{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints\u0026f%5Bdate_range%5D%5B%5D=2000\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":9,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records, 1949/2010","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e  ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:23.861Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e  ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. 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There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:23.861Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"vifgm_repositories_2_resources_82","type":"collection","attributes":{"title":"Charles A. Veatch papers, 1970/2004","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_82#creator","type":"document_value","attributes":{"value":"Veatch, Charles A., 1942-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_82#abstract_or_scope","type":"document_value","attributes":{"value":"Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_82#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_82","ead_ssi":"vifgm_repositories_2_resources_82","_root_":"vifgm_repositories_2_resources_82","_nest_parent_":"vifgm_repositories_2_resources_82","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_82.xml","title_filing_ssi":"Charles A. Veatch papers","title_ssm":["Charles A. Veatch papers"],"title_tesim":["Charles A. Veatch papers"],"unitdate_ssm":["1970-2004"],"unitdate_inclusive_ssm":["1970-2004"],"normalized_date_ssm":["1970/2004"],"normalized_title_ssm":["Charles A. Veatch papers, 1970/2004"],"text":["Charles A. Veatch papers, 1970/2004","C0138","/repositories/2/resources/82","Reston (Va.)","Reston (Va.) -- History","Reston Town Center (Va.)","Housing","Planned communities -- Virginia -- Reston","Photography -- Negatives","Planned communities","Photographic prints","Video recordings","Newspapers","Negatives","Photographs","There are no access restrictions.","This collection is arranged according to subject.","Charles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023.","The Special Collections Research Center holds many other personal and organizational collections on the history and development of","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","Boxes 1 - 11, 13 - 21: R 41, C 1, S 1 - S 4\n\nOS R5, C4, S5","George Mason University. Libraries. Special Collections Research Center","Reston Land Corporation","Veatch, Charles A., 1942-","English"],"collection_title_tesim":["Charles A. Veatch papers, 1970/2004"],"collection_ssim":["Charles A. 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Special Collections Research Center","Reston Land Corporation"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Charles Veatch from 1999 - 2004."],"access_subjects_ssim":["Housing","Planned communities -- Virginia -- Reston","Photography -- Negatives","Planned communities","Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"access_subjects_ssm":["Housing","Planned communities -- Virginia -- Reston","Photography -- Negatives","Planned communities","Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["6.9 Linear Feet 21 boxes"],"extent_tesim":["6.9 Linear Feet 21 boxes"],"genreform_ssim":["Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to subject."],"bioghist_html_tesm":["\u003cp\u003eCharles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. \u003c/p\u003e","\u003cp\u003eFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. \u003c/p\u003e","\u003cp\u003eAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published \u003ctitle\u003eThe Nature of Reston\u003c/title\u003e in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company."],"prefercite_html_tesm":["\u003cp\u003eCharles A. Veatch papers, C0138, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles A. Veatch papers, C0138, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other personal and organizational collections on the history and development of \u003cextptr show=\"new\" title=\"Reston, Virginia.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=reston\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other personal and organizational collections on the history and development of"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"normalized_date_ssm":["1971/2001"],"normalized_title_ssm":["George Mason University Broadside photograph collection, 1971/2001"],"text":["George Mason University Broadside photograph collection, 1971/2001","R0135","/repositories/2/resources/353","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title\n      Series 1: Prints, 1971-1999 (boxes 1-6),\n      Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the  and other University Archives collections.","maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints","Smithsonian Museum of Natural History and Hirshhorn Museum.","Prints","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs.","Prints","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley.","Color prints","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller.","Prints","G: Gillette, Giroux, Susan Gordon, GMView staff","Prints","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan.","Prints","I: Julio Iglesias, Earl Ingram.","Prints","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset.","Prints","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints","Ernie Nestor, Oliver North, Renaldo Nehemiah.","Prints","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan.","Prints","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs.","Prints","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints","Ben Vereen and Leslie Uggans at the Center for the Performing Arts.","Prints","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch.","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints","Registration lines, Michael McDermot.","Prints","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs.","Prints; negatives","Boxer Zeine Afif.","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K.","Negatives; prints","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University.","Negatives; prints","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University.","Negatives; prints","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J.","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C.","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; Eric Leeper","Frames 34-39; Myrna Garza","Frames 40-8; Myrna Garza","Frames 42-4; David Pasztor","Frames 7-24; David Pasztor","Eric Leeper and David Pasztor","Frames 23-29; Myrna Garza","Frames 30-34; Myrna Garza","Frames 35-41; Myrna Garza","Frames 27-33; Dan Crawford and Myrna Garza","Frames 37-1; Dan Crawford and Myrna Garza","Dan Crawford and Myrna Garza","Frames 3-11; Dan Crawford and Myrna Garza","Frames 39-44; Eric Leeper and David Pasztor","Frames 1-11; Eric Leeper and David Pasztor","Frames 12-17; Eric Leeper and David Pasztor","David Pasztor","Eric Leeper","Eric Leeper","Myrna Garza","Frames 32-36; Ray Huber","contact sheet only; B.S.B.?","B.S.B.?","Frames 1-12; Myrna Garza","Frames 14-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 26-32; Myrna Garza","Frames 19-23; Myrna Garza; contact sheet only","Frames 25-32; Myrna Garza; contact sheet only","Frames 33-34; Myrna Garza; contact sheet only","Eric Leeper","Eric Leeper","Frames 3-7; Myrna Garza","Frames 8-19; Myrna Garza","Frames 8-19; Myrna Garza","Frames 23-27; Myrna Garza","Dan Crawford","Frames 39-5; Margarita Collantes","Frames 5-7; Margarita Collantes","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 21-30; Barry Nelson","Frames 29-43; Myrna Garza","Frames 44-1; Myrna Garza","Frame 3; Myrna Garza","Eric Leeper","Frames 8-15; Barry Nelson","Frame 18; Barry Nelson","Frame 19; Barry Nelson","Frame 20-21; Barry Nelson","Frame 29-37; Barry Nelson","Frame 37-41 Barry Nelson","Frame 42-44; Barry Nelson","Frames 1-3; Barry Nelson","Frame 45; Barry Nelson","Harry Stodd","Frame 24-39; Myrna Garza","Frame 37-1; Myrna Garza","Frame 2-5; Myrna Garza","Omar Saab","Frame 26-31; Barry Nelson","Frame 32-44; Barry Nelson","Frame 19; Barry Nelson","Frame 4-6; Barry Nelson","Frame 3; Barry Nelson","Frames; 38-5; Barry Nelson","Frame 5-10 Barry Nelson","Frame 11-15; Barry Nelson","Frames 4-8; Myrna Garza","Frames 8-12; Myrna Garza","Frames 13-17; Myrna Garza","Frame 18; Myrna Garza","Frame 19; Myrna Garza","Frames 43-5; Barry Nelson","Frames 5a-13; Barry Nelson","Frames 40-42; Barry Nelson","Frames 43-4; Barry Nelson","Frames 6-10; Barry Nelson","Frames 11-16; Barry Nelson","Frame 17; Barry Nelson","Frames 18-21; Barry Nelson","Frame 22; Barry Nelson","Barry Boyd","Myrna Garza","Frames 35-3; Barry Boyd","Frames 7-10; Barry Boyd","Frames 10-14; Myrna Garza","Barry Boyd","Frames 8-14; Mirza Garza","Frames 15-21; Mirza Garza","Steve Skouron","Frames 35-37; Barry Nelson","Frames 38-18; Barry Nelson","Frames 19-25; Barry Nelson","Eric Leeper","Steve Skouron","Myrna Garza; Henry Loman","Frames 30-38; Barry Nelson","Frames 43-3; Barry Nelson","Joe Coutaldo","Frames 12-19; Myrna Garza","Frames 20-24; Myrna Garza","Frames 37-39","Frames 28-38","Frames 14-23; Barry Nelson","Frames 24-34; Barry Nelson","Frames 33-34; Barry Nelson","Frames 35-40 \u0026 41-42; Barry Nelson","Frames 3-9; Barry Nelson","Frames 10-11; Barry Nelson","Frame 12; Barry Nelson","Frames 13-15; Barry Nelson","Frames 16-21; Barry Nelson","Frames 43-5 Myrna Garza","Frames 15-20; Myrna Garza","Frames 20-26; Barry Boyd","Frames 22-27; Barry Nelson","Frames 28-34; Barry Nelson","Frames 3-4; Barry Nelson","Frames 38-42; David Pasgton","Frames 43-13; David Pasgton","Frames 4-22; David Pasgton","Frames 23-27; David Pasgton","Barry Nelson","Barry Nelson","22-25; Myrna Garza","26-33; Myrna Garza","34-10; Myrna Garza","Myrna Garza","Myrna Garza","Frames 23-32; Myrna Garza","Frames 33-77; Myrna Garza","Frames 24-5; Myrna Garza","Frames 43-7; Myrna Garza","Barry Boyd","David Pasztor","Barry Boyd","Frames 2-43; Myrna Garza","Frames 6-13; Barry Boyd","Frames 14-23; Myrna Garza","Frames 18-27; Barry Nelson","Frames 29-36; Barry Nelson","Frames 1-10; Barry Boyd","Frames 12-33; Barry Boyd","Barry Boyd","Barry Boyd","Dan Grawford","Frames 42-3; Barry Nelson","Frames 4-16; Barry Nelson","Frames 18-23; Barry Nelson","Frames 20-22; Myrna Garza","Frames 23-25; Myrna Garza","Frames 26-27; Myrna Garza","Frames 28-29; Myrna Garza","Frames 30-31; Myrna Garza","Frames 34-35; Myrna Garza","Frames 37-41; Myrna Garza","Barry Nelson","Barry Nelson","Barry Nelson","Frames 28-31; Myrna Garza","Frames 32-36; Myrna Garza","Frames 38-3; Myrna Garza","Frame 29; Barry Nelson","Frames 30-32; Barry Nelson","Frames 34-1; Barry Nelson","Frames 2-3; Barry Nelson","Frame 8; Barry Nelson","Frames 9-14; Barry Nelson","Frames 8-12; Barry Nelson","Frames 36-40; Barry Nelson","Frames 41-44; Barry Nelson","Frames 1-10; Barry Nelson","Frames 11-12; Barry Nelson","Frames 13-14; Barry Nelson","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 18-28; Myrna Garza","Frames 29-35; Myrna Garza","Barry Boyd","Barry Boyd","Barry Nelson","Barry Nelson","Barry Nelson","Connie Bedell","Barry Boyd","Myrna Garza","Myrna Garza","Myrna Garza; contact sheet only","Myrna Garza; contact sheet only","Tom Welch; contact sheet only","Tom Welch","Tom Welch","Frames 2-16; Connie Bedell","Tuan Tran","Tuan Tran","Tuan Tran","Myrna Garza","Barry Boyd","Frames 37-42; Myrna Garza","Frames 43-5; Myrna Garza","Frames 6-10; Myrna Garza","Frames 11-18; Myrna Garza","Frame 25; Connie Bedell","Frames 1-9; Myrna Garza","Frames 10-14; Myrna Garza","Frames 15-21; Myrna Garza","Frames 22-28; Myrna Garza","Frames 29-55; Myrna Garza","Frames 35-40; Myrna Garza","Frames 43-4; Myrna Garza","Frames 5-10; Myrna Garza","Myrna Garza","Frames 20-22; Barry Boyd","Frames 23-35; Barry Boyd","Bob Starbiro","Frame 4; Libby Tart","Frames 2-5; Libby Tart","Frames 6-9; Libby Tart","Frames 10-14; Libby Tart","Frames 15-18; Libby Tart","Frames 3-8; Myrna Garza","Frames 8-13; Myrna Garza","Frames 13-17; Myrna Garza","18-22; Myrna Garza","Frames 11-16; Robert Duston","Frames 17-22; Robert Duston","Frames 23-32; Kent Wilhelmi","Frames 39-42; Robert Duston","Frames 1-7; Robert Duston","Frames 35-38; Kent Wilhelmi","Frames 39-42; Kent Wilhelmi","Frames 43-4; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 10; Kent Wilhelmi","Frames 10-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 28-37; Paul Watters","Frames 21-24: Paul Watters","2 contact sheets: Bill Rook","Frames 21-22: Paul Watters","Frames 23-26; Paul Watters","Frames 16-20; Paul Watters","Frame 33; Paul Watters","Frames 30-40; Rob Duston","Frames 42-3; Rob Duston","Frames 4-6; Rob Duston","Frames 7-8; Rob Duston","Frames 9-15; Rob Duston","Frames 5-18; Libby Tart","Frames 13-22; Libby Tart","Frames 5-15; Myrna Garza","Frames 22-26; Myrna Garza","Barry Boyd","Paul Watters","Frames 12-15; Kent Wilhelmi","Paul Watters","Paul Watters","Frames 37-44; Kent Wilhelmi","Frames 1-3; Kent Wilhelmi","Frames 34-42; Barry Boyd","Frames 43-8; Barry Boyd","Frames 9-21; Barry Boyd","Frames 19-29; Paul Watters","Frames 30-31; Paul Watters","Frames 43-43; Kent Wilhelmi","Frame 44; Kent Wilhelmi","Frames 1-2; Kent Wilhelmi","Frame 3; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 14; Eric Leeper","Frame 27; Kent Wilhelmi","Frames 30-33; Kent Wilhelmi","Frames 13-24; Kent Wilhelmi","Frames 25-27; Kent Wilhelmi","Andrew Nickle","Frames 4-16; Myrna Garza","Frames 19-31; Bill Rook","Frames 33-39; Paul Watters","Frames 3-12; Myrna Garza","Frames 40-2; Myrna Garza","Frames 3-4; Myrna Garza","Frame 5; Myrna Garza","Frame 6; Myrna Garza","Myrna Garza","Barry Boyd","Barry Boyd","Myrna Garza","Myrna Garza","Paul Watters","Frame 6; Paul Watters","Frames 8-11; Paul Watters","Frames 13-14; Ray Huber","Frames 15-20; Paul Watters","Frames 7-13; Jim Ognibene","Frames 15-19; Jim Ognibene","Judy Schaeffer","Frames 25-1; William Holmes","Frames 2-14; William Holmes","Andrew Cseplo","Frames 40-44; Myrna Garza","Frame 1; Myrna Garza","Frame 2: Myrna Garza","Frames 3-4; Myrna Garza","Frames 7-9; Myrna Garza","Frames 29-43; Tom Fox","Frames 44-14; Tom Fox","Frames 29-44; Andrew Nickle","Frames 1-19; Andrew Nickle","Frames 15-30; Jerry Boyd","Frame 26; Jerry Boyd","Libby Tart","Paul Watters","Libby Tart","Barry Boyd","Frames 37-2; Rob Duston","Frames 3-9; Rob Duston","Frames 41-44; Myrna Garza","Frames 39-40; Myrna Garza","Andrew Nickle","Frames 1-5; Jim Ognibeni","Frames 36-41; Andrew Cseplo","Frames 42-9; Andrew Cseplo","Frames 11-12; Andrew Cseplo","Frames 40-2; Kent Wilhelmi","Frames 36-39; Kent Wilhelmi","Frames 3-5; Kent Wilhelmi","Bill Holmes","Andrew Nickle","Frames 1-4; Barry Boyd","Frames 33-35; Paul Watters","Frames 1-5; Myrna Garza","Frames 29-38; Myrna Garza","Frames 33-34; Barry Boyd","Frame 36; Barry Boyd","Frame 41; Barry Boyd","Frames 11-2; Barry Boyd","Frames 18-29; Robert Duston","Frames 30-34; Robert Duston","Frames 38-42; Tom Fox","Frames 3-13; Tom Fox","Frames 14-18; Tom Fox","Paul Watters and Tuan Tran","Robert Duston","Frames 25-29; Myrna Garza","Frames 31-36; Myrna Garza","Frames 4-11; Connie Bedell","Frames 43-4; Suki Roberts","Frames 6-12; Myrna Garza","Barry Boyd","Barry Boyd","Bill Holmes","Connie Bedell","Lee Strang","Frames 1-10; Myrna Garza","Frames 11-20; Myrna Garza","Frames 38-44; Paul Watters","Frames 2-11; Paul Watters","Lee Strang","Frames 25-30; Jim Ognibene","Frames 37-16; Jim Ognibene","Jim Ognibene","Frames 8-24; Paul Watters","Frames 41-2; Libby Tart","Frames 3-12; Libby Tart","Frames 13-14; Libby Tart","Frames 40-3; Barry Boyd","Frames 38-1; Paul Watters","Frames 26-36; Judle Muscolino","Andrew Cseplo","Andrew Cseplo","Frames 1-4, 8; Myrna Garza","Frames 5-7, 13; Myrna Garza","Frames 9-12; Myrna Garza","Frames 6-13; Barry Boyd","Lee Strang","Frames 27-28; Lee Strang","Frames 32-33; Lee Strang","Frames 34-11; Lee Strang","Frames 10-14; Libby Tart","Frames 15-20; Libby Tart","Frames 22-27; Libby Tart","Frame 28; Libby Tart","Frames 33-34; Libby Tart","Henry Lowman","Frames 36-4; Paul Watters","Frames 26-36; Myrna Garza","Frames 37-38; Myrna Garza","Frames 40-41; Myrna Garza","Frames 42-44; Myrna Garza","Barry Boyd","Frames 14-19; Jim Ognibene","Frames 20-30; Jim Ognibene","Frame 28; Paul Watters","Frames 40-9; Paul Watters","Frame 10; Paul Watters","Frames 11-14; Paul Watters","Frames 7-11; Paul Watters","Frames 13-18; Myrna Garza","Frames 16-18; Myrna Garza","Frames 19-34; Myrna Garza","Frames 34-11; Myrna Garza","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Jim Pugh","Barry Boyd","Barry Boyd","Frames 3-4; Barry Boyd","Frames 14-16; Tuan Tran","Frames 17-21; Andrew Cseplo","Diane Strauss","Frames 20-26; Andrew Cseplo","Frames 27-31; Myrna Garza","Frames 32-39; Libby Tart","Diane Strauss","Frames 27-36; Myrna Garza","Frames 38-40; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 43-4; Libby Tart","Frames 5-10; Libby Tart","Paul Watters","Paul Watters","Paul Watters","Paul Watters","Tuan Tran","Andrew Cseplo","Myrna Garza","unknown photographer, LB","unknown photographer, LB","Jim Ognibene; contact sheet only","Myrna Garza","Libby Tart","Frames 7-18; Paul Watters","Frames 3-6; Paul Watters","Frames 33-40; Paul Watters","Frames 4-41; Paul Watters","Frames 29-32; Paul Watters","Frames 21-25; Paul Watters","Frames 12-22; Paul Watters","Contact sheet only","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Clyde Peterson","Barry Boyd","Clyde Peterson","Lee Strang","Audrey H","Barry Boyd","Barry Boyd","Libby Tart","Steve Casimiro","Jorge Ochoa","Jennifer Stone","Barry Boyd","Barry Boyd","Jorge Ochoa","Andrew Cseplo","Libby Tart","Barry Boyd","John Terry; contact sheet only","Lee Strang","Steve Casimiro","Jennifer Stone","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Andrew Cseplo","Jorge Ochoa","Jorge Ochoa","Jorge Ochoa","Jennifer Stone","Steve Casimiro; contact sheet only","Steve Casimiro","Steve Casimiro","Jorge Ochoa","Lee Strang","Lee Strang","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Contact sheet only","Jennifer Stone","Lee Strang","Steve Casimiro; contact sheet only","Jennifer Stone","Lee Strang","Tuan Tran","Tuan Tran","Jorge Ochoa","Jorge Ochoa","Tuan Tran","Steve Casimiro; contact sheet only","Lee Strang","Tuan Tran","Tuan Tran","Tuan Tran","Alex C. Loyd","Rasmus Nelson","Rasmus Nielson","John Buttner","Steve Casimiro","Steve Casimiro","Rasmus Nielson","Steve Casimiro","John Buttner","Curt Stevens","John Buttner","Tom Horan","Tim Z (Harrison?)","Paul Torpey","Gordon","Paul Torpey","Gordon","Tim Harrison","Adrienne Thies","Caesar Vallejos","Tim Harrison","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey; negatives only","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Charles Harvey","Tom Horan","Paul Torpey; contact sheet only; 2 contact sheets","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Adrienne Thies; 2 contact sheets","Adrienne Thies","Adrienne Thies","Caesar Vallejos","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey; 2 contact sheets","Charlie Harvey","Adrienne Thies","Steve Elfers; Tom Horan","Charlie Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Caesar Vallejos","Paul Torpey","Caesar Vallejos","Caesar Vallejos","Brent Ebel","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey; Paul Torpey","Paul Torpey","Tim Harrison","Paul Torpey","Charles Harvey","Charles Harvey \u0026 Paul Torpey","Dave Motes","Charles Harvey","Tim Harrison","Contact sheet only","Negatives only","Contact sheet only","Two contact sheets; two negatives","Contact sheet only","Negatives only","Contact sheet only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Tom Horan","O'Dell","Mousa; color negatives","Mousa; color negatives","Dave Motes; color negatives","Dave Motes; color negatives","Color negatives","Corrine; color negatives","Corrine; color negatives","John V; color negatives","John V; color negatives","GiGi Kruse","Corrine S.","Jen Sears","Tom LeGro","Michael Tolosa","Matt Rourke","Tom LeGro","Tom LeGro","Abdallah Omeish; Matt Rourke","Tim Ngo","Tom LeGro","Abdallah Omeish","Abdallah Omeish; Matt Rourke","Stacey Levine","Tom LeGro","Gerardo Reira-Vega and Matt Rourke","Gerardo Reira-Vega and Matt Rourke","Matt Rourke; Tom LeGro","Matt Rourke","Color negatives","Color negatives","Sarah","K.R.","K.R.","Carol M. and James H.","L.T.","L.T.","L.T.","L.T.","Matt","Jimmie Foster","Carol","Carol","Marion Clarke","Marion Clarke","Michael Tolosa","Michael Tolosa","Michael Tolosa","Mike Murray","Mike Murray","Matt Lee","Amy Hatchinson","Michael Tolosa","Michael Tolosa","Rahonl","Denis M.","Denis M.","Denis M.","J. Nagtus","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","No credit","No credit","Tom LeGro","No credit","Sharon Teeler","Tom LeGro","Tom LeGro","Matt Lee","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","T. Wesley","T. Wesley","Gail C.","Michael Tolosa","Tom LeGro","Tom LeGro","Michael Tolosa","Magali","James Nosius","Magali","No credit","No credit","No credit","No credit","Matt Lee","Tom LeGro","No credit","No credit","Elizabeth Gastman","Michael Tolosa","No credit","Tom LeGro","Mike Murray","Jason","Tom LeGro","Tom LeGro","Tom LeGro","Morian","Morian","Tom LeGro","Tom LeGro","Michael Tolosa","Michael Tolosa","No credit","No credit","Dave Holka","Michael Tolosa","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Michael Tolosa","Michael Tolosa","Michael Tolosa","Michael Tolosa","Michael Tolosa","No credit","Tom LeGro","No credit","Michael Tolosa","Michael Tolosa","Michael Tolosa","No credit","No credit","No credit","No credit","Michael Tolosa","No credit","Michael Tolosa","No credit","No credit","No credit","No credit","No credit","No credit","Michael Tolosa","Michael Tolosa","No credit","No credit","Tom LeGro","Michael Tolosa","Nate Bowles","Michael Tolosa","Tyler Hacers","Michael Tolosa","Chelsie Losan","No credit; color negatives","Tom LeGro","No credit","Michael Tolosa","Tom LeGro","Tom LeGro","Michael Tolosa","Tom LeGro","Tom LeGro","Alexis Scalice","Michael Tolosa","Tom LeGro","Matt Rourke","Tom LeGro","Audrey Markowitz","No credit","No credit","No credit","Tom LeGro","Tom LeGro","Michael Tolosa","Nate Bowles","Tom LeGro","Tom LeGro","Nate Bowles","Audrey Markowitz","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Nate Bowles","Tom LeGro","M. Idosa","Tom LeGro","Tom LeGro","Nathan Bowles","Michael Tolosa","No credit","No credit","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","Jen Sears","Matt Rourke","Matt Rourke","Jen Sears","Yumin Chung","Nathan Bowles","Matt Rourke","Yumin Chung","Tom LeGro","Matt Rourke","Matt Lee; Amy Hatchinson","Matt Rourke","GiGi Kruse","Yumin Chung","Jen Sears","Tom LeGro","Matt Rourke","Tom LeGro","Yumin Chung","Tom LeGro","Jen Sears","Tom LeGro","Matt Rourke","GiGi Kruse","Mat Rourke","Matt Rourke","Tom LeGro","Tom LeGro","Matt Rourke","GiGi Kruse","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Matt Lee","Matt Rourke","Michael Tolosa","Tom LeGro","Tom LeGro","Matt Rourke","Matt Rourke","Matt Rourke","Tom LeGro","Matt Lee","Jen Sears","Michael Tolosa","Michael Tolosa","Michael Tolosa","Tom LeGro","No credit","Matt Lee","Tom Legro","Stacey Levine","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Stacey Levine","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","Matt Rourke","Stacey Levine","Tom LeGro","Stacey Levine","Stacey Levine","Matthew Rourke","Tom LeGro","GiGi Kruse","Abdallah Omeish","Matt Rourke","Timothy NGO","Tom LeGro","Aaron Gilletes","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Marian","GiGi Kruse","Tom LeGro","Stacey Levine","GiGi Kruse","GiGi Kruse","GiGi Kruse","Matt Rourke","Matt Rourke","Matt Rourke","Stacey Levine","Matt Rourke","Tom LeGro","Abdallah Omeish","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Gerardo Reira-Vega","GiGi Kruse","GiGi Kruse","No credit","GiGi Kruse","Matt Rourke","No credit","Matt Rourke","Matt Rourke","GiGi Kruse","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Matt Rourke","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro; Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","Matt Rourke","Katie Koestner","GiGi Kruse","No credit","Tom LeGro","Matt Rourke","Matt Rourke","Alex A. Rushton","Alex A. Rushton","Alex A. Rushton","Stacey Levine","GiGi Kruse","GiGi Kruse","Matt Rourke","GiGi Kruse","GiGi Kruse","Matt Rourke","Matt Rourke","Matt Rourke","Abdallah Omeish","Abdallah Omeish","Matt Rourke","Alex Rushton","Tom LeGro","Tom LeGro; Matt Rourke","Worish","Worish","Sang?","Tom LeGro","No credit","Matt Rourke","Tom LeGro","Matt Rourke","Matt Rourke","Michael Tolosa","Abdallah Omeish","Abdallah Omeish","Stacey Levine","Tom LeGro","Abdallah Omeish","Alex Rushton","Matt Lu; Alex Rushton","Abdallah Omeish","Gail; Matt Rourke; Tom LeGro","Matt Rourke","No credit","Matt Rourke","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Andrew Woodall","Priscilla Gonzalez","Shin Yu","Andy Woodall","GiGi Kruse","GiGi Kruse","Tom LeGro","Chris Quay","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Sean Alderman","Sean Alderman","Alex Rushton","GiGi Kruse","GiGi Kruse","Chris Quay","Andrew Woodall","Andrew Woodall","Carrie Klinker","GiGi Kruse","GiGi Kruse","Brenden McEvoy","Karla Rosales","Karla Rosales","GiGi Kruse","Kara Rosales","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse and Chris Quay","GiGi Kruse","Chris Quay","Chris Quay","Chris Quay","Abdallah Omeish","Abdallah Omeish","Alex Rushton","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","GiGi Kruse","GiGi Kruse","GiGi Kruse","Brenden McEvoy","GiGi Kruse","GiGi Kruse","Tim Johnson","GiGi Kruse","Abdallah Omeish","GiGi Kruse","GiGi Kruse","Karla Rosales","GiGi Kruse and Karla Rosales","Jeremy Laslett","Sean Alderman","Abdallah Omeish","Chris Quay","Brenden McEvoy","Brenden McEvoy","Brenden McEvoy","Abdallah Omeish","GiGi Kruse","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","Andy Woodall","Andy Woodall","Abdallah Omeish","GiGi Kruse","Tim Johnson","Abdallah Omeish","Abdallah Omeish","Sean Alderman","Abdallah Omeish","GiGi Kruse","No credit","Sean Alderman","Abdallah Omeish","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tim Johnson","Andy Woodall","Andy Woodall","Jennifer Hunt","Abdallah Omeish","Karla Rosales","Karla Rosales","Karla Rosales","GiGi Kruse","Chris Quay","Andy Woodall","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Abdallah Omeish","Tim Johnson","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Karla Rosales","Andy Woodall","No credit; color negatives","Abdallah Omeish","Abdallah Omeish","Chris Quay","Chris Quay","Chris Quay","Abdallah Omeish","Abdallah Omeish","Chris Quay","GiGi Kruse","GiGi Kruse","Alex Rushton","Chris Quay","GiGi Kruse","GiGi Kruse","Andy Woodall","Brendan McEvoy","No credit","GiGi Kruse","GiGi Kruse","Brenden McEvoy","Brenden McEvoy","Andy Woodall","Chris Quay","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","GiGi Kruse","Andy Woodall","Skylar and Wes Royer","Andy Woodall","Andy Woodall; Chris Clay","GiGi Kruse; Shin YU","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Shin Yu","Shin Yu","George Dimintron","No credit","GiGi Kruse","GiGi Kruse","Christina Ghergu","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","George Dimintron","Andy Woodall","Karla Rosales","GiGi Kruse","Abdallah Omeish","Woody Roberts","GiGi Kruse","Rhea Calpeno","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Andy Woodall","GiGi Kruse","No credit","GiGi Kruse","George Dimintron","Abdallah Omeish","GiGi Kruse, Andy Woodall, Abdullah Omeish","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse; Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Mango Vanderburg","Prissy Gonzalez","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Sean Alderman","Andy Woodall","GiGi Kruse","GiGi Kruse","George Dimintron","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Cristina Ghergu","GiGi Kruse","GiGi Kruse","Chris Quay","Shin Yu","Shin Yu","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","Shin Yu","Shin Yu","Sean Alderman","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Mourgo and Prissy","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","Sean","GiGi Kruse","Rhea Carpeno","Karla Rosales","GiGi Kruse","GiGi Kruse","Cristina Ghergu","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Karla Rosales","GiGi Kruse","GiGi Kruse","Sean Alderman","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","No credit","Karla Rosales","Karla Rosales","Karla Rosales","No credit","GiGi Kruse","GiGi Kruse","Abdallah Omeish","GiGi Kruse and George Dimintrov","No credit","Andy Woodall","Andy Woodall and Molly Sugrul","Molly Sugrul","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Mounbel Gayton","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","George Dimitrov","Birgitta Sunderland","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Birgitta Sunderland","Andy Woodall","Andy Woodall","Hasim Nazarei","Andy Woodall","Andy Woodall","Chris Quay","Andy Woodall","GiGi Kruse","GiGi Kruse","Chris Quay","Jim Foster","Andy Woodall","Andy Woodall","GiGi Kruse","Jimmie Foster","Joey Kamide","Andy Woodall","Jimmie Foster","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Jim Foster","Andy Woodall","GiGi Kruse","Andy Woodall","Jimmie Foster","Andy Woodall","Jimmie Foster","Andy Woodall","Jimmie Foster","Jimmie Foster","Jimmie Foster","Andy Woodall","Jimmie Foster","Jimmie Foster","Andy Woodall","Andy Woodall","GiGi Kruse","Jimmie Foster","Chris Quay","Jimmie Foster","GiGi Kruse","Jimmie Foster","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","Chris Quay","Jimmie Foster","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","No credit","Andy Woodall","Chris Quay","Mark Sypher","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Foster and Woobal","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Frame 38; GiGi Kruse","Frames 43, 34, 37; GiGi Kruse","GiGi Kruse","Bonnie Teske","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","Bonnie Teske","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Bonnie Teske","Bonnie Teske","Bonnie Teske","GiGi Kruse; Andy Woodall","Bonnie Teske","Bonnie Teske","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Zack","GiGi Kruse","GiGi Kruse","Marcelo Braga","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Bonnie Teske","Mark Sypher","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Binnie Teske","Binnie Teske","Binnie Teske","Binnie Teske","Broadside photographers","Broadside photographers","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Mark Sypher","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Frames 40A, 38A, 34A, 32A; Jimmie Foster Jr.","Andy Woodall","Frames 5A, 6A, 4A; Carrie Klinker","Frame 31; Andy Woodall","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Jimmie Foster Jr.","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker and Mark Sypher","Mark Sypher","Jimmie Foster Jr.","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher; postcard","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","[MFS] Mark Sypher","Paul Sodhi","Paul Sodhi","Jimmie Foster Jr.","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Melody Mowrey","Melody Mowrey","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Melody Mowrey","Mark Sypher","Mark Sypher","Andy Woodall","Andy Woodall","Andy Woodall","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey; color negatives","Melody Mowrey","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","GiGi","GiGi","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher; paper with photo request","Mark Sypher","Mark Sypher","Mark Sypher","Shannon Schneider","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","David Manning","Mark Sypher","Mark Sypher","Mark Sypher","C. Quay","Mark Sypher","Mark Sypher","David Manning","David Manning","Mark Sypher","David Manning","David Manning","David Manning","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","David Manning; color negatives","David Manning; color negatives","David Manning; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","J. Hornic; color negatives","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Liz Haas; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","C Quay","Dave Manning","Dave Manning; color negatives","Dave Manning","Dave Manning","Chris DP; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Chantee; color negatives","Chantee; color negatives","Erin; color negatives","Erin; color negatives","Chantee; color negatives","Chantee; color negatives","Chantee; color negatives","Marjan; color negatives","Jason Hornick","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Chris DP; color negatives","Chris DP; color negatives","Dave Manning; color negatives","Chris DP; color negatives","Dave Manning; color negatives","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"collection_title_tesim":["George Mason University Broadside photograph collection, 1971/2001"],"collection_ssim":["George Mason University Broadside photograph collection, 1971/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"places_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"creators_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title\n      Series 1: Prints, 1971-1999 (boxes 1-6),\n      Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and other University Archives collections.","maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit"],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAll Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eColor prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eDavis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.