyo Kid Brothers. Stagebill.","Stagebill.","Program.","Program.","Preview Materials.","Program.","Stagebill.","Stagebill.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Program.","Program.","Stagebill.","Stagebill.","Two photographs.","Stagebill.","News Release; Program.","Press Release; Program.","Program.","News Release; Program.","Press Release; Program; Photograph.","Program.","Program.","Invitation; Program.","Program.","Stagebill.","Stagebill.","Production of the Metropolitan Opera. Stagebill.","Program.","Program.","Program. Photograph.","Stagebill.","Invitation; Program; Photograph.","Invitation; Program.","Program.","Program.","Program.","Stagebill.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Stagebill.","Program.","Program.","Program.","Donor list; Program.","Stagebill; Photograph.","Production of the American Ballet Theatre. Stagebill.","Production of the American Ballet Theatre. Stagebill.","James Joyce's The Dead, Kennedy Center","Native Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian","Our Town, Arena Stage","She Always Said, Pablo, Kennedy Center","Still Life, Arena Stage","Press packet.","Program.","Stagebill. Photograph.","Stagebill.","Stagebill.","Program; Two Photographs.","Program; Invitation.","Program.","Program.","Program.","Invitation; Photograph; Program.","Stagebill.","Stagebill.","Stagebill.","Invitation; Program; Photograph.","Program.","Program.","Program.","Stagebill; Photograph.","Program.","Program; Photograph.","Program; Two photographs.","Invitation; Program.","Program.","Invitation; Program.","35mm slides.","Stagebill; Photograph.","Production of the New York Metropolitan Opera. Stagebill.","Program.","Stagebill.","Program; Photograph.","Program.","Program.","Program.","Ticket stub; Program; 35mm Slides.","Invitation; Program.","Stagebill.","Program.","Photograph; Program.","Program.","Program.","Production of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.","Program.","Program; Photograph.","Brochure.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Invitation; Program.","Production of the New York Shakespeare Festival. Stagebill; Photograph.","Program.","Photograph.","Invitation; Program.","Program.","Photograph; Program.","Program.","Program.","Invitation; Program.","Program.","Production of the Paramount Theatre Prod. Stagebill.","Stagebill.","Invitation; Program.","Program.","Program; Photograph.","Program.","Stagebill.","Program.","Program.","Production of the Royal Shakespeare Company. Stagebill; Three photographs.","Invitation; Program; Photograph.","Program; Photograph.","Program; Invitation.","Showbill.","Program.","Program; Two Photographs.","Invitation; Program; Photograph.","Stagebill; Photograph.","Production of the Opera House; Three Photographs; Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program; Two Photographs.","Program.","Stagebill.","Press Release.","Invitation; Program.","Stagebill.","Flyer; Stagebill.","Stagebill; Photograph.","Program; Photograph.","Invitation; Program.","Invitation; Program; Photograph.","Program; Press Release; Newspaper Articles.","Invitation; Program.","Presented by Piccolo Spoleto. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.","Program.","Production of the Human Bridge Theater Company. Press Kit.","Stagebill.","Program.","Program.","Program; Press Release; Notes.","Stagebill.","Photograph; Tickets; Stagebill.","Program.","Invitation; Program.","Program.","Program.","Invitation; Program.","Photograph; Program.","Invitation; Program; Four slides.","Program.","Invitation; Program; Photograph.","Invitation; Program; Photograph.","Stagebill.","Two Photographs.","Program.","Program.","Invitation; Program.","Production of the American National Theatre. Stagebill.","Stagebill; Photograph.","Program.","Programs; Invitations; Louisville guide; Notes.","Program.","Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program.","Stagebill; Photograph.","Invitation; Program.","Invitation; Program.","Stagebill.","Stagebill; Photograph.","Program.","Invitation; Program.","Stagebill.","Stagebill; Press Release.","Program.","Program; Tickets.","Two Photographs; Program.","Program.","Invitation; Program.","Stagebill; Press Release; Media Kit.","Production of the Haifa Municipal Theatre of Israel. Stagebill.","Stagebill.","Program.","Program.","Invitation; Program.","Program; Press Release.","Tickets; Stagebill; Press Release.","Stagebill.","Production of the La Jolla Playhouse. Stagebill; Photograph.","Invitation; Program.","Stagebill.","Schedule.","Stagebill; Photograph.","Press Release; Newspaper Articles; Publicity Packet; Program.","Program; Magazine; Newspaper Article.","Program; Press Release; Studio Theatre Newspaper.","Press Release; Program; Mailer.","Tickets; Press Release; Stagebill.","Program; Press Release.","Press Release; Program.","Stagebill; Photograph.","Program.","Program.","Stagebill; Press Release.","Souvenir Brochure; Stagebill.","Program; Press Release; American's Arena Publication.","Stagebill; Press Release; Newspaper Article.","Program; Newspaper Article; America's Arena Publication.","Program; Newspaper Article; Press Release.","Stagebill.","Press Release; Program.","Photograph; Press Release; Mailer; Program.","Invitation; Program; Press Release.","Program; Press Release.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Photograph; Press Release; Media Kit, Stagebill.","Press Release; Invitation.","Invitation; Program.","Invitation; Press Releases; Program.","Program; Press Release.","Media Package","Invitation; Program; Photograph","Stagebill; Press Release.","Press Release; Stagebill.","Ticket stub; Invitation; Program; Press Release; Newspaper Article.","Press Release; Stagebill.","Stagebill.","Press Release; Stagebill.","Press Release; Two Photographs","Press Release; Stagebill.","Stagebill; Press Release.","Invitation; Program; Press Release; Newspaper Article.","Program.","Press Release; Program.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Stagebill.","Newspaper Article; Program; Ticket Stubs; Mailer.","Invitation; Program; Ticket Stubs; Press Release.","Ten photographs.","Invitation; Program.","Program; Press Release.","Photograph; Press Release; Program.","Program.","Invitation; Program; Photograph; Magazine Article.","Stagebill; Press Release; Photograph.","Stagebill.","Program; Press Release; Photograph.","Program.","Stagebill; Photograph.","Stagebill; Press Release.","Magazine Article; Tickets; Program; Photograph; Press Release.","Program.","Press Releases.","Program.","Invitation.","Press Kit; Stagebill.","Press Release; Stagebill; Photograph.","Photograph; Program.","Stagebill.","Program; Photograph.","Program; Photograph.","Media Kit; Program.","Stagebill.","Program.","Stagebill; Photograph.","Media Kit; Program.","Program; Press Release; Photograph.","Photograph; Letter.","Program; Photograph.","Program; Photographs.","Program; Playbills","Moscow Art Theatre: Past, Present, Future publication","Program; Press Release; Photograph.","Stagebill; Photograph.","Press Kit; Program.","Brochure.","Program.","Invitation; Program.","Program; Photograph.","Photographs; Stagebill; Program; Tickets.","Photographs; Stagebill.","Stagebill; Photograph.","Tickets; Stagebill; Photographs.","Program.","Photograph; Press Release; Stagebill.","Photograph; Stagebill; Press Release.","Stagebill; Photograph.","Photograph; Press Release; Stagebill.","Program; Photograph; Press Release.","Press Release; Photograph; Program.","Press Release.","Invitation; Press Release; Newspaper Articles.","Photograph; Stagebill.","Invitation; Program; Photograph; Press Release.","Stagebill; Photograph.","Invitation; Photograph; Program.","Invitation; Program; Media Kit.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Program, Photographs.","Invitation; Program; Media Kit.","Program; Media Kit.","Program; Media Kit.","Invitation; Photograph; Program; Press Release.","Invitation; Program; Media Kit.","Stagebill.","Stagebill; Press Release.","Program.","Brochure.","Stagebill; Photograph.","Stagebill.","Invitation; Program; Newspaper Article; Photograph.","Invitation; Program.","Press Release.","Program.","Program; Press Release.","Program.","Program.","Stagebill.","Stagebill.","Stagebill; Press release; Notes.","Stagebill; Photograph.","Program; Photograph; Newspaper Articles; Magazine; Press Release.","Program; Photograph.","Program.","Stagebill.","Stagebill; Media Kit; Newspaper Articles.","Invitation; Program; Photograph.","News release; Photograph; Program.","Press release; Newsletter; Program.","Invitation; Program; News Release.","News Release; Invitation; Program.","Press Release; Program; Invitation; Newspaper Article.","Stagebill; Press Release.","Program; Press Release.","Program.","Production of the Bolshoi Opera. Program; Photograph.","Program; Photograph.","Stagebill; Press Release.","Program.","Program; Press Release; Newsletter.","Three Photographs.","Playbill; Two Photographs.","Invitation; Program.","Press Release; Program.","Press Release; Postcard.","Stagebill.","Press Kit.","Press Release.","Invitation; Program; Press Release.","Program; Press Release; Photograph.","Stagebill; Press Kit.","Program; Press Kit.","Invitation.","Program; Photograph.","Stagebill; Press Release; Photograph.","Program; Photograph; Press Release.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Invitation; Program; Press Release; Photograph.","Program; Guest list.","Program; Press Kit; Two photographs.","Stagebill; Press Release; Photograph.","Program; Press Kit.","Program; Press Kit.","Stagebill; Press Kit; Photograph.","Program; Press Kit.","Program; Press Release; Key chain.","Program.","Program; Press Kit.","Production of the Theater des Westens. Stagebill; Press Kit.","Stagebill; Press Kit.","Stagebill; Press Release; Photograph.","Program; Press Release; Photograph.","Program.","Invitation; Program; Press Release.","Press Release; Program.","Program.","Program.","Loudoun Symphony 10th anniversary concert","Waterford concert series: The Back Sinfonia","Waterford concert series: Musical Remarks","Capitol Steps: Who put the mock in democracy? It's the Capital Steps","Oklahoma!, Arena Stage","August Wilson's Gem of the Ocean, Arena Stage","She Loves Me, Arena Stage","A Tribute to Sergei Prokofiev, Kennedy Center","Ain't Misbehavin', Arena Stage","An Evening at the Oscars, Loudoun Symphony, Middleburg, VA","Anna Christie, Arena Stage","The Best Man, Radio Theatre Live!","Chicago, Knoxville Civic Auditorium, TN","Choral Arts Society of Washington, Kennedy Center","Diana Krall, Kennedy Center","Eudora Welty Remembered, Folger Shakespeare Library","Hallelujah, Baby!, Arena Stage","Love's Labour's Lost, Catholic University of America","Mostly Sondheim, Kennedy Center","Pacific Overtures, Kennedy Center","Passion, Kennedy Center","PEN/Faulkner awards for fiction, Folger Shakespeare Library","The Play About the Baby, The Studio Theatre","Roberta Flack, Music Center at Strathmore","Runaway Home, The Studio Theatre","The Shape of Things, The Studio Theatre","Fourth Estate Award Dinner honoring Christiane Amanpour","The Order of the Owl, Initiating Art Buchwald","The Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie","The Order of the Owl, Initiating Mark Russell","Spring Hoot: A Grand Old Club Salutes A Grand Old Hotel","The Order of the Owl, Initiating John Eaton","Kennedy Center News (September-October 2004 and May-August 2004)","Five by Tenn (ticket, press packet)","The Light in the Piazza","Salome","Madama Butterfly","Marian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz","Washington National Opera's Iphigenie en Tauride","Washington National Opera's Macbeth","A View from the Bridge, Washington National Opera","Madame Butterfly, Washington National Opera","National Symphony Orchestra","Sophie's Choice, Washington National Opera","Cabaret, Arena Stage","Connecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico","The Evening Parade, Marine Barracks Washington","Fiddler on the Roof, Olney Theatre Center, MD","Hansel and Gretel, The Lincoln Theatre","Ibis, Waterford, VA","Opera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA","The Persians, Shakespeare Theatre Company","Waterford Home Tours and Crafts Exhibit, Waterford, VA","Program.","Program; Photograph.","Playbill.","Playbill.","Applause at Strathmore","The Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage","Blues Alley Jazz Supper Club","Cymbeline, Round House Silver Spring","Kennedy Center News","La Traviata, Washington National Opera, Kennedy Center","Musical Remarks, John Wesley Church, Waterford, VA","The Pearl Fishers, Washington National Opera, Kennedy Center","The Price, Theatre J","Strathmore News","Program.","Program.","Production of the Washington National Opera. Playbill.","Antony and Cleopatra, Lansburgh Theatre","Ariadne auf Naxos, Washington National Opera, Kennedy Center","Chicago, National Theatre","Falstaff, Washington National Opera, Kennedy Center","I Love a Piano, Arena Stage","Master Singers of Virginia, Waterford, VA","PEN/Faulkner awards for fiction, Folger Shakespeare Library","Peter Grimes, Washington National Opera, Kennedy Center","Turandot, Washington National Opera, Kennedy Center","The Marriage of Figaro, Washington National Opera, Kennedy Center","Porgy and Bess, Washington National Opera, Kennedy Center","Reasons to be Pretty, The Studio Theatre","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Vol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1","Reports.","Brochure.","Articles.","Press Releases; Photograph.","Program.","Newspaper Articles; Photograph.","Newsletter.","Program.","Photograph.","Program.","Annual Reports; Schedules; Publication.","Invitations for plays not attended or no playbills.","Photographs.","Invitations.","Seven photographs.","Victor Borge and his Concert Orchestra","Spies in your eyes, JCA Playguild","Hamlet, Philharmonia Orchestra","Henry V: An interpretation of the Photoplay","From Washington DC and Virginia theatres","Includes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth","Marilyn Monroe: Life as a Legend","Franklin Park Performing and Visual Arts Center (2008-2009)","Grease at the Olney Theatre Center","Shenandoah Summer Music Theatre (2011)","Includes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society","Includes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera","Programs; Playbills.","The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.","Playbill; Program.","Playbill; Program.","Playbill.","Program.","Program.","Playbill; Program.","Playbill; Program.","Dayton Philharmonic Orchestra, Memorial Hall, Dayton, OH","Philharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","The Antioch yellow springs festival, OH","Light up the sky, Victory Theatre, Dayton, OH","The magnificent Yankee, Cox Theatre, Cincinnati, OH","O mistress mine, Memorial Hall, Dayton, OH","Pick-up girl, Ellis Auditorium, Memphis, TN","State of the union, Cox Theatre, Cincinnati, OH","The wise have not spoken, Yellow Springs Area Theatre, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbills.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Announcement.","Playbook; Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Souvenir Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Program.","Program.","Program.","Playbill; Program.","Program; Curtain Call.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program; Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbill.","The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.","Program.","Playbill.","Program.","Program.","Program.","Calendar.","Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playgram.","Playgram.","Playgram.","Reviews.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Showcard.","Showcard.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Magazine.","Magazine.","Picture book.","Publication.","Program.","Program.","Playbill.","Playbill.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; City Guide.","The fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.","Souvenir Book.","Magazine. Vol 4, no. 8.","Magazine. Vol 4, no. 9.","Book.","Program.","Cinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.","Programs for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.","Press Release.","Press Packet.","Press Packet.","Press Packet.","Press Packet; Production Information; Photographs.","Press Packet.","Program; magazine.","The fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.","7\" reel-to-reel audiotape. Program ends at 00:10:08.","Videotape.","Pamphlet.","7\" reel-to-reel audiotape. Run Time: 00:08:05.","7\" reel-to-reel audiotape. Program ends at 00:24:45.","7\" reel-to-reel audiotape. Program ends at 00:31:40.","9 discs containing digital access copies and a storage drive with access copies and master digital files.","7\" reel-to-reel audiotape. Program ends at 00:06:08.","7\" reel-to-reel audiotape. Program ends at 00:16:15.","5\" reel-to-reel audiotape. Run time is 00:07:36.","Audiotape cartridge. Run Time: 00:03:44.","Audiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.","5\" reel-to-reel audiotape. Run Time: 00:03:24.","5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.","10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.","10.5\" reel-to-reel audiotape. Run Time: 0:23:59.","5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.","7\" reel-to-reel audiotape. Program ends at 00:10:00.","7\" reel-to-reel audiotape. Run time is 00:07:28.","5\" reel-to-reel audiotape. Run Time: 00:11:09.","7\" reel-to-reel audiotape. Program ends at 00:04:59.","7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.","7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:06:25.","7\" reel-to-reel audiotape. Run time is 00:04:28.","7\" reel-to-reel audiotape. Run time is 00:06:11.","7\" reel-to-reel audiotape. Program ends at 00:05:37.","7\" reel-to-reel audiotape. Program ends at 00:05:02.","5\" reel-to-reel audiotape. Run time is 00:05:57.","7\" reel-to-reel audiotape. Program ends at 00:05:07.","7\" reel-to-reel audiotape. Program ends at 00:05:10.","7\" reel-to-reel audiotape. Program ends at 00:05:27.","7\" reel-to-reel audiotape. Program ends at 00:04:58.","5\" reel-to-reel audiotape. Run time is 00:06:20.","7\" reel-to-reel audiotape. Runt time is 00:05:26.","7\" reel-to-reel audiotape. Program ends at 00:07:15.","Videotape cassette.","Videotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.","7\" reel-to-reel audiotape. Program ends at 00:04:50.","7\" reel-to-reel audiotape. Run time is 00:26:46.","7\" reel-to-reel audiotape. Program ends at 00:04:06.","7\" reel-to-reel audiotape. Program ends at 00:06:52.","7\" reel-to-reel audiotape. Program ends at 00:05:16.","7\" reel-to-reel audiotape. Program ends at 00:05:47.","7\" reel-to-reel audiotape. Program ends at 00:06:07.","7\" reel-to-reel audiotape. Program ends at 00:03:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.","7\" reel-to-reel audiotape. Program ends at approx 00:05:06.","7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.","7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.","7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.","7\" reel-to-reel audiotape. Program ends at 00:21:50.","7\" reel-to-reel audiotape. Run time is 00:47:10.","7\" reel-to-reel audiotape. Run time is 00:41:45.","7\" reel to reel audiotape. Program ends at approx 00:05:34.","7\" reel-to-reel audiotape. Run Time: 01:05:27.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette. Clips from Streetwise and Old Enough.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English"],"collection_title_tesim":["Claire Kincannon theatre collection, 1955/2011"],"collection_ssim":["Claire Kincannon theatre collection, 1955/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"unitid_tesim":["C0018"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"creator_corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"creators_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire.","George Mason University Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\n        Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\n        Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\n        Series 4: Film-related Materials, 1956-1992 (Box 29)\n        Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e\n      ","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e\n      ","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e\n      ","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e\n    ","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.\u003c/p\u003e\n        ","\u003cp\u003eProgram for multiple performances.\u003c/p\u003e\n          ","\u003cp\u003ePress packet. Ten photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the National Theatre of Great Britain. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eDocuments regarding workshops. Press releases.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program, photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the New York Metropolitan Opera. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Tokyo Kid Brothers. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePreview Materials.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eTwo photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eNews Release; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eNews Release; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Metropolitan Opera. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram. Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Elizabeth Theatre Group. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Elizabeth Theatre Group. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eDonor list; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the American Ballet Theatre. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the American Ballet Theatre. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eJames Joyce's The Dead, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eNative Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian\u003c/p\u003e\n            ","\u003cp\u003eOur Town, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eShe Always Said, Pablo, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eStill Life, Arena Stage\u003c/p\u003e\n          ","\u003cp\u003ePress packet.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill. Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Two Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Invitation.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Photograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Two photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003e35mm slides.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the New York Metropolitan Opera. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eTicket stub; Program; 35mm Slides.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eBrochure.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the New York Shakespeare Festival. Stagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Paramount Theatre Prod. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Royal Shakespeare Company. Stagebill; Three photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Invitation.\u003c/p\u003e\n          ","\u003cp\u003eShowbill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Two Photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Opera House; Three Photographs; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Two Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eFlyer; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Articles.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by Piccolo Spoleto. Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Human Bridge Theater Company. Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Notes.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Tickets; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Four slides.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eTwo Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the American National Theatre. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePrograms; Invitations; Louisville guide; Notes.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Tickets.\u003c/p\u003e\n          ","\u003cp\u003eTwo Photographs; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Haifa Municipal Theatre of Israel. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eTickets; Stagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the La Jolla Playhouse. Stagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eSchedule.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Newspaper Articles; Publicity Packet; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Magazine; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Studio Theatre Newspaper.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program; Mailer.\u003c/p\u003e\n          ","\u003cp\u003eTickets; Press Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eSouvenir Brochure; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; American's Arena Publication.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Newspaper Article; America's Arena Publication.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Newspaper Article; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Mailer; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Media Kit, Stagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Invitation.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Press Releases; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eMedia Package\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eTicket stub; Invitation; Program; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Two Photographs\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Article; Program; Ticket Stubs; Mailer.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Ticket Stubs; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eTen photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph; Magazine Article.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eMagazine Article; Tickets; Program; Photograph; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePress Releases.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation.\u003c/p\u003e\n          ","\u003cp\u003ePress Kit; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eMedia Kit; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eMedia Kit; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Letter.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Playbills\u003c/p\u003e\n            ","\u003cp\u003eMoscow Art Theatre: Past, Present, Future publication\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePress Kit; Program.\u003c/p\u003e\n          ","\u003cp\u003eBrochure.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePhotographs; Stagebill; Program; Tickets.\u003c/p\u003e\n          ","\u003cp\u003ePhotographs; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eTickets; Stagebill; Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Stagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Photograph; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Press Release; Newspaper Articles.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Photograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram, Photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Photograph; Program; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eBrochure.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Newspaper Article; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press release; Notes.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph; Newspaper Articles; Magazine; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Media Kit; Newspaper Articles.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eNews release; Photograph; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress release; Newsletter; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; News Release.\u003c/p\u003e\n          ","\u003cp\u003eNews Release; Invitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program; Invitation; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Bolshoi Opera. Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newsletter.\u003c/p\u003e\n          ","\u003cp\u003eThree Photographs.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Two Photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Postcard.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Kit.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eInvitation.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Guest list.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit; Two photographs.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Kit; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Key chain.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Theater des Westens. Stagebill; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eLoudoun Symphony 10th anniversary concert\u003c/p\u003e\n            ","\u003cp\u003eWaterford concert series: The Back Sinfonia\u003c/p\u003e\n            ","\u003cp\u003eWaterford concert series: Musical Remarks\u003c/p\u003e\n            ","\u003cp\u003eCapitol Steps: Who put the mock in democracy? It's the Capital Steps\u003c/p\u003e\n            ","\u003cp\u003eOklahoma!, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eAugust Wilson's Gem of the Ocean, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eShe Loves Me, Arena Stage\u003c/p\u003e\n          ","\u003cp\u003eA Tribute to Sergei Prokofiev, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eAin't Misbehavin', Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eAn Evening at the Oscars, Loudoun Symphony, Middleburg, VA\u003c/p\u003e\n            ","\u003cp\u003eAnna Christie, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eThe Best Man, Radio Theatre Live!\u003c/p\u003e\n            ","\u003cp\u003eChicago, Knoxville Civic Auditorium, TN\u003c/p\u003e\n            ","\u003cp\u003eChoral Arts Society of Washington, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eDiana Krall, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eEudora Welty Remembered, Folger Shakespeare Library\u003c/p\u003e\n            ","\u003cp\u003eHallelujah, Baby!, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eLove's Labour's Lost, Catholic University of America\u003c/p\u003e\n            ","\u003cp\u003eMostly Sondheim, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003ePacific Overtures, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003ePassion, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003ePEN/Faulkner awards for fiction, Folger Shakespeare Library\u003c/p\u003e\n            ","\u003cp\u003eThe Play About the Baby, The Studio Theatre\u003c/p\u003e\n            ","\u003cp\u003eRoberta Flack, Music Center at Strathmore\u003c/p\u003e\n            ","\u003cp\u003eRunaway Home, The Studio Theatre\u003c/p\u003e\n            ","\u003cp\u003eThe Shape of Things, The Studio Theatre\u003c/p\u003e\n          ","\u003cp\u003eFourth Estate Award Dinner honoring Christiane Amanpour\u003c/p\u003e\n            ","\u003cp\u003eThe Order of the Owl, Initiating Art Buchwald\u003c/p\u003e\n            ","\u003cp\u003eThe Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie\u003c/p\u003e\n            ","\u003cp\u003eThe Order of the Owl, Initiating Mark Russell\u003c/p\u003e\n            ","\u003cp\u003eSpring Hoot: A Grand Old Club Salutes A Grand Old Hotel\u003c/p\u003e\n            ","\u003cp\u003eThe Order of the Owl, Initiating John Eaton\u003c/p\u003e\n          ","\u003cp\u003eKennedy Center News (September-October 2004 and May-August 2004)\u003c/p\u003e\n            ","\u003cp\u003eFive by Tenn (ticket, press packet)\u003c/p\u003e\n            ","\u003cp\u003eThe Light in the Piazza\u003c/p\u003e\n            ","\u003cp\u003eSalome\u003c/p\u003e\n            ","\u003cp\u003eMadama Butterfly\u003c/p\u003e\n            ","\u003cp\u003eMarian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz\u003c/p\u003e\n            ","\u003cp\u003eWashington National Opera's Iphigenie en Tauride\u003c/p\u003e\n            ","\u003cp\u003eWashington National Opera's Macbeth\u003c/p\u003e\n          ","\u003cp\u003eA View from the Bridge, Washington National Opera\u003c/p\u003e\n            ","\u003cp\u003eMadame Butterfly, Washington National Opera\u003c/p\u003e\n            ","\u003cp\u003eNational Symphony Orchestra\u003c/p\u003e\n            ","\u003cp\u003eSophie's Choice, Washington National Opera\u003c/p\u003e\n          ","\u003cp\u003eCabaret, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eConnecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico\u003c/p\u003e\n            ","\u003cp\u003eThe Evening Parade, Marine Barracks Washington\u003c/p\u003e\n            ","\u003cp\u003eFiddler on the Roof, Olney Theatre Center, MD\u003c/p\u003e\n            ","\u003cp\u003eHansel and Gretel, The Lincoln Theatre\u003c/p\u003e\n            ","\u003cp\u003eIbis, Waterford, VA\u003c/p\u003e\n            ","\u003cp\u003eOpera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA\u003c/p\u003e\n            ","\u003cp\u003eThe Persians, Shakespeare Theatre Company\u003c/p\u003e\n            ","\u003cp\u003eWaterford Home Tours and Crafts Exhibit, Waterford, VA\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eApplause at Strathmore\u003c/p\u003e\n            ","\u003cp\u003eThe Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eBlues Alley Jazz Supper Club\u003c/p\u003e\n            ","\u003cp\u003eCymbeline, Round House Silver Spring\u003c/p\u003e\n            ","\u003cp\u003eKennedy Center News\u003c/p\u003e\n            ","\u003cp\u003eLa Traviata, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eMusical Remarks, John Wesley Church, Waterford, VA\u003c/p\u003e\n            ","\u003cp\u003eThe Pearl Fishers, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eThe Price, Theatre J\u003c/p\u003e\n            ","\u003cp\u003eStrathmore News\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Washington National Opera. Playbill.\u003c/p\u003e\n          ","\u003cp\u003eAntony and Cleopatra, Lansburgh Theatre\u003c/p\u003e\n            ","\u003cp\u003eAriadne auf Naxos, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eChicago, National Theatre\u003c/p\u003e\n            ","\u003cp\u003eFalstaff, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eI Love a Piano, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eMaster Singers of Virginia, Waterford, VA\u003c/p\u003e\n            ","\u003cp\u003ePEN/Faulkner awards for fiction, Folger Shakespeare Library\u003c/p\u003e\n            ","\u003cp\u003ePeter Grimes, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eTurandot, Washington National Opera, Kennedy Center\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe Marriage of Figaro, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003ePorgy and Bess, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eReasons to be Pretty, The Studio Theatre\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.\u003c/p\u003e\n          ","\u003cp\u003eVol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1\u003c/p\u003e\n          ","\u003cp\u003eReports.\u003c/p\u003e\n          ","\u003cp\u003eBrochure.\u003c/p\u003e\n          ","\u003cp\u003eArticles.\u003c/p\u003e\n          ","\u003cp\u003ePress Releases; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eNewsletter.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eAnnual Reports; Schedules; Publication.\u003c/p\u003e\n          ","\u003cp\u003eInvitations for plays not attended or no playbills.\u003c/p\u003e\n          ","\u003cp\u003ePhotographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitations.\u003c/p\u003e\n          ","\u003cp\u003eSeven photographs.\u003c/p\u003e\n          ","\u003cp\u003eVictor Borge and his Concert Orchestra\u003c/p\u003e\n            ","\u003cp\u003eSpies in your eyes, JCA Playguild\u003c/p\u003e\n            ","\u003cp\u003eHamlet, Philharmonia Orchestra\u003c/p\u003e\n            ","\u003cp\u003eHenry V: An interpretation of the Photoplay\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFrom Washington DC and Virginia theatres\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth\u003c/p\u003e\n          ","\u003cp\u003eMarilyn Monroe: Life as a Legend\u003c/p\u003e\n            ","\u003cp\u003eFranklin Park Performing and Visual Arts Center (2008-2009)\u003c/p\u003e\n            ","\u003cp\u003eGrease at the Olney Theatre Center\u003c/p\u003e\n            ","\u003cp\u003eShenandoah Summer Music Theatre (2011)\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003ePrograms; Playbills.\u003c/p\u003e\n          ","\u003cp\u003eThe second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.\u003c/p\u003e\n        ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003eDayton Philharmonic Orchestra, Memorial Hall, Dayton, OH\u003c/p\u003e\n            ","\u003cp\u003ePhilharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003eThe Antioch yellow springs festival, OH\u003c/p\u003e\n            ","\u003cp\u003eLight up the sky, Victory Theatre, Dayton, OH\u003c/p\u003e\n            ","\u003cp\u003eThe magnificent Yankee, Cox Theatre, Cincinnati, OH\u003c/p\u003e\n            ","\u003cp\u003eO mistress mine, Memorial Hall, Dayton, OH\u003c/p\u003e\n            ","\u003cp\u003ePick-up girl, Ellis Auditorium, Memphis, TN\u003c/p\u003e\n            ","\u003cp\u003eState of the union, Cox Theatre, Cincinnati, OH\u003c/p\u003e\n            ","\u003cp\u003eThe wise have not spoken, Yellow Springs Area Theatre, OH\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybills.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eAnnouncement.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Playbook.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; 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Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Curtain Call.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Playbook.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; 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Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eThe third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.\u003c/p\u003e\n        ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eCalendar.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaygram.\u003c/p\u003e\n          ","\u003cp\u003ePlaygram.\u003c/p\u003e\n          ","\u003cp\u003ePlaygram.\u003c/p\u003e\n          ","\u003cp\u003eReviews.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eShowcard.\u003c/p\u003e\n          ","\u003cp\u003eShowcard.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eMagazine.\u003c/p\u003e\n          ","\u003cp\u003eMagazine.\u003c/p\u003e\n          ","\u003cp\u003ePicture book.\u003c/p\u003e\n          ","\u003cp\u003ePublication.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; City Guide.\u003c/p\u003e\n          ","\u003cp\u003eThe fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.\u003c/p\u003e\n        ","\u003cp\u003eSouvenir Book.\u003c/p\u003e\n          ","\u003cp\u003eMagazine. Vol 4, no. 8.\u003c/p\u003e\n          ","\u003cp\u003eMagazine. Vol 4, no. 9.\u003c/p\u003e\n          ","\u003cp\u003eBook.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eCinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.\u003c/p\u003e\n          ","\u003cp\u003ePrograms for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet; Production Information; Photographs.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet.\u003c/p\u003e\n          ","\u003cp\u003eProgram; magazine.\u003c/p\u003e\n          ","\u003cp\u003eThe fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.\u003c/p\u003e\n        ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:10:08.\u003c/p\u003e\n          ","\u003cp\u003eVideotape.\u003c/p\u003e\n          ","\u003cp\u003ePamphlet.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run Time: 00:08:05.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:24:45.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:31:40.\u003c/p\u003e\n          ","\u003cp\u003e9 discs containing digital access copies and a storage drive with access copies and master digital files.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:08.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:16:15.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:07:36.\u003c/p\u003e\n          ","\u003cp\u003eAudiotape cartridge. Run Time: 00:03:44.\u003c/p\u003e\n          ","\u003cp\u003eAudiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run Time: 00:03:24.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.\u003c/p\u003e\n          ","\u003cp\u003e10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.\u003c/p\u003e\n          ","\u003cp\u003e10.5\" reel-to-reel audiotape. Run Time: 0:23:59.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:10:00.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:07:28.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run Time: 00:11:09.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:59.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:46.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:25.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:04:28.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:06:11.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:37.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:02.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:05:57.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:07.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:10.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:27.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:58.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:06:20.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Runt time is 00:05:26.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:07:15.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:50.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:26:46.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:06.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:52.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:16.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:47.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:07.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:03:44.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at approx 00:05:06.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:21:50.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:47:10.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:41:45.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel to reel audiotape. Program ends at approx 00:05:34.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run Time: 01:05:27.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette. Clips from Streetwise and Old Enough.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","The first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.","Program for multiple performances.","Press packet. Ten photographs.","Program.","Production of the National Theatre of Great Britain. Stagebill.","Documents regarding workshops. Press releases.","Invitation; Program, photographs.","Program.","Program.","Program.","Photograph; Program.","Program.","Program.","Stagebill.","Production of the New York Metropolitan Opera. Stagebill.","Stagebill.","Program.","Program.","Production of the Tokyo Kid Brothers. Stagebill.","Stagebill.","Program.","Program.","Preview Materials.","Program.","Stagebill.","Stagebill.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Program.","Program.","Stagebill.","Stagebill.","Two photographs.","Stagebill.","News Release; Program.","Press Release; Program.","Program.","News Release; Program.","Press Release; Program; Photograph.","Program.","Program.","Invitation; Program.","Program.","Stagebill.","Stagebill.","Production of the Metropolitan Opera. Stagebill.","Program.","Program.","Program. Photograph.","Stagebill.","Invitation; Program; Photograph.","Invitation; Program.","Program.","Program.","Program.","Stagebill.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Stagebill.","Program.","Program.","Program.","Donor list; Program.","Stagebill; Photograph.","Production of the American Ballet Theatre. Stagebill.","Production of the American Ballet Theatre. Stagebill.","James Joyce's The Dead, Kennedy Center","Native Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian","Our Town, Arena Stage","She Always Said, Pablo, Kennedy Center","Still Life, Arena Stage","Press packet.","Program.","Stagebill. Photograph.","Stagebill.","Stagebill.","Program; Two Photographs.","Program; Invitation.","Program.","Program.","Program.","Invitation; Photograph; Program.","Stagebill.","Stagebill.","Stagebill.","Invitation; Program; Photograph.","Program.","Program.","Program.","Stagebill; Photograph.","Program.","Program; Photograph.","Program; Two photographs.","Invitation; Program.","Program.","Invitation; Program.","35mm slides.","Stagebill; Photograph.","Production of the New York Metropolitan Opera. Stagebill.","Program.","Stagebill.","Program; Photograph.","Program.","Program.","Program.","Ticket stub; Program; 35mm Slides.","Invitation; Program.","Stagebill.","Program.","Photograph; Program.","Program.","Program.","Production of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.","Program.","Program; Photograph.","Brochure.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Invitation; Program.","Production of the New York Shakespeare Festival. Stagebill; Photograph.","Program.","Photograph.","Invitation; Program.","Program.","Photograph; Program.","Program.","Program.","Invitation; Program.","Program.","Production of the Paramount Theatre Prod. Stagebill.","Stagebill.","Invitation; Program.","Program.","Program; Photograph.","Program.","Stagebill.","Program.","Program.","Production of the Royal Shakespeare Company. Stagebill; Three photographs.","Invitation; Program; Photograph.","Program; Photograph.","Program; Invitation.","Showbill.","Program.","Program; Two Photographs.","Invitation; Program; Photograph.","Stagebill; Photograph.","Production of the Opera House; Three Photographs; Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program; Two Photographs.","Program.","Stagebill.","Press Release.","Invitation; Program.","Stagebill.","Flyer; Stagebill.","Stagebill; Photograph.","Program; Photograph.","Invitation; Program.","Invitation; Program; Photograph.","Program; Press Release; Newspaper Articles.","Invitation; Program.","Presented by Piccolo Spoleto. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.","Program.","Production of the Human Bridge Theater Company. Press Kit.","Stagebill.","Program.","Program.","Program; Press Release; Notes.","Stagebill.","Photograph; Tickets; Stagebill.","Program.","Invitation; Program.","Program.","Program.","Invitation; Program.","Photograph; Program.","Invitation; Program; Four slides.","Program.","Invitation; Program; Photograph.","Invitation; Program; Photograph.","Stagebill.","Two Photographs.","Program.","Program.","Invitation; Program.","Production of the American National Theatre. Stagebill.","Stagebill; Photograph.","Program.","Programs; Invitations; Louisville guide; Notes.","Program.","Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program.","Stagebill; Photograph.","Invitation; Program.","Invitation; Program.","Stagebill.","Stagebill; Photograph.","Program.","Invitation; Program.","Stagebill.","Stagebill; Press Release.","Program.","Program; Tickets.","Two Photographs; Program.","Program.","Invitation; Program.","Stagebill; Press Release; Media Kit.","Production of the Haifa Municipal Theatre of Israel. Stagebill.","Stagebill.","Program.","Program.","Invitation; Program.","Program; Press Release.","Tickets; Stagebill; Press Release.","Stagebill.","Production of the La Jolla Playhouse. Stagebill; Photograph.","Invitation; Program.","Stagebill.","Schedule.","Stagebill; Photograph.","Press Release; Newspaper Articles; Publicity Packet; Program.","Program; Magazine; Newspaper Article.","Program; Press Release; Studio Theatre Newspaper.","Press Release; Program; Mailer.","Tickets; Press Release; Stagebill.","Program; Press Release.","Press Release; Program.","Stagebill; Photograph.","Program.","Program.","Stagebill; Press Release.","Souvenir Brochure; Stagebill.","Program; Press Release; American's Arena Publication.","Stagebill; Press Release; Newspaper Article.","Program; Newspaper Article; America's Arena Publication.","Program; Newspaper Article; Press Release.","Stagebill.","Press Release; Program.","Photograph; Press Release; Mailer; Program.","Invitation; Program; Press Release.","Program; Press Release.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Photograph; Press Release; Media Kit, Stagebill.","Press Release; Invitation.","Invitation; Program.","Invitation; Press Releases; Program.","Program; Press Release.","Media Package","Invitation; Program; Photograph","Stagebill; Press Release.","Press Release; Stagebill.","Ticket stub; Invitation; Program; Press Release; Newspaper Article.","Press Release; Stagebill.","Stagebill.","Press Release; Stagebill.","Press Release; Two Photographs","Press Release; Stagebill.","Stagebill; Press Release.","Invitation; Program; Press Release; Newspaper Article.","Program.","Press Release; Program.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Stagebill.","Newspaper Article; Program; Ticket Stubs; Mailer.","Invitation; Program; Ticket Stubs; Press Release.","Ten photographs.","Invitation; Program.","Program; Press Release.","Photograph; Press Release; Program.","Program.","Invitation; Program; Photograph; Magazine Article.","Stagebill; Press Release; Photograph.","Stagebill.","Program; Press Release; Photograph.","Program.","Stagebill; Photograph.","Stagebill; Press Release.","Magazine Article; Tickets; Program; Photograph; Press Release.","Program.","Press Releases.","Program.","Invitation.","Press Kit; Stagebill.","Press Release; Stagebill; Photograph.","Photograph; Program.","Stagebill.","Program; Photograph.","Program; Photograph.","Media Kit; Program.","Stagebill.","Program.","Stagebill; Photograph.","Media Kit; Program.","Program; Press Release; Photograph.","Photograph; Letter.","Program; Photograph.","Program; Photographs.","Program; Playbills","Moscow Art Theatre: Past, Present, Future publication","Program; Press Release; Photograph.","Stagebill; Photograph.","Press Kit; Program.","Brochure.","Program.","Invitation; Program.","Program; Photograph.","Photographs; Stagebill; Program; Tickets.","Photographs; Stagebill.","Stagebill; Photograph.","Tickets; Stagebill; Photographs.","Program.","Photograph; Press Release; Stagebill.","Photograph; Stagebill; Press Release.","Stagebill; Photograph.","Photograph; Press Release; Stagebill.","Program; Photograph; Press Release.","Press Release; Photograph; Program.","Press Release.","Invitation; Press Release; Newspaper Articles.","Photograph; Stagebill.","Invitation; Program; Photograph; Press Release.","Stagebill; Photograph.","Invitation; Photograph; Program.","Invitation; Program; Media Kit.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Program, Photographs.","Invitation; Program; Media Kit.","Program; Media Kit.","Program; Media Kit.","Invitation; Photograph; Program; Press Release.","Invitation; Program; Media Kit.","Stagebill.","Stagebill; Press Release.","Program.","Brochure.","Stagebill; Photograph.","Stagebill.","Invitation; Program; Newspaper Article; Photograph.","Invitation; Program.","Press Release.","Program.","Program; Press Release.","Program.","Program.","Stagebill.","Stagebill.","Stagebill; Press release; Notes.","Stagebill; Photograph.","Program; Photograph; Newspaper Articles; Magazine; Press Release.","Program; Photograph.","Program.","Stagebill.","Stagebill; Media Kit; Newspaper Articles.","Invitation; Program; Photograph.","News release; Photograph; Program.","Press release; Newsletter; Program.","Invitation; Program; News Release.","News Release; Invitation; Program.","Press Release; Program; Invitation; Newspaper Article.","Stagebill; Press Release.","Program; Press Release.","Program.","Production of the Bolshoi Opera. Program; Photograph.","Program; Photograph.","Stagebill; Press Release.","Program.","Program; Press Release; Newsletter.","Three Photographs.","Playbill; Two Photographs.","Invitation; Program.","Press Release; Program.","Press Release; Postcard.","Stagebill.","Press Kit.","Press Release.","Invitation; Program; Press Release.","Program; Press Release; Photograph.","Stagebill; Press Kit.","Program; Press Kit.","Invitation.","Program; Photograph.","Stagebill; Press Release; Photograph.","Program; Photograph; Press Release.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Invitation; Program; Press Release; Photograph.","Program; Guest list.","Program; Press Kit; Two photographs.","Stagebill; Press Release; Photograph.","Program; Press Kit.","Program; Press Kit.","Stagebill; Press Kit; Photograph.","Program; Press Kit.","Program; Press Release; Key chain.","Program.","Program; Press Kit.","Production of the Theater des Westens. Stagebill; Press Kit.","Stagebill; Press Kit.","Stagebill; Press Release; Photograph.","Program; Press Release; Photograph.","Program.","Invitation; Program; Press Release.","Press Release; Program.","Program.","Program.","Loudoun Symphony 10th anniversary concert","Waterford concert series: The Back Sinfonia","Waterford concert series: Musical Remarks","Capitol Steps: Who put the mock in democracy? It's the Capital Steps","Oklahoma!, Arena Stage","August Wilson's Gem of the Ocean, Arena Stage","She Loves Me, Arena Stage","A Tribute to Sergei Prokofiev, Kennedy Center","Ain't Misbehavin', Arena Stage","An Evening at the Oscars, Loudoun Symphony, Middleburg, VA","Anna Christie, Arena Stage","The Best Man, Radio Theatre Live!","Chicago, Knoxville Civic Auditorium, TN","Choral Arts Society of Washington, Kennedy Center","Diana Krall, Kennedy Center","Eudora Welty Remembered, Folger Shakespeare Library","Hallelujah, Baby!, Arena Stage","Love's Labour's Lost, Catholic University of America","Mostly Sondheim, Kennedy Center","Pacific Overtures, Kennedy Center","Passion, Kennedy Center","PEN/Faulkner awards for fiction, Folger Shakespeare Library","The Play About the Baby, The Studio Theatre","Roberta Flack, Music Center at Strathmore","Runaway Home, The Studio Theatre","The Shape of Things, The Studio Theatre","Fourth Estate Award Dinner honoring Christiane Amanpour","The Order of the Owl, Initiating Art Buchwald","The Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie","The Order of the Owl, Initiating Mark Russell","Spring Hoot: A Grand Old Club Salutes A Grand Old Hotel","The Order of the Owl, Initiating John Eaton","Kennedy Center News (September-October 2004 and May-August 2004)","Five by Tenn (ticket, press packet)","The Light in the Piazza","Salome","Madama Butterfly","Marian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz","Washington National Opera's Iphigenie en Tauride","Washington National Opera's Macbeth","A View from the Bridge, Washington National Opera","Madame Butterfly, Washington National Opera","National Symphony Orchestra","Sophie's Choice, Washington National Opera","Cabaret, Arena Stage","Connecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico","The Evening Parade, Marine Barracks Washington","Fiddler on the Roof, Olney Theatre Center, MD","Hansel and Gretel, The Lincoln Theatre","Ibis, Waterford, VA","Opera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA","The Persians, Shakespeare Theatre Company","Waterford Home Tours and Crafts Exhibit, Waterford, VA","Program.","Program; Photograph.","Playbill.","Playbill.","Applause at Strathmore","The Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage","Blues Alley Jazz Supper Club","Cymbeline, Round House Silver Spring","Kennedy Center News","La Traviata, Washington National Opera, Kennedy Center","Musical Remarks, John Wesley Church, Waterford, VA","The Pearl Fishers, Washington National Opera, Kennedy Center","The Price, Theatre J","Strathmore News","Program.","Program.","Production of the Washington National Opera. Playbill.","Antony and Cleopatra, Lansburgh Theatre","Ariadne auf Naxos, Washington National Opera, Kennedy Center","Chicago, National Theatre","Falstaff, Washington National Opera, Kennedy Center","I Love a Piano, Arena Stage","Master Singers of Virginia, Waterford, VA","PEN/Faulkner awards for fiction, Folger Shakespeare Library","Peter Grimes, Washington National Opera, Kennedy Center","Turandot, Washington National Opera, Kennedy Center","The Marriage of Figaro, Washington National Opera, Kennedy Center","Porgy and Bess, Washington National Opera, Kennedy Center","Reasons to be Pretty, The Studio Theatre","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Vol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1","Reports.","Brochure.","Articles.","Press Releases; Photograph.","Program.","Newspaper Articles; Photograph.","Newsletter.","Program.","Photograph.","Program.","Annual Reports; Schedules; Publication.","Invitations for plays not attended or no playbills.","Photographs.","Invitations.","Seven photographs.","Victor Borge and his Concert Orchestra","Spies in your eyes, JCA Playguild","Hamlet, Philharmonia Orchestra","Henry V: An interpretation of the Photoplay","From Washington DC and Virginia theatres","Includes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth","Marilyn Monroe: Life as a Legend","Franklin Park Performing and Visual Arts Center (2008-2009)","Grease at the Olney Theatre Center","Shenandoah Summer Music Theatre (2011)","Includes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society","Includes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera","Programs; Playbills.","The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.","Playbill; Program.","Playbill; Program.","Playbill.","Program.","Program.","Playbill; Program.","Playbill; Program.","Dayton Philharmonic Orchestra, Memorial Hall, Dayton, OH","Philharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","The Antioch yellow springs festival, OH","Light up the sky, Victory Theatre, Dayton, OH","The magnificent Yankee, Cox Theatre, Cincinnati, OH","O mistress mine, Memorial Hall, Dayton, OH","Pick-up girl, Ellis Auditorium, Memphis, TN","State of the union, Cox Theatre, Cincinnati, OH","The wise have not spoken, Yellow Springs Area Theatre, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbills.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Announcement.","Playbook; Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Souvenir Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Program.","Program.","Program.","Playbill; Program.","Program; Curtain Call.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program; Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbill.","The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.","Program.","Playbill.","Program.","Program.","Program.","Calendar.","Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playgram.","Playgram.","Playgram.","Reviews.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Showcard.","Showcard.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Magazine.","Magazine.","Picture book.","Publication.","Program.","Program.","Playbill.","Playbill.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; City Guide.","The fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.","Souvenir Book.","Magazine. Vol 4, no. 8.","Magazine. Vol 4, no. 9.","Book.","Program.","Cinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.","Programs for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.","Press Release.","Press Packet.","Press Packet.","Press Packet.","Press Packet; Production Information; Photographs.","Press Packet.","Program; magazine.","The fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.","7\" reel-to-reel audiotape. Program ends at 00:10:08.","Videotape.","Pamphlet.","7\" reel-to-reel audiotape. Run Time: 00:08:05.","7\" reel-to-reel audiotape. Program ends at 00:24:45.","7\" reel-to-reel audiotape. Program ends at 00:31:40.","9 discs containing digital access copies and a storage drive with access copies and master digital files.","7\" reel-to-reel audiotape. Program ends at 00:06:08.","7\" reel-to-reel audiotape. Program ends at 00:16:15.","5\" reel-to-reel audiotape. Run time is 00:07:36.","Audiotape cartridge. Run Time: 00:03:44.","Audiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.","5\" reel-to-reel audiotape. Run Time: 00:03:24.","5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.","10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.","10.5\" reel-to-reel audiotape. Run Time: 0:23:59.","5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.","7\" reel-to-reel audiotape. Program ends at 00:10:00.","7\" reel-to-reel audiotape. Run time is 00:07:28.","5\" reel-to-reel audiotape. Run Time: 00:11:09.","7\" reel-to-reel audiotape. Program ends at 00:04:59.","7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.","7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:06:25.","7\" reel-to-reel audiotape. Run time is 00:04:28.","7\" reel-to-reel audiotape. Run time is 00:06:11.","7\" reel-to-reel audiotape. Program ends at 00:05:37.","7\" reel-to-reel audiotape. Program ends at 00:05:02.","5\" reel-to-reel audiotape. Run time is 00:05:57.","7\" reel-to-reel audiotape. Program ends at 00:05:07.","7\" reel-to-reel audiotape. Program ends at 00:05:10.","7\" reel-to-reel audiotape. Program ends at 00:05:27.","7\" reel-to-reel audiotape. Program ends at 00:04:58.","5\" reel-to-reel audiotape. Run time is 00:06:20.","7\" reel-to-reel audiotape. Runt time is 00:05:26.","7\" reel-to-reel audiotape. Program ends at 00:07:15.","Videotape cassette.","Videotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.","7\" reel-to-reel audiotape. Program ends at 00:04:50.","7\" reel-to-reel audiotape. Run time is 00:26:46.","7\" reel-to-reel audiotape. Program ends at 00:04:06.","7\" reel-to-reel audiotape. Program ends at 00:06:52.","7\" reel-to-reel audiotape. Program ends at 00:05:16.","7\" reel-to-reel audiotape. Program ends at 00:05:47.","7\" reel-to-reel audiotape. Program ends at 00:06:07.","7\" reel-to-reel audiotape. Program ends at 00:03:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.","7\" reel-to-reel audiotape. Program ends at approx 00:05:06.","7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.","7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.","7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.","7\" reel-to-reel audiotape. Program ends at 00:21:50.","7\" reel-to-reel audiotape. Run time is 00:47:10.","7\" reel-to-reel audiotape. Run time is 00:41:45.","7\" reel to reel audiotape. Program ends at approx 00:05:34.","7\" reel-to-reel audiotape. Run Time: 01:05:27.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette. Clips from Streetwise and Old Enough."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e\n      "],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:28.036Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"normalized_date_ssm":["1955/2011"],"normalized_title_ssm":["Claire Kincannon theatre collection, 1955/2011"],"text":["Claire Kincannon theatre collection, 1955/2011","C0018","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\n        Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\n        Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\n        Series 4: Film-related Materials, 1956-1992 (Box 29)\n        Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","The first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.","Program for multiple performances.","Press packet. Ten photographs.","Program.","Production of the National Theatre of Great Britain. Stagebill.","Documents regarding workshops. Press releases.","Invitation; Program, photographs.","Program.","Program.","Program.","Photograph; Program.","Program.","Program.","Stagebill.","Production of the New York Metropolitan Opera. Stagebill.","Stagebill.","Program.","Program.","Production of the Tokyo Kid Brothers. Stagebill.","Stagebill.","Program.","Program.","Preview Materials.","Program.","Stagebill.","Stagebill.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Program.","Program.","Stagebill.","Stagebill.","Two photographs.","Stagebill.","News Release; Program.","Press Release; Program.","Program.","News Release; Program.","Press Release; Program; Photograph.","Program.","Program.","Invitation; Program.","Program.","Stagebill.","Stagebill.","Production of the Metropolitan Opera. Stagebill.","Program.","Program.","Program. Photograph.","Stagebill.","Invitation; Program; Photograph.","Invitation; Program.","Program.","Program.","Program.","Stagebill.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Stagebill.","Program.","Program.","Program.","Donor list; Program.","Stagebill; Photograph.","Production of the American Ballet Theatre. Stagebill.","Production of the American Ballet Theatre. Stagebill.","James Joyce's The Dead, Kennedy Center","Native Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian","Our Town, Arena Stage","She Always Said, Pablo, Kennedy Center","Still Life, Arena Stage","Press packet.","Program.","Stagebill. Photograph.","Stagebill.","Stagebill.","Program; Two Photographs.","Program; Invitation.","Program.","Program.","Program.","Invitation; Photograph; Program.","Stagebill.","Stagebill.","Stagebill.","Invitation; Program; Photograph.","Program.","Program.","Program.","Stagebill; Photograph.","Program.","Program; Photograph.","Program; Two photographs.","Invitation; Program.","Program.","Invitation; Program.","35mm slides.","Stagebill; Photograph.","Production of the New York Metropolitan Opera. Stagebill.","Program.","Stagebill.","Program; Photograph.","Program.","Program.","Program.","Ticket stub; Program; 35mm Slides.","Invitation; Program.","Stagebill.","Program.","Photograph; Program.","Program.","Program.","Production of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.","Program.","Program; Photograph.","Brochure.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Invitation; Program.","Production of the New York Shakespeare Festival. Stagebill; Photograph.","Program.","Photograph.","Invitation; Program.","Program.","Photograph; Program.","Program.","Program.","Invitation; Program.","Program.","Production of the Paramount Theatre Prod. Stagebill.","Stagebill.","Invitation; Program.","Program.","Program; Photograph.","Program.","Stagebill.","Program.","Program.","Production of the Royal Shakespeare Company. Stagebill; Three photographs.","Invitation; Program; Photograph.","Program; Photograph.","Program; Invitation.","Showbill.","Program.","Program; Two Photographs.","Invitation; Program; Photograph.","Stagebill; Photograph.","Production of the Opera House; Three Photographs; Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program; Two Photographs.","Program.","Stagebill.","Press Release.","Invitation; Program.","Stagebill.","Flyer; Stagebill.","Stagebill; Photograph.","Program; Photograph.","Invitation; Program.","Invitation; Program; Photograph.","Program; Press Release; Newspaper Articles.","Invitation; Program.","Presented by Piccolo Spoleto. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.","Program.","Production of the Human Bridge Theater Company. Press Kit.","Stagebill.","Program.","Program.","Program; Press Release; Notes.","Stagebill.","Photograph; Tickets; Stagebill.","Program.","Invitation; Program.","Program.","Program.","Invitation; Program.","Photograph; Program.","Invitation; Program; Four slides.","Program.","Invitation; Program; Photograph.","Invitation; Program; Photograph.","Stagebill.","Two Photographs.","Program.","Program.","Invitation; Program.","Production of the American National Theatre. Stagebill.","Stagebill; Photograph.","Program.","Programs; Invitations; Louisville guide; Notes.","Program.","Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program.","Stagebill; Photograph.","Invitation; Program.","Invitation; Program.","Stagebill.","Stagebill; Photograph.","Program.","Invitation; Program.","Stagebill.","Stagebill; Press Release.","Program.","Program; Tickets.","Two Photographs; Program.","Program.","Invitation; Program.","Stagebill; Press Release; Media Kit.","Production of the Haifa Municipal Theatre of Israel. Stagebill.","Stagebill.","Program.","Program.","Invitation; Program.","Program; Press Release.","Tickets; Stagebill; Press Release.","Stagebill.","Production of the La Jolla Playhouse. Stagebill; Photograph.","Invitation; Program.","Stagebill.","Schedule.","Stagebill; Photograph.","Press Release; Newspaper Articles; Publicity Packet; Program.","Program; Magazine; Newspaper Article.","Program; Press Release; Studio Theatre Newspaper.","Press Release; Program; Mailer.","Tickets; Press Release; Stagebill.","Program; Press Release.","Press Release; Program.","Stagebill; Photograph.","Program.","Program.","Stagebill; Press Release.","Souvenir Brochure; Stagebill.","Program; Press Release; American's Arena Publication.","Stagebill; Press Release; Newspaper Article.","Program; Newspaper Article; America's Arena Publication.","Program; Newspaper Article; Press Release.","Stagebill.","Press Release; Program.","Photograph; Press Release; Mailer; Program.","Invitation; Program; Press Release.","Program; Press Release.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Photograph; Press Release; Media Kit, Stagebill.","Press Release; Invitation.","Invitation; Program.","Invitation; Press Releases; Program.","Program; Press Release.","Media Package","Invitation; Program; Photograph","Stagebill; Press Release.","Press Release; Stagebill.","Ticket stub; Invitation; Program; Press Release; Newspaper Article.","Press Release; Stagebill.","Stagebill.","Press Release; Stagebill.","Press Release; Two Photographs","Press Release; Stagebill.","Stagebill; Press Release.","Invitation; Program; Press Release; Newspaper Article.","Program.","Press Release; Program.