\u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNew Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eVirginia Peddler, Christmas Attic, Christmas Gallery.\u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eStudent Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eNewspaper prints; drawings\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eChinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eInternational Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePatriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eCenter Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003e\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eSmithsonian Museum of Natural History and Hirshhorn Museum. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eComputers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eParking garage construction, parking deck, parking lots.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eA: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eB: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eC: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eD: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eE: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. \u003c/p\u003e","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eF: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eG: Gillette, Giroux, Susan Gordon, GMView staff \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eH: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eI: Julio Iglesias, Earl Ingram.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eJ: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eK: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eWilliam F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eMarvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.\u003c/p\u003e","\u003cp\u003eColor Prints \u003c/p\u003e","\u003cp\u003eErnie Nestor, Oliver North, Renaldo Nehemiah. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eEdward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.\u003c/p\u003e","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eDavid Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eOne unidentified print of a politician\u003c/p\u003e","\u003cp\u003eEllen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eStewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eScott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eBen Vereen and Leslie Uggans at the Center for the Performing Arts. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eThe Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGame Room, Health and Fitness Guide, Hemlock Overlook.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eRegistration lines, Michael McDermot.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. \u003c/p\u003e","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eBoxer Zeine Afif. \u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives; color prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eFootball Club, Jackson, E., Coach Football.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eOne unidentified print\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eWomen's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.\u003c/p\u003e","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eMidnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. \u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.\u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. \u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eDuckworth, M., George Mason University vs. Juanita, American University, Lewis University. \u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eAdams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eArgunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. \u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eJay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. \u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eWillard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eKingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.\u003c/p\u003e","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eShea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.\u003c/p\u003e","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eTwo prints, one of a baseball game, the other of swans in a pond.\u003c/p\u003e","\u003cp\u003eFootball kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.\u003c/p\u003e","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.\u003c/p\u003e","\u003cp\u003eContact sheets; color prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eContact sheet only; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 1; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 2; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 3; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 4-5; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 6; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 7; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 8; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 9; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 10; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 11; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 12; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 13; Kerry L. 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Nagtus\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eSharon Teeler\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eT. Wesley\u003c/p\u003e","\u003cp\u003eT. Wesley\u003c/p\u003e","\u003cp\u003eGail C.\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eJames Nosius\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eElizabeth Gastman\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMike Murray\u003c/p\u003e","\u003cp\u003eJason\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eDave Holka\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTyler Hacers\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eChelsie Losan\u003c/p\u003e","\u003cp\u003eNo credit; color negatives\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAlexis Scalice\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eM. Idosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Lee; Amy Hatchinson\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eMat Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom Legro\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints","Smithsonian Museum of Natural History and Hirshhorn Museum.","Prints","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs.","Prints","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley.","Color prints","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller.","Prints","G: Gillette, Giroux, Susan Gordon, GMView staff","Prints","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan.","Prints","I: Julio Iglesias, Earl Ingram.","Prints","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset.","Prints","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints","Ernie Nestor, Oliver North, Renaldo Nehemiah.","Prints","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan.","Prints","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs.","Prints","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints","Ben Vereen and Leslie Uggans at the Center for the Performing Arts.","Prints","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch.","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints","Registration lines, Michael McDermot.","Prints","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs.","Prints; negatives","Boxer Zeine Afif.","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K.","Negatives; prints","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University.","Negatives; prints","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University.","Negatives; prints","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J.","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C.","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; Eric Leeper","Frames 34-39; Myrna Garza","Frames 40-8; Myrna Garza","Frames 42-4; David Pasztor","Frames 7-24; David Pasztor","Eric Leeper and David Pasztor","Frames 23-29; Myrna Garza","Frames 30-34; Myrna Garza","Frames 35-41; Myrna Garza","Frames 27-33; Dan Crawford and Myrna Garza","Frames 37-1; Dan Crawford and Myrna Garza","Dan Crawford and Myrna Garza","Frames 3-11; Dan Crawford and Myrna Garza","Frames 39-44; Eric Leeper and David Pasztor","Frames 1-11; Eric Leeper and David Pasztor","Frames 12-17; Eric Leeper and David Pasztor","David Pasztor","Eric Leeper","Eric Leeper","Myrna Garza","Frames 32-36; Ray Huber","contact sheet only; B.S.B.?","B.S.B.?","Frames 1-12; Myrna Garza","Frames 14-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 26-32; Myrna Garza","Frames 19-23; Myrna Garza; contact sheet only","Frames 25-32; Myrna Garza; contact sheet only","Frames 33-34; Myrna Garza; contact sheet only","Eric Leeper","Eric Leeper","Frames 3-7; Myrna Garza","Frames 8-19; Myrna Garza","Frames 8-19; Myrna Garza","Frames 23-27; Myrna Garza","Dan Crawford","Frames 39-5; Margarita Collantes","Frames 5-7; Margarita Collantes","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 21-30; Barry Nelson","Frames 29-43; Myrna Garza","Frames 44-1; Myrna Garza","Frame 3; Myrna Garza","Eric Leeper","Frames 8-15; Barry Nelson","Frame 18; Barry Nelson","Frame 19; Barry Nelson","Frame 20-21; Barry Nelson","Frame 29-37; Barry Nelson","Frame 37-41 Barry Nelson","Frame 42-44; Barry Nelson","Frames 1-3; Barry Nelson","Frame 45; Barry Nelson","Harry Stodd","Frame 24-39; Myrna Garza","Frame 37-1; Myrna Garza","Frame 2-5; Myrna Garza","Omar Saab","Frame 26-31; Barry Nelson","Frame 32-44; Barry Nelson","Frame 19; Barry Nelson","Frame 4-6; Barry Nelson","Frame 3; Barry Nelson","Frames; 38-5; Barry Nelson","Frame 5-10 Barry Nelson","Frame 11-15; Barry Nelson","Frames 4-8; Myrna Garza","Frames 8-12; Myrna Garza","Frames 13-17; Myrna Garza","Frame 18; Myrna Garza","Frame 19; Myrna Garza","Frames 43-5; Barry Nelson","Frames 5a-13; Barry Nelson","Frames 40-42; Barry Nelson","Frames 43-4; Barry Nelson","Frames 6-10; Barry Nelson","Frames 11-16; Barry Nelson","Frame 17; Barry Nelson","Frames 18-21; Barry Nelson","Frame 22; Barry Nelson","Barry Boyd","Myrna Garza","Frames 35-3; Barry Boyd","Frames 7-10; Barry Boyd","Frames 10-14; Myrna Garza","Barry Boyd","Frames 8-14; Mirza Garza","Frames 15-21; Mirza Garza","Steve Skouron","Frames 35-37; Barry Nelson","Frames 38-18; Barry Nelson","Frames 19-25; Barry Nelson","Eric Leeper","Steve Skouron","Myrna Garza; Henry Loman","Frames 30-38; Barry Nelson","Frames 43-3; Barry Nelson","Joe Coutaldo","Frames 12-19; Myrna Garza","Frames 20-24; Myrna Garza","Frames 37-39","Frames 28-38","Frames 14-23; Barry Nelson","Frames 24-34; Barry Nelson","Frames 33-34; Barry Nelson","Frames 35-40 \u0026 41-42; Barry Nelson","Frames 3-9; Barry Nelson","Frames 10-11; Barry Nelson","Frame 12; Barry Nelson","Frames 13-15; Barry Nelson","Frames 16-21; Barry Nelson","Frames 43-5 Myrna Garza","Frames 15-20; Myrna Garza","Frames 20-26; Barry Boyd","Frames 22-27; Barry Nelson","Frames 28-34; Barry Nelson","Frames 3-4; Barry Nelson","Frames 38-42; David Pasgton","Frames 43-13; David Pasgton","Frames 4-22; David Pasgton","Frames 23-27; David Pasgton","Barry Nelson","Barry Nelson","22-25; Myrna Garza","26-33; Myrna Garza","34-10; Myrna Garza","Myrna Garza","Myrna Garza","Frames 23-32; Myrna Garza","Frames 33-77; Myrna Garza","Frames 24-5; Myrna Garza","Frames 43-7; Myrna Garza","Barry Boyd","David Pasztor","Barry Boyd","Frames 2-43; Myrna Garza","Frames 6-13; Barry Boyd","Frames 14-23; Myrna Garza","Frames 18-27; Barry Nelson","Frames 29-36; Barry Nelson","Frames 1-10; Barry Boyd","Frames 12-33; Barry Boyd","Barry Boyd","Barry Boyd","Dan Grawford","Frames 42-3; Barry Nelson","Frames 4-16; Barry Nelson","Frames 18-23; Barry Nelson","Frames 20-22; Myrna Garza","Frames 23-25; Myrna Garza","Frames 26-27; Myrna Garza","Frames 28-29; Myrna Garza","Frames 30-31; Myrna Garza","Frames 34-35; Myrna Garza","Frames 37-41; Myrna Garza","Barry Nelson","Barry Nelson","Barry Nelson","Frames 28-31; Myrna Garza","Frames 32-36; Myrna Garza","Frames 38-3; Myrna Garza","Frame 29; Barry Nelson","Frames 30-32; Barry Nelson","Frames 34-1; Barry Nelson","Frames 2-3; Barry Nelson","Frame 8; Barry Nelson","Frames 9-14; Barry Nelson","Frames 8-12; Barry Nelson","Frames 36-40; Barry Nelson","Frames 41-44; Barry Nelson","Frames 1-10; Barry Nelson","Frames 11-12; Barry Nelson","Frames 13-14; Barry Nelson","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 18-28; Myrna Garza","Frames 29-35; Myrna Garza","Barry Boyd","Barry Boyd","Barry Nelson","Barry Nelson","Barry Nelson","Connie Bedell","Barry Boyd","Myrna Garza","Myrna Garza","Myrna Garza; contact sheet only","Myrna Garza; contact sheet only","Tom Welch; contact sheet only","Tom Welch","Tom Welch","Frames 2-16; Connie Bedell","Tuan Tran","Tuan Tran","Tuan Tran","Myrna Garza","Barry Boyd","Frames 37-42; Myrna Garza","Frames 43-5; Myrna Garza","Frames 6-10; Myrna Garza","Frames 11-18; Myrna Garza","Frame 25; Connie Bedell","Frames 1-9; Myrna Garza","Frames 10-14; Myrna Garza","Frames 15-21; Myrna Garza","Frames 22-28; Myrna Garza","Frames 29-55; Myrna Garza","Frames 35-40; Myrna Garza","Frames 43-4; Myrna Garza","Frames 5-10; Myrna Garza","Myrna Garza","Frames 20-22; Barry Boyd","Frames 23-35; Barry Boyd","Bob Starbiro","Frame 4; Libby Tart","Frames 2-5; Libby Tart","Frames 6-9; Libby Tart","Frames 10-14; Libby Tart","Frames 15-18; Libby Tart","Frames 3-8; Myrna Garza","Frames 8-13; Myrna Garza","Frames 13-17; Myrna Garza","18-22; Myrna Garza","Frames 11-16; Robert Duston","Frames 17-22; Robert Duston","Frames 23-32; Kent Wilhelmi","Frames 39-42; Robert Duston","Frames 1-7; Robert Duston","Frames 35-38; Kent Wilhelmi","Frames 39-42; Kent Wilhelmi","Frames 43-4; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 10; Kent Wilhelmi","Frames 10-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 28-37; Paul Watters","Frames 21-24: Paul Watters","2 contact sheets: Bill Rook","Frames 21-22: Paul Watters","Frames 23-26; Paul Watters","Frames 16-20; Paul Watters","Frame 33; Paul Watters","Frames 30-40; Rob Duston","Frames 42-3; Rob Duston","Frames 4-6; Rob Duston","Frames 7-8; Rob Duston","Frames 9-15; Rob Duston","Frames 5-18; Libby Tart","Frames 13-22; Libby Tart","Frames 5-15; Myrna Garza","Frames 22-26; Myrna Garza","Barry Boyd","Paul Watters","Frames 12-15; Kent Wilhelmi","Paul Watters","Paul Watters","Frames 37-44; Kent Wilhelmi","Frames 1-3; Kent Wilhelmi","Frames 34-42; Barry Boyd","Frames 43-8; Barry Boyd","Frames 9-21; Barry Boyd","Frames 19-29; Paul Watters","Frames 30-31; Paul Watters","Frames 43-43; Kent Wilhelmi","Frame 44; Kent Wilhelmi","Frames 1-2; Kent Wilhelmi","Frame 3; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 14; Eric Leeper","Frame 27; Kent Wilhelmi","Frames 30-33; Kent Wilhelmi","Frames 13-24; Kent Wilhelmi","Frames 25-27; Kent Wilhelmi","Andrew Nickle","Frames 4-16; Myrna Garza","Frames 19-31; Bill Rook","Frames 33-39; Paul Watters","Frames 3-12; Myrna Garza","Frames 40-2; Myrna Garza","Frames 3-4; Myrna Garza","Frame 5; Myrna Garza","Frame 6; Myrna Garza","Myrna Garza","Barry Boyd","Barry Boyd","Myrna Garza","Myrna Garza","Paul Watters","Frame 6; Paul Watters","Frames 8-11; Paul Watters","Frames 13-14; Ray Huber","Frames 15-20; Paul Watters","Frames 7-13; Jim Ognibene","Frames 15-19; Jim Ognibene","Judy Schaeffer","Frames 25-1; William Holmes","Frames 2-14; William Holmes","Andrew Cseplo","Frames 40-44; Myrna Garza","Frame 1; Myrna Garza","Frame 2: Myrna Garza","Frames 3-4; Myrna Garza","Frames 7-9; Myrna Garza","Frames 29-43; Tom Fox","Frames 44-14; Tom Fox","Frames 29-44; Andrew Nickle","Frames 1-19; Andrew Nickle","Frames 15-30; Jerry Boyd","Frame 26; Jerry Boyd","Libby Tart","Paul Watters","Libby Tart","Barry Boyd","Frames 37-2; Rob Duston","Frames 3-9; Rob Duston","Frames 41-44; Myrna Garza","Frames 39-40; Myrna Garza","Andrew Nickle","Frames 1-5; Jim Ognibeni","Frames 36-41; Andrew Cseplo","Frames 42-9; Andrew Cseplo","Frames 11-12; Andrew Cseplo","Frames 40-2; Kent Wilhelmi","Frames 36-39; Kent Wilhelmi","Frames 3-5; Kent Wilhelmi","Bill Holmes","Andrew Nickle","Frames 1-4; Barry Boyd","Frames 33-35; Paul Watters","Frames 1-5; Myrna Garza","Frames 29-38; Myrna Garza","Frames 33-34; Barry Boyd","Frame 36; Barry Boyd","Frame 41; Barry Boyd","Frames 11-2; Barry Boyd","Frames 18-29; Robert Duston","Frames 30-34; Robert Duston","Frames 38-42; Tom Fox","Frames 3-13; Tom Fox","Frames 14-18; Tom Fox","Paul Watters and Tuan Tran","Robert Duston","Frames 25-29; Myrna Garza","Frames 31-36; Myrna Garza","Frames 4-11; Connie Bedell","Frames 43-4; Suki Roberts","Frames 6-12; Myrna Garza","Barry Boyd","Barry Boyd","Bill Holmes","Connie Bedell","Lee Strang","Frames 1-10; Myrna Garza","Frames 11-20; Myrna Garza","Frames 38-44; Paul Watters","Frames 2-11; Paul Watters","Lee Strang","Frames 25-30; Jim Ognibene","Frames 37-16; Jim Ognibene","Jim Ognibene","Frames 8-24; Paul Watters","Frames 41-2; Libby Tart","Frames 3-12; Libby Tart","Frames 13-14; Libby Tart","Frames 40-3; Barry Boyd","Frames 38-1; Paul Watters","Frames 26-36; Judle Muscolino","Andrew Cseplo","Andrew Cseplo","Frames 1-4, 8; Myrna Garza","Frames 5-7, 13; Myrna Garza","Frames 9-12; Myrna Garza","Frames 6-13; Barry Boyd","Lee Strang","Frames 27-28; Lee Strang","Frames 32-33; Lee Strang","Frames 34-11; Lee Strang","Frames 10-14; Libby Tart","Frames 15-20; Libby Tart","Frames 22-27; Libby Tart","Frame 28; Libby Tart","Frames 33-34; Libby Tart","Henry Lowman","Frames 36-4; Paul Watters","Frames 26-36; Myrna Garza","Frames 37-38; Myrna Garza","Frames 40-41; Myrna Garza","Frames 42-44; Myrna Garza","Barry Boyd","Frames 14-19; Jim Ognibene","Frames 20-30; Jim Ognibene","Frame 28; Paul Watters","Frames 40-9; Paul Watters","Frame 10; Paul Watters","Frames 11-14; Paul Watters","Frames 7-11; Paul Watters","Frames 13-18; Myrna Garza","Frames 16-18; Myrna Garza","Frames 19-34; Myrna Garza","Frames 34-11; Myrna Garza","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Jim Pugh","Barry Boyd","Barry Boyd","Frames 3-4; Barry Boyd","Frames 14-16; Tuan Tran","Frames 17-21; Andrew Cseplo","Diane Strauss","Frames 20-26; Andrew Cseplo","Frames 27-31; Myrna Garza","Frames 32-39; Libby Tart","Diane Strauss","Frames 27-36; Myrna Garza","Frames 38-40; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 43-4; Libby Tart","Frames 5-10; Libby Tart","Paul Watters","Paul Watters","Paul Watters","Paul Watters","Tuan Tran","Andrew Cseplo","Myrna Garza","unknown photographer, LB","unknown photographer, LB","Jim Ognibene; contact sheet only","Myrna Garza","Libby Tart","Frames 7-18; Paul Watters","Frames 3-6; Paul Watters","Frames 33-40; Paul Watters","Frames 4-41; Paul Watters","Frames 29-32; Paul Watters","Frames 21-25; Paul Watters","Frames 12-22; Paul Watters","Contact sheet only","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Clyde Peterson","Barry Boyd","Clyde Peterson","Lee Strang","Audrey H","Barry Boyd","Barry Boyd","Libby Tart","Steve Casimiro","Jorge Ochoa","Jennifer Stone","Barry Boyd","Barry Boyd","Jorge Ochoa","Andrew Cseplo","Libby Tart","Barry Boyd","John Terry; contact sheet only","Lee Strang","Steve Casimiro","Jennifer Stone","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Andrew Cseplo","Jorge Ochoa","Jorge Ochoa","Jorge Ochoa","Jennifer Stone","Steve Casimiro; contact sheet only","Steve Casimiro","Steve Casimiro","Jorge Ochoa","Lee Strang","Lee Strang","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Contact sheet only","Jennifer Stone","Lee Strang","Steve Casimiro; contact sheet only","Jennifer Stone","Lee Strang","Tuan Tran","Tuan Tran","Jorge Ochoa","Jorge Ochoa","Tuan Tran","Steve Casimiro; contact sheet only","Lee Strang","Tuan Tran","Tuan Tran","Tuan Tran","Alex C. Loyd","Rasmus Nelson","Rasmus Nielson","John Buttner","Steve Casimiro","Steve Casimiro","Rasmus Nielson","Steve Casimiro","John Buttner","Curt Stevens","John Buttner","Tom Horan","Tim Z (Harrison?)","Paul Torpey","Gordon","Paul Torpey","Gordon","Tim Harrison","Adrienne Thies","Caesar Vallejos","Tim Harrison","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey; negatives only","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Charles Harvey","Tom Horan","Paul Torpey; contact sheet only; 2 contact sheets","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Adrienne Thies; 2 contact sheets","Adrienne Thies","Adrienne Thies","Caesar Vallejos","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey; 2 contact sheets","Charlie Harvey","Adrienne Thies","Steve Elfers; Tom Horan","Charlie Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Caesar Vallejos","Paul Torpey","Caesar Vallejos","Caesar Vallejos","Brent Ebel","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey; Paul Torpey","Paul Torpey","Tim Harrison","Paul Torpey","Charles Harvey","Charles Harvey \u0026 Paul Torpey","Dave Motes","Charles Harvey","Tim Harrison","Contact sheet only","Negatives only","Contact sheet only","Two contact sheets; two negatives","Contact sheet only","Negatives only","Contact sheet only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Tom Horan","O'Dell","Mousa; color negatives","Mousa; color negatives","Dave Motes; color negatives","Dave Motes; color negatives","Color negatives","Corrine; color negatives","Corrine; color negatives","John V; color negatives","John V; color negatives","GiGi Kruse","Corrine S.","Jen Sears","Tom LeGro","Michael Tolosa","Matt Rourke","Tom LeGro","Tom LeGro","Abdallah Omeish; Matt Rourke","Tim Ngo","Tom LeGro","Abdallah Omeish","Abdallah Omeish; Matt Rourke","Stacey Levine","Tom LeGro","Gerardo Reira-Vega and Matt Rourke","Gerardo Reira-Vega and Matt Rourke","Matt Rourke; Tom LeGro","Matt Rourke","Color negatives","Color negatives","Sarah","K.R.","K.R.","Carol M. and James H.","L.T.","L.T.","L.T.","L.T.","Matt","Jimmie Foster","Carol","Carol","Marion Clarke","Marion Clarke","Michael Tolosa","Michael Tolosa","Michael Tolosa","Mike Murray","Mike Murray","Matt Lee","Amy Hatchinson","Michael Tolosa","Michael Tolosa","Rahonl","Denis M.","Denis M.","Denis M.","J. Nagtus","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","No credit","No credit","Tom LeGro","No credit","Sharon Teeler","Tom LeGro","Tom LeGro","Matt Lee","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","T. Wesley","T. Wesley","Gail C.","Michael Tolosa","Tom LeGro","Tom LeGro","Michael Tolosa","Magali","James Nosius","Magali","No credit","No credit","No credit","No credit","Matt Lee","Tom LeGro","No credit","No credit","Elizabeth Gastman","Michael Tolosa","No credit","Tom LeGro","Mike Murray","Jason","Tom LeGro","Tom LeGro","Tom LeGro","Morian","Morian","Tom LeGro","Tom LeGro","Michael Tolosa","Michael Tolosa","No credit","No credit","Dave Holka","Michael Tolosa","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Michael Tolosa","Michael Tolosa","Michael Tolosa","Michael Tolosa","Michael Tolosa","No credit","Tom LeGro","No credit","Michael Tolosa","Michael Tolosa","Michael Tolosa","No credit","No credit","No credit","No credit","Michael Tolosa","No credit","Michael Tolosa","No credit","No credit","No credit","No credit","No credit","No credit","Michael Tolosa","Michael Tolosa","No credit","No credit","Tom LeGro","Michael Tolosa","Nate Bowles","Michael Tolosa","Tyler Hacers","Michael Tolosa","Chelsie Losan","No credit; color negatives","Tom LeGro","No credit","Michael Tolosa","Tom LeGro","Tom LeGro","Michael Tolosa","Tom LeGro","Tom LeGro","Alexis Scalice","Michael Tolosa","Tom LeGro","Matt Rourke","Tom LeGro","Audrey Markowitz","No credit","No credit","No credit","Tom LeGro","Tom LeGro","Michael Tolosa","Nate Bowles","Tom LeGro","Tom LeGro","Nate Bowles","Audrey Markowitz","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Nate Bowles","Tom LeGro","M. Idosa","Tom LeGro","Tom LeGro","Nathan Bowles","Michael Tolosa","No credit","No credit","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","Jen Sears","Matt Rourke","Matt Rourke","Jen Sears","Yumin Chung","Nathan Bowles","Matt Rourke","Yumin Chung","Tom LeGro","Matt Rourke","Matt Lee; Amy Hatchinson","Matt Rourke","GiGi Kruse","Yumin Chung","Jen Sears","Tom LeGro","Matt Rourke","Tom LeGro","Yumin Chung","Tom LeGro","Jen Sears","Tom LeGro","Matt Rourke","GiGi Kruse","Mat Rourke","Matt Rourke","Tom LeGro","Tom LeGro","Matt Rourke","GiGi Kruse","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Matt Lee","Matt Rourke","Michael Tolosa","Tom LeGro","Tom LeGro","Matt Rourke","Matt Rourke","Matt Rourke","Tom LeGro","Matt Lee","Jen Sears","Michael Tolosa","Michael Tolosa","Michael Tolosa","Tom LeGro","No credit","Matt Lee","Tom Legro","Stacey Levine","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Stacey Levine","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","Matt Rourke","Stacey Levine","Tom LeGro","Stacey Levine","Stacey Levine","Matthew Rourke","Tom LeGro","GiGi Kruse","Abdallah Omeish","Matt Rourke","Timothy NGO","Tom LeGro","Aaron Gilletes","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Marian","GiGi Kruse","Tom LeGro","Stacey Levine","GiGi Kruse","GiGi Kruse","GiGi Kruse","Matt Rourke","Matt Rourke","Matt Rourke","Stacey Levine","Matt Rourke","Tom LeGro","Abdallah Omeish","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Gerardo Reira-Vega","GiGi Kruse","GiGi Kruse","No credit","GiGi Kruse","Matt Rourke","No credit","Matt Rourke","Matt Rourke","GiGi Kruse","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Matt Rourke","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro; Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","Matt Rourke","Katie Koestner","GiGi Kruse","No credit","Tom LeGro","Matt Rourke","Matt Rourke","Alex A. Rushton","Alex A. Rushton","Alex A. Rushton","Stacey Levine","GiGi Kruse","GiGi Kruse","Matt Rourke","GiGi Kruse","GiGi Kruse","Matt Rourke","Matt Rourke","Matt Rourke","Abdallah Omeish","Abdallah Omeish","Matt Rourke","Alex Rushton","Tom LeGro","Tom LeGro; Matt Rourke","Worish","Worish","Sang?","Tom LeGro","No credit","Matt Rourke","Tom LeGro","Matt Rourke","Matt Rourke","Michael Tolosa","Abdallah Omeish","Abdallah Omeish","Stacey Levine","Tom LeGro","Abdallah Omeish","Alex Rushton","Matt Lu; Alex Rushton","Abdallah Omeish","Gail; Matt Rourke; Tom LeGro","Matt Rourke","No credit","Matt Rourke","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Andrew Woodall","Priscilla Gonzalez","Shin Yu","Andy Woodall","GiGi Kruse","GiGi Kruse","Tom LeGro","Chris Quay","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Sean Alderman","Sean Alderman","Alex Rushton","GiGi Kruse","GiGi Kruse","Chris Quay","Andrew Woodall","Andrew Woodall","Carrie Klinker","GiGi Kruse","GiGi Kruse","Brenden McEvoy","Karla Rosales","Karla Rosales","GiGi Kruse","Kara Rosales","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse and Chris Quay","GiGi Kruse","Chris Quay","Chris Quay","Chris Quay","Abdallah Omeish","Abdallah Omeish","Alex Rushton","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","GiGi Kruse","GiGi Kruse","GiGi Kruse","Brenden McEvoy","GiGi Kruse","GiGi Kruse","Tim Johnson","GiGi Kruse","Abdallah Omeish","GiGi Kruse","GiGi Kruse","Karla Rosales","GiGi Kruse and Karla Rosales","Jeremy Laslett","Sean Alderman","Abdallah Omeish","Chris Quay","Brenden McEvoy","Brenden McEvoy","Brenden McEvoy","Abdallah Omeish","GiGi Kruse","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","Andy Woodall","Andy Woodall","Abdallah Omeish","GiGi Kruse","Tim Johnson","Abdallah Omeish","Abdallah Omeish","Sean Alderman","Abdallah Omeish","GiGi Kruse","No credit","Sean Alderman","Abdallah Omeish","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tim Johnson","Andy Woodall","Andy Woodall","Jennifer Hunt","Abdallah Omeish","Karla Rosales","Karla Rosales","Karla Rosales","GiGi Kruse","Chris Quay","Andy Woodall","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Abdallah Omeish","Tim Johnson","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Karla Rosales","Andy Woodall","No credit; 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Jimmie Foster Jr.","Andy Woodall","Frames 5A, 6A, 4A; Carrie Klinker","Frame 31; Andy Woodall","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Jimmie Foster Jr.","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker and Mark Sypher","Mark Sypher","Jimmie Foster Jr.","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher; postcard","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","[MFS] Mark Sypher","Paul Sodhi","Paul Sodhi","Jimmie Foster Jr.","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Melody Mowrey","Melody Mowrey","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Melody Mowrey","Mark Sypher","Mark Sypher","Andy Woodall","Andy Woodall","Andy Woodall","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey; color negatives","Melody Mowrey","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","GiGi","GiGi","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher; paper with photo request","Mark Sypher","Mark Sypher","Mark Sypher","Shannon Schneider","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","David Manning","Mark Sypher","Mark Sypher","Mark Sypher","C. Quay","Mark Sypher","Mark Sypher","David Manning","David Manning","Mark Sypher","David Manning","David Manning","David Manning","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","David Manning; color negatives","David Manning; color negatives","David Manning; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","J. Hornic; color negatives","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Liz Haas; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","C Quay","Dave Manning","Dave Manning; color negatives","Dave Manning","Dave Manning","Chris DP; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Chantee; color negatives","Chantee; color negatives","Erin; color negatives","Erin; color negatives","Chantee; color negatives","Chantee; color negatives","Chantee; color negatives","Marjan; color negatives","Jason Hornick","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Chris DP; color negatives","Chris DP; color negatives","Dave Manning; color negatives","Chris DP; color negatives","Dave Manning; color negatives"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:05.388Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"normalized_date_ssm":["1971/2001"],"normalized_title_ssm":["George Mason University Broadside photograph collection, 1971/2001"],"text":["George Mason University Broadside photograph collection, 1971/2001","R0135","/repositories/2/resources/353","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title\n      Series 1: Prints, 1971-1999 (boxes 1-6),\n      Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the  and other University Archives collections.","maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints","Smithsonian Museum of Natural History and Hirshhorn Museum.","Prints","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs.","Prints","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley.","Color prints","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller.","Prints","G: Gillette, Giroux, Susan Gordon, GMView staff","Prints","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan.","Prints","I: Julio Iglesias, Earl Ingram.","Prints","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset.","Prints","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints","Ernie Nestor, Oliver North, Renaldo Nehemiah.","Prints","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan.","Prints","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs.","Prints","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints","Ben Vereen and Leslie Uggans at the Center for the Performing Arts.","Prints","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch.","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints","Registration lines, Michael McDermot.","Prints","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs.","Prints; negatives","Boxer Zeine Afif.","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K.","Negatives; prints","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University.","Negatives; prints","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University.","Negatives; prints","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J.","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C.","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; Eric Leeper","Frames 34-39; Myrna Garza","Frames 40-8; Myrna Garza","Frames 42-4; David Pasztor","Frames 7-24; David Pasztor","Eric Leeper and David Pasztor","Frames 23-29; Myrna Garza","Frames 30-34; Myrna Garza","Frames 35-41; Myrna Garza","Frames 27-33; Dan Crawford and Myrna Garza","Frames 37-1; Dan Crawford and Myrna Garza","Dan Crawford and Myrna Garza","Frames 3-11; Dan Crawford and Myrna Garza","Frames 39-44; Eric Leeper and David Pasztor","Frames 1-11; Eric Leeper and David Pasztor","Frames 12-17; Eric Leeper and David Pasztor","David Pasztor","Eric Leeper","Eric Leeper","Myrna Garza","Frames 32-36; Ray Huber","contact sheet only; B.S.B.?","B.S.B.?","Frames 1-12; Myrna Garza","Frames 14-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 26-32; Myrna Garza","Frames 19-23; Myrna Garza; contact sheet only","Frames 25-32; Myrna Garza; contact sheet only","Frames 33-34; Myrna Garza; contact sheet only","Eric Leeper","Eric Leeper","Frames 3-7; Myrna Garza","Frames 8-19; Myrna Garza","Frames 8-19; Myrna Garza","Frames 23-27; Myrna Garza","Dan Crawford","Frames 39-5; Margarita Collantes","Frames 5-7; Margarita Collantes","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 21-30; Barry Nelson","Frames 29-43; Myrna Garza","Frames 44-1; Myrna Garza","Frame 3; Myrna Garza","Eric Leeper","Frames 8-15; Barry Nelson","Frame 18; Barry Nelson","Frame 19; Barry Nelson","Frame 20-21; Barry Nelson","Frame 29-37; Barry Nelson","Frame 37-41 Barry Nelson","Frame 42-44; Barry Nelson","Frames 1-3; Barry Nelson","Frame 45; Barry Nelson","Harry Stodd","Frame 24-39; Myrna Garza","Frame 37-1; Myrna Garza","Frame 2-5; Myrna Garza","Omar Saab","Frame 26-31; Barry Nelson","Frame 32-44; Barry Nelson","Frame 19; Barry Nelson","Frame 4-6; Barry Nelson","Frame 3; Barry Nelson","Frames; 38-5; Barry Nelson","Frame 5-10 Barry Nelson","Frame 11-15; Barry Nelson","Frames 4-8; Myrna Garza","Frames 8-12; Myrna Garza","Frames 13-17; Myrna Garza","Frame 18; Myrna Garza","Frame 19; Myrna Garza","Frames 43-5; Barry Nelson","Frames 5a-13; Barry Nelson","Frames 40-42; Barry Nelson","Frames 43-4; Barry Nelson","Frames 6-10; Barry Nelson","Frames 11-16; Barry Nelson","Frame 17; Barry Nelson","Frames 18-21; Barry Nelson","Frame 22; Barry Nelson","Barry Boyd","Myrna Garza","Frames 35-3; Barry Boyd","Frames 7-10; Barry Boyd","Frames 10-14; Myrna Garza","Barry Boyd","Frames 8-14; Mirza Garza","Frames 15-21; Mirza Garza","Steve Skouron","Frames 35-37; Barry Nelson","Frames 38-18; Barry Nelson","Frames 19-25; Barry Nelson","Eric Leeper","Steve Skouron","Myrna Garza; Henry Loman","Frames 30-38; Barry Nelson","Frames 43-3; Barry Nelson","Joe Coutaldo","Frames 12-19; Myrna Garza","Frames 20-24; Myrna Garza","Frames 37-39","Frames 28-38","Frames 14-23; Barry Nelson","Frames 24-34; Barry Nelson","Frames 33-34; Barry Nelson","Frames 35-40 \u0026 41-42; Barry Nelson","Frames 3-9; Barry Nelson","Frames 10-11; Barry Nelson","Frame 12; Barry Nelson","Frames 13-15; Barry Nelson","Frames 16-21; Barry Nelson","Frames 43-5 Myrna Garza","Frames 15-20; Myrna Garza","Frames 20-26; Barry Boyd","Frames 22-27; Barry Nelson","Frames 28-34; Barry Nelson","Frames 3-4; Barry Nelson","Frames 38-42; David Pasgton","Frames 43-13; David Pasgton","Frames 4-22; David Pasgton","Frames 23-27; David Pasgton","Barry Nelson","Barry Nelson","22-25; Myrna Garza","26-33; Myrna Garza","34-10; Myrna Garza","Myrna Garza","Myrna Garza","Frames 23-32; Myrna Garza","Frames 33-77; Myrna Garza","Frames 24-5; Myrna Garza","Frames 43-7; Myrna Garza","Barry Boyd","David Pasztor","Barry Boyd","Frames 2-43; Myrna Garza","Frames 6-13; Barry Boyd","Frames 14-23; Myrna Garza","Frames 18-27; Barry Nelson","Frames 29-36; Barry Nelson","Frames 1-10; Barry Boyd","Frames 12-33; Barry Boyd","Barry Boyd","Barry Boyd","Dan Grawford","Frames 42-3; Barry Nelson","Frames 4-16; Barry Nelson","Frames 18-23; Barry Nelson","Frames 20-22; Myrna Garza","Frames 23-25; Myrna Garza","Frames 26-27; Myrna Garza","Frames 28-29; Myrna Garza","Frames 30-31; Myrna Garza","Frames 34-35; Myrna Garza","Frames 37-41; Myrna Garza","Barry Nelson","Barry Nelson","Barry Nelson","Frames 28-31; Myrna Garza","Frames 32-36; Myrna Garza","Frames 38-3; Myrna Garza","Frame 29; Barry Nelson","Frames 30-32; Barry Nelson","Frames 34-1; Barry Nelson","Frames 2-3; Barry Nelson","Frame 8; Barry Nelson","Frames 9-14; Barry Nelson","Frames 8-12; Barry Nelson","Frames 36-40; Barry Nelson","Frames 41-44; Barry Nelson","Frames 1-10; Barry Nelson","Frames 11-12; Barry Nelson","Frames 13-14; Barry Nelson","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 18-28; Myrna Garza","Frames 29-35; Myrna Garza","Barry Boyd","Barry Boyd","Barry Nelson","Barry Nelson","Barry Nelson","Connie Bedell","Barry Boyd","Myrna Garza","Myrna Garza","Myrna Garza; contact sheet only","Myrna Garza; contact sheet only","Tom Welch; contact sheet only","Tom Welch","Tom Welch","Frames 2-16; Connie Bedell","Tuan Tran","Tuan Tran","Tuan Tran","Myrna Garza","Barry Boyd","Frames 37-42; Myrna Garza","Frames 43-5; Myrna Garza","Frames 6-10; Myrna Garza","Frames 11-18; Myrna Garza","Frame 25; Connie Bedell","Frames 1-9; Myrna Garza","Frames 10-14; Myrna Garza","Frames 15-21; Myrna Garza","Frames 22-28; Myrna Garza","Frames 29-55; Myrna Garza","Frames 35-40; Myrna Garza","Frames 43-4; Myrna Garza","Frames 5-10; Myrna Garza","Myrna Garza","Frames 20-22; Barry Boyd","Frames 23-35; Barry Boyd","Bob Starbiro","Frame 4; Libby Tart","Frames 2-5; Libby Tart","Frames 6-9; Libby Tart","Frames 10-14; Libby Tart","Frames 15-18; Libby Tart","Frames 3-8; Myrna Garza","Frames 8-13; Myrna Garza","Frames 13-17; Myrna Garza","18-22; Myrna Garza","Frames 11-16; Robert Duston","Frames 17-22; Robert Duston","Frames 23-32; Kent Wilhelmi","Frames 39-42; Robert Duston","Frames 1-7; Robert Duston","Frames 35-38; Kent Wilhelmi","Frames 39-42; Kent Wilhelmi","Frames 43-4; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 10; Kent Wilhelmi","Frames 10-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 28-37; Paul Watters","Frames 21-24: Paul Watters","2 contact sheets: Bill Rook","Frames 21-22: Paul Watters","Frames 23-26; Paul Watters","Frames 16-20; Paul Watters","Frame 33; Paul Watters","Frames 30-40; Rob Duston","Frames 42-3; Rob Duston","Frames 4-6; Rob Duston","Frames 7-8; Rob Duston","Frames 9-15; Rob Duston","Frames 5-18; Libby Tart","Frames 13-22; Libby Tart","Frames 5-15; Myrna Garza","Frames 22-26; Myrna Garza","Barry Boyd","Paul Watters","Frames 12-15; Kent Wilhelmi","Paul Watters","Paul Watters","Frames 37-44; Kent Wilhelmi","Frames 1-3; Kent Wilhelmi","Frames 34-42; Barry Boyd","Frames 43-8; Barry Boyd","Frames 9-21; Barry Boyd","Frames 19-29; Paul Watters","Frames 30-31; Paul Watters","Frames 43-43; Kent Wilhelmi","Frame 44; Kent Wilhelmi","Frames 1-2; Kent Wilhelmi","Frame 3; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 14; Eric Leeper","Frame 27; Kent Wilhelmi","Frames 30-33; Kent Wilhelmi","Frames 13-24; Kent Wilhelmi","Frames 25-27; Kent Wilhelmi","Andrew Nickle","Frames 4-16; Myrna Garza","Frames 19-31; Bill Rook","Frames 33-39; Paul Watters","Frames 3-12; Myrna Garza","Frames 40-2; Myrna Garza","Frames 3-4; Myrna Garza","Frame 5; Myrna Garza","Frame 6; Myrna Garza","Myrna Garza","Barry Boyd","Barry Boyd","Myrna Garza","Myrna Garza","Paul Watters","Frame 6; Paul Watters","Frames 8-11; Paul Watters","Frames 13-14; Ray Huber","Frames 15-20; Paul Watters","Frames 7-13; Jim Ognibene","Frames 15-19; Jim Ognibene","Judy Schaeffer","Frames 25-1; William Holmes","Frames 2-14; William Holmes","Andrew Cseplo","Frames 40-44; Myrna Garza","Frame 1; Myrna Garza","Frame 2: Myrna Garza","Frames 3-4; Myrna Garza","Frames 7-9; Myrna Garza","Frames 29-43; Tom Fox","Frames 44-14; Tom Fox","Frames 29-44; Andrew Nickle","Frames 1-19; Andrew Nickle","Frames 15-30; Jerry Boyd","Frame 26; Jerry Boyd","Libby Tart","Paul Watters","Libby Tart","Barry Boyd","Frames 37-2; Rob Duston","Frames 3-9; Rob Duston","Frames 41-44; Myrna Garza","Frames 39-40; Myrna Garza","Andrew Nickle","Frames 1-5; Jim Ognibeni","Frames 36-41; Andrew Cseplo","Frames 42-9; Andrew Cseplo","Frames 11-12; Andrew Cseplo","Frames 40-2; Kent Wilhelmi","Frames 36-39; Kent Wilhelmi","Frames 3-5; Kent Wilhelmi","Bill Holmes","Andrew Nickle","Frames 1-4; Barry Boyd","Frames 33-35; Paul Watters","Frames 1-5; Myrna Garza","Frames 29-38; Myrna Garza","Frames 33-34; Barry Boyd","Frame 36; Barry Boyd","Frame 41; Barry Boyd","Frames 11-2; Barry Boyd","Frames 18-29; Robert Duston","Frames 30-34; Robert Duston","Frames 38-42; Tom Fox","Frames 3-13; Tom Fox","Frames 14-18; Tom Fox","Paul Watters and Tuan Tran","Robert Duston","Frames 25-29; Myrna Garza","Frames 31-36; Myrna Garza","Frames 4-11; Connie Bedell","Frames 43-4; Suki Roberts","Frames 6-12; Myrna Garza","Barry Boyd","Barry Boyd","Bill Holmes","Connie Bedell","Lee Strang","Frames 1-10; Myrna Garza","Frames 11-20; Myrna Garza","Frames 38-44; Paul Watters","Frames 2-11; Paul Watters","Lee Strang","Frames 25-30; Jim Ognibene","Frames 37-16; Jim Ognibene","Jim Ognibene","Frames 8-24; Paul Watters","Frames 41-2; Libby Tart","Frames 3-12; Libby Tart","Frames 13-14; Libby Tart","Frames 40-3; Barry Boyd","Frames 38-1; Paul Watters","Frames 26-36; Judle Muscolino","Andrew Cseplo","Andrew Cseplo","Frames 1-4, 8; Myrna Garza","Frames 5-7, 13; Myrna Garza","Frames 9-12; Myrna Garza","Frames 6-13; Barry Boyd","Lee Strang","Frames 27-28; Lee Strang","Frames 32-33; Lee Strang","Frames 34-11; Lee Strang","Frames 10-14; Libby Tart","Frames 15-20; Libby Tart","Frames 22-27; Libby Tart","Frame 28; Libby Tart","Frames 33-34; Libby Tart","Henry Lowman","Frames 36-4; Paul Watters","Frames 26-36; Myrna Garza","Frames 37-38; Myrna Garza","Frames 40-41; Myrna Garza","Frames 42-44; Myrna Garza","Barry Boyd","Frames 14-19; Jim Ognibene","Frames 20-30; Jim Ognibene","Frame 28; Paul Watters","Frames 40-9; Paul Watters","Frame 10; Paul Watters","Frames 11-14; Paul Watters","Frames 7-11; Paul Watters","Frames 13-18; Myrna Garza","Frames 16-18; Myrna Garza","Frames 19-34; Myrna Garza","Frames 34-11; Myrna Garza","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Jim Pugh","Barry Boyd","Barry Boyd","Frames 3-4; Barry Boyd","Frames 14-16; Tuan Tran","Frames 17-21; Andrew Cseplo","Diane Strauss","Frames 20-26; Andrew Cseplo","Frames 27-31; Myrna Garza","Frames 32-39; Libby Tart","Diane Strauss","Frames 27-36; Myrna Garza","Frames 38-40; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 43-4; Libby Tart","Frames 5-10; Libby Tart","Paul Watters","Paul Watters","Paul Watters","Paul Watters","Tuan Tran","Andrew Cseplo","Myrna Garza","unknown photographer, LB","unknown photographer, LB","Jim Ognibene; contact sheet only","Myrna Garza","Libby Tart","Frames 7-18; Paul Watters","Frames 3-6; Paul Watters","Frames 33-40; Paul Watters","Frames 4-41; Paul Watters","Frames 29-32; Paul Watters","Frames 21-25; Paul Watters","Frames 12-22; Paul Watters","Contact sheet only","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Clyde Peterson","Barry Boyd","Clyde Peterson","Lee Strang","Audrey H","Barry Boyd","Barry Boyd","Libby Tart","Steve Casimiro","Jorge Ochoa","Jennifer Stone","Barry Boyd","Barry Boyd","Jorge Ochoa","Andrew Cseplo","Libby Tart","Barry Boyd","John Terry; contact sheet only","Lee Strang","Steve Casimiro","Jennifer Stone","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Andrew Cseplo","Jorge Ochoa","Jorge Ochoa","Jorge Ochoa","Jennifer Stone","Steve Casimiro; contact sheet only","Steve Casimiro","Steve Casimiro","Jorge Ochoa","Lee Strang","Lee Strang","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Contact sheet only","Jennifer Stone","Lee Strang","Steve Casimiro; contact sheet only","Jennifer Stone","Lee Strang","Tuan Tran","Tuan Tran","Jorge Ochoa","Jorge Ochoa","Tuan Tran","Steve Casimiro; contact sheet only","Lee Strang","Tuan Tran","Tuan Tran","Tuan Tran","Alex C. Loyd","Rasmus Nelson","Rasmus Nielson","John Buttner","Steve Casimiro","Steve Casimiro","Rasmus Nielson","Steve Casimiro","John Buttner","Curt Stevens","John Buttner","Tom Horan","Tim Z (Harrison?)","Paul Torpey","Gordon","Paul Torpey","Gordon","Tim Harrison","Adrienne Thies","Caesar Vallejos","Tim Harrison","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey; negatives only","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Charles Harvey","Tom Horan","Paul Torpey; contact sheet only; 2 contact sheets","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Adrienne Thies; 2 contact sheets","Adrienne Thies","Adrienne Thies","Caesar Vallejos","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey; 2 contact sheets","Charlie Harvey","Adrienne Thies","Steve Elfers; Tom Horan","Charlie Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Caesar Vallejos","Paul Torpey","Caesar Vallejos","Caesar Vallejos","Brent Ebel","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey; Paul Torpey","Paul Torpey","Tim Harrison","Paul Torpey","Charles Harvey","Charles Harvey \u0026 Paul Torpey","Dave Motes","Charles Harvey","Tim Harrison","Contact sheet only","Negatives only","Contact sheet only","Two contact sheets; two negatives","Contact sheet only","Negatives only","Contact sheet only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Tom Horan","O'Dell","Mousa; color negatives","Mousa; color negatives","Dave Motes; color negatives","Dave Motes; color negatives","Color negatives","Corrine; color negatives","Corrine; color negatives","John V; color negatives","John V; color negatives","GiGi Kruse","Corrine S.","Jen Sears","Tom LeGro","Michael Tolosa","Matt Rourke","Tom LeGro","Tom LeGro","Abdallah Omeish; Matt Rourke","Tim Ngo","Tom LeGro","Abdallah Omeish","Abdallah Omeish; Matt Rourke","Stacey Levine","Tom LeGro","Gerardo Reira-Vega and Matt Rourke","Gerardo Reira-Vega and Matt Rourke","Matt Rourke; Tom LeGro","Matt Rourke","Color negatives","Color negatives","Sarah","K.R.","K.R.","Carol M. and James H.","L.T.","L.T.","L.T.","L.T.","Matt","Jimmie Foster","Carol","Carol","Marion Clarke","Marion Clarke","Michael Tolosa","Michael Tolosa","Michael Tolosa","Mike Murray","Mike Murray","Matt Lee","Amy Hatchinson","Michael Tolosa","Michael Tolosa","Rahonl","Denis M.","Denis M.","Denis M.","J. 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Idosa","Tom LeGro","Tom LeGro","Nathan Bowles","Michael Tolosa","No credit","No credit","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","Jen Sears","Matt Rourke","Matt Rourke","Jen Sears","Yumin Chung","Nathan Bowles","Matt Rourke","Yumin Chung","Tom LeGro","Matt Rourke","Matt Lee; Amy Hatchinson","Matt Rourke","GiGi Kruse","Yumin Chung","Jen Sears","Tom LeGro","Matt Rourke","Tom LeGro","Yumin Chung","Tom LeGro","Jen Sears","Tom LeGro","Matt Rourke","GiGi Kruse","Mat Rourke","Matt Rourke","Tom LeGro","Tom LeGro","Matt Rourke","GiGi Kruse","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Matt Lee","Matt Rourke","Michael Tolosa","Tom LeGro","Tom LeGro","Matt Rourke","Matt Rourke","Matt Rourke","Tom LeGro","Matt Lee","Jen Sears","Michael Tolosa","Michael Tolosa","Michael Tolosa","Tom LeGro","No credit","Matt Lee","Tom Legro","Stacey Levine","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Stacey Levine","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","Matt Rourke","Stacey Levine","Tom LeGro","Stacey Levine","Stacey Levine","Matthew Rourke","Tom LeGro","GiGi Kruse","Abdallah Omeish","Matt Rourke","Timothy NGO","Tom LeGro","Aaron Gilletes","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Marian","GiGi Kruse","Tom LeGro","Stacey Levine","GiGi Kruse","GiGi Kruse","GiGi Kruse","Matt Rourke","Matt Rourke","Matt Rourke","Stacey Levine","Matt Rourke","Tom LeGro","Abdallah Omeish","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Gerardo Reira-Vega","GiGi Kruse","GiGi Kruse","No credit","GiGi Kruse","Matt Rourke","No credit","Matt Rourke","Matt Rourke","GiGi Kruse","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Matt Rourke","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro; Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","Matt Rourke","Katie Koestner","GiGi Kruse","No credit","Tom LeGro","Matt Rourke","Matt Rourke","Alex A. Rushton","Alex A. Rushton","Alex A. Rushton","Stacey Levine","GiGi Kruse","GiGi Kruse","Matt Rourke","GiGi Kruse","GiGi Kruse","Matt Rourke","Matt Rourke","Matt Rourke","Abdallah Omeish","Abdallah Omeish","Matt Rourke","Alex Rushton","Tom LeGro","Tom LeGro; Matt Rourke","Worish","Worish","Sang?","Tom LeGro","No credit","Matt Rourke","Tom LeGro","Matt Rourke","Matt Rourke","Michael Tolosa","Abdallah Omeish","Abdallah Omeish","Stacey Levine","Tom LeGro","Abdallah Omeish","Alex Rushton","Matt Lu; Alex Rushton","Abdallah Omeish","Gail; Matt Rourke; Tom LeGro","Matt Rourke","No credit","Matt Rourke","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Andrew Woodall","Priscilla Gonzalez","Shin Yu","Andy Woodall","GiGi Kruse","GiGi Kruse","Tom LeGro","Chris Quay","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Sean Alderman","Sean Alderman","Alex Rushton","GiGi Kruse","GiGi Kruse","Chris Quay","Andrew Woodall","Andrew Woodall","Carrie Klinker","GiGi Kruse","GiGi Kruse","Brenden McEvoy","Karla Rosales","Karla Rosales","GiGi Kruse","Kara Rosales","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse and Chris Quay","GiGi Kruse","Chris Quay","Chris Quay","Chris Quay","Abdallah Omeish","Abdallah Omeish","Alex Rushton","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","GiGi Kruse","GiGi Kruse","GiGi Kruse","Brenden McEvoy","GiGi Kruse","GiGi Kruse","Tim Johnson","GiGi Kruse","Abdallah Omeish","GiGi Kruse","GiGi Kruse","Karla Rosales","GiGi Kruse and Karla Rosales","Jeremy Laslett","Sean Alderman","Abdallah Omeish","Chris Quay","Brenden McEvoy","Brenden McEvoy","Brenden McEvoy","Abdallah Omeish","GiGi Kruse","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","Andy Woodall","Andy Woodall","Abdallah Omeish","GiGi Kruse","Tim Johnson","Abdallah Omeish","Abdallah Omeish","Sean Alderman","Abdallah Omeish","GiGi Kruse","No credit","Sean Alderman","Abdallah Omeish","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tim Johnson","Andy Woodall","Andy Woodall","Jennifer Hunt","Abdallah Omeish","Karla Rosales","Karla Rosales","Karla Rosales","GiGi Kruse","Chris Quay","Andy Woodall","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Abdallah Omeish","Tim Johnson","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Karla Rosales","Andy Woodall","No credit; color negatives","Abdallah Omeish","Abdallah Omeish","Chris Quay","Chris Quay","Chris Quay","Abdallah Omeish","Abdallah Omeish","Chris Quay","GiGi Kruse","GiGi Kruse","Alex Rushton","Chris Quay","GiGi Kruse","GiGi Kruse","Andy Woodall","Brendan McEvoy","No credit","GiGi Kruse","GiGi Kruse","Brenden McEvoy","Brenden McEvoy","Andy Woodall","Chris Quay","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","GiGi Kruse","Andy Woodall","Skylar and Wes Royer","Andy Woodall","Andy Woodall; Chris Clay","GiGi Kruse; Shin YU","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Shin Yu","Shin Yu","George Dimintron","No credit","GiGi Kruse","GiGi Kruse","Christina Ghergu","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","George Dimintron","Andy Woodall","Karla Rosales","GiGi Kruse","Abdallah Omeish","Woody Roberts","GiGi Kruse","Rhea Calpeno","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Andy Woodall","GiGi Kruse","No credit","GiGi Kruse","George Dimintron","Abdallah Omeish","GiGi Kruse, Andy Woodall, Abdullah Omeish","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse; 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GiGi Kruse","Frames 43, 34, 37; GiGi Kruse","GiGi Kruse","Bonnie Teske","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","Bonnie Teske","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Bonnie Teske","Bonnie Teske","Bonnie Teske","GiGi Kruse; Andy Woodall","Bonnie Teske","Bonnie Teske","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Zack","GiGi Kruse","GiGi Kruse","Marcelo Braga","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Bonnie Teske","Mark Sypher","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Binnie Teske","Binnie Teske","Binnie Teske","Binnie Teske","Broadside photographers","Broadside photographers","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Mark Sypher","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Frames 40A, 38A, 34A, 32A; Jimmie Foster Jr.","Andy Woodall","Frames 5A, 6A, 4A; Carrie Klinker","Frame 31; Andy Woodall","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Jimmie Foster Jr.","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker and Mark Sypher","Mark Sypher","Jimmie Foster Jr.","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher; postcard","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","[MFS] Mark Sypher","Paul Sodhi","Paul Sodhi","Jimmie Foster Jr.","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Melody Mowrey","Melody Mowrey","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Melody Mowrey","Mark Sypher","Mark Sypher","Andy Woodall","Andy Woodall","Andy Woodall","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey; color negatives","Melody Mowrey","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","GiGi","GiGi","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher; paper with photo request","Mark Sypher","Mark Sypher","Mark Sypher","Shannon Schneider","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","David Manning","Mark Sypher","Mark Sypher","Mark Sypher","C. Quay","Mark Sypher","Mark Sypher","David Manning","David Manning","Mark Sypher","David Manning","David Manning","David Manning","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","David Manning; color negatives","David Manning; color negatives","David Manning; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","J. Hornic; color negatives","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Liz Haas; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","C Quay","Dave Manning","Dave Manning; color negatives","Dave Manning","Dave Manning","Chris DP; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Chantee; color negatives","Chantee; color negatives","Erin; color negatives","Erin; color negatives","Chantee; color negatives","Chantee; color negatives","Chantee; color negatives","Marjan; color negatives","Jason Hornick","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Chris DP; color negatives","Chris DP; color negatives","Dave Manning; color negatives","Chris DP; color negatives","Dave Manning; color negatives","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"collection_title_tesim":["George Mason University Broadside photograph collection, 1971/2001"],"collection_ssim":["George Mason University Broadside photograph collection, 1971/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"places_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"creators_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title\n      Series 1: Prints, 1971-1999 (boxes 1-6),\n      Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and other University Archives collections.","maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit"],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAll Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eColor prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eDavis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.\u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNew Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eVirginia Peddler, Christmas Attic, Christmas Gallery.\u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eStudent Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eNewspaper prints; drawings\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eChinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eInternational Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePatriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eCenter Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003e\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eSmithsonian Museum of Natural History and Hirshhorn Museum. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eComputers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eParking garage construction, parking deck, parking lots.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eA: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eB: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eC: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eD: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eE: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. \u003c/p\u003e","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eF: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eG: Gillette, Giroux, Susan Gordon, GMView staff \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eH: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eI: Julio Iglesias, Earl Ingram.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eJ: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eK: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eWilliam F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eMarvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.\u003c/p\u003e","\u003cp\u003eColor Prints \u003c/p\u003e","\u003cp\u003eErnie Nestor, Oliver North, Renaldo Nehemiah. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eEdward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.\u003c/p\u003e","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eDavid Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eOne unidentified print of a politician\u003c/p\u003e","\u003cp\u003eEllen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eStewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eScott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eBen Vereen and Leslie Uggans at the Center for the Performing Arts. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eThe Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. \u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGame Room, Health and Fitness Guide, Hemlock Overlook.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eRegistration lines, Michael McDermot.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. \u003c/p\u003e","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eBoxer Zeine Afif. \u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives; color prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eFootball Club, Jackson, E., Coach Football.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eOne unidentified print\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eWomen's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.\u003c/p\u003e","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eMidnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. \u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.\u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. \u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eDuckworth, M., George Mason University vs. Juanita, American University, Lewis University. \u003c/p\u003e","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eAdams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eArgunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. \u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eJay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. \u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eWillard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eKingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.\u003c/p\u003e","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eShea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.\u003c/p\u003e","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eTwo prints, one of a baseball game, the other of swans in a pond.\u003c/p\u003e","\u003cp\u003eFootball kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.\u003c/p\u003e","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.\u003c/p\u003e","\u003cp\u003eContact sheets; color prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eContact sheet only; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 1; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 2; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 3; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 4-5; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 6; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 7; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 8; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 9; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 10; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 11; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 12; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 13; Kerry L. 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Nagtus\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eSharon Teeler\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eT. Wesley\u003c/p\u003e","\u003cp\u003eT. Wesley\u003c/p\u003e","\u003cp\u003eGail C.