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Stagebill.","Newspaper Article; Program; Ticket Stubs; Mailer.","Invitation; Program; Ticket Stubs; Press Release.","Ten photographs.","Invitation; Program.","Program; Press Release.","Photograph; Press Release; Program.","Program.","Invitation; Program; Photograph; Magazine Article.","Stagebill; Press Release; Photograph.","Stagebill.","Program; Press Release; Photograph.","Program.","Stagebill; Photograph.","Stagebill; Press Release.","Magazine Article; Tickets; Program; Photograph; Press Release.","Program.","Press Releases.","Program.","Invitation.","Press Kit; Stagebill.","Press Release; Stagebill; Photograph.","Photograph; Program.","Stagebill.","Program; Photograph.","Program; Photograph.","Media Kit; Program.","Stagebill.","Program.","Stagebill; Photograph.","Media Kit; Program.","Program; Press Release; Photograph.","Photograph; Letter.","Program; Photograph.","Program; Photographs.","Program; Playbills","Moscow Art Theatre: Past, Present, Future publication","Program; Press Release; Photograph.","Stagebill; Photograph.","Press Kit; Program.","Brochure.","Program.","Invitation; Program.","Program; Photograph.","Photographs; Stagebill; Program; Tickets.","Photographs; Stagebill.","Stagebill; Photograph.","Tickets; Stagebill; Photographs.","Program.","Photograph; Press Release; Stagebill.","Photograph; Stagebill; Press Release.","Stagebill; Photograph.","Photograph; Press Release; Stagebill.","Program; Photograph; Press Release.","Press Release; Photograph; Program.","Press Release.","Invitation; Press Release; Newspaper Articles.","Photograph; Stagebill.","Invitation; Program; Photograph; Press Release.","Stagebill; Photograph.","Invitation; Photograph; Program.","Invitation; Program; Media Kit.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Program, Photographs.","Invitation; Program; Media Kit.","Program; Media Kit.","Program; Media Kit.","Invitation; Photograph; Program; Press Release.","Invitation; Program; Media Kit.","Stagebill.","Stagebill; Press Release.","Program.","Brochure.","Stagebill; Photograph.","Stagebill.","Invitation; Program; Newspaper Article; Photograph.","Invitation; Program.","Press Release.","Program.","Program; Press Release.","Program.","Program.","Stagebill.","Stagebill.","Stagebill; Press release; Notes.","Stagebill; Photograph.","Program; Photograph; Newspaper Articles; Magazine; Press Release.","Program; Photograph.","Program.","Stagebill.","Stagebill; Media Kit; Newspaper Articles.","Invitation; Program; Photograph.","News release; Photograph; Program.","Press release; Newsletter; Program.","Invitation; Program; News Release.","News Release; Invitation; Program.","Press Release; Program; Invitation; Newspaper Article.","Stagebill; Press Release.","Program; Press Release.","Program.","Production of the Bolshoi Opera. Program; Photograph.","Program; Photograph.","Stagebill; Press Release.","Program.","Program; Press Release; Newsletter.","Three Photographs.","Playbill; Two Photographs.","Invitation; Program.","Press Release; Program.","Press Release; Postcard.","Stagebill.","Press Kit.","Press Release.","Invitation; Program; Press Release.","Program; Press Release; Photograph.","Stagebill; Press Kit.","Program; Press Kit.","Invitation.","Program; Photograph.","Stagebill; Press Release; Photograph.","Program; Photograph; Press Release.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Invitation; Program; Press Release; Photograph.","Program; Guest list.","Program; Press Kit; Two photographs.","Stagebill; Press Release; Photograph.","Program; Press Kit.","Program; Press Kit.","Stagebill; Press Kit; Photograph.","Program; Press Kit.","Program; Press Release; Key chain.","Program.","Program; Press Kit.","Production of the Theater des Westens. Stagebill; Press Kit.","Stagebill; Press Kit.","Stagebill; Press Release; Photograph.","Program; Press Release; Photograph.","Program.","Invitation; Program; Press Release.","Press Release; Program.","Program.","Program.","Loudoun Symphony 10th anniversary concert","Waterford concert series: The Back Sinfonia","Waterford concert series: Musical Remarks","Capitol Steps: Who put the mock in democracy? It's the Capital Steps","Oklahoma!, Arena Stage","August Wilson's Gem of the Ocean, Arena Stage","She Loves Me, Arena Stage","A Tribute to Sergei Prokofiev, Kennedy Center","Ain't Misbehavin', Arena Stage","An Evening at the Oscars, Loudoun Symphony, Middleburg, VA","Anna Christie, Arena Stage","The Best Man, Radio Theatre Live!","Chicago, Knoxville Civic Auditorium, TN","Choral Arts Society of Washington, Kennedy Center","Diana Krall, Kennedy Center","Eudora Welty Remembered, Folger Shakespeare Library","Hallelujah, Baby!, Arena Stage","Love's Labour's Lost, Catholic University of America","Mostly Sondheim, Kennedy Center","Pacific Overtures, Kennedy Center","Passion, Kennedy Center","PEN/Faulkner awards for fiction, Folger Shakespeare Library","The Play About the Baby, The Studio Theatre","Roberta Flack, Music Center at Strathmore","Runaway Home, The Studio Theatre","The Shape of Things, The Studio Theatre","Fourth Estate Award Dinner honoring Christiane Amanpour","The Order of the Owl, Initiating Art Buchwald","The Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie","The Order of the Owl, Initiating Mark Russell","Spring Hoot: A Grand Old Club Salutes A Grand Old Hotel","The Order of the Owl, Initiating John Eaton","Kennedy Center News (September-October 2004 and May-August 2004)","Five by Tenn (ticket, press packet)","The Light in the Piazza","Salome","Madama Butterfly","Marian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz","Washington National Opera's Iphigenie en Tauride","Washington National Opera's Macbeth","A View from the Bridge, Washington National Opera","Madame Butterfly, Washington National Opera","National Symphony Orchestra","Sophie's Choice, Washington National Opera","Cabaret, Arena Stage","Connecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico","The Evening Parade, Marine Barracks Washington","Fiddler on the Roof, Olney Theatre Center, MD","Hansel and Gretel, The Lincoln Theatre","Ibis, Waterford, VA","Opera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA","The Persians, Shakespeare Theatre Company","Waterford Home Tours and Crafts Exhibit, Waterford, VA","Program.","Program; Photograph.","Playbill.","Playbill.","Applause at Strathmore","The Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage","Blues Alley Jazz Supper Club","Cymbeline, Round House Silver Spring","Kennedy Center News","La Traviata, Washington National Opera, Kennedy Center","Musical Remarks, John Wesley Church, Waterford, VA","The Pearl Fishers, Washington National Opera, Kennedy Center","The Price, Theatre J","Strathmore News","Program.","Program.","Production of the Washington National Opera. Playbill.","Antony and Cleopatra, Lansburgh Theatre","Ariadne auf Naxos, Washington National Opera, Kennedy Center","Chicago, National Theatre","Falstaff, Washington National Opera, Kennedy Center","I Love a Piano, Arena Stage","Master Singers of Virginia, Waterford, VA","PEN/Faulkner awards for fiction, Folger Shakespeare Library","Peter Grimes, Washington National Opera, Kennedy Center","Turandot, Washington National Opera, Kennedy Center","The Marriage of Figaro, Washington National Opera, Kennedy Center","Porgy and Bess, Washington National Opera, Kennedy Center","Reasons to be Pretty, The Studio Theatre","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Vol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1","Reports.","Brochure.","Articles.","Press Releases; Photograph.","Program.","Newspaper Articles; Photograph.","Newsletter.","Program.","Photograph.","Program.","Annual Reports; Schedules; Publication.","Invitations for plays not attended or no playbills.","Photographs.","Invitations.","Seven photographs.","Victor Borge and his Concert Orchestra","Spies in your eyes, JCA Playguild","Hamlet, Philharmonia Orchestra","Henry V: An interpretation of the Photoplay","From Washington DC and Virginia theatres","Includes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth","Marilyn Monroe: Life as a Legend","Franklin Park Performing and Visual Arts Center (2008-2009)","Grease at the Olney Theatre Center","Shenandoah Summer Music Theatre (2011)","Includes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society","Includes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera","Programs; Playbills.","The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.","Playbill; Program.","Playbill; Program.","Playbill.","Program.","Program.","Playbill; Program.","Playbill; Program.","Dayton Philharmonic Orchestra, Memorial Hall, Dayton, OH","Philharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","The Antioch yellow springs festival, OH","Light up the sky, Victory Theatre, Dayton, OH","The magnificent Yankee, Cox Theatre, Cincinnati, OH","O mistress mine, Memorial Hall, Dayton, OH","Pick-up girl, Ellis Auditorium, Memphis, TN","State of the union, Cox Theatre, Cincinnati, OH","The wise have not spoken, Yellow Springs Area Theatre, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbills.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Announcement.","Playbook; Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Souvenir Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Program.","Program.","Program.","Playbill; Program.","Program; Curtain Call.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program; Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbill.","The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.","Program.","Playbill.","Program.","Program.","Program.","Calendar.","Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playgram.","Playgram.","Playgram.","Reviews.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Showcard.","Showcard.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Magazine.","Magazine.","Picture book.","Publication.","Program.","Program.","Playbill.","Playbill.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; City Guide.","The fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.","Souvenir Book.","Magazine. Vol 4, no. 8.","Magazine. Vol 4, no. 9.","Book.","Program.","Cinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.","Programs for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.","Press Release.","Press Packet.","Press Packet.","Press Packet.","Press Packet; Production Information; Photographs.","Press Packet.","Program; magazine.","The fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.","7\" reel-to-reel audiotape. Program ends at 00:10:08.","Videotape.","Pamphlet.","7\" reel-to-reel audiotape. Run Time: 00:08:05.","7\" reel-to-reel audiotape. Program ends at 00:24:45.","7\" reel-to-reel audiotape. Program ends at 00:31:40.","9 discs containing digital access copies and a storage drive with access copies and master digital files.","7\" reel-to-reel audiotape. Program ends at 00:06:08.","7\" reel-to-reel audiotape. Program ends at 00:16:15.","5\" reel-to-reel audiotape. Run time is 00:07:36.","Audiotape cartridge. Run Time: 00:03:44.","Audiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.","5\" reel-to-reel audiotape. Run Time: 00:03:24.","5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.","10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.","10.5\" reel-to-reel audiotape. Run Time: 0:23:59.","5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.","7\" reel-to-reel audiotape. Program ends at 00:10:00.","7\" reel-to-reel audiotape. Run time is 00:07:28.","5\" reel-to-reel audiotape. Run Time: 00:11:09.","7\" reel-to-reel audiotape. Program ends at 00:04:59.","7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.","7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:06:25.","7\" reel-to-reel audiotape. Run time is 00:04:28.","7\" reel-to-reel audiotape. Run time is 00:06:11.","7\" reel-to-reel audiotape. Program ends at 00:05:37.","7\" reel-to-reel audiotape. Program ends at 00:05:02.","5\" reel-to-reel audiotape. Run time is 00:05:57.","7\" reel-to-reel audiotape. Program ends at 00:05:07.","7\" reel-to-reel audiotape. Program ends at 00:05:10.","7\" reel-to-reel audiotape. Program ends at 00:05:27.","7\" reel-to-reel audiotape. Program ends at 00:04:58.","5\" reel-to-reel audiotape. Run time is 00:06:20.","7\" reel-to-reel audiotape. Runt time is 00:05:26.","7\" reel-to-reel audiotape. Program ends at 00:07:15.","Videotape cassette.","Videotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.","7\" reel-to-reel audiotape. Program ends at 00:04:50.","7\" reel-to-reel audiotape. Run time is 00:26:46.","7\" reel-to-reel audiotape. Program ends at 00:04:06.","7\" reel-to-reel audiotape. Program ends at 00:06:52.","7\" reel-to-reel audiotape. Program ends at 00:05:16.","7\" reel-to-reel audiotape. Program ends at 00:05:47.","7\" reel-to-reel audiotape. Program ends at 00:06:07.","7\" reel-to-reel audiotape. Program ends at 00:03:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.","7\" reel-to-reel audiotape. Program ends at approx 00:05:06.","7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.","7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.","7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.","7\" reel-to-reel audiotape. Program ends at 00:21:50.","7\" reel-to-reel audiotape. Run time is 00:47:10.","7\" reel-to-reel audiotape. Run time is 00:41:45.","7\" reel to reel audiotape. Program ends at approx 00:05:34.","7\" reel-to-reel audiotape. Run Time: 01:05:27.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette. Clips from Streetwise and Old Enough.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English"],"collection_title_tesim":["Claire Kincannon theatre collection, 1955/2011"],"collection_ssim":["Claire Kincannon theatre collection, 1955/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"unitid_tesim":["C0018"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"creator_corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"creators_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire.","George Mason University Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\n        Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\n        Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\n        Series 4: Film-related Materials, 1956-1992 (Box 29)\n        Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e\n      ","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e\n      ","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e\n      ","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e\n    ","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.\u003c/p\u003e\n        ","\u003cp\u003eProgram for multiple performances.\u003c/p\u003e\n          ","\u003cp\u003ePress packet. Ten photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the National Theatre of Great Britain. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eDocuments regarding workshops. Press releases.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program, photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the New York Metropolitan Opera. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Tokyo Kid Brothers. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePreview Materials.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eTwo photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eNews Release; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eNews Release; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Metropolitan Opera. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram. Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Elizabeth Theatre Group. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Elizabeth Theatre Group. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eDonor list; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the American Ballet Theatre. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the American Ballet Theatre. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eJames Joyce's The Dead, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eNative Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian\u003c/p\u003e\n            ","\u003cp\u003eOur Town, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eShe Always Said, Pablo, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eStill Life, Arena Stage\u003c/p\u003e\n          ","\u003cp\u003ePress packet.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill. Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Two Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Invitation.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Photograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Two photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003e35mm slides.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the New York Metropolitan Opera. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eTicket stub; Program; 35mm Slides.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eBrochure.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the New York Shakespeare Festival. Stagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Paramount Theatre Prod. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Royal Shakespeare Company. Stagebill; Three photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Invitation.\u003c/p\u003e\n          ","\u003cp\u003eShowbill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Two Photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Opera House; Three Photographs; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Two Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eFlyer; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Articles.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by Piccolo Spoleto. Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e\n          ","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Human Bridge Theater Company. Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Notes.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Tickets; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Four slides.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eTwo Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the American National Theatre. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePrograms; Invitations; Louisville guide; Notes.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Tickets.\u003c/p\u003e\n          ","\u003cp\u003eTwo Photographs; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Haifa Municipal Theatre of Israel. Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eTickets; Stagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the La Jolla Playhouse. Stagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eSchedule.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Newspaper Articles; Publicity Packet; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Magazine; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Studio Theatre Newspaper.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program; Mailer.\u003c/p\u003e\n          ","\u003cp\u003eTickets; Press Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eSouvenir Brochure; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; American's Arena Publication.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Newspaper Article; America's Arena Publication.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Newspaper Article; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Mailer; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Media Kit, Stagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Invitation.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Press Releases; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eMedia Package\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eTicket stub; Invitation; Program; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Two Photographs\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Article; Program; Ticket Stubs; Mailer.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Ticket Stubs; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eTen photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph; Magazine Article.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eMagazine Article; Tickets; Program; Photograph; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePress Releases.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation.\u003c/p\u003e\n          ","\u003cp\u003ePress Kit; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Stagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eMedia Kit; Program.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eMedia Kit; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Letter.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Playbills\u003c/p\u003e\n            ","\u003cp\u003eMoscow Art Theatre: Past, Present, Future publication\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePress Kit; Program.\u003c/p\u003e\n          ","\u003cp\u003eBrochure.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePhotographs; Stagebill; Program; Tickets.\u003c/p\u003e\n          ","\u003cp\u003ePhotographs; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eTickets; Stagebill; Photographs.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Stagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Photograph; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Press Release; Newspaper Articles.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph; Stagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Photograph; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram, Photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Photograph; Program; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eBrochure.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Newspaper Article; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press release; Notes.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph; Newspaper Articles; Magazine; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Media Kit; Newspaper Articles.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eNews release; Photograph; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress release; Newsletter; Program.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; News Release.\u003c/p\u003e\n          ","\u003cp\u003eNews Release; Invitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program; Invitation; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Bolshoi Opera. Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newsletter.\u003c/p\u003e\n          ","\u003cp\u003eThree Photographs.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Two Photographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Postcard.\u003c/p\u003e\n          ","\u003cp\u003eStagebill.\u003c/p\u003e\n          ","\u003cp\u003ePress Kit.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eInvitation.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph; Press Release.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Guest list.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit; Two photographs.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Kit; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Key chain.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Theater des Westens. Stagebill; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Kit.\u003c/p\u003e\n          ","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Release; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eLoudoun Symphony 10th anniversary concert\u003c/p\u003e\n            ","\u003cp\u003eWaterford concert series: The Back Sinfonia\u003c/p\u003e\n            ","\u003cp\u003eWaterford concert series: Musical Remarks\u003c/p\u003e\n            ","\u003cp\u003eCapitol Steps: Who put the mock in democracy? It's the Capital Steps\u003c/p\u003e\n            ","\u003cp\u003eOklahoma!, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eAugust Wilson's Gem of the Ocean, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eShe Loves Me, Arena Stage\u003c/p\u003e\n          ","\u003cp\u003eA Tribute to Sergei Prokofiev, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eAin't Misbehavin', Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eAn Evening at the Oscars, Loudoun Symphony, Middleburg, VA\u003c/p\u003e\n            ","\u003cp\u003eAnna Christie, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eThe Best Man, Radio Theatre Live!\u003c/p\u003e\n            ","\u003cp\u003eChicago, Knoxville Civic Auditorium, TN\u003c/p\u003e\n            ","\u003cp\u003eChoral Arts Society of Washington, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eDiana Krall, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eEudora Welty Remembered, Folger Shakespeare Library\u003c/p\u003e\n            ","\u003cp\u003eHallelujah, Baby!, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eLove's Labour's Lost, Catholic University of America\u003c/p\u003e\n            ","\u003cp\u003eMostly Sondheim, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003ePacific Overtures, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003ePassion, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003ePEN/Faulkner awards for fiction, Folger Shakespeare Library\u003c/p\u003e\n            ","\u003cp\u003eThe Play About the Baby, The Studio Theatre\u003c/p\u003e\n            ","\u003cp\u003eRoberta Flack, Music Center at Strathmore\u003c/p\u003e\n            ","\u003cp\u003eRunaway Home, The Studio Theatre\u003c/p\u003e\n            ","\u003cp\u003eThe Shape of Things, The Studio Theatre\u003c/p\u003e\n          ","\u003cp\u003eFourth Estate Award Dinner honoring Christiane Amanpour\u003c/p\u003e\n            ","\u003cp\u003eThe Order of the Owl, Initiating Art Buchwald\u003c/p\u003e\n            ","\u003cp\u003eThe Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie\u003c/p\u003e\n            ","\u003cp\u003eThe Order of the Owl, Initiating Mark Russell\u003c/p\u003e\n            ","\u003cp\u003eSpring Hoot: A Grand Old Club Salutes A Grand Old Hotel\u003c/p\u003e\n            ","\u003cp\u003eThe Order of the Owl, Initiating John Eaton\u003c/p\u003e\n          ","\u003cp\u003eKennedy Center News (September-October 2004 and May-August 2004)\u003c/p\u003e\n            ","\u003cp\u003eFive by Tenn (ticket, press packet)\u003c/p\u003e\n            ","\u003cp\u003eThe Light in the Piazza\u003c/p\u003e\n            ","\u003cp\u003eSalome\u003c/p\u003e\n            ","\u003cp\u003eMadama Butterfly\u003c/p\u003e\n            ","\u003cp\u003eMarian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz\u003c/p\u003e\n            ","\u003cp\u003eWashington National Opera's Iphigenie en Tauride\u003c/p\u003e\n            ","\u003cp\u003eWashington National Opera's Macbeth\u003c/p\u003e\n          ","\u003cp\u003eA View from the Bridge, Washington National Opera\u003c/p\u003e\n            ","\u003cp\u003eMadame Butterfly, Washington National Opera\u003c/p\u003e\n            ","\u003cp\u003eNational Symphony Orchestra\u003c/p\u003e\n            ","\u003cp\u003eSophie's Choice, Washington National Opera\u003c/p\u003e\n          ","\u003cp\u003eCabaret, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eConnecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico\u003c/p\u003e\n            ","\u003cp\u003eThe Evening Parade, Marine Barracks Washington\u003c/p\u003e\n            ","\u003cp\u003eFiddler on the Roof, Olney Theatre Center, MD\u003c/p\u003e\n            ","\u003cp\u003eHansel and Gretel, The Lincoln Theatre\u003c/p\u003e\n            ","\u003cp\u003eIbis, Waterford, VA\u003c/p\u003e\n            ","\u003cp\u003eOpera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA\u003c/p\u003e\n            ","\u003cp\u003eThe Persians, Shakespeare Theatre Company\u003c/p\u003e\n            ","\u003cp\u003eWaterford Home Tours and Crafts Exhibit, Waterford, VA\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Photograph.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eApplause at Strathmore\u003c/p\u003e\n            ","\u003cp\u003eThe Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eBlues Alley Jazz Supper Club\u003c/p\u003e\n            ","\u003cp\u003eCymbeline, Round House Silver Spring\u003c/p\u003e\n            ","\u003cp\u003eKennedy Center News\u003c/p\u003e\n            ","\u003cp\u003eLa Traviata, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eMusical Remarks, John Wesley Church, Waterford, VA\u003c/p\u003e\n            ","\u003cp\u003eThe Pearl Fishers, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eThe Price, Theatre J\u003c/p\u003e\n            ","\u003cp\u003eStrathmore News\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProduction of the Washington National Opera. Playbill.\u003c/p\u003e\n          ","\u003cp\u003eAntony and Cleopatra, Lansburgh Theatre\u003c/p\u003e\n            ","\u003cp\u003eAriadne auf Naxos, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eChicago, National Theatre\u003c/p\u003e\n            ","\u003cp\u003eFalstaff, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eI Love a Piano, Arena Stage\u003c/p\u003e\n            ","\u003cp\u003eMaster Singers of Virginia, Waterford, VA\u003c/p\u003e\n            ","\u003cp\u003ePEN/Faulkner awards for fiction, Folger Shakespeare Library\u003c/p\u003e\n            ","\u003cp\u003ePeter Grimes, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eTurandot, Washington National Opera, Kennedy Center\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe Marriage of Figaro, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003ePorgy and Bess, Washington National Opera, Kennedy Center\u003c/p\u003e\n            ","\u003cp\u003eReasons to be Pretty, The Studio Theatre\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.\u003c/p\u003e\n          ","\u003cp\u003eVol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1\u003c/p\u003e\n          ","\u003cp\u003eReports.\u003c/p\u003e\n          ","\u003cp\u003eBrochure.\u003c/p\u003e\n          ","\u003cp\u003eArticles.\u003c/p\u003e\n          ","\u003cp\u003ePress Releases; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles; Photograph.\u003c/p\u003e\n          ","\u003cp\u003eNewsletter.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePhotograph.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eAnnual Reports; Schedules; Publication.\u003c/p\u003e\n          ","\u003cp\u003eInvitations for plays not attended or no playbills.\u003c/p\u003e\n          ","\u003cp\u003ePhotographs.\u003c/p\u003e\n          ","\u003cp\u003eInvitations.\u003c/p\u003e\n          ","\u003cp\u003eSeven photographs.\u003c/p\u003e\n          ","\u003cp\u003eVictor Borge and his Concert Orchestra\u003c/p\u003e\n            ","\u003cp\u003eSpies in your eyes, JCA Playguild\u003c/p\u003e\n            ","\u003cp\u003eHamlet, Philharmonia Orchestra\u003c/p\u003e\n            ","\u003cp\u003eHenry V: An interpretation of the Photoplay\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFrom Washington DC and Virginia theatres\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth\u003c/p\u003e\n          ","\u003cp\u003eMarilyn Monroe: Life as a Legend\u003c/p\u003e\n            ","\u003cp\u003eFranklin Park Performing and Visual Arts Center (2008-2009)\u003c/p\u003e\n            ","\u003cp\u003eGrease at the Olney Theatre Center\u003c/p\u003e\n            ","\u003cp\u003eShenandoah Summer Music Theatre (2011)\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth\u003c/p\u003e\n          ","\u003cp\u003eIncludes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003ePrograms; Playbills.\u003c/p\u003e\n          ","\u003cp\u003eThe second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.\u003c/p\u003e\n        ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003eDayton Philharmonic Orchestra, Memorial Hall, Dayton, OH\u003c/p\u003e\n            ","\u003cp\u003ePhilharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003eThe Antioch yellow springs festival, OH\u003c/p\u003e\n            ","\u003cp\u003eLight up the sky, Victory Theatre, Dayton, OH\u003c/p\u003e\n            ","\u003cp\u003eThe magnificent Yankee, Cox Theatre, Cincinnati, OH\u003c/p\u003e\n            ","\u003cp\u003eO mistress mine, Memorial Hall, Dayton, OH\u003c/p\u003e\n            ","\u003cp\u003ePick-up girl, Ellis Auditorium, Memphis, TN\u003c/p\u003e\n            ","\u003cp\u003eState of the union, Cox Theatre, Cincinnati, OH\u003c/p\u003e\n            ","\u003cp\u003eThe wise have not spoken, Yellow Springs Area Theatre, OH\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybills.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eAnnouncement.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Playbook.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; 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Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Curtain Call.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram; Playbook.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; 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Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybook; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eThe third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.\u003c/p\u003e\n        ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eCalendar.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaygram.\u003c/p\u003e\n          ","\u003cp\u003ePlaygram.\u003c/p\u003e\n          ","\u003cp\u003ePlaygram.\u003c/p\u003e\n          ","\u003cp\u003eReviews.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eShowcard.\u003c/p\u003e\n          ","\u003cp\u003eShowcard.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; Program.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eMagazine.\u003c/p\u003e\n          ","\u003cp\u003eMagazine.\u003c/p\u003e\n          ","\u003cp\u003ePicture book.\u003c/p\u003e\n          ","\u003cp\u003ePublication.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill.\u003c/p\u003e\n          ","\u003cp\u003ePlaybill; City Guide.\u003c/p\u003e\n          ","\u003cp\u003eThe fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.\u003c/p\u003e\n        ","\u003cp\u003eSouvenir Book.\u003c/p\u003e\n          ","\u003cp\u003eMagazine. Vol 4, no. 8.\u003c/p\u003e\n          ","\u003cp\u003eMagazine. Vol 4, no. 9.\u003c/p\u003e\n          ","\u003cp\u003eBook.\u003c/p\u003e\n          ","\u003cp\u003eProgram.\u003c/p\u003e\n          ","\u003cp\u003eCinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.\u003c/p\u003e\n          ","\u003cp\u003ePrograms for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.\u003c/p\u003e\n          ","\u003cp\u003ePress Release.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet; Production Information; Photographs.\u003c/p\u003e\n          ","\u003cp\u003ePress Packet.\u003c/p\u003e\n          ","\u003cp\u003eProgram; magazine.\u003c/p\u003e\n          ","\u003cp\u003eThe fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.\u003c/p\u003e\n        ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:10:08.\u003c/p\u003e\n          ","\u003cp\u003eVideotape.\u003c/p\u003e\n          ","\u003cp\u003ePamphlet.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run Time: 00:08:05.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:24:45.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:31:40.\u003c/p\u003e\n          ","\u003cp\u003e9 discs containing digital access copies and a storage drive with access copies and master digital files.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:08.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:16:15.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:07:36.\u003c/p\u003e\n          ","\u003cp\u003eAudiotape cartridge. Run Time: 00:03:44.\u003c/p\u003e\n          ","\u003cp\u003eAudiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run Time: 00:03:24.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.\u003c/p\u003e\n          ","\u003cp\u003e10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.\u003c/p\u003e\n          ","\u003cp\u003e10.5\" reel-to-reel audiotape. Run Time: 0:23:59.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:10:00.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:07:28.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run Time: 00:11:09.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:59.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:46.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:25.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:04:28.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:06:11.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:37.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:02.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:05:57.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:07.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:10.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:27.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:58.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:06:20.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Runt time is 00:05:26.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:07:15.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:50.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:26:46.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:06.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:52.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:16.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:47.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:07.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:03:44.\u003c/p\u003e\n          ","\u003cp\u003e5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at approx 00:05:06.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:21:50.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:47:10.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:41:45.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel to reel audiotape. Program ends at approx 00:05:34.\u003c/p\u003e\n          ","\u003cp\u003e7\" reel-to-reel audiotape. Run Time: 01:05:27.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette.\u003c/p\u003e\n          ","\u003cp\u003eVideotape cassette. Clips from Streetwise and Old Enough.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","The first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.","Program for multiple performances.","Press packet. Ten photographs.","Program.","Production of the National Theatre of Great Britain. Stagebill.","Documents regarding workshops. Press releases.","Invitation; Program, photographs.","Program.","Program.","Program.","Photograph; Program.","Program.","Program.","Stagebill.","Production of the New York Metropolitan Opera. Stagebill.","Stagebill.","Program.","Program.","Production of the Tokyo Kid Brothers. Stagebill.","Stagebill.","Program.","Program.","Preview Materials.","Program.","Stagebill.","Stagebill.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Program.","Program.","Stagebill.","Stagebill.","Two photographs.","Stagebill.","News Release; Program.","Press Release; Program.","Program.","News Release; Program.","Press Release; Program; Photograph.","Program.","Program.","Invitation; Program.","Program.","Stagebill.","Stagebill.","Production of the Metropolitan Opera. Stagebill.","Program.","Program.","Program. Photograph.","Stagebill.","Invitation; Program; Photograph.","Invitation; Program.","Program.","Program.","Program.","Stagebill.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Stagebill.","Program.","Program.","Program.","Donor list; Program.","Stagebill; Photograph.","Production of the American Ballet Theatre. Stagebill.","Production of the American Ballet Theatre. Stagebill.","James Joyce's The Dead, Kennedy Center","Native Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian","Our Town, Arena Stage","She Always Said, Pablo, Kennedy Center","Still Life, Arena Stage","Press packet.","Program.","Stagebill. Photograph.","Stagebill.","Stagebill.","Program; Two Photographs.","Program; Invitation.","Program.","Program.","Program.","Invitation; Photograph; Program.","Stagebill.","Stagebill.","Stagebill.","Invitation; Program; Photograph.","Program.","Program.","Program.","Stagebill; Photograph.","Program.","Program; Photograph.","Program; Two photographs.","Invitation; Program.","Program.","Invitation; Program.","35mm slides.","Stagebill; Photograph.","Production of the New York Metropolitan Opera. Stagebill.","Program.","Stagebill.","Program; Photograph.","Program.","Program.","Program.","Ticket stub; Program; 35mm Slides.","Invitation; Program.","Stagebill.","Program.","Photograph; Program.","Program.","Program.","Production of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.","Program.","Program; Photograph.","Brochure.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Invitation; Program.","Production of the New York Shakespeare Festival. Stagebill; Photograph.","Program.","Photograph.","Invitation; Program.","Program.","Photograph; Program.","Program.","Program.","Invitation; Program.","Program.","Production of the Paramount Theatre Prod. Stagebill.","Stagebill.","Invitation; Program.","Program.","Program; Photograph.","Program.","Stagebill.","Program.","Program.","Production of the Royal Shakespeare Company. Stagebill; Three photographs.","Invitation; Program; Photograph.","Program; Photograph.","Program; Invitation.","Showbill.","Program.","Program; Two Photographs.","Invitation; Program; Photograph.","Stagebill; Photograph.","Production of the Opera House; Three Photographs; Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program; Two Photographs.","Program.","Stagebill.","Press Release.","Invitation; Program.","Stagebill.","Flyer; Stagebill.","Stagebill; Photograph.","Program; Photograph.","Invitation; Program.","Invitation; Program; Photograph.","Program; Press Release; Newspaper Articles.","Invitation; Program.","Presented by Piccolo Spoleto. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.","Program.","Production of the Human Bridge Theater Company. Press Kit.","Stagebill.","Program.","Program.","Program; Press Release; Notes.","Stagebill.","Photograph; Tickets; Stagebill.","Program.","Invitation; Program.","Program.","Program.","Invitation; Program.","Photograph; Program.","Invitation; Program; Four slides.","Program.","Invitation; Program; Photograph.","Invitation; Program; Photograph.","Stagebill.","Two Photographs.","Program.","Program.","Invitation; Program.","Production of the American National Theatre. Stagebill.","Stagebill; Photograph.","Program.","Programs; Invitations; Louisville guide; Notes.","Program.","Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program.","Stagebill; Photograph.","Invitation; Program.","Invitation; Program.","Stagebill.","Stagebill; Photograph.","Program.","Invitation; Program.","Stagebill.","Stagebill; Press Release.","Program.","Program; Tickets.","Two Photographs; Program.","Program.","Invitation; Program.","Stagebill; Press Release; Media Kit.","Production of the Haifa Municipal Theatre of Israel. Stagebill.","Stagebill.","Program.","Program.","Invitation; Program.","Program; Press Release.","Tickets; Stagebill; Press Release.","Stagebill.","Production of the La Jolla Playhouse. Stagebill; Photograph.","Invitation; Program.","Stagebill.","Schedule.","Stagebill; Photograph.","Press Release; Newspaper Articles; Publicity Packet; Program.","Program; Magazine; Newspaper Article.","Program; Press Release; Studio Theatre Newspaper.","Press Release; Program; Mailer.","Tickets; Press Release; Stagebill.","Program; Press Release.","Press Release; Program.","Stagebill; Photograph.","Program.","Program.","Stagebill; Press Release.","Souvenir Brochure; Stagebill.","Program; Press Release; American's Arena Publication.","Stagebill; Press Release; Newspaper Article.","Program; Newspaper Article; America's Arena Publication.","Program; Newspaper Article; Press Release.","Stagebill.","Press Release; Program.","Photograph; Press Release; Mailer; Program.","Invitation; Program; Press Release.","Program; Press Release.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Photograph; Press Release; Media Kit, Stagebill.","Press Release; Invitation.","Invitation; Program.","Invitation; Press Releases; Program.","Program; Press Release.","Media Package","Invitation; Program; Photograph","Stagebill; Press Release.","Press Release; Stagebill.","Ticket stub; Invitation; Program; Press Release; Newspaper Article.","Press Release; Stagebill.","Stagebill.","Press Release; Stagebill.","Press Release; Two Photographs","Press Release; Stagebill.","Stagebill; Press Release.","Invitation; Program; Press Release; Newspaper Article.","Program.","Press Release; Program.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Stagebill.","Newspaper Article; Program; Ticket Stubs; Mailer.","Invitation; Program; Ticket Stubs; Press Release.","Ten photographs.","Invitation; Program.","Program; Press Release.","Photograph; Press Release; Program.","Program.","Invitation; Program; Photograph; Magazine Article.","Stagebill; Press Release; Photograph.","Stagebill.","Program; Press Release; Photograph.","Program.","Stagebill; Photograph.","Stagebill; Press Release.","Magazine Article; Tickets; Program; Photograph; Press Release.","Program.","Press Releases.","Program.","Invitation.","Press Kit; Stagebill.","Press Release; Stagebill; Photograph.","Photograph; Program.","Stagebill.","Program; Photograph.","Program; Photograph.","Media Kit; Program.","Stagebill.","Program.","Stagebill; Photograph.","Media Kit; Program.","Program; Press Release; Photograph.","Photograph; Letter.","Program; Photograph.","Program; Photographs.","Program; Playbills","Moscow Art Theatre: Past, Present, Future publication","Program; Press Release; Photograph.","Stagebill; Photograph.","Press Kit; Program.","Brochure.","Program.","Invitation; Program.","Program; Photograph.","Photographs; Stagebill; Program; Tickets.","Photographs; Stagebill.","Stagebill; Photograph.","Tickets; Stagebill; Photographs.","Program.","Photograph; Press Release; Stagebill.","Photograph; Stagebill; Press Release.","Stagebill; Photograph.","Photograph; Press Release; Stagebill.","Program; Photograph; Press Release.","Press Release; Photograph; Program.","Press Release.","Invitation; Press Release; Newspaper Articles.","Photograph; Stagebill.","Invitation; Program; Photograph; Press Release.","Stagebill; Photograph.","Invitation; Photograph; Program.","Invitation; Program; Media Kit.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Program, Photographs.","Invitation; Program; Media Kit.","Program; Media Kit.","Program; Media Kit.","Invitation; Photograph; Program; Press Release.","Invitation; Program; Media Kit.","Stagebill.","Stagebill; Press Release.","Program.","Brochure.","Stagebill; Photograph.","Stagebill.","Invitation; Program; Newspaper Article; Photograph.","Invitation; Program.","Press Release.","Program.","Program; Press Release.","Program.","Program.","Stagebill.","Stagebill.","Stagebill; Press release; Notes.","Stagebill; Photograph.","Program; Photograph; Newspaper Articles; Magazine; Press Release.","Program; Photograph.","Program.","Stagebill.","Stagebill; Media Kit; Newspaper Articles.","Invitation; Program; Photograph.","News release; Photograph; Program.","Press release; Newsletter; Program.","Invitation; Program; News Release.","News Release; Invitation; Program.","Press Release; Program; Invitation; Newspaper Article.","Stagebill; Press Release.","Program; Press Release.","Program.","Production of the Bolshoi Opera. Program; Photograph.","Program; Photograph.","Stagebill; Press Release.","Program.","Program; Press Release; Newsletter.","Three Photographs.","Playbill; Two Photographs.","Invitation; Program.","Press Release; Program.","Press Release; Postcard.","Stagebill.","Press Kit.","Press Release.","Invitation; Program; Press Release.","Program; Press Release; Photograph.","Stagebill; Press Kit.","Program; Press Kit.","Invitation.","Program; Photograph.","Stagebill; Press Release; Photograph.","Program; Photograph; Press Release.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Invitation; Program; Press Release; Photograph.","Program; Guest list.","Program; Press Kit; Two photographs.","Stagebill; Press Release; Photograph.","Program; Press Kit.","Program; Press Kit.","Stagebill; Press Kit; Photograph.","Program; Press Kit.","Program; Press Release; Key chain.","Program.","Program; Press Kit.","Production of the Theater des Westens. Stagebill; Press Kit.","Stagebill; Press Kit.","Stagebill; Press Release; Photograph.","Program; Press Release; Photograph.","Program.","Invitation; Program; Press Release.","Press Release; Program.","Program.","Program.","Loudoun Symphony 10th anniversary concert","Waterford concert series: The Back Sinfonia","Waterford concert series: Musical Remarks","Capitol Steps: Who put the mock in democracy? It's the Capital Steps","Oklahoma!, Arena Stage","August Wilson's Gem of the Ocean, Arena Stage","She Loves Me, Arena Stage","A Tribute to Sergei Prokofiev, Kennedy Center","Ain't Misbehavin', Arena Stage","An Evening at the Oscars, Loudoun Symphony, Middleburg, VA","Anna Christie, Arena Stage","The Best Man, Radio Theatre Live!","Chicago, Knoxville Civic Auditorium, TN","Choral Arts Society of Washington, Kennedy Center","Diana Krall, Kennedy Center","Eudora Welty Remembered, Folger Shakespeare Library","Hallelujah, Baby!, Arena Stage","Love's Labour's Lost, Catholic University of America","Mostly Sondheim, Kennedy Center","Pacific Overtures, Kennedy Center","Passion, Kennedy Center","PEN/Faulkner awards for fiction, Folger Shakespeare Library","The Play About the Baby, The Studio Theatre","Roberta Flack, Music Center at Strathmore","Runaway Home, The Studio Theatre","The Shape of Things, The Studio Theatre","Fourth Estate Award Dinner honoring Christiane Amanpour","The Order of the Owl, Initiating Art Buchwald","The Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie","The Order of the Owl, Initiating Mark Russell","Spring Hoot: A Grand Old Club Salutes A Grand Old Hotel","The Order of the Owl, Initiating John Eaton","Kennedy Center News (September-October 2004 and May-August 2004)","Five by Tenn (ticket, press packet)","The Light in the Piazza","Salome","Madama Butterfly","Marian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz","Washington National Opera's Iphigenie en Tauride","Washington National Opera's Macbeth","A View from the Bridge, Washington National Opera","Madame Butterfly, Washington National Opera","National Symphony Orchestra","Sophie's Choice, Washington National Opera","Cabaret, Arena Stage","Connecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico","The Evening Parade, Marine Barracks Washington","Fiddler on the Roof, Olney Theatre Center, MD","Hansel and Gretel, The Lincoln Theatre","Ibis, Waterford, VA","Opera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA","The Persians, Shakespeare Theatre Company","Waterford Home Tours and Crafts Exhibit, Waterford, VA","Program.","Program; Photograph.","Playbill.","Playbill.","Applause at Strathmore","The Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage","Blues Alley Jazz Supper Club","Cymbeline, Round House Silver Spring","Kennedy Center News","La Traviata, Washington National Opera, Kennedy Center","Musical Remarks, John Wesley Church, Waterford, VA","The Pearl Fishers, Washington National Opera, Kennedy Center","The Price, Theatre J","Strathmore News","Program.","Program.","Production of the Washington National Opera. Playbill.","Antony and Cleopatra, Lansburgh Theatre","Ariadne auf Naxos, Washington National Opera, Kennedy Center","Chicago, National Theatre","Falstaff, Washington National Opera, Kennedy Center","I Love a Piano, Arena Stage","Master Singers of Virginia, Waterford, VA","PEN/Faulkner awards for fiction, Folger Shakespeare Library","Peter Grimes, Washington National Opera, Kennedy Center","Turandot, Washington National Opera, Kennedy Center","The Marriage of Figaro, Washington National Opera, Kennedy Center","Porgy and Bess, Washington National Opera, Kennedy Center","Reasons to be Pretty, The Studio Theatre","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Vol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1","Reports.","Brochure.","Articles.","Press Releases; Photograph.","Program.","Newspaper Articles; Photograph.","Newsletter.","Program.","Photograph.","Program.","Annual Reports; Schedules; Publication.","Invitations for plays not attended or no playbills.","Photographs.","Invitations.","Seven photographs.","Victor Borge and his Concert Orchestra","Spies in your eyes, JCA Playguild","Hamlet, Philharmonia Orchestra","Henry V: An interpretation of the Photoplay","From Washington DC and Virginia theatres","Includes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth","Marilyn Monroe: Life as a Legend","Franklin Park Performing and Visual Arts Center (2008-2009)","Grease at the Olney Theatre Center","Shenandoah Summer Music Theatre (2011)","Includes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society","Includes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera","Programs; Playbills.","The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.","Playbill; Program.","Playbill; Program.","Playbill.","Program.","Program.","Playbill; Program.","Playbill; Program.","Dayton Philharmonic Orchestra, Memorial Hall, Dayton, OH","Philharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","The Antioch yellow springs festival, OH","Light up the sky, Victory Theatre, Dayton, OH","The magnificent Yankee, Cox Theatre, Cincinnati, OH","O mistress mine, Memorial Hall, Dayton, OH","Pick-up girl, Ellis Auditorium, Memphis, TN","State of the union, Cox Theatre, Cincinnati, OH","The wise have not spoken, Yellow Springs Area Theatre, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbills.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Announcement.","Playbook; Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Souvenir Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Program.","Program.","Program.","Playbill; Program.","Program; Curtain Call.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program; Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbill.","The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.","Program.","Playbill.","Program.","Program.","Program.","Calendar.","Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playgram.","Playgram.","Playgram.","Reviews.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Showcard.","Showcard.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Magazine.","Magazine.","Picture book.","Publication.","Program.","Program.","Playbill.","Playbill.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; City Guide.","The fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.","Souvenir Book.","Magazine. Vol 4, no. 8.","Magazine. Vol 4, no. 9.","Book.","Program.","Cinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.","Programs for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.","Press Release.","Press Packet.","Press Packet.","Press Packet.","Press Packet; Production Information; Photographs.","Press Packet.","Program; magazine.","The fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.","7\" reel-to-reel audiotape. Program ends at 00:10:08.","Videotape.","Pamphlet.","7\" reel-to-reel audiotape. Run Time: 00:08:05.","7\" reel-to-reel audiotape. Program ends at 00:24:45.","7\" reel-to-reel audiotape. Program ends at 00:31:40.","9 discs containing digital access copies and a storage drive with access copies and master digital files.","7\" reel-to-reel audiotape. Program ends at 00:06:08.","7\" reel-to-reel audiotape. Program ends at 00:16:15.","5\" reel-to-reel audiotape. Run time is 00:07:36.","Audiotape cartridge. Run Time: 00:03:44.","Audiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.","5\" reel-to-reel audiotape. Run Time: 00:03:24.","5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.","10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.","10.5\" reel-to-reel audiotape. Run Time: 0:23:59.","5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.","7\" reel-to-reel audiotape. Program ends at 00:10:00.","7\" reel-to-reel audiotape. Run time is 00:07:28.","5\" reel-to-reel audiotape. Run Time: 00:11:09.","7\" reel-to-reel audiotape. Program ends at 00:04:59.","7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.","7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:06:25.","7\" reel-to-reel audiotape. Run time is 00:04:28.","7\" reel-to-reel audiotape. Run time is 00:06:11.","7\" reel-to-reel audiotape. Program ends at 00:05:37.","7\" reel-to-reel audiotape. Program ends at 00:05:02.","5\" reel-to-reel audiotape. Run time is 00:05:57.","7\" reel-to-reel audiotape. Program ends at 00:05:07.","7\" reel-to-reel audiotape. Program ends at 00:05:10.","7\" reel-to-reel audiotape. Program ends at 00:05:27.","7\" reel-to-reel audiotape. Program ends at 00:04:58.","5\" reel-to-reel audiotape. Run time is 00:06:20.","7\" reel-to-reel audiotape. Runt time is 00:05:26.","7\" reel-to-reel audiotape. Program ends at 00:07:15.","Videotape cassette.","Videotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.","7\" reel-to-reel audiotape. Program ends at 00:04:50.","7\" reel-to-reel audiotape. Run time is 00:26:46.","7\" reel-to-reel audiotape. Program ends at 00:04:06.","7\" reel-to-reel audiotape. Program ends at 00:06:52.","7\" reel-to-reel audiotape. Program ends at 00:05:16.","7\" reel-to-reel audiotape. Program ends at 00:05:47.","7\" reel-to-reel audiotape. Program ends at 00:06:07.","7\" reel-to-reel audiotape. Program ends at 00:03:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.","7\" reel-to-reel audiotape. Program ends at approx 00:05:06.","7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.","7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.","7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.","7\" reel-to-reel audiotape. Program ends at 00:21:50.","7\" reel-to-reel audiotape. Run time is 00:47:10.","7\" reel-to-reel audiotape. Run time is 00:41:45.","7\" reel to reel audiotape. Program ends at approx 00:05:34.","7\" reel-to-reel audiotape. Run Time: 01:05:27.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette. Clips from Streetwise and Old Enough."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e\n      "],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:28.036Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_kincannon"}},{"id":"vifgm_clapsaddle","type":"collection","attributes":{"title":"Jerry Clapsaddle papers, 1981/2005","creator":{"id":"https://arvasarchive.org/catalog/vifgm_clapsaddle#creator","type":"document_value","attributes":{"value":"Jerry Clapsaddle, 1941-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_clapsaddle#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_clapsaddle#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_clapsaddle","ead_ssi":"vifgm_clapsaddle","_root_":"vifgm_clapsaddle","_nest_parent_":"vifgm_clapsaddle","ead_source_url_ssi":"data/gmu/clapsaddle.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/clapsaddle.html","title_ssm":["Jerry Clapsaddle papers"],"title_tesim":["Jerry Clapsaddle papers"],"unitdate_ssm":["1981-2005"],"unitdate_inclusive_ssm":["1981-2005"],"normalized_date_ssm":["1981/2005"],"normalized_title_ssm":["Jerry Clapsaddle papers, 1981/2005"],"text":["Jerry Clapsaddle papers, 1981/2005","C0064","Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings","There are no access restrictions.","Organized into three series.","Series 1: Subject Files, 1981-2004 (Boxes 1-7)\n\n        Series 2: Photographs and Slides, 1973-2002 (Box 8)\n\n        Series 3: Videotapes, 1995-2000 (Boxes 9-10)","Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.","Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.","Special Collections and Archives also holds the George Mason University Archives.","Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook.","This series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.","Getting Hired","Goals","Faculty Profile","Floor Plans","Memorandums, Annual Report, Arts Gala","Memorandums, Travel Request, Postcard","Correspondence, Papermaking Workshop, Accounting Report,","Promotion and Tenure Committee","Correspondence","Biographical and Professional Material from 1941-1986","Correspondence","Facts and Figures Comparisons","Correspondence, Postcard, Petree Graphics","Correspondence, Department Responsibilities","Correspondence, Fellowships, Tenure Track Faculty","Correspondence, Report, Pamphlets","Correspondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar","Correspondence, Newspaper Article","Bachelor of Individual Study","Bachelors of Individual Study","New York, Student Reports","Name Listings, Articles","Bryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"","Cancelled","CUE Art, New York","CUE Art, Participant List","New York, The Art World, Participant List","New York, Correspondence","Development","Overnight to New York, Honors Seminar","New York","New York, Correspondence, Carolee Schneemann","Receipts, Correspondence, Participant List, Wait List, New York","Art and Visual Technologies, Correspondence, Participant List, Itinerary, New York","Receipts, Contracts, Correspondence, New York","New York, Wait List, Participant List,","Participant List, New York","Davor Vrankic, Participant List, Letter of Complaint, New York","New York, Participant List, Wait List","Flier","Invoices, Fliers, Correspondence, Brochures","New York, Participant List, Guides","Correspondence, Participant List, Art Magazine, Wait List, New York","Correspondence, Arts Bus Video Advertisement, Mark Stevens, Participant List","Correspondence, Risk Release Agreement,","Correspondence, Wait List","Participant List, Response to Student Comments, Receipts","New York, Articles","New York, Art Mark Stevens, War Stories, The Museum of Modern Art","Flier, Chuck Close, Robert Storr","New York, Participant List","New York, Flier, Correspondence, Art Magazine Copy","New York, Flier, Correspondence","New York, Chris Martin","New York,","New York","New York, Art Magazine Copy, Correspondence","New York, Articles","New York, Correspondence, Museum of Modern Art","New York","New York","New York","New York, Fliers, Brochures, Pratt Institute, Articles","New York, Meret Oppenheim \"Beyond the Teacup\"","Correspondence","Mission Statement, Correspondence, Memorandums","Correspondence, Newspaper Articles, Call for Entries","Fliers, Pamphlets, Correspondence","Course Syllabi, Articles, Correspondence","Faculty Meetings, Memorandums","Agenda, Meetings, Training Scenarios, ByLaws","Correspondence, Forms","Correspondence","Meeting Minutes","Memorandums, By Laws","Correspondence, Article","Sculpture Proposal, Newspaper Articles, Correspondence","20 Years of Service","Memorandums, Correspondence, Convocation","Personal Mythology","Alumni Lists Class of 1976 and Forward","Fliers, Newsletters, Pamphlets","Correspondence, Cards","Correspondence","Articles, Correspondence","Convocation, Correspondence","Correspondence, Financial Records","Correspondence, Forms, Progress Reports","Pamphlets, Post Cards, Examples of Public Art","Pamphlets","Newspaper Articles","Newspaper Article, Pamphlets","Articles, Pamphlets, Booklets","Correspondence, Contract","Correspondence, Cultural Park Map and Plans","Budget Reports","Newspaper Articles","Correspondence","University of Massachusetts Art Council","Pamphlets, Guide to Philadelphia Architecture","Newspaper Articles","Newspaper Articles","Magazines, Newspaper Articles","Ballston Gateway Proposal","Urban Design","Newspapers","Booklets, Newsletters","Newspaper Articles","Building the Modern City","Newsletter","Livability, Art in Form","Newspaper Articles","Correspondence, Articles","Correspondence, Events, Awards","Correspondence, Plan for the Arts","Possible Split Between Art and Art History","Meeting Minutes","Newspaper Articles","Newspaper Articles","Correspondence, Prospectus","Meeting Minutes","Correspondence, Text Suggestions, Calendar","Newspaper Articles","Goals, Teaching, Articles, Fliers, Studio Fundamentals,","Correspondence, Short on Faculty","Faculty Agenda","Course Lists, Fliers, Correspondence","Correspondence, Meeting","Instructional Rating Reports, Events, Booklets","Faculty Workload, Art Studies Handbook","Mission Statement, Meeting Minutes","New Website","Correspondence, Drafts for Restructuring Ideas","First Issue of Platform","Discussion of Curriculum Changes","Correspondence, Institute of Arts Peer Review","VHS Price Lists, Video Catalogs","Expenses, Copy","Correspondence, Newspaper Articles, Booklets, Fliers","Itinerary, New York City","Correspondence, Articles on Events","Correspondence, Expenses, Exhibition Information, New York City","Correspondence, Newspaper Articles, Notes","Art Guides","Epic Vision, Review","New York City, Arts Guide","Subway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps","Newspaper Articles, Restaurant Reviews","Correspondence, Guide Books","Articles, Museum References","Memorandums, Financial Statements","Correspondence, Newspaper Articles","Notes","Board List, New York City, Overnight Trip","Correspondence","Correspondence","Maps and Exhibition Lists for New York City","This series contains photographs and slides of art from students and museums, as well as art in public places.","Slides","Slides","Oakton High School","Slides","Journal, Slides, Cassette Tape","Photographs","Cassette Tapes","Photographs","Blue Container","This serious contains VHS tapes of art projects by students.","Fliers, Response Gallery, Video Rental, Correspondence","GMU-TV","SF2 Student Videos","Students of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton","There are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.","George Mason University. Special Collections and Archives.","George Mason University. School of Art.","Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-","English"],"collection_title_tesim":["Jerry Clapsaddle papers, 1981/2005"],"collection_ssim":["Jerry Clapsaddle papers, 1981/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0064"],"unitid_tesim":["C0064"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Jerry Clapsaddle, 1941-"],"creator_ssim":["Jerry Clapsaddle, 1941-"],"creator_persname_ssim":["Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. School of Art."],"creators_ssim":["Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-","George Mason University. Special Collections and Archives.","George Mason University. School of Art."],"acqinfo_ssim":["Collection donated by Jerry Clapsaddle in 2005-2006."],"access_subjects_ssim":["Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings"],"access_subjects_ssm":["Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 linear feet (24 boxes)"],"extent_tesim":["10 linear feet (24 boxes)"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Subject Files, 1981-2004 (Boxes 1-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs and Slides, 1973-2002 (Box 8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Videotapes, 1995-2000 (Boxes 9-10)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into three series.","Series 1: Subject Files, 1981-2004 (Boxes 1-7)\n\n        Series 2: Photographs and Slides, 1973-2002 (Box 8)\n\n        Series 3: Videotapes, 1995-2000 (Boxes 9-10)"],"bioghist_html_tesm":["\u003cp\u003eJerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond."],"prefercite_html_tesm":["\u003cp\u003eJerry Clapsaddle collection, C0064, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Jerry Clapsaddle collection, C0064, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the George Mason University Archives.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the George Mason University Archives."],"scopecontent_html_tesm":["\u003cp\u003eContains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook. \n\u003c/p\u003e\n    ","\u003cp\u003eThis series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.\n\u003c/p\u003e\n        ","\u003cp\u003eGetting Hired\n\t\u003c/p\u003e\n          ","\u003cp\u003eGoals\n\t\u003c/p\u003e\n          ","\u003cp\u003eFaculty Profile\n\t\u003c/p\u003e\n          ","\u003cp\u003eFloor Plans \n\t\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, Annual Report, Arts Gala\n\t\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, Travel Request, Postcard\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Papermaking Workshop, Accounting Report, \n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003ePromotion and Tenure Committee\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eBiographical and Professional Material from 1941-1986\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFacts and Figures Comparisons\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Postcard, Petree Graphics\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Department Responsibilities\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Fellowships, Tenure Track Faculty\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Report, Pamphlets\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Article\n\t\u003c/p\u003e\n          ","\u003cp\u003eBachelor of Individual Study\n\t\u003c/p\u003e\n          ","\u003cp\u003eBachelors of Individual Study\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Student Reports\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eName Listings, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eBryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"\n\t\u003c/p\u003e\n          ","\u003cp\u003eCancelled\n\t\u003c/p\u003e\n          ","\u003cp\u003eCUE Art, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eCUE Art, Participant List\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, The Art World, Participant List\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eDevelopment\n\t\u003c/p\u003e\n          ","\u003cp\u003eOvernight to New York, Honors Seminar\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Correspondence, Carolee Schneemann\n\t\u003c/p\u003e\n          ","\u003cp\u003eReceipts, Correspondence, Participant List, Wait List, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eArt and Visual Technologies, Correspondence, Participant List, Itinerary, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eReceipts, Contracts, Correspondence, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Wait List, Participant List, \n\t\u003c/p\u003e\n          ","\u003cp\u003eParticipant List, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eDavor Vrankic, Participant List, Letter of Complaint, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Participant List, Wait List\n\t\u003c/p\u003e\n          ","\u003cp\u003eFlier\n\t\u003c/p\u003e\n          ","\u003cp\u003eInvoices, Fliers, Correspondence, Brochures\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Participant List, Guides\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Participant List, Art Magazine, Wait List, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Arts Bus Video Advertisement, Mark Stevens, Participant List\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Risk Release Agreement, \n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Wait List\n\t\u003c/p\u003e\n          ","\u003cp\u003eParticipant List, Response to Student Comments, Receipts\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Art Mark Stevens, War Stories, The Museum of Modern Art\n\t\u003c/p\u003e\n          ","\u003cp\u003eFlier, Chuck Close, Robert Storr\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Participant List\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Flier, Correspondence, Art Magazine Copy\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Flier, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Chris Martin\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, \n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Art Magazine Copy, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Correspondence, Museum of Modern Art\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Fliers, Brochures, Pratt Institute, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Meret Oppenheim \"Beyond the Teacup\"\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eMission Statement, Correspondence, Memorandums\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Articles, Call for Entries \n\t\u003c/p\u003e\n          ","\u003cp\u003eFliers, Pamphlets, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eCourse Syllabi, Articles, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eFaculty Meetings, Memorandums\n\t\u003c/p\u003e\n          ","\u003cp\u003eAgenda, Meetings, Training Scenarios, ByLaws\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Forms\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, By Laws\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Article\n\t\u003c/p\u003e\n          ","\u003cp\u003eSculpture Proposal, Newspaper Articles, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e20 Years of Service\n\t\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, Correspondence, Convocation\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003ePersonal Mythology\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eAlumni Lists Class of 1976 and Forward\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFliers, Newsletters, Pamphlets\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Cards\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eArticles, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eConvocation, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Financial Records\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Forms, Progress Reports\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlets, Post Cards, Examples of Public Art\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlets\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Article, Pamphlets\n\t\u003c/p\u003e\n          ","\u003cp\u003eArticles, Pamphlets, Booklets\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Contract\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Cultural Park Map and Plans\n\t\u003c/p\u003e\n          ","\u003cp\u003eBudget Reports\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eUniversity of Massachusetts Art Council\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlets, Guide to Philadelphia Architecture\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eMagazines, Newspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eBallston Gateway Proposal\n\t\u003c/p\u003e\n          ","\u003cp\u003eUrban Design\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspapers\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eBooklets, Newsletters\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eBuilding the Modern City\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewsletter\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eLivability, Art in Form\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Events, Awards\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Plan for the Arts\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003ePossible Split Between Art and Art History\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Prospectus\n\t\u003c/p\u003e\n          ","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Text Suggestions, Calendar\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eGoals, Teaching, Articles, Fliers, Studio Fundamentals, \n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Short on Faculty\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFaculty Agenda\n\t\u003c/p\u003e\n          ","\u003cp\u003eCourse Lists, Fliers, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Meeting\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eInstructional Rating Reports, Events, Booklets\n\t\u003c/p\u003e\n          ","\u003cp\u003eFaculty Workload, Art Studies Handbook\n\t\u003c/p\u003e\n          ","\u003cp\u003eMission Statement, Meeting Minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew Website\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Drafts for Restructuring Ideas\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFirst Issue of Platform\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eDiscussion of Curriculum Changes\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Institute of Arts Peer Review\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS Price Lists, Video Catalogs\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eExpenses, Copy\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Articles, Booklets, Fliers\n\t\u003c/p\u003e\n          ","\u003cp\u003eItinerary, New York City\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Articles on Events\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Expenses, Exhibition Information, New York City\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Articles, Notes\n\t\u003c/p\u003e\n          ","\u003cp\u003eArt Guides\n\t\u003c/p\u003e\n          ","\u003cp\u003eEpic Vision, Review\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York City, Arts Guide\n\t\u003c/p\u003e\n          ","\u003cp\u003eSubway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles, Restaurant Reviews\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Guide Books\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eArticles, Museum References\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, Financial Statements\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNotes\n\t\u003c/p\u003e\n          ","\u003cp\u003eBoard List, New York City, Overnight Trip\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMaps and Exhibition Lists for New York City\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and slides of art from students and museums, as well as art in public places.\n\u003c/p\u003e\n        ","\u003cp\u003eSlides\n\t\u003c/p\u003e\n          ","\u003cp\u003eSlides\n\t\u003c/p\u003e\n          ","\u003cp\u003eOakton High School\n\t\u003c/p\u003e\n          ","\u003cp\u003eSlides\n\t\u003c/p\u003e\n          ","\u003cp\u003eJournal, Slides, Cassette Tape\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs\n\t\u003c/p\u003e\n          ","\u003cp\u003eCassette Tapes\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs\n\t\u003c/p\u003e\n          ","\u003cp\u003eBlue Container\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis serious contains VHS tapes of art projects by students.\n\u003c/p\u003e\n        ","\u003cp\u003eFliers, Response Gallery, Video Rental, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eGMU-TV\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eSF2 Student Videos\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eStudents of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook.","This series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.","Getting Hired","Goals","Faculty Profile","Floor Plans","Memorandums, Annual Report, Arts Gala","Memorandums, Travel Request, Postcard","Correspondence, Papermaking Workshop, Accounting Report,","Promotion and Tenure Committee","Correspondence","Biographical and Professional Material from 1941-1986","Correspondence","Facts and Figures Comparisons","Correspondence, Postcard, Petree Graphics","Correspondence, Department Responsibilities","Correspondence, Fellowships, Tenure Track Faculty","Correspondence, Report, Pamphlets","Correspondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar","Correspondence, Newspaper Article","Bachelor of Individual Study","Bachelors of Individual Study","New York, Student Reports","Name Listings, Articles","Bryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"","Cancelled","CUE Art, New York","CUE Art, Participant List","New York, The Art World, Participant List","New York, Correspondence","Development","Overnight to New York, Honors Seminar","New York","New York, Correspondence, Carolee Schneemann","Receipts, Correspondence, Participant List, Wait List, New York","Art and Visual Technologies, Correspondence, Participant List, Itinerary, New York","Receipts, Contracts, Correspondence, New York","New York, Wait List, Participant List,","Participant List, New York","Davor Vrankic, Participant List, Letter of Complaint, New York","New York, Participant List, Wait List","Flier","Invoices, Fliers, Correspondence, Brochures","New York, Participant List, Guides","Correspondence, Participant List, Art Magazine, Wait List, New York","Correspondence, Arts Bus Video Advertisement, Mark Stevens, Participant List","Correspondence, Risk Release Agreement,","Correspondence, Wait List","Participant List, Response to Student Comments, Receipts","New York, Articles","New York, Art Mark Stevens, War Stories, The Museum of Modern Art","Flier, Chuck Close, Robert Storr","New York, Participant List","New York, Flier, Correspondence, Art Magazine Copy","New York, Flier, Correspondence","New York, Chris Martin","New York,","New York","New York, Art Magazine Copy, Correspondence","New York, Articles","New York, Correspondence, Museum of Modern Art","New York","New York","New York","New York, Fliers, Brochures, Pratt Institute, Articles","New York, Meret Oppenheim \"Beyond the Teacup\"","Correspondence","Mission Statement, Correspondence, Memorandums","Correspondence, Newspaper Articles, Call for Entries","Fliers, Pamphlets, Correspondence","Course Syllabi, Articles, Correspondence","Faculty Meetings, Memorandums","Agenda, Meetings, Training Scenarios, ByLaws","Correspondence, Forms","Correspondence","Meeting Minutes","Memorandums, By Laws","Correspondence, Article","Sculpture Proposal, Newspaper Articles, Correspondence","20 Years of Service","Memorandums, Correspondence, Convocation","Personal Mythology","Alumni Lists Class of 1976 and Forward","Fliers, Newsletters, Pamphlets","Correspondence, Cards","Correspondence","Articles, Correspondence","Convocation, Correspondence","Correspondence, Financial Records","Correspondence, Forms, Progress Reports","Pamphlets, Post Cards, Examples of Public Art","Pamphlets","Newspaper Articles","Newspaper Article, Pamphlets","Articles, Pamphlets, Booklets","Correspondence, Contract","Correspondence, Cultural Park Map and Plans","Budget Reports","Newspaper Articles","Correspondence","University of Massachusetts Art Council","Pamphlets, Guide to Philadelphia Architecture","Newspaper Articles","Newspaper Articles","Magazines, Newspaper Articles","Ballston Gateway Proposal","Urban Design","Newspapers","Booklets, Newsletters","Newspaper Articles","Building the Modern City","Newsletter","Livability, Art in Form","Newspaper Articles","Correspondence, Articles","Correspondence, Events, Awards","Correspondence, Plan for the Arts","Possible Split Between Art and Art History","Meeting Minutes","Newspaper Articles","Newspaper Articles","Correspondence, Prospectus","Meeting Minutes","Correspondence, Text Suggestions, Calendar","Newspaper Articles","Goals, Teaching, Articles, Fliers, Studio Fundamentals,","Correspondence, Short on Faculty","Faculty Agenda","Course Lists, Fliers, Correspondence","Correspondence, Meeting","Instructional Rating Reports, Events, Booklets","Faculty Workload, Art Studies Handbook","Mission Statement, Meeting Minutes","New Website","Correspondence, Drafts for Restructuring Ideas","First Issue of Platform","Discussion of Curriculum Changes","Correspondence, Institute of Arts Peer Review","VHS Price Lists, Video Catalogs","Expenses, Copy","Correspondence, Newspaper Articles, Booklets, Fliers","Itinerary, New York City","Correspondence, Articles on Events","Correspondence, Expenses, Exhibition Information, New York City","Correspondence, Newspaper Articles, Notes","Art Guides","Epic Vision, Review","New York City, Arts Guide","Subway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps","Newspaper Articles, Restaurant Reviews","Correspondence, Guide Books","Articles, Museum References","Memorandums, Financial Statements","Correspondence, Newspaper Articles","Notes","Board List, New York City, Overnight Trip","Correspondence","Correspondence","Maps and Exhibition Lists for New York City","This series contains photographs and slides of art from students and museums, as well as art in public places.","Slides","Slides","Oakton High School","Slides","Journal, Slides, Cassette Tape","Photographs","Cassette Tapes","Photographs","Blue Container","This serious contains VHS tapes of art projects by students.","Fliers, Response Gallery, Video Rental, Correspondence","GMU-TV","SF2 Student Videos","Students of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes."],"corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. School of Art."],"persname_ssim":["Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-"],"names_ssim":["George Mason University. Special Collections and Archives.","George Mason University. School of Art.","Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-"],"language_ssim":["English"],"total_component_count_is":329,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:08.909Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_clapsaddle","ead_ssi":"vifgm_clapsaddle","_root_":"vifgm_clapsaddle","_nest_parent_":"vifgm_clapsaddle","ead_source_url_ssi":"data/gmu/clapsaddle.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/clapsaddle.html","title_ssm":["Jerry Clapsaddle papers"],"title_tesim":["Jerry Clapsaddle papers"],"unitdate_ssm":["1981-2005"],"unitdate_inclusive_ssm":["1981-2005"],"normalized_date_ssm":["1981/2005"],"normalized_title_ssm":["Jerry Clapsaddle papers, 1981/2005"],"text":["Jerry Clapsaddle papers, 1981/2005","C0064","Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings","There are no access restrictions.","Organized into three series.","Series 1: Subject Files, 1981-2004 (Boxes 1-7)\n\n        Series 2: Photographs and Slides, 1973-2002 (Box 8)\n\n        Series 3: Videotapes, 1995-2000 (Boxes 9-10)","Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.","Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.","Special Collections and Archives also holds the George Mason University Archives.","Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook.","This series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.","Getting Hired","Goals","Faculty Profile","Floor Plans","Memorandums, Annual Report, Arts Gala","Memorandums, Travel Request, Postcard","Correspondence, Papermaking Workshop, Accounting Report,","Promotion and Tenure Committee","Correspondence","Biographical and Professional Material from 1941-1986","Correspondence","Facts and Figures Comparisons","Correspondence, Postcard, Petree Graphics","Correspondence, Department Responsibilities","Correspondence, Fellowships, Tenure Track Faculty","Correspondence, Report, Pamphlets","Correspondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar","Correspondence, Newspaper Article","Bachelor of Individual Study","Bachelors of Individual Study","New York, Student Reports","Name Listings, Articles","Bryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"","Cancelled","CUE Art, New York","CUE Art, Participant List","New York, The Art World, Participant List","New York, Correspondence","Development","Overnight to New York, Honors Seminar","New York","New York, Correspondence, Carolee Schneemann","Receipts, Correspondence, Participant List, Wait List, New York","Art and Visual Technologies, Correspondence, Participant List, Itinerary, New York","Receipts, Contracts, Correspondence, New York","New York, Wait List, Participant List,","Participant List, New York","Davor Vrankic, Participant List, Letter of Complaint, New York","New York, Participant List, Wait List","Flier","Invoices, Fliers, Correspondence, Brochures","New York, Participant List, Guides","Correspondence, Participant List, Art Magazine, Wait List, New York","Correspondence, Arts Bus Video Advertisement, Mark Stevens, Participant List","Correspondence, Risk Release Agreement,","Correspondence, Wait List","Participant List, Response to Student Comments, Receipts","New York, Articles","New York, Art Mark Stevens, War Stories, The Museum of Modern Art","Flier, Chuck Close, Robert Storr","New York, Participant List","New York, Flier, Correspondence, Art Magazine Copy","New York, Flier, Correspondence","New York, Chris Martin","New York,","New York","New York, Art Magazine Copy, Correspondence","New York, Articles","New York, Correspondence, Museum of Modern Art","New York","New York","New York","New York, Fliers, Brochures, Pratt Institute, Articles","New York, Meret Oppenheim \"Beyond the Teacup\"","Correspondence","Mission Statement, Correspondence, Memorandums","Correspondence, Newspaper Articles, Call for Entries","Fliers, Pamphlets, Correspondence","Course Syllabi, Articles, Correspondence","Faculty Meetings, Memorandums","Agenda, Meetings, Training Scenarios, ByLaws","Correspondence, Forms","Correspondence","Meeting Minutes","Memorandums, By Laws","Correspondence, Article","Sculpture Proposal, Newspaper Articles, Correspondence","20 Years of Service","Memorandums, Correspondence, Convocation","Personal Mythology","Alumni Lists Class of 1976 and Forward","Fliers, Newsletters, Pamphlets","Correspondence, Cards","Correspondence","Articles, Correspondence","Convocation, Correspondence","Correspondence, Financial Records","Correspondence, Forms, Progress Reports","Pamphlets, Post Cards, Examples of Public Art","Pamphlets","Newspaper Articles","Newspaper Article, Pamphlets","Articles, Pamphlets, Booklets","Correspondence, Contract","Correspondence, Cultural Park Map and Plans","Budget Reports","Newspaper Articles","Correspondence","University of Massachusetts Art Council","Pamphlets, Guide to Philadelphia Architecture","Newspaper Articles","Newspaper Articles","Magazines, Newspaper Articles","Ballston Gateway Proposal","Urban Design","Newspapers","Booklets, Newsletters","Newspaper Articles","Building the Modern City","Newsletter","Livability, Art in Form","Newspaper Articles","Correspondence, Articles","Correspondence, Events, Awards","Correspondence, Plan for the Arts","Possible Split Between Art and Art History","Meeting Minutes","Newspaper Articles","Newspaper Articles","Correspondence, Prospectus","Meeting Minutes","Correspondence, Text Suggestions, Calendar","Newspaper Articles","Goals, Teaching, Articles, Fliers, Studio Fundamentals,","Correspondence, Short on Faculty","Faculty Agenda","Course Lists, Fliers, Correspondence","Correspondence, Meeting","Instructional Rating Reports, Events, Booklets","Faculty Workload, Art Studies Handbook","Mission Statement, Meeting Minutes","New Website","Correspondence, Drafts for Restructuring Ideas","First Issue of Platform","Discussion of Curriculum Changes","Correspondence, Institute of Arts Peer Review","VHS Price Lists, Video Catalogs","Expenses, Copy","Correspondence, Newspaper Articles, Booklets, Fliers","Itinerary, New York City","Correspondence, Articles on Events","Correspondence, Expenses, Exhibition Information, New York City","Correspondence, Newspaper Articles, Notes","Art Guides","Epic Vision, Review","New York City, Arts Guide","Subway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps","Newspaper Articles, Restaurant Reviews","Correspondence, Guide Books","Articles, Museum References","Memorandums, Financial Statements","Correspondence, Newspaper Articles","Notes","Board List, New York City, Overnight Trip","Correspondence","Correspondence","Maps and Exhibition Lists for New York City","This series contains photographs and slides of art from students and museums, as well as art in public places.","Slides","Slides","Oakton High School","Slides","Journal, Slides, Cassette Tape","Photographs","Cassette Tapes","Photographs","Blue Container","This serious contains VHS tapes of art projects by students.","Fliers, Response Gallery, Video Rental, Correspondence","GMU-TV","SF2 Student Videos","Students of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton","There are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.","George Mason University. Special Collections and Archives.","George Mason University. School of Art.","Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-","English"],"collection_title_tesim":["Jerry Clapsaddle papers, 1981/2005"],"collection_ssim":["Jerry Clapsaddle papers, 1981/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0064"],"unitid_tesim":["C0064"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Jerry Clapsaddle, 1941-"],"creator_ssim":["Jerry Clapsaddle, 1941-"],"creator_persname_ssim":["Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. School of Art."],"creators_ssim":["Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-","George Mason University. Special Collections and Archives.","George Mason University. School of Art."],"acqinfo_ssim":["Collection donated by Jerry Clapsaddle in 2005-2006."],"access_subjects_ssim":["Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings"],"access_subjects_ssm":["Art in universities and colleges--Virginia, Northern.","Photographic prints.","Slides.","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 linear feet (24 boxes)"],"extent_tesim":["10 linear feet (24 boxes)"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Subject Files, 1981-2004 (Boxes 1-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs and Slides, 1973-2002 (Box 8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Videotapes, 1995-2000 (Boxes 9-10)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into three series.","Series 1: Subject Files, 1981-2004 (Boxes 1-7)\n\n        Series 2: Photographs and Slides, 1973-2002 (Box 8)\n\n        Series 3: Videotapes, 1995-2000 (Boxes 9-10)"],"bioghist_html_tesm":["\u003cp\u003eJerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond."],"prefercite_html_tesm":["\u003cp\u003eJerry Clapsaddle collection, C0064, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Jerry Clapsaddle collection, C0064, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the George Mason University Archives.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the George Mason University Archives."],"scopecontent_html_tesm":["\u003cp\u003eContains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook. \n\u003c/p\u003e\n    ","\u003cp\u003eThis series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.\n\u003c/p\u003e\n        ","\u003cp\u003eGetting Hired\n\t\u003c/p\u003e\n          ","\u003cp\u003eGoals\n\t\u003c/p\u003e\n          ","\u003cp\u003eFaculty Profile\n\t\u003c/p\u003e\n          ","\u003cp\u003eFloor Plans \n\t\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, Annual Report, Arts Gala\n\t\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, Travel Request, Postcard\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Papermaking Workshop, Accounting Report, \n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003ePromotion and Tenure Committee\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eBiographical and Professional Material from 1941-1986\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFacts and Figures Comparisons\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Postcard, Petree Graphics\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Department Responsibilities\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Fellowships, Tenure Track Faculty\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Report, Pamphlets\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Article\n\t\u003c/p\u003e\n          ","\u003cp\u003eBachelor of Individual Study\n\t\u003c/p\u003e\n          ","\u003cp\u003eBachelors of Individual Study\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Student Reports\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eName Listings, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eBryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"\n\t\u003c/p\u003e\n          ","\u003cp\u003eCancelled\n\t\u003c/p\u003e\n          ","\u003cp\u003eCUE Art, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eCUE Art, Participant List\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, The Art World, Participant List\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eDevelopment\n\t\u003c/p\u003e\n          ","\u003cp\u003eOvernight to New York, Honors Seminar\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Correspondence, Carolee Schneemann\n\t\u003c/p\u003e\n          ","\u003cp\u003eReceipts, Correspondence, Participant List, Wait List, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eArt and Visual Technologies, Correspondence, Participant List, Itinerary, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eReceipts, Contracts, Correspondence, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Wait List, Participant List, \n\t\u003c/p\u003e\n          ","\u003cp\u003eParticipant List, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eDavor Vrankic, Participant List, Letter of Complaint, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Participant List, Wait List\n\t\u003c/p\u003e\n          ","\u003cp\u003eFlier\n\t\u003c/p\u003e\n          ","\u003cp\u003eInvoices, Fliers, Correspondence, Brochures\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Participant List, Guides\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Participant List, Art Magazine, Wait List, New York\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Arts Bus Video Advertisement, Mark Stevens, Participant List\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Risk Release Agreement, \n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Wait List\n\t\u003c/p\u003e\n          ","\u003cp\u003eParticipant List, Response to Student Comments, Receipts\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Art Mark Stevens, War Stories, The Museum of Modern Art\n\t\u003c/p\u003e\n          ","\u003cp\u003eFlier, Chuck Close, Robert Storr\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Participant List\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Flier, Correspondence, Art Magazine Copy\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Flier, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Chris Martin\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, \n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Art Magazine Copy, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Correspondence, Museum of Modern Art\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Fliers, Brochures, Pratt Institute, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York, Meret Oppenheim \"Beyond the Teacup\"\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eMission Statement, Correspondence, Memorandums\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Articles, Call for Entries \n\t\u003c/p\u003e\n          ","\u003cp\u003eFliers, Pamphlets, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eCourse Syllabi, Articles, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eFaculty Meetings, Memorandums\n\t\u003c/p\u003e\n          ","\u003cp\u003eAgenda, Meetings, Training Scenarios, ByLaws\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Forms\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, By Laws\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Article\n\t\u003c/p\u003e\n          ","\u003cp\u003eSculpture Proposal, Newspaper Articles, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e20 Years of Service\n\t\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, Correspondence, Convocation\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003ePersonal Mythology\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eAlumni Lists Class of 1976 and Forward\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFliers, Newsletters, Pamphlets\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Cards\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eArticles, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eConvocation, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Financial Records\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Forms, Progress Reports\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlets, Post Cards, Examples of Public Art\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlets\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Article, Pamphlets\n\t\u003c/p\u003e\n          ","\u003cp\u003eArticles, Pamphlets, Booklets\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Contract\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Cultural Park Map and Plans\n\t\u003c/p\u003e\n          ","\u003cp\u003eBudget Reports\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eUniversity of Massachusetts Art Council\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlets, Guide to Philadelphia Architecture\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eMagazines, Newspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eBallston Gateway Proposal\n\t\u003c/p\u003e\n          ","\u003cp\u003eUrban Design\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspapers\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eBooklets, Newsletters\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eBuilding the Modern City\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewsletter\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eLivability, Art in Form\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Events, Awards\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Plan for the Arts\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003ePossible Split Between Art and Art History\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Prospectus\n\t\u003c/p\u003e\n          ","\u003cp\u003eMeeting Minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Text Suggestions, Calendar\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eGoals, Teaching, Articles, Fliers, Studio Fundamentals, \n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Short on Faculty\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFaculty Agenda\n\t\u003c/p\u003e\n          ","\u003cp\u003eCourse Lists, Fliers, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Meeting\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eInstructional Rating Reports, Events, Booklets\n\t\u003c/p\u003e\n          ","\u003cp\u003eFaculty Workload, Art Studies Handbook\n\t\u003c/p\u003e\n          ","\u003cp\u003eMission Statement, Meeting Minutes\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew Website\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Drafts for Restructuring Ideas\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eFirst Issue of Platform\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eDiscussion of Curriculum Changes\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Institute of Arts Peer Review\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS Price Lists, Video Catalogs\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eExpenses, Copy\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Articles, Booklets, Fliers\n\t\u003c/p\u003e\n          ","\u003cp\u003eItinerary, New York City\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Articles on Events\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Expenses, Exhibition Information, New York City\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Articles, Notes\n\t\u003c/p\u003e\n          ","\u003cp\u003eArt Guides\n\t\u003c/p\u003e\n          ","\u003cp\u003eEpic Vision, Review\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew York City, Arts Guide\n\t\u003c/p\u003e\n          ","\u003cp\u003eSubway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNewspaper Articles, Restaurant Reviews\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Guide Books\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eArticles, Museum References\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMemorandums, Financial Statements\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, Newspaper Articles\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eNotes\n\t\u003c/p\u003e\n          ","\u003cp\u003eBoard List, New York City, Overnight Trip\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eMaps and Exhibition Lists for New York City\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and slides of art from students and museums, as well as art in public places.\n\u003c/p\u003e\n        ","\u003cp\u003eSlides\n\t\u003c/p\u003e\n          ","\u003cp\u003eSlides\n\t\u003c/p\u003e\n          ","\u003cp\u003eOakton High School\n\t\u003c/p\u003e\n          ","\u003cp\u003eSlides\n\t\u003c/p\u003e\n          ","\u003cp\u003eJournal, Slides, Cassette Tape\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs\n\t\u003c/p\u003e\n          ","\u003cp\u003eCassette Tapes\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs\n\t\u003c/p\u003e\n          ","\u003cp\u003eBlue Container\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis serious contains VHS tapes of art projects by students.\n\u003c/p\u003e\n        ","\u003cp\u003eFliers, Response Gallery, Video Rental, Correspondence\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eGMU-TV\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eSF2 Student Videos\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eStudents of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook.","This series contains office material from Jerry Clapsaddle's time as a professor of art, including correspondence, annual reports, files on the ArtsBus and museums, and information on the Art in Public Places program.","Getting Hired","Goals","Faculty Profile","Floor Plans","Memorandums, Annual Report, Arts Gala","Memorandums, Travel Request, Postcard","Correspondence, Papermaking Workshop, Accounting Report,","Promotion and Tenure Committee","Correspondence","Biographical and Professional Material from 1941-1986","Correspondence","Facts and Figures Comparisons","Correspondence, Postcard, Petree Graphics","Correspondence, Department Responsibilities","Correspondence, Fellowships, Tenure Track Faculty","Correspondence, Report, Pamphlets","Correspondence, Articles, \"On Teaching at a Second-Rate University\" by Terry Caesar","Correspondence, Newspaper Article","Bachelor of Individual Study","Bachelors of Individual Study","New York, Student Reports","Name Listings, Articles","Bryan Smith, New York, The Week Art, Luhring Augustine \"On the Tightrope\"","Cancelled","CUE Art, New York","CUE Art, Participant List","New York, The Art World, Participant List","New York, Correspondence","Development","Overnight to New York, Honors Seminar","New York","New York, Correspondence, Carolee Schneemann","Receipts, Correspondence, Participant List, Wait List, New York","Art and Visual Technologies, Correspondence, Participant List, Itinerary, New York","Receipts, Contracts, Correspondence, New York","New York, Wait List, Participant List,","Participant List, New York","Davor Vrankic, Participant List, Letter of Complaint, New York","New York, Participant List, Wait List","Flier","Invoices, Fliers, Correspondence, Brochures","New York, Participant List, Guides","Correspondence, Participant List, Art Magazine, Wait List, New York","Correspondence, Arts Bus Video Advertisement, Mark Stevens, Participant List","Correspondence, Risk Release Agreement,","Correspondence, Wait List","Participant List, Response to Student Comments, Receipts","New York, Articles","New York, Art Mark Stevens, War Stories, The Museum of Modern Art","Flier, Chuck Close, Robert Storr","New York, Participant List","New York, Flier, Correspondence, Art Magazine Copy","New York, Flier, Correspondence","New York, Chris Martin","New York,","New York","New York, Art Magazine Copy, Correspondence","New York, Articles","New York, Correspondence, Museum of Modern Art","New York","New York","New York","New York, Fliers, Brochures, Pratt Institute, Articles","New York, Meret Oppenheim \"Beyond the Teacup\"","Correspondence","Mission Statement, Correspondence, Memorandums","Correspondence, Newspaper Articles, Call for Entries","Fliers, Pamphlets, Correspondence","Course Syllabi, Articles, Correspondence","Faculty Meetings, Memorandums","Agenda, Meetings, Training Scenarios, ByLaws","Correspondence, Forms","Correspondence","Meeting Minutes","Memorandums, By Laws","Correspondence, Article","Sculpture Proposal, Newspaper Articles, Correspondence","20 Years of Service","Memorandums, Correspondence, Convocation","Personal Mythology","Alumni Lists Class of 1976 and Forward","Fliers, Newsletters, Pamphlets","Correspondence, Cards","Correspondence","Articles, Correspondence","Convocation, Correspondence","Correspondence, Financial Records","Correspondence, Forms, Progress Reports","Pamphlets, Post Cards, Examples of Public Art","Pamphlets","Newspaper Articles","Newspaper Article, Pamphlets","Articles, Pamphlets, Booklets","Correspondence, Contract","Correspondence, Cultural Park Map and Plans","Budget Reports","Newspaper Articles","Correspondence","University of Massachusetts Art Council","Pamphlets, Guide to Philadelphia Architecture","Newspaper Articles","Newspaper Articles","Magazines, Newspaper Articles","Ballston Gateway Proposal","Urban Design","Newspapers","Booklets, Newsletters","Newspaper Articles","Building the Modern City","Newsletter","Livability, Art in Form","Newspaper Articles","Correspondence, Articles","Correspondence, Events, Awards","Correspondence, Plan for the Arts","Possible Split Between Art and Art History","Meeting Minutes","Newspaper Articles","Newspaper Articles","Correspondence, Prospectus","Meeting Minutes","Correspondence, Text Suggestions, Calendar","Newspaper Articles","Goals, Teaching, Articles, Fliers, Studio Fundamentals,","Correspondence, Short on Faculty","Faculty Agenda","Course Lists, Fliers, Correspondence","Correspondence, Meeting","Instructional Rating Reports, Events, Booklets","Faculty Workload, Art Studies Handbook","Mission Statement, Meeting Minutes","New Website","Correspondence, Drafts for Restructuring Ideas","First Issue of Platform","Discussion of Curriculum Changes","Correspondence, Institute of Arts Peer Review","VHS Price Lists, Video Catalogs","Expenses, Copy","Correspondence, Newspaper Articles, Booklets, Fliers","Itinerary, New York City","Correspondence, Articles on Events","Correspondence, Expenses, Exhibition Information, New York City","Correspondence, Newspaper Articles, Notes","Art Guides","Epic Vision, Review","New York City, Arts Guide","Subway, Buses, Tour Masters, Risk Forms, New York City Artists and Art Dealers, New York City Maps","Newspaper Articles, Restaurant Reviews","Correspondence, Guide Books","Articles, Museum References","Memorandums, Financial Statements","Correspondence, Newspaper Articles","Notes","Board List, New York City, Overnight Trip","Correspondence","Correspondence","Maps and Exhibition Lists for New York City","This series contains photographs and slides of art from students and museums, as well as art in public places.","Slides","Slides","Oakton High School","Slides","Journal, Slides, Cassette Tape","Photographs","Cassette Tapes","Photographs","Blue Container","This serious contains VHS tapes of art projects by students.","Fliers, Response Gallery, Video Rental, Correspondence","GMU-TV","SF2 Student Videos","Students of Rosalind Kimball Moulton, \"Mental Games\" by Rosalind Kimball Moulton"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jerry Clapsaddle collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes."],"corpname_ssim":["George Mason University. Special Collections and Archives.","George Mason University. School of Art."],"persname_ssim":["Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-"],"names_ssim":["George Mason University. Special Collections and Archives.","George Mason University. School of Art.","Jerry Clapsaddle, 1941-","Clapsaddle, Jerry, 1941-"],"language_ssim":["English"],"total_component_count_is":329,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:08.909Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_clapsaddle"}},{"id":"vifgm_vifgm00006","type":"collection","attributes":{"title":"Planned Community Archives collection, 1960/2009","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00006#creator","type":"document_value","attributes":{"value":"Planned Community Archives, Inc.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00006#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well. The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints. The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00006#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00006","ead_ssi":"vifgm_vifgm00006","_root_":"vifgm_vifgm00006","_nest_parent_":"vifgm_vifgm00006","ead_source_url_ssi":"data/gmu/vifgm00006.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Planned Community Archives collection"],"title_tesim":["Planned Community Archives collection"],"unitdate_ssm":["1960-2009"],"unitdate_inclusive_ssm":["1960-2009"],"normalized_date_ssm":["1960/2009"],"normalized_title_ssm":["Planned Community Archives collection, 1960/2009"],"text":["Planned Community Archives collection, 1960/2009","C0001","Architecture--Designs and plans--United States.","Housing.","Planned communities.","Architectural drawings.","Blueprints.","Elevations.","Floor plans.","Photographic negatives.","Photographic prints.","Slides.","Collection is open to research.","Selections from the Planned Community Archives are also available in the Reston Planned Community Archives Digital Collection and the Planned Community Archives: Catherine A. Baum Digital Collection.","Organized into 11 series.","Series 1:  Reston, 1961-2006 (Boxes 1-42)\n\n        Series 2:  US Planned Communities, 1970-1996 (Boxes 42-53)\n\n        Series 3:  International Planned Communities, 1960-1990 (Boxes 53-56)\n\n        Series 4:  Reports, 1965-2001 (Boxes 56-61)\n\n        Series 5:  Planned Community Archives Board, 1985-2001 (Boxes 61-64)\n\n        Series 6:  Promotional Material, 1966-1990 (Boxes 64-66)\n\n        Series 7:  Brochures, 1990s (Boxes 66-75)\n\n        Series 8:  Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456)\n\n        Series 9:  Media, 1960-2004 (Boxes 107-232, 348-350)\n\n        Series 10:  General Information, 1960-2009 (Boxes 233-241)\n\n        Series 11:  Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)","The era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983).","The records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection.  After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc.","Processing completed by Special Collections and Archives staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010.","Special Collections and Archives holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities.","The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints.","Series one is titled Reston and is divided into nine subseries.  The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.  There is additional Reston information in series nine, ten and eleven.  The series is dated from 1961-2006 and is contained in boxes 1-42.","Series two is titled United States Planned Communities.  The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.  The series dated from 1970 to 1996 and is contained in boxes 42-53.","Series three is titled International Planned Communities.  The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.   The series is dated from 1960 to 1990 and is contained in boxes 53-56.","Series four is titled Reports.  The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.  The series is dated from 1965 to 2001 and is contained in boxes 56-61.","Series five is titled Planed Community Archive Board.  The series is small and contains the meeting minutes and other information from the board that created the planned community archive.  The series dated from 1985 to 2001 and is contained in boxes 61-64.","Series six is titled Promotional Material.  The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.  The series dated from 1966 to 1990 and is contained in boxes 64-66.","Series seven is titled Brochures.  The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.  The series dated in the 1990s and is contained in boxes 66-75.","Series eight is titled Newspapers.  The series is comprised of copies of The Connection a newspaper from Reston.   The Connection, the local newspaper has articles mostly about local events.  For example there are articles about Reston Association elections, local residents and also the Washington Redskins.  There are additional copies in series ten.  The series is dated from 1981 to 1996 and is contained in boxes 76 to 106.","Series nine is titled Media and is divided into five subseries.  The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities.  The series is dated from 1960 to 2004 and contained in boxes 107-232.","Series ten is titled General Information.  The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.  The series is dated from 1960 to 2005 and is contained in boxes 233-246.","Series eleven is titled Oversize.  This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.  The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases.","The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.","The subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston.","2.10","19.11","3.3","7.2","5.3","5.2","5.1","5.4","5.5","5.7","5.6","6.2","6.3","7.1","7.3","7.7","1.12","480.54","1.13","13.8","477.10","499D.01","499D.02","499D.03","499D.04","499D.05","499D.06","499D.07","15.1","2.3","2.7","2.9","The information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.","5.11","5.13","3.14","3.15","4.7","16.6","5.9","13.7","1.3","74.1","74.2","74.3","The plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.","5.14","7.4","6.5","6.6","16.7","480.50","1.1","2.4","2.5","461.29","645.06","19.15","4.1","1.31","645.64","15.2","15.3","3.6","1.2","5.8","19.6","480.53","The subseries has reports relating to projects in Reston.  The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.","12.15","4.4","12.4","12.5","12.6","12.7","12.8","12.9","1.6","1.5","18.3","4.3","2.11","2.12","2.8","3.5","18.6","3.7","4.14","4.13","6.1","2.6","7.5","7.6","3.4","18.4","480.20","1.3","480.52","15.5","1.7","3.1","480.2","12.3","13.5","543.8","19.5","19.7","The information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.","3.8","2.2","2.1","4.10","3.13","3.2","The subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post.  Some of the documents are a complete copy of the publication, other documents are only articles from the publications.","10.9","12.2","9.12","10.27","247.30","648.15","10.24","648.06","10.11","19.8","1.1","10.10","10.8","648.24","13.4","10.18","648.11","10.16","647.08","10.5","648.23","247.29","648.16","648.18","648.08","19.2","2.10","13.3","13.2","10.1","647.07","647.06","461.14","19.9","477.1","5.12","18.8","10.12","648.20","648.22","10.3","648.05","461.12","247.31","10.14","18.2","18.1","1.14","10.2","10.25","648.02","648.26","648.17","648.04","480.42","15.6","10.21","10.7","648.14","10.15","10.17","648.09","648.10","647.11","10.6","648.27","416.17","19.1","1.19","1.20","1.21","1.22","1.23","1.24","1.25","1.26","1.27","480.19","480.43","480.44","480.45","480.41","480.40","13.1","648.28","12.1","514.1","514.2","514.3","514.4","514.5","514.6","514.7","514.8","514.9","514.10","480.6","480.9","480.38","480.47","18.9","18.11","10.13","648.21","10.22","648.19","648.25","648.13","648.07","648.05","10.20","480.16","647.09","458.3","10.23","648.32","10.19","10.4","648.12","The subseries has information pertaining to the marketing of different facilities in Reston.  For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.","480.4","461.24","9.27","647.04","647.03","647.08","647.44","477.2","647.40","461.20","533.7","9.26","461.18","247.37","9.7","9.19","9.17","9.14","9.5","19.14","477.4","544.5","480.21","247.27","647.02","247.40","9.4","247.09","533.6","647.45","9.9","9.15","9.21","9.10","9.11","19.16","461.28","9.2","480.48","9.24","461.26","477.15","422.4","461.10","461.21","461.5","461.6","9.13","647.10","461.27","461.7","477.12","9.16","477.6","460.53","645.03","480.15","461.8","480.8","9.25","480.22","461.30","9.20","461.23","461.1","9.3","461.2","461.3","461.4","19.13","477.13","461.25","247.10","247.11","247.12","247.13","247.14","247.15","247.16","247.17","247.18","247.19","247.20","247.21","247.22","247.23","247.24","247.25","247.26","247.34","247.39","247.38","647.41","647.05","247.32","247.33","461.9","9.1","477.5","9.18","9.8","4.12","4.11","9.23","648.01","9.22","461.22","247.36","461.11","461.13","9.6","480.23","480.27","247.35","19.10","480.3","647.01","480.5","18.10","1.7","19.4","647.47","18.12","The subseries is comprised of material from a scrapbook related to Reston.  The documents are photographs, articles and other paperwork.  The material is in the original order that it was in the scrapbook.","497A.01","497A.02","497A.03","497A.04","497A.05","497A.06","497A.07","497A.08","497A.09","497A.10","497A.11","497A.12","497A.13","497A.14","497A.15","497A.16","497A.17","497A.18","497A.18","497A.19","497A.20","497A.21","497A.22","497A.23","497A.24","497A.25","497A.26","497A.27","497A.28","497A.29","497A.30","497A.32","497A.33","497A.33","497A.34","497A.35","497A.36","497A.37","497A.39","497A.39","497C.01","497C.02","497C.03","497C.04","497C.05","497C.06","497C.07","497C.08","497C.09","497C.10","497C.11","497e.01","497e.02","497e.02","497e.04","497e.05","497e.06","497e.07","497e.08","497e.09","497e.10","497e.11","497e.12","497e.13","497e.14","497e.15","497e.16","497f.01","497f.02","497f.03","497f.04","497f.05","497f.06","497f.07","497f.08","497f.09","497f.10","497f.11","497f.12","497f.13","497f.14","497f.15","497f.16","497f.17","497f.18","497f.19","497f.20","497f.21","497f.22","497f.23","497f.24","497f.25","497f.26","497f.27","497f.28","497f.29","497f.30","497f.31","497f.32","497f.33","497f.34","497f.35","497f.36","497f.37","497f.38","497f.39","497f.40","497f.41","497f.42","497f.43","497f.44","497f.45","497f.46","497f.47","497f.48","497f.49","497f.50","497f.51","497f.52","497f.53","497f.54","497f.55","497f.56","497f.57","497f.58","497f.59","497f.60","497f.61","497f.62","497f.63","497f.64","497f.65","497f.66","497f.67","497f.68","497f.69","497f.70","497f.71","497f.72","497f.73","497f.74","497f.75","497f.76","497f.77","497f.78","497f.79","497f.80","497f.81","497f.82","497f.83","497f.84","497f.85","497f.86","497f.87","498A.01","498A.02","498A.03","498A.04","498A.05","498A.06","498A.07","498A.08","498A.09","498A.10","498A.11","498A.12","498A.13","498A.14","498A.15","498A.16","498A.17","498A.18","498B.01","498B.02","498B.03","498B.04","498B.05","498B.06","498B.07","498B.08","498B.09","498B.10","498B.11","498B.12","498B.13","498B.14","498B.15","498B.16","498B.17","498B.18","498B.19","498B.20","498B.21","498B.22","498B.23","498B.24","498B.25","498B.26","498B.27","498B.28","498B.29","498B.30","498B.31","498B.32","498B.33","498B.34","498B.35","498B.36","498B.37","498B.38","498B.39","498B.40","498B.41","498B.42","498B.43","498B.44","498B.45","498B.46","498B.47","498B.48","498B.49","498B.50","498B.51","498B.52","498B.53","498B.54","498B.55","498B.56","498B.57","498B.58","498B.59","498B.60","498B.61","498B.62","498B.63","498B.64","498B.65","498B.66","498B.67","498B.68","498B.69","498B.70","498B.71","498B.72","498B.73","498B.74","498B.75","498B.76","498B.77","498B.78","498B.79","498B.80","498B.81","498B.82","498B.83","498B.84","498B.85","498B.86","498B.87","498B.88","498B.89","498B.90","498B.91","498B.92","498B.93","498C.01","498C.02","498C.03","498C.04","498C.05","498C.06","498C.07","498C.08","498C.09","498C.10","498C.11","498C.12","498C.13","498C.14","498C.15","498C.16","498C.17","498C.18","498C.19","498C.21","498C.22","498C.23","498C.24","498C.25","498C.26","498C.27","498C.28","498C.29","498C.30","498C.31","498C.32","498C.33","498C.34","498C.35","498C.36","498C.37","498C.38","498C.39","498C.40","498C.41","498C.42","498C.43","498C.44","498C.45","498C.46","498D.01","498D.03","498D.04","498D.05","498D.06","498D.07","498D.08","498D.09","498D.10","498D.11","498D.12","498D.13","498D.14","498D.15","498D.16","498D.017","498D.19","498D.20","498D.21","498D.22","498D.23","498D.24","498D.25","498D.26","498D.27","498D.28","498D.29","498E.01","498E.02","498E.03","498E.04","498E.05","498E.06","498E.07","498E.08","498E.09","498E.10","498E.11","498E.12","498E.13","498E.14","498E.15","498E.16","498E.17","498E.18","498E.19","498E.20","498E.21","498E.22","498E.23","498E.24","498E.25","498E.26","498E.27","498E.28","498E.29","498E.30","498E.31","498E.32","498E.33","498E.34","498E.35","498E.36","498E.37","498E.38","498E.39","498E.40","498E.41","498E.42","498E.43","498E.44","498E.45","498E.46","498E.46","498E.47","498E.48","498E.49","498E.50","498E.51","498E.52","498E.53","498E.54","498E.53","498E.56","498E.57","498E.59","498F.01","498F.02","498F.03","498F.04","498F.05","498F.06","498F.07","498F.08","498F.09","498F.10","498F.11","498F.12","498F.13","498F.14","498F.15","498F.16","498F.17","498F.18","498F.19","498F.20","498F.21","498F.22","498F.23","498F.24","498F.25","498F.26","498F.27","498F.28","498F.29","498F.30","498F.31","498F.32","498F.33","498F.34","498F.35","498F.36","498F.37","498F.38","498F.39","498F.40","498F.41","498F.42","498F.43","498F.44","498F.45","498F.46","498F.47","498F.48","498F.49","498F.50","498F.51","498F.52","498F.53","498F.54","498F.55","498F.56","498F.57","498F.58","498F.59","498F.60","498F.61","498F.62","498F.63","498F.64","498F.65","498F.66","498F.67","498F.68","498F.69","498F.70","498F.71","498F.72","498F.73","498F.74","498F.75","498G.01","498G.02","498G.03","498G.04","498G.05","498G.06","498G.07","498G.08","498G.09","498G.10","498G.11","498G.12","498G.13","498G.14","498G.15","498G.16","498G.17","498G.18","498G.19","498G.20","498G.21","498G.22","498G.23","498G.24","498G.25","498G.26","498G.27","498G.28","498G.29","498G.30","499A.01","499A.02","499A.03","499A.04","499A.05","499A.06","499A.07","499A.08","499A.09","499A.10","499A.11","499A.12","499A.13","499A.14","499A.15","499A.16","499A.17","499A.18","499A.19","499A.20","499A.21","499A.22","499A.23","499A.24","499A.25","499A.26","499A.27","499A.28","499A.29","499A.30","499A.31","499A.36","499A.37","499A.38","499A.39","499A.32","499A.33","499A.34","499A.35","499A.40","499A.41","499A.42","499A.43","499A.44","499A.45","499A.46","499A.47","499B.01","499B.02","499B.03","499B.04","499B.05","499B.06","499B.07","499B.08","499B.09","499B.10","499B.11","499B.12","499B.13","499B.14","499B.15","499B.16","499B.17","499B.18","499B.19","499B.20","499B.21","499B.22","499B.23","499B.24","499B.25","499B.10","499B.27","499B.28","499B.29","499B.30","499B.31","499B.32","499B.33","499B.34","499B.35","499B.36","499B.37","499B.38","499B.39","499B.40","499B.41","499B.42","499B.43","499B.44","499B.45","499B.46","499B.47","499B.48","499B.49","499B.50","499B.51","499B.52","499B.53","499C.01","499C.02","499C.03","499C.01","499C.05","499C.06","499E.01","499E.02","499E.03","499E.04","499E.05","499E.06","499E.07","499E.08","499E.09","499E.10","499E.11","499E.12","499E.13","499E.14","499E.15","499E.16","499E.17","499E.18","499E.19","499E.20","499E.21","499E.22","499E.23","499E.24","499E.25","499E.26","499E.27","499E.28","499E.29","499E.30","499E.31","499E.32","499E.33","499E.34","499E.35","499E.36","499E.37","499E.38","499E.39","499E.40","499E.41","499E.42","499E.43","499E.44","499E.45","499E.46","499E.47","499E.48","499E.49","499E.50","499E.51","499E.52","499E.53","499E.54","499E.55","499E.56","499E.57","499E.58","499E.59","499E.60","499E.61","499E.62","499E.63","499E.64","499E.65","499E.66","499E.67","499E.68","499E.69","499E.70","499E.71","499E.72","499E.73","499E.74","499E.75","499E.76","499E.77","499E.78","499E.79","499E.80","499E.81","499E.82","499E.83","499E.84","499E.85","499E.86","499E.87","499E.88","499E.89","499E.90","499E.91","499E.92","499E.93","499E.94","499E.95","499E.96","499E.97","499E.98","499E.99","499E.100","499E.101","499E.102","499E.103","499E.104","499E.105","499E.106","499E.107","499E.108","499E.109","499E.110","499E.111","499E.112","499E.113","499E.114","499E.115","499E.116","499E.117","499E.118","499E.119","499E.120","499E.121","499E.122","499E.123","499E.124","499E.125","499E.126","499F.01","499F.02","499F.03","499F.04","499F.05","499F.06","499F.07","499F.08","499F.09","499F.10","499F.11","499F.12","499F.13","499F.14","499F.15","499G.01","499G.02","499G.03","499G.04","499G.05","499G.06","499G.07","499G.08","499G.09","499G.10","499G.11","499G.12","499G.13","499G.14","499G.15","499G.16","499G.17","499G.18","499G.19","499G.20","499G.21","499G.22","499G.23","499G.24","499G.25","499G.26","499G.27","499G.28","499G.29","499G.30","499G.31","499G.32","499G.33","499G.34","499G.35","499G.36","499G.37","499G.38","499G.39","499G.40","499G.41","499G.42","499G.43","499G.44","499G.45","499G.46","499G.47","499G.48","499G.49","499G.50","499G.51","499G.52","497B.01","497B.02","497B.03 and 497D.37","497B.04 and 497D.01","497B.05 and 497D.02","497B.06 and 497D.03","497B.07 and 497D.04","497B.08 and 497D.05","497B.09 and 497D.06","497B.10 and 497D.07","497B.11","497B.12","497B.13 and 497D.08","497B.14 and 497D.09","497B.15 and 497D.10","497B.16 and 497D.11","497B.17 and 497D.12","497B.18 and 497D.13","497B.19 and 497D.14","497B.20 and 497D.15","497B.21 and 497D.16","497B.22 and 497D.17","497B.23 and 497D.18","497B.24 and 497D.19","497B.25 and 497D.20","497B.26 and 497D.21","497B.27 and 497D.22","497B.28 and 497D.23","497B.29 and 497D.24","497B.30 and 497D.25","497B.31 and 497D.26","497B.32 and 497D.27","497B.33 and 497D.28","497B.34 and 497D.30","497B.35 and 497D.29","497B.36 and 497D.31","497B.37 and 497D.34","497B.38 and 497D.35","497B.39 and 497D.32","497B.40 and 497D.33","497B.41 and 497D.36","The final subseries is general information from Reston.  Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.","480.39","480.10","480.29","477.9","480.51","14.3","14.4","480.25","647.46","477.4","477.8","247.28","480.46","477.3","480.14","480.18","480.24","500.1","5.10","3.9","3.11","3.12","3.10","4.8","4.5","4.6","4.2","12.14","461.15","647.42","533.5","477.7","6.4","13.6","1.30","1.2","500.2","648.32","647.43","643","643","643","643","643","643","643","643","643","643","643","643","643","643","643","15.4","500.4","481.1","481.2","481.2","481.2","481.3","481.3","481.3","481.4","16.5","15.7","15.3","480.11","480.13","533.4","16.2","16.1","16.3","533.3","533.1","533.2","522.7","522.8","19.12","480.12","18.7","1.33","14.6","16.4","522.1","522.2","522.3","1.32","500.9","480.31","544.8","522.4","522.5","14.5","522.6","480.17","480.30","500.10","The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.","493.7","493.6","487.1","487.2","543.8","544.15","547.2","547.3","547.5","546.2","543.4","543.3","543.2","543.1","72.4","72.3","72.2","72.1","491.1","73.5","73.6","73.4","73.1","73.2","73.3","421.3","500.3","492.11","493.4","493.11","493.10","493.9","492.9","492.17","492.10","544.12","1.1","1.3","1.5","543.5","488.16","421.8","492.16","493.3","493.8","488.13","490.2","420.7","492.12","489.10","493.1","493.5","492.15","492.14","1.6","488.14","493.2","The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.","491.20","491.13","421.6","480.36","480.37","480.35","480.32","545.2","545.3","545.4","546.1","13.10","489.3","491.15","544.9","491.17","422.3","480.34","422.1","495.4","421.4","421.5","422.2","488.8","488.7","492.8","492.1","491.14","492.6","492.5","491.6","488.2","480.33","491.16","468.01 and 468.02","491.11","488.1","492.2","491.18","491.19","491.10","491.9","491.8","491.7","491.12","492.7","492.4","492.3","The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.","491.3","645.65","490.1","489.11","649.02","544.6","490.4","490.6","489.5","649.05","490.5","645.02","489.4","494.15","494.13","645.04","545.1","544.11","492.13","19.3","495.8","489.9","489.6","494.1","544.3","495.1","1.2","496.1","420.6","543.7","543.6","544.1","489.7","491.2","494.14","488.18","420.8","2.12","489.8","494.2","495.5","495.6","495.7","495.3","495.2","491.4","495.9","495.10","490.3","488.6","645.05","500.6","491.5","421.1","649.06","The series is small and contains the meeting minutes and other information from the board that created the planned community archive.","1A.1","1A.2","1A.3","1A.4","1A.5","1A.6","1A.7","1A.8","1A.9","1A.10","1A.11","1A.12","1A.13","1A.14","1A.15","1A.16","1A.17","1A.18","1A.19","78.4","78.5","78.3","78.12","78.10","645.01","78.6","78.11","2.9","649.01","78.8","78.7","2.7","2.8","2.11","2.15","2.14","2.13","78.1","78.2","78.9","The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.","488.4","488.3","489.2","489.1","547.1","2.16","423.1","548.1","548.2","548.3","548.4","488.5","544.13","645.66","The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.","Series eight is titled Newspapers.  The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier.  All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.  The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.","Subseries 8.1: The Reston Connection, 1981-1995, 2004\nThe Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.","Subseries 8.2: The Reston Times\nThe Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.","Subseries 8.3: The Reston Observer\nThe Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everbody Reads.\"","Subseries 8.4: The Reston Flier\nThe Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.","The series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.","The subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community.","460.48","460.49","460.50","460.51","460.52","460.44","460.45","460.46","460.47","460.40","460.16","460.17","460.10","460.8","460.18","460.11","645.25","11.11","645.53","460.19","460.20","451.4","451.3","451.2","451.1","11.8","11.10","11.9","2.6","645.34","645.33","645.08","645.09","645.10","645.11","645.12","645.13","645.15","645.16","645.17","645.18","645.19","645.20","645.21","645.22","645.23","645.24","645.26","645.27","645.28","645.29","645.30","645.31","645.32","645.45","645.46","645.47","645.48","645.49","645.50","645.51","645.55","645.56","645.57","645.58","645.59","645.61","645.62","645.63","645.60","461.19","645.14","11.1","460.1","460.12","460.13","645.52","460.9","460.39","460.38","460.42","460.43","460.41","460.4","460.3","480.1","645.54","460.37","460.26","460.27","460.28","460.29","460.30","460.31","460.32","460.33","460.34","460.35","460.36","460.22","460.23","460.24","460.25","460.21","460.14","460.15","460.6","460.7","460.2","460.5","645.07","The subseries is comprised mostly of residential views of Reston, such as apartment buildings, Dulles airport, shopping centers and other places around Reston.","647.39","549","550","550","550","550","550","550","550","551","552","552","552","552","552","553","553","553","554","554","554","554","554","554","554","554","554","555","555","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","557","557","557","557","557","557","557","557","558","559","559","559","559","559","559","560","560","560","560","560","561","562","562","562","562","563","564","565","566","567","567","567","568","569","569","570","571","571","571","572","573","574","574","574","574","574","575","575","575","575","575","575","575","575","575","575","576","577","577","577","577","578","579","580","581","581","581","581","581","581","581","581","581","582","583","584","584","584","584","584","584","584","584","584","585","586","587","588","588","588","588","588","588","588","588","588","589","590","591","591","592","593","594","595","596","597","597","597","597","597","597","597","597","597","597","597","597","598","599","600","601","601","601","602","602","602","602","602","602","602","602","602","602","603","604","605","606","606","606","607","608","609","610","610","610","611","612","613","614","615","616","618","619","621","622","622","622","623","623","624","625","625","626","627","628","629","630","631","632","633","634","635","636","636","636","636","636","636","636","636","637","The subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.","14.2","This is a small subseries contained of negatives of various views from around Reston.","The subseries contains programs about planned communities.  The majority of the videos are interviews from WETA.  The videotapes include interviews with Robert Simon, Martha Pennino and others.  There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\".  There are additional WETA videotapes in series 11.","26.1","26.2","26.3","26.4","26.5","26.6","26.7","26.8","26.9","26.10","26.11","26.12","27.1","27.2","27.3","27.4","27.5","27.6","27.7","27.8","27.9","27.10","27.11","27.12","49.2","49.3","49.4","49.4","38.6","39.1","41.1","38.5","40.1","40.2","39.2","39.3","39.3","39.3","41.5","44.2","30.2","30.4","30.5","47.2","42.1","42.1","44.6","44.7","48.5","48.6","45.2","49.1","45.3","43.3","43.4","43.5","43.6","39.4","45.4","45.5","45.6","46.1","47.4","47.5","50.1","47.3","47","37.5","29.4","29.5","49.6","47.1","47.1","44.3","44.4","44.3","35.6","36.1","35.1","35.2","35.3","35.4","35.5","43.1","33.5","33.6","29.3","28.3","34.1","34.2","42.2","46.3","46.4","46.5","31.3","32.4","32.5","32.6","33.1","33.2","33.3","33.4","37.1","37.2","37.3","28.6","29.1","29.2","31.4","40.5","40.6","43.2","34.4","34.5","32.3","32.3","40.4","41.4","38.3","38.4","31.5","31.6","32.1","32.2","32","44.1","28.4","28.5","31.1","29.6","30.1","30.2","48.4","48.1","48.2","48.3","50.2","50.6","50.3","50.4","50.5","41.3","37.6","38.1","38.2","36.2","36.3","36.4","36.5","36.6","The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.","494.11","494.10","494.12","490.7","488.11","488.17","544.14","488.10","546.3","2.1","645.67","494.9","494.7","494.3","488.12","494.16","488.9","544.2","547.4","544.4","546.4","546.5","500.8","500.7","494.8","494.4","494.6","421.2","544.7","488.15","532.3a","532.3b","532.2","494.5","617","421.7","1.10","1.9","1.6","1.4","1.8","1.2","1.5","1.3","1.1","1.07","This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.","458","11.2","11.3","11.4","11.5","11.6","11.7","76","76","76","76","76","76","76","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","19","472","398","75","75","This binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many ammenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"","This binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many ammenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.","This binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of treeage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industryal Land sales newsletters in this binder.","This binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.","This binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes insprations for the Town Center such as Rossyln and Balston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.","This binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.","This binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.","This binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s.","There are no restrictions.","The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints.  The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009.","George Mason University. Special Collections and Archives.","Planned Community Archives, Inc.","Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William.","English"],"collection_title_tesim":["Planned Community Archives collection, 1960/2009"],"collection_ssim":["Planned Community Archives collection, 1960/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0001"],"unitid_tesim":["C0001"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Planned Community Archives, Inc."],"creator_ssim":["Planned Community Archives, Inc."],"creator_persname_ssim":["Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William."],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Planned Community Archives, Inc."],"creators_ssim":["Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William.","George Mason University. Special Collections and Archives.","Planned Community Archives, Inc."],"acqinfo_ssim":["Donated by the Planned Community Archives, Inc. in 1986 with additional donations in the years following."],"access_subjects_ssim":["Architecture--Designs and plans--United States.","Housing.","Planned communities.","Architectural drawings.","Blueprints.","Elevations.","Floor plans.","Photographic negatives.","Photographic prints.","Slides."],"access_subjects_ssm":["Architecture--Designs and plans--United States.","Housing.","Planned communities.","Architectural drawings.","Blueprints.","Elevations.","Floor plans.","Photographic negatives.","Photographic prints.