\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eJames Nosius\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eElizabeth Gastman\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMike Murray\u003c/p\u003e","\u003cp\u003eJason\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eDave Holka\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTyler Hacers\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eChelsie Losan\u003c/p\u003e","\u003cp\u003eNo credit; color negatives\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAlexis Scalice\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eM. Idosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Lee; Amy Hatchinson\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eMat Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom Legro\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints","Smithsonian Museum of Natural History and Hirshhorn Museum.","Prints","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs.","Prints","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley.","Color prints","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller.","Prints","G: Gillette, Giroux, Susan Gordon, GMView staff","Prints","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan.","Prints","I: Julio Iglesias, Earl Ingram.","Prints","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset.","Prints","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints","Ernie Nestor, Oliver North, Renaldo Nehemiah.","Prints","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan.","Prints","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs.","Prints","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints","Ben Vereen and Leslie Uggans at the Center for the Performing Arts.","Prints","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch.","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints","Registration lines, Michael McDermot.","Prints","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs.","Prints; negatives","Boxer Zeine Afif.","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K.","Negatives; prints","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University.","Negatives; prints","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University.","Negatives; prints","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J.","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C.","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; Eric Leeper","Frames 34-39; Myrna Garza","Frames 40-8; Myrna Garza","Frames 42-4; David Pasztor","Frames 7-24; David Pasztor","Eric Leeper and David Pasztor","Frames 23-29; Myrna Garza","Frames 30-34; Myrna Garza","Frames 35-41; Myrna Garza","Frames 27-33; Dan Crawford and Myrna Garza","Frames 37-1; Dan Crawford and Myrna Garza","Dan Crawford and Myrna Garza","Frames 3-11; Dan Crawford and Myrna Garza","Frames 39-44; Eric Leeper and David Pasztor","Frames 1-11; Eric Leeper and David Pasztor","Frames 12-17; Eric Leeper and David Pasztor","David Pasztor","Eric Leeper","Eric Leeper","Myrna Garza","Frames 32-36; Ray Huber","contact sheet only; B.S.B.?","B.S.B.?","Frames 1-12; Myrna Garza","Frames 14-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 26-32; Myrna Garza","Frames 19-23; Myrna Garza; contact sheet only","Frames 25-32; Myrna Garza; contact sheet only","Frames 33-34; Myrna Garza; contact sheet only","Eric Leeper","Eric Leeper","Frames 3-7; Myrna Garza","Frames 8-19; Myrna Garza","Frames 8-19; Myrna Garza","Frames 23-27; Myrna Garza","Dan Crawford","Frames 39-5; Margarita Collantes","Frames 5-7; Margarita Collantes","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 21-30; Barry Nelson","Frames 29-43; Myrna Garza","Frames 44-1; Myrna Garza","Frame 3; Myrna Garza","Eric Leeper","Frames 8-15; Barry Nelson","Frame 18; Barry Nelson","Frame 19; Barry Nelson","Frame 20-21; Barry Nelson","Frame 29-37; Barry Nelson","Frame 37-41 Barry Nelson","Frame 42-44; Barry Nelson","Frames 1-3; Barry Nelson","Frame 45; Barry Nelson","Harry Stodd","Frame 24-39; Myrna Garza","Frame 37-1; Myrna Garza","Frame 2-5; Myrna Garza","Omar Saab","Frame 26-31; Barry Nelson","Frame 32-44; Barry Nelson","Frame 19; Barry Nelson","Frame 4-6; Barry Nelson","Frame 3; Barry Nelson","Frames; 38-5; Barry Nelson","Frame 5-10 Barry Nelson","Frame 11-15; Barry Nelson","Frames 4-8; Myrna Garza","Frames 8-12; Myrna Garza","Frames 13-17; Myrna Garza","Frame 18; Myrna Garza","Frame 19; Myrna Garza","Frames 43-5; Barry Nelson","Frames 5a-13; Barry Nelson","Frames 40-42; Barry Nelson","Frames 43-4; Barry Nelson","Frames 6-10; Barry Nelson","Frames 11-16; Barry Nelson","Frame 17; Barry Nelson","Frames 18-21; Barry Nelson","Frame 22; Barry Nelson","Barry Boyd","Myrna Garza","Frames 35-3; Barry Boyd","Frames 7-10; Barry Boyd","Frames 10-14; Myrna Garza","Barry Boyd","Frames 8-14; Mirza Garza","Frames 15-21; Mirza Garza","Steve Skouron","Frames 35-37; Barry Nelson","Frames 38-18; Barry Nelson","Frames 19-25; Barry Nelson","Eric Leeper","Steve Skouron","Myrna Garza; Henry Loman","Frames 30-38; Barry Nelson","Frames 43-3; Barry Nelson","Joe Coutaldo","Frames 12-19; Myrna Garza","Frames 20-24; Myrna Garza","Frames 37-39","Frames 28-38","Frames 14-23; Barry Nelson","Frames 24-34; Barry Nelson","Frames 33-34; Barry Nelson","Frames 35-40 \u0026 41-42; Barry Nelson","Frames 3-9; Barry Nelson","Frames 10-11; Barry Nelson","Frame 12; Barry Nelson","Frames 13-15; Barry Nelson","Frames 16-21; Barry Nelson","Frames 43-5 Myrna Garza","Frames 15-20; Myrna Garza","Frames 20-26; Barry Boyd","Frames 22-27; Barry Nelson","Frames 28-34; Barry Nelson","Frames 3-4; Barry Nelson","Frames 38-42; David Pasgton","Frames 43-13; David Pasgton","Frames 4-22; David Pasgton","Frames 23-27; David Pasgton","Barry Nelson","Barry Nelson","22-25; Myrna Garza","26-33; Myrna Garza","34-10; Myrna Garza","Myrna Garza","Myrna Garza","Frames 23-32; Myrna Garza","Frames 33-77; Myrna Garza","Frames 24-5; Myrna Garza","Frames 43-7; Myrna Garza","Barry Boyd","David Pasztor","Barry Boyd","Frames 2-43; Myrna Garza","Frames 6-13; Barry Boyd","Frames 14-23; Myrna Garza","Frames 18-27; Barry Nelson","Frames 29-36; Barry Nelson","Frames 1-10; Barry Boyd","Frames 12-33; Barry Boyd","Barry Boyd","Barry Boyd","Dan Grawford","Frames 42-3; Barry Nelson","Frames 4-16; Barry Nelson","Frames 18-23; Barry Nelson","Frames 20-22; Myrna Garza","Frames 23-25; Myrna Garza","Frames 26-27; Myrna Garza","Frames 28-29; Myrna Garza","Frames 30-31; Myrna Garza","Frames 34-35; Myrna Garza","Frames 37-41; Myrna Garza","Barry Nelson","Barry Nelson","Barry Nelson","Frames 28-31; Myrna Garza","Frames 32-36; Myrna Garza","Frames 38-3; Myrna Garza","Frame 29; Barry Nelson","Frames 30-32; Barry Nelson","Frames 34-1; Barry Nelson","Frames 2-3; Barry Nelson","Frame 8; Barry Nelson","Frames 9-14; Barry Nelson","Frames 8-12; Barry Nelson","Frames 36-40; Barry Nelson","Frames 41-44; Barry Nelson","Frames 1-10; Barry Nelson","Frames 11-12; Barry Nelson","Frames 13-14; Barry Nelson","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 18-28; Myrna Garza","Frames 29-35; Myrna Garza","Barry Boyd","Barry Boyd","Barry Nelson","Barry Nelson","Barry Nelson","Connie Bedell","Barry Boyd","Myrna Garza","Myrna Garza","Myrna Garza; contact sheet only","Myrna Garza; contact sheet only","Tom Welch; contact sheet only","Tom Welch","Tom Welch","Frames 2-16; Connie Bedell","Tuan Tran","Tuan Tran","Tuan Tran","Myrna Garza","Barry Boyd","Frames 37-42; Myrna Garza","Frames 43-5; Myrna Garza","Frames 6-10; Myrna Garza","Frames 11-18; Myrna Garza","Frame 25; Connie Bedell","Frames 1-9; Myrna Garza","Frames 10-14; Myrna Garza","Frames 15-21; Myrna Garza","Frames 22-28; Myrna Garza","Frames 29-55; Myrna Garza","Frames 35-40; Myrna Garza","Frames 43-4; Myrna Garza","Frames 5-10; Myrna Garza","Myrna Garza","Frames 20-22; Barry Boyd","Frames 23-35; Barry Boyd","Bob Starbiro","Frame 4; Libby Tart","Frames 2-5; Libby Tart","Frames 6-9; Libby Tart","Frames 10-14; Libby Tart","Frames 15-18; Libby Tart","Frames 3-8; Myrna Garza","Frames 8-13; Myrna Garza","Frames 13-17; Myrna Garza","18-22; Myrna Garza","Frames 11-16; Robert Duston","Frames 17-22; Robert Duston","Frames 23-32; Kent Wilhelmi","Frames 39-42; Robert Duston","Frames 1-7; Robert Duston","Frames 35-38; Kent Wilhelmi","Frames 39-42; Kent Wilhelmi","Frames 43-4; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 10; Kent Wilhelmi","Frames 10-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 28-37; Paul Watters","Frames 21-24: Paul Watters","2 contact sheets: Bill Rook","Frames 21-22: Paul Watters","Frames 23-26; Paul Watters","Frames 16-20; Paul Watters","Frame 33; Paul Watters","Frames 30-40; Rob Duston","Frames 42-3; Rob Duston","Frames 4-6; Rob Duston","Frames 7-8; Rob Duston","Frames 9-15; Rob Duston","Frames 5-18; Libby Tart","Frames 13-22; Libby Tart","Frames 5-15; Myrna Garza","Frames 22-26; Myrna Garza","Barry Boyd","Paul Watters","Frames 12-15; Kent Wilhelmi","Paul Watters","Paul Watters","Frames 37-44; Kent Wilhelmi","Frames 1-3; Kent Wilhelmi","Frames 34-42; Barry Boyd","Frames 43-8; Barry Boyd","Frames 9-21; Barry Boyd","Frames 19-29; Paul Watters","Frames 30-31; Paul Watters","Frames 43-43; Kent Wilhelmi","Frame 44; Kent Wilhelmi","Frames 1-2; Kent Wilhelmi","Frame 3; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 14; Eric Leeper","Frame 27; Kent Wilhelmi","Frames 30-33; Kent Wilhelmi","Frames 13-24; Kent Wilhelmi","Frames 25-27; Kent Wilhelmi","Andrew Nickle","Frames 4-16; Myrna Garza","Frames 19-31; Bill Rook","Frames 33-39; Paul Watters","Frames 3-12; Myrna Garza","Frames 40-2; Myrna Garza","Frames 3-4; Myrna Garza","Frame 5; Myrna Garza","Frame 6; Myrna Garza","Myrna Garza","Barry Boyd","Barry Boyd","Myrna Garza","Myrna Garza","Paul Watters","Frame 6; Paul Watters","Frames 8-11; Paul Watters","Frames 13-14; Ray Huber","Frames 15-20; Paul Watters","Frames 7-13; Jim Ognibene","Frames 15-19; Jim Ognibene","Judy Schaeffer","Frames 25-1; William Holmes","Frames 2-14; William Holmes","Andrew Cseplo","Frames 40-44; Myrna Garza","Frame 1; Myrna Garza","Frame 2: Myrna Garza","Frames 3-4; Myrna Garza","Frames 7-9; Myrna Garza","Frames 29-43; Tom Fox","Frames 44-14; Tom Fox","Frames 29-44; Andrew Nickle","Frames 1-19; Andrew Nickle","Frames 15-30; Jerry Boyd","Frame 26; Jerry Boyd","Libby Tart","Paul Watters","Libby Tart","Barry Boyd","Frames 37-2; Rob Duston","Frames 3-9; Rob Duston","Frames 41-44; Myrna Garza","Frames 39-40; Myrna Garza","Andrew Nickle","Frames 1-5; Jim Ognibeni","Frames 36-41; Andrew Cseplo","Frames 42-9; Andrew Cseplo","Frames 11-12; Andrew Cseplo","Frames 40-2; Kent Wilhelmi","Frames 36-39; Kent Wilhelmi","Frames 3-5; Kent Wilhelmi","Bill Holmes","Andrew Nickle","Frames 1-4; Barry Boyd","Frames 33-35; Paul Watters","Frames 1-5; Myrna Garza","Frames 29-38; Myrna Garza","Frames 33-34; Barry Boyd","Frame 36; Barry Boyd","Frame 41; Barry Boyd","Frames 11-2; Barry Boyd","Frames 18-29; Robert Duston","Frames 30-34; Robert Duston","Frames 38-42; Tom Fox","Frames 3-13; Tom Fox","Frames 14-18; Tom Fox","Paul Watters and Tuan Tran","Robert Duston","Frames 25-29; Myrna Garza","Frames 31-36; Myrna Garza","Frames 4-11; Connie Bedell","Frames 43-4; Suki Roberts","Frames 6-12; Myrna Garza","Barry Boyd","Barry Boyd","Bill Holmes","Connie Bedell","Lee Strang","Frames 1-10; Myrna Garza","Frames 11-20; Myrna Garza","Frames 38-44; Paul Watters","Frames 2-11; Paul Watters","Lee Strang","Frames 25-30; Jim Ognibene","Frames 37-16; Jim Ognibene","Jim Ognibene","Frames 8-24; Paul Watters","Frames 41-2; Libby Tart","Frames 3-12; Libby Tart","Frames 13-14; Libby Tart","Frames 40-3; Barry Boyd","Frames 38-1; Paul Watters","Frames 26-36; Judle Muscolino","Andrew Cseplo","Andrew Cseplo","Frames 1-4, 8; Myrna Garza","Frames 5-7, 13; Myrna Garza","Frames 9-12; Myrna Garza","Frames 6-13; Barry Boyd","Lee Strang","Frames 27-28; Lee Strang","Frames 32-33; Lee Strang","Frames 34-11; Lee Strang","Frames 10-14; Libby Tart","Frames 15-20; Libby Tart","Frames 22-27; Libby Tart","Frame 28; Libby Tart","Frames 33-34; Libby Tart","Henry Lowman","Frames 36-4; Paul Watters","Frames 26-36; Myrna Garza","Frames 37-38; Myrna Garza","Frames 40-41; Myrna Garza","Frames 42-44; Myrna Garza","Barry Boyd","Frames 14-19; Jim Ognibene","Frames 20-30; Jim Ognibene","Frame 28; Paul Watters","Frames 40-9; Paul Watters","Frame 10; Paul Watters","Frames 11-14; Paul Watters","Frames 7-11; Paul Watters","Frames 13-18; Myrna Garza","Frames 16-18; Myrna Garza","Frames 19-34; Myrna Garza","Frames 34-11; Myrna Garza","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Jim Pugh","Barry Boyd","Barry Boyd","Frames 3-4; Barry Boyd","Frames 14-16; Tuan Tran","Frames 17-21; Andrew Cseplo","Diane Strauss","Frames 20-26; Andrew Cseplo","Frames 27-31; Myrna Garza","Frames 32-39; Libby Tart","Diane Strauss","Frames 27-36; Myrna Garza","Frames 38-40; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 43-4; Libby Tart","Frames 5-10; Libby Tart","Paul Watters","Paul Watters","Paul Watters","Paul Watters","Tuan Tran","Andrew Cseplo","Myrna Garza","unknown photographer, LB","unknown photographer, LB","Jim Ognibene; contact sheet only","Myrna Garza","Libby Tart","Frames 7-18; Paul Watters","Frames 3-6; Paul Watters","Frames 33-40; Paul Watters","Frames 4-41; Paul Watters","Frames 29-32; Paul Watters","Frames 21-25; Paul Watters","Frames 12-22; Paul Watters","Contact sheet only","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Clyde Peterson","Barry Boyd","Clyde Peterson","Lee Strang","Audrey H","Barry Boyd","Barry Boyd","Libby Tart","Steve Casimiro","Jorge Ochoa","Jennifer Stone","Barry Boyd","Barry Boyd","Jorge Ochoa","Andrew Cseplo","Libby Tart","Barry Boyd","John Terry; contact sheet only","Lee Strang","Steve Casimiro","Jennifer Stone","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Andrew Cseplo","Jorge Ochoa","Jorge Ochoa","Jorge Ochoa","Jennifer Stone","Steve Casimiro; contact sheet only","Steve Casimiro","Steve Casimiro","Jorge Ochoa","Lee Strang","Lee Strang","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Contact sheet only","Jennifer Stone","Lee Strang","Steve Casimiro; contact sheet only","Jennifer Stone","Lee Strang","Tuan Tran","Tuan Tran","Jorge Ochoa","Jorge Ochoa","Tuan Tran","Steve Casimiro; contact sheet only","Lee Strang","Tuan Tran","Tuan Tran","Tuan Tran","Alex C. Loyd","Rasmus Nelson","Rasmus Nielson","John Buttner","Steve Casimiro","Steve Casimiro","Rasmus Nielson","Steve Casimiro","John Buttner","Curt Stevens","John Buttner","Tom Horan","Tim Z (Harrison?)","Paul Torpey","Gordon","Paul Torpey","Gordon","Tim Harrison","Adrienne Thies","Caesar Vallejos","Tim Harrison","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey; negatives only","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Charles Harvey","Tom Horan","Paul Torpey; contact sheet only; 2 contact sheets","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Adrienne Thies; 2 contact sheets","Adrienne Thies","Adrienne Thies","Caesar Vallejos","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey; 2 contact sheets","Charlie Harvey","Adrienne Thies","Steve Elfers; Tom Horan","Charlie Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Caesar Vallejos","Paul Torpey","Caesar Vallejos","Caesar Vallejos","Brent Ebel","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey; Paul Torpey","Paul Torpey","Tim Harrison","Paul Torpey","Charles Harvey","Charles Harvey \u0026 Paul Torpey","Dave Motes","Charles Harvey","Tim Harrison","Contact sheet only","Negatives only","Contact sheet only","Two contact sheets; two negatives","Contact sheet only","Negatives only","Contact sheet only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Tom Horan","O'Dell","Mousa; color negatives","Mousa; color negatives","Dave Motes; color negatives","Dave Motes; color negatives","Color negatives","Corrine; color negatives","Corrine; color negatives","John V; color negatives","John V; color negatives","GiGi Kruse","Corrine S.","Jen Sears","Tom LeGro","Michael Tolosa","Matt Rourke","Tom LeGro","Tom LeGro","Abdallah Omeish; Matt Rourke","Tim Ngo","Tom LeGro","Abdallah Omeish","Abdallah Omeish; Matt Rourke","Stacey Levine","Tom LeGro","Gerardo Reira-Vega and Matt Rourke","Gerardo Reira-Vega and Matt Rourke","Matt Rourke; Tom LeGro","Matt Rourke","Color negatives","Color negatives","Sarah","K.R.","K.R.","Carol M. and James H.","L.T.","L.T.","L.T.","L.T.","Matt","Jimmie Foster","Carol","Carol","Marion Clarke","Marion Clarke","Michael Tolosa","Michael Tolosa","Michael Tolosa","Mike Murray","Mike Murray","Matt Lee","Amy Hatchinson","Michael Tolosa","Michael Tolosa","Rahonl","Denis M.","Denis M.","Denis M.","J. 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These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:05.388Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353"}},{"id":"viw_repositories_2_resources_9799","type":"collection","attributes":{"title":"Heinz and Gertrud Siegel Elber papers, 1918/2018","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9799#creator","type":"document_value","attributes":{"value":"Elber, Gertude Siegel","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9799#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9799#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9799","ead_ssi":"viw_repositories_2_resources_9799","_root_":"viw_repositories_2_resources_9799","_nest_parent_":"viw_repositories_2_resources_9799","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9799.xml","title_filing_ssi":"Elber, Heinz and Gertrud Siegel, papers","title_ssm":["Heinz and Gertrud Siegel Elber papers"],"title_tesim":["Heinz and Gertrud Siegel Elber papers"],"unitdate_ssm":["1918-2012"],"unitdate_inclusive_ssm":["1918-2012"],"normalized_date_ssm":["1918/2018"],"normalized_title_ssm":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"text":["Heinz and Gertrud Siegel Elber papers, 1918/2018","MS 00391","/repositories/2/resources/9799","Germany--Social conditions","Dresden (Germany) -- History","World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information","The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","The guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.","The scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.","The biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.","The excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.","The article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.","The correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Elber, Gertude Siegel","German\n      English"],"collection_title_tesim":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"collection_ssim":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00391","/repositories/2/resources/9799"],"unitid_tesim":["MS 00391","/repositories/2/resources/9799"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Germany--Social conditions","Dresden (Germany) -- History"],"geogname_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"places_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"creator_ssm":["Elber, Gertude Siegel"],"creator_ssim":["Elber, Gertude Siegel"],"creator_persname_ssim":["Elber, Gertude Siegel"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Elber, Gertude Siegel","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"access_subjects_ssm":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":[".42 Linear Feet 1 hollinger box"],"extent_tesim":[".42 Linear Feet 1 hollinger box"],"genreform_ssim":["Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. 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Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e","\u003cp\u003eAlso included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.\u003c/p\u003e  ","\u003cp\u003eThe guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.\u003c/p\u003e","\u003cp\u003eThe scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.\u003c/p\u003e","\u003cp\u003eThe biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.\u003c/p\u003e","\u003cp\u003eThe excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.\u003c/p\u003e","\u003cp\u003eThe article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. 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In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.","The scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.","The biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.","The excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.","The article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.","The correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Elber, Gertude Siegel"],"names_ssim":["Special Collections Research Center","Elber, Gertude Siegel"],"language_ssim":["German\n      English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9799","ead_ssi":"viw_repositories_2_resources_9799","_root_":"viw_repositories_2_resources_9799","_nest_parent_":"viw_repositories_2_resources_9799","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9799.xml","title_filing_ssi":"Elber, Heinz and Gertrud Siegel, papers","title_ssm":["Heinz and Gertrud Siegel Elber papers"],"title_tesim":["Heinz and Gertrud Siegel Elber papers"],"unitdate_ssm":["1918-2012"],"unitdate_inclusive_ssm":["1918-2012"],"normalized_date_ssm":["1918/2018"],"normalized_title_ssm":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"text":["Heinz and Gertrud Siegel Elber papers, 1918/2018","MS 00391","/repositories/2/resources/9799","Germany--Social conditions","Dresden (Germany) -- History","World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information","The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","The guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.","The scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.","The biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.","The excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.","The article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.","The correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Elber, Gertude Siegel","German\n      English"],"collection_title_tesim":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"collection_ssim":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00391","/repositories/2/resources/9799"],"unitid_tesim":["MS 00391","/repositories/2/resources/9799"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Germany--Social conditions","Dresden (Germany) -- History"],"geogname_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"places_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"creator_ssm":["Elber, Gertude Siegel"],"creator_ssim":["Elber, Gertude Siegel"],"creator_persname_ssim":["Elber, Gertude Siegel"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Elber, Gertude Siegel","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"access_subjects_ssm":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":[".42 Linear Feet 1 hollinger box"],"extent_tesim":[".42 Linear Feet 1 hollinger box"],"genreform_ssim":["Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e","\u003cp\u003eAlso included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.\u003c/p\u003e  ","\u003cp\u003eThe guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.\u003c/p\u003e","\u003cp\u003eThe scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.\u003c/p\u003e","\u003cp\u003eThe biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.\u003c/p\u003e","\u003cp\u003eThe excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.\u003c/p\u003e","\u003cp\u003eThe article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.\u003c/p\u003e","\u003cp\u003eThe correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","The guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.","The scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.","The biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.","The excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.","The article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.","The correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Elber, Gertude Siegel"],"names_ssim":["Special Collections Research Center","Elber, Gertude Siegel"],"language_ssim":["German\n      English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9799"}},{"id":"vifgm_repositories_2_resources_104","type":"collection","attributes":{"title":"Martin Wohl papers, 1919/2000","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_104#creator","type":"document_value","attributes":{"value":"Wohl, Martin","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_104#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_104#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_104","ead_ssi":"vifgm_repositories_2_resources_104","_root_":"vifgm_repositories_2_resources_104","_nest_parent_":"vifgm_repositories_2_resources_104","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_104.xml","title_filing_ssi":"Martin Wohl papers","title_ssm":["Martin Wohl papers"],"title_tesim":["Martin Wohl papers"],"unitdate_ssm":["1919-2000s"],"unitdate_inclusive_ssm":["1919-2000s"],"normalized_date_ssm":["1919/2000"],"normalized_title_ssm":["Martin Wohl papers, 1919/2000"],"text":["Martin Wohl papers, 1919/2000","C0174","/repositories/2/resources/104","Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs","There are no access restrictions.","Arranged into three series.","Series\n      Series 1: Subject Files, 1958-1993 (Box 1-7)\n      Series 2: Photographs, 1919-2000 (Box 8)\n      Series 3: Scrapbooks, 1930s-1960s (Box 9-10)","Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.","Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.","The Special Collections Research Center holds many other .","This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life.","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.","Contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).","The Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member","Jan-Feb-March","April","May-June-July-August","Sept-Oct-Nov-Dec","Development Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography","\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"","\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"","\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"","\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"","\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"","Consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.","Includes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not included)\"","Anne Wolf, Stanley S. Wohl,","Contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.","George Mason University. Libraries. Special Collections Research Center","Wohl, Martin","English"],"collection_title_tesim":["Martin Wohl papers, 1919/2000"],"collection_ssim":["Martin Wohl papers, 1919/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0174","/repositories/2/resources/104"],"unitid_tesim":["C0174","/repositories/2/resources/104"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Wohl, Martin"],"creator_ssim":["Wohl, Martin"],"creator_persname_ssim":["Wohl, Martin"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Wohl, Martin","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Damian Kulash in 2009."],"access_subjects_ssim":["Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"access_subjects_ssm":["Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 10 boxes"],"extent_tesim":["7.5 Linear Feet 10 boxes"],"genreform_ssim":["Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Subject Files, 1958-1993 (Box 1-7)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs, 1919-2000 (Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbooks, 1930s-1960s (Box 9-10)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series.","Series\n      Series 1: Subject Files, 1958-1993 (Box 1-7)\n      Series 2: Photographs, 1919-2000 (Box 8)\n      Series 3: Scrapbooks, 1930s-1960s (Box 9-10)"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia."],"prefercite_html_tesm":["\u003cp\u003eMartin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Martin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"transportation-related collections\" href=\"https://aspace.gmu.edu/subjects/sh85137027\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. 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The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s. \u003c/p\u003e  ","\u003cp\u003eContains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).\u003c/p\u003e","\u003cp\u003eThe Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member\u003c/p\u003e","\u003cp\u003eJan-Feb-March\u003c/p\u003e","\u003cp\u003eApril\u003c/p\u003e","\u003cp\u003eMay-June-July-August\u003c/p\u003e","\u003cp\u003eSept-Oct-Nov-Dec\u003c/p\u003e","\u003cp\u003eDevelopment Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography\u003c/p\u003e","\u003cp\u003e\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"\u003c/p\u003e","\u003cp\u003e\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"\u003c/p\u003e","\u003cp\u003e\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"\u003c/p\u003e","\u003cp\u003e\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"\u003c/p\u003e","\u003cp\u003e\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"\u003c/p\u003e","\u003cp\u003eConsists of photographs, mostly black and white snapshots. 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The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life.","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.","Contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).","The Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member","Jan-Feb-March","April","May-June-July-August","Sept-Oct-Nov-Dec","Development Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography","\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"","\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"","\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"","\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"","\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"","Consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.","Includes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not included)\"","Anne Wolf, Stanley S. Wohl,","Contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9d2f398d1bc34e60fd2023489b6f5579\" label=\"Abstract\"\u003eConsists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\u003c/abstract\u003e\n    "],"abstract_tesim":["Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Wohl, Martin"],"names_coll_ssim":["Wohl, Martin"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Wohl, Martin"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:46.231Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_104","ead_ssi":"vifgm_repositories_2_resources_104","_root_":"vifgm_repositories_2_resources_104","_nest_parent_":"vifgm_repositories_2_resources_104","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_104.xml","title_filing_ssi":"Martin Wohl papers","title_ssm":["Martin Wohl papers"],"title_tesim":["Martin Wohl papers"],"unitdate_ssm":["1919-2000s"],"unitdate_inclusive_ssm":["1919-2000s"],"normalized_date_ssm":["1919/2000"],"normalized_title_ssm":["Martin Wohl papers, 1919/2000"],"text":["Martin Wohl papers, 1919/2000","C0174","/repositories/2/resources/104","Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs","There are no access restrictions.","Arranged into three series.","Series\n      Series 1: Subject Files, 1958-1993 (Box 1-7)\n      Series 2: Photographs, 1919-2000 (Box 8)\n      Series 3: Scrapbooks, 1930s-1960s (Box 9-10)","Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.","Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.","The Special Collections Research Center holds many other .","This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life.","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.","Contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).","The Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member","Jan-Feb-March","April","May-June-July-August","Sept-Oct-Nov-Dec","Development Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography","\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"","\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"","\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"","\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"","\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"","Consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.","Includes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not included)\"","Anne Wolf, Stanley S. Wohl,","Contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.","George Mason University. Libraries. Special Collections Research Center","Wohl, Martin","English"],"collection_title_tesim":["Martin Wohl papers, 1919/2000"],"collection_ssim":["Martin Wohl papers, 1919/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0174","/repositories/2/resources/104"],"unitid_tesim":["C0174","/repositories/2/resources/104"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Wohl, Martin"],"creator_ssim":["Wohl, Martin"],"creator_persname_ssim":["Wohl, Martin"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Wohl, Martin","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Damian Kulash in 2009."],"access_subjects_ssim":["Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"access_subjects_ssm":["Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 10 boxes"],"extent_tesim":["7.5 Linear Feet 10 boxes"],"genreform_ssim":["Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Subject Files, 1958-1993 (Box 1-7)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs, 1919-2000 (Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbooks, 1930s-1960s (Box 9-10)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series.","Series\n      Series 1: Subject Files, 1958-1993 (Box 1-7)\n      Series 2: Photographs, 1919-2000 (Box 8)\n      Series 3: Scrapbooks, 1930s-1960s (Box 9-10)"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia."],"prefercite_html_tesm":["\u003cp\u003eMartin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Martin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"transportation-related collections\" href=\"https://aspace.gmu.edu/subjects/sh85137027\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \u003c/p\u003e","\u003cp\u003eThe first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s. \u003c/p\u003e  ","\u003cp\u003eContains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).\u003c/p\u003e","\u003cp\u003eThe Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member\u003c/p\u003e","\u003cp\u003eJan-Feb-March\u003c/p\u003e","\u003cp\u003eApril\u003c/p\u003e","\u003cp\u003eMay-June-July-August\u003c/p\u003e","\u003cp\u003eSept-Oct-Nov-Dec\u003c/p\u003e","\u003cp\u003eDevelopment Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography\u003c/p\u003e","\u003cp\u003e\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"\u003c/p\u003e","\u003cp\u003e\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"\u003c/p\u003e","\u003cp\u003e\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"\u003c/p\u003e","\u003cp\u003e\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"\u003c/p\u003e","\u003cp\u003e\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"\u003c/p\u003e","\u003cp\u003eConsists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.\u003c/p\u003e","\u003cp\u003eIncludes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not included)\"\u003c/p\u003e","\u003cp\u003eAnne Wolf, Stanley S. Wohl,\u003c/p\u003e","\u003cp\u003eContains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life.","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.","Contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl).","The Society of the Sigma Chi,Chi Epsilon Fraternity, The National Society of Professional Engineers, Massachusetts Registered Professional Engineer, MIT B.S. and M.S. in Civil Engineering, MIT Education Council Member, MIT Sustaining Fellow Founding Life Member","Jan-Feb-March","April","May-June-July-August","Sept-Oct-Nov-Dec","Development Of A rational For Transportation Investment, Preliminary Notes On Advanced Highway Engineering, Urban Transportation Myths, Vehicle Speeds and Volumes Using Sonne Stereo Continuous Strip Photography","\"Assessing Prospects of Current Transport Proposals\", \"Analysis of Transportation Investment and Use\", \"Equity Considerations of Urban Transportation Planning\", \"Current mass-transit proposals: Answer to our commuter problems?