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["175.5 linear feet 351 boxes)"],"extent_tesim":["175.5 linear feet 351 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Planned Community Archives are also available in the \u003cextref type=\"simple\" href=\"http://www.aladin0.wrlc.org/gsdl/collect/pcar/pcar.shtml\"\u003eReston Planned Community Archives Digital Collection\u003c/extref\u003e and the \u003cextref type=\"simple\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/505\"\u003ePlanned Community Archives: Catherine A. Baum Digital Collection\u003c/extref\u003e.\n\u003c/p\u003e\n      "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Planned Community Archives are also available in the Reston Planned Community Archives Digital Collection and the Planned Community Archives: Catherine A. Baum Digital Collection."],"arrangement_html_tesm":["\u003cp\u003eOrganized into 11 series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Reston, 1961-2006 (Boxes 1-42)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  US Planned Communities, 1970-1996 (Boxes 42-53)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  International Planned Communities, 1960-1990 (Boxes 53-56)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Reports, 1965-2001 (Boxes 56-61)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Planned Community Archives Board, 1985-2001 (Boxes 61-64)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  Promotional Material, 1966-1990 (Boxes 64-66)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  Brochures, 1990s (Boxes 66-75)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  Media, 1960-2004 (Boxes 107-232, 348-350)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  General Information, 1960-2009 (Boxes 233-241)\n\u003c/item\u003e\n        \u003citem\u003eSeries 11:  Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into 11 series.","Series 1:  Reston, 1961-2006 (Boxes 1-42)\n\n        Series 2:  US Planned Communities, 1970-1996 (Boxes 42-53)\n\n        Series 3:  International Planned Communities, 1960-1990 (Boxes 53-56)\n\n        Series 4:  Reports, 1965-2001 (Boxes 56-61)\n\n        Series 5:  Planned Community Archives Board, 1985-2001 (Boxes 61-64)\n\n        Series 6:  Promotional Material, 1966-1990 (Boxes 64-66)\n\n        Series 7:  Brochures, 1990s (Boxes 66-75)\n\n        Series 8:  Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456)\n\n        Series 9:  Media, 1960-2004 (Boxes 107-232, 348-350)\n\n        Series 10:  General Information, 1960-2009 (Boxes 233-241)\n\n        Series 11:  Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)"],"bioghist_html_tesm":["\u003cp\u003eThe era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983).\n\u003c/p\u003e\n      ","\u003cp\u003eThe records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection.  After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983).","The records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection.  After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc."],"prefercite_html_tesm":["\u003cp\u003ePlanned Community Archives, Collection #C0001, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Planned Community Archives, Collection #C0001, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Special Collections and Archives staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Special Collections and Archives staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled Reston and is divided into nine subseries.  The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.  There is additional Reston information in series nine, ten and eleven.  The series is dated from 1961-2006 and is contained in boxes 1-42.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled United States Planned Communities.  The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.  The series dated from 1970 to 1996 and is contained in boxes 42-53.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled International Planned Communities.  The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.   The series is dated from 1960 to 1990 and is contained in boxes 53-56.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled Reports.  The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.  The series is dated from 1965 to 2001 and is contained in boxes 56-61.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled Planed Community Archive Board.  The series is small and contains the meeting minutes and other information from the board that created the planned community archive.  The series dated from 1985 to 2001 and is contained in boxes 61-64.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled Promotional Material.  The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.  The series dated from 1966 to 1990 and is contained in boxes 64-66.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Brochures.  The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.  The series dated in the 1990s and is contained in boxes 66-75.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled Newspapers.  The series is comprised of copies of The Connection a newspaper from Reston.   The Connection, the local newspaper has articles mostly about local events.  For example there are articles about Reston Association elections, local residents and also the Washington Redskins.  There are additional copies in series ten.  The series is dated from 1981 to 1996 and is contained in boxes 76 to 106.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries nine is titled Media and is divided into five subseries.  The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities.  The series is dated from 1960 to 2004 and contained in boxes 107-232.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries ten is titled General Information.  The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.  The series is dated from 1960 to 2005 and is contained in boxes 233-246.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eleven is titled Oversize.  This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.  The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases.\n\u003c/p\u003e\n    ","\u003cp\u003eThe information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.\n\u003c/p\u003e\n        ","\u003cp\u003eThe subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston. \n\u003c/p\u003e\n          ","\u003cp\u003e2.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.54\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.03\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.9\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.\n\u003c/p\u003e\n          ","\u003cp\u003e5.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e74.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e74.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e74.3\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.\n\u003c/p\u003e\n          ","\u003cp\u003e5.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.50\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.29\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.31\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.64\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.53\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries has reports relating to projects in Reston.  The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.\n\u003c/p\u003e\n          ","\u003cp\u003e12.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.52\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e543.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.7\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.\n\u003c/p\u003e\n          ","\u003cp\u003e3.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.2\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post.  Some of the documents are a complete copy of the publication, other documents are only articles from the publications.\n\u003c/p\u003e\n          ","\u003cp\u003e10.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.30\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.29\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.22\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.31\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.26\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.42\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.21\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e416.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.21\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.22\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.26\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.43\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.44\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.45\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.41\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.40\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.28\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.38\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.47\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.21\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.22\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e458.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.32\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.12\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries has information pertaining to the marketing of different facilities in Reston.  For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.\n\u003c/p\u003e\n          ","\u003cp\u003e480.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.03\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.44\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.40\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.26\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.37\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.19\n\t\u003c/p\u003e\n            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       ","\u003cp\u003e461.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.35\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.47\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.12\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries is comprised of material from a scrapbook related to Reston.  The documents are photographs, articles and other paperwork.  The material is in the original order that it was in the scrapbook.\n\u003c/p\u003e\n          ","\u003cp\u003e497A.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.03\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.16\n\t\u003c/p\u003e\n            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","\u003cp\u003e499G.43\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.44\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.45\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.46\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.47\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.48\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.49\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.50\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.51\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.52\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.03 and 497D.37\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.04 and 497D.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.05 and 497D.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.06 and 497D.03\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.07 and 497D.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.08 and 497D.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.09 and 497D.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.10 and 497D.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.13 and 497D.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.14 and 497D.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.15 and 497D.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.16 and 497D.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.17 and 497D.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.18 and 497D.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.19 and 497D.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.20 and 497D.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.21 and 497D.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.22 and 497D.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.23 and 497D.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.24 and 497D.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.25 and 497D.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.26 and 497D.21\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.27 and 497D.22\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.28 and 497D.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.29 and 497D.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.30 and 497D.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.31 and 497D.26\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.32 and 497D.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.33 and 497D.28\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.34 and 497D.30\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.35 and 497D.29\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.36 and 497D.31\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.37 and 497D.34\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.38 and 497D.35\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.39 and 497D.32\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.40 and 497D.33\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.41 and 497D.36\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe final subseries is general information from Reston.  Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.\n\u003c/p\u003e\n          ","\u003cp\u003e480.39\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.29\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.51\n\t\u003c/p\u003e\n            ","\u003cp\u003e14.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e14.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.46\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.28\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.46\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.42\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.30\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.32\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.43\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.33\n\t\u003c/p\u003e\n            ","\u003cp\u003e14.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.32\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.31\n\t\u003c/p\u003e\n            ","\u003cp\u003e544.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e14.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.30\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.10\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.\n\u003c/p\u003e\n        ","\u003cp\u003e493.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e487.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e487.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e72.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e72.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e72.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e72.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e420.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.2\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.\n\u003c/p\u003e\n        ","\u003cp\u003e491.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.36\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.37\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.35\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e545.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e545.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e545.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e13.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e422.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.34\n\t\u003c/p\u003e\n          ","\u003cp\u003e422.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e422.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.33\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e468.01 and 468.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.3\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.\n\u003c/p\u003e\n        ","\u003cp\u003e491.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.65\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.04\n\t\u003c/p\u003e\n          ","\u003cp\u003e545.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e19.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e496.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e420.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e420.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.06\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe series is small and contains the meeting minutes and other information from the board that created the planned community archive.\n\u003c/p\u003e\n        ","\u003cp\u003e1A.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.01\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.01\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.9\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe series has promotional material from different planned communities such as pamphlets, flyers, articles and others.\n\u003c/p\u003e\n        ","\u003cp\u003e488.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e423.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e548.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e548.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e548.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e548.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.66\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.\n\u003c/p\u003e\n        ","\u003cp\u003eSeries eight is titled Newspapers.  The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier.  All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.  The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.\n\u003c/p\u003e\n        ","\u003cp\u003eSubseries 8.1: The Reston Connection, 1981-1995, 2004\nThe Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams. \n\u003c/p\u003e\n          ","\u003cp\u003eSubseries 8.2: The Reston Times\nThe Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.\n\u003c/p\u003e\n          ","\u003cp\u003eSubseries 8.3: The Reston Observer\nThe Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everbody Reads.\"\n\u003c/p\u003e\n          ","\u003cp\u003eSubseries 8.4: The Reston Flier\nThe Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.\n\u003c/p\u003e\n          ","\u003cp\u003e The series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.\n\u003c/p\u003e\n        ","\u003cp\u003eThe subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community. \n\u003c/p\u003e\n          ","\u003cp\u003e460.48\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.49\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.50\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.51\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.52\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.44\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.45\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.46\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.47\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.40\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e11.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.53\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e451.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e451.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e451.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e451.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e11.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e11.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e11.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.34\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.33\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.19\n\t\u003c/p\u003e\n            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","\u003cp\u003e628\n\t\u003c/p\u003e\n            ","\u003cp\u003e629\n\t\u003c/p\u003e\n            ","\u003cp\u003e630\n\t\u003c/p\u003e\n            ","\u003cp\u003e631\n\t\u003c/p\u003e\n            ","\u003cp\u003e632\n\t\u003c/p\u003e\n            ","\u003cp\u003e633\n\t\u003c/p\u003e\n            ","\u003cp\u003e634\n\t\u003c/p\u003e\n            ","\u003cp\u003e635\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e637\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.\n\u003c/p\u003e\n          ","\u003cp\u003e14.2\n\t\u003c/p\u003e\n            ","\u003cp\u003eThis is a small subseries contained of negatives of various views from around Reston.\n\u003c/p\u003e\n          ","\u003cp\u003eThe subseries contains programs about planned communities.  The majority of the videos are interviews from WETA.  The videotapes include interviews with Robert Simon, Martha Pennino and others.  There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\".  There are additional WETA videotapes in series 11. \n\u003c/p\u003e\n          ","\u003cp\u003e26.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e49.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e49.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e49.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e49.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e38.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e39.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e41.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e38.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e40.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e40.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e39.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e39.3\n\t\u003c/p\u003e\n            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","\u003cp\u003e30.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e48.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e48.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e48.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e48.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e41.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e37.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e38.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e38.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.6\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.\n\u003c/p\u003e\n        ","\u003cp\u003e494.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.67\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e532.3a\n\t\u003c/p\u003e\n          ","\u003cp\u003e532.3b\n\t\u003c/p\u003e\n          ","\u003cp\u003e532.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e617\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.07\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.\n\u003c/p\u003e\n        ","\u003cp\u003e458\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e19\n\t\u003c/p\u003e\n          ","\u003cp\u003e472\n\t\u003c/p\u003e\n          ","\u003cp\u003e398\n\t\u003c/p\u003e\n          ","\u003cp\u003e75\n\t\u003c/p\u003e\n          ","\u003cp\u003e75\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many ammenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many ammenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of treeage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industryal Land sales newsletters in this binder.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes insprations for the Town Center such as Rossyln and Balston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s.\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints.","Series one is titled Reston and is divided into nine subseries.  The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.  There is additional Reston information in series nine, ten and eleven.  The series is dated from 1961-2006 and is contained in boxes 1-42.","Series two is titled United States Planned Communities.  The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.  The series dated from 1970 to 1996 and is contained in boxes 42-53.","Series three is titled International Planned Communities.  The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.   The series is dated from 1960 to 1990 and is contained in boxes 53-56.","Series four is titled Reports.  The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.  The series is dated from 1965 to 2001 and is contained in boxes 56-61.","Series five is titled Planed Community Archive Board.  The series is small and contains the meeting minutes and other information from the board that created the planned community archive.  The series dated from 1985 to 2001 and is contained in boxes 61-64.","Series six is titled Promotional Material.  The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.  The series dated from 1966 to 1990 and is contained in boxes 64-66.","Series seven is titled Brochures.  The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.  The series dated in the 1990s and is contained in boxes 66-75.","Series eight is titled Newspapers.  The series is comprised of copies of The Connection a newspaper from Reston.   The Connection, the local newspaper has articles mostly about local events.  For example there are articles about Reston Association elections, local residents and also the Washington Redskins.  There are additional copies in series ten.  The series is dated from 1981 to 1996 and is contained in boxes 76 to 106.","Series nine is titled Media and is divided into five subseries.  The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities.  The series is dated from 1960 to 2004 and contained in boxes 107-232.","Series ten is titled General Information.  The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.  The series is dated from 1960 to 2005 and is contained in boxes 233-246.","Series eleven is titled Oversize.  This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.  The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases.","The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.","The subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston.","2.10","19.11","3.3","7.2","5.3","5.2","5.1","5.4","5.5","5.7","5.6","6.2","6.3","7.1","7.3","7.7","1.12","480.54","1.13","13.8","477.10","499D.01","499D.02","499D.03","499D.04","499D.05","499D.06","499D.07","15.1","2.3","2.7","2.9","The information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.","5.11","5.13","3.14","3.15","4.7","16.6","5.9","13.7","1.3","74.1","74.2","74.3","The plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.","5.14","7.4","6.5","6.6","16.7","480.50","1.1","2.4","2.5","461.29","645.06","19.15","4.1","1.31","645.64","15.2","15.3","3.6","1.2","5.8","19.6","480.53","The subseries has reports relating to projects in Reston.  The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.","12.15","4.4","12.4","12.5","12.6","12.7","12.8","12.9","1.6","1.5","18.3","4.3","2.11","2.12","2.8","3.5","18.6","3.7","4.14","4.13","6.1","2.6","7.5","7.6","3.4","18.4","480.20","1.3","480.52","15.5","1.7","3.1","480.2","12.3","13.5","543.8","19.5","19.7","The information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.","3.8","2.2","2.1","4.10","3.13","3.2","The subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post.  Some of the documents are a complete copy of the publication, other documents are only articles from the publications.","10.9","12.2","9.12","10.27","247.30","648.15","10.24","648.06","10.11","19.8","1.1","10.10","10.8","648.24","13.4","10.18","648.11","10.16","647.08","10.5","648.23","247.29","648.16","648.18","648.08","19.2","2.10","13.3","13.2","10.1","647.07","647.06","461.14","19.9","477.1","5.12","18.8","10.12","648.20","648.22","10.3","648.05","461.12","247.31","10.14","18.2","18.1","1.14","10.2","10.25","648.02","648.26","648.17","648.04","480.42","15.6","10.21","10.7","648.14","10.15","10.17","648.09","648.10","647.11","10.6","648.27","416.17","19.1","1.19","1.20","1.21","1.22","1.23","1.24","1.25","1.26","1.27","480.19","480.43","480.44","480.45","480.41","480.40","13.1","648.28","12.1","514.1","514.2","514.3","514.4","514.5","514.6","514.7","514.8","514.9","514.10","480.6","480.9","480.38","480.47","18.9","18.11","10.13","648.21","10.22","648.19","648.25","648.13","648.07","648.05","10.20","480.16","647.09","458.3","10.23","648.32","10.19","10.4","648.12","The subseries has information pertaining to the marketing of different facilities in Reston.  For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.","480.4","461.24","9.27","647.04","647.03","647.08","647.44","477.2","647.40","461.20","533.7","9.26","461.18","247.37","9.7","9.19","9.17","9.14","9.5","19.14","477.4","544.5","480.21","247.27","647.02","247.40","9.4","247.09","533.6","647.45","9.9","9.15","9.21","9.10","9.11","19.16","461.28","9.2","480.48","9.24","461.26","477.15","422.4","461.10","461.21","461.5","461.6","9.13","647.10","461.27","461.7","477.12","9.16","477.6","460.53","645.03","480.15","461.8","480.8","9.25","480.22","461.30","9.20","461.23","461.1","9.3","461.2","461.3","461.4","19.13","477.13","461.25","247.10","247.11","247.12","247.13","247.14","247.15","247.16","247.17","247.18","247.19","247.20","247.21","247.22","247.23","247.24","247.25","247.26","247.34","247.39","247.38","647.41","647.05","247.32","247.33","461.9","9.1","477.5","9.18","9.8","4.12","4.11","9.23","648.01","9.22","461.22","247.36","461.11","461.13","9.6","480.23","480.27","247.35","19.10","480.3","647.01","480.5","18.10","1.7","19.4","647.47","18.12","The subseries is comprised of material from a scrapbook related to Reston.  The documents are photographs, articles and other paperwork.  The material is in the original order that it was in the scrapbook.","497A.01","497A.02","497A.03","497A.04","497A.05","497A.06","497A.07","497A.08","497A.09","497A.10","497A.11","497A.12","497A.13","497A.14","497A.15","497A.16","497A.17","497A.18","497A.18","497A.19","497A.20","497A.21","497A.22","497A.23","497A.24","497A.25","497A.26","497A.27","497A.28","497A.29","497A.30","497A.32","497A.33","497A.33","497A.34","497A.35","497A.36","497A.37","497A.39","497A.39","497C.01","497C.02","497C.03","497C.04","497C.05","497C.06","497C.07","497C.08","497C.09","497C.10","497C.11","497e.01","497e.02","497e.02","497e.04","497e.05","497e.06","497e.07","497e.08","497e.09","497e.10","497e.11","497e.12","497e.13","497e.14","497e.15","497e.16","497f.01","497f.02","497f.03","497f.04","497f.05","497f.06","497f.07","497f.08","497f.09","497f.10","497f.11","497f.12","497f.13","497f.14","497f.15","497f.16","497f.17","497f.18","497f.19","497f.20","497f.21","497f.22","497f.23","497f.24","497f.25","497f.26","497f.27","497f.28","497f.29","497f.30","497f.31","497f.32","497f.33","497f.34","497f.35","497f.36","497f.37","497f.38","497f.39","497f.40","497f.41","497f.42","497f.43","497f.44","497f.45","497f.46","497f.47","497f.48","497f.49","497f.50","497f.51","497f.52","497f.53","497f.54","497f.55","497f.56","497f.57","497f.58","497f.59","497f.60","497f.61","497f.62","497f.63","497f.64","497f.65","497f.66","497f.67","497f.68","497f.69","497f.70","497f.71","497f.72","497f.73","497f.74","497f.75","497f.76","497f.77","497f.78","497f.79","497f.80","497f.81","497f.82","497f.83","497f.84","497f.85","497f.86","497f.87","498A.01","498A.02","498A.03","498A.04","498A.05","498A.06","498A.07","498A.08","498A.09","498A.10","498A.11","498A.12","498A.13","498A.14","498A.15","498A.16","498A.17","498A.18","498B.01","498B.02","498B.03","498B.04","498B.05","498B.06","498B.07","498B.08","498B.09","498B.10","498B.11","498B.12","498B.13","498B.14","498B.15","498B.16","498B.17","498B.18","498B.19","498B.20","498B.21","498B.22","498B.23","498B.24","498B.25","498B.26","498B.27","498B.28","498B.29","498B.30","498B.31","498B.32","498B.33","498B.34","498B.35","498B.36","498B.37","498B.38","498B.39","498B.40","498B.41","498B.42","498B.43","498B.44","498B.45","498B.46","498B.47","498B.48","498B.49","498B.50","498B.51","498B.52","498B.53","498B.54","498B.55","498B.56","498B.57","498B.58","498B.59","498B.60","498B.61","498B.62","498B.63","498B.64","498B.65","498B.66","498B.67","498B.68","498B.69","498B.70","498B.71","498B.72","498B.73","498B.74","498B.75","498B.76","498B.77","498B.78","498B.79","498B.80","498B.81","498B.82","498B.83","498B.84","498B.85","498B.86","498B.87","498B.88","498B.89","498B.90","498B.91","498B.92","498B.93","498C.01","498C.02","498C.03","498C.04","498C.05","498C.06","498C.07","498C.08","498C.09","498C.10","498C.11","498C.12","498C.13","498C.14","498C.15","498C.16","498C.17","498C.18","498C.19","498C.21","498C.22","498C.23","498C.24","498C.25","498C.26","498C.27","498C.28","498C.29","498C.30","498C.31","498C.32","498C.33","498C.34","498C.35","498C.36","498C.37","498C.38","498C.39","498C.40","498C.41","498C.42","498C.43","498C.44","498C.45","498C.46","498D.01","498D.03","498D.04","498D.05","498D.06","498D.07","498D.08","498D.09","498D.10","498D.11","498D.12","498D.13","498D.14","498D.15","498D.16","498D.017","498D.19","498D.20","498D.21","498D.22","498D.23","498D.24","498D.25","498D.26","498D.27","498D.28","498D.29","498E.01","498E.02","498E.03","498E.04","498E.05","498E.06","498E.07","498E.08","498E.09","498E.10","498E.11","498E.12","498E.13","498E.14","498E.15","498E.16","498E.17","498E.18","498E.19","498E.20","498E.21","498E.22","498E.23","498E.24","498E.25","498E.26","498E.27","498E.28","498E.29","498E.30","498E.31","498E.32","498E.33","498E.34","498E.35","498E.36","498E.37","498E.38","498E.39","498E.40","498E.41","498E.42","498E.43","498E.44","498E.45","498E.46","498E.46","498E.47","498E.48","498E.49","498E.50","498E.51","498E.52","498E.53","498E.54","498E.53","498E.56","498E.57","498E.59","498F.01","498F.02","498F.03","498F.04","498F.05","498F.06","498F.07","498F.08","498F.09","498F.10","498F.11","498F.12","498F.13","498F.14","498F.15","498F.16","498F.17","498F.18","498F.19","498F.20","498F.21","498F.22","498F.23","498F.24","498F.25","498F.26","498F.27","498F.28","498F.29","498F.30","498F.31","498F.32","498F.33","498F.34","498F.35","498F.36","498F.37","498F.38","498F.39","498F.40","498F.41","498F.42","498F.43","498F.44","498F.45","498F.46","498F.47","498F.48","498F.49","498F.50","498F.51","498F.52","498F.53","498F.54","498F.55","498F.56","498F.57","498F.58","498F.59","498F.60","498F.61","498F.62","498F.63","498F.64","498F.65","498F.66","498F.67","498F.68","498F.69","498F.70","498F.71","498F.72","498F.73","498F.74","498F.75","498G.01","498G.02","498G.03","498G.04","498G.05","498G.06","498G.07","498G.08","498G.09","498G.10","498G.11","498G.12","498G.13","498G.14","498G.15","498G.16","498G.17","498G.18","498G.19","498G.20","498G.21","498G.22","498G.23","498G.24","498G.25","498G.26","498G.27","498G.28","498G.29","498G.30","499A.01","499A.02","499A.03","499A.04","499A.05","499A.06","499A.07","499A.08","499A.09","499A.10","499A.11","499A.12","499A.13","499A.14","499A.15","499A.16","499A.17","499A.18","499A.19","499A.20","499A.21","499A.22","499A.23","499A.24","499A.25","499A.26","499A.27","499A.28","499A.29","499A.30","499A.31","499A.36","499A.37","499A.38","499A.39","499A.32","499A.33","499A.34","499A.35","499A.40","499A.41","499A.42","499A.43","499A.44","499A.45","499A.46","499A.47","499B.01","499B.02","499B.03","499B.04","499B.05","499B.06","499B.07","499B.08","499B.09","499B.10","499B.11","499B.12","499B.13","499B.14","499B.15","499B.16","499B.17","499B.18","499B.19","499B.20","499B.21","499B.22","499B.23","499B.24","499B.25","499B.10","499B.27","499B.28","499B.29","499B.30","499B.31","499B.32","499B.33","499B.34","499B.35","499B.36","499B.37","499B.38","499B.39","499B.40","499B.41","499B.42","499B.43","499B.44","499B.45","499B.46","499B.47","499B.48","499B.49","499B.50","499B.51","499B.52","499B.53","499C.01","499C.02","499C.03","499C.01","499C.05","499C.06","499E.01","499E.02","499E.03","499E.04","499E.05","499E.06","499E.07","499E.08","499E.09","499E.10","499E.11","499E.12","499E.13","499E.14","499E.15","499E.16","499E.17","499E.18","499E.19","499E.20","499E.21","499E.22","499E.23","499E.24","499E.25","499E.26","499E.27","499E.28","499E.29","499E.30","499E.31","499E.32","499E.33","499E.34","499E.35","499E.36","499E.37","499E.38","499E.39","499E.40","499E.41","499E.42","499E.43","499E.44","499E.45","499E.46","499E.47","499E.48","499E.49","499E.50","499E.51","499E.52","499E.53","499E.54","499E.55","499E.56","499E.57","499E.58","499E.59","499E.60","499E.61","499E.62","499E.63","499E.64","499E.65","499E.66","499E.67","499E.68","499E.69","499E.70","499E.71","499E.72","499E.73","499E.74","499E.75","499E.76","499E.77","499E.78","499E.79","499E.80","499E.81","499E.82","499E.83","499E.84","499E.85","499E.86","499E.87","499E.88","499E.89","499E.90","499E.91","499E.92","499E.93","499E.94","499E.95","499E.96","499E.97","499E.98","499E.99","499E.100","499E.101","499E.102","499E.103","499E.104","499E.105","499E.106","499E.107","499E.108","499E.109","499E.110","499E.111","499E.112","499E.113","499E.114","499E.115","499E.116","499E.117","499E.118","499E.119","499E.120","499E.121","499E.122","499E.123","499E.124","499E.125","499E.126","499F.01","499F.02","499F.03","499F.04","499F.05","499F.06","499F.07","499F.08","499F.09","499F.10","499F.11","499F.12","499F.13","499F.14","499F.15","499G.01","499G.02","499G.03","499G.04","499G.05","499G.06","499G.07","499G.08","499G.09","499G.10","499G.11","499G.12","499G.13","499G.14","499G.15","499G.16","499G.17","499G.18","499G.19","499G.20","499G.21","499G.22","499G.23","499G.24","499G.25","499G.26","499G.27","499G.28","499G.29","499G.30","499G.31","499G.32","499G.33","499G.34","499G.35","499G.36","499G.37","499G.38","499G.39","499G.40","499G.41","499G.42","499G.43","499G.44","499G.45","499G.46","499G.47","499G.48","499G.49","499G.50","499G.51","499G.52","497B.01","497B.02","497B.03 and 497D.37","497B.04 and 497D.01","497B.05 and 497D.02","497B.06 and 497D.03","497B.07 and 497D.04","497B.08 and 497D.05","497B.09 and 497D.06","497B.10 and 497D.07","497B.11","497B.12","497B.13 and 497D.08","497B.14 and 497D.09","497B.15 and 497D.10","497B.16 and 497D.11","497B.17 and 497D.12","497B.18 and 497D.13","497B.19 and 497D.14","497B.20 and 497D.15","497B.21 and 497D.16","497B.22 and 497D.17","497B.23 and 497D.18","497B.24 and 497D.19","497B.25 and 497D.20","497B.26 and 497D.21","497B.27 and 497D.22","497B.28 and 497D.23","497B.29 and 497D.24","497B.30 and 497D.25","497B.31 and 497D.26","497B.32 and 497D.27","497B.33 and 497D.28","497B.34 and 497D.30","497B.35 and 497D.29","497B.36 and 497D.31","497B.37 and 497D.34","497B.38 and 497D.35","497B.39 and 497D.32","497B.40 and 497D.33","497B.41 and 497D.36","The final subseries is general information from Reston.  Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.","480.39","480.10","480.29","477.9","480.51","14.3","14.4","480.25","647.46","477.4","477.8","247.28","480.46","477.3","480.14","480.18","480.24","500.1","5.10","3.9","3.11","3.12","3.10","4.8","4.5","4.6","4.2","12.14","461.15","647.42","533.5","477.7","6.4","13.6","1.30","1.2","500.2","648.32","647.43","643","643","643","643","643","643","643","643","643","643","643","643","643","643","643","15.4","500.4","481.1","481.2","481.2","481.2","481.3","481.3","481.3","481.4","16.5","15.7","15.3","480.11","480.13","533.4","16.2","16.1","16.3","533.3","533.1","533.2","522.7","522.8","19.12","480.12","18.7","1.33","14.6","16.4","522.1","522.2","522.3","1.32","500.9","480.31","544.8","522.4","522.5","14.5","522.6","480.17","480.30","500.10","The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.","493.7","493.6","487.1","487.2","543.8","544.15","547.2","547.3","547.5","546.2","543.4","543.3","543.2","543.1","72.4","72.3","72.2","72.1","491.1","73.5","73.6","73.4","73.1","73.2","73.3","421.3","500.3","492.11","493.4","493.11","493.10","493.9","492.9","492.17","492.10","544.12","1.1","1.3","1.5","543.5","488.16","421.8","492.16","493.3","493.8","488.13","490.2","420.7","492.12","489.10","493.1","493.5","492.15","492.14","1.6","488.14","493.2","The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.","491.20","491.13","421.6","480.36","480.37","480.35","480.32","545.2","545.3","545.4","546.1","13.10","489.3","491.15","544.9","491.17","422.3","480.34","422.1","495.4","421.4","421.5","422.2","488.8","488.7","492.8","492.1","491.14","492.6","492.5","491.6","488.2","480.33","491.16","468.01 and 468.02","491.11","488.1","492.2","491.18","491.19","491.10","491.9","491.8","491.7","491.12","492.7","492.4","492.3","The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.","491.3","645.65","490.1","489.11","649.02","544.6","490.4","490.6","489.5","649.05","490.5","645.02","489.4","494.15","494.13","645.04","545.1","544.11","492.13","19.3","495.8","489.9","489.6","494.1","544.3","495.1","1.2","496.1","420.6","543.7","543.6","544.1","489.7","491.2","494.14","488.18","420.8","2.12","489.8","494.2","495.5","495.6","495.7","495.3","495.2","491.4","495.9","495.10","490.3","488.6","645.05","500.6","491.5","421.1","649.06","The series is small and contains the meeting minutes and other information from the board that created the planned community archive.","1A.1","1A.2","1A.3","1A.4","1A.5","1A.6","1A.7","1A.8","1A.9","1A.10","1A.11","1A.12","1A.13","1A.14","1A.15","1A.16","1A.17","1A.18","1A.19","78.4","78.5","78.3","78.12","78.10","645.01","78.6","78.11","2.9","649.01","78.8","78.7","2.7","2.8","2.11","2.15","2.14","2.13","78.1","78.2","78.9","The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.","488.4","488.3","489.2","489.1","547.1","2.16","423.1","548.1","548.2","548.3","548.4","488.5","544.13","645.66","The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.","Series eight is titled Newspapers.  The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier.  All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.  The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.","Subseries 8.1: The Reston Connection, 1981-1995, 2004\nThe Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.","Subseries 8.2: The Reston Times\nThe Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.","Subseries 8.3: The Reston Observer\nThe Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everbody Reads.\"","Subseries 8.4: The Reston Flier\nThe Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.","The series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.","The subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community.","460.48","460.49","460.50","460.51","460.52","460.44","460.45","460.46","460.47","460.40","460.16","460.17","460.10","460.8","460.18","460.11","645.25","11.11","645.53","460.19","460.20","451.4","451.3","451.2","451.1","11.8","11.10","11.9","2.6","645.34","645.33","645.08","645.09","645.10","645.11","645.12","645.13","645.15","645.16","645.17","645.18","645.19","645.20","645.21","645.22","645.23","645.24","645.26","645.27","645.28","645.29","645.30","645.31","645.32","645.45","645.46","645.47","645.48","645.49","645.50","645.51","645.55","645.56","645.57","645.58","645.59","645.61","645.62","645.63","645.60","461.19","645.14","11.1","460.1","460.12","460.13","645.52","460.9","460.39","460.38","460.42","460.43","460.41","460.4","460.3","480.1","645.54","460.37","460.26","460.27","460.28","460.29","460.30","460.31","460.32","460.33","460.34","460.35","460.36","460.22","460.23","460.24","460.25","460.21","460.14","460.15","460.6","460.7","460.2","460.5","645.07","The subseries is comprised mostly of residential views of Reston, such as apartment buildings, Dulles airport, shopping centers and other places around Reston.","647.39","549","550","550","550","550","550","550","550","551","552","552","552","552","552","553","553","553","554","554","554","554","554","554","554","554","554","555","555","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","557","557","557","557","557","557","557","557","558","559","559","559","559","559","559","560","560","560","560","560","561","562","562","562","562","563","564","565","566","567","567","567","568","569","569","570","571","571","571","572","573","574","574","574","574","574","575","575","575","575","575","575","575","575","575","575","576","577","577","577","577","578","579","580","581","581","581","581","581","581","581","581","581","582","583","584","584","584","584","584","584","584","584","584","585","586","587","588","588","588","588","588","588","588","588","588","589","590","591","591","592","593","594","595","596","597","597","597","597","597","597","597","597","597","597","597","597","598","599","600","601","601","601","602","602","602","602","602","602","602","602","602","602","603","604","605","606","606","606","607","608","609","610","610","610","611","612","613","614","615","616","618","619","621","622","622","622","623","623","624","625","625","626","627","628","629","630","631","632","633","634","635","636","636","636","636","636","636","636","636","637","The subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.","14.2","This is a small subseries contained of negatives of various views from around Reston.","The subseries contains programs about planned communities.  The majority of the videos are interviews from WETA.  The videotapes include interviews with Robert Simon, Martha Pennino and others.  There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\".  There are additional WETA videotapes in series 11.","26.1","26.2","26.3","26.4","26.5","26.6","26.7","26.8","26.9","26.10","26.11","26.12","27.1","27.2","27.3","27.4","27.5","27.6","27.7","27.8","27.9","27.10","27.11","27.12","49.2","49.3","49.4","49.4","38.6","39.1","41.1","38.5","40.1","40.2","39.2","39.3","39.3","39.3","41.5","44.2","30.2","30.4","30.5","47.2","42.1","42.1","44.6","44.7","48.5","48.6","45.2","49.1","45.3","43.3","43.4","43.5","43.6","39.4","45.4","45.5","45.6","46.1","47.4","47.5","50.1","47.3","47","37.5","29.4","29.5","49.6","47.1","47.1","44.3","44.4","44.3","35.6","36.1","35.1","35.2","35.3","35.4","35.5","43.1","33.5","33.6","29.3","28.3","34.1","34.2","42.2","46.3","46.4","46.5","31.3","32.4","32.5","32.6","33.1","33.2","33.3","33.4","37.1","37.2","37.3","28.6","29.1","29.2","31.4","40.5","40.6","43.2","34.4","34.5","32.3","32.3","40.4","41.4","38.3","38.4","31.5","31.6","32.1","32.2","32","44.1","28.4","28.5","31.1","29.6","30.1","30.2","48.4","48.1","48.2","48.3","50.2","50.6","50.3","50.4","50.5","41.3","37.6","38.1","38.2","36.2","36.3","36.4","36.5","36.6","The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.","494.11","494.10","494.12","490.7","488.11","488.17","544.14","488.10","546.3","2.1","645.67","494.9","494.7","494.3","488.12","494.16","488.9","544.2","547.4","544.4","546.4","546.5","500.8","500.7","494.8","494.4","494.6","421.2","544.7","488.15","532.3a","532.3b","532.2","494.5","617","421.7","1.10","1.9","1.6","1.4","1.8","1.2","1.5","1.3","1.1","1.07","This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.","458","11.2","11.3","11.4","11.5","11.6","11.7","76","76","76","76","76","76","76","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","19","472","398","75","75","This binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many ammenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"","This binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many ammenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.","This binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of treeage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industryal Land sales newsletters in this binder.","This binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.","This binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes insprations for the Town Center such as Rossyln and Balston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.","This binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.","This binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.","This binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints.  The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints.  The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Planned Community Archives, Inc."],"persname_ssim":["Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William."],"names_ssim":["George Mason University. Special Collections and Archives.","Planned Community Archives, Inc.","Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William."],"language_ssim":["English"],"total_component_count_is":5210,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:20.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00006","ead_ssi":"vifgm_vifgm00006","_root_":"vifgm_vifgm00006","_nest_parent_":"vifgm_vifgm00006","ead_source_url_ssi":"data/gmu/vifgm00006.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Planned Community Archives collection"],"title_tesim":["Planned Community Archives collection"],"unitdate_ssm":["1960-2009"],"unitdate_inclusive_ssm":["1960-2009"],"normalized_date_ssm":["1960/2009"],"normalized_title_ssm":["Planned Community Archives collection, 1960/2009"],"text":["Planned Community Archives collection, 1960/2009","C0001","Architecture--Designs and plans--United States.","Housing.","Planned communities.","Architectural drawings.","Blueprints.","Elevations.","Floor plans.","Photographic negatives.","Photographic prints.","Slides.","Collection is open to research.","Selections from the Planned Community Archives are also available in the Reston Planned Community Archives Digital Collection and the Planned Community Archives: Catherine A. Baum Digital Collection.","Organized into 11 series.","Series 1:  Reston, 1961-2006 (Boxes 1-42)\n\n        Series 2:  US Planned Communities, 1970-1996 (Boxes 42-53)\n\n        Series 3:  International Planned Communities, 1960-1990 (Boxes 53-56)\n\n        Series 4:  Reports, 1965-2001 (Boxes 56-61)\n\n        Series 5:  Planned Community Archives Board, 1985-2001 (Boxes 61-64)\n\n        Series 6:  Promotional Material, 1966-1990 (Boxes 64-66)\n\n        Series 7:  Brochures, 1990s (Boxes 66-75)\n\n        Series 8:  Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456)\n\n        Series 9:  Media, 1960-2004 (Boxes 107-232, 348-350)\n\n        Series 10:  General Information, 1960-2009 (Boxes 233-241)\n\n        Series 11:  Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)","The era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983).","The records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection.  After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc.","Processing completed by Special Collections and Archives staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010.","Special Collections and Archives holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities.","The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints.","Series one is titled Reston and is divided into nine subseries.  The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.  There is additional Reston information in series nine, ten and eleven.  The series is dated from 1961-2006 and is contained in boxes 1-42.","Series two is titled United States Planned Communities.  The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.  The series dated from 1970 to 1996 and is contained in boxes 42-53.","Series three is titled International Planned Communities.  The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.   The series is dated from 1960 to 1990 and is contained in boxes 53-56.","Series four is titled Reports.  The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.  The series is dated from 1965 to 2001 and is contained in boxes 56-61.","Series five is titled Planed Community Archive Board.  The series is small and contains the meeting minutes and other information from the board that created the planned community archive.  The series dated from 1985 to 2001 and is contained in boxes 61-64.","Series six is titled Promotional Material.  The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.  The series dated from 1966 to 1990 and is contained in boxes 64-66.","Series seven is titled Brochures.  The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.  The series dated in the 1990s and is contained in boxes 66-75.","Series eight is titled Newspapers.  The series is comprised of copies of The Connection a newspaper from Reston.   The Connection, the local newspaper has articles mostly about local events.  For example there are articles about Reston Association elections, local residents and also the Washington Redskins.  There are additional copies in series ten.  The series is dated from 1981 to 1996 and is contained in boxes 76 to 106.","Series nine is titled Media and is divided into five subseries.  The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities.  The series is dated from 1960 to 2004 and contained in boxes 107-232.","Series ten is titled General Information.  The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.  The series is dated from 1960 to 2005 and is contained in boxes 233-246.","Series eleven is titled Oversize.  This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.  The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases.","The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.","The subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston.","2.10","19.11","3.3","7.2","5.3","5.2","5.1","5.4","5.5","5.7","5.6","6.2","6.3","7.1","7.3","7.7","1.12","480.54","1.13","13.8","477.10","499D.01","499D.02","499D.03","499D.04","499D.05","499D.06","499D.07","15.1","2.3","2.7","2.9","The information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.","5.11","5.13","3.14","3.15","4.7","16.6","5.9","13.7","1.3","74.1","74.2","74.3","The plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.","5.14","7.4","6.5","6.6","16.7","480.50","1.1","2.4","2.5","461.29","645.06","19.15","4.1","1.31","645.64","15.2","15.3","3.6","1.2","5.8","19.6","480.53","The subseries has reports relating to projects in Reston.  The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.","12.15","4.4","12.4","12.5","12.6","12.7","12.8","12.9","1.6","1.5","18.3","4.3","2.11","2.12","2.8","3.5","18.6","3.7","4.14","4.13","6.1","2.6","7.5","7.6","3.4","18.4","480.20","1.3","480.52","15.5","1.7","3.1","480.2","12.3","13.5","543.8","19.5","19.7","The information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.","3.8","2.2","2.1","4.10","3.13","3.2","The subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post.  Some of the documents are a complete copy of the publication, other documents are only articles from the publications.","10.9","12.2","9.12","10.27","247.30","648.15","10.24","648.06","10.11","19.8","1.1","10.10","10.8","648.24","13.4","10.18","648.11","10.16","647.08","10.5","648.23","247.29","648.16","648.18","648.08","19.2","2.10","13.3","13.2","10.1","647.07","647.06","461.14","19.9","477.1","5.12","18.8","10.12","648.20","648.22","10.3","648.05","461.12","247.31","10.14","18.2","18.1","1.14","10.2","10.25","648.02","648.26","648.17","648.04","480.42","15.6","10.21","10.7","648.14","10.15","10.17","648.09","648.10","647.11","10.6","648.27","416.17","19.1","1.19","1.20","1.21","1.22","1.23","1.24","1.25","1.26","1.27","480.19","480.43","480.44","480.45","480.41","480.40","13.1","648.28","12.1","514.1","514.2","514.3","514.4","514.5","514.6","514.7","514.8","514.9","514.10","480.6","480.9","480.38","480.47","18.9","18.11","10.13","648.21","10.22","648.19","648.25","648.13","648.07","648.05","10.20","480.16","647.09","458.3","10.23","648.32","10.19","10.4","648.12","The subseries has information pertaining to the marketing of different facilities in Reston.  For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.","480.4","461.24","9.27","647.04","647.03","647.08","647.44","477.2","647.40","461.20","533.7","9.26","461.18","247.37","9.7","9.19","9.17","9.14","9.5","19.14","477.4","544.5","480.21","247.27","647.02","247.40","9.4","247.09","533.6","647.45","9.9","9.15","9.21","9.10","9.11","19.16","461.28","9.2","480.48","9.24","461.26","477.15","422.4","461.10","461.21","461.5","461.6","9.13","647.10","461.27","461.7","477.12","9.16","477.6","460.53","645.03","480.15","461.8","480.8","9.25","480.22","461.30","9.20","461.23","461.1","9.3","461.2","461.3","461.4","19.13","477.13","461.25","247.10","247.11","247.12","247.13","247.14","247.15","247.16","247.17","247.18","247.19","247.20","247.21","247.22","247.23","247.24","247.25","247.26","247.34","247.39","247.38","647.41","647.05","247.32","247.33","461.9","9.1","477.5","9.18","9.8","4.12","4.11","9.23","648.01","9.22","461.22","247.36","461.11","461.13","9.6","480.23","480.27","247.35","19.10","480.3","647.01","480.5","18.10","1.7","19.4","647.47","18.12","The subseries is comprised of material from a scrapbook related to Reston.  The documents are photographs, articles and other paperwork.  The material is in the original order that it was in the scrapbook.","497A.01","497A.02","497A.03","497A.04","497A.05","497A.06","497A.07","497A.08","497A.09","497A.10","497A.11","497A.12","497A.13","497A.14","497A.15","497A.16","497A.17","497A.18","497A.18","497A.19","497A.20","497A.21","497A.22","497A.23","497A.24","497A.25","497A.26","497A.27","497A.28","497A.29","497A.30","497A.32","497A.33","497A.33","497A.34","497A.35","497A.36","497A.37","497A.39","497A.39","497C.01","497C.02","497C.03","497C.04","497C.05","497C.06","497C.07","497C.08","497C.09","497C.10","497C.11","497e.01","497e.02","497e.02","497e.04","497e.05","497e.06","497e.07","497e.08","497e.09","497e.10","497e.11","497e.12","497e.13","497e.14","497e.15","497e.16","497f.01","497f.02","497f.03","497f.04","497f.05","497f.06","497f.07","497f.08","497f.09","497f.10","497f.11","497f.12","497f.13","497f.14","497f.15","497f.16","497f.17","497f.18","497f.19","497f.20","497f.21","497f.22","497f.23","497f.24","497f.25","497f.26","497f.27","497f.28","497f.29","497f.30","497f.31","497f.32","497f.33","497f.34","497f.35","497f.36","497f.37","497f.38","497f.39","497f.40","497f.41","497f.42","497f.43","497f.44","497f.45","497f.46","497f.47","497f.48","497f.49","497f.50","497f.51","497f.52","497f.53","497f.54","497f.55","497f.56","497f.57","497f.58","497f.59","497f.60","497f.61","497f.62","497f.63","497f.64","497f.65","497f.66","497f.67","497f.68","497f.69","497f.70","497f.71","497f.72","497f.73","497f.74","497f.75","497f.76","497f.77","497f.78","497f.79","497f.80","497f.81","497f.82","497f.83","497f.84","497f.85","497f.86","497f.87","498A.01","498A.02","498A.03","498A.04","498A.05","498A.06","498A.07","498A.08","498A.09","498A.10","498A.11","498A.12","498A.13","498A.14","498A.15","498A.16","498A.17","498A.18","498B.01","498B.02","498B.03","498B.04","498B.05","498B.06","498B.07","498B.08","498B.09","498B.10","498B.11","498B.12","498B.13","498B.14","498B.15","498B.16","498B.17","498B.18","498B.19","498B.20","498B.21","498B.22","498B.23","498B.24","498B.25","498B.26","498B.27","498B.28","498B.29","498B.30","498B.31","498B.32","498B.33","498B.34","498B.35","498B.36","498B.37","498B.38","498B.39","498B.40","498B.41","498B.42","498B.43","498B.44","498B.45","498B.46","498B.47","498B.48","498B.49","498B.50","498B.51","498B.52","498B.53","498B.54","498B.55","498B.56","498B.57","498B.58","498B.59","498B.60","498B.61","498B.62","498B.63","498B.64","498B.65","498B.66","498B.67","498B.68","498B.69","498B.70","498B.71","498B.72","498B.73","498B.74","498B.75","498B.76","498B.77","498B.78","498B.79","498B.80","498B.81","498B.82","498B.83","498B.84","498B.85","498B.86","498B.87","498B.88","498B.89","498B.90","498B.91","498B.92","498B.93","498C.01","498C.02","498C.03","498C.04","498C.05","498C.06","498C.07","498C.08","498C.09","498C.10","498C.11","498C.12","498C.13","498C.14","498C.15","498C.16","498C.17","498C.18","498C.19","498C.21","498C.22","498C.23","498C.24","498C.25","498C.26","498C.27","498C.28","498C.29","498C.30","498C.31","498C.32","498C.33","498C.34","498C.35","498C.36","498C.37","498C.38","498C.39","498C.40","498C.41","498C.42","498C.43","498C.44","498C.45","498C.46","498D.01","498D.03","498D.04","498D.05","498D.06","498D.07","498D.08","498D.09","498D.10","498D.11","498D.12","498D.13","498D.14","498D.15","498D.16","498D.017","498D.19","498D.20","498D.21","498D.22","498D.23","498D.24","498D.25","498D.26","498D.27","498D.28","498D.29","498E.01","498E.02","498E.03","498E.04","498E.05","498E.06","498E.07","498E.08","498E.09","498E.10","498E.11","498E.12","498E.13","498E.14","498E.15","498E.16","498E.17","498E.18","498E.19","498E.20","498E.21","498E.22","498E.23","498E.24","498E.25","498E.26","498E.27","498E.28","498E.29","498E.30","498E.31","498E.32","498E.33","498E.34","498E.35","498E.36","498E.37","498E.38","498E.39","498E.40","498E.41","498E.42","498E.43","498E.44","498E.45","498E.46","498E.46","498E.47","498E.48","498E.49","498E.50","498E.51","498E.52","498E.53","498E.54","498E.53","498E.56","498E.57","498E.59","498F.01","498F.02","498F.03","498F.04","498F.05","498F.06","498F.07","498F.08","498F.09","498F.10","498F.11","498F.12","498F.13","498F.14","498F.15","498F.16","498F.17","498F.18","498F.19","498F.20","498F.21","498F.22","498F.23","498F.24","498F.25","498F.26","498F.27","498F.28","498F.29","498F.30","498F.31","498F.32","498F.33","498F.34","498F.35","498F.36","498F.37","498F.38","498F.39","498F.40","498F.41","498F.42","498F.43","498F.44","498F.45","498F.46","498F.47","498F.48","498F.49","498F.50","498F.51","498F.52","498F.53","498F.54","498F.55","498F.56","498F.57","498F.58","498F.59","498F.60","498F.61","498F.62","498F.63","498F.64","498F.65","498F.66","498F.67","498F.68","498F.69","498F.70","498F.71","498F.72","498F.73","498F.74","498F.75","498G.01","498G.02","498G.03","498G.04","498G.05","498G.06","498G.07","498G.08","498G.09","498G.10","498G.11","498G.12","498G.13","498G.14","498G.15","498G.16","498G.17","498G.18","498G.19","498G.20","498G.21","498G.22","498G.23","498G.24","498G.25","498G.26","498G.27","498G.28","498G.29","498G.30","499A.01","499A.02","499A.03","499A.04","499A.05","499A.06","499A.07","499A.08","499A.09","499A.10","499A.11","499A.12","499A.13","499A.14","499A.15","499A.16","499A.17","499A.18","499A.19","499A.20","499A.21","499A.22","499A.23","499A.24","499A.25","499A.26","499A.27","499A.28","499A.29","499A.30","499A.31","499A.36","499A.37","499A.38","499A.39","499A.32","499A.33","499A.34","499A.35","499A.40","499A.41","499A.42","499A.43","499A.44","499A.45","499A.46","499A.47","499B.01","499B.02","499B.03","499B.04","499B.05","499B.06","499B.07","499B.08","499B.09","499B.10","499B.11","499B.12","499B.13","499B.14","499B.15","499B.16","499B.17","499B.18","499B.19","499B.20","499B.21","499B.22","499B.23","499B.24","499B.25","499B.10","499B.27","499B.28","499B.29","499B.30","499B.31","499B.32","499B.33","499B.34","499B.35","499B.36","499B.37","499B.38","499B.39","499B.40","499B.41","499B.42","499B.43","499B.44","499B.45","499B.46","499B.47","499B.48","499B.49","499B.50","499B.51","499B.52","499B.53","499C.01","499C.02","499C.03","499C.01","499C.05","499C.06","499E.01","499E.02","499E.03","499E.04","499E.05","499E.06","499E.07","499E.08","499E.09","499E.10","499E.11","499E.12","499E.13","499E.14","499E.15","499E.16","499E.17","499E.18","499E.19","499E.20","499E.21","499E.22","499E.23","499E.24","499E.25","499E.26","499E.27","499E.28","499E.29","499E.30","499E.31","499E.32","499E.33","499E.34","499E.35","499E.36","499E.37","499E.38","499E.39","499E.40","499E.41","499E.42","499E.43","499E.44","499E.45","499E.46","499E.47","499E.48","499E.49","499E.50","499E.51","499E.52","499E.53","499E.54","499E.55","499E.56","499E.57","499E.58","499E.59","499E.60","499E.61","499E.62","499E.63","499E.64","499E.65","499E.66","499E.67","499E.68","499E.69","499E.70","499E.71","499E.72","499E.73","499E.74","499E.75","499E.76","499E.77","499E.78","499E.79","499E.80","499E.81","499E.82","499E.83","499E.84","499E.85","499E.86","499E.87","499E.88","499E.89","499E.90","499E.91","499E.92","499E.93","499E.94","499E.95","499E.96","499E.97","499E.98","499E.99","499E.100","499E.101","499E.102","499E.103","499E.104","499E.105","499E.106","499E.107","499E.108","499E.109","499E.110","499E.111","499E.112","499E.113","499E.114","499E.115","499E.116","499E.117","499E.118","499E.119","499E.120","499E.121","499E.122","499E.123","499E.124","499E.125","499E.126","499F.01","499F.02","499F.03","499F.04","499F.05","499F.06","499F.07","499F.08","499F.09","499F.10","499F.11","499F.12","499F.13","499F.14","499F.15","499G.01","499G.02","499G.03","499G.04","499G.05","499G.06","499G.07","499G.08","499G.09","499G.10","499G.11","499G.12","499G.13","499G.14","499G.15","499G.16","499G.17","499G.18","499G.19","499G.20","499G.21","499G.22","499G.23","499G.24","499G.25","499G.26","499G.27","499G.28","499G.29","499G.30","499G.31","499G.32","499G.33","499G.34","499G.35","499G.36","499G.37","499G.38","499G.39","499G.40","499G.41","499G.42","499G.43","499G.44","499G.45","499G.46","499G.47","499G.48","499G.49","499G.50","499G.51","499G.52","497B.01","497B.02","497B.03 and 497D.37","497B.04 and 497D.01","497B.05 and 497D.02","497B.06 and 497D.03","497B.07 and 497D.04","497B.08 and 497D.05","497B.09 and 497D.06","497B.10 and 497D.07","497B.11","497B.12","497B.13 and 497D.08","497B.14 and 497D.09","497B.15 and 497D.10","497B.16 and 497D.11","497B.17 and 497D.12","497B.18 and 497D.13","497B.19 and 497D.14","497B.20 and 497D.15","497B.21 and 497D.16","497B.22 and 497D.17","497B.23 and 497D.18","497B.24 and 497D.19","497B.25 and 497D.20","497B.26 and 497D.21","497B.27 and 497D.22","497B.28 and 497D.23","497B.29 and 497D.24","497B.30 and 497D.25","497B.31 and 497D.26","497B.32 and 497D.27","497B.33 and 497D.28","497B.34 and 497D.30","497B.35 and 497D.29","497B.36 and 497D.31","497B.37 and 497D.34","497B.38 and 497D.35","497B.39 and 497D.32","497B.40 and 497D.33","497B.41 and 497D.36","The final subseries is general information from Reston.  Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.","480.39","480.10","480.29","477.9","480.51","14.3","14.4","480.25","647.46","477.4","477.8","247.28","480.46","477.3","480.14","480.18","480.24","500.1","5.10","3.9","3.11","3.12","3.10","4.8","4.5","4.6","4.2","12.14","461.15","647.42","533.5","477.7","6.4","13.6","1.30","1.2","500.2","648.32","647.43","643","643","643","643","643","643","643","643","643","643","643","643","643","643","643","15.4","500.4","481.1","481.2","481.2","481.2","481.3","481.3","481.3","481.4","16.5","15.7","15.3","480.11","480.13","533.4","16.2","16.1","16.3","533.3","533.1","533.2","522.7","522.8","19.12","480.12","18.7","1.33","14.6","16.4","522.1","522.2","522.3","1.32","500.9","480.31","544.8","522.4","522.5","14.5","522.6","480.17","480.30","500.10","The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.","493.7","493.6","487.1","487.2","543.8","544.15","547.2","547.3","547.5","546.2","543.4","543.3","543.2","543.1","72.4","72.3","72.2","72.1","491.1","73.5","73.6","73.4","73.1","73.2","73.3","421.3","500.3","492.11","493.4","493.11","493.10","493.9","492.9","492.17","492.10","544.12","1.1","1.3","1.5","543.5","488.16","421.8","492.16","493.3","493.8","488.13","490.2","420.7","492.12","489.10","493.1","493.5","492.15","492.14","1.6","488.14","493.2","The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.","491.20","491.13","421.6","480.36","480.37","480.35","480.32","545.2","545.3","545.4","546.1","13.10","489.3","491.15","544.9","491.17","422.3","480.34","422.1","495.4","421.4","421.5","422.2","488.8","488.7","492.8","492.1","491.14","492.6","492.5","491.6","488.2","480.33","491.16","468.01 and 468.02","491.11","488.1","492.2","491.18","491.19","491.10","491.9","491.8","491.7","491.12","492.7","492.4","492.3","The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.","491.3","645.65","490.1","489.11","649.02","544.6","490.4","490.6","489.5","649.05","490.5","645.02","489.4","494.15","494.13","645.04","545.1","544.11","492.13","19.3","495.8","489.9","489.6","494.1","544.3","495.1","1.2","496.1","420.6","543.7","543.6","544.1","489.7","491.2","494.14","488.18","420.8","2.12","489.8","494.2","495.5","495.6","495.7","495.3","495.2","491.4","495.9","495.10","490.3","488.6","645.05","500.6","491.5","421.1","649.06","The series is small and contains the meeting minutes and other information from the board that created the planned community archive.","1A.1","1A.2","1A.3","1A.4","1A.5","1A.6","1A.7","1A.8","1A.9","1A.10","1A.11","1A.12","1A.13","1A.14","1A.15","1A.16","1A.17","1A.18","1A.19","78.4","78.5","78.3","78.12","78.10","645.01","78.6","78.11","2.9","649.01","78.8","78.7","2.7","2.8","2.11","2.15","2.14","2.13","78.1","78.2","78.9","The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.","488.4","488.3","489.2","489.1","547.1","2.16","423.1","548.1","548.2","548.3","548.4","488.5","544.13","645.66","The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.","Series eight is titled Newspapers.  The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier.  All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.  The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.","Subseries 8.1: The Reston Connection, 1981-1995, 2004\nThe Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.","Subseries 8.2: The Reston Times\nThe Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.","Subseries 8.3: The Reston Observer\nThe Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everbody Reads.\"","Subseries 8.4: The Reston Flier\nThe Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.","The series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.","The subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community.","460.48","460.49","460.50","460.51","460.52","460.44","460.45","460.46","460.47","460.40","460.16","460.17","460.10","460.8","460.18","460.11","645.25","11.11","645.53","460.19","460.20","451.4","451.3","451.2","451.1","11.8","11.10","11.9","2.6","645.34","645.33","645.08","645.09","645.10","645.11","645.12","645.13","645.15","645.16","645.17","645.18","645.19","645.20","645.21","645.22","645.23","645.24","645.26","645.27","645.28","645.29","645.30","645.31","645.32","645.45","645.46","645.47","645.48","645.49","645.50","645.51","645.55","645.56","645.57","645.58","645.59","645.61","645.62","645.63","645.60","461.19","645.14","11.1","460.1","460.12","460.13","645.52","460.9","460.39","460.38","460.42","460.43","460.41","460.4","460.3","480.1","645.54","460.37","460.26","460.27","460.28","460.29","460.30","460.31","460.32","460.33","460.34","460.35","460.36","460.22","460.23","460.24","460.25","460.21","460.14","460.15","460.6","460.7","460.2","460.5","645.07","The subseries is comprised mostly of residential views of Reston, such as apartment buildings, Dulles airport, shopping centers and other places around Reston.","647.39","549","550","550","550","550","550","550","550","551","552","552","552","552","552","553","553","553","554","554","554","554","554","554","554","554","554","555","555","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","557","557","557","557","557","557","557","557","558","559","559","559","559","559","559","560","560","560","560","560","561","562","562","562","562","563","564","565","566","567","567","567","568","569","569","570","571","571","571","572","573","574","574","574","574","574","575","575","575","575","575","575","575","575","575","575","576","577","577","577","577","578","579","580","581","581","581","581","581","581","581","581","581","582","583","584","584","584","584","584","584","584","584","584","585","586","587","588","588","588","588","588","588","588","588","588","589","590","591","591","592","593","594","595","596","597","597","597","597","597","597","597","597","597","597","597","597","598","599","600","601","601","601","602","602","602","602","602","602","602","602","602","602","603","604","605","606","606","606","607","608","609","610","610","610","611","612","613","614","615","616","618","619","621","622","622","622","623","623","624","625","625","626","627","628","629","630","631","632","633","634","635","636","636","636","636","636","636","636","636","637","The subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.","14.2","This is a small subseries contained of negatives of various views from around Reston.","The subseries contains programs about planned communities.  The majority of the videos are interviews from WETA.  The videotapes include interviews with Robert Simon, Martha Pennino and others.  There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\".  There are additional WETA videotapes in series 11.","26.1","26.2","26.3","26.4","26.5","26.6","26.7","26.8","26.9","26.10","26.11","26.12","27.1","27.2","27.3","27.4","27.5","27.6","27.7","27.8","27.9","27.10","27.11","27.12","49.2","49.3","49.4","49.4","38.6","39.1","41.1","38.5","40.1","40.2","39.2","39.3","39.3","39.3","41.5","44.2","30.2","30.4","30.5","47.2","42.1","42.1","44.6","44.7","48.5","48.6","45.2","49.1","45.3","43.3","43.4","43.5","43.6","39.4","45.4","45.5","45.6","46.1","47.4","47.5","50.1","47.3","47","37.5","29.4","29.5","49.6","47.1","47.1","44.3","44.4","44.3","35.6","36.1","35.1","35.2","35.3","35.4","35.5","43.1","33.5","33.6","29.3","28.3","34.1","34.2","42.2","46.3","46.4","46.5","31.3","32.4","32.5","32.6","33.1","33.2","33.3","33.4","37.1","37.2","37.3","28.6","29.1","29.2","31.4","40.5","40.6","43.2","34.4","34.5","32.3","32.3","40.4","41.4","38.3","38.4","31.5","31.6","32.1","32.2","32","44.1","28.4","28.5","31.1","29.6","30.1","30.2","48.4","48.1","48.2","48.3","50.2","50.6","50.3","50.4","50.5","41.3","37.6","38.1","38.2","36.2","36.3","36.4","36.5","36.6","The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.","494.11","494.10","494.12","490.7","488.11","488.17","544.14","488.10","546.3","2.1","645.67","494.9","494.7","494.3","488.12","494.16","488.9","544.2","547.4","544.4","546.4","546.5","500.8","500.7","494.8","494.4","494.6","421.2","544.7","488.15","532.3a","532.3b","532.2","494.5","617","421.7","1.10","1.9","1.6","1.4","1.8","1.2","1.5","1.3","1.1","1.07","This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.","458","11.2","11.3","11.4","11.5","11.6","11.7","76","76","76","76","76","76","76","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","19","472","398","75","75","This binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many ammenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"","This binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many ammenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.","This binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of treeage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industryal Land sales newsletters in this binder.","This binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.","This binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes insprations for the Town Center such as Rossyln and Balston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.","This binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.","This binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.","This binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s.","There are no restrictions.","The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints.  The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009.","George Mason University. Special Collections and Archives.","Planned Community Archives, Inc.","Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William.","English"],"collection_title_tesim":["Planned Community Archives collection, 1960/2009"],"collection_ssim":["Planned Community Archives collection, 1960/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0001"],"unitid_tesim":["C0001"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Planned Community Archives, Inc."],"creator_ssim":["Planned Community Archives, Inc."],"creator_persname_ssim":["Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William."],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Planned Community Archives, Inc."],"creators_ssim":["Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William.","George Mason University. Special Collections and Archives.","Planned Community Archives, Inc."],"acqinfo_ssim":["Donated by the Planned Community Archives, Inc. in 1986 with additional donations in the years following."],"access_subjects_ssim":["Architecture--Designs and plans--United States.","Housing.","Planned communities.","Architectural drawings.","Blueprints.","Elevations.","Floor plans.","Photographic negatives.","Photographic prints.","Slides."],"access_subjects_ssm":["Architecture--Designs and plans--United States.","Housing.","Planned communities.","Architectural drawings.","Blueprints.","Elevations.","Floor plans.","Photographic negatives.","Photographic prints.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["175.5 linear feet 351 boxes)"],"extent_tesim":["175.5 linear feet 351 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Planned Community Archives are also available in the \u003cextref type=\"simple\" href=\"http://www.aladin0.wrlc.org/gsdl/collect/pcar/pcar.shtml\"\u003eReston Planned Community Archives Digital Collection\u003c/extref\u003e and the \u003cextref type=\"simple\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/505\"\u003ePlanned Community Archives: Catherine A. Baum Digital Collection\u003c/extref\u003e.\n\u003c/p\u003e\n      "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Planned Community Archives are also available in the Reston Planned Community Archives Digital Collection and the Planned Community Archives: Catherine A. Baum Digital Collection."],"arrangement_html_tesm":["\u003cp\u003eOrganized into 11 series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Reston, 1961-2006 (Boxes 1-42)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  US Planned Communities, 1970-1996 (Boxes 42-53)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  International Planned Communities, 1960-1990 (Boxes 53-56)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Reports, 1965-2001 (Boxes 56-61)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Planned Community Archives Board, 1985-2001 (Boxes 61-64)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  Promotional Material, 1966-1990 (Boxes 64-66)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  Brochures, 1990s (Boxes 66-75)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  Media, 1960-2004 (Boxes 107-232, 348-350)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  General Information, 1960-2009 (Boxes 233-241)\n\u003c/item\u003e\n        \u003citem\u003eSeries 11:  Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into 11 series.","Series 1:  Reston, 1961-2006 (Boxes 1-42)\n\n        Series 2:  US Planned Communities, 1970-1996 (Boxes 42-53)\n\n        Series 3:  International Planned Communities, 1960-1990 (Boxes 53-56)\n\n        Series 4:  Reports, 1965-2001 (Boxes 56-61)\n\n        Series 5:  Planned Community Archives Board, 1985-2001 (Boxes 61-64)\n\n        Series 6:  Promotional Material, 1966-1990 (Boxes 64-66)\n\n        Series 7:  Brochures, 1990s (Boxes 66-75)\n\n        Series 8:  Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456)\n\n        Series 9:  Media, 1960-2004 (Boxes 107-232, 348-350)\n\n        Series 10:  General Information, 1960-2009 (Boxes 233-241)\n\n        Series 11:  Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)"],"bioghist_html_tesm":["\u003cp\u003eThe era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983).\n\u003c/p\u003e\n      ","\u003cp\u003eThe records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection.  After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983).","The records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection.  After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc."],"prefercite_html_tesm":["\u003cp\u003ePlanned Community Archives, Collection #C0001, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Planned Community Archives, Collection #C0001, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Special Collections and Archives staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Special Collections and Archives staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled Reston and is divided into nine subseries.  The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.  There is additional Reston information in series nine, ten and eleven.  The series is dated from 1961-2006 and is contained in boxes 1-42.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled United States Planned Communities.  The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.  The series dated from 1970 to 1996 and is contained in boxes 42-53.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled International Planned Communities.  The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.   The series is dated from 1960 to 1990 and is contained in boxes 53-56.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled Reports.  The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.  The series is dated from 1965 to 2001 and is contained in boxes 56-61.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled Planed Community Archive Board.  The series is small and contains the meeting minutes and other information from the board that created the planned community archive.  The series dated from 1985 to 2001 and is contained in boxes 61-64.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled Promotional Material.  The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.  The series dated from 1966 to 1990 and is contained in boxes 64-66.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Brochures.  The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.  The series dated in the 1990s and is contained in boxes 66-75.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled Newspapers.  The series is comprised of copies of The Connection a newspaper from Reston.   The Connection, the local newspaper has articles mostly about local events.  For example there are articles about Reston Association elections, local residents and also the Washington Redskins.  There are additional copies in series ten.  The series is dated from 1981 to 1996 and is contained in boxes 76 to 106.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries nine is titled Media and is divided into five subseries.  The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities.  The series is dated from 1960 to 2004 and contained in boxes 107-232.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries ten is titled General Information.  The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.  The series is dated from 1960 to 2005 and is contained in boxes 233-246.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eleven is titled Oversize.  This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.  The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases.\n\u003c/p\u003e\n    ","\u003cp\u003eThe information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.\n\u003c/p\u003e\n        ","\u003cp\u003eThe subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston. \n\u003c/p\u003e\n          ","\u003cp\u003e2.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.54\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.03\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e499D.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.9\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.\n\u003c/p\u003e\n          ","\u003cp\u003e5.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e74.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e74.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e74.3\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.\n\u003c/p\u003e\n          ","\u003cp\u003e5.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.50\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.29\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.31\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.64\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.53\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries has reports relating to projects in Reston.  The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.\n\u003c/p\u003e\n          ","\u003cp\u003e12.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e7.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.52\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e543.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.7\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.\n\u003c/p\u003e\n          ","\u003cp\u003e3.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.2\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post.  Some of the documents are a complete copy of the publication, other documents are only articles from the publications.\n\u003c/p\u003e\n          ","\u003cp\u003e10.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.30\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.29\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.22\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.31\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.26\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.42\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.21\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e416.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.21\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.22\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.26\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.43\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.44\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.45\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.41\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.40\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.28\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e514.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.38\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.47\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.21\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.22\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e458.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.32\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e10.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.12\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries has information pertaining to the marketing of different facilities in Reston.  For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.\n\u003c/p\u003e\n          ","\u003cp\u003e480.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.03\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.44\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.40\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.26\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.37\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.19\n\t\u003c/p\u003e\n            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       ","\u003cp\u003e461.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e9.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.35\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.47\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.12\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries is comprised of material from a scrapbook related to Reston.  The documents are photographs, articles and other paperwork.  The material is in the original order that it was in the scrapbook.\n\u003c/p\u003e\n          ","\u003cp\u003e497A.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.03\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e497A.16\n\t\u003c/p\u003e\n            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","\u003cp\u003e499G.43\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.44\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.45\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.46\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.47\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.48\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.49\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.50\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.51\n\t\u003c/p\u003e\n            ","\u003cp\u003e499G.52\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.03 and 497D.37\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.04 and 497D.01\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.05 and 497D.02\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.06 and 497D.03\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.07 and 497D.04\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.08 and 497D.05\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.09 and 497D.06\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.10 and 497D.07\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.13 and 497D.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.14 and 497D.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.15 and 497D.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.16 and 497D.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.17 and 497D.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.18 and 497D.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.19 and 497D.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.20 and 497D.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.21 and 497D.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.22 and 497D.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.23 and 497D.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.24 and 497D.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.25 and 497D.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.26 and 497D.21\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.27 and 497D.22\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.28 and 497D.23\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.29 and 497D.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.30 and 497D.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.31 and 497D.26\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.32 and 497D.27\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.33 and 497D.28\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.34 and 497D.30\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.35 and 497D.29\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.36 and 497D.31\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.37 and 497D.34\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.38 and 497D.35\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.39 and 497D.32\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.40 and 497D.33\n\t\u003c/p\u003e\n            ","\u003cp\u003e497B.41 and 497D.36\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe final subseries is general information from Reston.  Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.\n\u003c/p\u003e\n          ","\u003cp\u003e480.39\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.29\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.51\n\t\u003c/p\u003e\n            ","\u003cp\u003e14.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e14.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.46\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e247.28\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.46\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.24\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e5.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e3.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e4.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e12.14\n\t\u003c/p\u003e\n            ","\u003cp\u003e461.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.42\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e477.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e6.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e13.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.30\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e648.32\n\t\u003c/p\u003e\n            ","\u003cp\u003e647.43\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e643\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e481.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e15.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e533.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e19.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e18.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.33\n\t\u003c/p\u003e\n            ","\u003cp\u003e14.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e16.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e1.32\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.31\n\t\u003c/p\u003e\n            ","\u003cp\u003e544.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e14.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e522.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e480.30\n\t\u003c/p\u003e\n            ","\u003cp\u003e500.10\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.\n\u003c/p\u003e\n        ","\u003cp\u003e493.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e487.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e487.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e72.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e72.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e72.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e72.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e73.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e420.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e493.2\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.\n\u003c/p\u003e\n        ","\u003cp\u003e491.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.36\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.37\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.35\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e545.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e545.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e545.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e13.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e422.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.34\n\t\u003c/p\u003e\n          ","\u003cp\u003e422.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e422.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.33\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e468.01 and 468.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.3\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.\n\u003c/p\u003e\n        ","\u003cp\u003e491.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.65\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.04\n\t\u003c/p\u003e\n          ","\u003cp\u003e545.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e492.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e19.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e496.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e420.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e543.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e420.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e495.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e491.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.06\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe series is small and contains the meeting minutes and other information from the board that created the planned community archive.\n\u003c/p\u003e\n        ","\u003cp\u003e1A.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e1A.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.01\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.01\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e78.9\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe series has promotional material from different planned communities such as pamphlets, flyers, articles and others.\n\u003c/p\u003e\n        ","\u003cp\u003e488.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e489.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e423.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e548.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e548.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e548.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e548.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.66\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.\n\u003c/p\u003e\n        ","\u003cp\u003eSeries eight is titled Newspapers.  The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier.  All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.  The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.\n\u003c/p\u003e\n        ","\u003cp\u003eSubseries 8.1: The Reston Connection, 1981-1995, 2004\nThe Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams. \n\u003c/p\u003e\n          ","\u003cp\u003eSubseries 8.2: The Reston Times\nThe Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.\n\u003c/p\u003e\n          ","\u003cp\u003eSubseries 8.3: The Reston Observer\nThe Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everbody Reads.\"\n\u003c/p\u003e\n          ","\u003cp\u003eSubseries 8.4: The Reston Flier\nThe Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.\n\u003c/p\u003e\n          ","\u003cp\u003e The series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.\n\u003c/p\u003e\n        ","\u003cp\u003eThe subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community. \n\u003c/p\u003e\n          ","\u003cp\u003e460.48\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.49\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.50\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.51\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.52\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.44\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.45\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.46\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.47\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.40\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.25\n\t\u003c/p\u003e\n            ","\u003cp\u003e11.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.53\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.19\n\t\u003c/p\u003e\n            ","\u003cp\u003e460.20\n\t\u003c/p\u003e\n            ","\u003cp\u003e451.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e451.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e451.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e451.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e11.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e11.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e11.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e2.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.34\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.33\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.08\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.09\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.13\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.15\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.16\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.17\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.18\n\t\u003c/p\u003e\n            ","\u003cp\u003e645.19\n\t\u003c/p\u003e\n            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","\u003cp\u003e628\n\t\u003c/p\u003e\n            ","\u003cp\u003e629\n\t\u003c/p\u003e\n            ","\u003cp\u003e630\n\t\u003c/p\u003e\n            ","\u003cp\u003e631\n\t\u003c/p\u003e\n            ","\u003cp\u003e632\n\t\u003c/p\u003e\n            ","\u003cp\u003e633\n\t\u003c/p\u003e\n            ","\u003cp\u003e634\n\t\u003c/p\u003e\n            ","\u003cp\u003e635\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e636\n\t\u003c/p\u003e\n            ","\u003cp\u003e637\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.\n\u003c/p\u003e\n          ","\u003cp\u003e14.2\n\t\u003c/p\u003e\n            ","\u003cp\u003eThis is a small subseries contained of negatives of various views from around Reston.\n\u003c/p\u003e\n          ","\u003cp\u003eThe subseries contains programs about planned communities.  The majority of the videos are interviews from WETA.  The videotapes include interviews with Robert Simon, Martha Pennino and others.  There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\".  There are additional WETA videotapes in series 11. \n\u003c/p\u003e\n          ","\u003cp\u003e26.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e26.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.7\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.8\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.9\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.10\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.11\n\t\u003c/p\u003e\n            ","\u003cp\u003e27.12\n\t\u003c/p\u003e\n            ","\u003cp\u003e49.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e49.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e49.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e49.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e38.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e39.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e41.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e38.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e40.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e40.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e39.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e39.3\n\t\u003c/p\u003e\n            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","\u003cp\u003e30.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e48.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e48.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e48.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e48.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e50.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e41.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e37.6\n\t\u003c/p\u003e\n            ","\u003cp\u003e38.1\n\t\u003c/p\u003e\n            ","\u003cp\u003e38.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.2\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.3\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.4\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.5\n\t\u003c/p\u003e\n            ","\u003cp\u003e36.6\n\t\u003c/p\u003e\n            ","\u003cp\u003eThe information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.\n\u003c/p\u003e\n        ","\u003cp\u003e494.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e490.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e645.67\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e547.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e546.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e488.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e532.3a\n\t\u003c/p\u003e\n          ","\u003cp\u003e532.3b\n\t\u003c/p\u003e\n          ","\u003cp\u003e532.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e494.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e617\n\t\u003c/p\u003e\n          ","\u003cp\u003e421.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.07\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.\n\u003c/p\u003e\n        ","\u003cp\u003e458\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e11.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e76\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e79\n\t\u003c/p\u003e\n          ","\u003cp\u003e19\n\t\u003c/p\u003e\n          ","\u003cp\u003e472\n\t\u003c/p\u003e\n          ","\u003cp\u003e398\n\t\u003c/p\u003e\n          ","\u003cp\u003e75\n\t\u003c/p\u003e\n          ","\u003cp\u003e75\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many ammenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many ammenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of treeage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industryal Land sales newsletters in this binder.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes insprations for the Town Center such as Rossyln and Balston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s.\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints.","Series one is titled Reston and is divided into nine subseries.  The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.  There is additional Reston information in series nine, ten and eleven.  The series is dated from 1961-2006 and is contained in boxes 1-42.","Series two is titled United States Planned Communities.  The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.  The series dated from 1970 to 1996 and is contained in boxes 42-53.","Series three is titled International Planned Communities.  The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.   The series is dated from 1960 to 1990 and is contained in boxes 53-56.","Series four is titled Reports.  The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.  The series is dated from 1965 to 2001 and is contained in boxes 56-61.","Series five is titled Planed Community Archive Board.  The series is small and contains the meeting minutes and other information from the board that created the planned community archive.  The series dated from 1985 to 2001 and is contained in boxes 61-64.","Series six is titled Promotional Material.  The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.  The series dated from 1966 to 1990 and is contained in boxes 64-66.","Series seven is titled Brochures.  The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.  The series dated in the 1990s and is contained in boxes 66-75.","Series eight is titled Newspapers.  The series is comprised of copies of The Connection a newspaper from Reston.   The Connection, the local newspaper has articles mostly about local events.  For example there are articles about Reston Association elections, local residents and also the Washington Redskins.  There are additional copies in series ten.  The series is dated from 1981 to 1996 and is contained in boxes 76 to 106.","Series nine is titled Media and is divided into five subseries.  The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities.  The series is dated from 1960 to 2004 and contained in boxes 107-232.","Series ten is titled General Information.  The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.  The series is dated from 1960 to 2005 and is contained in boxes 233-246.","Series eleven is titled Oversize.  This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.  The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases.","The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information.  All of the information relates to the community of Reston in Virginia.","The subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston.","2.10","19.11","3.3","7.2","5.3","5.2","5.1","5.4","5.5","5.7","5.6","6.2","6.3","7.1","7.3","7.7","1.12","480.54","1.13","13.8","477.10","499D.01","499D.02","499D.03","499D.04","499D.05","499D.06","499D.07","15.1","2.3","2.7","2.9","The information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.","5.11","5.13","3.14","3.15","4.7","16.6","5.9","13.7","1.3","74.1","74.2","74.3","The plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.","5.14","7.4","6.5","6.6","16.7","480.50","1.1","2.4","2.5","461.29","645.06","19.15","4.1","1.31","645.64","15.2","15.3","3.6","1.2","5.8","19.6","480.53","The subseries has reports relating to projects in Reston.  The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.","12.15","4.4","12.4","12.5","12.6","12.7","12.8","12.9","1.6","1.5","18.3","4.3","2.11","2.12","2.8","3.5","18.6","3.7","4.14","4.13","6.1","2.6","7.5","7.6","3.4","18.4","480.20","1.3","480.52","15.5","1.7","3.1","480.2","12.3","13.5","543.8","19.5","19.7","The information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.","3.8","2.2","2.1","4.10","3.13","3.2","The subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post.  Some of the documents are a complete copy of the publication, other documents are only articles from the publications.","10.9","12.2","9.12","10.27","247.30","648.15","10.24","648.06","10.11","19.8","1.1","10.10","10.8","648.24","13.4","10.18","648.11","10.16","647.08","10.5","648.23","247.29","648.16","648.18","648.08","19.2","2.10","13.3","13.2","10.1","647.07","647.06","461.14","19.9","477.1","5.12","18.8","10.12","648.20","648.22","10.3","648.05","461.12","247.31","10.14","18.2","18.1","1.14","10.2","10.25","648.02","648.26","648.17","648.04","480.42","15.6","10.21","10.7","648.14","10.15","10.17","648.09","648.10","647.11","10.6","648.27","416.17","19.1","1.19","1.20","1.21","1.22","1.23","1.24","1.25","1.26","1.27","480.19","480.43","480.44","480.45","480.41","480.40","13.1","648.28","12.1","514.1","514.2","514.3","514.4","514.5","514.6","514.7","514.8","514.9","514.10","480.6","480.9","480.38","480.47","18.9","18.11","10.13","648.21","10.22","648.19","648.25","648.13","648.07","648.05","10.20","480.16","647.09","458.3","10.23","648.32","10.19","10.4","648.12","The subseries has information pertaining to the marketing of different facilities in Reston.  For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.","480.4","461.24","9.27","647.04","647.03","647.08","647.44","477.2","647.40","461.20","533.7","9.26","461.18","247.37","9.7","9.19","9.17","9.14","9.5","19.14","477.4","544.5","480.21","247.27","647.02","247.40","9.4","247.09","533.6","647.45","9.9","9.15","9.21","9.10","9.11","19.16","461.28","9.2","480.48","9.24","461.26","477.15","422.4","461.10","461.21","461.5","461.6","9.13","647.10","461.27","461.7","477.12","9.16","477.6","460.53","645.03","480.15","461.8","480.8","9.25","480.22","461.30","9.20","461.23","461.1","9.3","461.2","461.3","461.4","19.13","477.13","461.25","247.10","247.11","247.12","247.13","247.14","247.15","247.16","247.17","247.18","247.19","247.20","247.21","247.22","247.23","247.24","247.25","247.26","247.34","247.39","247.38","647.41","647.05","247.32","247.33","461.9","9.1","477.5","9.18","9.8","4.12","4.11","9.23","648.01","9.22","461.22","247.36","461.11","461.13","9.6","480.23","480.27","247.35","19.10","480.3","647.01","480.5","18.10","1.7","19.4","647.47","18.12","The subseries is comprised of material from a scrapbook related to Reston.  The documents are photographs, articles and other paperwork.  The material is in the original order that it was in the scrapbook.","497A.01","497A.02","497A.03","497A.04","497A.05","497A.06","497A.07","497A.08","497A.09","497A.10","497A.11","497A.12","497A.13","497A.14","497A.15","497A.16","497A.17","497A.18","497A.18","497A.19","497A.20","497A.21","497A.22","497A.23","497A.24","497A.25","497A.26","497A.27","497A.28","497A.29","497A.30","497A.32","497A.33","497A.33","497A.34","497A.35","497A.36","497A.37","497A.39","497A.39","497C.01","497C.02","497C.03","497C.04","497C.05","497C.06","497C.07","497C.08","497C.09","497C.10","497C.11","497e.01","497e.02","497e.02","497e.04","497e.05","497e.06","497e.07","497e.08","497e.09","497e.10","497e.11","497e.12","497e.13","497e.14","497e.15","497e.16","497f.01","497f.02","497f.03","497f.04","497f.05","497f.06","497f.07","497f.08","497f.09","497f.10","497f.11","497f.12","497f.13","497f.14","497f.15","497f.16","497f.17","497f.18","497f.19","497f.20","497f.21","497f.22","497f.23","497f.24","497f.25","497f.26","497f.27","497f.28","497f.29","497f.30","497f.31","497f.32","497f.33","497f.34","497f.35","497f.36","497f.37","497f.38","497f.39","497f.40","497f.41","497f.42","497f.43","497f.44","497f.45","497f.46","497f.47","497f.48","497f.49","497f.50","497f.51","497f.52","497f.53","497f.54","497f.55","497f.56","497f.57","497f.58","497f.59","497f.60","497f.61","497f.62","497f.63","497f.64","497f.65","497f.66","497f.67","497f.68","497f.69","497f.70","497f.71","497f.72","497f.73","497f.74","497f.75","497f.76","497f.77","497f.78","497f.79","497f.80","497f.81","497f.82","497f.83","497f.84","497f.85","497f.86","497f.87","498A.01","498A.02","498A.03","498A.04","498A.05","498A.06","498A.07","498A.08","498A.09","498A.10","498A.11","498A.12","498A.13","498A.14","498A.15","498A.16","498A.17","498A.18","498B.01","498B.02","498B.03","498B.04","498B.05","498B.06","498B.07","498B.08","498B.09","498B.10","498B.11","498B.12","498B.13","498B.14","498B.15","498B.16","498B.17","498B.18","498B.19","498B.20","498B.21","498B.22","498B.23","498B.24","498B.25","498B.26","498B.27","498B.28","498B.29","498B.30","498B.31","498B.32","498B.33","498B.34","498B.35","498B.36","498B.37","498B.38","498B.39","498B.40","498B.41","498B.42","498B.43","498B.44","498B.45","498B.46","498B.47","498B.48","498B.49","498B.50","498B.51","498B.52","498B.53","498B.54","498B.55","498B.56","498B.57","498B.58","498B.59","498B.60","498B.61","498B.62","498B.63","498B.64","498B.65","498B.66","498B.67","498B.68","498B.69","498B.70","498B.71","498B.72","498B.73","498B.74","498B.75","498B.76","498B.77","498B.78","498B.79","498B.80","498B.81","498B.82","498B.83","498B.84","498B.85","498B.86","498B.87","498B.88","498B.89","498B.90","498B.91","498B.92","498B.93","498C.01","498C.02","498C.03","498C.04","498C.05","498C.06","498C.07","498C.08","498C.09","498C.10","498C.11","498C.12","498C.13","498C.14","498C.15","498C.16","498C.17","498C.18","498C.19","498C.21","498C.22","498C.23","498C.24","498C.25","498C.26","498C.27","498C.28","498C.29","498C.30","498C.31","498C.32","498C.33","498C.34","498C.35","498C.36","498C.37","498C.38","498C.39","498C.40","498C.41","498C.42","498C.43","498C.44","498C.45","498C.46","498D.01","498D.03","498D.04","498D.05","498D.06","498D.07","498D.08","498D.09","498D.10","498D.11","498D.12","498D.13","498D.14","498D.15","498D.16","498D.017","498D.19","498D.20","498D.21","498D.22","498D.23","498D.24","498D.25","498D.26","498D.27","498D.28","498D.29","498E.01","498E.02","498E.03","498E.04","498E.05","498E.06","498E.07","498E.08","498E.09","498E.10","498E.11","498E.12","498E.13","498E.14","498E.15","498E.16","498E.17","498E.18","498E.19","498E.20","498E.21","498E.22","498E.23","498E.24","498E.25","498E.26","498E.27","498E.28","498E.29","498E.30","498E.31","498E.32","498E.33","498E.34","498E.35","498E.36","498E.37","498E.38","498E.39","498E.40","498E.41","498E.42","498E.43","498E.44","498E.45","498E.46","498E.46","498E.47","498E.48","498E.49","498E.50","498E.51","498E.52","498E.53","498E.54","498E.53","498E.56","498E.57","498E.59","498F.01","498F.02","498F.03","498F.04","498F.05","498F.06","498F.07","498F.08","498F.09","498F.10","498F.11","498F.12","498F.13","498F.14","498F.15","498F.16","498F.17","498F.18","498F.19","498F.20","498F.21","498F.22","498F.23","498F.24","498F.25","498F.26","498F.27","498F.28","498F.29","498F.30","498F.31","498F.32","498F.33","498F.34","498F.35","498F.36","498F.37","498F.38","498F.39","498F.40","498F.41","498F.42","498F.43","498F.44","498F.45","498F.46","498F.47","498F.48","498F.49","498F.50","498F.51","498F.52","498F.53","498F.54","498F.55","498F.56","498F.57","498F.58","498F.59","498F.60","498F.61","498F.62","498F.63","498F.64","498F.65","498F.66","498F.67","498F.68","498F.69","498F.70","498F.71","498F.72","498F.73","498F.74","498F.75","498G.01","498G.02","498G.03","498G.04","498G.05","498G.06","498G.07","498G.08","498G.09","498G.10","498G.11","498G.12","498G.13","498G.14","498G.15","498G.16","498G.17","498G.18","498G.19","498G.20","498G.21","498G.22","498G.23","498G.24","498G.25","498G.26","498G.27","498G.28","498G.29","498G.30","499A.01","499A.02","499A.03","499A.04","499A.05","499A.06","499A.07","499A.08","499A.09","499A.10","499A.11","499A.12","499A.13","499A.14","499A.15","499A.16","499A.17","499A.18","499A.19","499A.20","499A.21","499A.22","499A.23","499A.24","499A.25","499A.26","499A.27","499A.28","499A.29","499A.30","499A.31","499A.36","499A.37","499A.38","499A.39","499A.32","499A.33","499A.34","499A.35","499A.40","499A.41","499A.42","499A.43","499A.44","499A.45","499A.46","499A.47","499B.01","499B.02","499B.03","499B.04","499B.05","499B.06","499B.07","499B.08","499B.09","499B.10","499B.11","499B.12","499B.13","499B.14","499B.15","499B.16","499B.17","499B.18","499B.19","499B.20","499B.21","499B.22","499B.23","499B.24","499B.25","499B.10","499B.27","499B.28","499B.29","499B.30","499B.31","499B.32","499B.33","499B.34","499B.35","499B.36","499B.37","499B.38","499B.39","499B.40","499B.41","499B.42","499B.43","499B.44","499B.45","499B.46","499B.47","499B.48","499B.49","499B.50","499B.51","499B.52","499B.53","499C.01","499C.02","499C.03","499C.01","499C.05","499C.06","499E.01","499E.02","499E.03","499E.04","499E.05","499E.06","499E.07","499E.08","499E.09","499E.10","499E.11","499E.12","499E.13","499E.14","499E.15","499E.16","499E.17","499E.18","499E.19","499E.20","499E.21","499E.22","499E.23","499E.24","499E.25","499E.26","499E.27","499E.28","499E.29","499E.30","499E.31","499E.32","499E.33","499E.34","499E.35","499E.36","499E.37","499E.38","499E.39","499E.40","499E.41","499E.42","499E.43","499E.44","499E.45","499E.46","499E.47","499E.48","499E.49","499E.50","499E.51","499E.52","499E.53","499E.54","499E.55","499E.56","499E.57","499E.58","499E.59","499E.60","499E.61","499E.62","499E.63","499E.64","499E.65","499E.66","499E.67","499E.68","499E.69","499E.70","499E.71","499E.72","499E.73","499E.74","499E.75","499E.76","499E.77","499E.78","499E.79","499E.80","499E.81","499E.82","499E.83","499E.84","499E.85","499E.86","499E.87","499E.88","499E.89","499E.90","499E.91","499E.92","499E.93","499E.94","499E.95","499E.96","499E.97","499E.98","499E.99","499E.100","499E.101","499E.102","499E.103","499E.104","499E.105","499E.106","499E.107","499E.108","499E.109","499E.110","499E.111","499E.112","499E.113","499E.114","499E.115","499E.116","499E.117","499E.118","499E.119","499E.120","499E.121","499E.122","499E.123","499E.124","499E.125","499E.126","499F.01","499F.02","499F.03","499F.04","499F.05","499F.06","499F.07","499F.08","499F.09","499F.10","499F.11","499F.12","499F.13","499F.14","499F.15","499G.01","499G.02","499G.03","499G.04","499G.05","499G.06","499G.07","499G.08","499G.09","499G.10","499G.11","499G.12","499G.13","499G.14","499G.15","499G.16","499G.17","499G.18","499G.19","499G.20","499G.21","499G.22","499G.23","499G.24","499G.25","499G.26","499G.27","499G.28","499G.29","499G.30","499G.31","499G.32","499G.33","499G.34","499G.35","499G.36","499G.37","499G.38","499G.39","499G.40","499G.41","499G.42","499G.43","499G.44","499G.45","499G.46","499G.47","499G.48","499G.49","499G.50","499G.51","499G.52","497B.01","497B.02","497B.03 and 497D.37","497B.04 and 497D.01","497B.05 and 497D.02","497B.06 and 497D.03","497B.07 and 497D.04","497B.08 and 497D.05","497B.09 and 497D.06","497B.10 and 497D.07","497B.11","497B.12","497B.13 and 497D.08","497B.14 and 497D.09","497B.15 and 497D.10","497B.16 and 497D.11","497B.17 and 497D.12","497B.18 and 497D.13","497B.19 and 497D.14","497B.20 and 497D.15","497B.21 and 497D.16","497B.22 and 497D.17","497B.23 and 497D.18","497B.24 and 497D.19","497B.25 and 497D.20","497B.26 and 497D.21","497B.27 and 497D.22","497B.28 and 497D.23","497B.29 and 497D.24","497B.30 and 497D.25","497B.31 and 497D.26","497B.32 and 497D.27","497B.33 and 497D.28","497B.34 and 497D.30","497B.35 and 497D.29","497B.36 and 497D.31","497B.37 and 497D.34","497B.38 and 497D.35","497B.39 and 497D.32","497B.40 and 497D.33","497B.41 and 497D.36","The final subseries is general information from Reston.  Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.","480.39","480.10","480.29","477.9","480.51","14.3","14.4","480.25","647.46","477.4","477.8","247.28","480.46","477.3","480.14","480.18","480.24","500.1","5.10","3.9","3.11","3.12","3.10","4.8","4.5","4.6","4.2","12.14","461.15","647.42","533.5","477.7","6.4","13.6","1.30","1.2","500.2","648.32","647.43","643","643","643","643","643","643","643","643","643","643","643","643","643","643","643","15.4","500.4","481.1","481.2","481.2","481.2","481.3","481.3","481.3","481.4","16.5","15.7","15.3","480.11","480.13","533.4","16.2","16.1","16.3","533.3","533.1","533.2","522.7","522.8","19.12","480.12","18.7","1.33","14.6","16.4","522.1","522.2","522.3","1.32","500.9","480.31","544.8","522.4","522.5","14.5","522.6","480.17","480.30","500.10","The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others.  The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.","493.7","493.6","487.1","487.2","543.8","544.15","547.2","547.3","547.5","546.2","543.4","543.3","543.2","543.1","72.4","72.3","72.2","72.1","491.1","73.5","73.6","73.4","73.1","73.2","73.3","421.3","500.3","492.11","493.4","493.11","493.10","493.9","492.9","492.17","492.10","544.12","1.1","1.3","1.5","543.5","488.16","421.8","492.16","493.3","493.8","488.13","490.2","420.7","492.12","489.10","493.1","493.5","492.15","492.14","1.6","488.14","493.2","The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others.  The materials are mostly promotional from the communities and other information regarding the development of the communities.  Some of the material is in the foreign language while others are printed in English.","491.20","491.13","421.6","480.36","480.37","480.35","480.32","545.2","545.3","545.4","546.1","13.10","489.3","491.15","544.9","491.17","422.3","480.34","422.1","495.4","421.4","421.5","422.2","488.8","488.7","492.8","492.1","491.14","492.6","492.5","491.6","488.2","480.33","491.16","468.01 and 468.02","491.11","488.1","492.2","491.18","491.19","491.10","491.9","491.8","491.7","491.12","492.7","492.4","492.3","The documents are reports from and about different communities, relating financial, environmental and other issues.  There are also documents from the Federal government pertaining to the development of the communities.","491.3","645.65","490.1","489.11","649.02","544.6","490.4","490.6","489.5","649.05","490.5","645.02","489.4","494.15","494.13","645.04","545.1","544.11","492.13","19.3","495.8","489.9","489.6","494.1","544.3","495.1","1.2","496.1","420.6","543.7","543.6","544.1","489.7","491.2","494.14","488.18","420.8","2.12","489.8","494.2","495.5","495.6","495.7","495.3","495.2","491.4","495.9","495.10","490.3","488.6","645.05","500.6","491.5","421.1","649.06","The series is small and contains the meeting minutes and other information from the board that created the planned community archive.","1A.1","1A.2","1A.3","1A.4","1A.5","1A.6","1A.7","1A.8","1A.9","1A.10","1A.11","1A.12","1A.13","1A.14","1A.15","1A.16","1A.17","1A.18","1A.19","78.4","78.5","78.3","78.12","78.10","645.01","78.6","78.11","2.9","649.01","78.8","78.7","2.7","2.8","2.11","2.15","2.14","2.13","78.1","78.2","78.9","The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.","488.4","488.3","489.2","489.1","547.1","2.16","423.1","548.1","548.2","548.3","548.4","488.5","544.13","645.66","The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.","Series eight is titled Newspapers.  The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier.  All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.  The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.","Subseries 8.1: The Reston Connection, 1981-1995, 2004\nThe Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.","Subseries 8.2: The Reston Times\nThe Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.","Subseries 8.3: The Reston Observer\nThe Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everbody Reads.\"","Subseries 8.4: The Reston Flier\nThe Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.","The series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.","The subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community.","460.48","460.49","460.50","460.51","460.52","460.44","460.45","460.46","460.47","460.40","460.16","460.17","460.10","460.8","460.18","460.11","645.25","11.11","645.53","460.19","460.20","451.4","451.3","451.2","451.1","11.8","11.10","11.9","2.6","645.34","645.33","645.08","645.09","645.10","645.11","645.12","645.13","645.15","645.16","645.17","645.18","645.19","645.20","645.21","645.22","645.23","645.24","645.26","645.27","645.28","645.29","645.30","645.31","645.32","645.45","645.46","645.47","645.48","645.49","645.50","645.51","645.55","645.56","645.57","645.58","645.59","645.61","645.62","645.63","645.60","461.19","645.14","11.1","460.1","460.12","460.13","645.52","460.9","460.39","460.38","460.42","460.43","460.41","460.4","460.3","480.1","645.54","460.37","460.26","460.27","460.28","460.29","460.30","460.31","460.32","460.33","460.34","460.35","460.36","460.22","460.23","460.24","460.25","460.21","460.14","460.15","460.6","460.7","460.2","460.5","645.07","The subseries is comprised mostly of residential views of Reston, such as apartment buildings, Dulles airport, shopping centers and other places around Reston.","647.39","549","550","550","550","550","550","550","550","551","552","552","552","552","552","553","553","553","554","554","554","554","554","554","554","554","554","555","555","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","557","557","557","557","557","557","557","557","558","559","559","559","559","559","559","560","560","560","560","560","561","562","562","562","562","563","564","565","566","567","567","567","568","569","569","570","571","571","571","572","573","574","574","574","574","574","575","575","575","575","575","575","575","575","575","575","576","577","577","577","577","578","579","580","581","581","581","581","581","581","581","581","581","582","583","584","584","584","584","584","584","584","584","584","585","586","587","588","588","588","588","588","588","588","588","588","589","590","591","591","592","593","594","595","596","597","597","597","597","597","597","597","597","597","597","597","597","598","599","600","601","601","601","602","602","602","602","602","602","602","602","602","602","603","604","605","606","606","606","607","608","609","610","610","610","611","612","613","614","615","616","618","619","621","622","622","622","623","623","624","625","625","626","627","628","629","630","631","632","633","634","635","636","636","636","636","636","636","636","636","637","The subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.","14.2","This is a small subseries contained of negatives of various views from around Reston.","The subseries contains programs about planned communities.  The majority of the videos are interviews from WETA.  The videotapes include interviews with Robert Simon, Martha Pennino and others.  There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\".  There are additional WETA videotapes in series 11.","26.1","26.2","26.3","26.4","26.5","26.6","26.7","26.8","26.9","26.10","26.11","26.12","27.1","27.2","27.3","27.4","27.5","27.6","27.7","27.8","27.9","27.10","27.11","27.12","49.2","49.3","49.4","49.4","38.6","39.1","41.1","38.5","40.1","40.2","39.2","39.3","39.3","39.3","41.5","44.2","30.2","30.4","30.5","47.2","42.1","42.1","44.6","44.7","48.5","48.6","45.2","49.1","45.3","43.3","43.4","43.5","43.6","39.4","45.4","45.5","45.6","46.1","47.4","47.5","50.1","47.3","47","37.5","29.4","29.5","49.6","47.1","47.1","44.3","44.4","44.3","35.6","36.1","35.1","35.2","35.3","35.4","35.5","43.1","33.5","33.6","29.3","28.3","34.1","34.2","42.2","46.3","46.4","46.5","31.3","32.4","32.5","32.6","33.1","33.2","33.3","33.4","37.1","37.2","37.3","28.6","29.1","29.2","31.4","40.5","40.6","43.2","34.4","34.5","32.3","32.3","40.4","41.4","38.3","38.4","31.5","31.6","32.1","32.2","32","44.1","28.4","28.5","31.1","29.6","30.1","30.2","48.4","48.1","48.2","48.3","50.2","50.6","50.3","50.4","50.5","41.3","37.6","38.1","38.2","36.2","36.3","36.4","36.5","36.6","The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.","494.11","494.10","494.12","490.7","488.11","488.17","544.14","488.10","546.3","2.1","645.67","494.9","494.7","494.3","488.12","494.16","488.9","544.2","547.4","544.4","546.4","546.5","500.8","500.7","494.8","494.4","494.6","421.2","544.7","488.15","532.3a","532.3b","532.2","494.5","617","421.7","1.10","1.9","1.6","1.4","1.8","1.2","1.5","1.3","1.1","1.07","This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others.  The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.","458","11.2","11.3","11.4","11.5","11.6","11.7","76","76","76","76","76","76","76","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","19","472","398","75","75","This binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many ammenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"","This binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many ammenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.","This binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of treeage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industryal Land sales newsletters in this binder.","This binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.","This binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes insprations for the Town Center such as Rossyln and Balston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.","This binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.","This binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.","This binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints.  The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well.  The collection includes, correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints.  The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Planned Community Archives, Inc."],"persname_ssim":["Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William."],"names_ssim":["George Mason University. Special Collections and Archives.","Planned Community Archives, Inc.","Simon, Robert E. (Robert Edward), 1914-","Pennino, Martha, 1918-2004.","Nicoson, William."],"language_ssim":["English"],"total_component_count_is":5210,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:20.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00006"}},{"id":"vifgm_pwso","type":"collection","attributes":{"title":"Prince William Symphony Orchestra records, 1974/2009","creator":{"id":"https://arvasarchive.org/catalog/vifgm_pwso#creator","type":"document_value","attributes":{"value":"Prince William Symphony Orchestra.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_pwso#abstract_or_scope","type":"document_value","attributes":{"value":"The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_pwso#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_pwso","ead_ssi":"vifgm_pwso","_root_":"vifgm_pwso","_nest_parent_":"vifgm_pwso","ead_source_url_ssi":"data/gmu/pwso.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/pwso.html","title_ssm":["Prince William Symphony Orchestra records"],"title_tesim":["Prince William Symphony Orchestra records"],"unitdate_ssm":["1974-2009"],"unitdate_inclusive_ssm":["1974-2009"],"normalized_date_ssm":["1974/2009"],"normalized_title_ssm":["Prince William Symphony Orchestra records, 1974/2009"],"text":["Prince William Symphony Orchestra records, 1974/2009","C0252","Symphony orchestras--United States--Virginia--Prince William County.","Photographic prints.","There are no access restrictions.","This collection is divided into 5 series.","Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\n        Series 2: Programs, 1974-2009 (Boxes 7-10)\n        Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\n        Series 4: Photographs, 1980s-1990s (Boxes 17-18)\n        Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)","The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.","Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015.","Special Collections and Archives also holds many other collections on music, theater, and the performing arts.","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.","1 of 2","2 of 2","The information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.","The materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.","The photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.","1 of 2","2 of 2","1 of 3","2 of 3","3 of 3","1 of 2","2 of 2","This series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities.","There are no restrictions on personal use. Permission to publish material from the Prince William Symphony Orchestra Records must be obtained from Special Collections and Archives, George Mason University Libraries.","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra.","English"],"collection_title_tesim":["Prince William Symphony Orchestra records, 1974/2009"],"collection_ssim":["Prince William Symphony Orchestra records, 1974/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0252"],"unitid_tesim":["C0252"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prince William Symphony Orchestra."],"creator_ssim":["Prince William Symphony Orchestra."],"creator_corpname_ssim":["George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra."],"creators_ssim":["George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Prince William Symphony Orchestra Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Sarah Nucci on November 10, 2014."],"access_subjects_ssim":["Symphony orchestras--United States--Virginia--Prince William County.","Photographic prints."],"access_subjects_ssm":["Symphony orchestras--United States--Virginia--Prince William County.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["10.5 linear feet (19 boxes)"],"extent_tesim":["10.5 linear feet (19 boxes)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 5 series.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Programs, 1974-2009 (Boxes 7-10)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1980s-1990s (Boxes 17-18)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Awards, certificates, and plaques, 2000-2004 (Box 19)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 5 series.","Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\n        Series 2: Programs, 1974-2009 (Boxes 7-10)\n        Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\n        Series 4: Photographs, 1980s-1990s (Boxes 17-18)\n        Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)"],"bioghist_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing."],"prefercite_html_tesm":["\u003cp\u003ePrince William Symphony Orchestra Records, C0252, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Prince William Symphony Orchestra Records, C0252, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other collections on music, theater, and the performing arts.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other collections on music, theater, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.\u003c/p\u003e\n    ","\u003cp\u003eThe information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e1 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e2 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.\u003c/p\u003e\n        ","\u003cp\u003e1 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e2 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e1 of 3\n\u003c/p\u003e\n          ","\u003cp\u003e2 of 3\n\u003c/p\u003e\n          ","\u003cp\u003e3 of 3\n\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e1 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e2 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.","1 of 2","2 of 2","The information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.","The materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.","The photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.","1 of 2","2 of 2","1 of 3","2 of 3","3 of 3","1 of 2","2 of 2","This series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Prince William Symphony Orchestra Records must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Prince William Symphony Orchestra Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref11\" label=\"Abstract\"\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques."],"corpname_ssim":["George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra."],"names_ssim":["George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_pwso","ead_ssi":"vifgm_pwso","_root_":"vifgm_pwso","_nest_parent_":"vifgm_pwso","ead_source_url_ssi":"data/gmu/pwso.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/pwso.html","title_ssm":["Prince William Symphony Orchestra records"],"title_tesim":["Prince William Symphony Orchestra records"],"unitdate_ssm":["1974-2009"],"unitdate_inclusive_ssm":["1974-2009"],"normalized_date_ssm":["1974/2009"],"normalized_title_ssm":["Prince William Symphony Orchestra records, 1974/2009"],"text":["Prince William Symphony Orchestra records, 1974/2009","C0252","Symphony orchestras--United States--Virginia--Prince William County.","Photographic prints.","There are no access restrictions.","This collection is divided into 5 series.","Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\n        Series 2: Programs, 1974-2009 (Boxes 7-10)\n        Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\n        Series 4: Photographs, 1980s-1990s (Boxes 17-18)\n        Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)","The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.","Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015.","Special Collections and Archives also holds many other collections on music, theater, and the performing arts.","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.","1 of 2","2 of 2","The information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.","The materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.","The photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.","1 of 2","2 of 2","1 of 3","2 of 3","3 of 3","1 of 2","2 of 2","This series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities.","There are no restrictions on personal use. Permission to publish material from the Prince William Symphony Orchestra Records must be obtained from Special Collections and Archives, George Mason University Libraries.","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra.","English"],"collection_title_tesim":["Prince William Symphony Orchestra records, 1974/2009"],"collection_ssim":["Prince William Symphony Orchestra records, 1974/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0252"],"unitid_tesim":["C0252"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prince William Symphony Orchestra."],"creator_ssim":["Prince William Symphony Orchestra."],"creator_corpname_ssim":["George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra."],"creators_ssim":["George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Prince William Symphony Orchestra Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Sarah Nucci on November 10, 2014."],"access_subjects_ssim":["Symphony orchestras--United States--Virginia--Prince William County.","Photographic prints."],"access_subjects_ssm":["Symphony orchestras--United States--Virginia--Prince William County.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["10.5 linear feet (19 boxes)"],"extent_tesim":["10.5 linear feet (19 boxes)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 5 series.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Programs, 1974-2009 (Boxes 7-10)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1980s-1990s (Boxes 17-18)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Awards, certificates, and plaques, 2000-2004 (Box 19)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 5 series.","Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\n        Series 2: Programs, 1974-2009 (Boxes 7-10)\n        Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\n        Series 4: Photographs, 1980s-1990s (Boxes 17-18)\n        Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)"],"bioghist_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing."],"prefercite_html_tesm":["\u003cp\u003ePrince William Symphony Orchestra Records, C0252, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Prince William Symphony Orchestra Records, C0252, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other collections on music, theater, and the performing arts.