\", \"Thoughts About Congestion Toll Pricing For Public Transport Facilities\"","\"Alcohol and Traffic Accidents\", \"Safety In Transportation: The Role of Government, Law, and Insurance\", \"Emergency Medical Care and Traffic Fatalities\", \"Vehicle Safety: Why The Market Did Not Encourage It and How It might Be made To Do So\", \"Modeling the Traffic Safety System, Recent Land-Use Trends In Forty Eight Large American Cities\", \"A Conceptual Framework for Evaluating Traffic Safety System Measures\", \"Putting The Analysis and Evaluation Of Traffic Safety Measure Into Perspective\"","\"Another View of Transport System Analysis\", \"Notes on Transient Queuing Behavior, Capacity Restraint Functions and Their Relationship to Travel Forecasting\" (2 copies), \"An Economic Re-Evaluation Of The Proposed Los Angeles Rapid Transit System\", \"A Not So Common View of the Ground Transportation Problem\", \"New Directions For Passenger Demand Analysis and Forecasting\"","\"Congestion Toll Pricing For Public Transport Facilities\", \"Assessing The Prospects of Current Transit Proposals\" (2 copies), A Methodology For Forecasting Peak and Off-Peak Travel Volumes\" (2 Copies), \"Urban transport We Could Really Use\", \"The Urban Transportation Problem: A Brief Analysis of Our Objectives and the Prospects for Current Proposals\", \"The Practicalities of Determining Marginal Delay Times and Costs\" (2 Copies), \"What Kind of Transport Will the Urban Public Use - Today and Tomorrow?\", \"The Junk Vehicle Problem: Some Initial Thoughts\"","\"Towards Better Public Transport Financing, Pricing and Investment Decisions\", \"What Kind of Transport Will The Urban Public Use - Today and Tomorrow?\", \"A Methodology For Forecasting Peak and Off-Peak Travel Volumes\"","Consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself.","Includes marked overlay labeled: \"Each dot = 1 Male classmate (Bob Anslow was not included)\"","Anne Wolf, Stanley S. Wohl,","Contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9d2f398d1bc34e60fd2023489b6f5579\" label=\"Abstract\"\u003eConsists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\u003c/abstract\u003e\n    "],"abstract_tesim":["Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Wohl, Martin"],"names_coll_ssim":["Wohl, Martin"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Wohl, Martin"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:46.231Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_104"}},{"id":"vifgm_repositories_2_resources_409","type":"collection","attributes":{"title":"Prince William Symphony Orchestra records, 1974/2009","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_409#creator","type":"document_value","attributes":{"value":"Prince William Symphony Orchestra","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_409#abstract_or_scope","type":"document_value","attributes":{"value":"The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_409#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_409","ead_ssi":"vifgm_repositories_2_resources_409","_root_":"vifgm_repositories_2_resources_409","_nest_parent_":"vifgm_repositories_2_resources_409","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_409.xml","title_ssm":["Prince William Symphony Orchestra records"],"title_tesim":["Prince William Symphony Orchestra records"],"unitdate_ssm":["1974-2009"],"unitdate_inclusive_ssm":["1974-2009"],"normalized_date_ssm":["1974/2009"],"normalized_title_ssm":["Prince William Symphony Orchestra records, 1974/2009"],"text":["Prince William Symphony Orchestra records, 1974/2009","C0252","Symphony orchestras -- United States","Photographic prints","There are no access restrictions.","This collection is arranged into 5 series.","Series\n      Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\n      Series 2: Programs, 1974-2009 (Boxes 7-10)\n      Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\n      Series 4: Photographs, 1980s-1990s (Boxes 17-18)\n      Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)","The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.","Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023.","The Special Collections Research Center holds many other collections and rare books on music and the performing arts.","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.","1 of 2","2 of 2","The information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.","The materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.","The photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.","1 of 2","2 of 2","1 of 3","2 of 3","3 of 3","1 of 2","2 of 2","This series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra","English\n."],"collection_title_tesim":["Prince William Symphony Orchestra records, 1974/2009"],"collection_ssim":["Prince William Symphony Orchestra records, 1974/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0252"],"unitid_tesim":["C0252"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prince William Symphony Orchestra"],"creator_ssim":["Prince William Symphony Orchestra"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Sarah Nucci on November 10, 2014."],"access_subjects_ssim":["Symphony orchestras -- United States","Photographic prints"],"access_subjects_ssm":["Symphony orchestras -- United States","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Linear Feet 19 boxes"],"extent_tesim":["10.5 Linear Feet 19 boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 5 series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Programs, 1974-2009 (Boxes 7-10)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1980s-1990s (Boxes 17-18)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Awards, certificates, and plaques, 2000-2004 (Box 19)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 5 series.","Series\n      Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\n      Series 2: Programs, 1974-2009 (Boxes 7-10)\n      Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\n      Series 4: Photographs, 1980s-1990s (Boxes 17-18)\n      Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)"],"bioghist_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing."],"prefercite_html_tesm":["\u003cp\u003ePrince William Symphony Orchestra records, C0252, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Prince William Symphony Orchestra records, C0252, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and rare books on music and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and rare books on music and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.\u003c/p\u003e","\u003cp\u003eSeries 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.\u003c/p\u003e","\u003cp\u003eSeries 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.\u003c/p\u003e  ","\u003cp\u003eThe information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.\u003c/p\u003e","\u003cp\u003e1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003eThe information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.\u003c/p\u003e","\u003cp\u003eThe materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.\u003c/p\u003e","\u003cp\u003eThe photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.\u003c/p\u003e","\u003cp\u003e1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003e1 of 3\u003c/p\u003e","\u003cp\u003e2 of 3\u003c/p\u003e","\u003cp\u003e3 of 3\u003c/p\u003e","\u003cp\u003e1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003eThis series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.","1 of 2","2 of 2","The information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.","The materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.","The photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.","1 of 2","2 of 2","1 of 3","2 of 3","3 of 3","1 of 2","2 of 2","This series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ee0fe6ceeb72d0783a844aa85a6b928b\" label=\"Abstract\"\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"names_coll_ssim":["Prince William Symphony Orchestra"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:20.896Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_409","ead_ssi":"vifgm_repositories_2_resources_409","_root_":"vifgm_repositories_2_resources_409","_nest_parent_":"vifgm_repositories_2_resources_409","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_409.xml","title_ssm":["Prince William Symphony Orchestra records"],"title_tesim":["Prince William Symphony Orchestra records"],"unitdate_ssm":["1974-2009"],"unitdate_inclusive_ssm":["1974-2009"],"normalized_date_ssm":["1974/2009"],"normalized_title_ssm":["Prince William Symphony Orchestra records, 1974/2009"],"text":["Prince William Symphony Orchestra records, 1974/2009","C0252","Symphony orchestras -- United States","Photographic prints","There are no access restrictions.","This collection is arranged into 5 series.","Series\n      Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\n      Series 2: Programs, 1974-2009 (Boxes 7-10)\n      Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\n      Series 4: Photographs, 1980s-1990s (Boxes 17-18)\n      Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)","The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.","Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023.","The Special Collections Research Center holds many other collections and rare books on music and the performing arts.","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.","1 of 2","2 of 2","The information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.","The materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.","The photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.","1 of 2","2 of 2","1 of 3","2 of 3","3 of 3","1 of 2","2 of 2","This series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra","English\n."],"collection_title_tesim":["Prince William Symphony Orchestra records, 1974/2009"],"collection_ssim":["Prince William Symphony Orchestra records, 1974/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0252"],"unitid_tesim":["C0252"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prince William Symphony Orchestra"],"creator_ssim":["Prince William Symphony Orchestra"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Sarah Nucci on November 10, 2014."],"access_subjects_ssim":["Symphony orchestras -- United States","Photographic prints"],"access_subjects_ssm":["Symphony orchestras -- United States","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Linear Feet 19 boxes"],"extent_tesim":["10.5 Linear Feet 19 boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 5 series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Programs, 1974-2009 (Boxes 7-10)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1980s-1990s (Boxes 17-18)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Awards, certificates, and plaques, 2000-2004 (Box 19)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 5 series.","Series\n      Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\n      Series 2: Programs, 1974-2009 (Boxes 7-10)\n      Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\n      Series 4: Photographs, 1980s-1990s (Boxes 17-18)\n      Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)"],"bioghist_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing."],"prefercite_html_tesm":["\u003cp\u003ePrince William Symphony Orchestra records, C0252, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Prince William Symphony Orchestra records, C0252, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and rare books on music and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and rare books on music and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.\u003c/p\u003e","\u003cp\u003eSeries 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.\u003c/p\u003e","\u003cp\u003eSeries 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.\u003c/p\u003e  ","\u003cp\u003eThe information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.\u003c/p\u003e","\u003cp\u003e1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003eThe information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.\u003c/p\u003e","\u003cp\u003eThe materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.\u003c/p\u003e","\u003cp\u003eThe photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.\u003c/p\u003e","\u003cp\u003e1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003e1 of 3\u003c/p\u003e","\u003cp\u003e2 of 3\u003c/p\u003e","\u003cp\u003e3 of 3\u003c/p\u003e","\u003cp\u003e1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003eThis series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The information in this series pertains to the Correspondence, press releases, and organization records produced by the Prince William Symphony Orchestra.","1 of 2","2 of 2","The information in this series pertains to the programs produced by the Prince William Symphony Orchestra for their concerts and performances. The materials cover each spring and fall season from 1974 to 2009.","The materials in this series include scrapbooks, photographs and newspaper clippings that detail numerous organization fundraisers, auctions, concerts, performances, and events. The scrapbooks begin in 1979 and end in 2008.","The photographs included in this series were taken at the Prince William Symphony Orchestra's concert, performances, sponsored events, and group functions. The photographs cover a period spanning the 1980s and 1990s.","1 of 2","2 of 2","1 of 3","2 of 3","3 of 3","1 of 2","2 of 2","This series includes awards and certificates from 2000-2004 that acknowledge and celebrate the Prince William Symphony Orchestra's excellent membership and role in the surrounding communities."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ee0fe6ceeb72d0783a844aa85a6b928b\" label=\"Abstract\"\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"names_coll_ssim":["Prince William Symphony Orchestra"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:20.896Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_409"}},{"id":"viw_repositories_2_resources_1908","type":"collection","attributes":{"title":"Psi Upsilon Fliers and Photographs, 1982/2004","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1908#creator","type":"document_value","attributes":{"value":"Psi Upsilon","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1908#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eContains composite photographs and event fliers from the Psi Upsilon fraternity at William \u0026amp; Mary.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1908#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1908","ead_ssi":"viw_repositories_2_resources_1908","_root_":"viw_repositories_2_resources_1908","_nest_parent_":"viw_repositories_2_resources_1908","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1908.xml","title_filing_ssi":"Psi Upsilon Fliers and Photographs","title_ssm":["Psi Upsilon Fliers and Photographs"],"title_tesim":["Psi Upsilon Fliers and Photographs"],"unitdate_ssm":["circa 1982-2004"],"unitdate_inclusive_ssm":["circa 1982-2004"],"normalized_date_ssm":["1982/2004"],"normalized_title_ssm":["Psi Upsilon Fliers and Photographs, 1982/2004"],"text":["Psi Upsilon Fliers and Photographs, 1982/2004","UA 7.071","/repositories/2/resources/1908","College of William and Mary--Students","College of William and Mary--Students--Social life and customs","Fliers (printed matter)","Photographic prints","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Psi Upsilon was a fraternity at  William \u0026 Mary from 1982 to the mid 2000s.","Fliers related to the Psi Upsilon fraternity were pulled from the Student Organizations Collection and were added to this collection on 3/6/2015.","Accessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2015.","Contains composite photographs and event fliers from the Psi Upsilon fraternity at William \u0026 Mary.","Contains fliers of events hosted by Psi Upsilon.","Contains composite photographs featuring members of the Psi Upsilon fraternity.","Contains composite photographs featuring members of the Psi Upsilon fraternity.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Psi Upsilon","English"],"collection_title_tesim":["Psi Upsilon Fliers and Photographs, 1982/2004"],"collection_ssim":["Psi Upsilon Fliers and Photographs, 1982/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.071","/repositories/2/resources/1908"],"unitid_tesim":["UA 7.071","/repositories/2/resources/1908"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Psi Upsilon"],"creator_ssim":["Psi Upsilon"],"creator_corpname_ssim":["Special Collections Research Center","Psi Upsilon"],"creators_ssim":["Special Collections Research Center","Psi Upsilon"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2015.044 were found in the attic of lodge 14 and were received by Special Collections on 1/30/2015."],"access_subjects_ssim":["College of William and Mary--Students","College of William and Mary--Students--Social life and customs","Fliers (printed matter)","Photographic prints"],"access_subjects_ssm":["College of William and Mary--Students","College of William and Mary--Students--Social life and customs","Fliers (printed matter)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["1.05 Linear Feet"],"extent_tesim":["1.05 Linear Feet"],"genreform_ssim":["Fliers (printed matter)","Photographic prints"],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003ePsi Upsilon was a fraternity at  William \u0026amp; Mary from 1982 to the mid 2000s.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Psi Upsilon was a fraternity at  William \u0026 Mary from 1982 to the mid 2000s."],"custodhist_html_tesm":["\u003cp\u003eFliers related to the Psi Upsilon fraternity were pulled from the Student Organizations Collection and were added to this collection on 3/6/2015.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Fliers related to the Psi Upsilon fraternity were pulled from the Student Organizations Collection and were added to this collection on 3/6/2015."],"prefercite_html_tesm":["\u003cp\u003ePsi Upsilon Fliers and Photographs, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Psi Upsilon Fliers and Photographs, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2015."],"scopecontent_html_tesm":["\u003cp\u003eContains composite photographs and event fliers from the Psi Upsilon fraternity at William \u0026amp; Mary.\u003c/p\u003e  ","\u003cp\u003eContains fliers of events hosted by Psi Upsilon.\u003c/p\u003e","\u003cp\u003eContains composite photographs featuring members of the Psi Upsilon fraternity.\u003c/p\u003e","\u003cp\u003eContains composite photographs featuring members of the Psi Upsilon fraternity.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Contains composite photographs and event fliers from the Psi Upsilon fraternity at William \u0026 Mary.","Contains fliers of events hosted by Psi Upsilon.","Contains composite photographs featuring members of the Psi Upsilon fraternity.","Contains composite photographs featuring members of the Psi Upsilon fraternity."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Psi Upsilon"],"names_ssim":["Special Collections Research Center","Psi Upsilon"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1908","ead_ssi":"viw_repositories_2_resources_1908","_root_":"viw_repositories_2_resources_1908","_nest_parent_":"viw_repositories_2_resources_1908","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1908.xml","title_filing_ssi":"Psi Upsilon Fliers and Photographs","title_ssm":["Psi Upsilon Fliers and Photographs"],"title_tesim":["Psi Upsilon Fliers and Photographs"],"unitdate_ssm":["circa 1982-2004"],"unitdate_inclusive_ssm":["circa 1982-2004"],"normalized_date_ssm":["1982/2004"],"normalized_title_ssm":["Psi Upsilon Fliers and Photographs, 1982/2004"],"text":["Psi Upsilon Fliers and Photographs, 1982/2004","UA 7.071","/repositories/2/resources/1908","College of William and Mary--Students","College of William and Mary--Students--Social life and customs","Fliers (printed matter)","Photographic prints","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Psi Upsilon was a fraternity at  William \u0026 Mary from 1982 to the mid 2000s.","Fliers related to the Psi Upsilon fraternity were pulled from the Student Organizations Collection and were added to this collection on 3/6/2015.","Accessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2015.","Contains composite photographs and event fliers from the Psi Upsilon fraternity at William \u0026 Mary.","Contains fliers of events hosted by Psi Upsilon.","Contains composite photographs featuring members of the Psi Upsilon fraternity.","Contains composite photographs featuring members of the Psi Upsilon fraternity.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Psi Upsilon","English"],"collection_title_tesim":["Psi Upsilon Fliers and Photographs, 1982/2004"],"collection_ssim":["Psi Upsilon Fliers and Photographs, 1982/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.071","/repositories/2/resources/1908"],"unitid_tesim":["UA 7.071","/repositories/2/resources/1908"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Psi Upsilon"],"creator_ssim":["Psi Upsilon"],"creator_corpname_ssim":["Special Collections Research Center","Psi Upsilon"],"creators_ssim":["Special Collections Research Center","Psi Upsilon"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2015.044 were found in the attic of lodge 14 and were received by Special Collections on 1/30/2015."],"access_subjects_ssim":["College of William and Mary--Students","College of William and Mary--Students--Social life and customs","Fliers (printed matter)","Photographic prints"],"access_subjects_ssm":["College of William and Mary--Students","College of William and Mary--Students--Social life and customs","Fliers (printed matter)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["1.05 Linear Feet"],"extent_tesim":["1.05 Linear Feet"],"genreform_ssim":["Fliers (printed matter)","Photographic prints"],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003ePsi Upsilon was a fraternity at  William \u0026amp; Mary from 1982 to the mid 2000s.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Psi Upsilon was a fraternity at  William \u0026 Mary from 1982 to the mid 2000s."],"custodhist_html_tesm":["\u003cp\u003eFliers related to the Psi Upsilon fraternity were pulled from the Student Organizations Collection and were added to this collection on 3/6/2015.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Fliers related to the Psi Upsilon fraternity were pulled from the Student Organizations Collection and were added to this collection on 3/6/2015."],"prefercite_html_tesm":["\u003cp\u003ePsi Upsilon Fliers and Photographs, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Psi Upsilon Fliers and Photographs, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2015."],"scopecontent_html_tesm":["\u003cp\u003eContains composite photographs and event fliers from the Psi Upsilon fraternity at William \u0026amp; Mary.\u003c/p\u003e  ","\u003cp\u003eContains fliers of events hosted by Psi Upsilon.\u003c/p\u003e","\u003cp\u003eContains composite photographs featuring members of the Psi Upsilon fraternity.\u003c/p\u003e","\u003cp\u003eContains composite photographs featuring members of the Psi Upsilon fraternity.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Contains composite photographs and event fliers from the Psi Upsilon fraternity at William \u0026 Mary.","Contains fliers of events hosted by Psi Upsilon.","Contains composite photographs featuring members of the Psi Upsilon fraternity.","Contains composite photographs featuring members of the Psi Upsilon fraternity."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Psi Upsilon"],"names_ssim":["Special Collections Research Center","Psi Upsilon"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1908"}},{"id":"viw_repositories_2_resources_9385","type":"collection","attributes":{"title":"Renick Family Papers, 1900/2007","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9385#creator","type":"document_value","attributes":{"value":"Renick, Tim  (Tim Renick)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9385#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9385#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9385","ead_ssi":"viw_repositories_2_resources_9385","_root_":"viw_repositories_2_resources_9385","_nest_parent_":"viw_repositories_2_resources_9385","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9385.xml","title_filing_ssi":"Renick Family papers","title_ssm":["Renick Family Papers"],"title_tesim":["Renick Family Papers"],"unitdate_ssm":["Circa 1900-2007"],"unitdate_inclusive_ssm":["Circa 1900-2007"],"normalized_date_ssm":["1900/2007"],"normalized_title_ssm":["Renick Family Papers, 1900/2007"],"text":["Renick Family Papers, 1900/2007","UA 5.350","/repositories/2/resources/9385","Europe -- Description and travel","Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Extremely fragile. Handle with staff member present.","The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.","Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound.","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.","The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr.","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order.","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.","Dewey C. Renick worked in the timber and lumber buisness from 1928 until his retirement in 1954. Post retirement he was a member of the James City County planning commision from 1954-1971 and was instrumental in establishing a zoning ordinance for the county. Renick was an appraiser and purchaser of the Newport News reservoir and pipeline property for the Diascund Reservoir water system. He also acted as the as the Busch Properties agent for the Lightfoot and Kingsmill properties as well as serving as the superintendent of  the James City County School Board for 15 years and its chairman for 15 years. Renick died on August 1, 1976.","Concerns business, politics, his service on the Virginia Air Pollution Commission and an illness. Includes letter from Virginia Governor J. Lindsay Almond. Correspondence concerns a memorial window to Charles J. Renick (1866-1935) and Sarah Prillaman Renick (1867-1915). Letters concerning treatment of undulant fever possibly contracted from drinking unpasteurized milk in Maine from a herd which later tested positive for brucellosis \"Bang's Fever.\"","Newspaper clippings concerning the bringing to Williamsburg of the Anheuser-Busch brewery. Includes newspaper clippings about, photographs of, and a letter of thanks written to August Busch by Renick thanking him for the Clydesdale mare, (Belau Golden Maid) \"Goldie.\"","Farm Account book of \"Crofton,\" James City County, Va. owned by Dewey C. Renick and Fern Amelia Cooley Renick. Accounts are in alphabetical order. The farm was at the corner of News Road and Monticello Road, where the Veterans Park is.\nConcerns logs, feed, grass seed and pullets (chickens) Includes accounts with \"Carter's Grove,\" James City County, Va., Chesapeake Corporation, King's Mill Dairy Farm, Lombardy Farm, Jamestown Corporation, Virginia Jack Farm, and T. W. Wood.","Clippings and documents concerning the establishment of the Dewey C. Renick Endowment at William \u0026 Mary by George Tayloe Ross","Paper placemats and a brochure for Longmeadow, Hampden County, Massachusetts. Calling card of Elsie Hunter","Fern Cooley Renick was born in Dell Rapids, South Dakota and moved to Williamsburg, Virginia at a young age. In 1915 she graduated from Williamsburg Female Institute. Renick was a homemaker and civic leader instrumental in bringing Anheuser-Busch to James City County. Fern Renick married Dewey Renick in 1918 and had three children. Fern Renick died on June 18, 1992.","Materials mostly concern the settlement of the estate of Fern Amelia (Cooley) Renick by her daughter Jean Renick. Includes record relating to estate of Bernard W. Griffey.","Papers relating to Fern Amelia Cooley Renick. Biography of Fern Cooley Renick compiled by women of Jamestown Presbyterian Church, her marriage announcement, endowment set up to give scholarships to students who are from the area of the church, obituary and her will.","Handwritten and typed copy of a diary on a trip to England, Scotland, Paris, Zurich, and Italy. Writer is on a trip with Ginny. Writer of diary may have been Fern Amelia Cooley Renick. Includes notes on Presbyterianism.","Dewey C. Renick Jr. was born on October 28, 1921 in Williamsburg, Virginia. He was the son of Dewey C. Renick and Fern Renick. He attented Virginia Tech and served as Lieutenant during World War II. Renick was a pilot who served with the Fifth Air Force Fighter Command. Dewey C. Renick Jr. was killed in action on March 27, 1945 over the Luzon mountains in the Phillipines. Renick received multiple medals in recognition of his service including the Purple Heart.","Photocopies of official and unofficial correspondence concerning the death of Dewey C. Renick, Jr. whose plane was lost in 1945 in the Pacific Theater during World War II.","Jean C. Renick was born on August 1, 1933 in Williamsburg, Virginia. She attended Whaley High School and Duke University where she studied nursing. Jean Renick also had a career as an architect.","File includes undated corresponce such as a letter to Santa Claus.","Series includes genealogical materials, photographs, and scrapbooks documenting the lives of the Renick family.","Birth, marriage and death certificates of Dewey C. Renick and Fern Amelia (Cooley) Renick. Includes will of Dewey C. Renick.","Formal Photographs of Dewey C. Renick and Fern Cooley Renick. 1918 photograph of cutting cake at wedding.  50th wedding anniversary invitation. . Color photograph of Fern Cooley Renick at age 90.","Hinged double photograph of Dewey C. Renick and Fern Cooley Renick (From the Studio of Douglas B. Green, II, 761 Scotland St, Williamsburg, Va.). Cased photograph of Fern Cooley Renick as a child (ca. 1900-1910).","General Renick family photographs","Henry Alaska Cooley \u0026 Sarah Griffith Cooley families","General family  photographs","Jean Renick's travel scrapbook","Jean Renick photographs and papers compiled in scrapbook.","Photographs related to Jean Renick","Cooley Family Genealogy notebook compiled by Sara Nell Gilley Richards Taft. Loose pages of Cooley Family Genealogy.","Series included printed materials such as yearbooks from Whaley Highschool in Williamsburg, Virginia, as well as William \u0026 Mary's Colonial Echo. Texts related to World War II are also included.","Tall tales and true of James City County : [Excerpts from oral taped narratives made during the Bicentennial year by some of our senior citizens / transcribed by Mildred Matier].By Matier, Mildred Bienfait, 1908-      s.l. : s.n. 1976?","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","English"],"collection_title_tesim":["Renick Family Papers, 1900/2007"],"collection_ssim":["Renick Family Papers, 1900/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.350","/repositories/2/resources/9385"],"unitid_tesim":["UA 5.350","/repositories/2/resources/9385"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Europe -- Description and travel"],"geogname_ssim":["Europe -- Description and travel"],"places_ssim":["Europe -- Description and travel"],"creator_ssm":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_ssim":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"creator_corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"creator_famname_ssim":["Renick Family"],"creators_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"access_subjects_ssm":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"has_online_content_ssim":["false"],"extent_ssm":["14.36 Linear Feet 20 boxes"],"extent_tesim":["14.36 Linear Feet 20 boxes"],"genreform_ssim":["Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eManuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  ","\u003cp\u003eExtremely fragile. Handle with staff member present.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Extremely fragile. Handle with staff member present."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007."],"bioghist_html_tesm":["\u003cp\u003eDewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound. \u003c/p\u003e","\u003cp\u003eFern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.  \u003c/p\u003e","\u003cp\u003eAlong with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound.","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992."],"otherfindaid_html_tesm":["\u003cp\u003eFinding aid formerly identified as Mss. Acc. 2010.308.\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Finding aid formerly identified as Mss. Acc. 2010.308."],"prefercite_html_tesm":["\u003cp\u003eRenick Family papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Renick Family papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. \u003c/p\u003e","\u003cp\u003eThe farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. \u003c/p\u003e","\u003cp\u003eThe collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026amp; Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.\u003c/p\u003e  ","\u003cp\u003eDewey C. Renick worked in the timber and lumber buisness from 1928 until his retirement in 1954. Post retirement he was a member of the James City County planning commision from 1954-1971 and was instrumental in establishing a zoning ordinance for the county. Renick was an appraiser and purchaser of the Newport News reservoir and pipeline property for the Diascund Reservoir water system. He also acted as the as the Busch Properties agent for the Lightfoot and Kingsmill properties as well as serving as the superintendent of  the James City County School Board for 15 years and its chairman for 15 years. Renick died on August 1, 1976.