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other collections on music, theater, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.\u003c/p\u003e\n    ","\u003cp\u003eThe information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e1 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e2 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.\u003c/p\u003e\n        ","\u003cp\u003e1 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e2 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e1 of 3\n\u003c/p\u003e\n          ","\u003cp\u003e2 of 3\n\u003c/p\u003e\n          ","\u003cp\u003e3 of 3\n\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e1 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e2 of 2\n\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.","1 of 2","2 of 2","The information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.","The materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.","The photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.","1 of 2","2 of 2","1 of 3","2 of 3","3 of 3","1 of 2","2 of 2","This series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Prince William Symphony Orchestra Records must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Prince William Symphony Orchestra Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref11\" label=\"Abstract\"\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques."],"corpname_ssim":["George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra."],"names_ssim":["George Mason University. Libraries.Special Collections Research Center","Prince William Symphony Orchestra."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_pwso"}},{"id":"vifgm_lytton","type":"collection","attributes":{"title":"Randolph H. Lytton Historical Virginia collection, 1670/2004","creator":{"id":"https://arvasarchive.org/catalog/vifgm_lytton#creator","type":"document_value","attributes":{"value":"Lytton, Randolph H.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_lytton#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_lytton#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_lytton","ead_ssi":"vifgm_lytton","_root_":"vifgm_lytton","_nest_parent_":"vifgm_lytton","ead_source_url_ssi":"data/gmu/lytton.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lytton.html","title_ssm":["Randolph H. Lytton Historical Virginia collection"],"title_tesim":["Randolph H. Lytton Historical Virginia collection"],"unitdate_ssm":["1670-2004"],"unitdate_other_ssim":["1670-2004"],"normalized_date_ssm":["1670/2004"],"normalized_title_ssm":["Randolph H. Lytton Historical Virginia collection, 1670/2004"],"text":["Randolph H. Lytton Historical Virginia collection, 1670/2004","C0311","Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Tintypes.","There are no access restrictions.","This collection is arranged by subject.","Series 1: Postcards, 1903-1982 (Boxes 1-2)\n\n        Series 2: Civil War Era Materials, 1861-1914  (Boxes 2-5)\n\n        Series 3: George Washington, circa 1700-1960 (Box 5)\n\n        Series 4: Fairfax Family, 1670-1975 (Box 6)\n\n        Series 5: Mixed Media, 1712-2004 (Boxes 7-11)","Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.","Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:","Series 1: Postcards (1903-1982) includes postcards from Virginia.","Series 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs.","Series 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards.","Series 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps.","Series 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications.","This series includes postcards from Virginia.","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications.","There are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004.","George Mason University. Libraries.  Special Collections Research Center.","Lytton, Randolph H.","English"],"collection_title_tesim":["Randolph H. Lytton Historical Virginia collection, 1670/2004"],"collection_ssim":["Randolph H. Lytton Historical Virginia collection, 1670/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0311"],"unitid_tesim":["C0311"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lytton, Randolph H."],"creator_ssim":["Lytton, Randolph H."],"creator_persname_ssim":["Lytton, Randolph H."],"creator_corpname_ssim":["George Mason University. Libraries.  Special Collections Research Center."],"creators_ssim":["Lytton, Randolph H.","George Mason University. Libraries.  Special Collections Research Center."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by George Mason University Emeritus Faculty member Randolph H. Lytton from 2004 to 2015."],"access_subjects_ssim":["Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["15 linear ft. (11 boxes)"],"extent_tesim":["15 linear ft. (11 boxes)"],"date_range_isim":[1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Postcards, 1903-1982 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Civil War Era Materials, 1861-1914  (Boxes 2-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: George Washington, circa 1700-1960 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Fairfax Family, 1670-1975 (Box 6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Mixed Media, 1712-2004 (Boxes 7-11)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series 1: Postcards, 1903-1982 (Boxes 1-2)\n\n        Series 2: Civil War Era Materials, 1861-1914  (Boxes 2-5)\n\n        Series 3: George Washington, circa 1700-1960 (Box 5)\n\n        Series 4: Fairfax Family, 1670-1975 (Box 6)\n\n        Series 5: Mixed Media, 1712-2004 (Boxes 7-11)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Fairfax County Economic Development Authority. https://www.fairfaxcountyeda.org/history-fairfax-county-virginia (Accessed September 6, 2018)\" show=\"new\" href=\"https://www.fairfaxcountyeda.org/history-fairfax-county-virginia\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"City of Fairfax Virginia. https://www.fairfaxva.gov/government/historic-resources/city-history (Accessed September 6, 2018)\" show=\"new\" href=\"https://www.fairfaxva.gov/government/historic-resources/city-history\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003e \nFairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.\u003c/p\u003e\n      ","\u003cp\u003eThe 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today."],"prefercite_html_tesm":["\u003cp\u003eRandolph H. Lytton Historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Randolph H. Lytton Historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Postcards (1903-1982) includes postcards from Virginia. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. \t\t \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications. \n\u003c/p\u003e\n    ","\u003cp\u003eThis series includes postcards from Virginia. \u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.  \u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n         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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series includes artwork, envelopes, maps, photographs and postcards all related to George Washington \u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family. \u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n     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envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:","Series 1: Postcards (1903-1982) includes postcards from Virginia.","Series 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs.","Series 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards.","Series 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps.","Series 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications.","This series includes postcards from Virginia.","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThis collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004.\u003c/abstract\u003e\n      "],"abstract_tesim":["This collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004."],"corpname_ssim":["George Mason University. Libraries.  Special Collections Research Center."],"persname_ssim":["Lytton, Randolph H."],"names_ssim":["George Mason University. Libraries.  Special Collections Research Center.","Lytton, Randolph H."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":225,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:28.036Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_lytton","ead_ssi":"vifgm_lytton","_root_":"vifgm_lytton","_nest_parent_":"vifgm_lytton","ead_source_url_ssi":"data/gmu/lytton.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lytton.html","title_ssm":["Randolph H. Lytton Historical Virginia collection"],"title_tesim":["Randolph H. Lytton Historical Virginia collection"],"unitdate_ssm":["1670-2004"],"unitdate_other_ssim":["1670-2004"],"normalized_date_ssm":["1670/2004"],"normalized_title_ssm":["Randolph H. Lytton Historical Virginia collection, 1670/2004"],"text":["Randolph H. Lytton Historical Virginia collection, 1670/2004","C0311","Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Tintypes.","There are no access restrictions.","This collection is arranged by subject.","Series 1: Postcards, 1903-1982 (Boxes 1-2)\n\n        Series 2: Civil War Era Materials, 1861-1914  (Boxes 2-5)\n\n        Series 3: George Washington, circa 1700-1960 (Box 5)\n\n        Series 4: Fairfax Family, 1670-1975 (Box 6)\n\n        Series 5: Mixed Media, 1712-2004 (Boxes 7-11)","Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.","Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:","Series 1: Postcards (1903-1982) includes postcards from Virginia.","Series 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs.","Series 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards.","Series 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps.","Series 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications.","This series includes postcards from Virginia.","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications.","There are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004.","George Mason University. Libraries.  Special Collections Research Center.","Lytton, Randolph H.","English"],"collection_title_tesim":["Randolph H. Lytton Historical Virginia collection, 1670/2004"],"collection_ssim":["Randolph H. Lytton Historical Virginia collection, 1670/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0311"],"unitid_tesim":["C0311"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lytton, Randolph H."],"creator_ssim":["Lytton, Randolph H."],"creator_persname_ssim":["Lytton, Randolph H."],"creator_corpname_ssim":["George Mason University. Libraries.  Special Collections Research Center."],"creators_ssim":["Lytton, Randolph H.","George Mason University. Libraries.  Special Collections Research Center."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by George Mason University Emeritus Faculty member Randolph H. Lytton from 2004 to 2015."],"access_subjects_ssim":["Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["15 linear ft. (11 boxes)"],"extent_tesim":["15 linear ft. 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It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.\u003c/p\u003e\n      ","\u003cp\u003eThe 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today."],"prefercite_html_tesm":["\u003cp\u003eRandolph H. Lytton Historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Randolph H. Lytton Historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Postcards (1903-1982) includes postcards from Virginia. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. \t\t \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications. \n\u003c/p\u003e\n    ","\u003cp\u003eThis series includes postcards from Virginia. \u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n   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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series includes artwork, envelopes, maps, photographs and postcards all related to George Washington \u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family. \u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n     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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:","Series 1: Postcards (1903-1982) includes postcards from Virginia.","Series 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs.","Series 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards.","Series 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps.","Series 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications.","This series includes postcards from Virginia.","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThis collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004.\u003c/abstract\u003e\n      "],"abstract_tesim":["This collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004."],"corpname_ssim":["George Mason University. Libraries.  Special Collections Research Center."],"persname_ssim":["Lytton, Randolph H."],"names_ssim":["George Mason University. Libraries.  Special Collections Research Center.","Lytton, Randolph H."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":225,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:28.036Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_lytton"}},{"id":"vifgm_vifgm00085","type":"collection","attributes":{"title":"Reston Association records, 1964/2006","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00085#creator","type":"document_value","attributes":{"value":"Reston Association","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00085#abstract_or_scope","type":"document_value","attributes":{"value":"The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association. Also included is a series of photography, which has photographs, contact sheets , slides, and negatives. The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00085#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00085","ead_ssi":"vifgm_vifgm00085","_root_":"vifgm_vifgm00085","_nest_parent_":"vifgm_vifgm00085","ead_source_url_ssi":"data/gmu/vifgm00085.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Reston Association records"],"title_tesim":["Reston Association records"],"unitdate_ssm":["1964-2006"],"unitdate_inclusive_ssm":["1964-2006"],"normalized_date_ssm":["1964/2006"],"normalized_title_ssm":["Reston Association records, 1964/2006"],"text":["Reston Association records, 1964/2006","C0112","Housing.","Planned communities.","Photographic negatives.","Photographic prints.","Slides.","Collection is open to research.","Organized into 10 series.","Series 1:  Correspondence, 1969-1997 (Boxes 1-6)\n\n        Series 2:  Director's Files, 1980-1986 (Boxes 6-7)\n\n        Series 3:  Minutes,  1972-2004 (Boxes 7-13)\n\n        Series 4:  Reports, 1962-2005 (Boxes 13-20)\n\n        Series 5:  Budget, 1969-1995 (Boxes 20-25)\n\n        Series 6:  Committee, 1969-2000 (Boxes 25-27)\n\n        Series 7:  Articles, 1964-2005 (Boxes 27-29)\n\n        Series 8:  Handbooks, 1965-2005 (Boxes 29-33)\n\n        Series 9:  General Information, 1966-2006 (Boxes 33-41)\n\n        Series 10:  Photographs, 1969-2004 (Boxes 41-54)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  Simon wanted Reston to be a place where individuals could remain their entire lives, thus many different types of housing were constructed.  The focus of Reston, according to Simon, was to develop a place where people could live and work. Essentially he wanted Reston to be a way to live.  A priority of this way of life was leisure time, so a wide variety of recreational choices were made available.  In 1967, Gulf Oil Corporation formed a subsidiary, Reston Gulf, Inc. and took complete financial and operational control. During the next year, Reston construction proceeded at a quicker pace and the population grew rapidly.","In 1968 the Reston Community Association (RCA) was created to take responsibility for community programs.  The RCA's first program was the establishment of the Commuter Express Bus System in March of 1968.  The Reston Home Owner Association was created in 1970 by consolidating the original First and Second Home Owner Associations that had been established in 1963.  The new RHOA was given also in 1970 the deeds of recreational facilities by the Reston Gulf, Inc.  These facilities included Lake Anne, swimming pools, parks and bridges.  The Reston Home Owner Association was later renamed the Reston Association in 1987.  Today the Reston Association is run by the Board of Directors and several committees and continues to be in charge of designs, covenant for Reston properties, maintaining the open space areas within Reston, and recreational and educational programs for all ages in Reston.","The Reston Association records were originally attached to the larger Planned Community Collection currently in the Special Collections and Archives.  In 2008 the papers from the Reston Association were removed and organized into a separate collection. Except for the Series 10, the old box and folder numbers for each folder are also included as part of the new arrangement.","Processed in October 2008 by Emily Martin. EAD markup completed in October 2008 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia and other planned communities.","The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.","Series 1 includes correspondence dated from 1969 to 1997.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  The memos cover a variety of topics that the Reston Association was responsible for including pathways, membership and even cable television in 1985.","Series 2 is titled Director's Files and relate to Dan McGuire and the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas, personal correspondence and notes.  The Coalition appears to be a competing association within the Reston Home Owner Association from a dispute within Reston.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition because the paperwork also deals with Dan McGuire.","Series 3 contains the minutes from different meetings, primarily council, committee and board of directors' meetings.  The minutes record those people who were present at the meeting and the information that discuss during it.  This is the largest series of paperwork in the Reston Association collection.  It has 168 folders in 4 boxes, the folders are dated from 1972-2004.","Series 4 is titled Reports, the documents provided the associations with updates and information on various projects and programs within Reston, such as land use, homeless and a large portion are financial reports submitted to the association in 1990.  Also mixed in the series are the RHOA Plus White Papers created by a committee to help increase membership at the community recreational facilities in Reston. The papers in this series are the information the committee submitted to the association in March of 1981.","Series 5 concerns the budget.  The folders are dated from 1969 to 1995.  The information outlines the budget for various projects and programs such as recreation.  The series also includes assessments of the budget from various months during the 1980s and 1990s.  This series is also large and is stored in 5 boxes.","Series 6 consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.  The series is dated from 1969 to 2000.","Series 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.  The series is dated from 1964-2005.","Series 8 consists of handbooks and other manuals. The files includes recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.  The information in the handbooks covers a variety of topics including membership studies, covenant and design regulations for Reston.","Series 9 contains files and is entitled General Information.  The information is from a various projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.  This series also includes articles dealing with problems in the Reston Association.  Topics covered by the articles include corruption within the Association and changes that occurred because of the problems.","Series 10 consists of photographs, slides, contact sheets, negatives and videos.  Most of the images document programs run by the Reston Association.  Some of the programs shown in this series are summer camps, which includes day, nature, swim and tennis, for children and senior movie day.  There are also larger items in oversize cases.  These items appear to be for display purposes at different Reston community facilities.  This series is dated earlier and later than any other series in this collection.  The images date from 1969 to 2004.","The Correspondence Series has  folders.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  All of the correspondence is dated from 1969-1997.","509.26","437.9","426.29","428.24","427.1","428.32","428.30","428.28","427.27","427.15","427.23","426.6","509.20","509.29","1.16","1.15","1.14","2.02","2.05","2.06","2.03","2.04","2.01","1.17","535.18","437.6","435.9","435.8","537.15","537.3","426.13","509.24","439.9","439.11","526.8","440.3","16.19","536.14","440.13","537.12","425.50","435.1","435.2","435.3","509.19","16.20","509.37","509.35","426.25","427.16","528.9","537.18","529.9","436.9","527.20","436.13","527.21","529.13","436.8","509.34","527.17","427.11","437.3","530.13","530.14","525.3","527.32","530.2","530.5","530.6","530.12","436.7","440.5","509.27","436.6","440.10","440.4","527.14","527.15","527.16","527.13","527.12","527.10","527.8","527.7","442.10","509.32","537.8","537.2","436.11","These 24 folders are from Dan McGuire relating to the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas and correspondence.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition.","442.3","443.14","443.15","443.16","442.5","442.4","442.2","442.1","434.4","442.8","443.13","443.1","443.2","443.3","443.4","443.5","443.6","443.7","443.8","443.9","443.10","443.11","443.12","437.2","442.7","This large series includes 168 folders.  All the folders contain the minutes from different meetings, such as council and board of directors.  The information included in the minutes is who was present at the meeting and the information that discuss during it.  The folders are dated from 1972 to 2004.","427.12","426.32","426.4","427.46","426.5","427.13","427.47","427.45","428.1","428.2","428.3","428.4","428.6","428.8","428.10","428.11","428.13","428.14","428.15","428.16","428.17","428.19","428.20","428.22","428.23","428.25","428.26","428.27","428.29","428.31","428.34","428.35","428.36","428.37","428.38","428.39","428.40","428.41","426.24","426.26","426.27","426.31","426.33","426.34","427.2","427.3","427.4","427.5","427.6","427.7","427.8","427.9","427.10","427.14","427.19","427.18","427.20","427.21","427.22","427.24","427.26","427.30","427.28","427.31","427.32","427.33","427.34","427.35","427.36","427.37","427.39","427.43","427.44","426.2","426.9","426.12","426.14","426.15","426.16","426.17","426.18","426.19","426.20","426.21","426.22","425.31","425.32","425.33","425.34","425.39","425.41","425.42","425.45","425.46","425.47","425.49","425.51","424.26","425.30","425.23","425.25","425.28","425.29","425.20","425.21","425.16","425.18","425.14","425.10","425.5","425.6","425.7","425.27","424.28","425.1","424.25","424.20","424.21","424.22","424.23","424.15","424.16","424.17","424.11","424.12","424.7","424.8","424.1","424.2","529.16","529.17","529.15","17.14","537.7","528.14","528.15","528.16","528.17","528.19","518.20","528.21","528.22","528.23","427.17","425.22","425.19","425.11","425.13","425.2","425.3","424.18","424.19","424.13","424.14","424.9","424.4","424.6","426.11","426.7","425.40","425.35","425.15","425.4","424.24","428.18","428.9","428.5","426.10","426.8","426.1","1.7","1.6","437.14","425.9","424.10","424.3","527.34","527.35","530.10","530.11","530.15","521.5","526.2","526.6","526.5","526.4","526.3","428.33","425.44","425.38","527.28","527.27","525.11","525.2","426.3","426.23","527.19","428.7","509.21","509.25","The Report Series includes 41 folders.  The information dates from 1962 to 2005.  The paperwork is information submitted to different organization within Reston,  such as the council and the RHOA Board.  The reports provided the associations with updates and information on various projects and programs within Reston such as land use.   Also included in the series  are the RHOA Plus White Papers from March of 1981.","1.15","17.16","10.3","506.6","544.10","425.8","535.10","1.9","17.10","16.23","425.48","425.17","434.3","434.1","434.2","500.6","17.13","1.10","524.4","16.01","537.5","17.02","509.10","506.3","509.12","524.2","425.12","437.8","17.01","524.1","440.8","440.7","439.10","16.21","1.04","16.13","16.12","536.15","535.11","528.3","528.2","441.1","441.2","441.3","441.4","441.5","441.6","441.7","434.9","526.14a","526.14b","1.4","1.3","1.6","16.22","1.01","436.6","17.04","17.12","437.5","425.37","437.4","436.4","436.5","16.03","534.6","535.12","534.1","534.2","17.03","534.3","534.4","534.5","527.29","535.14","426.28","425.43","527.22","425.26","537.4","509.36","530.3","530.8","439.6","509.1","509.33","436.1","436.2","441.8","537.1","506.4","425.24","527.11","527.6","527.9","438.4","440.14","527.4","1.03","527.3","529.10","529.11","535.4","536.8","There are 78 folders involving the Reston Association budget.  The folders are dated from 1969 to 1995.  The information involves the organization of the budget for various projects and programs such as the council individual budget and recreational programs.  The information also includes assessments of the budget from various months during the 1980s and 1990s.","509.15","509.32","438.2","431.9","432.6","432.5","431.8","431.7","431.6","429.2","429.8","506.16","509.31","429.9","429.10","433.9","433.10","430.6","430.5","430.7","430.8","509.14","427.38","433.3","433.4","433.5","433.6","433.7","433.8","432.7","433.1","433.2","432.10","432.11","1.06","509.9","509.3","427.25","437.7","433.12","509.9","16.15","425.27","439.8","432.2","432.1","528.13","1.05","509.1","430.3","1.11","1.10","1.09","430.9","1.08","431.3","1.07","16.24","432.4","432.3","16.18","442.9","433.11","433.13","433.14","509.5","526.11","526.9","526.10","437.1","526.8","509.4","16.16","509.13","431.2","431.1","430.4","429.6","429.7","429.7","509.6","17.21","431.10","509.28","440.2","432.8","432.9","431.4","431.5","430.1","430.2","429.4","429.5","429.3","Series 6 is consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.","524.6","521.3","521.2","521.1","17.11","426.30","16.25","537.6","529.20","529.26","529.21","528.6","529.27","529.14","529.23","528.5","528.7","529.24","529.12","537.11","537.14","527.24","527.25","527.26","529.22","511.5","529.25","529.19","537.17","Series 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.","531.2","531.28","531.31","531.29","535.7","527.33","536.19","527.2","537.31","536.1","536.18","1.02","534.7","16.05","531.11","537.16","531.27","531.30","1.16","528.8","17.07","529.18","535.1","506.5","17.08","531.4","531.6","531.7","530.8","531.9","531.10","531.11","531.12","531.13","531.14","531.15","531.16","531.17","531.18","531.19","531.20","531.21","531.22","531.23","531.26","531.25","531.26","531.5","536.3","16.06","17.06","16.07","530.17","527.31","16.04","535.2","536.10","536.9","536.23","536.20","536.6","536.16","536.4","536.2","539.29","17.05","There are 27 folders in this series.  The folders contain information regarding recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.","463.16","1.11","444.7","12.16","533.13","480.7","509.18","525.7","524.3","506.2","531.3","537.13","506.7","509.22","440.9","535.6","439.4","528.4","429.11","439.1","439.12","439.13","439.17","439.16","439.15","439.14","439.19","439.18","439.20","525.5","525.6","438.1","511.3","511.2","511.4","511.7","511.6","439.3","440.5","526.15","501.3","434.6","434.7","434.8","439.2","530.16","501.1","501.2","536.17","536.5","500.5","506.1","440.1","527.5","427.41","437.11","536.7","535.5","Includes 36 folders with papers from different binders.  The information contained within is from various sources dealing with the Reston Association.  The folders have information from different projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.","437.15","537.10","16.10","437.10","16.14","428.12","428.21","427.29","427.40","434.5","16.08","16.17","1.13","526.1a","526.1b","442.6","1.8","16.26","439.5","526.22","526.21","526.20","441.9","441.10","441.11","424.5","526.19","526.17","537.21","527.1","529.4","529.5","529.6","529.7","529.1","529.3","529.2","509.17","526.16","535.15","526.13","434.10","434.11","434.12","434.13","434.14","437.13","526.12","536.13","526.7","536.22","16.11","436.10","535.3","528.12","528.11","440.11","17.18","535.16","525.4","16.09","535.9","509.23","437.12","538.1","538.2","537.22","537.23","537.25","537.24","530.1","523.1","511.8","511.9","511.1","530.7","530.4","530.9","649.03","649.04","16.02","527.30","436.3","1.4","536.21","527.23","438.3","537.9","537.19","528.1","440.12","477.14","480.49","440.6","480.28","480.26","532.1","537.28","527.23","439.7","528.10","537.26","1.18","529.8","535.8","527.18","1.2","17.15","17.19","435.7","435.4","435.5","435.6","537.20","1.12","1.1","17.17","537.27","17.09","535.17","536.12","Includes 492 folders with papers from different binders.  The items within document various programs from the Reston Association from 1969 to 2004.  The series includes photographs, slides, contact sheets and negatives.  Also include is a section of oversize photographs, contact sheets and negatives at the end of the series.","6 contact sheets","1 page","2 photographs","1 contact sheet","2 photographs","8 photographs","3 contact sheets","15 photographs","9 photographs","13 photographs","1 contact sheet","6 photographs","2 photographs","1 contact sheet","9 photographs","15 photographs","9 photographs","5 contact sheets","7 photographs","8 contact sheets","4 photographs","15 contact sheets","7 contact sheets","8 negatives","14 photographs","2 pages","8 contact sheets","14 photographs","15 photographs","12 photographs","15 photographs","6 contact sheets","6 photographs","81 slides","51 slides","45 slides","98 slides","71 slides","2 contact sheets","2 contact sheets","3 negatives and 1 contact sheet","6 negatives and 1 contact sheet","7 negatives and 2 contact sheets","5 negatives and 1 contact sheet","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","2 negatives and 1 contact sheet","7 negatives and 1 contact sheet","3 contact sheets","16 negatives and 3 contact sheets","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","6 negatives and 1 contact sheet","18 photographs","8 negatives","15 photographs","15 photograph","1 negative, 1 photograph and 1 page","6 negatives and 1 contact sheet","6 negatives and 1 contact sheet","7 negatives and 1 contact sheet","6 negatives and 3 contact sheets","3 negatives and 1 contact sheet","1 contact sheet","7 negatives and 1 contact sheet","6 negatives","1 photograph and 1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","5 negatives and 1 contact sheet","5 negatives and 1 contact sheet","7 negatives and 1 contact sheet","4 negatives","13 pages","6 photographs","3 contact sheets","3 contact sheets","3 contact sheets","2 contact sheets","28 slides","1 page","8 pages","8 negatives and 2 contact sheets","1 page, 8 negatives and 2 contact sheets","5 negatives and 1 contact sheet","8 negatives and 2 contact sheets","8 negatives and 2 contact sheets","4 negatives and 1 contact sheet","8 negatives and 2 contact sheets","9 negatives and 3 contact sheets","1 page, 16 negatives and 3 contact sheet","1 page, 8 negatives and 2 contact sheets","8 negatives and 2 contact sheets","6 negatives and 1 contact sheet","5 negatives and 1 contact sheet","6 negatives and 1 contact sheet","16 negatives","3 contact sheets","8 negatives and 2 contact sheets","8 negatives and 3 contact sheets","6 contact sheets","7 negatives","1 negatives and 3 contact sheets","95 negatives","14 contact sheets","1 contact sheet","5 negatives and 1 contact sheet","5 negatives and 1 contact sheet","6 negatives and 1 contact sheet","17 slides","2 contact sheets","12 slides","5 photographs","6 photos","4 photographs","5 photographs","23 slides","2 contact sheets","5 photographs","2 contact sheets","2 photographs","4 photographs","2 contact sheets","4 photographs","18 slides","2 photographs and 1 contact sheet","24 photographs","23 slides","71 slides","5 slides","20 slides","26 slides","3 photographs and 2 pages","10 pages","4 booklets and 2 pages","5 photographs","7 photographs","15 photographs","4 photographs","1 contact sheet","1 contact sheet","1 contact sheet","1 photograph","1 3.5 disc","1 slide","15 photographs","15 photographs","15 photographs","11 photographs","55 negatives","29 negatives","15 photographs","15 photographs","5 photographs","7 negatives","15 photographs","11 photographs","19 slides","2 contact sheets","10 negatives","37 negatives","6 photographs","20 photographs","16 photographs","6 negatives","4 slides","1 page","23 negatives","15 photographs","15 photographs","15 photographs","15 photographs","15 photographs","15 photographs","16 photographs","15 photographs","15 photographs","10 photographs","9 photographs","3 negatives","38 negatives","1 contact sheet","4 negatives","1 contact sheet","15 photographs","4 pages","8 negatives","49 negatives","1 contact sheet","1 contact sheet","6 negatives","3 photographs","9 negatives","15 photographs","15 photographs","4 photographs","1 contact sheet","7 negatives","22 negatives","7 negatives","15 photographs","9 photographs","5 negatives","1 contact sheet","15 negatives","24 negatives","66 slides","8 negatives","15 photographs","15 photographs","8 photographs","1 contact sheet","2 negatives","2 contact sheets","15 photographs","15 photographs","3 photographs","78 slides","38 slides","15 slides","20 slides","20 slides","128 slides","22 slides","94 slides","14 slides","30 slides","4 slides","2 slides","83 slides","53 slides","11 slides","21 slides","14 slides","5 slides","23 slides","20 slides","4 slides","35 slides","27 slides","91 slides","100 slides","100 slides","100 slides","23 slides","99 slides","100 slides","27 slides","17 slides","47 slides","4 slides","58 slides","100 slides","30 slides","8 negatives","3 photographs","11 negatives","8 photographs","3 contact sheets","3 photographs","5 contact sheets","3 photographs","1 contact sheet","3 photographs","1 contact sheet","4 photographs","2 contact sheets","6 photographs","1 contact sheet","6 contact sheets","11 contact sheets","7 photographs","11 contact sheets","16 photographs","7 negatives","12 contact sheets","11 negatives","6 photographs","12 contact sheets","4 photographs","4 contact sheets","1 negative","1 page","15 photographs","15 photographs","7 photographs","1 contact sheet","3 contact sheets","3 photographs","4 contact sheets","5 negatives","16 photographs","3 contact sheets","7 contact sheets","6 contact sheets","3 contact sheets","5 contact sheets","9 negatives","9 negatives","12 negatives","7 negatives","7 photographs","4 photographs","3 contact sheets","10 photographs","12 photographs","12 photographs","3 contact sheets","1 negative","14 photographs","15 contact sheets","19 negatives","7 photographs","12 contact sheets","12 contact sheets","12 photographs","12 photographs","3 photographs","3 contact sheets","6 contact sheets","5 photographs","4 contact sheets","10 negatives","15 photographs","17 contact sheets","12 negatives","15 photographs","15 photographs","11 photographs","4 negatives","2 photographs and 1 contact sheet","9 contact sheets","9 photographs","4 contact sheets","3 negatives","3 photographs","4 contact sheets","3 contact sheets","3 pages","5 photographs","3 contact sheets","10 negatives","6 photographs","13 contact sheets","21 negatives","14 photographs","2 photographs","3 contact sheets","5 photographs","5 contact sheets","2 negatives","1 photograph","9 photographs","4 contact sheets","4 photographs","2 contact sheets","4 photographs","6 contact sheets","1 contact sheet","7 negatives","3 photographs","7 contact sheets","15 contact sheets","7 contact sheets","1 photograph","5 contact sheets","15 photographs","14 photographs","11 photographs","9 contact sheets","11 negatives","15 photographs","15 photographs","15 photographs","15 photographs","5 photographs","4 photographs","100 slides","31 slides","7 slides","18 slides","70 slides","3 photographs 537.30","32 slides","20 slides","16 slides","54 slides","52 slides","13 slides","20 photographs","20 photographs","20 photographs","20 photographs","20 photographs","20 photographs","23 photographs","65 slides","60 slides","19 slides","29 slides","15 slides","20 slides","12 slides","14 slides","6 slides","5 slides","10 slides","7 slides","17 slides","13 slides","16 slides","11 slides","14 slides","4 slides","14 slides","16 slides","2 slides","12 slides","14 slides","8 slides","7 slides","10 slides","17 slides","23 slides","5 slides","14 slides","11 slides","22 slides","19 slides","8 slides","16 slides","16 slides","10 slides","12 slides","15 contact sheets","15 photographs","15 photographs","15 photographs","15 photographs","12 photographs","6 negatives","2 contact sheets","8 negatives","6 photographs","1 contact sheet","4 negatives","1 contact sheet","3 negatives","1 contact sheet","6 negatives","3 slides","2 contact sheets","10 negatives","2 photographs","16 negatives","13 photographs","4 contact sheets","19 negatives","36 slides","4 contact sheets","20 negatives","3 contact sheets","30 negatives","5 contact sheets","3 photographs","4 contact sheets","22 negatives","1 photograph","44 slides","32 slides","1 contact sheet","3 negatives","VHS","VHS","VHS","VHS","1 photo","1 photo","3 photo","1 photo","1 photo","1 contact sheet","7 negatives","1 contact sheet","7 negatives","1 contact sheet","7 negatives","1 contact sheet","6 negatives","1 contact sheet","7 negatives","1 contact sheet","7 negatives","There are no restrictions.","The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.","George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association.","Simon, Robert E. (Robert Edward), 1914-","English"],"collection_title_tesim":["Reston Association records, 1964/2006"],"collection_ssim":["Reston Association records, 1964/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0112"],"unitid_tesim":["C0112"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reston Association"],"creator_ssim":["Reston Association"],"creator_persname_ssim":["Simon, Robert E. (Robert Edward), 1914-"],"creator_corpname_ssim":["George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association."],"creators_ssim":["Simon, Robert E. (Robert Edward), 1914-","George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association."],"acqinfo_ssim":["Donated by Karen Monagen on November 9, 2007 and by Charles D. McGuire in December 1994."],"access_subjects_ssim":["Housing.","Planned communities.","Photographic negatives.","Photographic prints.","Slides."],"access_subjects_ssm":["Housing.","Planned communities.","Photographic negatives.","Photographic prints.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["27 linear feet 54 boxes"],"extent_tesim":["27 linear feet 54 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into 10 series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Correspondence, 1969-1997 (Boxes 1-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  Director's Files, 1980-1986 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  Minutes,  1972-2004 (Boxes 7-13)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Reports, 1962-2005 (Boxes 13-20)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Budget, 1969-1995 (Boxes 20-25)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  Committee, 1969-2000 (Boxes 25-27)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  Articles, 1964-2005 (Boxes 27-29)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Handbooks, 1965-2005 (Boxes 29-33)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  General Information, 1966-2006 (Boxes 33-41)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  Photographs, 1969-2004 (Boxes 41-54)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into 10 series.","Series 1:  Correspondence, 1969-1997 (Boxes 1-6)\n\n        Series 2:  Director's Files, 1980-1986 (Boxes 6-7)\n\n        Series 3:  Minutes,  1972-2004 (Boxes 7-13)\n\n        Series 4:  Reports, 1962-2005 (Boxes 13-20)\n\n        Series 5:  Budget, 1969-1995 (Boxes 20-25)\n\n        Series 6:  Committee, 1969-2000 (Boxes 25-27)\n\n        Series 7:  Articles, 1964-2005 (Boxes 27-29)\n\n        Series 8:  Handbooks, 1965-2005 (Boxes 29-33)\n\n        Series 9:  General Information, 1966-2006 (Boxes 33-41)\n\n        Series 10:  Photographs, 1969-2004 (Boxes 41-54)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  Simon wanted Reston to be a place where individuals could remain their entire lives, thus many different types of housing were constructed.  The focus of Reston, according to Simon, was to develop a place where people could live and work. Essentially he wanted Reston to be a way to live.  A priority of this way of life was leisure time, so a wide variety of recreational choices were made available.  In 1967, Gulf Oil Corporation formed a subsidiary, Reston Gulf, Inc. and took complete financial and operational control. During the next year, Reston construction proceeded at a quicker pace and the population grew rapidly.\n\u003c/p\u003e\n      ","\u003cp\u003eIn 1968 the Reston Community Association (RCA) was created to take responsibility for community programs.  The RCA's first program was the establishment of the Commuter Express Bus System in March of 1968.  The Reston Home Owner Association was created in 1970 by consolidating the original First and Second Home Owner Associations that had been established in 1963.  The new RHOA was given also in 1970 the deeds of recreational facilities by the Reston Gulf, Inc.  These facilities included Lake Anne, swimming pools, parks and bridges.  The Reston Home Owner Association was later renamed the Reston Association in 1987.  Today the Reston Association is run by the Board of Directors and several committees and continues to be in charge of designs, covenant for Reston properties, maintaining the open space areas within Reston, and recreational and educational programs for all ages in Reston. \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  Simon wanted Reston to be a place where individuals could remain their entire lives, thus many different types of housing were constructed.  The focus of Reston, according to Simon, was to develop a place where people could live and work. Essentially he wanted Reston to be a way to live.  A priority of this way of life was leisure time, so a wide variety of recreational choices were made available.  In 1967, Gulf Oil Corporation formed a subsidiary, Reston Gulf, Inc. and took complete financial and operational control. During the next year, Reston construction proceeded at a quicker pace and the population grew rapidly.","In 1968 the Reston Community Association (RCA) was created to take responsibility for community programs.  The RCA's first program was the establishment of the Commuter Express Bus System in March of 1968.  The Reston Home Owner Association was created in 1970 by consolidating the original First and Second Home Owner Associations that had been established in 1963.  The new RHOA was given also in 1970 the deeds of recreational facilities by the Reston Gulf, Inc.  These facilities included Lake Anne, swimming pools, parks and bridges.  The Reston Home Owner Association was later renamed the Reston Association in 1987.  Today the Reston Association is run by the Board of Directors and several committees and continues to be in charge of designs, covenant for Reston properties, maintaining the open space areas within Reston, and recreational and educational programs for all ages in Reston."],"prefercite_html_tesm":["\u003cp\u003eReston Association records, Collection #C0112, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Association records, Collection #C0112, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eThe Reston Association records were originally attached to the larger Planned Community Collection currently in the Special Collections and Archives.  In 2008 the papers from the Reston Association were removed and organized into a separate collection. Except for the Series 10, the old box and folder numbers for each folder are also included as part of the new arrangement. \n\u003c/p\u003e\n        ","\u003cp\u003eProcessed in October 2008 by Emily Martin. EAD markup completed in October 2008 by Emily Martin.  \n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Reston Association records were originally attached to the larger Planned Community Collection currently in the Special Collections and Archives.  In 2008 the papers from the Reston Association were removed and organized into a separate collection. Except for the Series 10, the old box and folder numbers for each folder are also included as part of the new arrangement.","Processed in October 2008 by Emily Martin. EAD markup completed in October 2008 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia and other planned communities.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 includes correspondence dated from 1969 to 1997.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  The memos cover a variety of topics that the Reston Association was responsible for including pathways, membership and even cable television in 1985.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 is titled Director's Files and relate to Dan McGuire and the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas, personal correspondence and notes.  The Coalition appears to be a competing association within the Reston Home Owner Association from a dispute within Reston.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition because the paperwork also deals with Dan McGuire.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains the minutes from different meetings, primarily council, committee and board of directors' meetings.  The minutes record those people who were present at the meeting and the information that discuss during it.  This is the largest series of paperwork in the Reston Association collection.  It has 168 folders in 4 boxes, the folders are dated from 1972-2004.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is titled Reports, the documents provided the associations with updates and information on various projects and programs within Reston, such as land use, homeless and a large portion are financial reports submitted to the association in 1990.  Also mixed in the series are the RHOA Plus White Papers created by a committee to help increase membership at the community recreational facilities in Reston. The papers in this series are the information the committee submitted to the association in March of 1981.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 concerns the budget.  The folders are dated from 1969 to 1995.  The information outlines the budget for various projects and programs such as recreation.  The series also includes assessments of the budget from various months during the 1980s and 1990s.  This series is also large and is stored in 5 boxes.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 6 consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.  The series is dated from 1969 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.  The series is dated from 1964-2005. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 8 consists of handbooks and other manuals. The files includes recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.  The information in the handbooks covers a variety of topics including membership studies, covenant and design regulations for Reston.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 9 contains files and is entitled General Information.  The information is from a various projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.  This series also includes articles dealing with problems in the Reston Association.  Topics covered by the articles include corruption within the Association and changes that occurred because of the problems.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 10 consists of photographs, slides, contact sheets, negatives and videos.  Most of the images document programs run by the Reston Association.  Some of the programs shown in this series are summer camps, which includes day, nature, swim and tennis, for children and senior movie day.  There are also larger items in oversize cases.  These items appear to be for display purposes at different Reston community facilities.  This series is dated earlier and later than any other series in this collection.  The images date from 1969 to 2004.\n\u003c/p\u003e\n    ","\u003cp\u003eThe Correspondence Series has  folders.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  All of the correspondence is dated from 1969-1997.\n\u003c/p\u003e\n        ","\u003cp\u003e509.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.06\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.03\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.04\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.01\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.50\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.37\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.35\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.34\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.11\n\t\u003c/p\u003e\n          ","\u003cp\u003eThese 24 folders are from Dan McGuire relating to the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas and correspondence.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition.\n\u003c/p\u003e\n        ","\u003cp\u003e442.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.4 \n\t\u003c/p\u003e\n          ","\u003cp\u003e442.2 \n\t\u003c/p\u003e\n          ","\u003cp\u003e442.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.7\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis large series includes 168 folders.  All the folders contain the minutes from different meetings, such as council and board of directors.  The information included in the minutes is who was present at the meeting and the information that discuss during it.  The folders are dated from 1972 to 2004.\n\u003c/p\u003e\n        ","\u003cp\u003e427.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.46\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.47\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.45\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.14\n\t\u003c/p\u003e\n          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","\u003cp\u003e1.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e424.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e424.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.34\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.35\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e521.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.33\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.44\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.38\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.25\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe Report Series includes 41 folders.  The information dates from 1962 to 2005.  The paperwork is information submitted to different organization within Reston,  such as the council and the RHOA Board.  The reports provided the associations with updates and information on various projects and programs within Reston such as land use.   Also included in the series  are the RHOA Plus White Papers from March of 1981. \n\u003c/p\u003e\n        ","\u003cp\u003e1.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e10.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.48\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.13\n\t\u003c/p\u003e\n          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","\u003cp\u003e527.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e438.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.03\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.8\n\t\u003c/p\u003e\n          ","\u003cp\u003eThere are 78 folders involving the Reston Association budget.  The folders are dated from 1969 to 1995.  The information involves the organization of the budget for various projects and programs such as the council individual budget and recreational programs.  The information also includes assessments of the budget from various months during the 1980s and 1990s.\n\u003c/p\u003e\n        ","\u003cp\u003e509.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e438.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.38\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.06\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.09\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.08\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.07\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.3\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries 6 is consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.\n\u003c/p\u003e\n        ","\u003cp\u003e524.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e521.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e521.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e521.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.17\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.\n\u003c/p\u003e\n        ","\u003cp\u003e531.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.33\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e534.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.07\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.08\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.06\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.06\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.07\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.04\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e539.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.05\n\t\u003c/p\u003e\n          ","\u003cp\u003eThere are 27 folders in this series.  The folders contain information regarding recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.\n\u003c/p\u003e\n        ","\u003cp\u003e463.16\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.11\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e444.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e12.16\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e533.13\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.18\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e524.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.2\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.13\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.22\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.9\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.16\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.18\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.20\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e438.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.2\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.4\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.6\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e439.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.5\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.15\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e501.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.6\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.8\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.2\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.16\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e501.1\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e501.2\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.17\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.41\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.5\n\t\u003c/p\u003e\n          ","\u003cp\u003eIncludes 36 folders with papers from different binders.  The information contained within is from various sources dealing with the Reston Association.  The folders have information from different projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.\n\u003c/p\u003e\n        ","\u003cp\u003e437.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.40\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.08\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.1a\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.1b\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e441.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e441.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e441.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e424.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.09\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e538.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e538.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e523.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.03\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.04\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e438.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e477.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.49\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e532.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.09\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.12\n\t\u003c/p\u003e\n          ","\u003cp\u003eIncludes 492 folders with papers from different binders.  The items within document various programs from the Reston Association from 1969 to 2004.  The series includes photographs, slides, contact sheets and negatives.  Also include is a section of oversize photographs, contact sheets and negatives at the end of the series.\n\u003c/p\u003e\n        ","\u003cp\u003e6 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e13 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e14 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 pages\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e14 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e12 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e81 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e51 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e45 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e98 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e71 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e16 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e18 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photograph\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 negative, 1 photograph and 1 page\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photograph and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 negatives \n\t\u003c/p\u003e\n          ","\u003cp\u003e13 pages\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e28 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 pages\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page, 8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page, 16 negatives and 3 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page, 8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e16 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e95 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e14 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e17 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e12 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photos\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 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   ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e12 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e10 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e16 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e13 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e19 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e36 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e20 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e30 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e22 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photograph\n\t\u003c/p\u003e\n          ","\u003cp\u003e44 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e32 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.","Series 1 includes correspondence dated from 1969 to 1997.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  The memos cover a variety of topics that the Reston Association was responsible for including pathways, membership and even cable television in 1985.","Series 2 is titled Director's Files and relate to Dan McGuire and the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas, personal correspondence and notes.  The Coalition appears to be a competing association within the Reston Home Owner Association from a dispute within Reston.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition because the paperwork also deals with Dan McGuire.","Series 3 contains the minutes from different meetings, primarily council, committee and board of directors' meetings.  The minutes record those people who were present at the meeting and the information that discuss during it.  This is the largest series of paperwork in the Reston Association collection.  It has 168 folders in 4 boxes, the folders are dated from 1972-2004.","Series 4 is titled Reports, the documents provided the associations with updates and information on various projects and programs within Reston, such as land use, homeless and a large portion are financial reports submitted to the association in 1990.  Also mixed in the series are the RHOA Plus White Papers created by a committee to help increase membership at the community recreational facilities in Reston. The papers in this series are the information the committee submitted to the association in March of 1981.","Series 5 concerns the budget.  The folders are dated from 1969 to 1995.  The information outlines the budget for various projects and programs such as recreation.  The series also includes assessments of the budget from various months during the 1980s and 1990s.  This series is also large and is stored in 5 boxes.","Series 6 consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.  The series is dated from 1969 to 2000.","Series 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.  The series is dated from 1964-2005.","Series 8 consists of handbooks and other manuals. The files includes recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.  The information in the handbooks covers a variety of topics including membership studies, covenant and design regulations for Reston.","Series 9 contains files and is entitled General Information.  The information is from a various projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.  This series also includes articles dealing with problems in the Reston Association.  Topics covered by the articles include corruption within the Association and changes that occurred because of the problems.","Series 10 consists of photographs, slides, contact sheets, negatives and videos.  Most of the images document programs run by the Reston Association.  Some of the programs shown in this series are summer camps, which includes day, nature, swim and tennis, for children and senior movie day.  There are also larger items in oversize cases.  These items appear to be for display purposes at different Reston community facilities.  This series is dated earlier and later than any other series in this collection.  The images date from 1969 to 2004.","The Correspondence Series has  folders.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  All of the correspondence is dated from 1969-1997.","509.26","437.9","426.29","428.24","427.1","428.32","428.30","428.28","427.27","427.15","427.23","426.6","509.20","509.29","1.16","1.15","1.14","2.02","2.05","2.06","2.03","2.04","2.01","1.17","535.18","437.6","435.9","435.8","537.15","537.3","426.13","509.24","439.9","439.11","526.8","440.3","16.19","536.14","440.13","537.12","425.50","435.1","435.2","435.3","509.19","16.20","509.37","509.35","426.25","427.16","528.9","537.18","529.9","436.9","527.20","436.13","527.21","529.13","436.8","509.34","527.17","427.11","437.3","530.13","530.14","525.3","527.32","530.2","530.5","530.6","530.12","436.7","440.5","509.27","436.6","440.10","440.4","527.14","527.15","527.16","527.13","527.12","527.10","527.8","527.7","442.10","509.32","537.8","537.2","436.11","These 24 folders are from Dan McGuire relating to the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas and correspondence.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition.","442.3","443.14","443.15","443.16","442.5","442.4","442.2","442.1","434.4","442.8","443.13","443.1","443.2","443.3","443.4","443.5","443.6","443.7","443.8","443.9","443.10","443.11","443.12","437.2","442.7","This large series includes 168 folders.  All the folders contain the minutes from different meetings, such as council and board of directors.  The information included in the minutes is who was present at the meeting and the information that discuss during it.  The folders are dated from 1972 to 2004.","427.12","426.32","426.4","427.46","426.5","427.13","427.47","427.45","428.1","428.2","428.3","428.4","428.6","428.8","428.10","428.11","428.13","428.14","428.15","428.16","428.17","428.19","428.20","428.22","428.23","428.25","428.26","428.27","428.29","428.31","428.34","428.35","428.36","428.37","428.38","428.39","428.40","428.41","426.24","426.26","426.27","426.31","426.33","426.34","427.2","427.3","427.4","427.5","427.6","427.7","427.8","427.9","427.10","427.14","427.19","427.18","427.20","427.21","427.22","427.24","427.26","427.30","427.28","427.31","427.32","427.33","427.34","427.35","427.36","427.37","427.39","427.43","427.44","426.2","426.9","426.12","426.14","426.15","426.16","426.17","426.18","426.19","426.20","426.21","426.22","425.31","425.32","425.33","425.34","425.39","425.41","425.42","425.45","425.46","425.47","425.49","425.51","424.26","425.30","425.23","425.25","425.28","425.29","425.20","425.21","425.16","425.18","425.14","425.10","425.5","425.6","425.7","425.27","424.28","425.1","424.25","424.20","424.21","424.22","424.23","424.15","424.16","424.17","424.11","424.12","424.7","424.8","424.1","424.2","529.16","529.17","529.15","17.14","537.7","528.14","528.15","528.16","528.17","528.19","518.20","528.21","528.22","528.23","427.17","425.22","425.19","425.11","425.13","425.2","425.3","424.18","424.19","424.13","424.14","424.9","424.4","424.6","426.11","426.7","425.40","425.35","425.15","425.4","424.24","428.18","428.9","428.5","426.10","426.8","426.1","1.7","1.6","437.14","425.9","424.10","424.3","527.34","527.35","530.10","530.11","530.15","521.5","526.2","526.6","526.5","526.4","526.3","428.33","425.44","425.38","527.28","527.27","525.11","525.2","426.3","426.23","527.19","428.7","509.21","509.25","The Report Series includes 41 folders.  The information dates from 1962 to 2005.  The paperwork is information submitted to different organization within Reston,  such as the council and the RHOA Board.  The reports provided the associations with updates and information on various projects and programs within Reston such as land use.   Also included in the series  are the RHOA Plus White Papers from March of 1981.","1.15","17.16","10.3","506.6","544.10","425.8","535.10","1.9","17.10","16.23","425.48","425.17","434.3","434.1","434.2","500.6","17.13","1.10","524.4","16.01","537.5","17.02","509.10","506.3","509.12","524.2","425.12","437.8","17.01","524.1","440.8","440.7","439.10","16.21","1.04","16.13","16.12","536.15","535.11","528.3","528.2","441.1","441.2","441.3","441.4","441.5","441.6","441.7","434.9","526.14a","526.14b","1.4","1.3","1.6","16.22","1.01","436.6","17.04","17.12","437.5","425.37","437.4","436.4","436.5","16.03","534.6","535.12","534.1","534.2","17.03","534.3","534.4","534.5","527.29","535.14","426.28","425.43","527.22","425.26","537.4","509.36","530.3","530.8","439.6","509.1","509.33","436.1","436.2","441.8","537.1","506.4","425.24","527.11","527.6","527.9","438.4","440.14","527.4","1.03","527.3","529.10","529.11","535.4","536.8","There are 78 folders involving the Reston Association budget.  The folders are dated from 1969 to 1995.  The information involves the organization of the budget for various projects and programs such as the council individual budget and recreational programs.  The information also includes assessments of the budget from various months during the 1980s and 1990s.","509.15","509.32","438.2","431.9","432.6","432.5","431.8","431.7","431.6","429.2","429.8","506.16","509.31","429.9","429.10","433.9","433.10","430.6","430.5","430.7","430.8","509.14","427.38","433.3","433.4","433.5","433.6","433.7","433.8","432.7","433.1","433.2","432.10","432.11","1.06","509.9","509.3","427.25","437.7","433.12","509.9","16.15","425.27","439.8","432.2","432.1","528.13","1.05","509.1","430.3","1.11","1.10","1.09","430.9","1.08","431.3","1.07","16.24","432.4","432.3","16.18","442.9","433.11","433.13","433.14","509.5","526.11","526.9","526.10","437.1","526.8","509.4","16.16","509.13","431.2","431.1","430.4","429.6","429.7","429.7","509.6","17.21","431.10","509.28","440.2","432.8","432.9","431.4","431.5","430.1","430.2","429.4","429.5","429.3","Series 6 is consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.","524.6","521.3","521.2","521.1","17.11","426.30","16.25","537.6","529.20","529.26","529.21","528.6","529.27","529.14","529.23","528.5","528.7","529.24","529.12","537.11","537.14","527.24","527.25","527.26","529.22","511.5","529.25","529.19","537.17","Series 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.","531.2","531.28","531.31","531.29","535.7","527.33","536.19","527.2","537.31","536.1","536.18","1.02","534.7","16.05","531.11","537.16","531.27","531.30","1.16","528.8","17.07","529.18","535.1","506.5","17.08","531.4","531.6","531.7","530.8","531.9","531.10","531.11","531.12","531.13","531.14","531.15","531.16","531.17","531.18","531.19","531.20","531.21","531.22","531.23","531.26","531.25","531.26","531.5","536.3","16.06","17.06","16.07","530.17","527.31","16.04","535.2","536.10","536.9","536.23","536.20","536.6","536.16","536.4","536.2","539.29","17.05","There are 27 folders in this series.  