\u003c/p\u003e","\u003cp\u003eConcerns business, politics, his service on the Virginia Air Pollution Commission and an illness. Includes letter from Virginia Governor J. Lindsay Almond. Correspondence concerns a memorial window to Charles J. Renick (1866-1935) and Sarah Prillaman Renick (1867-1915). Letters concerning treatment of undulant fever possibly contracted from drinking unpasteurized milk in Maine from a herd which later tested positive for brucellosis \"Bang's Fever.\"\u003c/p\u003e","\u003cp\u003eNewspaper clippings concerning the bringing to Williamsburg of the Anheuser-Busch brewery. Includes newspaper clippings about, photographs of, and a letter of thanks written to August Busch by Renick thanking him for the Clydesdale mare, (Belau Golden Maid) \"Goldie.\"\u003c/p\u003e","\u003cp\u003eFarm Account book of \"Crofton,\" James City County, Va. owned by Dewey C. Renick and Fern Amelia Cooley Renick. Accounts are in alphabetical order. The farm was at the corner of News Road and Monticello Road, where the Veterans Park is.\nConcerns logs, feed, grass seed and pullets (chickens) Includes accounts with \"Carter's Grove,\" James City County, Va., Chesapeake Corporation, King's Mill Dairy Farm, Lombardy Farm, Jamestown Corporation, Virginia Jack Farm, and T. W. Wood.\u003c/p\u003e","\u003cp\u003eClippings and documents concerning the establishment of the Dewey C. Renick Endowment at William \u0026amp; Mary by George Tayloe Ross\u003c/p\u003e","\u003cp\u003ePaper placemats and a brochure for Longmeadow, Hampden County, Massachusetts. Calling card of Elsie Hunter\u003c/p\u003e","\u003cp\u003eFern Cooley Renick was born in Dell Rapids, South Dakota and moved to Williamsburg, Virginia at a young age. In 1915 she graduated from Williamsburg Female Institute. Renick was a homemaker and civic leader instrumental in bringing Anheuser-Busch to James City County. Fern Renick married Dewey Renick in 1918 and had three children. Fern Renick died on June 18, 1992.\u003c/p\u003e","\u003cp\u003eMaterials mostly concern the settlement of the estate of Fern Amelia (Cooley) Renick by her daughter Jean Renick. Includes record relating to estate of Bernard W. Griffey.\u003c/p\u003e","\u003cp\u003ePapers relating to Fern Amelia Cooley Renick. Biography of Fern Cooley Renick compiled by women of Jamestown Presbyterian Church, her marriage announcement, endowment set up to give scholarships to students who are from the area of the church, obituary and her will.\u003c/p\u003e","\u003cp\u003eHandwritten and typed copy of a diary on a trip to England, Scotland, Paris, Zurich, and Italy. Writer is on a trip with Ginny. Writer of diary may have been Fern Amelia Cooley Renick. Includes notes on Presbyterianism.\u003c/p\u003e","\u003cp\u003eDewey C. Renick Jr. was born on October 28, 1921 in Williamsburg, Virginia. He was the son of Dewey C. Renick and Fern Renick. He attented Virginia Tech and served as Lieutenant during World War II. Renick was a pilot who served with the Fifth Air Force Fighter Command. Dewey C. Renick Jr. was killed in action on March 27, 1945 over the Luzon mountains in the Phillipines. Renick received multiple medals in recognition of his service including the Purple Heart.\u003c/p\u003e","\u003cp\u003ePhotocopies of official and unofficial correspondence concerning the death of Dewey C. Renick, Jr. whose plane was lost in 1945 in the Pacific Theater during World War II.\u003c/p\u003e","\u003cp\u003eJean C. Renick was born on August 1, 1933 in Williamsburg, Virginia. She attended Whaley High School and Duke University where she studied nursing. Jean Renick also had a career as an architect.\u003c/p\u003e","\u003cp\u003eFile includes undated corresponce such as a letter to Santa Claus.\u003c/p\u003e","\u003cp\u003eSeries includes genealogical materials, photographs, and scrapbooks documenting the lives of the Renick family.\u003c/p\u003e","\u003cp\u003eBirth, marriage and death certificates of Dewey C. Renick and Fern Amelia (Cooley) Renick. Includes will of Dewey C. Renick.\u003c/p\u003e","\u003cp\u003eFormal Photographs of Dewey C. Renick and Fern Cooley Renick. 1918 photograph of cutting cake at wedding.  50th wedding anniversary invitation. . Color photograph of Fern Cooley Renick at age 90.\u003c/p\u003e","\u003cp\u003eHinged double photograph of Dewey C. Renick and Fern Cooley Renick (From the Studio of Douglas B. Green, II, 761 Scotland St, Williamsburg, Va.). Cased photograph of Fern Cooley Renick as a child (ca. 1900-1910).\u003c/p\u003e","\u003cp\u003eGeneral Renick family photographs\u003c/p\u003e","\u003cp\u003eHenry Alaska Cooley \u0026amp; Sarah Griffith Cooley families\u003c/p\u003e","\u003cp\u003eGeneral family  photographs\u003c/p\u003e","\u003cp\u003eJean Renick's travel scrapbook\u003c/p\u003e","\u003cp\u003eJean Renick photographs and papers compiled in scrapbook.\u003c/p\u003e","\u003cp\u003ePhotographs related to Jean Renick\u003c/p\u003e","\u003cp\u003eCooley Family Genealogy notebook compiled by Sara Nell Gilley Richards Taft. Loose pages of Cooley Family Genealogy.\u003c/p\u003e","\u003cp\u003eSeries included printed materials such as yearbooks from Whaley Highschool in Williamsburg, Virginia, as well as William \u0026amp; Mary's Colonial Echo. Texts related to World War II are also included.\u003c/p\u003e","\u003cp\u003eTall tales and true of James City County : [Excerpts from oral taped narratives made during the Bicentennial year by some of our senior citizens / transcribed by Mildred Matier].By Matier, Mildred Bienfait, 1908-      s.l. : s.n. 1976?\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr.","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order.","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.","Dewey C. Renick worked in the timber and lumber buisness from 1928 until his retirement in 1954. Post retirement he was a member of the James City County planning commision from 1954-1971 and was instrumental in establishing a zoning ordinance for the county. Renick was an appraiser and purchaser of the Newport News reservoir and pipeline property for the Diascund Reservoir water system. He also acted as the as the Busch Properties agent for the Lightfoot and Kingsmill properties as well as serving as the superintendent of  the James City County School Board for 15 years and its chairman for 15 years. Renick died on August 1, 1976.","Concerns business, politics, his service on the Virginia Air Pollution Commission and an illness. Includes letter from Virginia Governor J. Lindsay Almond. Correspondence concerns a memorial window to Charles J. Renick (1866-1935) and Sarah Prillaman Renick (1867-1915). Letters concerning treatment of undulant fever possibly contracted from drinking unpasteurized milk in Maine from a herd which later tested positive for brucellosis \"Bang's Fever.\"","Newspaper clippings concerning the bringing to Williamsburg of the Anheuser-Busch brewery. Includes newspaper clippings about, photographs of, and a letter of thanks written to August Busch by Renick thanking him for the Clydesdale mare, (Belau Golden Maid) \"Goldie.\"","Farm Account book of \"Crofton,\" James City County, Va. owned by Dewey C. Renick and Fern Amelia Cooley Renick. Accounts are in alphabetical order. The farm was at the corner of News Road and Monticello Road, where the Veterans Park is.\nConcerns logs, feed, grass seed and pullets (chickens) Includes accounts with \"Carter's Grove,\" James City County, Va., Chesapeake Corporation, King's Mill Dairy Farm, Lombardy Farm, Jamestown Corporation, Virginia Jack Farm, and T. W. Wood.","Clippings and documents concerning the establishment of the Dewey C. Renick Endowment at William \u0026 Mary by George Tayloe Ross","Paper placemats and a brochure for Longmeadow, Hampden County, Massachusetts. Calling card of Elsie Hunter","Fern Cooley Renick was born in Dell Rapids, South Dakota and moved to Williamsburg, Virginia at a young age. In 1915 she graduated from Williamsburg Female Institute. Renick was a homemaker and civic leader instrumental in bringing Anheuser-Busch to James City County. Fern Renick married Dewey Renick in 1918 and had three children. Fern Renick died on June 18, 1992.","Materials mostly concern the settlement of the estate of Fern Amelia (Cooley) Renick by her daughter Jean Renick. Includes record relating to estate of Bernard W. Griffey.","Papers relating to Fern Amelia Cooley Renick. Biography of Fern Cooley Renick compiled by women of Jamestown Presbyterian Church, her marriage announcement, endowment set up to give scholarships to students who are from the area of the church, obituary and her will.","Handwritten and typed copy of a diary on a trip to England, Scotland, Paris, Zurich, and Italy. Writer is on a trip with Ginny. Writer of diary may have been Fern Amelia Cooley Renick. Includes notes on Presbyterianism.","Dewey C. Renick Jr. was born on October 28, 1921 in Williamsburg, Virginia. He was the son of Dewey C. Renick and Fern Renick. He attented Virginia Tech and served as Lieutenant during World War II. Renick was a pilot who served with the Fifth Air Force Fighter Command. Dewey C. Renick Jr. was killed in action on March 27, 1945 over the Luzon mountains in the Phillipines. Renick received multiple medals in recognition of his service including the Purple Heart.","Photocopies of official and unofficial correspondence concerning the death of Dewey C. Renick, Jr. whose plane was lost in 1945 in the Pacific Theater during World War II.","Jean C. Renick was born on August 1, 1933 in Williamsburg, Virginia. She attended Whaley High School and Duke University where she studied nursing. Jean Renick also had a career as an architect.","File includes undated corresponce such as a letter to Santa Claus.","Series includes genealogical materials, photographs, and scrapbooks documenting the lives of the Renick family.","Birth, marriage and death certificates of Dewey C. Renick and Fern Amelia (Cooley) Renick. Includes will of Dewey C. Renick.","Formal Photographs of Dewey C. Renick and Fern Cooley Renick. 1918 photograph of cutting cake at wedding.  50th wedding anniversary invitation. . Color photograph of Fern Cooley Renick at age 90.","Hinged double photograph of Dewey C. Renick and Fern Cooley Renick (From the Studio of Douglas B. Green, II, 761 Scotland St, Williamsburg, Va.). Cased photograph of Fern Cooley Renick as a child (ca. 1900-1910).","General Renick family photographs","Henry Alaska Cooley \u0026 Sarah Griffith Cooley families","General family  photographs","Jean Renick's travel scrapbook","Jean Renick photographs and papers compiled in scrapbook.","Photographs related to Jean Renick","Cooley Family Genealogy notebook compiled by Sara Nell Gilley Richards Taft. Loose pages of Cooley Family Genealogy.","Series included printed materials such as yearbooks from Whaley Highschool in Williamsburg, Virginia, as well as William \u0026 Mary's Colonial Echo. Texts related to World War II are also included.","Tall tales and true of James City County : [Excerpts from oral taped narratives made during the Bicentennial year by some of our senior citizens / transcribed by Mildred Matier].By Matier, Mildred Bienfait, 1908-      s.l. : s.n. 1976?"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"names_coll_ssim":["Anheuser-Bush, Inc.","College of William and Mary","Renick, Tim  (Tim Renick)","Renick, Dewey C. , Jr., d. 1945"],"famname_ssim":["Renick Family"],"persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"names_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:49:24.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9385","ead_ssi":"viw_repositories_2_resources_9385","_root_":"viw_repositories_2_resources_9385","_nest_parent_":"viw_repositories_2_resources_9385","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9385.xml","title_filing_ssi":"Renick Family papers","title_ssm":["Renick Family Papers"],"title_tesim":["Renick Family Papers"],"unitdate_ssm":["Circa 1900-2007"],"unitdate_inclusive_ssm":["Circa 1900-2007"],"normalized_date_ssm":["1900/2007"],"normalized_title_ssm":["Renick Family Papers, 1900/2007"],"text":["Renick Family Papers, 1900/2007","UA 5.350","/repositories/2/resources/9385","Europe -- Description and travel","Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Extremely fragile. Handle with staff member present.","The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.","Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound.","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.","The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr.","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order.","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.","Dewey C. Renick worked in the timber and lumber buisness from 1928 until his retirement in 1954. Post retirement he was a member of the James City County planning commision from 1954-1971 and was instrumental in establishing a zoning ordinance for the county. Renick was an appraiser and purchaser of the Newport News reservoir and pipeline property for the Diascund Reservoir water system. He also acted as the as the Busch Properties agent for the Lightfoot and Kingsmill properties as well as serving as the superintendent of  the James City County School Board for 15 years and its chairman for 15 years. Renick died on August 1, 1976.","Concerns business, politics, his service on the Virginia Air Pollution Commission and an illness. Includes letter from Virginia Governor J. Lindsay Almond. Correspondence concerns a memorial window to Charles J. Renick (1866-1935) and Sarah Prillaman Renick (1867-1915). Letters concerning treatment of undulant fever possibly contracted from drinking unpasteurized milk in Maine from a herd which later tested positive for brucellosis \"Bang's Fever.\"","Newspaper clippings concerning the bringing to Williamsburg of the Anheuser-Busch brewery. Includes newspaper clippings about, photographs of, and a letter of thanks written to August Busch by Renick thanking him for the Clydesdale mare, (Belau Golden Maid) \"Goldie.\"","Farm Account book of \"Crofton,\" James City County, Va. owned by Dewey C. Renick and Fern Amelia Cooley Renick. Accounts are in alphabetical order. The farm was at the corner of News Road and Monticello Road, where the Veterans Park is.\nConcerns logs, feed, grass seed and pullets (chickens) Includes accounts with \"Carter's Grove,\" James City County, Va., Chesapeake Corporation, King's Mill Dairy Farm, Lombardy Farm, Jamestown Corporation, Virginia Jack Farm, and T. W. Wood.","Clippings and documents concerning the establishment of the Dewey C. Renick Endowment at William \u0026 Mary by George Tayloe Ross","Paper placemats and a brochure for Longmeadow, Hampden County, Massachusetts. Calling card of Elsie Hunter","Fern Cooley Renick was born in Dell Rapids, South Dakota and moved to Williamsburg, Virginia at a young age. In 1915 she graduated from Williamsburg Female Institute. Renick was a homemaker and civic leader instrumental in bringing Anheuser-Busch to James City County. Fern Renick married Dewey Renick in 1918 and had three children. Fern Renick died on June 18, 1992.","Materials mostly concern the settlement of the estate of Fern Amelia (Cooley) Renick by her daughter Jean Renick. Includes record relating to estate of Bernard W. Griffey.","Papers relating to Fern Amelia Cooley Renick. Biography of Fern Cooley Renick compiled by women of Jamestown Presbyterian Church, her marriage announcement, endowment set up to give scholarships to students who are from the area of the church, obituary and her will.","Handwritten and typed copy of a diary on a trip to England, Scotland, Paris, Zurich, and Italy. Writer is on a trip with Ginny. Writer of diary may have been Fern Amelia Cooley Renick. Includes notes on Presbyterianism.","Dewey C. Renick Jr. was born on October 28, 1921 in Williamsburg, Virginia. He was the son of Dewey C. Renick and Fern Renick. He attented Virginia Tech and served as Lieutenant during World War II. Renick was a pilot who served with the Fifth Air Force Fighter Command. Dewey C. Renick Jr. was killed in action on March 27, 1945 over the Luzon mountains in the Phillipines. Renick received multiple medals in recognition of his service including the Purple Heart.","Photocopies of official and unofficial correspondence concerning the death of Dewey C. Renick, Jr. whose plane was lost in 1945 in the Pacific Theater during World War II.","Jean C. Renick was born on August 1, 1933 in Williamsburg, Virginia. She attended Whaley High School and Duke University where she studied nursing. Jean Renick also had a career as an architect.","File includes undated corresponce such as a letter to Santa Claus.","Series includes genealogical materials, photographs, and scrapbooks documenting the lives of the Renick family.","Birth, marriage and death certificates of Dewey C. Renick and Fern Amelia (Cooley) Renick. Includes will of Dewey C. Renick.","Formal Photographs of Dewey C. Renick and Fern Cooley Renick. 1918 photograph of cutting cake at wedding.  50th wedding anniversary invitation. . Color photograph of Fern Cooley Renick at age 90.","Hinged double photograph of Dewey C. Renick and Fern Cooley Renick (From the Studio of Douglas B. Green, II, 761 Scotland St, Williamsburg, Va.). Cased photograph of Fern Cooley Renick as a child (ca. 1900-1910).","General Renick family photographs","Henry Alaska Cooley \u0026 Sarah Griffith Cooley families","General family  photographs","Jean Renick's travel scrapbook","Jean Renick photographs and papers compiled in scrapbook.","Photographs related to Jean Renick","Cooley Family Genealogy notebook compiled by Sara Nell Gilley Richards Taft. Loose pages of Cooley Family Genealogy.","Series included printed materials such as yearbooks from Whaley Highschool in Williamsburg, Virginia, as well as William \u0026 Mary's Colonial Echo. Texts related to World War II are also included.","Tall tales and true of James City County : [Excerpts from oral taped narratives made during the Bicentennial year by some of our senior citizens / transcribed by Mildred Matier].By Matier, Mildred Bienfait, 1908-      s.l. : s.n. 1976?","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","English"],"collection_title_tesim":["Renick Family Papers, 1900/2007"],"collection_ssim":["Renick Family Papers, 1900/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.350","/repositories/2/resources/9385"],"unitid_tesim":["UA 5.350","/repositories/2/resources/9385"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Europe -- Description and travel"],"geogname_ssim":["Europe -- Description and travel"],"places_ssim":["Europe -- Description and travel"],"creator_ssm":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_ssim":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"creator_corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"creator_famname_ssim":["Renick Family"],"creators_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"access_subjects_ssm":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"has_online_content_ssim":["false"],"extent_ssm":["14.36 Linear Feet 20 boxes"],"extent_tesim":["14.36 Linear Feet 20 boxes"],"genreform_ssim":["Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eManuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  ","\u003cp\u003eExtremely fragile. Handle with staff member present.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Extremely fragile. Handle with staff member present."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007."],"bioghist_html_tesm":["\u003cp\u003eDewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound. \u003c/p\u003e","\u003cp\u003eFern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.  \u003c/p\u003e","\u003cp\u003eAlong with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound.","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992."],"otherfindaid_html_tesm":["\u003cp\u003eFinding aid formerly identified as Mss. Acc. 2010.308.\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Finding aid formerly identified as Mss. Acc. 2010.308."],"prefercite_html_tesm":["\u003cp\u003eRenick Family papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Renick Family papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. \u003c/p\u003e","\u003cp\u003eThe farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. \u003c/p\u003e","\u003cp\u003eThe collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026amp; Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.\u003c/p\u003e  ","\u003cp\u003eDewey C. Renick worked in the timber and lumber buisness from 1928 until his retirement in 1954. Post retirement he was a member of the James City County planning commision from 1954-1971 and was instrumental in establishing a zoning ordinance for the county. Renick was an appraiser and purchaser of the Newport News reservoir and pipeline property for the Diascund Reservoir water system. He also acted as the as the Busch Properties agent for the Lightfoot and Kingsmill properties as well as serving as the superintendent of  the James City County School Board for 15 years and its chairman for 15 years. Renick died on August 1, 1976.\u003c/p\u003e","\u003cp\u003eConcerns business, politics, his service on the Virginia Air Pollution Commission and an illness. Includes letter from Virginia Governor J. Lindsay Almond. Correspondence concerns a memorial window to Charles J. Renick (1866-1935) and Sarah Prillaman Renick (1867-1915). Letters concerning treatment of undulant fever possibly contracted from drinking unpasteurized milk in Maine from a herd which later tested positive for brucellosis \"Bang's Fever.\"\u003c/p\u003e","\u003cp\u003eNewspaper clippings concerning the bringing to Williamsburg of the Anheuser-Busch brewery. Includes newspaper clippings about, photographs of, and a letter of thanks written to August Busch by Renick thanking him for the Clydesdale mare, (Belau Golden Maid) \"Goldie.\"\u003c/p\u003e","\u003cp\u003eFarm Account book of \"Crofton,\" James City County, Va. owned by Dewey C. Renick and Fern Amelia Cooley Renick. Accounts are in alphabetical order. The farm was at the corner of News Road and Monticello Road, where the Veterans Park is.\nConcerns logs, feed, grass seed and pullets (chickens) Includes accounts with \"Carter's Grove,\" James City County, Va., Chesapeake Corporation, King's Mill Dairy Farm, Lombardy Farm, Jamestown Corporation, Virginia Jack Farm, and T. W. Wood.\u003c/p\u003e","\u003cp\u003eClippings and documents concerning the establishment of the Dewey C. Renick Endowment at William \u0026amp; Mary by George Tayloe Ross\u003c/p\u003e","\u003cp\u003ePaper placemats and a brochure for Longmeadow, Hampden County, Massachusetts. Calling card of Elsie Hunter\u003c/p\u003e","\u003cp\u003eFern Cooley Renick was born in Dell Rapids, South Dakota and moved to Williamsburg, Virginia at a young age. In 1915 she graduated from Williamsburg Female Institute. Renick was a homemaker and civic leader instrumental in bringing Anheuser-Busch to James City County. Fern Renick married Dewey Renick in 1918 and had three children. Fern Renick died on June 18, 1992.\u003c/p\u003e","\u003cp\u003eMaterials mostly concern the settlement of the estate of Fern Amelia (Cooley) Renick by her daughter Jean Renick. Includes record relating to estate of Bernard W. Griffey.\u003c/p\u003e","\u003cp\u003ePapers relating to Fern Amelia Cooley Renick. Biography of Fern Cooley Renick compiled by women of Jamestown Presbyterian Church, her marriage announcement, endowment set up to give scholarships to students who are from the area of the church, obituary and her will.\u003c/p\u003e","\u003cp\u003eHandwritten and typed copy of a diary on a trip to England, Scotland, Paris, Zurich, and Italy. Writer is on a trip with Ginny. Writer of diary may have been Fern Amelia Cooley Renick. Includes notes on Presbyterianism.\u003c/p\u003e","\u003cp\u003eDewey C. Renick Jr. was born on October 28, 1921 in Williamsburg, Virginia. He was the son of Dewey C. Renick and Fern Renick. He attented Virginia Tech and served as Lieutenant during World War II. Renick was a pilot who served with the Fifth Air Force Fighter Command. Dewey C. Renick Jr. was killed in action on March 27, 1945 over the Luzon mountains in the Phillipines. Renick received multiple medals in recognition of his service including the Purple Heart.\u003c/p\u003e","\u003cp\u003ePhotocopies of official and unofficial correspondence concerning the death of Dewey C. Renick, Jr. whose plane was lost in 1945 in the Pacific Theater during World War II.\u003c/p\u003e","\u003cp\u003eJean C. Renick was born on August 1, 1933 in Williamsburg, Virginia. She attended Whaley High School and Duke University where she studied nursing. Jean Renick also had a career as an architect.\u003c/p\u003e","\u003cp\u003eFile includes undated corresponce such as a letter to Santa Claus.\u003c/p\u003e","\u003cp\u003eSeries includes genealogical materials, photographs, and scrapbooks documenting the lives of the Renick family.\u003c/p\u003e","\u003cp\u003eBirth, marriage and death certificates of Dewey C. Renick and Fern Amelia (Cooley) Renick. Includes will of Dewey C. Renick.\u003c/p\u003e","\u003cp\u003eFormal Photographs of Dewey C. Renick and Fern Cooley Renick. 1918 photograph of cutting cake at wedding.  50th wedding anniversary invitation. . Color photograph of Fern Cooley Renick at age 90.\u003c/p\u003e","\u003cp\u003eHinged double photograph of Dewey C. Renick and Fern Cooley Renick (From the Studio of Douglas B. Green, II, 761 Scotland St, Williamsburg, Va.). Cased photograph of Fern Cooley Renick as a child (ca. 1900-1910).\u003c/p\u003e","\u003cp\u003eGeneral Renick family photographs\u003c/p\u003e","\u003cp\u003eHenry Alaska Cooley \u0026amp; Sarah Griffith Cooley families\u003c/p\u003e","\u003cp\u003eGeneral family  photographs\u003c/p\u003e","\u003cp\u003eJean Renick's travel scrapbook\u003c/p\u003e","\u003cp\u003eJean Renick photographs and papers compiled in scrapbook.\u003c/p\u003e","\u003cp\u003ePhotographs related to Jean Renick\u003c/p\u003e","\u003cp\u003eCooley Family Genealogy notebook compiled by Sara Nell Gilley Richards Taft. Loose pages of Cooley Family Genealogy.\u003c/p\u003e","\u003cp\u003eSeries included printed materials such as yearbooks from Whaley Highschool in Williamsburg, Virginia, as well as William \u0026amp; Mary's Colonial Echo. Texts related to World War II are also included.\u003c/p\u003e","\u003cp\u003eTall tales and true of James City County : [Excerpts from oral taped narratives made during the Bicentennial year by some of our senior citizens / transcribed by Mildred Matier].By Matier, Mildred Bienfait, 1908-      s.l. : s.n. 1976?\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr.","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order.","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.","Dewey C. Renick worked in the timber and lumber buisness from 1928 until his retirement in 1954. Post retirement he was a member of the James City County planning commision from 1954-1971 and was instrumental in establishing a zoning ordinance for the county. Renick was an appraiser and purchaser of the Newport News reservoir and pipeline property for the Diascund Reservoir water system. He also acted as the as the Busch Properties agent for the Lightfoot and Kingsmill properties as well as serving as the superintendent of  the James City County School Board for 15 years and its chairman for 15 years. Renick died on August 1, 1976.","Concerns business, politics, his service on the Virginia Air Pollution Commission and an illness. Includes letter from Virginia Governor J. Lindsay Almond. Correspondence concerns a memorial window to Charles J. Renick (1866-1935) and Sarah Prillaman Renick (1867-1915). Letters concerning treatment of undulant fever possibly contracted from drinking unpasteurized milk in Maine from a herd which later tested positive for brucellosis \"Bang's Fever.\"","Newspaper clippings concerning the bringing to Williamsburg of the Anheuser-Busch brewery. Includes newspaper clippings about, photographs of, and a letter of thanks written to August Busch by Renick thanking him for the Clydesdale mare, (Belau Golden Maid) \"Goldie.\"","Farm Account book of \"Crofton,\" James City County, Va. owned by Dewey C. Renick and Fern Amelia Cooley Renick. Accounts are in alphabetical order. The farm was at the corner of News Road and Monticello Road, where the Veterans Park is.\nConcerns logs, feed, grass seed and pullets (chickens) Includes accounts with \"Carter's Grove,\" James City County, Va., Chesapeake Corporation, King's Mill Dairy Farm, Lombardy Farm, Jamestown Corporation, Virginia Jack Farm, and T. W. Wood.","Clippings and documents concerning the establishment of the Dewey C. Renick Endowment at William \u0026 Mary by George Tayloe Ross","Paper placemats and a brochure for Longmeadow, Hampden County, Massachusetts. Calling card of Elsie Hunter","Fern Cooley Renick was born in Dell Rapids, South Dakota and moved to Williamsburg, Virginia at a young age. In 1915 she graduated from Williamsburg Female Institute. Renick was a homemaker and civic leader instrumental in bringing Anheuser-Busch to James City County. Fern Renick married Dewey Renick in 1918 and had three children. Fern Renick died on June 18, 1992.","Materials mostly concern the settlement of the estate of Fern Amelia (Cooley) Renick by her daughter Jean Renick. Includes record relating to estate of Bernard W. Griffey.","Papers relating to Fern Amelia Cooley Renick. Biography of Fern Cooley Renick compiled by women of Jamestown Presbyterian Church, her marriage announcement, endowment set up to give scholarships to students who are from the area of the church, obituary and her will.","Handwritten and typed copy of a diary on a trip to England, Scotland, Paris, Zurich, and Italy. Writer is on a trip with Ginny. Writer of diary may have been Fern Amelia Cooley Renick. Includes notes on Presbyterianism.","Dewey C. Renick Jr. was born on October 28, 1921 in Williamsburg, Virginia. He was the son of Dewey C. Renick and Fern Renick. He attented Virginia Tech and served as Lieutenant during World War II. Renick was a pilot who served with the Fifth Air Force Fighter Command. Dewey C. Renick Jr. was killed in action on March 27, 1945 over the Luzon mountains in the Phillipines. Renick received multiple medals in recognition of his service including the Purple Heart.","Photocopies of official and unofficial correspondence concerning the death of Dewey C. Renick, Jr. whose plane was lost in 1945 in the Pacific Theater during World War II.","Jean C. Renick was born on August 1, 1933 in Williamsburg, Virginia. She attended Whaley High School and Duke University where she studied nursing. Jean Renick also had a career as an architect.","File includes undated corresponce such as a letter to Santa Claus.","Series includes genealogical materials, photographs, and scrapbooks documenting the lives of the Renick family.","Birth, marriage and death certificates of Dewey C. Renick and Fern Amelia (Cooley) Renick. Includes will of Dewey C. Renick.","Formal Photographs of Dewey C. Renick and Fern Cooley Renick. 1918 photograph of cutting cake at wedding.  50th wedding anniversary invitation. . Color photograph of Fern Cooley Renick at age 90.","Hinged double photograph of Dewey C. Renick and Fern Cooley Renick (From the Studio of Douglas B. Green, II, 761 Scotland St, Williamsburg, Va.). Cased photograph of Fern Cooley Renick as a child (ca. 1900-1910).","General Renick family photographs","Henry Alaska Cooley \u0026 Sarah Griffith Cooley families","General family  photographs","Jean Renick's travel scrapbook","Jean Renick photographs and papers compiled in scrapbook.","Photographs related to Jean Renick","Cooley Family Genealogy notebook compiled by Sara Nell Gilley Richards Taft. Loose pages of Cooley Family Genealogy.","Series included printed materials such as yearbooks from Whaley Highschool in Williamsburg, Virginia, as well as William \u0026 Mary's Colonial Echo. Texts related to World War II are also included.","Tall tales and true of James City County : [Excerpts from oral taped narratives made during the Bicentennial year by some of our senior citizens / transcribed by Mildred Matier].By Matier, Mildred Bienfait, 1908-      s.l. : s.n. 1976?"