The folders contain information regarding recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.","463.16","1.11","444.7","12.16","533.13","480.7","509.18","525.7","524.3","506.2","531.3","537.13","506.7","509.22","440.9","535.6","439.4","528.4","429.11","439.1","439.12","439.13","439.17","439.16","439.15","439.14","439.19","439.18","439.20","525.5","525.6","438.1","511.3","511.2","511.4","511.7","511.6","439.3","440.5","526.15","501.3","434.6","434.7","434.8","439.2","530.16","501.1","501.2","536.17","536.5","500.5","506.1","440.1","527.5","427.41","437.11","536.7","535.5","Includes 36 folders with papers from different binders.  The information contained within is from various sources dealing with the Reston Association.  The folders have information from different projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.","437.15","537.10","16.10","437.10","16.14","428.12","428.21","427.29","427.40","434.5","16.08","16.17","1.13","526.1a","526.1b","442.6","1.8","16.26","439.5","526.22","526.21","526.20","441.9","441.10","441.11","424.5","526.19","526.17","537.21","527.1","529.4","529.5","529.6","529.7","529.1","529.3","529.2","509.17","526.16","535.15","526.13","434.10","434.11","434.12","434.13","434.14","437.13","526.12","536.13","526.7","536.22","16.11","436.10","535.3","528.12","528.11","440.11","17.18","535.16","525.4","16.09","535.9","509.23","437.12","538.1","538.2","537.22","537.23","537.25","537.24","530.1","523.1","511.8","511.9","511.1","530.7","530.4","530.9","649.03","649.04","16.02","527.30","436.3","1.4","536.21","527.23","438.3","537.9","537.19","528.1","440.12","477.14","480.49","440.6","480.28","480.26","532.1","537.28","527.23","439.7","528.10","537.26","1.18","529.8","535.8","527.18","1.2","17.15","17.19","435.7","435.4","435.5","435.6","537.20","1.12","1.1","17.17","537.27","17.09","535.17","536.12","Includes 492 folders with papers from different binders.  The items within document various programs from the Reston Association from 1969 to 2004.  The series includes photographs, slides, contact sheets and negatives.  Also include is a section of oversize photographs, contact sheets and negatives at the end of the series.","6 contact sheets","1 page","2 photographs","1 contact sheet","2 photographs","8 photographs","3 contact sheets","15 photographs","9 photographs","13 photographs","1 contact sheet","6 photographs","2 photographs","1 contact sheet","9 photographs","15 photographs","9 photographs","5 contact sheets","7 photographs","8 contact sheets","4 photographs","15 contact sheets","7 contact sheets","8 negatives","14 photographs","2 pages","8 contact sheets","14 photographs","15 photographs","12 photographs","15 photographs","6 contact sheets","6 photographs","81 slides","51 slides","45 slides","98 slides","71 slides","2 contact sheets","2 contact sheets","3 negatives and 1 contact sheet","6 negatives and 1 contact sheet","7 negatives and 2 contact sheets","5 negatives and 1 contact sheet","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","2 negatives and 1 contact sheet","7 negatives and 1 contact sheet","3 contact sheets","16 negatives and 3 contact sheets","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","6 negatives and 1 contact sheet","18 photographs","8 negatives","15 photographs","15 photograph","1 negative, 1 photograph and 1 page","6 negatives and 1 contact sheet","6 negatives and 1 contact sheet","7 negatives and 1 contact sheet","6 negatives and 3 contact sheets","3 negatives and 1 contact sheet","1 contact sheet","7 negatives and 1 contact sheet","6 negatives","1 photograph and 1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","5 negatives and 1 contact sheet","5 negatives and 1 contact sheet","7 negatives and 1 contact sheet","4 negatives","13 pages","6 photographs","3 contact sheets","3 contact sheets","3 contact sheets","2 contact sheets","28 slides","1 page","8 pages","8 negatives and 2 contact sheets","1 page, 8 negatives and 2 contact sheets","5 negatives and 1 contact sheet","8 negatives and 2 contact sheets","8 negatives and 2 contact sheets","4 negatives and 1 contact sheet","8 negatives and 2 contact sheets","9 negatives and 3 contact sheets","1 page, 16 negatives and 3 contact sheet","1 page, 8 negatives and 2 contact sheets","8 negatives and 2 contact sheets","6 negatives and 1 contact sheet","5 negatives and 1 contact sheet","6 negatives and 1 contact sheet","16 negatives","3 contact sheets","8 negatives and 2 contact sheets","8 negatives and 3 contact sheets","6 contact sheets","7 negatives","1 negatives and 3 contact sheets","95 negatives","14 contact sheets","1 contact sheet","5 negatives and 1 contact sheet","5 negatives and 1 contact sheet","6 negatives and 1 contact sheet","17 slides","2 contact sheets","12 slides","5 photographs","6 photos","4 photographs","5 photographs","23 slides","2 contact sheets","5 photographs","2 contact sheets","2 photographs","4 photographs","2 contact sheets","4 photographs","18 slides","2 photographs and 1 contact sheet","24 photographs","23 slides","71 slides","5 slides","20 slides","26 slides","3 photographs and 2 pages","10 pages","4 booklets and 2 pages","5 photographs","7 photographs","15 photographs","4 photographs","1 contact sheet","1 contact sheet","1 contact sheet","1 photograph","1 3.5 disc","1 slide","15 photographs","15 photographs","15 photographs","11 photographs","55 negatives","29 negatives","15 photographs","15 photographs","5 photographs","7 negatives","15 photographs","11 photographs","19 slides","2 contact sheets","10 negatives","37 negatives","6 photographs","20 photographs","16 photographs","6 negatives","4 slides","1 page","23 negatives","15 photographs","15 photographs","15 photographs","15 photographs","15 photographs","15 photographs","16 photographs","15 photographs","15 photographs","10 photographs","9 photographs","3 negatives","38 negatives","1 contact sheet","4 negatives","1 contact sheet","15 photographs","4 pages","8 negatives","49 negatives","1 contact sheet","1 contact sheet","6 negatives","3 photographs","9 negatives","15 photographs","15 photographs","4 photographs","1 contact sheet","7 negatives","22 negatives","7 negatives","15 photographs","9 photographs","5 negatives","1 contact sheet","15 negatives","24 negatives","66 slides","8 negatives","15 photographs","15 photographs","8 photographs","1 contact sheet","2 negatives","2 contact sheets","15 photographs","15 photographs","3 photographs","78 slides","38 slides","15 slides","20 slides","20 slides","128 slides","22 slides","94 slides","14 slides","30 slides","4 slides","2 slides","83 slides","53 slides","11 slides","21 slides","14 slides","5 slides","23 slides","20 slides","4 slides","35 slides","27 slides","91 slides","100 slides","100 slides","100 slides","23 slides","99 slides","100 slides","27 slides","17 slides","47 slides","4 slides","58 slides","100 slides","30 slides","8 negatives","3 photographs","11 negatives","8 photographs","3 contact sheets","3 photographs","5 contact sheets","3 photographs","1 contact sheet","3 photographs","1 contact sheet","4 photographs","2 contact sheets","6 photographs","1 contact sheet","6 contact sheets","11 contact sheets","7 photographs","11 contact sheets","16 photographs","7 negatives","12 contact sheets","11 negatives","6 photographs","12 contact sheets","4 photographs","4 contact sheets","1 negative","1 page","15 photographs","15 photographs","7 photographs","1 contact sheet","3 contact sheets","3 photographs","4 contact sheets","5 negatives","16 photographs","3 contact sheets","7 contact sheets","6 contact sheets","3 contact sheets","5 contact sheets","9 negatives","9 negatives","12 negatives","7 negatives","7 photographs","4 photographs","3 contact sheets","10 photographs","12 photographs","12 photographs","3 contact sheets","1 negative","14 photographs","15 contact sheets","19 negatives","7 photographs","12 contact sheets","12 contact sheets","12 photographs","12 photographs","3 photographs","3 contact sheets","6 contact sheets","5 photographs","4 contact sheets","10 negatives","15 photographs","17 contact sheets","12 negatives","15 photographs","15 photographs","11 photographs","4 negatives","2 photographs and 1 contact sheet","9 contact sheets","9 photographs","4 contact sheets","3 negatives","3 photographs","4 contact sheets","3 contact sheets","3 pages","5 photographs","3 contact sheets","10 negatives","6 photographs","13 contact sheets","21 negatives","14 photographs","2 photographs","3 contact sheets","5 photographs","5 contact sheets","2 negatives","1 photograph","9 photographs","4 contact sheets","4 photographs","2 contact sheets","4 photographs","6 contact sheets","1 contact sheet","7 negatives","3 photographs","7 contact sheets","15 contact sheets","7 contact sheets","1 photograph","5 contact sheets","15 photographs","14 photographs","11 photographs","9 contact sheets","11 negatives","15 photographs","15 photographs","15 photographs","15 photographs","5 photographs","4 photographs","100 slides","31 slides","7 slides","18 slides","70 slides","3 photographs 537.30","32 slides","20 slides","16 slides","54 slides","52 slides","13 slides","20 photographs","20 photographs","20 photographs","20 photographs","20 photographs","20 photographs","23 photographs","65 slides","60 slides","19 slides","29 slides","15 slides","20 slides","12 slides","14 slides","6 slides","5 slides","10 slides","7 slides","17 slides","13 slides","16 slides","11 slides","14 slides","4 slides","14 slides","16 slides","2 slides","12 slides","14 slides","8 slides","7 slides","10 slides","17 slides","23 slides","5 slides","14 slides","11 slides","22 slides","19 slides","8 slides","16 slides","16 slides","10 slides","12 slides","15 contact sheets","15 photographs","15 photographs","15 photographs","15 photographs","12 photographs","6 negatives","2 contact sheets","8 negatives","6 photographs","1 contact sheet","4 negatives","1 contact sheet","3 negatives","1 contact sheet","6 negatives","3 slides","2 contact sheets","10 negatives","2 photographs","16 negatives","13 photographs","4 contact sheets","19 negatives","36 slides","4 contact sheets","20 negatives","3 contact sheets","30 negatives","5 contact sheets","3 photographs","4 contact sheets","22 negatives","1 photograph","44 slides","32 slides","1 contact sheet","3 negatives","VHS","VHS","VHS","VHS","1 photo","1 photo","3 photo","1 photo","1 photo","1 contact sheet","7 negatives","1 contact sheet","7 negatives","1 contact sheet","7 negatives","1 contact sheet","6 negatives","1 contact sheet","7 negatives","1 contact sheet","7 negatives"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006."],"corpname_ssim":["George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association."],"persname_ssim":["Simon, Robert E. (Robert Edward), 1914-"],"names_ssim":["George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association.","Simon, Robert E. (Robert Edward), 1914-"],"language_ssim":["English"],"total_component_count_is":1317,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:58.033Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00085","ead_ssi":"vifgm_vifgm00085","_root_":"vifgm_vifgm00085","_nest_parent_":"vifgm_vifgm00085","ead_source_url_ssi":"data/gmu/vifgm00085.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Reston Association records"],"title_tesim":["Reston Association records"],"unitdate_ssm":["1964-2006"],"unitdate_inclusive_ssm":["1964-2006"],"normalized_date_ssm":["1964/2006"],"normalized_title_ssm":["Reston Association records, 1964/2006"],"text":["Reston Association records, 1964/2006","C0112","Housing.","Planned communities.","Photographic negatives.","Photographic prints.","Slides.","Collection is open to research.","Organized into 10 series.","Series 1:  Correspondence, 1969-1997 (Boxes 1-6)\n\n        Series 2:  Director's Files, 1980-1986 (Boxes 6-7)\n\n        Series 3:  Minutes,  1972-2004 (Boxes 7-13)\n\n        Series 4:  Reports, 1962-2005 (Boxes 13-20)\n\n        Series 5:  Budget, 1969-1995 (Boxes 20-25)\n\n        Series 6:  Committee, 1969-2000 (Boxes 25-27)\n\n        Series 7:  Articles, 1964-2005 (Boxes 27-29)\n\n        Series 8:  Handbooks, 1965-2005 (Boxes 29-33)\n\n        Series 9:  General Information, 1966-2006 (Boxes 33-41)\n\n        Series 10:  Photographs, 1969-2004 (Boxes 41-54)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  Simon wanted Reston to be a place where individuals could remain their entire lives, thus many different types of housing were constructed.  The focus of Reston, according to Simon, was to develop a place where people could live and work. Essentially he wanted Reston to be a way to live.  A priority of this way of life was leisure time, so a wide variety of recreational choices were made available.  In 1967, Gulf Oil Corporation formed a subsidiary, Reston Gulf, Inc. and took complete financial and operational control. During the next year, Reston construction proceeded at a quicker pace and the population grew rapidly.","In 1968 the Reston Community Association (RCA) was created to take responsibility for community programs.  The RCA's first program was the establishment of the Commuter Express Bus System in March of 1968.  The Reston Home Owner Association was created in 1970 by consolidating the original First and Second Home Owner Associations that had been established in 1963.  The new RHOA was given also in 1970 the deeds of recreational facilities by the Reston Gulf, Inc.  These facilities included Lake Anne, swimming pools, parks and bridges.  The Reston Home Owner Association was later renamed the Reston Association in 1987.  Today the Reston Association is run by the Board of Directors and several committees and continues to be in charge of designs, covenant for Reston properties, maintaining the open space areas within Reston, and recreational and educational programs for all ages in Reston.","The Reston Association records were originally attached to the larger Planned Community Collection currently in the Special Collections and Archives.  In 2008 the papers from the Reston Association were removed and organized into a separate collection. Except for the Series 10, the old box and folder numbers for each folder are also included as part of the new arrangement.","Processed in October 2008 by Emily Martin. EAD markup completed in October 2008 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia and other planned communities.","The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.","Series 1 includes correspondence dated from 1969 to 1997.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  The memos cover a variety of topics that the Reston Association was responsible for including pathways, membership and even cable television in 1985.","Series 2 is titled Director's Files and relate to Dan McGuire and the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas, personal correspondence and notes.  The Coalition appears to be a competing association within the Reston Home Owner Association from a dispute within Reston.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition because the paperwork also deals with Dan McGuire.","Series 3 contains the minutes from different meetings, primarily council, committee and board of directors' meetings.  The minutes record those people who were present at the meeting and the information that discuss during it.  This is the largest series of paperwork in the Reston Association collection.  It has 168 folders in 4 boxes, the folders are dated from 1972-2004.","Series 4 is titled Reports, the documents provided the associations with updates and information on various projects and programs within Reston, such as land use, homeless and a large portion are financial reports submitted to the association in 1990.  Also mixed in the series are the RHOA Plus White Papers created by a committee to help increase membership at the community recreational facilities in Reston. The papers in this series are the information the committee submitted to the association in March of 1981.","Series 5 concerns the budget.  The folders are dated from 1969 to 1995.  The information outlines the budget for various projects and programs such as recreation.  The series also includes assessments of the budget from various months during the 1980s and 1990s.  This series is also large and is stored in 5 boxes.","Series 6 consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.  The series is dated from 1969 to 2000.","Series 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.  The series is dated from 1964-2005.","Series 8 consists of handbooks and other manuals. The files includes recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.  The information in the handbooks covers a variety of topics including membership studies, covenant and design regulations for Reston.","Series 9 contains files and is entitled General Information.  The information is from a various projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.  This series also includes articles dealing with problems in the Reston Association.  Topics covered by the articles include corruption within the Association and changes that occurred because of the problems.","Series 10 consists of photographs, slides, contact sheets, negatives and videos.  Most of the images document programs run by the Reston Association.  Some of the programs shown in this series are summer camps, which includes day, nature, swim and tennis, for children and senior movie day.  There are also larger items in oversize cases.  These items appear to be for display purposes at different Reston community facilities.  This series is dated earlier and later than any other series in this collection.  The images date from 1969 to 2004.","The Correspondence Series has  folders.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  All of the correspondence is dated from 1969-1997.","509.26","437.9","426.29","428.24","427.1","428.32","428.30","428.28","427.27","427.15","427.23","426.6","509.20","509.29","1.16","1.15","1.14","2.02","2.05","2.06","2.03","2.04","2.01","1.17","535.18","437.6","435.9","435.8","537.15","537.3","426.13","509.24","439.9","439.11","526.8","440.3","16.19","536.14","440.13","537.12","425.50","435.1","435.2","435.3","509.19","16.20","509.37","509.35","426.25","427.16","528.9","537.18","529.9","436.9","527.20","436.13","527.21","529.13","436.8","509.34","527.17","427.11","437.3","530.13","530.14","525.3","527.32","530.2","530.5","530.6","530.12","436.7","440.5","509.27","436.6","440.10","440.4","527.14","527.15","527.16","527.13","527.12","527.10","527.8","527.7","442.10","509.32","537.8","537.2","436.11","These 24 folders are from Dan McGuire relating to the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas and correspondence.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition.","442.3","443.14","443.15","443.16","442.5","442.4","442.2","442.1","434.4","442.8","443.13","443.1","443.2","443.3","443.4","443.5","443.6","443.7","443.8","443.9","443.10","443.11","443.12","437.2","442.7","This large series includes 168 folders.  All the folders contain the minutes from different meetings, such as council and board of directors.  The information included in the minutes is who was present at the meeting and the information that discuss during it.  The folders are dated from 1972 to 2004.","427.12","426.32","426.4","427.46","426.5","427.13","427.47","427.45","428.1","428.2","428.3","428.4","428.6","428.8","428.10","428.11","428.13","428.14","428.15","428.16","428.17","428.19","428.20","428.22","428.23","428.25","428.26","428.27","428.29","428.31","428.34","428.35","428.36","428.37","428.38","428.39","428.40","428.41","426.24","426.26","426.27","426.31","426.33","426.34","427.2","427.3","427.4","427.5","427.6","427.7","427.8","427.9","427.10","427.14","427.19","427.18","427.20","427.21","427.22","427.24","427.26","427.30","427.28","427.31","427.32","427.33","427.34","427.35","427.36","427.37","427.39","427.43","427.44","426.2","426.9","426.12","426.14","426.15","426.16","426.17","426.18","426.19","426.20","426.21","426.22","425.31","425.32","425.33","425.34","425.39","425.41","425.42","425.45","425.46","425.47","425.49","425.51","424.26","425.30","425.23","425.25","425.28","425.29","425.20","425.21","425.16","425.18","425.14","425.10","425.5","425.6","425.7","425.27","424.28","425.1","424.25","424.20","424.21","424.22","424.23","424.15","424.16","424.17","424.11","424.12","424.7","424.8","424.1","424.2","529.16","529.17","529.15","17.14","537.7","528.14","528.15","528.16","528.17","528.19","518.20","528.21","528.22","528.23","427.17","425.22","425.19","425.11","425.13","425.2","425.3","424.18","424.19","424.13","424.14","424.9","424.4","424.6","426.11","426.7","425.40","425.35","425.15","425.4","424.24","428.18","428.9","428.5","426.10","426.8","426.1","1.7","1.6","437.14","425.9","424.10","424.3","527.34","527.35","530.10","530.11","530.15","521.5","526.2","526.6","526.5","526.4","526.3","428.33","425.44","425.38","527.28","527.27","525.11","525.2","426.3","426.23","527.19","428.7","509.21","509.25","The Report Series includes 41 folders.  The information dates from 1962 to 2005.  The paperwork is information submitted to different organization within Reston,  such as the council and the RHOA Board.  The reports provided the associations with updates and information on various projects and programs within Reston such as land use.   Also included in the series  are the RHOA Plus White Papers from March of 1981.","1.15","17.16","10.3","506.6","544.10","425.8","535.10","1.9","17.10","16.23","425.48","425.17","434.3","434.1","434.2","500.6","17.13","1.10","524.4","16.01","537.5","17.02","509.10","506.3","509.12","524.2","425.12","437.8","17.01","524.1","440.8","440.7","439.10","16.21","1.04","16.13","16.12","536.15","535.11","528.3","528.2","441.1","441.2","441.3","441.4","441.5","441.6","441.7","434.9","526.14a","526.14b","1.4","1.3","1.6","16.22","1.01","436.6","17.04","17.12","437.5","425.37","437.4","436.4","436.5","16.03","534.6","535.12","534.1","534.2","17.03","534.3","534.4","534.5","527.29","535.14","426.28","425.43","527.22","425.26","537.4","509.36","530.3","530.8","439.6","509.1","509.33","436.1","436.2","441.8","537.1","506.4","425.24","527.11","527.6","527.9","438.4","440.14","527.4","1.03","527.3","529.10","529.11","535.4","536.8","There are 78 folders involving the Reston Association budget.  The folders are dated from 1969 to 1995.  The information involves the organization of the budget for various projects and programs such as the council individual budget and recreational programs.  The information also includes assessments of the budget from various months during the 1980s and 1990s.","509.15","509.32","438.2","431.9","432.6","432.5","431.8","431.7","431.6","429.2","429.8","506.16","509.31","429.9","429.10","433.9","433.10","430.6","430.5","430.7","430.8","509.14","427.38","433.3","433.4","433.5","433.6","433.7","433.8","432.7","433.1","433.2","432.10","432.11","1.06","509.9","509.3","427.25","437.7","433.12","509.9","16.15","425.27","439.8","432.2","432.1","528.13","1.05","509.1","430.3","1.11","1.10","1.09","430.9","1.08","431.3","1.07","16.24","432.4","432.3","16.18","442.9","433.11","433.13","433.14","509.5","526.11","526.9","526.10","437.1","526.8","509.4","16.16","509.13","431.2","431.1","430.4","429.6","429.7","429.7","509.6","17.21","431.10","509.28","440.2","432.8","432.9","431.4","431.5","430.1","430.2","429.4","429.5","429.3","Series 6 is consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.","524.6","521.3","521.2","521.1","17.11","426.30","16.25","537.6","529.20","529.26","529.21","528.6","529.27","529.14","529.23","528.5","528.7","529.24","529.12","537.11","537.14","527.24","527.25","527.26","529.22","511.5","529.25","529.19","537.17","Series 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.","531.2","531.28","531.31","531.29","535.7","527.33","536.19","527.2","537.31","536.1","536.18","1.02","534.7","16.05","531.11","537.16","531.27","531.30","1.16","528.8","17.07","529.18","535.1","506.5","17.08","531.4","531.6","531.7","530.8","531.9","531.10","531.11","531.12","531.13","531.14","531.15","531.16","531.17","531.18","531.19","531.20","531.21","531.22","531.23","531.26","531.25","531.26","531.5","536.3","16.06","17.06","16.07","530.17","527.31","16.04","535.2","536.10","536.9","536.23","536.20","536.6","536.16","536.4","536.2","539.29","17.05","There are 27 folders in this series.  The folders contain information regarding recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.","463.16","1.11","444.7","12.16","533.13","480.7","509.18","525.7","524.3","506.2","531.3","537.13","506.7","509.22","440.9","535.6","439.4","528.4","429.11","439.1","439.12","439.13","439.17","439.16","439.15","439.14","439.19","439.18","439.20","525.5","525.6","438.1","511.3","511.2","511.4","511.7","511.6","439.3","440.5","526.15","501.3","434.6","434.7","434.8","439.2","530.16","501.1","501.2","536.17","536.5","500.5","506.1","440.1","527.5","427.41","437.11","536.7","535.5","Includes 36 folders with papers from different binders.  The information contained within is from various sources dealing with the Reston Association.  The folders have information from different projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.","437.15","537.10","16.10","437.10","16.14","428.12","428.21","427.29","427.40","434.5","16.08","16.17","1.13","526.1a","526.1b","442.6","1.8","16.26","439.5","526.22","526.21","526.20","441.9","441.10","441.11","424.5","526.19","526.17","537.21","527.1","529.4","529.5","529.6","529.7","529.1","529.3","529.2","509.17","526.16","535.15","526.13","434.10","434.11","434.12","434.13","434.14","437.13","526.12","536.13","526.7","536.22","16.11","436.10","535.3","528.12","528.11","440.11","17.18","535.16","525.4","16.09","535.9","509.23","437.12","538.1","538.2","537.22","537.23","537.25","537.24","530.1","523.1","511.8","511.9","511.1","530.7","530.4","530.9","649.03","649.04","16.02","527.30","436.3","1.4","536.21","527.23","438.3","537.9","537.19","528.1","440.12","477.14","480.49","440.6","480.28","480.26","532.1","537.28","527.23","439.7","528.10","537.26","1.18","529.8","535.8","527.18","1.2","17.15","17.19","435.7","435.4","435.5","435.6","537.20","1.12","1.1","17.17","537.27","17.09","535.17","536.12","Includes 492 folders with papers from different binders.  The items within document various programs from the Reston Association from 1969 to 2004.  The series includes photographs, slides, contact sheets and negatives.  Also include is a section of oversize photographs, contact sheets and negatives at the end of the series.","6 contact sheets","1 page","2 photographs","1 contact sheet","2 photographs","8 photographs","3 contact sheets","15 photographs","9 photographs","13 photographs","1 contact sheet","6 photographs","2 photographs","1 contact sheet","9 photographs","15 photographs","9 photographs","5 contact sheets","7 photographs","8 contact sheets","4 photographs","15 contact sheets","7 contact sheets","8 negatives","14 photographs","2 pages","8 contact sheets","14 photographs","15 photographs","12 photographs","15 photographs","6 contact sheets","6 photographs","81 slides","51 slides","45 slides","98 slides","71 slides","2 contact sheets","2 contact sheets","3 negatives and 1 contact sheet","6 negatives and 1 contact sheet","7 negatives and 2 contact sheets","5 negatives and 1 contact sheet","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","2 negatives and 1 contact sheet","7 negatives and 1 contact sheet","3 contact sheets","16 negatives and 3 contact sheets","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","6 negatives and 1 contact sheet","18 photographs","8 negatives","15 photographs","15 photograph","1 negative, 1 photograph and 1 page","6 negatives and 1 contact sheet","6 negatives and 1 contact sheet","7 negatives and 1 contact sheet","6 negatives and 3 contact sheets","3 negatives and 1 contact sheet","1 contact sheet","7 negatives and 1 contact sheet","6 negatives","1 photograph and 1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","5 negatives and 1 contact sheet","5 negatives and 1 contact sheet","7 negatives and 1 contact sheet","4 negatives","13 pages","6 photographs","3 contact sheets","3 contact sheets","3 contact sheets","2 contact sheets","28 slides","1 page","8 pages","8 negatives and 2 contact sheets","1 page, 8 negatives and 2 contact sheets","5 negatives and 1 contact sheet","8 negatives and 2 contact sheets","8 negatives and 2 contact sheets","4 negatives and 1 contact sheet","8 negatives and 2 contact sheets","9 negatives and 3 contact sheets","1 page, 16 negatives and 3 contact sheet","1 page, 8 negatives and 2 contact sheets","8 negatives and 2 contact sheets","6 negatives and 1 contact sheet","5 negatives and 1 contact sheet","6 negatives and 1 contact sheet","16 negatives","3 contact sheets","8 negatives and 2 contact sheets","8 negatives and 3 contact sheets","6 contact sheets","7 negatives","1 negatives and 3 contact sheets","95 negatives","14 contact sheets","1 contact sheet","5 negatives and 1 contact sheet","5 negatives and 1 contact sheet","6 negatives and 1 contact sheet","17 slides","2 contact sheets","12 slides","5 photographs","6 photos","4 photographs","5 photographs","23 slides","2 contact sheets","5 photographs","2 contact sheets","2 photographs","4 photographs","2 contact sheets","4 photographs","18 slides","2 photographs and 1 contact sheet","24 photographs","23 slides","71 slides","5 slides","20 slides","26 slides","3 photographs and 2 pages","10 pages","4 booklets and 2 pages","5 photographs","7 photographs","15 photographs","4 photographs","1 contact sheet","1 contact sheet","1 contact sheet","1 photograph","1 3.5 disc","1 slide","15 photographs","15 photographs","15 photographs","11 photographs","55 negatives","29 negatives","15 photographs","15 photographs","5 photographs","7 negatives","15 photographs","11 photographs","19 slides","2 contact sheets","10 negatives","37 negatives","6 photographs","20 photographs","16 photographs","6 negatives","4 slides","1 page","23 negatives","15 photographs","15 photographs","15 photographs","15 photographs","15 photographs","15 photographs","16 photographs","15 photographs","15 photographs","10 photographs","9 photographs","3 negatives","38 negatives","1 contact sheet","4 negatives","1 contact sheet","15 photographs","4 pages","8 negatives","49 negatives","1 contact sheet","1 contact sheet","6 negatives","3 photographs","9 negatives","15 photographs","15 photographs","4 photographs","1 contact sheet","7 negatives","22 negatives","7 negatives","15 photographs","9 photographs","5 negatives","1 contact sheet","15 negatives","24 negatives","66 slides","8 negatives","15 photographs","15 photographs","8 photographs","1 contact sheet","2 negatives","2 contact sheets","15 photographs","15 photographs","3 photographs","78 slides","38 slides","15 slides","20 slides","20 slides","128 slides","22 slides","94 slides","14 slides","30 slides","4 slides","2 slides","83 slides","53 slides","11 slides","21 slides","14 slides","5 slides","23 slides","20 slides","4 slides","35 slides","27 slides","91 slides","100 slides","100 slides","100 slides","23 slides","99 slides","100 slides","27 slides","17 slides","47 slides","4 slides","58 slides","100 slides","30 slides","8 negatives","3 photographs","11 negatives","8 photographs","3 contact sheets","3 photographs","5 contact sheets","3 photographs","1 contact sheet","3 photographs","1 contact sheet","4 photographs","2 contact sheets","6 photographs","1 contact sheet","6 contact sheets","11 contact sheets","7 photographs","11 contact sheets","16 photographs","7 negatives","12 contact sheets","11 negatives","6 photographs","12 contact sheets","4 photographs","4 contact sheets","1 negative","1 page","15 photographs","15 photographs","7 photographs","1 contact sheet","3 contact sheets","3 photographs","4 contact sheets","5 negatives","16 photographs","3 contact sheets","7 contact sheets","6 contact sheets","3 contact sheets","5 contact sheets","9 negatives","9 negatives","12 negatives","7 negatives","7 photographs","4 photographs","3 contact sheets","10 photographs","12 photographs","12 photographs","3 contact sheets","1 negative","14 photographs","15 contact sheets","19 negatives","7 photographs","12 contact sheets","12 contact sheets","12 photographs","12 photographs","3 photographs","3 contact sheets","6 contact sheets","5 photographs","4 contact sheets","10 negatives","15 photographs","17 contact sheets","12 negatives","15 photographs","15 photographs","11 photographs","4 negatives","2 photographs and 1 contact sheet","9 contact sheets","9 photographs","4 contact sheets","3 negatives","3 photographs","4 contact sheets","3 contact sheets","3 pages","5 photographs","3 contact sheets","10 negatives","6 photographs","13 contact sheets","21 negatives","14 photographs","2 photographs","3 contact sheets","5 photographs","5 contact sheets","2 negatives","1 photograph","9 photographs","4 contact sheets","4 photographs","2 contact sheets","4 photographs","6 contact sheets","1 contact sheet","7 negatives","3 photographs","7 contact sheets","15 contact sheets","7 contact sheets","1 photograph","5 contact sheets","15 photographs","14 photographs","11 photographs","9 contact sheets","11 negatives","15 photographs","15 photographs","15 photographs","15 photographs","5 photographs","4 photographs","100 slides","31 slides","7 slides","18 slides","70 slides","3 photographs 537.30","32 slides","20 slides","16 slides","54 slides","52 slides","13 slides","20 photographs","20 photographs","20 photographs","20 photographs","20 photographs","20 photographs","23 photographs","65 slides","60 slides","19 slides","29 slides","15 slides","20 slides","12 slides","14 slides","6 slides","5 slides","10 slides","7 slides","17 slides","13 slides","16 slides","11 slides","14 slides","4 slides","14 slides","16 slides","2 slides","12 slides","14 slides","8 slides","7 slides","10 slides","17 slides","23 slides","5 slides","14 slides","11 slides","22 slides","19 slides","8 slides","16 slides","16 slides","10 slides","12 slides","15 contact sheets","15 photographs","15 photographs","15 photographs","15 photographs","12 photographs","6 negatives","2 contact sheets","8 negatives","6 photographs","1 contact sheet","4 negatives","1 contact sheet","3 negatives","1 contact sheet","6 negatives","3 slides","2 contact sheets","10 negatives","2 photographs","16 negatives","13 photographs","4 contact sheets","19 negatives","36 slides","4 contact sheets","20 negatives","3 contact sheets","30 negatives","5 contact sheets","3 photographs","4 contact sheets","22 negatives","1 photograph","44 slides","32 slides","1 contact sheet","3 negatives","VHS","VHS","VHS","VHS","1 photo","1 photo","3 photo","1 photo","1 photo","1 contact sheet","7 negatives","1 contact sheet","7 negatives","1 contact sheet","7 negatives","1 contact sheet","6 negatives","1 contact sheet","7 negatives","1 contact sheet","7 negatives","There are no restrictions.","The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.","George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association.","Simon, Robert E. (Robert Edward), 1914-","English"],"collection_title_tesim":["Reston Association records, 1964/2006"],"collection_ssim":["Reston Association records, 1964/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0112"],"unitid_tesim":["C0112"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reston Association"],"creator_ssim":["Reston Association"],"creator_persname_ssim":["Simon, Robert E. (Robert Edward), 1914-"],"creator_corpname_ssim":["George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association."],"creators_ssim":["Simon, Robert E. (Robert Edward), 1914-","George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association."],"acqinfo_ssim":["Donated by Karen Monagen on November 9, 2007 and by Charles D. McGuire in December 1994."],"access_subjects_ssim":["Housing.","Planned communities.","Photographic negatives.","Photographic prints.","Slides."],"access_subjects_ssm":["Housing.","Planned communities.","Photographic negatives.","Photographic prints.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["27 linear feet 54 boxes"],"extent_tesim":["27 linear feet 54 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into 10 series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Correspondence, 1969-1997 (Boxes 1-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  Director's Files, 1980-1986 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  Minutes,  1972-2004 (Boxes 7-13)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Reports, 1962-2005 (Boxes 13-20)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Budget, 1969-1995 (Boxes 20-25)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  Committee, 1969-2000 (Boxes 25-27)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  Articles, 1964-2005 (Boxes 27-29)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Handbooks, 1965-2005 (Boxes 29-33)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  General Information, 1966-2006 (Boxes 33-41)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  Photographs, 1969-2004 (Boxes 41-54)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into 10 series.","Series 1:  Correspondence, 1969-1997 (Boxes 1-6)\n\n        Series 2:  Director's Files, 1980-1986 (Boxes 6-7)\n\n        Series 3:  Minutes,  1972-2004 (Boxes 7-13)\n\n        Series 4:  Reports, 1962-2005 (Boxes 13-20)\n\n        Series 5:  Budget, 1969-1995 (Boxes 20-25)\n\n        Series 6:  Committee, 1969-2000 (Boxes 25-27)\n\n        Series 7:  Articles, 1964-2005 (Boxes 27-29)\n\n        Series 8:  Handbooks, 1965-2005 (Boxes 29-33)\n\n        Series 9:  General Information, 1966-2006 (Boxes 33-41)\n\n        Series 10:  Photographs, 1969-2004 (Boxes 41-54)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  Simon wanted Reston to be a place where individuals could remain their entire lives, thus many different types of housing were constructed.  The focus of Reston, according to Simon, was to develop a place where people could live and work. Essentially he wanted Reston to be a way to live.  A priority of this way of life was leisure time, so a wide variety of recreational choices were made available.  In 1967, Gulf Oil Corporation formed a subsidiary, Reston Gulf, Inc. and took complete financial and operational control. During the next year, Reston construction proceeded at a quicker pace and the population grew rapidly.\n\u003c/p\u003e\n      ","\u003cp\u003eIn 1968 the Reston Community Association (RCA) was created to take responsibility for community programs.  The RCA's first program was the establishment of the Commuter Express Bus System in March of 1968.  The Reston Home Owner Association was created in 1970 by consolidating the original First and Second Home Owner Associations that had been established in 1963.  The new RHOA was given also in 1970 the deeds of recreational facilities by the Reston Gulf, Inc.  These facilities included Lake Anne, swimming pools, parks and bridges.  The Reston Home Owner Association was later renamed the Reston Association in 1987.  Today the Reston Association is run by the Board of Directors and several committees and continues to be in charge of designs, covenant for Reston properties, maintaining the open space areas within Reston, and recreational and educational programs for all ages in Reston. \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  Simon wanted Reston to be a place where individuals could remain their entire lives, thus many different types of housing were constructed.  The focus of Reston, according to Simon, was to develop a place where people could live and work. Essentially he wanted Reston to be a way to live.  A priority of this way of life was leisure time, so a wide variety of recreational choices were made available.  In 1967, Gulf Oil Corporation formed a subsidiary, Reston Gulf, Inc. and took complete financial and operational control. During the next year, Reston construction proceeded at a quicker pace and the population grew rapidly.","In 1968 the Reston Community Association (RCA) was created to take responsibility for community programs.  The RCA's first program was the establishment of the Commuter Express Bus System in March of 1968.  The Reston Home Owner Association was created in 1970 by consolidating the original First and Second Home Owner Associations that had been established in 1963.  The new RHOA was given also in 1970 the deeds of recreational facilities by the Reston Gulf, Inc.  These facilities included Lake Anne, swimming pools, parks and bridges.  The Reston Home Owner Association was later renamed the Reston Association in 1987.  Today the Reston Association is run by the Board of Directors and several committees and continues to be in charge of designs, covenant for Reston properties, maintaining the open space areas within Reston, and recreational and educational programs for all ages in Reston."],"prefercite_html_tesm":["\u003cp\u003eReston Association records, Collection #C0112, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Association records, Collection #C0112, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eThe Reston Association records were originally attached to the larger Planned Community Collection currently in the Special Collections and Archives.  In 2008 the papers from the Reston Association were removed and organized into a separate collection. Except for the Series 10, the old box and folder numbers for each folder are also included as part of the new arrangement. \n\u003c/p\u003e\n        ","\u003cp\u003eProcessed in October 2008 by Emily Martin. EAD markup completed in October 2008 by Emily Martin.  \n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Reston Association records were originally attached to the larger Planned Community Collection currently in the Special Collections and Archives.  In 2008 the papers from the Reston Association were removed and organized into a separate collection. Except for the Series 10, the old box and folder numbers for each folder are also included as part of the new arrangement.","Processed in October 2008 by Emily Martin. EAD markup completed in October 2008 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia and other planned communities.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 includes correspondence dated from 1969 to 1997.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  The memos cover a variety of topics that the Reston Association was responsible for including pathways, membership and even cable television in 1985.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 is titled Director's Files and relate to Dan McGuire and the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas, personal correspondence and notes.  The Coalition appears to be a competing association within the Reston Home Owner Association from a dispute within Reston.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition because the paperwork also deals with Dan McGuire.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains the minutes from different meetings, primarily council, committee and board of directors' meetings.  The minutes record those people who were present at the meeting and the information that discuss during it.  This is the largest series of paperwork in the Reston Association collection.  It has 168 folders in 4 boxes, the folders are dated from 1972-2004.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is titled Reports, the documents provided the associations with updates and information on various projects and programs within Reston, such as land use, homeless and a large portion are financial reports submitted to the association in 1990.  Also mixed in the series are the RHOA Plus White Papers created by a committee to help increase membership at the community recreational facilities in Reston. The papers in this series are the information the committee submitted to the association in March of 1981.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 concerns the budget.  The folders are dated from 1969 to 1995.  The information outlines the budget for various projects and programs such as recreation.  The series also includes assessments of the budget from various months during the 1980s and 1990s.  This series is also large and is stored in 5 boxes.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 6 consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.  The series is dated from 1969 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.  The series is dated from 1964-2005. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 8 consists of handbooks and other manuals. The files includes recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.  The information in the handbooks covers a variety of topics including membership studies, covenant and design regulations for Reston.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 9 contains files and is entitled General Information.  The information is from a various projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.  This series also includes articles dealing with problems in the Reston Association.  Topics covered by the articles include corruption within the Association and changes that occurred because of the problems.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 10 consists of photographs, slides, contact sheets, negatives and videos.  Most of the images document programs run by the Reston Association.  Some of the programs shown in this series are summer camps, which includes day, nature, swim and tennis, for children and senior movie day.  There are also larger items in oversize cases.  These items appear to be for display purposes at different Reston community facilities.  This series is dated earlier and later than any other series in this collection.  The images date from 1969 to 2004.\n\u003c/p\u003e\n    ","\u003cp\u003eThe Correspondence Series has  folders.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  All of the correspondence is dated from 1969-1997.\n\u003c/p\u003e\n        ","\u003cp\u003e509.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.06\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.03\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.04\n\t\u003c/p\u003e\n          ","\u003cp\u003e2.01\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.50\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.37\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.35\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.34\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.11\n\t\u003c/p\u003e\n          ","\u003cp\u003eThese 24 folders are from Dan McGuire relating to the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas and correspondence.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition.\n\u003c/p\u003e\n        ","\u003cp\u003e442.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.4 \n\t\u003c/p\u003e\n          ","\u003cp\u003e442.2 \n\t\u003c/p\u003e\n          ","\u003cp\u003e442.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e443.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.7\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis large series includes 168 folders.  All the folders contain the minutes from different meetings, such as council and board of directors.  The information included in the minutes is who was present at the meeting and the information that discuss during it.  The folders are dated from 1972 to 2004.\n\u003c/p\u003e\n        ","\u003cp\u003e427.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.46\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.47\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.45\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.34\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.35\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.36\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.37\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.38\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.39\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.40\n\t\u003c/p\u003e\n          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","\u003cp\u003e17.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e518.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e424.18\n\t\u003c/p\u003e\n          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","\u003cp\u003e1.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e424.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e424.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.34\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.35\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e521.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.33\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.44\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.38\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.25\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe Report Series includes 41 folders.  The information dates from 1962 to 2005.  The paperwork is information submitted to different organization within Reston,  such as the council and the RHOA Board.  The reports provided the associations with updates and information on various projects and programs within Reston such as land use.   Also included in the series  are the RHOA Plus White Papers from March of 1981. \n\u003c/p\u003e\n        ","\u003cp\u003e1.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e10.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e544.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.48\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.13\n\t\u003c/p\u003e\n          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","\u003cp\u003e535.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.43\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.36\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.33\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e441.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e425.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e438.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.03\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.8\n\t\u003c/p\u003e\n          ","\u003cp\u003eThere are 78 folders involving the Reston Association budget.  The folders are dated from 1969 to 1995.  The information involves the organization of the budget for various projects and programs such as the council individual budget and recreational programs.  The information also includes assessments of the budget from various months during the 1980s and 1990s.\n\u003c/p\u003e\n        ","\u003cp\u003e509.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e438.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.38\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.06\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.9\n\t\u003c/p\u003e\n          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","\u003cp\u003e431.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.07\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e433.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e432.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e431.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e430.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.3\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries 6 is consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.\n\u003c/p\u003e\n        ","\u003cp\u003e524.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e521.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e521.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e521.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e426.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.17\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.\n\u003c/p\u003e\n        ","\u003cp\u003e531.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.33\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e534.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.05\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.07\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.08\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.06\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.06\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.07\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.31\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.04\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e539.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.05\n\t\u003c/p\u003e\n          ","\u003cp\u003eThere are 27 folders in this series.  The folders contain information regarding recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.\n\u003c/p\u003e\n        ","\u003cp\u003e463.16\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.11\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e444.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e12.16\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e533.13\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.18\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e524.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.2\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e531.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.13\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.22\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.9\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e429.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.16\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.18\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.20\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e438.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.2\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.4\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.6\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e439.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.5\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.15\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e501.3\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.6\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.7\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.8\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.2\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.16\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e501.1\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e501.2\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.17\t\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e500.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e506.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.41\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.5\n\t\u003c/p\u003e\n          ","\u003cp\u003eIncludes 36 folders with papers from different binders.  The information contained within is from various sources dealing with the Reston Association.  The folders have information from different projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.\n\u003c/p\u003e\n        ","\u003cp\u003e437.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e428.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e427.40\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.08\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.1a\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.1b\n\t\u003c/p\u003e\n          ","\u003cp\u003e442.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e441.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e441.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e441.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e424.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e434.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e526.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e525.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.09\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e509.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e437.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e538.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e538.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e523.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e511.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e530.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.03\n\t\u003c/p\u003e\n          ","\u003cp\u003e649.04\n\t\u003c/p\u003e\n          ","\u003cp\u003e16.02\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e436.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e438.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e477.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.49\n\t\u003c/p\u003e\n          ","\u003cp\u003e440.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e480.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e532.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e439.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e528.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e529.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e527.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e435.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e537.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e17.09\n\t\u003c/p\u003e\n          ","\u003cp\u003e535.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e536.12\n\t\u003c/p\u003e\n          ","\u003cp\u003eIncludes 492 folders with papers from different binders.  The items within document various programs from the Reston Association from 1969 to 2004.  The series includes photographs, slides, contact sheets and negatives.  Also include is a section of oversize photographs, contact sheets and negatives at the end of the series.\n\u003c/p\u003e\n        ","\u003cp\u003e6 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e13 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e14 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 pages\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e14 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e12 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e81 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e51 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e45 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e98 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e71 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e16 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e18 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photograph\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 negative, 1 photograph and 1 page\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photograph and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 negatives \n\t\u003c/p\u003e\n          ","\u003cp\u003e13 pages\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e28 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 pages\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page, 8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e9 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page, 16 negatives and 3 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 page, 8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e16 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 negatives and 3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e95 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e14 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives and 1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e17 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e12 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photos\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 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   ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e15 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e12 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e8 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e10 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e2 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e16 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e13 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e19 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e36 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e20 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e30 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e5 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 photographs\n\t\u003c/p\u003e\n          ","\u003cp\u003e4 contact sheets\n\t\u003c/p\u003e\n          ","\u003cp\u003e22 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photograph\n\t\u003c/p\u003e\n          ","\u003cp\u003e44 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e32 slides\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS\n\t\u003c/p\u003e\n          ","\u003cp\u003eVHS\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e3 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 photo\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e6 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003e1 contact sheet\n\t\u003c/p\u003e\n          ","\u003cp\u003e7 negatives\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.","Series 1 includes correspondence dated from 1969 to 1997.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  The memos cover a variety of topics that the Reston Association was responsible for including pathways, membership and even cable television in 1985.","Series 2 is titled Director's Files and relate to Dan McGuire and the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas, personal correspondence and notes.  The Coalition appears to be a competing association within the Reston Home Owner Association from a dispute within Reston.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition because the paperwork also deals with Dan McGuire.","Series 3 contains the minutes from different meetings, primarily council, committee and board of directors' meetings.  The minutes record those people who were present at the meeting and the information that discuss during it.  This is the largest series of paperwork in the Reston Association collection.  It has 168 folders in 4 boxes, the folders are dated from 1972-2004.","Series 4 is titled Reports, the documents provided the associations with updates and information on various projects and programs within Reston, such as land use, homeless and a large portion are financial reports submitted to the association in 1990.  Also mixed in the series are the RHOA Plus White Papers created by a committee to help increase membership at the community recreational facilities in Reston. The papers in this series are the information the committee submitted to the association in March of 1981.","Series 5 concerns the budget.  The folders are dated from 1969 to 1995.  The information outlines the budget for various projects and programs such as recreation.  The series also includes assessments of the budget from various months during the 1980s and 1990s.  This series is also large and is stored in 5 boxes.","Series 6 consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.  The series is dated from 1969 to 2000.","Series 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.  The series is dated from 1964-2005.","Series 8 consists of handbooks and other manuals. The files includes recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.  The information in the handbooks covers a variety of topics including membership studies, covenant and design regulations for Reston.","Series 9 contains files and is entitled General Information.  The information is from a various projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.  This series also includes articles dealing with problems in the Reston Association.  Topics covered by the articles include corruption within the Association and changes that occurred because of the problems.","Series 10 consists of photographs, slides, contact sheets, negatives and videos.  Most of the images document programs run by the Reston Association.  Some of the programs shown in this series are summer camps, which includes day, nature, swim and tennis, for children and senior movie day.  There are also larger items in oversize cases.  These items appear to be for display purposes at different Reston community facilities.  This series is dated earlier and later than any other series in this collection.  The images date from 1969 to 2004.","The Correspondence Series has  folders.  The letters include information about different meetings, elections and invitations.  The correspondence deals with the Reston Association and various aspects of the running of the association.  All of the correspondence is dated from 1969-1997.","509.26","437.9","426.29","428.24","427.1","428.32","428.30","428.28","427.27","427.15","427.23","426.6","509.20","509.29","1.16","1.15","1.14","2.02","2.05","2.06","2.03","2.04","2.01","1.17","535.18","437.6","435.9","435.8","537.15","537.3","426.13","509.24","439.9","439.11","526.8","440.3","16.19","536.14","440.13","537.12","425.50","435.1","435.2","435.3","509.19","16.20","509.37","509.35","426.25","427.16","528.9","537.18","529.9","436.9","527.20","436.13","527.21","529.13","436.8","509.34","527.17","427.11","437.3","530.13","530.14","525.3","527.32","530.2","530.5","530.6","530.12","436.7","440.5","509.27","436.6","440.10","440.4","527.14","527.15","527.16","527.13","527.12","527.10","527.8","527.7","442.10","509.32","537.8","537.2","436.11","These 24 folders are from Dan McGuire relating to the Reston Home Owner Coalition from the mid-1980s.  The papers are from a variety of sources including meeting agendas and correspondence.  The series also includes information on the All-American City which is related to the Reston Home Owner Coalition.","442.3","443.14","443.15","443.16","442.5","442.4","442.2","442.1","434.4","442.8","443.13","443.1","443.2","443.3","443.4","443.5","443.6","443.7","443.8","443.9","443.10","443.11","443.12","437.2","442.7","This large series includes 168 folders.  All the folders contain the minutes from different meetings, such as council and board of directors.  The information included in the minutes is who was present at the meeting and the information that discuss during it.  The folders are dated from 1972 to 2004.","427.12","426.32","426.4","427.46","426.5","427.13","427.47","427.45","428.1","428.2","428.3","428.4","428.6","428.8","428.10","428.11","428.13","428.14","428.15","428.16","428.17","428.19","428.20","428.22","428.23","428.25","428.26","428.27","428.29","428.31","428.34","428.35","428.36","428.37","428.38","428.39","428.40","428.41","426.24","426.26","426.27","426.31","426.33","426.34","427.2","427.3","427.4","427.5","427.6","427.7","427.8","427.9","427.10","427.14","427.19","427.18","427.20","427.21","427.22","427.24","427.26","427.30","427.28","427.31","427.32","427.33","427.34","427.35","427.36","427.37","427.39","427.43","427.44","426.2","426.9","426.12","426.14","426.15","426.16","426.17","426.18","426.19","426.20","426.21","426.22","425.31","425.32","425.33","425.34","425.39","425.41","425.42","425.45","425.46","425.47","425.49","425.51","424.26","425.30","425.23","425.25","425.28","425.29","425.20","425.21","425.16","425.18","425.14","425.10","425.5","425.6","425.7","425.27","424.28","425.1","424.25","424.20","424.21","424.22","424.23","424.15","424.16","424.17","424.11","424.12","424.7","424.8","424.1","424.2","529.16","529.17","529.15","17.14","537.7","528.14","528.15","528.16","528.17","528.19","518.20","528.21","528.22","528.23","427.17","425.22","425.19","425.11","425.13","425.2","425.3","424.18","424.19","424.13","424.14","424.9","424.4","424.6","426.11","426.7","425.40","425.35","425.15","425.4","424.24","428.18","428.9","428.5","426.10","426.8","426.1","1.7","1.6","437.14","425.9","424.10","424.3","527.34","527.35","530.10","530.11","530.15","521.5","526.2","526.6","526.5","526.4","526.3","428.33","425.44","425.38","527.28","527.27","525.11","525.2","426.3","426.23","527.19","428.7","509.21","509.25","The Report Series includes 41 folders.  The information dates from 1962 to 2005.  The paperwork is information submitted to different organization within Reston,  such as the council and the RHOA Board.  The reports provided the associations with updates and information on various projects and programs within Reston such as land use.   Also included in the series  are the RHOA Plus White Papers from March of 1981.","1.15","17.16","10.3","506.6","544.10","425.8","535.10","1.9","17.10","16.23","425.48","425.17","434.3","434.1","434.2","500.6","17.13","1.10","524.4","16.01","537.5","17.02","509.10","506.3","509.12","524.2","425.12","437.8","17.01","524.1","440.8","440.7","439.10","16.21","1.04","16.13","16.12","536.15","535.11","528.3","528.2","441.1","441.2","441.3","441.4","441.5","441.6","441.7","434.9","526.14a","526.14b","1.4","1.3","1.6","16.22","1.01","436.6","17.04","17.12","437.5","425.37","437.4","436.4","436.5","16.03","534.6","535.12","534.1","534.2","17.03","534.3","534.4","534.5","527.29","535.14","426.28","425.43","527.22","425.26","537.4","509.36","530.3","530.8","439.6","509.1","509.33","436.1","436.2","441.8","537.1","506.4","425.24","527.11","527.6","527.9","438.4","440.14","527.4","1.03","527.3","529.10","529.11","535.4","536.8","There are 78 folders involving the Reston Association budget.  The folders are dated from 1969 to 1995.  The information involves the organization of the budget for various projects and programs such as the council individual budget and recreational programs.  The information also includes assessments of the budget from various months during the 1980s and 1990s.","509.15","509.32","438.2","431.9","432.6","432.5","431.8","431.7","431.6","429.2","429.8","506.16","509.31","429.9","429.10","433.9","433.10","430.6","430.5","430.7","430.8","509.14","427.38","433.3","433.4","433.5","433.6","433.7","433.8","432.7","433.1","433.2","432.10","432.11","1.06","509.9","509.3","427.25","437.7","433.12","509.9","16.15","425.27","439.8","432.2","432.1","528.13","1.05","509.1","430.3","1.11","1.10","1.09","430.9","1.08","431.3","1.07","16.24","432.4","432.3","16.18","442.9","433.11","433.13","433.14","509.5","526.11","526.9","526.10","437.1","526.8","509.4","16.16","509.13","431.2","431.1","430.4","429.6","429.7","429.7","509.6","17.21","431.10","509.28","440.2","432.8","432.9","431.4","431.5","430.1","430.2","429.4","429.5","429.3","Series 6 is consists of paperwork from different Reston committees.  Subjects that this series covers includes education, elections, health care and other issues.  Also included is information from planning and zoning of Reston.","524.6","521.3","521.2","521.1","17.11","426.30","16.25","537.6","529.20","529.26","529.21","528.6","529.27","529.14","529.23","528.5","528.7","529.24","529.12","537.11","537.14","527.24","527.25","527.26","529.22","511.5","529.25","529.19","537.17","Series 7 consists of articles relating to Reston.  The articles cover a variety of topics such as elections, grand openings, community newsletters, and other community functions.  The articles are from papers from The Connection, a local Fairfax newspaper, The Washington Post and other publications.","531.2","531.28","531.31","531.29","535.7","527.33","536.19","527.2","537.31","536.1","536.18","1.02","534.7","16.05","531.11","537.16","531.27","531.30","1.16","528.8","17.07","529.18","535.1","506.5","17.08","531.4","531.6","531.7","530.8","531.9","531.10","531.11","531.12","531.13","531.14","531.15","531.16","531.17","531.18","531.19","531.20","531.21","531.22","531.23","531.26","531.25","531.26","531.5","536.3","16.06","17.06","16.07","530.17","527.31","16.04","535.2","536.10","536.9","536.23","536.20","536.6","536.16","536.4","536.2","539.29","17.05","There are 27 folders in this series.  The folders contain information regarding recommendations, RHOA handbooks and other manuals about the operations and procedures of the Reston Association different projects and programs.","463.16","1.11","444.7","12.16","533.13","480.7","509.18","525.7","524.3","506.2","531.3","537.13","506.7","509.22","440.9","535.6","439.4","528.4","429.11","439.1","439.12","439.13","439.17","439.16","439.15","439.14","439.19","439.18","439.20","525.5","525.6","438.1","511.3","511.2","511.4","511.7","511.6","439.3","440.5","526.15","501.3","434.6","434.7","434.8","439.2","530.16","501.1","501.2","536.17","536.5","500.5","506.1","440.1","527.5","427.41","437.11","536.7","535.5","Includes 36 folders with papers from different binders.  The information contained within is from various sources dealing with the Reston Association.  The folders have information from different projects and programs that the Association was involved in, such as maintenance, volunteer programs in the community, annual reports and information about the board.","437.15","537.10","16.10","437.10","16.14","428.12","428.21","427.29","427.40","434.5","16.08","16.17","1.13","526.1a","526.1b","442.6","1.8","16.26","439.5","526.22","526.21","526.20","441.9","441.10","441.11","424.5","526.19","526.17","537.21","527.1","529.4","529.5","529.6","529.7","529.1","529.3","529.2","509.17","526.16","535.15","526.13","434.10","434.11","434.12","434.13","434.14","437.13","526.12","536.13","526.7","536.22","16.11","436.10","535.3","528.12","528.11","440.11","17.18","535.16","525.4","16.09","535.9","509.23","437.12","538.1","538.2","537.22","537.23","537.25","537.24","530.1","523.1","511.8","511.9","511.1","530.7","530.4","530.9","649.03","649.04","16.02","527.30","436.3","1.4","536.21","527.23","438.3","537.9","537.19","528.1","440.12","477.14","480.49","440.6","480.28","480.26","532.1","537.28","527.23","439.7","528.10","537.26","1.18","529.8","535.8","527.18","1.2","17.15","17.19","435.7","435.4","435.5","435.6","537.20","1.12","1.1","17.17","537.27","17.09","535.17","536.12","Includes 492 folders with papers from different binders.  The items within document various programs from the Reston Association from 1969 to 2004.  The series includes photographs, slides, contact sheets and negatives.  Also include is a section of oversize photographs, contact sheets and negatives at the end of the series.","6 contact sheets","1 page","2 photographs","1 contact sheet","2 photographs","8 photographs","3 contact sheets","15 photographs","9 photographs","13 photographs","1 contact sheet","6 photographs","2 photographs","1 contact sheet","9 photographs","15 photographs","9 photographs","5 contact sheets","7 photographs","8 contact sheets","4 photographs","15 contact sheets","7 contact sheets","8 negatives","14 photographs","2 pages","8 contact sheets","14 photographs","15 photographs","12 photographs","15 photographs","6 contact sheets","6 photographs","81 slides","51 slides","45 slides","98 slides","71 slides","2 contact sheets","2 contact sheets","3 negatives and 1 contact sheet","6 negatives and 1 contact sheet","7 negatives and 2 contact sheets","5 negatives and 1 contact sheet","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","2 negatives and 1 contact sheet","7 negatives and 1 contact sheet","3 contact sheets","16 negatives and 3 contact sheets","7 negatives and 1 contact sheet","7 negatives and 1 contact sheet","6 negatives and 1 contact sheet","18 photographs","8 negatives","15 photographs","15 photograph","1 negative, 1 photograph and 1 page","6 negatives and 1 contact sheet","6 negatives and 1 contact sheet","7 negatives and 1 contact sheet","6 negatives and 3 contact sheets","3 negatives and 1 contact sheet","1 contact sheet","7 negatives and 1 contact sheet","6 negatives","1 photograph and 1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","1 contact sheet","5 negatives and 1 contact sheet","5 negatives and 1 contact sheet","7 negatives and 1 contact sheet","4 negatives","13 pages","6 photographs","3 contact sheets","3 contact sheets","3 contact sheets","2 contact sheets","28 slides","1 page","8 pages","8 negatives and 2 contact sheets","1 page, 8 negatives and 2 contact sheets","5 negatives and 1 contact sheet","8 negatives and 2 contact sheets","8 negatives and 2 contact sheets","4 negatives and 1 contact sheet","8 negatives and 2 contact sheets","9 negatives and 3 contact sheets","1 page, 16 negatives and 3 contact sheet","1 page, 8 negatives and 2 contact sheets","8 negatives and 2 contact sheets","6 negatives and 1 contact sheet","5 negatives and 1 contact sheet","6 negatives and 1 contact sheet","16 negatives","3 contact sheets","8 negatives and 2 contact sheets","8 negatives and 3 contact sheets","6 contact sheets","7 negatives","1 negatives and 3 contact sheets","95 negatives","14 contact sheets","1 contact sheet","5 negatives and 1 contact sheet","5 negatives and 1 contact sheet","6 negatives and 1 contact sheet","17 slides","2 contact sheets","12 slides","5 photographs","6 photos","4 photographs","5 photographs","23 slides","2 contact sheets","5 photographs","2 contact sheets","2 photographs","4 photographs","2 contact sheets","4 photographs","18 slides","2 photographs and 1 contact sheet","24 photographs","23 slides","71 slides","5 slides","20 slides","26 slides","3 photographs and 2 pages","10 pages","4 booklets and 2 pages","5 photographs","7 photographs","15 photographs","4 photographs","1 contact sheet","1 contact sheet","1 contact sheet","1 photograph","1 3.5 disc","1 slide","15 photographs","15 photographs","15 photographs","11 photographs","55 negatives","29 negatives","15 photographs","15 photographs","5 photographs","7 negatives","15 photographs","11 photographs","19 slides","2 contact sheets","10 negatives","37 negatives","6 photographs","20 photographs","16 photographs","6 negatives","4 slides","1 page","23 negatives","15 photographs","15 photographs","15 photographs","15 photographs","15 photographs","15 photographs","16 photographs","15 photographs","15 photographs","10 photographs","9 photographs","3 negatives","38 negatives","1 contact sheet","4 negatives","1 contact sheet","15 photographs","4 pages","8 negatives","49 negatives","1 contact sheet","1 contact sheet","6 negatives","3 photographs","9 negatives","15 photographs","15 photographs","4 photographs","1 contact sheet","7 negatives","22 negatives","7 negatives","15 photographs","9 photographs","5 negatives","1 contact sheet","15 negatives","24 negatives","66 slides","8 negatives","15 photographs","15 photographs","8 photographs","1 contact sheet","2 negatives","2 contact sheets","15 photographs","15 photographs","3 photographs","78 slides","38 slides","15 slides","20 slides","20 slides","128 slides","22 slides","94 slides","14 slides","30 slides","4 slides","2 slides","83 slides","53 slides","11 slides","21 slides","14 slides","5 slides","23 slides","20 slides","4 slides","35 slides","27 slides","91 slides","100 slides","100 slides","100 slides","23 slides","99 slides","100 slides","27 slides","17 slides","47 slides","4 slides","58 slides","100 slides","30 slides","8 negatives","3 photographs","11 negatives","8 photographs","3 contact sheets","3 photographs","5 contact sheets","3 photographs","1 contact sheet","3 photographs","1 contact sheet","4 photographs","2 contact sheets","6 photographs","1 contact sheet","6 contact sheets","11 contact sheets","7 photographs","11 contact sheets","16 photographs","7 negatives","12 contact sheets","11 negatives","6 photographs","12 contact sheets","4 photographs","4 contact sheets","1 negative","1 page","15 photographs","15 photographs","7 photographs","1 contact sheet","3 contact sheets","3 photographs","4 contact sheets","5 negatives","16 photographs","3 contact sheets","7 contact sheets","6 contact sheets","3 contact sheets","5 contact sheets","9 negatives","9 negatives","12 negatives","7 negatives","7 photographs","4 photographs","3 contact sheets","10 photographs","12 photographs","12 photographs","3 contact sheets","1 negative","14 photographs","15 contact sheets","19 negatives","7 photographs","12 contact sheets","12 contact sheets","12 photographs","12 photographs","3 photographs","3 contact sheets","6 contact sheets","5 photographs","4 contact sheets","10 negatives","15 photographs","17 contact sheets","12 negatives","15 photographs","15 photographs","11 photographs","4 negatives","2 photographs and 1 contact sheet","9 contact sheets","9 photographs","4 contact sheets","3 negatives","3 photographs","4 contact sheets","3 contact sheets","3 pages","5 photographs","3 contact sheets","10 negatives","6 photographs","13 contact sheets","21 negatives","14 photographs","2 photographs","3 contact sheets","5 photographs","5 contact sheets","2 negatives","1 photograph","9 photographs","4 contact sheets","4 photographs","2 contact sheets","4 photographs","6 contact sheets","1 contact sheet","7 negatives","3 photographs","7 contact sheets","15 contact sheets","7 contact sheets","1 photograph","5 contact sheets","15 photographs","14 photographs","11 photographs","9 contact sheets","11 negatives","15 photographs","15 photographs","15 photographs","15 photographs","5 photographs","4 photographs","100 slides","31 slides","7 slides","18 slides","70 slides","3 photographs 537.30","32 slides","20 slides","16 slides","54 slides","52 slides","13 slides","20 photographs","20 photographs","20 photographs","20 photographs","20 photographs","20 photographs","23 photographs","65 slides","60 slides","19 slides","29 slides","15 slides","20 slides","12 slides","14 slides","6 slides","5 slides","10 slides","7 slides","17 slides","13 slides","16 slides","11 slides","14 slides","4 slides","14 slides","16 slides","2 slides","12 slides","14 slides","8 slides","7 slides","10 slides","17 slides","23 slides","5 slides","14 slides","11 slides","22 slides","19 slides","8 slides","16 slides","16 slides","10 slides","12 slides","15 contact sheets","15 photographs","15 photographs","15 photographs","15 photographs","12 photographs","6 negatives","2 contact sheets","8 negatives","6 photographs","1 contact sheet","4 negatives","1 contact sheet","3 negatives","1 contact sheet","6 negatives","3 slides","2 contact sheets","10 negatives","2 photographs","16 negatives","13 photographs","4 contact sheets","19 negatives","36 slides","4 contact sheets","20 negatives","3 contact sheets","30 negatives","5 contact sheets","3 photographs","4 contact sheets","22 negatives","1 photograph","44 slides","32 slides","1 contact sheet","3 negatives","VHS","VHS","VHS","VHS","1 photo","1 photo","3 photo","1 photo","1 photo","1 contact sheet","7 negatives","1 contact sheet","7 negatives","1 contact sheet","7 negatives","1 contact sheet","6 negatives","1 contact sheet","7 negatives","1 contact sheet","7 negatives"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reston Association records include meeting minutes, budgets, clippings, reports, handbooks, correspondence, and general information on the association.  Also included is a series of photography, which has photographs, contact sheets , slides, and negatives.  The collection documents the activities of the Reston Home Owners Association, later renamed Reston Association in 1987 to include apartments and condos. The collection covers the period of time from the 1964 to 2006."],"corpname_ssim":["George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association."],"persname_ssim":["Simon, Robert E. (Robert Edward), 1914-"],"names_ssim":["George Mason University. \nSpecial Collections and Archives.","Reston Association","Reston Association.","Simon, Robert E. (Robert Edward), 1914-"],"language_ssim":["English"],"total_component_count_is":1317,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:58.033Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00085"}},{"id":"vifgm_simon","type":"collection","attributes":{"title":"Robert E. Simon, Jr. papers, 1960/2006","creator":{"id":"https://arvasarchive.org/catalog/vifgm_simon#creator","type":"document_value","attributes":{"value":"Robert E. (Robert Edward) Simon, 1914-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_simon#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_simon#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_simon","ead_ssi":"vifgm_simon","_root_":"vifgm_simon","_nest_parent_":"vifgm_simon","ead_source_url_ssi":"data/gmu/simon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/simon.html","title_ssm":["Robert E. Simon, Jr. papers"],"title_tesim":["Robert E. Simon, Jr. papers"],"unitdate_ssm":["1960-2006"],"unitdate_inclusive_ssm":["1960-2006"],"normalized_date_ssm":["1960/2006"],"normalized_title_ssm":["Robert E. Simon, Jr. papers, 1960/2006"],"text":["Robert E. Simon, Jr. papers, 1960/2006","C0162","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Photographic negatives.","Photographic prints.","Slides.","Video recordings.","There are no access restrictions.","Organized into 10 series.","Series 1:  Correspondence, 1975-2001 (Box 1)\n\n        Series 2:  Reston General Information, 1960-1990 (Boxes 1-4)\n\n        Series 3:  Reston Community Centers,  1963-1991 (Box 4)\n\n        Series 4:  Reston Finance, 1963-1976 (Boxes 4-5)\n\n        Series 5:  Building Projects, 1961-1975 (Boxes 5-6)\n\n        Series 6:  National File, 1964-1987 (Boxes 6-7)\n\n        Series 7:  Conferences, 1964-1987 (Boxes 7-10)\n\n        Series 8:  Planned Communities, 1962-1975 (Boxes 10-11)\n\n        Series 9:  Media, 1960-2003 (Boxes 11-12)\n\n        Series 10:  Oversize, 1960-2006 (Boxes 13-15)","Robert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play.","The Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives.  In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in March and April 2009 by Emily Martin.","Special Collections and Archives also holds many other collections on the history of Reston and Northern Virginia.","The Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and  scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.","Series one is titled correspondence and is dated from 1975 to 2001.  The series is small and is only in box 1.  Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino.  Also included in the series are invitations for various speaking engagements.","Series two is titled Reston General Information and is dated from 1960 to 1990.  The series is contained within boxes 1 through 4.  In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.","Series three is titled Reston Community Centers and is dated from 1963 to 1991.  The series is contained in box 4.  The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.","Series four is titled Reston Finance and is dated from 1963 to 1976.  The series is contained in boxes 4 and 5.  The series is general information on the finances of Reston.  Included in the series are documents on taxes, consulting firms and various other sources.","Series five is titled Building Projects and is dated from 1961 to 1975.  The series is contained in boxes 5 and 6.  The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.","Series six is titled National File and is dated from 1964 to 1987.  The series is contained in boxes 6 and 7.  The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).","Series seven is titled Conferences and is dated from 1964 to 1987.  The series is contained in boxes 7 through 10.  The information in this series is from various conferences that Robert E. Simon Jr. attended during these years.  Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities.","Series eight is titled Planned Communities and is dated from 1962 to 1975.  The series contained in boxes 10 and 11.  The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","Series nine is titled Media and is dated from 1960 to 2003.  The series is contained in boxes 11 and 12.  The series is comprised of negatives, slides, photographs, videotapes and a single reel.  The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.","Series ten is titled Oversize and is dated from 1960 to 2006.  The series is contained in boxes 13 through 15.  The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century.  The articles all relate to Reston and the developments there.","Series one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements.  The series is dated from 1975 to 2001.","266.6","267.2","267.4","267.5","267.3","274.5","274.14","266.2","274.15","267.6","266.1a","Series two is titled Reston General Information.  In this series there are various documents from Reston, including promotional material and zoning information.  The series is dated from 1960 to 1990.","267.11","275.11","275.7","275.9","274.3","270.15","275.5","274.2","274.4","275.1","395.2","395.4","395.3","267.10","266.3","273.1","395.7","270.14","268.14","274.1","275.12","275.3","275.8","268.15","395.9","267.8","395.8","395.5","276.13","395.6","Series three is titled Reston Community Centers.  The series is information from different organizations in Reston such as the Reston Day Care.  The series is dated from 1963 to 1991.","266.1","395.1","267.12","266.4","267.13","267.14","271.8","267.9","270.12","Series four is titled Reston Finance.  Included in the series are documents on taxes, consulting firms and various other sources.  The series is dated from 1963 to 1976.","274.10","273.3","274.9","274.11","274.8","274.7","275.2","274.12","270.1","270.2","268.11","266.5","269.4","274.6","274.13","270.3","267.15","272.2","Series five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms.  The series is dated from 1961 to 1975.","270.9","266.17","270.10","275.4","266.16","266.12","266.11","266.8","270.7","270.6","270.5","266.7","266.10","270.8","266.13","266.9","266.15","270.11","275.6","276.6","270.4","271.27","Series six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD).  The series is dated from 1964 to 1987.","269.9","267.1","269.10","269.8","271.14","272.1","271.3","271.5","271.4","269.7","271.18","271.2","271.20","269.6","271.1","271.11","271.25","273.2","272.3","Series seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.","271.24","268.8","272.14","271.26","268.7","268.13","272.9","271.13","272.10","272.6","276.10","268.6","268.12","269.11","271.7","271.10","272.7","268.9","272.12","271.9","276.11","1.4","271.15","276.5","276.7","268.2","267.7","268.3","276.12","272.5","271.12","276.3","268.17","268.16","276.14","272.4","271.19","268.4","276.8","268.1","271.16","272.11","276.9","268.10","269.2","269.3","268.5","269.5","276.2","276.4","276.13","272.13","276.1","271.23","272.8","271.22","269.12","271.6","271.24","269.1","271.17","The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","504.2","504.6","504.7","504.1","504.1","504.8","504.3","504.5","Series eight is titled Media.  The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.","394.4","394.11","395.10","394.6","394.7","394.4","394.9","394.10","394.5","14.1","14.1; Access copy available on DVD. 39 minutes, 58 seconds.","154.2; Access copy available on DVD. 29 minutes.","154.2","485.2","394; Access copy available on DVD. 18 minutes, 48 seconds.","394; Access copy available on DVD. 30 minutes, 01 seconds.","394; Access copy available on DVD. 12 minutes, 15 seconds.","394.3","Series nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there.  The series is dated from 1960 to 2006.","1.1","1.2","1.3","1.4","1.5","396.1","396.2","396.3","396.4","396.5","396.6","396.7","396.8","396.9","396.10","396.11","396.12","396.13","396.14","396.15","396.16","396.17","397.1","397.2","397.3","397.4","397.5","397.6","397.7","397.8","397.9","397.10","397.11","397.12","397.13","397.14","397.15","397.16","397.17","397.18","397.19","397.20","397.21","397.22","397.22","397.24","397.25","397.26","397.27","397.28","397.29","397.30","397.2","397.32","397.33","397.34","397.35","397.36","397.37","397.38","397.39","397.40","397.41","397.42","397.43","397.44","397.45","397.46","397.47","397.48","397.49","397.50","397.51","397.52","397.532","397.54","397.55","397.56","397.57","397.58","397.59","397.60","397.62","397.62","397.63","397.64","397.65","397.66","397.67","397.68","397.69","397.70","397.71","397.72","397.73","397.74","397.75","397.76","397.77","397.78","397.79","397.80","397.81","A large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages.","There are no restrictions on personal use. Permission to publish material from the Robert E. Simon, Jr. papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country.","George Mason University. Special Collections and Archives.","Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-","English"],"collection_title_tesim":["Robert E. Simon, Jr. papers, 1960/2006"],"collection_ssim":["Robert E. Simon, Jr. papers, 1960/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0162"],"unitid_tesim":["C0162"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Robert E. (Robert Edward) Simon, 1914-"],"creator_ssim":["Robert E. (Robert Edward) Simon, 1914-"],"creator_persname_ssim":["Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives."],"creators_ssim":["Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-","George Mason University. Special Collections and Archives."],"acqinfo_ssim":["Donated by Robert E. Simon Jr. in three section first on May 7, 1992, second on August 9, 1993 and the final donation was made on September 15, 2008."],"access_subjects_ssim":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Photographic negatives.","Photographic prints.","Slides.","Video recordings."],"access_subjects_ssm":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Photographic negatives.","Photographic prints.","Slides.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["7.5 linear feet (15 boxes)"],"extent_tesim":["7.5 linear feet (15 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into 10 series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Correspondence, 1975-2001 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  Reston General Information, 1960-1990 (Boxes 1-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  Reston Community Centers,  1963-1991 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Reston Finance, 1963-1976 (Boxes 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Building Projects, 1961-1975 (Boxes 5-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  National File, 1964-1987 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  Conferences, 1964-1987 (Boxes 7-10)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Planned Communities, 1962-1975 (Boxes 10-11)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  Media, 1960-2003 (Boxes 11-12)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  Oversize, 1960-2006 (Boxes 13-15)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into 10 series.","Series 1:  Correspondence, 1975-2001 (Box 1)\n\n        Series 2:  Reston General Information, 1960-1990 (Boxes 1-4)\n\n        Series 3:  Reston Community Centers,  1963-1991 (Box 4)\n\n        Series 4:  Reston Finance, 1963-1976 (Boxes 4-5)\n\n        Series 5:  Building Projects, 1961-1975 (Boxes 5-6)\n\n        Series 6:  National File, 1964-1987 (Boxes 6-7)\n\n        Series 7:  Conferences, 1964-1987 (Boxes 7-10)\n\n        Series 8:  Planned Communities, 1962-1975 (Boxes 10-11)\n\n        Series 9:  Media, 1960-2003 (Boxes 11-12)\n\n        Series 10:  Oversize, 1960-2006 (Boxes 13-15)"],"bioghist_html_tesm":["\u003cp\u003eRobert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play. \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play."],"prefercite_html_tesm":["\u003cp\u003eRobert E. Simon, Jr. papers, C0162, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Robert E. Simon, Jr. papers, C0162, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives.  In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.\n\u003c/p\u003e\n        ","\u003cp\u003eProcessed in March and April 2009 by Emily Martin.  \n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives.  In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in March and April 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other collections on the history of Reston and Northern Virginia.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other collections on the history of Reston and Northern Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and  scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence and is dated from 1975 to 2001.  The series is small and is only in box 1.  Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino.  Also included in the series are invitations for various speaking engagements.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled Reston General Information and is dated from 1960 to 1990.  The series is contained within boxes 1 through 4.  In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled Reston Community Centers and is dated from 1963 to 1991.  The series is contained in box 4.  The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled Reston Finance and is dated from 1963 to 1976.  The series is contained in boxes 4 and 5.  The series is general information on the finances of Reston.  Included in the series are documents on taxes, consulting firms and various other sources. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled Building Projects and is dated from 1961 to 1975.  The series is contained in boxes 5 and 6.  The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled National File and is dated from 1964 to 1987.  The series is contained in boxes 6 and 7.  The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Conferences and is dated from 1964 to 1987.  The series is contained in boxes 7 through 10.  The information in this series is from various conferences that Robert E. Simon Jr. attended during these years.  Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled Planned Communities and is dated from 1962 to 1975.  The series contained in boxes 10 and 11.  The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries nine is titled Media and is dated from 1960 to 2003.  The series is contained in boxes 11 and 12.  The series is comprised of negatives, slides, photographs, videotapes and a single reel.  The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries ten is titled Oversize and is dated from 1960 to 2006.  The series is contained in boxes 13 through 15.  The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century.  The articles all relate to Reston and the developments there.\n\u003c/p\u003e\n    ","\u003cp\u003eSeries one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements.  The series is dated from 1975 to 2001.\n\u003c/p\u003e\n        ","\u003cp\u003e266.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.1a\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries two is titled Reston General Information.  In this series there are various documents from Reston, including promotional material and zoning information.  The series is dated from 1960 to 1990.\n\u003c/p\u003e\n        ","\u003cp\u003e267.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e274.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e273.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e395.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e276.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.6\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries three is titled Reston Community Centers.  The series is information from different organizations in Reston such as the Reston Day Care.  The series is dated from 1963 to 1991.\n\u003c/p\u003e\n        ","\u003cp\u003e266.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e266.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.12\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries four is titled Reston Finance.  Included in the series are documents on taxes, consulting firms and various other sources.  The series is dated from 1963 to 1976.\n\u003c/p\u003e\n        ","\u003cp\u003e274.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e273.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.2\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms.  The series is dated from 1961 to 1975. \n\u003c/p\u003e\n        ","\u003cp\u003e270.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.27\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD).  The series is dated from 1964 to 1987.\n\u003c/p\u003e\n        ","\u003cp\u003e269.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e273.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.3\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.\n\u003c/p\u003e\n        ","\u003cp\u003e271.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e271.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.17\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.\n\u003c/p\u003e\n        ","\u003cp\u003e504.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.5\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries eight is titled Media.  The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003. \n\u003c/p\u003e\n        ","\u003cp\u003e394.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e14.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e14.1; Access copy available on DVD. 39 minutes, 58 seconds.  \n\t\u003c/p\u003e\n          ","\u003cp\u003e154.2; Access copy available on DVD. 29 minutes.\n\t\u003c/p\u003e\n          ","\u003cp\u003e154.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e485.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e394; Access copy available on DVD. 18 minutes, 48 seconds.  \n\t\u003c/p\u003e\n          ","\u003cp\u003e394; Access copy available on DVD. 30 minutes, 01 seconds.  \n\t\u003c/p\u003e\n          ","\u003cp\u003e394; Access copy available on DVD. 12 minutes, 15 seconds.\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.3\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there.  The series is dated from 1960 to 2006.\n\u003c/p\u003e\n        ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.21\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.27\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.28\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.29\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.30\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.32\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.33\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.34\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.35\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.36\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.37\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.38\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.39\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.40\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.41\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.42\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.43\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.44\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.45\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.46\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.47\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.48\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.49\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.50\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.51\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.52\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.532\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.54\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.55\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.56\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.57\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.58\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.59\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.60\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.62\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.62\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.63\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.64\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.65\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.66\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.67\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.68\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.69\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.70\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.71\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.72\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.73\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.74\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.75\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.76\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.77\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.78\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.79\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.80\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.81\n\t\u003c/p\u003e\n          ","\u003cp\u003eA large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages. \n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and  scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.","Series one is titled correspondence and is dated from 1975 to 2001.  The series is small and is only in box 1.  Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino.  Also included in the series are invitations for various speaking engagements.","Series two is titled Reston General Information and is dated from 1960 to 1990.  The series is contained within boxes 1 through 4.  In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.","Series three is titled Reston Community Centers and is dated from 1963 to 1991.  The series is contained in box 4.  The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.","Series four is titled Reston Finance and is dated from 1963 to 1976.  The series is contained in boxes 4 and 5.  The series is general information on the finances of Reston.  Included in the series are documents on taxes, consulting firms and various other sources.","Series five is titled Building Projects and is dated from 1961 to 1975.  The series is contained in boxes 5 and 6.  The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.","Series six is titled National File and is dated from 1964 to 1987.  The series is contained in boxes 6 and 7.  The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).","Series seven is titled Conferences and is dated from 1964 to 1987.  The series is contained in boxes 7 through 10.  The information in this series is from various conferences that Robert E. Simon Jr. attended during these years.  Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities.","Series eight is titled Planned Communities and is dated from 1962 to 1975.  The series contained in boxes 10 and 11.  The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","Series nine is titled Media and is dated from 1960 to 2003.  The series is contained in boxes 11 and 12.  The series is comprised of negatives, slides, photographs, videotapes and a single reel.  The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.","Series ten is titled Oversize and is dated from 1960 to 2006.  The series is contained in boxes 13 through 15.  The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century.  The articles all relate to Reston and the developments there.","Series one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements.  The series is dated from 1975 to 2001.","266.6","267.2","267.4","267.5","267.3","274.5","274.14","266.2","274.15","267.6","266.1a","Series two is titled Reston General Information.  In this series there are various documents from Reston, including promotional material and zoning information.  The series is dated from 1960 to 1990.","267.11","275.11","275.7","275.9","274.3","270.15","275.5","274.2","274.4","275.1","395.2","395.4","395.3","267.10","266.3","273.1","395.7","270.14","268.14","274.1","275.12","275.3","275.8","268.15","395.9","267.8","395.8","395.5","276.13","395.6","Series three is titled Reston Community Centers.  The series is information from different organizations in Reston such as the Reston Day Care.  The series is dated from 1963 to 1991.","266.1","395.1","267.12","266.4","267.13","267.14","271.8","267.9","270.12","Series four is titled Reston Finance.  Included in the series are documents on taxes, consulting firms and various other sources.  The series is dated from 1963 to 1976.","274.10","273.3","274.9","274.11","274.8","274.7","275.2","274.12","270.1","270.2","268.11","266.5","269.4","274.6","274.13","270.3","267.15","272.2","Series five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms.  The series is dated from 1961 to 1975.","270.9","266.17","270.10","275.4","266.16","266.12","266.11","266.8","270.7","270.6","270.5","266.7","266.10","270.8","266.13","266.9","266.15","270.11","275.6","276.6","270.4","271.27","Series six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD).  The series is dated from 1964 to 1987.","269.9","267.1","269.10","269.8","271.14","272.1","271.3","271.5","271.4","269.7","271.18","271.2","271.20","269.6","271.1","271.11","271.25","273.2","272.3","Series seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.","271.24","268.8","272.14","271.26","268.7","268.13","272.9","271.13","272.10","272.6","276.10","268.6","268.12","269.11","271.7","271.10","272.7","268.9","272.12","271.9","276.11","1.4","271.15","276.5","276.7","268.2","267.7","268.3","276.12","272.5","271.12","276.3","268.17","268.16","276.14","272.4","271.19","268.4","276.8","268.1","271.16","272.11","276.9","268.10","269.2","269.3","268.5","269.5","276.2","276.4","276.13","272.13","276.1","271.23","272.8","271.22","269.12","271.6","271.24","269.1","271.17","The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","504.2","504.6","504.7","504.1","504.1","504.8","504.3","504.5","Series eight is titled Media.  The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.","394.4","394.11","395.10","394.6","394.7","394.4","394.9","394.10","394.5","14.1","14.1; Access copy available on DVD. 39 minutes, 58 seconds.","154.2; Access copy available on DVD. 29 minutes.","154.2","485.2","394; Access copy available on DVD. 18 minutes, 48 seconds.","394; Access copy available on DVD. 30 minutes, 01 seconds.","394; Access copy available on DVD. 12 minutes, 15 seconds.","394.3","Series nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there.  The series is dated from 1960 to 2006.","1.1","1.2","1.3","1.4","1.5","396.1","396.2","396.3","396.4","396.5","396.6","396.7","396.8","396.9","396.10","396.11","396.12","396.13","396.14","396.15","396.16","396.17","397.1","397.2","397.3","397.4","397.5","397.6","397.7","397.8","397.9","397.10","397.11","397.12","397.13","397.14","397.15","397.16","397.17","397.18","397.19","397.20","397.21","397.22","397.22","397.24","397.25","397.26","397.27","397.28","397.29","397.30","397.2","397.32","397.33","397.34","397.35","397.36","397.37","397.38","397.39","397.40","397.41","397.42","397.43","397.44","397.45","397.46","397.47","397.48","397.49","397.50","397.51","397.52","397.532","397.54","397.55","397.56","397.57","397.58","397.59","397.60","397.62","397.62","397.63","397.64","397.65","397.66","397.67","397.68","397.69","397.70","397.71","397.72","397.73","397.74","397.75","397.76","397.77","397.78","397.79","397.80","397.81","A large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Robert E. Simon, Jr. papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Robert E. Simon, Jr. papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country. \n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country."],"corpname_ssim":["George Mason University. Special Collections and Archives."],"persname_ssim":["Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-"],"names_ssim":["George Mason University. Special Collections and Archives.","Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-"],"language_ssim":["English"],"total_component_count_is":318,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_simon","ead_ssi":"vifgm_simon","_root_":"vifgm_simon","_nest_parent_":"vifgm_simon","ead_source_url_ssi":"data/gmu/simon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/simon.html","title_ssm":["Robert E. Simon, Jr. papers"],"title_tesim":["Robert E. Simon, Jr. papers"],"unitdate_ssm":["1960-2006"],"unitdate_inclusive_ssm":["1960-2006"],"normalized_date_ssm":["1960/2006"],"normalized_title_ssm":["Robert E. Simon, Jr. papers, 1960/2006"],"text":["Robert E. Simon, Jr. papers, 1960/2006","C0162","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Photographic negatives.","Photographic prints.","Slides.","Video recordings.","There are no access restrictions.","Organized into 10 series.","Series 1:  Correspondence, 1975-2001 (Box 1)\n\n        Series 2:  Reston General Information, 1960-1990 (Boxes 1-4)\n\n        Series 3:  Reston Community Centers,  1963-1991 (Box 4)\n\n        Series 4:  Reston Finance, 1963-1976 (Boxes 4-5)\n\n        Series 5:  Building Projects, 1961-1975 (Boxes 5-6)\n\n        Series 6:  National File, 1964-1987 (Boxes 6-7)\n\n        Series 7:  Conferences, 1964-1987 (Boxes 7-10)\n\n        Series 8:  Planned Communities, 1962-1975 (Boxes 10-11)\n\n        Series 9:  Media, 1960-2003 (Boxes 11-12)\n\n        Series 10:  Oversize, 1960-2006 (Boxes 13-15)","Robert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play.","The Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives.  In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in March and April 2009 by Emily Martin.","Special Collections and Archives also holds many other collections on the history of Reston and Northern Virginia.","The Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and  scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.","Series one is titled correspondence and is dated from 1975 to 2001.  The series is small and is only in box 1.  Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino.  Also included in the series are invitations for various speaking engagements.","Series two is titled Reston General Information and is dated from 1960 to 1990.  The series is contained within boxes 1 through 4.  In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.","Series three is titled Reston Community Centers and is dated from 1963 to 1991.  The series is contained in box 4.  The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.","Series four is titled Reston Finance and is dated from 1963 to 1976.  The series is contained in boxes 4 and 5.  The series is general information on the finances of Reston.  Included in the series are documents on taxes, consulting firms and various other sources.","Series five is titled Building Projects and is dated from 1961 to 1975.  The series is contained in boxes 5 and 6.  The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.","Series six is titled National File and is dated from 1964 to 1987.  The series is contained in boxes 6 and 7.  The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).","Series seven is titled Conferences and is dated from 1964 to 1987.  The series is contained in boxes 7 through 10.  The information in this series is from various conferences that Robert E. Simon Jr. attended during these years.  Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities.","Series eight is titled Planned Communities and is dated from 1962 to 1975.  The series contained in boxes 10 and 11.  The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","Series nine is titled Media and is dated from 1960 to 2003.  The series is contained in boxes 11 and 12.  The series is comprised of negatives, slides, photographs, videotapes and a single reel.  The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.","Series ten is titled Oversize and is dated from 1960 to 2006.  The series is contained in boxes 13 through 15.  The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century.  The articles all relate to Reston and the developments there.","Series one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements.  The series is dated from 1975 to 2001.","266.6","267.2","267.4","267.5","267.3","274.5","274.14","266.2","274.15","267.6","266.1a","Series two is titled Reston General Information.  In this series there are various documents from Reston, including promotional material and zoning information.  The series is dated from 1960 to 1990.","267.11","275.11","275.7","275.9","274.3","270.15","275.5","274.2","274.4","275.1","395.2","395.4","395.3","267.10","266.3","273.1","395.7","270.14","268.14","274.1","275.12","275.3","275.8","268.15","395.9","267.8","395.8","395.5","276.13","395.6","Series three is titled Reston Community Centers.  The series is information from different organizations in Reston such as the Reston Day Care.  The series is dated from 1963 to 1991.","266.1","395.1","267.12","266.4","267.13","267.14","271.8","267.9","270.12","Series four is titled Reston Finance.  Included in the series are documents on taxes, consulting firms and various other sources.  The series is dated from 1963 to 1976.","274.10","273.3","274.9","274.11","274.8","274.7","275.2","274.12","270.1","270.2","268.11","266.5","269.4","274.6","274.13","270.3","267.15","272.2","Series five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms.  The series is dated from 1961 to 1975.","270.9","266.17","270.10","275.4","266.16","266.12","266.11","266.8","270.7","270.6","270.5","266.7","266.10","270.8","266.13","266.9","266.15","270.11","275.6","276.6","270.4","271.27","Series six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD).  The series is dated from 1964 to 1987.","269.9","267.1","269.10","269.8","271.14","272.1","271.3","271.5","271.4","269.7","271.18","271.2","271.20","269.6","271.1","271.11","271.25","273.2","272.3","Series seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.","271.24","268.8","272.14","271.26","268.7","268.13","272.9","271.13","272.10","272.6","276.10","268.6","268.12","269.11","271.7","271.10","272.7","268.9","272.12","271.9","276.11","1.4","271.15","276.5","276.7","268.2","267.7","268.3","276.12","272.5","271.12","276.3","268.17","268.16","276.14","272.4","271.19","268.4","276.8","268.1","271.16","272.11","276.9","268.10","269.2","269.3","268.5","269.5","276.2","276.4","276.13","272.13","276.1","271.23","272.8","271.22","269.12","271.6","271.24","269.1","271.17","The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","504.2","504.6","504.7","504.1","504.1","504.8","504.3","504.5","Series eight is titled Media.  The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.","394.4","394.11","395.10","394.6","394.7","394.4","394.9","394.10","394.5","14.1","14.1; Access copy available on DVD. 39 minutes, 58 seconds.","154.2; Access copy available on DVD. 29 minutes.","154.2","485.2","394; Access copy available on DVD. 18 minutes, 48 seconds.","394; Access copy available on DVD. 30 minutes, 01 seconds.","394; Access copy available on DVD. 12 minutes, 15 seconds.","394.3","Series nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there.  The series is dated from 1960 to 2006.","1.1","1.2","1.3","1.4","1.5","396.1","396.2","396.3","396.4","396.5","396.6","396.7","396.8","396.9","396.10","396.11","396.12","396.13","396.14","396.15","396.16","396.17","397.1","397.2","397.3","397.4","397.5","397.6","397.7","397.8","397.9","397.10","397.11","397.12","397.13","397.14","397.15","397.16","397.17","397.18","397.19","397.20","397.21","397.22","397.22","397.24","397.25","397.26","397.27","397.28","397.29","397.30","397.2","397.32","397.33","397.34","397.35","397.36","397.37","397.38","397.39","397.40","397.41","397.42","397.43","397.44","397.45","397.46","397.47","397.48","397.49","397.50","397.51","397.52","397.532","397.54","397.55","397.56","397.57","397.58","397.59","397.60","397.62","397.62","397.63","397.64","397.65","397.66","397.67","397.68","397.69","397.70","397.71","397.72","397.73","397.74","397.75","397.76","397.77","397.78","397.79","397.80","397.81","A large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages.","There are no restrictions on personal use. Permission to publish material from the Robert E. Simon, Jr. papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country.","George Mason University. Special Collections and Archives.","Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-","English"],"collection_title_tesim":["Robert E. Simon, Jr. papers, 1960/2006"],"collection_ssim":["Robert E. Simon, Jr. papers, 1960/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0162"],"unitid_tesim":["C0162"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Robert E. (Robert Edward) Simon, 1914-"],"creator_ssim":["Robert E. (Robert Edward) Simon, 1914-"],"creator_persname_ssim":["Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives."],"creators_ssim":["Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-","George Mason University. Special Collections and Archives."],"acqinfo_ssim":["Donated by Robert E. Simon Jr. in three section first on May 7, 1992, second on August 9, 1993 and the final donation was made on September 15, 2008."],"access_subjects_ssim":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Photographic negatives.","Photographic prints.","Slides.","Video recordings."],"access_subjects_ssm":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Photographic negatives.","Photographic prints.","Slides.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["7.5 linear feet (15 boxes)"],"extent_tesim":["7.5 linear feet (15 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into 10 series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Correspondence, 1975-2001 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  Reston General Information, 1960-1990 (Boxes 1-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  Reston Community Centers,  1963-1991 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Reston Finance, 1963-1976 (Boxes 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Building Projects, 1961-1975 (Boxes 5-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  National File, 1964-1987 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  Conferences, 1964-1987 (Boxes 7-10)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Planned Communities, 1962-1975 (Boxes 10-11)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  Media, 1960-2003 (Boxes 11-12)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  Oversize, 1960-2006 (Boxes 13-15)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into 10 series.","Series 1:  Correspondence, 1975-2001 (Box 1)\n\n        Series 2:  Reston General Information, 1960-1990 (Boxes 1-4)\n\n        Series 3:  Reston Community Centers,  1963-1991 (Box 4)\n\n        Series 4:  Reston Finance, 1963-1976 (Boxes 4-5)\n\n        Series 5:  Building Projects, 1961-1975 (Boxes 5-6)\n\n        Series 6:  National File, 1964-1987 (Boxes 6-7)\n\n        Series 7:  Conferences, 1964-1987 (Boxes 7-10)\n\n        Series 8:  Planned Communities, 1962-1975 (Boxes 10-11)\n\n        Series 9:  Media, 1960-2003 (Boxes 11-12)\n\n        Series 10:  Oversize, 1960-2006 (Boxes 13-15)"],"bioghist_html_tesm":["\u003cp\u003eRobert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play. \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play."],"prefercite_html_tesm":["\u003cp\u003eRobert E. Simon, Jr. papers, C0162, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Robert E. Simon, Jr. papers, C0162, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives.  In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.\n\u003c/p\u003e\n        ","\u003cp\u003eProcessed in March and April 2009 by Emily Martin.  \n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives.  In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in March and April 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other collections on the history of Reston and Northern Virginia.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other collections on the history of Reston and Northern Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and  scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence and is dated from 1975 to 2001.  The series is small and is only in box 1.  Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino.  Also included in the series are invitations for various speaking engagements.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled Reston General Information and is dated from 1960 to 1990.  The series is contained within boxes 1 through 4.  In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled Reston Community Centers and is dated from 1963 to 1991.  The series is contained in box 4.  The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled Reston Finance and is dated from 1963 to 1976.  The series is contained in boxes 4 and 5.  The series is general information on the finances of Reston.  Included in the series are documents on taxes, consulting firms and various other sources. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled Building Projects and is dated from 1961 to 1975.  The series is contained in boxes 5 and 6.  The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled National File and is dated from 1964 to 1987.  The series is contained in boxes 6 and 7.  The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Conferences and is dated from 1964 to 1987.  The series is contained in boxes 7 through 10.  The information in this series is from various conferences that Robert E. Simon Jr. attended during these years.  Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled Planned Communities and is dated from 1962 to 1975.  The series contained in boxes 10 and 11.  The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries nine is titled Media and is dated from 1960 to 2003.  The series is contained in boxes 11 and 12.  The series is comprised of negatives, slides, photographs, videotapes and a single reel.  The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries ten is titled Oversize and is dated from 1960 to 2006.  The series is contained in boxes 13 through 15.  The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century.  The articles all relate to Reston and the developments there.\n\u003c/p\u003e\n    ","\u003cp\u003eSeries one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements.  The series is dated from 1975 to 2001.\n\u003c/p\u003e\n        ","\u003cp\u003e266.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.1a\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries two is titled Reston General Information.  In this series there are various documents from Reston, including promotional material and zoning information.  The series is dated from 1960 to 1990.\n\u003c/p\u003e\n        ","\u003cp\u003e267.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e274.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e273.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e395.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e276.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.6\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries three is titled Reston Community Centers.  The series is information from different organizations in Reston such as the Reston Day Care.  The series is dated from 1963 to 1991.\n\u003c/p\u003e\n        ","\u003cp\u003e266.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e266.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.12\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries four is titled Reston Finance.  Included in the series are documents on taxes, consulting firms and various other sources.  The series is dated from 1963 to 1976.\n\u003c/p\u003e\n        ","\u003cp\u003e274.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e273.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e274.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.2\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms.  The series is dated from 1961 to 1975. \n\u003c/p\u003e\n        ","\u003cp\u003e270.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e266.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e275.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e270.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.27\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD).  The series is dated from 1964 to 1987.\n\u003c/p\u003e\n        ","\u003cp\u003e269.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.18\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.20\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.25\n\t\u003c/p\u003e\n          ","\u003cp\u003e273.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.3\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.\n\u003c/p\u003e\n        ","\u003cp\u003e271.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.26\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e271.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e267.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.19\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e268.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e276.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.23\n\t\u003c/p\u003e\n          ","\u003cp\u003e272.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.22\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.24\n\t\u003c/p\u003e\n          ","\u003cp\u003e269.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e271.17\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.\n\u003c/p\u003e\n        ","\u003cp\u003e504.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e504.5\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries eight is titled Media.  The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003. \n\u003c/p\u003e\n        ","\u003cp\u003e394.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e395.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e14.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e14.1; Access copy available on DVD. 39 minutes, 58 seconds.  \n\t\u003c/p\u003e\n          ","\u003cp\u003e154.2; Access copy available on DVD. 29 minutes.\n\t\u003c/p\u003e\n          ","\u003cp\u003e154.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e485.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e394; Access copy available on DVD. 18 minutes, 48 seconds.  \n\t\u003c/p\u003e\n          ","\u003cp\u003e394; Access copy available on DVD. 30 minutes, 01 seconds.  \n\t\u003c/p\u003e\n          ","\u003cp\u003e394; Access copy available on DVD. 12 minutes, 15 seconds.\n\t\u003c/p\u003e\n          ","\u003cp\u003e394.3\n\t\u003c/p\u003e\n          ","\u003cp\u003eSeries nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there.  The series is dated from 1960 to 2006.\n\u003c/p\u003e\n        ","\u003cp\u003e1.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e1.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.15\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.16\n\t\u003c/p\u003e\n          ","\u003cp\u003e396.17\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.1\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.2\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.3\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.4\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.5\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.6\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.7\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.8\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.9\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.10\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.11\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.12\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.13\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.14\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.15\n\t\u003c/p\u003e\n          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","\u003cp\u003e397.73\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.74\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.75\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.76\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.77\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.78\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.79\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.80\n\t\u003c/p\u003e\n          ","\u003cp\u003e397.81\n\t\u003c/p\u003e\n          ","\u003cp\u003eA large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages. \n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and  scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.","Series one is titled correspondence and is dated from 1975 to 2001.  The series is small and is only in box 1.  Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino.  Also included in the series are invitations for various speaking engagements.","Series two is titled Reston General Information and is dated from 1960 to 1990.  The series is contained within boxes 1 through 4.  In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.","Series three is titled Reston Community Centers and is dated from 1963 to 1991.  The series is contained in box 4.  The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.","Series four is titled Reston Finance and is dated from 1963 to 1976.  The series is contained in boxes 4 and 5.  The series is general information on the finances of Reston.  Included in the series are documents on taxes, consulting firms and various other sources.","Series five is titled Building Projects and is dated from 1961 to 1975.  The series is contained in boxes 5 and 6.  The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.","Series six is titled National File and is dated from 1964 to 1987.  The series is contained in boxes 6 and 7.  The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).","Series seven is titled Conferences and is dated from 1964 to 1987.  The series is contained in boxes 7 through 10.  The information in this series is from various conferences that Robert E. Simon Jr. attended during these years.  Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities.","Series eight is titled Planned Communities and is dated from 1962 to 1975.  The series contained in boxes 10 and 11.  The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","Series nine is titled Media and is dated from 1960 to 2003.  The series is contained in boxes 11 and 12.  The series is comprised of negatives, slides, photographs, videotapes and a single reel.  The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.","Series ten is titled Oversize and is dated from 1960 to 2006.  The series is contained in boxes 13 through 15.  The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century.  The articles all relate to Reston and the developments there.","Series one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements.  The series is dated from 1975 to 2001.","266.6","267.2","267.4","267.5","267.3","274.5","274.14","266.2","274.15","267.6","266.1a","Series two is titled Reston General Information.  In this series there are various documents from Reston, including promotional material and zoning information.  The series is dated from 1960 to 1990.","267.11","275.11","275.7","275.9","274.3","270.15","275.5","274.2","274.4","275.1","395.2","395.4","395.3","267.10","266.3","273.1","395.7","270.14","268.14","274.1","275.12","275.3","275.8","268.15","395.9","267.8","395.8","395.5","276.13","395.6","Series three is titled Reston Community Centers.  The series is information from different organizations in Reston such as the Reston Day Care.  The series is dated from 1963 to 1991.","266.1","395.1","267.12","266.4","267.13","267.14","271.8","267.9","270.12","Series four is titled Reston Finance.  Included in the series are documents on taxes, consulting firms and various other sources.  The series is dated from 1963 to 1976.","274.10","273.3","274.9","274.11","274.8","274.7","275.2","274.12","270.1","270.2","268.11","266.5","269.4","274.6","274.13","270.3","267.15","272.2","Series five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms.  The series is dated from 1961 to 1975.","270.9","266.17","270.10","275.4","266.16","266.12","266.11","266.8","270.7","270.6","270.5","266.7","266.10","270.8","266.13","266.9","266.15","270.11","275.6","276.6","270.4","271.27","Series six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD).  The series is dated from 1964 to 1987.","269.9","267.1","269.10","269.8","271.14","272.1","271.3","271.5","271.4","269.7","271.18","271.2","271.20","269.6","271.1","271.11","271.25","273.2","272.3","Series seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.","271.24","268.8","272.14","271.26","268.7","268.13","272.9","271.13","272.10","272.6","276.10","268.6","268.12","269.11","271.7","271.10","272.7","268.9","272.12","271.9","276.11","1.4","271.15","276.5","276.7","268.2","267.7","268.3","276.12","272.5","271.12","276.3","268.17","268.16","276.14","272.4","271.19","268.4","276.8","268.1","271.16","272.11","276.9","268.10","269.2","269.3","268.5","269.5","276.2","276.4","276.13","272.13","276.1","271.23","272.8","271.22","269.12","271.6","271.24","269.1","271.17","The documents in this series is information from different planned communities.  There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","504.2","504.6","504.7","504.1","504.1","504.8","504.3","504.5","Series eight is titled Media.  The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.","394.4","394.11","395.10","394.6","394.7","394.4","394.9","394.10","394.5","14.1","14.1; Access copy available on DVD. 39 minutes, 58 seconds.","154.2; Access copy available on DVD. 29 minutes.","154.2","485.2","394; Access copy available on DVD. 18 minutes, 48 seconds.","394; Access copy available on DVD. 30 minutes, 01 seconds.","394; Access copy available on DVD. 12 minutes, 15 seconds.","394.3","Series nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there.  The series is dated from 1960 to 2006.","1.1","1.2","1.3","1.4","1.5","396.1","396.2","396.3","396.4","396.5","396.6","396.7","396.8","396.9","396.10","396.11","396.12","396.13","396.14","396.15","396.16","396.17","397.1","397.2","397.3","397.4","397.5","397.6","397.7","397.8","397.9","397.10","397.11","397.12","397.13","397.14","397.15","397.16","397.17","397.18","397.19","397.20","397.21","397.22","397.22","397.24","397.25","397.26","397.27","397.28","397.29","397.30","397.2","397.32","397.33","397.34","397.35","397.36","397.37","397.38","397.39","397.40","397.41","397.42","397.43","397.44","397.45","397.46","397.47","397.48","397.49","397.50","397.51","397.52","397.532","397.54","397.55","397.56","397.57","397.58","397.59","397.60","397.62","397.62","397.63","397.64","397.65","397.66","397.67","397.68","397.69","397.70","397.71","397.72","397.73","397.74","397.75","397.76","397.77","397.78","397.79","397.80","397.81","A large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Robert E. Simon, Jr. papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Robert E. Simon, Jr. papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country. \n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country."],"corpname_ssim":["George Mason University. Special Collections and Archives."],"persname_ssim":["Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. (Robert Edward), 1914-"],"names_ssim":["George Mason University. Special Collections and Archives.","Robert E. (Robert Edward) Simon, 1914-","Simon, Robert E. 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