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"names_coll_ssim":["Anheuser-Bush, Inc.","College of William and Mary","Renick, Tim  (Tim Renick)","Renick, Dewey C. , Jr., d. 1945"],"famname_ssim":["Renick Family"],"persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"names_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:49:24.142Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9385"}},{"id":"vifgm_repositories_2_resources_94","type":"collection","attributes":{"title":"Robert E. Simon, Jr. papers, 1960/2006","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_94#creator","type":"document_value","attributes":{"value":"Simon, Robert E., Jr. (Robert Edward), 1914-2015","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_94#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_94#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_94","ead_ssi":"vifgm_repositories_2_resources_94","_root_":"vifgm_repositories_2_resources_94","_nest_parent_":"vifgm_repositories_2_resources_94","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_94.xml","title_filing_ssi":"Robert E. Simon, Jr. papers","title_ssm":["Robert E. Simon, Jr. papers"],"title_tesim":["Robert E. Simon, Jr. papers"],"unitdate_ssm":["1960 - 2006"],"unitdate_inclusive_ssm":["1960 - 2006"],"normalized_date_ssm":["1960/2006"],"normalized_title_ssm":["Robert E. Simon, Jr. papers, 1960/2006"],"text":["Robert E. Simon, Jr. papers, 1960/2006","C0162","/repositories/2/resources/94","Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History","Virginia, Northern -- History, Local","Reston (Va.) -- History","Housing","Photography -- Negatives","Planned communities -- Virginia -- Reston","Slides (Photography)","Planned communities","Photographic prints","Video recordings","Oral histories","Correspondence","Newspapers","There are no access restrictions.","Arranged into 10 series.","Series\n      Series 1: Correspondence, 1975-2001 (Box 1)\n      Series 2: Reston General Information, 1960-1990 (Boxes 1-4)\n      Series 3: Reston Community Centers, 1963-1991 (Box 4)\n      Series 4: Reston Finance, 1963-1976 (Boxes 4-5)\n      Series 5: Building Projects, 1961-1975 (Boxes 5-6)\n      Series 6: National File, 1964-1987 (Boxes 6-7)\n      Series 7: Conferences, 1964-1987 (Boxes 7-10)\n      Series 8: Planned Communities, 1962-1975 (Boxes 10-11)\n      Series 9: Media, 1960-2003 (Boxes 11-12)\n      Series 10: Oversize, 1960-2006 (Boxes 13-15)","Robert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play.","The Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections Research Center. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in March and April 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2022.","The Special Collections Research Center also holds many other collections on the  and Northern Virginia.","The Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.","Series one is titled correspondence and is dated from 1975 to 2001. The series is small and is only in box 1. Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino. Also included in the series are invitations for various speaking engagements.","Series two is titled Reston General Information and is dated from 1960 to 1990. The series is contained within boxes 1 through 4. In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.","Series three is titled Reston Community Centers and is dated from 1963 to 1991. The series is contained in box 4. The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.","Series four is titled Reston Finance and is dated from 1963 to 1976. The series is contained in boxes 4 and 5. The series is general information on the finances of Reston. Included in the series are documents on taxes, consulting firms and various other sources.","Series five is titled Building Projects and is dated from 1961 to 1975. The series is contained in boxes 5 and 6. The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.","Series six is titled National File and is dated from 1964 to 1987. The series is contained in boxes 6 and 7. The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).","Series seven is titled Conferences and is dated from 1964 to 1987. The series is contained in boxes 7 through 10. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities.","Series eight is titled Planned Communities and is dated from 1962 to 1975. The series contained in boxes 10 and 11. The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","Series nine is titled Media and is dated from 1960 to 2003. The series is contained in boxes 11 and 12. The series is comprised of negatives, slides, photographs, videotapes and a single reel. The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.","Series ten is titled Oversize and is dated from 1960 to 2006. The series is contained in boxes 13 through 15. The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century. The articles all relate to Reston and the developments there.","Series one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements. The series is dated from 1975 to 2001.","266.6","267.2","267.4","267.5","267.3","274.5","274.14","266.2","274.15","267.6","266.1a","Series two is titled Reston General Information. In this series there are various documents from Reston, including promotional material and zoning information. The series is dated from 1960 to 1990.","267.11","275.11","275.7","275.9","274.3","270.15","275.5","274.2","274.4","275.1","395.2","395.4","395.3","267.10","266.3","273.1","395.7","270.14","268.14","274.1","275.12","275.3","275.8","268.15","395.9","267.8","395.8","395.5","276.13","395.6","Series three is titled Reston Community Centers. The series is information from different organizations in Reston such as the Reston Day Care. The series is dated from 1963 to 1991.","266.1","395.1","267.12","266.4","267.13","267.14","271.8","267.9","270.12","Series four is titled Reston Finance. Included in the series are documents on taxes, consulting firms and various other sources. The series is dated from 1963 to 1976.","274.10","273.3","274.9","274.11","274.8","274.7","275.2","274.12","270.1","270.2","268.11","266.5","269.4","274.6","274.13","270.3","267.15","272.2","Series five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms. The series is dated from 1961 to 1975.","270.9","266.17","270.10","275.4","266.16","266.12","266.11","266.8","270.7","270.6","270.5","266.7","266.10","270.8","266.13","266.9","266.15","270.11","275.6","276.6","270.4","271.27","Series six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD). The series is dated from 1964 to 1987.","269.9","267.1","269.10","269.8","271.14","272.1","271.3","271.5","271.4","269.7","271.18","271.2","271.20","269.6","271.1","271.11","271.25","273.2","272.3","Series seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.","271.24","268.8","272.14","271.26","268.7","268.13","272.9","271.13","272.10","272.6","276.10","268.6","268.12","269.11","271.7","271.10","272.7","268.9","272.12","271.9","276.11","1.4","271.15","276.5","276.7","268.2","267.7","268.3","276.12","272.5","271.12","276.3","268.17","268.16","276.14","272.4","271.19","268.4","276.8","268.1","271.16","272.11","276.9","268.10","269.2","269.3","268.5","269.5","276.2","276.4","276.13","272.13","276.1","271.23","272.8","271.22","269.12","271.6","271.24","269.1","271.17","The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","504.2","504.6","504.7","504.1","504.1","504.8","504.3","504.5","Series eight is titled Media. The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.","394.4","394.11","395.10","394.6","394.7","394.4","394.9","394.10","394.5","14.1","14.1; Access copy available on DVD. 39 minutes, 58 seconds.","154.2; Access copy available on DVD. 29 minutes.","154.2","485.2","394; Access copy available on DVD. 18 minutes, 48 seconds.","394; Access copy available on DVD. 30 minutes, 01 seconds.","394; Access copy available on DVD. 12 minutes, 15 seconds.","394.3","Series nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there. The series is dated from 1960 to 2006.","1.1","1.2","1.3","1.4","1.5","396.1","396.2","396.3","396.4","396.5","396.6","396.7","396.8","396.9","396.10","396.11","396.12","396.13","396.14","396.15","396.16","396.17","397.1","397.2","397.3","397.4","397.5","397.6","397.7","397.8","397.9","397.10","397.11","397.12","397.13","397.14","397.15","397.16","397.17","397.18","397.19","397.20","397.21","397.22","397.22","397.24","397.25","397.26","397.27","397.28","397.29","397.30","397.2","397.32","397.33","397.34","397.35","397.36","397.37","397.38","397.39","397.40","397.41","397.42","397.43","397.44","397.45","397.46","397.47","397.48","397.49","397.50","397.51","397.52","397.532","397.54","397.55","397.56","397.57","397.58","397.59","397.60","397.62","397.62","397.63","397.64","397.65","397.66","397.67","397.68","397.69","397.70","397.71","397.72","397.73","397.74","397.75","397.76","397.77","397.78","397.79","397.80","397.81","A large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country.","George Mason University. Libraries. Special Collections Research Center","Simon, Robert E., Jr. (Robert Edward), 1914-2015","English"],"collection_title_tesim":["Robert E. Simon, Jr. papers, 1960/2006"],"collection_ssim":["Robert E. Simon, Jr. papers, 1960/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0162","/repositories/2/resources/94"],"unitid_tesim":["C0162","/repositories/2/resources/94"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"geogname_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"places_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"creator_ssm":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"creator_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"creator_persname_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robert E. Simon Jr. in three section first on May 7, 1992, second on August 9, 1993 and the final donation was made on September 15, 2008."],"access_subjects_ssim":["Housing","Photography -- Negatives","Planned communities -- Virginia -- Reston","Slides (Photography)","Planned communities","Photographic prints","Video recordings","Oral histories","Correspondence","Newspapers"],"access_subjects_ssm":["Housing","Photography -- Negatives","Planned communities -- Virginia -- Reston","Slides (Photography)","Planned communities","Photographic prints","Video recordings","Oral histories","Correspondence","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 boxes"],"extent_tesim":["7.5 Linear Feet 15 boxes"],"genreform_ssim":["Photographic prints","Video recordings","Oral histories","Correspondence","Newspapers"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into 10 series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1975-2001 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Reston General Information, 1960-1990 (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Reston Community Centers, 1963-1991 (Box 4)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Reston Finance, 1963-1976 (Boxes 4-5)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Building Projects, 1961-1975 (Boxes 5-6)\u003c/item\u003e\n      \u003citem\u003eSeries 6: National File, 1964-1987 (Boxes 6-7)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Conferences, 1964-1987 (Boxes 7-10)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Planned Communities, 1962-1975 (Boxes 10-11)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Media, 1960-2003 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1960-2006 (Boxes 13-15)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into 10 series.","Series\n      Series 1: Correspondence, 1975-2001 (Box 1)\n      Series 2: Reston General Information, 1960-1990 (Boxes 1-4)\n      Series 3: Reston Community Centers, 1963-1991 (Box 4)\n      Series 4: Reston Finance, 1963-1976 (Boxes 4-5)\n      Series 5: Building Projects, 1961-1975 (Boxes 5-6)\n      Series 6: National File, 1964-1987 (Boxes 6-7)\n      Series 7: Conferences, 1964-1987 (Boxes 7-10)\n      Series 8: Planned Communities, 1962-1975 (Boxes 10-11)\n      Series 9: Media, 1960-2003 (Boxes 11-12)\n      Series 10: Oversize, 1960-2006 (Boxes 13-15)"],"bioghist_html_tesm":["\u003cp\u003eRobert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play."],"prefercite_html_tesm":["\u003cp\u003eRobert E. Simon, Jr. papers, C0162, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Robert E. Simon, Jr. papers, C0162, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections Research Center. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement. \u003c/p\u003e","\u003cp\u003eProcessed in March and April 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections Research Center. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in March and April 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on the \u003cextptr show=\"new\" title=\"history of Reston\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=reston\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e and Northern Virginia.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on the  and Northern Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country. \u003c/p\u003e","\u003cp\u003eSeries one is titled correspondence and is dated from 1975 to 2001. The series is small and is only in box 1. Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino. Also included in the series are invitations for various speaking engagements. \u003c/p\u003e","\u003cp\u003eSeries two is titled Reston General Information and is dated from 1960 to 1990. The series is contained within boxes 1 through 4. In this series there are various documents from Reston, including promotional material, newsclippings and zoning information. \u003c/p\u003e","\u003cp\u003eSeries three is titled Reston Community Centers and is dated from 1963 to 1991. The series is contained in box 4. The series is information from different organizations in Reston such as North Golf Course and Reston Day Care. \u003c/p\u003e","\u003cp\u003eSeries four is titled Reston Finance and is dated from 1963 to 1976. The series is contained in boxes 4 and 5. The series is general information on the finances of Reston. Included in the series are documents on taxes, consulting firms and various other sources. \u003c/p\u003e","\u003cp\u003eSeries five is titled Building Projects and is dated from 1961 to 1975. The series is contained in boxes 5 and 6. The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects. \u003c/p\u003e","\u003cp\u003eSeries six is titled National File and is dated from 1964 to 1987. The series is contained in boxes 6 and 7. The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD). \u003c/p\u003e","\u003cp\u003eSeries seven is titled Conferences and is dated from 1964 to 1987. The series is contained in boxes 7 through 10. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities. \u003c/p\u003e","\u003cp\u003eSeries eight is titled Planned Communities and is dated from 1962 to 1975. The series contained in boxes 10 and 11. The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland. \u003c/p\u003e","\u003cp\u003eSeries nine is titled Media and is dated from 1960 to 2003. The series is contained in boxes 11 and 12. The series is comprised of negatives, slides, photographs, videotapes and a single reel. The videotapes are mostly interviews with Robert E. Simon Jr. about Reston. \u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1960 to 2006. The series is contained in boxes 13 through 15. The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century. The articles all relate to Reston and the developments there. \u003c/p\u003e  ","\u003cp\u003eSeries one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements. The series is dated from 1975 to 2001.\u003c/p\u003e","\u003cp\u003e266.6\u003c/p\u003e","\u003cp\u003e267.2\u003c/p\u003e","\u003cp\u003e267.4\u003c/p\u003e","\u003cp\u003e267.5\u003c/p\u003e","\u003cp\u003e267.3\u003c/p\u003e","\u003cp\u003e274.5\u003c/p\u003e","\u003cp\u003e274.14\u003c/p\u003e","\u003cp\u003e266.2\u003c/p\u003e","\u003cp\u003e274.15\u003c/p\u003e","\u003cp\u003e267.6\u003c/p\u003e","\u003cp\u003e266.1a\u003c/p\u003e","\u003cp\u003eSeries two is titled Reston General Information. In this series there are various documents from Reston, including promotional material and zoning information. The series is dated from 1960 to 1990.\u003c/p\u003e","\u003cp\u003e267.11\u003c/p\u003e","\u003cp\u003e275.11\u003c/p\u003e","\u003cp\u003e275.7\u003c/p\u003e","\u003cp\u003e275.9\u003c/p\u003e","\u003cp\u003e274.3\u003c/p\u003e","\u003cp\u003e270.15\u003c/p\u003e","\u003cp\u003e275.5\u003c/p\u003e","\u003cp\u003e274.2\u003c/p\u003e","\u003cp\u003e274.4\u003c/p\u003e","\u003cp\u003e275.1\u003c/p\u003e","\u003cp\u003e395.2\u003c/p\u003e","\u003cp\u003e395.4\u003c/p\u003e","\u003cp\u003e395.3\u003c/p\u003e","\u003cp\u003e267.10\u003c/p\u003e","\u003cp\u003e266.3\u003c/p\u003e","\u003cp\u003e273.1\u003c/p\u003e","\u003cp\u003e395.7\u003c/p\u003e","\u003cp\u003e270.14\u003c/p\u003e","\u003cp\u003e268.14\u003c/p\u003e","\u003cp\u003e274.1\u003c/p\u003e","\u003cp\u003e275.12\u003c/p\u003e","\u003cp\u003e275.3\u003c/p\u003e","\u003cp\u003e275.8\u003c/p\u003e","\u003cp\u003e268.15\u003c/p\u003e","\u003cp\u003e395.9\u003c/p\u003e","\u003cp\u003e267.8\u003c/p\u003e","\u003cp\u003e395.8\u003c/p\u003e","\u003cp\u003e395.5\u003c/p\u003e","\u003cp\u003e276.13\u003c/p\u003e","\u003cp\u003e395.6\u003c/p\u003e","\u003cp\u003eSeries three is titled Reston Community Centers. The series is information from different organizations in Reston such as the Reston Day Care. The series is dated from 1963 to 1991.\u003c/p\u003e","\u003cp\u003e266.1\u003c/p\u003e","\u003cp\u003e395.1\u003c/p\u003e","\u003cp\u003e267.12\u003c/p\u003e","\u003cp\u003e266.4\u003c/p\u003e","\u003cp\u003e267.13\u003c/p\u003e","\u003cp\u003e267.14\u003c/p\u003e","\u003cp\u003e271.8\u003c/p\u003e","\u003cp\u003e267.9\u003c/p\u003e","\u003cp\u003e270.12\u003c/p\u003e","\u003cp\u003eSeries four is titled Reston Finance. Included in the series are documents on taxes, consulting firms and various other sources. The series is dated from 1963 to 1976.\u003c/p\u003e","\u003cp\u003e274.10\u003c/p\u003e","\u003cp\u003e273.3\u003c/p\u003e","\u003cp\u003e274.9\u003c/p\u003e","\u003cp\u003e274.11\u003c/p\u003e","\u003cp\u003e274.8\u003c/p\u003e","\u003cp\u003e274.7\u003c/p\u003e","\u003cp\u003e275.2\u003c/p\u003e","\u003cp\u003e274.12\u003c/p\u003e","\u003cp\u003e270.1\u003c/p\u003e","\u003cp\u003e270.2\u003c/p\u003e","\u003cp\u003e268.11\u003c/p\u003e","\u003cp\u003e266.5\u003c/p\u003e","\u003cp\u003e269.4\u003c/p\u003e","\u003cp\u003e274.6\u003c/p\u003e","\u003cp\u003e274.13\u003c/p\u003e","\u003cp\u003e270.3\u003c/p\u003e","\u003cp\u003e267.15\u003c/p\u003e","\u003cp\u003e272.2\u003c/p\u003e","\u003cp\u003eSeries five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms. The series is dated from 1961 to 1975.\u003c/p\u003e","\u003cp\u003e270.9\u003c/p\u003e","\u003cp\u003e266.17\u003c/p\u003e","\u003cp\u003e270.10\u003c/p\u003e","\u003cp\u003e275.4\u003c/p\u003e","\u003cp\u003e266.16\u003c/p\u003e","\u003cp\u003e266.12\u003c/p\u003e","\u003cp\u003e266.11\u003c/p\u003e","\u003cp\u003e266.8\u003c/p\u003e","\u003cp\u003e270.7\u003c/p\u003e","\u003cp\u003e270.6\u003c/p\u003e","\u003cp\u003e270.5\u003c/p\u003e","\u003cp\u003e266.7\u003c/p\u003e","\u003cp\u003e266.10\u003c/p\u003e","\u003cp\u003e270.8\u003c/p\u003e","\u003cp\u003e266.13\u003c/p\u003e","\u003cp\u003e266.9\u003c/p\u003e","\u003cp\u003e266.15\u003c/p\u003e","\u003cp\u003e270.11\u003c/p\u003e","\u003cp\u003e275.6\u003c/p\u003e","\u003cp\u003e276.6\u003c/p\u003e","\u003cp\u003e270.4\u003c/p\u003e","\u003cp\u003e271.27\u003c/p\u003e","\u003cp\u003eSeries six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD). The series is dated from 1964 to 1987.\u003c/p\u003e","\u003cp\u003e269.9\u003c/p\u003e","\u003cp\u003e267.1\u003c/p\u003e","\u003cp\u003e269.10\u003c/p\u003e","\u003cp\u003e269.8\u003c/p\u003e","\u003cp\u003e271.14\u003c/p\u003e","\u003cp\u003e272.1\u003c/p\u003e","\u003cp\u003e271.3\u003c/p\u003e","\u003cp\u003e271.5\u003c/p\u003e","\u003cp\u003e271.4\u003c/p\u003e","\u003cp\u003e269.7\u003c/p\u003e","\u003cp\u003e271.18\u003c/p\u003e","\u003cp\u003e271.2\u003c/p\u003e","\u003cp\u003e271.20\u003c/p\u003e","\u003cp\u003e269.6\u003c/p\u003e","\u003cp\u003e271.1\u003c/p\u003e","\u003cp\u003e271.11\u003c/p\u003e","\u003cp\u003e271.25\u003c/p\u003e","\u003cp\u003e273.2\u003c/p\u003e","\u003cp\u003e272.3\u003c/p\u003e","\u003cp\u003eSeries seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.\u003c/p\u003e","\u003cp\u003e271.24\u003c/p\u003e","\u003cp\u003e268.8\u003c/p\u003e","\u003cp\u003e272.14\u003c/p\u003e","\u003cp\u003e271.26\u003c/p\u003e","\u003cp\u003e268.7\u003c/p\u003e","\u003cp\u003e268.13\u003c/p\u003e","\u003cp\u003e272.9\u003c/p\u003e","\u003cp\u003e271.13\u003c/p\u003e","\u003cp\u003e272.10\u003c/p\u003e","\u003cp\u003e272.6\u003c/p\u003e","\u003cp\u003e276.10\u003c/p\u003e","\u003cp\u003e268.6\u003c/p\u003e","\u003cp\u003e268.12\u003c/p\u003e","\u003cp\u003e269.11\u003c/p\u003e","\u003cp\u003e271.7\u003c/p\u003e","\u003cp\u003e271.10\u003c/p\u003e","\u003cp\u003e272.7\u003c/p\u003e","\u003cp\u003e268.9\u003c/p\u003e","\u003cp\u003e272.12\u003c/p\u003e","\u003cp\u003e271.9\u003c/p\u003e","\u003cp\u003e276.11\u003c/p\u003e","\u003cp\u003e1.4\u003c/p\u003e","\u003cp\u003e271.15\u003c/p\u003e","\u003cp\u003e276.5\u003c/p\u003e","\u003cp\u003e276.7\u003c/p\u003e","\u003cp\u003e268.2\u003c/p\u003e","\u003cp\u003e267.7\u003c/p\u003e","\u003cp\u003e268.3\u003c/p\u003e","\u003cp\u003e276.12\u003c/p\u003e","\u003cp\u003e272.5\u003c/p\u003e","\u003cp\u003e271.12\u003c/p\u003e","\u003cp\u003e276.3\u003c/p\u003e","\u003cp\u003e268.17\u003c/p\u003e","\u003cp\u003e268.16\u003c/p\u003e","\u003cp\u003e276.14\u003c/p\u003e","\u003cp\u003e272.4\u003c/p\u003e","\u003cp\u003e271.19\u003c/p\u003e","\u003cp\u003e268.4\u003c/p\u003e","\u003cp\u003e276.8\u003c/p\u003e","\u003cp\u003e268.1\u003c/p\u003e","\u003cp\u003e271.16\u003c/p\u003e","\u003cp\u003e272.11\u003c/p\u003e","\u003cp\u003e276.9\u003c/p\u003e","\u003cp\u003e268.10\u003c/p\u003e","\u003cp\u003e269.2\u003c/p\u003e","\u003cp\u003e269.3\u003c/p\u003e","\u003cp\u003e268.5\u003c/p\u003e","\u003cp\u003e269.5\u003c/p\u003e","\u003cp\u003e276.2\u003c/p\u003e","\u003cp\u003e276.4\u003c/p\u003e","\u003cp\u003e276.13\u003c/p\u003e","\u003cp\u003e272.13\u003c/p\u003e","\u003cp\u003e276.1\u003c/p\u003e","\u003cp\u003e271.23\u003c/p\u003e","\u003cp\u003e272.8\u003c/p\u003e","\u003cp\u003e271.22\u003c/p\u003e","\u003cp\u003e269.12\u003c/p\u003e","\u003cp\u003e271.6\u003c/p\u003e","\u003cp\u003e271.24\u003c/p\u003e","\u003cp\u003e269.1\u003c/p\u003e","\u003cp\u003e271.17\u003c/p\u003e","\u003cp\u003eThe documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.\u003c/p\u003e","\u003cp\u003e504.2\u003c/p\u003e","\u003cp\u003e504.6\u003c/p\u003e","\u003cp\u003e504.7\u003c/p\u003e","\u003cp\u003e504.1\u003c/p\u003e","\u003cp\u003e504.1\u003c/p\u003e","\u003cp\u003e504.8\u003c/p\u003e","\u003cp\u003e504.3\u003c/p\u003e","\u003cp\u003e504.5\u003c/p\u003e","\u003cp\u003eSeries eight is titled Media. The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.\u003c/p\u003e","\u003cp\u003e394.4\u003c/p\u003e","\u003cp\u003e394.11\u003c/p\u003e","\u003cp\u003e395.10\u003c/p\u003e","\u003cp\u003e394.6\u003c/p\u003e","\u003cp\u003e394.7\u003c/p\u003e","\u003cp\u003e394.4\u003c/p\u003e","\u003cp\u003e394.9\u003c/p\u003e","\u003cp\u003e394.10\u003c/p\u003e","\u003cp\u003e394.5\u003c/p\u003e","\u003cp\u003e14.1\u003c/p\u003e","\u003cp\u003e14.1; Access copy available on DVD. 39 minutes, 58 seconds.\u003c/p\u003e","\u003cp\u003e154.2; Access copy available on DVD. 29 minutes.\u003c/p\u003e","\u003cp\u003e154.2\u003c/p\u003e","\u003cp\u003e485.2\u003c/p\u003e","\u003cp\u003e394; Access copy available on DVD. 18 minutes, 48 seconds.\u003c/p\u003e","\u003cp\u003e394; Access copy available on DVD. 30 minutes, 01 seconds.\u003c/p\u003e","\u003cp\u003e394; Access copy available on DVD. 12 minutes, 15 seconds.\u003c/p\u003e","\u003cp\u003e394.3\u003c/p\u003e","\u003cp\u003eSeries nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there. The series is dated from 1960 to 2006.\u003c/p\u003e","\u003cp\u003e1.1\u003c/p\u003e","\u003cp\u003e1.2\u003c/p\u003e","\u003cp\u003e1.3\u003c/p\u003e","\u003cp\u003e1.4\u003c/p\u003e","\u003cp\u003e1.5\u003c/p\u003e","\u003cp\u003e396.1\u003c/p\u003e","\u003cp\u003e396.2\u003c/p\u003e","\u003cp\u003e396.3\u003c/p\u003e","\u003cp\u003e396.4\u003c/p\u003e","\u003cp\u003e396.5\u003c/p\u003e","\u003cp\u003e396.6\u003c/p\u003e","\u003cp\u003e396.7\u003c/p\u003e","\u003cp\u003e396.8\u003c/p\u003e","\u003cp\u003e396.9\u003c/p\u003e","\u003cp\u003e396.10\u003c/p\u003e","\u003cp\u003e396.11\u003c/p\u003e","\u003cp\u003e396.12\u003c/p\u003e","\u003cp\u003e396.13\u003c/p\u003e","\u003cp\u003e396.14\u003c/p\u003e","\u003cp\u003e396.15\u003c/p\u003e","\u003cp\u003e396.16\u003c/p\u003e","\u003cp\u003e396.17\u003c/p\u003e","\u003cp\u003e397.1\u003c/p\u003e","\u003cp\u003e397.2\u003c/p\u003e","\u003cp\u003e397.3\u003c/p\u003e","\u003cp\u003e397.4\u003c/p\u003e","\u003cp\u003e397.5\u003c/p\u003e","\u003cp\u003e397.6\u003c/p\u003e","\u003cp\u003e397.7\u003c/p\u003e","\u003cp\u003e397.8\u003c/p\u003e","\u003cp\u003e397.9\u003c/p\u003e","\u003cp\u003e397.10\u003c/p\u003e","\u003cp\u003e397.11\u003c/p\u003e","\u003cp\u003e397.12\u003c/p\u003e","\u003cp\u003e397.13\u003c/p\u003e","\u003cp\u003e397.14\u003c/p\u003e","\u003cp\u003e397.15\u003c/p\u003e","\u003cp\u003e397.16\u003c/p\u003e","\u003cp\u003e397.17\u003c/p\u003e","\u003cp\u003e397.18\u003c/p\u003e","\u003cp\u003e397.19\u003c/p\u003e","\u003cp\u003e397.20\u003c/p\u003e","\u003cp\u003e397.21\u003c/p\u003e","\u003cp\u003e397.22\u003c/p\u003e","\u003cp\u003e397.22\u003c/p\u003e","\u003cp\u003e397.24\u003c/p\u003e","\u003cp\u003e397.25\u003c/p\u003e","\u003cp\u003e397.26\u003c/p\u003e","\u003cp\u003e397.27\u003c/p\u003e","\u003cp\u003e397.28\u003c/p\u003e","\u003cp\u003e397.29\u003c/p\u003e","\u003cp\u003e397.30\u003c/p\u003e","\u003cp\u003e397.2\u003c/p\u003e","\u003cp\u003e397.32\u003c/p\u003e","\u003cp\u003e397.33\u003c/p\u003e","\u003cp\u003e397.34\u003c/p\u003e","\u003cp\u003e397.35\u003c/p\u003e","\u003cp\u003e397.36\u003c/p\u003e","\u003cp\u003e397.37\u003c/p\u003e","\u003cp\u003e397.38\u003c/p\u003e","\u003cp\u003e397.39\u003c/p\u003e","\u003cp\u003e397.40\u003c/p\u003e","\u003cp\u003e397.41\u003c/p\u003e","\u003cp\u003e397.42\u003c/p\u003e","\u003cp\u003e397.43\u003c/p\u003e","\u003cp\u003e397.44\u003c/p\u003e","\u003cp\u003e397.45\u003c/p\u003e","\u003cp\u003e397.46\u003c/p\u003e","\u003cp\u003e397.47\u003c/p\u003e","\u003cp\u003e397.48\u003c/p\u003e","\u003cp\u003e397.49\u003c/p\u003e","\u003cp\u003e397.50\u003c/p\u003e","\u003cp\u003e397.51\u003c/p\u003e","\u003cp\u003e397.52\u003c/p\u003e","\u003cp\u003e397.532\u003c/p\u003e","\u003cp\u003e397.54\u003c/p\u003e","\u003cp\u003e397.55\u003c/p\u003e","\u003cp\u003e397.56\u003c/p\u003e","\u003cp\u003e397.57\u003c/p\u003e","\u003cp\u003e397.58\u003c/p\u003e","\u003cp\u003e397.59\u003c/p\u003e","\u003cp\u003e397.60\u003c/p\u003e","\u003cp\u003e397.62\u003c/p\u003e","\u003cp\u003e397.62\u003c/p\u003e","\u003cp\u003e397.63\u003c/p\u003e","\u003cp\u003e397.64\u003c/p\u003e","\u003cp\u003e397.65\u003c/p\u003e","\u003cp\u003e397.66\u003c/p\u003e","\u003cp\u003e397.67\u003c/p\u003e","\u003cp\u003e397.68\u003c/p\u003e","\u003cp\u003e397.69\u003c/p\u003e","\u003cp\u003e397.70\u003c/p\u003e","\u003cp\u003e397.71\u003c/p\u003e","\u003cp\u003e397.72\u003c/p\u003e","\u003cp\u003e397.73\u003c/p\u003e","\u003cp\u003e397.74\u003c/p\u003e","\u003cp\u003e397.75\u003c/p\u003e","\u003cp\u003e397.76\u003c/p\u003e","\u003cp\u003e397.77\u003c/p\u003e","\u003cp\u003e397.78\u003c/p\u003e","\u003cp\u003e397.79\u003c/p\u003e","\u003cp\u003e397.80\u003c/p\u003e","\u003cp\u003e397.81\u003c/p\u003e","\u003cp\u003eA large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.","Series one is titled correspondence and is dated from 1975 to 2001. The series is small and is only in box 1. Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino. Also included in the series are invitations for various speaking engagements.","Series two is titled Reston General Information and is dated from 1960 to 1990. The series is contained within boxes 1 through 4. In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.","Series three is titled Reston Community Centers and is dated from 1963 to 1991. The series is contained in box 4. The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.","Series four is titled Reston Finance and is dated from 1963 to 1976. The series is contained in boxes 4 and 5. The series is general information on the finances of Reston. Included in the series are documents on taxes, consulting firms and various other sources.","Series five is titled Building Projects and is dated from 1961 to 1975. The series is contained in boxes 5 and 6. The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.","Series six is titled National File and is dated from 1964 to 1987. The series is contained in boxes 6 and 7. The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).","Series seven is titled Conferences and is dated from 1964 to 1987. The series is contained in boxes 7 through 10. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities.","Series eight is titled Planned Communities and is dated from 1962 to 1975. The series contained in boxes 10 and 11. The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","Series nine is titled Media and is dated from 1960 to 2003. The series is contained in boxes 11 and 12. The series is comprised of negatives, slides, photographs, videotapes and a single reel. The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.","Series ten is titled Oversize and is dated from 1960 to 2006. The series is contained in boxes 13 through 15. The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century. The articles all relate to Reston and the developments there.","Series one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements. The series is dated from 1975 to 2001.","266.6","267.2","267.4","267.5","267.3","274.5","274.14","266.2","274.15","267.6","266.1a","Series two is titled Reston General Information. In this series there are various documents from Reston, including promotional material and zoning information. The series is dated from 1960 to 1990.","267.11","275.11","275.7","275.9","274.3","270.15","275.5","274.2","274.4","275.1","395.2","395.4","395.3","267.10","266.3","273.1","395.7","270.14","268.14","274.1","275.12","275.3","275.8","268.15","395.9","267.8","395.8","395.5","276.13","395.6","Series three is titled Reston Community Centers. The series is information from different organizations in Reston such as the Reston Day Care. The series is dated from 1963 to 1991.","266.1","395.1","267.12","266.4","267.13","267.14","271.8","267.9","270.12","Series four is titled Reston Finance. Included in the series are documents on taxes, consulting firms and various other sources. The series is dated from 1963 to 1976.","274.10","273.3","274.9","274.11","274.8","274.7","275.2","274.12","270.1","270.2","268.11","266.5","269.4","274.6","274.13","270.3","267.15","272.2","Series five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms. The series is dated from 1961 to 1975.","270.9","266.17","270.10","275.4","266.16","266.12","266.11","266.8","270.7","270.6","270.5","266.7","266.10","270.8","266.13","266.9","266.15","270.11","275.6","276.6","270.4","271.27","Series six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD). The series is dated from 1964 to 1987.","269.9","267.1","269.10","269.8","271.14","272.1","271.3","271.5","271.4","269.7","271.18","271.2","271.20","269.6","271.1","271.11","271.25","273.2","272.3","Series seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.","271.24","268.8","272.14","271.26","268.7","268.13","272.9","271.13","272.10","272.6","276.10","268.6","268.12","269.11","271.7","271.10","272.7","268.9","272.12","271.9","276.11","1.4","271.15","276.5","276.7","268.2","267.7","268.3","276.12","272.5","271.12","276.3","268.17","268.16","276.14","272.4","271.19","268.4","276.8","268.1","271.16","272.11","276.9","268.10","269.2","269.3","268.5","269.5","276.2","276.4","276.13","272.13","276.1","271.23","272.8","271.22","269.12","271.6","271.24","269.1","271.17","The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","504.2","504.6","504.7","504.1","504.1","504.8","504.3","504.5","Series eight is titled Media. The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.","394.4","394.11","395.10","394.6","394.7","394.4","394.9","394.10","394.5","14.1","14.1; Access copy available on DVD. 39 minutes, 58 seconds.","154.2; Access copy available on DVD. 29 minutes.","154.2","485.2","394; Access copy available on DVD. 18 minutes, 48 seconds.","394; Access copy available on DVD. 30 minutes, 01 seconds.","394; Access copy available on DVD. 12 minutes, 15 seconds.","394.3","Series nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there. The series is dated from 1960 to 2006.","1.1","1.2","1.3","1.4","1.5","396.1","396.2","396.3","396.4","396.5","396.6","396.7","396.8","396.9","396.10","396.11","396.12","396.13","396.14","396.15","396.16","396.17","397.1","397.2","397.3","397.4","397.5","397.6","397.7","397.8","397.9","397.10","397.11","397.12","397.13","397.14","397.15","397.16","397.17","397.18","397.19","397.20","397.21","397.22","397.22","397.24","397.25","397.26","397.27","397.28","397.29","397.30","397.2","397.32","397.33","397.34","397.35","397.36","397.37","397.38","397.39","397.40","397.41","397.42","397.43","397.44","397.45","397.46","397.47","397.48","397.49","397.50","397.51","397.52","397.532","397.54","397.55","397.56","397.57","397.58","397.59","397.60","397.62","397.62","397.63","397.64","397.65","397.66","397.67","397.68","397.69","397.70","397.71","397.72","397.73","397.74","397.75","397.76","397.77","397.78","397.79","397.80","397.81","A large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bc6c98b4282fdf7c19eb957f99973d1a\" label=\"Abstract\"\u003eThe collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"names_coll_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":318,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:51.434Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_94","ead_ssi":"vifgm_repositories_2_resources_94","_root_":"vifgm_repositories_2_resources_94","_nest_parent_":"vifgm_repositories_2_resources_94","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_94.xml","title_filing_ssi":"Robert E. Simon, Jr. papers","title_ssm":["Robert E. Simon, Jr. papers"],"title_tesim":["Robert E. Simon, Jr. papers"],"unitdate_ssm":["1960 - 2006"],"unitdate_inclusive_ssm":["1960 - 2006"],"normalized_date_ssm":["1960/2006"],"normalized_title_ssm":["Robert E. Simon, Jr. papers, 1960/2006"],"text":["Robert E. Simon, Jr. papers, 1960/2006","C0162","/repositories/2/resources/94","Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History","Virginia, Northern -- History, Local","Reston (Va.) -- History","Housing","Photography -- Negatives","Planned communities -- Virginia -- Reston","Slides (Photography)","Planned communities","Photographic prints","Video recordings","Oral histories","Correspondence","Newspapers","There are no access restrictions.","Arranged into 10 series.","Series\n      Series 1: Correspondence, 1975-2001 (Box 1)\n      Series 2: Reston General Information, 1960-1990 (Boxes 1-4)\n      Series 3: Reston Community Centers, 1963-1991 (Box 4)\n      Series 4: Reston Finance, 1963-1976 (Boxes 4-5)\n      Series 5: Building Projects, 1961-1975 (Boxes 5-6)\n      Series 6: National File, 1964-1987 (Boxes 6-7)\n      Series 7: Conferences, 1964-1987 (Boxes 7-10)\n      Series 8: Planned Communities, 1962-1975 (Boxes 10-11)\n      Series 9: Media, 1960-2003 (Boxes 11-12)\n      Series 10: Oversize, 1960-2006 (Boxes 13-15)","Robert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play.","The Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections Research Center. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in March and April 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2022.","The Special Collections Research Center also holds many other collections on the  and Northern Virginia.","The Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.","Series one is titled correspondence and is dated from 1975 to 2001. The series is small and is only in box 1. Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino. Also included in the series are invitations for various speaking engagements.","Series two is titled Reston General Information and is dated from 1960 to 1990. The series is contained within boxes 1 through 4. In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.","Series three is titled Reston Community Centers and is dated from 1963 to 1991. The series is contained in box 4. The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.","Series four is titled Reston Finance and is dated from 1963 to 1976. The series is contained in boxes 4 and 5. The series is general information on the finances of Reston. Included in the series are documents on taxes, consulting firms and various other sources.","Series five is titled Building Projects and is dated from 1961 to 1975. The series is contained in boxes 5 and 6. The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.","Series six is titled National File and is dated from 1964 to 1987. The series is contained in boxes 6 and 7. The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).","Series seven is titled Conferences and is dated from 1964 to 1987. The series is contained in boxes 7 through 10. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities.","Series eight is titled Planned Communities and is dated from 1962 to 1975. The series contained in boxes 10 and 11. The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","Series nine is titled Media and is dated from 1960 to 2003. The series is contained in boxes 11 and 12. The series is comprised of negatives, slides, photographs, videotapes and a single reel. The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.","Series ten is titled Oversize and is dated from 1960 to 2006. The series is contained in boxes 13 through 15. The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century. The articles all relate to Reston and the developments there.","Series one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements. The series is dated from 1975 to 2001.","266.6","267.2","267.4","267.5","267.3","274.5","274.14","266.2","274.15","267.6","266.1a","Series two is titled Reston General Information. In this series there are various documents from Reston, including promotional material and zoning information. The series is dated from 1960 to 1990.","267.11","275.11","275.7","275.9","274.3","270.15","275.5","274.2","274.4","275.1","395.2","395.4","395.3","267.10","266.3","273.1","395.7","270.14","268.14","274.1","275.12","275.3","275.8","268.15","395.9","267.8","395.8","395.5","276.13","395.6","Series three is titled Reston Community Centers. The series is information from different organizations in Reston such as the Reston Day Care. The series is dated from 1963 to 1991.","266.1","395.1","267.12","266.4","267.13","267.14","271.8","267.9","270.12","Series four is titled Reston Finance. Included in the series are documents on taxes, consulting firms and various other sources. The series is dated from 1963 to 1976.","274.10","273.3","274.9","274.11","274.8","274.7","275.2","274.12","270.1","270.2","268.11","266.5","269.4","274.6","274.13","270.3","267.15","272.2","Series five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms. The series is dated from 1961 to 1975.","270.9","266.17","270.10","275.4","266.16","266.12","266.11","266.8","270.7","270.6","270.5","266.7","266.10","270.8","266.13","266.9","266.15","270.11","275.6","276.6","270.4","271.27","Series six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD). The series is dated from 1964 to 1987.","269.9","267.1","269.10","269.8","271.14","272.1","271.3","271.5","271.4","269.7","271.18","271.2","271.20","269.6","271.1","271.11","271.25","273.2","272.3","Series seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.","271.24","268.8","272.14","271.26","268.7","268.13","272.9","271.13","272.10","272.6","276.10","268.6","268.12","269.11","271.7","271.10","272.7","268.9","272.12","271.9","276.11","1.4","271.15","276.5","276.7","268.2","267.7","268.3","276.12","272.5","271.12","276.3","268.17","268.16","276.14","272.4","271.19","268.4","276.8","268.1","271.16","272.11","276.9","268.10","269.2","269.3","268.5","269.5","276.2","276.4","276.13","272.13","276.1","271.23","272.8","271.22","269.12","271.6","271.24","269.1","271.17","The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","504.2","504.6","504.7","504.1","504.1","504.8","504.3","504.5","Series eight is titled Media. The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.","394.4","394.11","395.10","394.6","394.7","394.4","394.9","394.10","394.5","14.1","14.1; Access copy available on DVD. 39 minutes, 58 seconds.","154.2; Access copy available on DVD. 29 minutes.","154.2","485.2","394; Access copy available on DVD. 18 minutes, 48 seconds.","394; Access copy available on DVD. 30 minutes, 01 seconds.","394; Access copy available on DVD. 12 minutes, 15 seconds.","394.3","Series nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there. The series is dated from 1960 to 2006.","1.1","1.2","1.3","1.4","1.5","396.1","396.2","396.3","396.4","396.5","396.6","396.7","396.8","396.9","396.10","396.11","396.12","396.13","396.14","396.15","396.16","396.17","397.1","397.2","397.3","397.4","397.5","397.6","397.7","397.8","397.9","397.10","397.11","397.12","397.13","397.14","397.15","397.16","397.17","397.18","397.19","397.20","397.21","397.22","397.22","397.24","397.25","397.26","397.27","397.28","397.29","397.30","397.2","397.32","397.33","397.34","397.35","397.36","397.37","397.38","397.39","397.40","397.41","397.42","397.43","397.44","397.45","397.46","397.47","397.48","397.49","397.50","397.51","397.52","397.532","397.54","397.55","397.56","397.57","397.58","397.59","397.60","397.62","397.62","397.63","397.64","397.65","397.66","397.67","397.68","397.69","397.70","397.71","397.72","397.73","397.74","397.75","397.76","397.77","397.78","397.79","397.80","397.81","A large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country.","George Mason University. Libraries. Special Collections Research Center","Simon, Robert E., Jr. (Robert Edward), 1914-2015","English"],"collection_title_tesim":["Robert E. Simon, Jr. papers, 1960/2006"],"collection_ssim":["Robert E. Simon, Jr. papers, 1960/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0162","/repositories/2/resources/94"],"unitid_tesim":["C0162","/repositories/2/resources/94"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"geogname_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"places_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"creator_ssm":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"creator_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"creator_persname_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robert E. Simon Jr. in three section first on May 7, 1992, second on August 9, 1993 and the final donation was made on September 15, 2008."],"access_subjects_ssim":["Housing","Photography -- Negatives","Planned communities -- Virginia -- Reston","Slides (Photography)","Planned communities","Photographic prints","Video recordings","Oral histories","Correspondence","Newspapers"],"access_subjects_ssm":["Housing","Photography -- Negatives","Planned communities -- Virginia -- Reston","Slides (Photography)","Planned communities","Photographic prints","Video recordings","Oral histories","Correspondence","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 boxes"],"extent_tesim":["7.5 Linear Feet 15 boxes"],"genreform_ssim":["Photographic prints","Video recordings","Oral histories","Correspondence","Newspapers"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into 10 series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1975-2001 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Reston General Information, 1960-1990 (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Reston Community Centers, 1963-1991 (Box 4)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Reston Finance, 1963-1976 (Boxes 4-5)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Building Projects, 1961-1975 (Boxes 5-6)\u003c/item\u003e\n      \u003citem\u003eSeries 6: National File, 1964-1987 (Boxes 6-7)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Conferences, 1964-1987 (Boxes 7-10)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Planned Communities, 1962-1975 (Boxes 10-11)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Media, 1960-2003 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1960-2006 (Boxes 13-15)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into 10 series.","Series\n      Series 1: Correspondence, 1975-2001 (Box 1)\n      Series 2: Reston General Information, 1960-1990 (Boxes 1-4)\n      Series 3: Reston Community Centers, 1963-1991 (Box 4)\n      Series 4: Reston Finance, 1963-1976 (Boxes 4-5)\n      Series 5: Building Projects, 1961-1975 (Boxes 5-6)\n      Series 6: National File, 1964-1987 (Boxes 6-7)\n      Series 7: Conferences, 1964-1987 (Boxes 7-10)\n      Series 8: Planned Communities, 1962-1975 (Boxes 10-11)\n      Series 9: Media, 1960-2003 (Boxes 11-12)\n      Series 10: Oversize, 1960-2006 (Boxes 13-15)"],"bioghist_html_tesm":["\u003cp\u003eRobert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert E. Simon, Jr., was born in New York City in 1914. After graduating from Harvard, Simon took over the family real estate management and development business. In 1961, with the proceeds from the sale of a family property, Carnegie Hall, Simon purchased 6,750 acres of land in Fairfax County, Virginia, which would become Reston, Virginia. Reston is now recognized as the foremost Planned Community in the United States. Simon's Planned Community, or new town, emphasized the quality of life for the individual and provided a community where people could live, work, and play."],"prefercite_html_tesm":["\u003cp\u003eRobert E. Simon, Jr. papers, C0162, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Robert E. Simon, Jr. papers, C0162, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections Research Center. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement. \u003c/p\u003e","\u003cp\u003eProcessed in March and April 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Robert E. Simon Jr. papers was originally attached to the larger Planned Community Archives collection currently in the Special Collections Research Center. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in March and April 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on the \u003cextptr show=\"new\" title=\"history of Reston\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=reston\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e and Northern Virginia.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on the  and Northern Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country. \u003c/p\u003e","\u003cp\u003eSeries one is titled correspondence and is dated from 1975 to 2001. The series is small and is only in box 1. Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino. Also included in the series are invitations for various speaking engagements. \u003c/p\u003e","\u003cp\u003eSeries two is titled Reston General Information and is dated from 1960 to 1990. The series is contained within boxes 1 through 4. In this series there are various documents from Reston, including promotional material, newsclippings and zoning information. \u003c/p\u003e","\u003cp\u003eSeries three is titled Reston Community Centers and is dated from 1963 to 1991. The series is contained in box 4. The series is information from different organizations in Reston such as North Golf Course and Reston Day Care. \u003c/p\u003e","\u003cp\u003eSeries four is titled Reston Finance and is dated from 1963 to 1976. The series is contained in boxes 4 and 5. The series is general information on the finances of Reston. Included in the series are documents on taxes, consulting firms and various other sources. \u003c/p\u003e","\u003cp\u003eSeries five is titled Building Projects and is dated from 1961 to 1975. The series is contained in boxes 5 and 6. The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects. \u003c/p\u003e","\u003cp\u003eSeries six is titled National File and is dated from 1964 to 1987. The series is contained in boxes 6 and 7. The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD). \u003c/p\u003e","\u003cp\u003eSeries seven is titled Conferences and is dated from 1964 to 1987. The series is contained in boxes 7 through 10. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities. \u003c/p\u003e","\u003cp\u003eSeries eight is titled Planned Communities and is dated from 1962 to 1975. The series contained in boxes 10 and 11. The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland. \u003c/p\u003e","\u003cp\u003eSeries nine is titled Media and is dated from 1960 to 2003. The series is contained in boxes 11 and 12. The series is comprised of negatives, slides, photographs, videotapes and a single reel. The videotapes are mostly interviews with Robert E. Simon Jr. about Reston. \u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1960 to 2006. The series is contained in boxes 13 through 15. The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century. The articles all relate to Reston and the developments there. \u003c/p\u003e  ","\u003cp\u003eSeries one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements. The series is dated from 1975 to 2001.\u003c/p\u003e","\u003cp\u003e266.6\u003c/p\u003e","\u003cp\u003e267.2\u003c/p\u003e","\u003cp\u003e267.4\u003c/p\u003e","\u003cp\u003e267.5\u003c/p\u003e","\u003cp\u003e267.3\u003c/p\u003e","\u003cp\u003e274.5\u003c/p\u003e","\u003cp\u003e274.14\u003c/p\u003e","\u003cp\u003e266.2\u003c/p\u003e","\u003cp\u003e274.15\u003c/p\u003e","\u003cp\u003e267.6\u003c/p\u003e","\u003cp\u003e266.1a\u003c/p\u003e","\u003cp\u003eSeries two is titled Reston General Information. In this series there are various documents from Reston, including promotional material and zoning information. The series is dated from 1960 to 1990.\u003c/p\u003e","\u003cp\u003e267.11\u003c/p\u003e","\u003cp\u003e275.11\u003c/p\u003e","\u003cp\u003e275.7\u003c/p\u003e","\u003cp\u003e275.9\u003c/p\u003e","\u003cp\u003e274.3\u003c/p\u003e","\u003cp\u003e270.15\u003c/p\u003e","\u003cp\u003e275.5\u003c/p\u003e","\u003cp\u003e274.2\u003c/p\u003e","\u003cp\u003e274.4\u003c/p\u003e","\u003cp\u003e275.1\u003c/p\u003e","\u003cp\u003e395.2\u003c/p\u003e","\u003cp\u003e395.4\u003c/p\u003e","\u003cp\u003e395.3\u003c/p\u003e","\u003cp\u003e267.10\u003c/p\u003e","\u003cp\u003e266.3\u003c/p\u003e","\u003cp\u003e273.1\u003c/p\u003e","\u003cp\u003e395.7\u003c/p\u003e","\u003cp\u003e270.14\u003c/p\u003e","\u003cp\u003e268.14\u003c/p\u003e","\u003cp\u003e274.1\u003c/p\u003e","\u003cp\u003e275.12\u003c/p\u003e","\u003cp\u003e275.3\u003c/p\u003e","\u003cp\u003e275.8\u003c/p\u003e","\u003cp\u003e268.15\u003c/p\u003e","\u003cp\u003e395.9\u003c/p\u003e","\u003cp\u003e267.8\u003c/p\u003e","\u003cp\u003e395.8\u003c/p\u003e","\u003cp\u003e395.5\u003c/p\u003e","\u003cp\u003e276.13\u003c/p\u003e","\u003cp\u003e395.6\u003c/p\u003e","\u003cp\u003eSeries three is titled Reston Community Centers. The series is information from different organizations in Reston such as the Reston Day Care. The series is dated from 1963 to 1991.\u003c/p\u003e","\u003cp\u003e266.1\u003c/p\u003e","\u003cp\u003e395.1\u003c/p\u003e","\u003cp\u003e267.12\u003c/p\u003e","\u003cp\u003e266.4\u003c/p\u003e","\u003cp\u003e267.13\u003c/p\u003e","\u003cp\u003e267.14\u003c/p\u003e","\u003cp\u003e271.8\u003c/p\u003e","\u003cp\u003e267.9\u003c/p\u003e","\u003cp\u003e270.12\u003c/p\u003e","\u003cp\u003eSeries four is titled Reston Finance. Included in the series are documents on taxes, consulting firms and various other sources. The series is dated from 1963 to 1976.\u003c/p\u003e","\u003cp\u003e274.10\u003c/p\u003e","\u003cp\u003e273.3\u003c/p\u003e","\u003cp\u003e274.9\u003c/p\u003e","\u003cp\u003e274.11\u003c/p\u003e","\u003cp\u003e274.8\u003c/p\u003e","\u003cp\u003e274.7\u003c/p\u003e","\u003cp\u003e275.2\u003c/p\u003e","\u003cp\u003e274.12\u003c/p\u003e","\u003cp\u003e270.1\u003c/p\u003e","\u003cp\u003e270.2\u003c/p\u003e","\u003cp\u003e268.11\u003c/p\u003e","\u003cp\u003e266.5\u003c/p\u003e","\u003cp\u003e269.4\u003c/p\u003e","\u003cp\u003e274.6\u003c/p\u003e","\u003cp\u003e274.13\u003c/p\u003e","\u003cp\u003e270.3\u003c/p\u003e","\u003cp\u003e267.15\u003c/p\u003e","\u003cp\u003e272.2\u003c/p\u003e","\u003cp\u003eSeries five is titled Building Projects. The series has information dealing with different projects in Reston from various architectural firms. The series is dated from 1961 to 1975.\u003c/p\u003e","\u003cp\u003e270.9\u003c/p\u003e","\u003cp\u003e266.17\u003c/p\u003e","\u003cp\u003e270.10\u003c/p\u003e","\u003cp\u003e275.4\u003c/p\u003e","\u003cp\u003e266.16\u003c/p\u003e","\u003cp\u003e266.12\u003c/p\u003e","\u003cp\u003e266.11\u003c/p\u003e","\u003cp\u003e266.8\u003c/p\u003e","\u003cp\u003e270.7\u003c/p\u003e","\u003cp\u003e270.6\u003c/p\u003e","\u003cp\u003e270.5\u003c/p\u003e","\u003cp\u003e266.7\u003c/p\u003e","\u003cp\u003e266.10\u003c/p\u003e","\u003cp\u003e270.8\u003c/p\u003e","\u003cp\u003e266.13\u003c/p\u003e","\u003cp\u003e266.9\u003c/p\u003e","\u003cp\u003e266.15\u003c/p\u003e","\u003cp\u003e270.11\u003c/p\u003e","\u003cp\u003e275.6\u003c/p\u003e","\u003cp\u003e276.6\u003c/p\u003e","\u003cp\u003e270.4\u003c/p\u003e","\u003cp\u003e271.27\u003c/p\u003e","\u003cp\u003eSeries six is titled National File. The series includes information from national organizations such Housing and Urban Development (HUD). The series is dated from 1964 to 1987.\u003c/p\u003e","\u003cp\u003e269.9\u003c/p\u003e","\u003cp\u003e267.1\u003c/p\u003e","\u003cp\u003e269.10\u003c/p\u003e","\u003cp\u003e269.8\u003c/p\u003e","\u003cp\u003e271.14\u003c/p\u003e","\u003cp\u003e272.1\u003c/p\u003e","\u003cp\u003e271.3\u003c/p\u003e","\u003cp\u003e271.5\u003c/p\u003e","\u003cp\u003e271.4\u003c/p\u003e","\u003cp\u003e269.7\u003c/p\u003e","\u003cp\u003e271.18\u003c/p\u003e","\u003cp\u003e271.2\u003c/p\u003e","\u003cp\u003e271.20\u003c/p\u003e","\u003cp\u003e269.6\u003c/p\u003e","\u003cp\u003e271.1\u003c/p\u003e","\u003cp\u003e271.11\u003c/p\u003e","\u003cp\u003e271.25\u003c/p\u003e","\u003cp\u003e273.2\u003c/p\u003e","\u003cp\u003e272.3\u003c/p\u003e","\u003cp\u003eSeries seven is titled Conferences. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. The series is dated from 1964 to 1987.\u003c/p\u003e","\u003cp\u003e271.24\u003c/p\u003e","\u003cp\u003e268.8\u003c/p\u003e","\u003cp\u003e272.14\u003c/p\u003e","\u003cp\u003e271.26\u003c/p\u003e","\u003cp\u003e268.7\u003c/p\u003e","\u003cp\u003e268.13\u003c/p\u003e","\u003cp\u003e272.9\u003c/p\u003e","\u003cp\u003e271.13\u003c/p\u003e","\u003cp\u003e272.10\u003c/p\u003e","\u003cp\u003e272.6\u003c/p\u003e","\u003cp\u003e276.10\u003c/p\u003e","\u003cp\u003e268.6\u003c/p\u003e","\u003cp\u003e268.12\u003c/p\u003e","\u003cp\u003e269.11\u003c/p\u003e","\u003cp\u003e271.7\u003c/p\u003e","\u003cp\u003e271.10\u003c/p\u003e","\u003cp\u003e272.7\u003c/p\u003e","\u003cp\u003e268.9\u003c/p\u003e","\u003cp\u003e272.12\u003c/p\u003e","\u003cp\u003e271.9\u003c/p\u003e","\u003cp\u003e276.11\u003c/p\u003e","\u003cp\u003e1.4\u003c/p\u003e","\u003cp\u003e271.15\u003c/p\u003e","\u003cp\u003e276.5\u003c/p\u003e","\u003cp\u003e276.7\u003c/p\u003e","\u003cp\u003e268.2\u003c/p\u003e","\u003cp\u003e267.7\u003c/p\u003e","\u003cp\u003e268.3\u003c/p\u003e","\u003cp\u003e276.12\u003c/p\u003e","\u003cp\u003e272.5\u003c/p\u003e","\u003cp\u003e271.12\u003c/p\u003e","\u003cp\u003e276.3\u003c/p\u003e","\u003cp\u003e268.17\u003c/p\u003e","\u003cp\u003e268.16\u003c/p\u003e","\u003cp\u003e276.14\u003c/p\u003e","\u003cp\u003e272.4\u003c/p\u003e","\u003cp\u003e271.19\u003c/p\u003e","\u003cp\u003e268.4\u003c/p\u003e","\u003cp\u003e276.8\u003c/p\u003e","\u003cp\u003e268.1\u003c/p\u003e","\u003cp\u003e271.16\u003c/p\u003e","\u003cp\u003e272.11\u003c/p\u003e","\u003cp\u003e276.9\u003c/p\u003e","\u003cp\u003e268.10\u003c/p\u003e","\u003cp\u003e269.2\u003c/p\u003e","\u003cp\u003e269.3\u003c/p\u003e","\u003cp\u003e268.5\u003c/p\u003e","\u003cp\u003e269.5\u003c/p\u003e","\u003cp\u003e276.2\u003c/p\u003e","\u003cp\u003e276.4\u003c/p\u003e","\u003cp\u003e276.13\u003c/p\u003e","\u003cp\u003e272.13\u003c/p\u003e","\u003cp\u003e276.1\u003c/p\u003e","\u003cp\u003e271.23\u003c/p\u003e","\u003cp\u003e272.8\u003c/p\u003e","\u003cp\u003e271.22\u003c/p\u003e","\u003cp\u003e269.12\u003c/p\u003e","\u003cp\u003e271.6\u003c/p\u003e","\u003cp\u003e271.24\u003c/p\u003e","\u003cp\u003e269.1\u003c/p\u003e","\u003cp\u003e271.17\u003c/p\u003e","\u003cp\u003eThe documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.\u003c/p\u003e","\u003cp\u003e504.2\u003c/p\u003e","\u003cp\u003e504.6\u003c/p\u003e","\u003cp\u003e504.7\u003c/p\u003e","\u003cp\u003e504.1\u003c/p\u003e","\u003cp\u003e504.1\u003c/p\u003e","\u003cp\u003e504.8\u003c/p\u003e","\u003cp\u003e504.3\u003c/p\u003e","\u003cp\u003e504.5\u003c/p\u003e","\u003cp\u003eSeries eight is titled Media. The series is comprised of negatives, slides, photographs, videotapes and a reel. The series is dated from 1960 to 2003.\u003c/p\u003e","\u003cp\u003e394.4\u003c/p\u003e","\u003cp\u003e394.11\u003c/p\u003e","\u003cp\u003e395.10\u003c/p\u003e","\u003cp\u003e394.6\u003c/p\u003e","\u003cp\u003e394.7\u003c/p\u003e","\u003cp\u003e394.4\u003c/p\u003e","\u003cp\u003e394.9\u003c/p\u003e","\u003cp\u003e394.10\u003c/p\u003e","\u003cp\u003e394.5\u003c/p\u003e","\u003cp\u003e14.1\u003c/p\u003e","\u003cp\u003e14.1; Access copy available on DVD. 39 minutes, 58 seconds.\u003c/p\u003e","\u003cp\u003e154.2; Access copy available on DVD. 29 minutes.\u003c/p\u003e","\u003cp\u003e154.2\u003c/p\u003e","\u003cp\u003e485.2\u003c/p\u003e","\u003cp\u003e394; Access copy available on DVD. 18 minutes, 48 seconds.\u003c/p\u003e","\u003cp\u003e394; Access copy available on DVD. 30 minutes, 01 seconds.\u003c/p\u003e","\u003cp\u003e394; Access copy available on DVD. 12 minutes, 15 seconds.\u003c/p\u003e","\u003cp\u003e394.3\u003c/p\u003e","\u003cp\u003eSeries nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there. The series is dated from 1960 to 2006.\u003c/p\u003e","\u003cp\u003e1.1\u003c/p\u003e","\u003cp\u003e1.2\u003c/p\u003e","\u003cp\u003e1.3\u003c/p\u003e","\u003cp\u003e1.4\u003c/p\u003e","\u003cp\u003e1.5\u003c/p\u003e","\u003cp\u003e396.1\u003c/p\u003e","\u003cp\u003e396.2\u003c/p\u003e","\u003cp\u003e396.3\u003c/p\u003e","\u003cp\u003e396.4\u003c/p\u003e","\u003cp\u003e396.5\u003c/p\u003e","\u003cp\u003e396.6\u003c/p\u003e","\u003cp\u003e396.7\u003c/p\u003e","\u003cp\u003e396.8\u003c/p\u003e","\u003cp\u003e396.9\u003c/p\u003e","\u003cp\u003e396.10\u003c/p\u003e","\u003cp\u003e396.11\u003c/p\u003e","\u003cp\u003e396.12\u003c/p\u003e","\u003cp\u003e396.13\u003c/p\u003e","\u003cp\u003e396.14\u003c/p\u003e","\u003cp\u003e396.15\u003c/p\u003e","\u003cp\u003e396.16\u003c/p\u003e","\u003cp\u003e396.17\u003c/p\u003e","\u003cp\u003e397.1\u003c/p\u003e","\u003cp\u003e397.2\u003c/p\u003e","\u003cp\u003e397.3\u003c/p\u003e","\u003cp\u003e397.4\u003c/p\u003e","\u003cp\u003e397.5\u003c/p\u003e","\u003cp\u003e397.6\u003c/p\u003e","\u003cp\u003e397.7\u003c/p\u003e","\u003cp\u003e397.8\u003c/p\u003e","\u003cp\u003e397.9\u003c/p\u003e","\u003cp\u003e397.10\u003c/p\u003e","\u003cp\u003e397.11\u003c/p\u003e","\u003cp\u003e397.12\u003c/p\u003e","\u003cp\u003e397.13\u003c/p\u003e","\u003cp\u003e397.14\u003c/p\u003e","\u003cp\u003e397.15\u003c/p\u003e","\u003cp\u003e397.16\u003c/p\u003e","\u003cp\u003e397.17\u003c/p\u003e","\u003cp\u003e397.18\u003c/p\u003e","\u003cp\u003e397.19\u003c/p\u003e","\u003cp\u003e397.20\u003c/p\u003e","\u003cp\u003e397.21\u003c/p\u003e","\u003cp\u003e397.22\u003c/p\u003e","\u003cp\u003e397.22\u003c/p\u003e","\u003cp\u003e397.24\u003c/p\u003e","\u003cp\u003e397.25\u003c/p\u003e","\u003cp\u003e397.26\u003c/p\u003e","\u003cp\u003e397.27\u003c/p\u003e","\u003cp\u003e397.28\u003c/p\u003e","\u003cp\u003e397.29\u003c/p\u003e","\u003cp\u003e397.30\u003c/p\u003e","\u003cp\u003e397.2\u003c/p\u003e","\u003cp\u003e397.32\u003c/p\u003e","\u003cp\u003e397.33\u003c/p\u003e","\u003cp\u003e397.34\u003c/p\u003e","\u003cp\u003e397.35\u003c/p\u003e","\u003cp\u003e397.36\u003c/p\u003e","\u003cp\u003e397.37\u003c/p\u003e","\u003cp\u003e397.38\u003c/p\u003e","\u003cp\u003e397.39\u003c/p\u003e","\u003cp\u003e397.40\u003c/p\u003e","\u003cp\u003e397.41\u003c/p\u003e","\u003cp\u003e397.42\u003c/p\u003e","\u003cp\u003e397.43\u003c/p\u003e","\u003cp\u003e397.44\u003c/p\u003e","\u003cp\u003e397.45\u003c/p\u003e","\u003cp\u003e397.46\u003c/p\u003e","\u003cp\u003e397.47\u003c/p\u003e","\u003cp\u003e397.48\u003c/p\u003e","\u003cp\u003e397.49\u003c/p\u003e","\u003cp\u003e397.50\u003c/p\u003e","\u003cp\u003e397.51\u003c/p\u003e","\u003cp\u003e397.52\u003c/p\u003e","\u003cp\u003e397.532\u003c/p\u003e","\u003cp\u003e397.54\u003c/p\u003e","\u003cp\u003e397.55\u003c/p\u003e","\u003cp\u003e397.56\u003c/p\u003e","\u003cp\u003e397.57\u003c/p\u003e","\u003cp\u003e397.58\u003c/p\u003e","\u003cp\u003e397.59\u003c/p\u003e","\u003cp\u003e397.60\u003c/p\u003e","\u003cp\u003e397.62\u003c/p\u003e","\u003cp\u003e397.62\u003c/p\u003e","\u003cp\u003e397.63\u003c/p\u003e","\u003cp\u003e397.64\u003c/p\u003e","\u003cp\u003e397.65\u003c/p\u003e","\u003cp\u003e397.66\u003c/p\u003e","\u003cp\u003e397.67\u003c/p\u003e","\u003cp\u003e397.68\u003c/p\u003e","\u003cp\u003e397.69\u003c/p\u003e","\u003cp\u003e397.70\u003c/p\u003e","\u003cp\u003e397.71\u003c/p\u003e","\u003cp\u003e397.72\u003c/p\u003e","\u003cp\u003e397.73\u003c/p\u003e","\u003cp\u003e397.74\u003c/p\u003e","\u003cp\u003e397.75\u003c/p\u003e","\u003cp\u003e397.76\u003c/p\u003e","\u003cp\u003e397.77\u003c/p\u003e","\u003cp\u003e397.78\u003c/p\u003e","\u003cp\u003e397.79\u003c/p\u003e","\u003cp\u003e397.80\u003c/p\u003e","\u003cp\u003e397.81\u003c/p\u003e","\u003cp\u003eA large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content"],"scopecontent_tesim":["The Robert E. Simon Jr. Papers are comprised of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications and scrapbooks. Robert E. Simon Jr. included in his donation his speeches and paperwork from various conferences he attended at different universities around the country.","Series one is titled correspondence and is dated from 1975 to 2001. The series is small and is only in box 1. Some of the correspondence is between Robert E. Simon Jr. and Martha Pennino. Also included in the series are invitations for various speaking engagements.","Series two is titled Reston General Information and is dated from 1960 to 1990. The series is contained within boxes 1 through 4. In this series there are various documents from Reston, including promotional material, newsclippings and zoning information.","Series three is titled Reston Community Centers and is dated from 1963 to 1991. The series is contained in box 4. The series is information from different organizations in Reston such as North Golf Course and Reston Day Care.","Series four is titled Reston Finance and is dated from 1963 to 1976. The series is contained in boxes 4 and 5. The series is general information on the finances of Reston. Included in the series are documents on taxes, consulting firms and various other sources.","Series five is titled Building Projects and is dated from 1961 to 1975. The series is contained in boxes 5 and 6. The series has information dealing with different projects in Reston from various architectural firms and other corporations involved in the projects.","Series six is titled National File and is dated from 1964 to 1987. The series is contained in boxes 6 and 7. The series includes information from national organizations such as the League of Women Voters and Housing and Urban Development (HUD).","Series seven is titled Conferences and is dated from 1964 to 1987. The series is contained in boxes 7 through 10. The information in this series is from various conferences that Robert E. Simon Jr. attended during these years. Included are Harvard University, Columbia University and other universities in the United States that had conferences relating to Planned Communities.","Series eight is titled Planned Communities and is dated from 1962 to 1975. The series contained in boxes 10 and 11. The documents in this series is information from different planned communities. There are international communities in Great Britain and communities within the United States, such as Columbia, Maryland.","Series nine is titled Media and is dated from 1960 to 2003. The series is contained in boxes 11 and 12. The series is comprised of negatives, slides, photographs, videotapes and a single reel. The videotapes are mostly interviews with Robert E. Simon Jr. about Reston.","Series ten is titled Oversize and is dated from 1960 to 2006. The series is contained in boxes 13 through 15. The series is mostly newsclippings from the 1960s and more recent magazine publications from the twenty-first century. The articles all relate to Reston and the developments there.","Series one is titled correspondence. The series has some correspondence between Robert E. Simon Jr. and Martha Pennino and invitations for various speaking engagements. The series is dated from 1975 to 2001.","266.6","267.2","267.4","267.5","267.3","274.5","274.14","266.2","274.15","267.6","266.1a","Series two is titled Reston General Information. In this series there are various documents from Reston, including promotional material and zoning information. The series is dated from 1960 to 1990.","267.11","275.11","275.7","275.9","274.3","270.15","275.5","274.2","274.4","275.1","395.2","395.4","395.3","267.10","266.3","273.1","395.7","270.14","268.14","274.1","275.12","275.3","275.8","268.15","395.9","267.8","395.8","395.5","276.13","395.6","Series three is titled Reston Community Centers. The series is information from different organizations in Reston such as the Reston Day Care. The series is dated from 1963 to 1991.","266.1","395.1","267.12","266.4","267.13","267.14","271.8","267.9","270.12","Series four is titled Reston Finance. Included in the series are documents on taxes, consulting firms and various other sources. The series is dated from 1963 to 1976.","274.10","273.3","274.9","274.11","274.8","274.7","275.2","274.12","270.1","270.2","268.11","266.5","269.4","274.6","274.13","270.3","267.15","272.2","Series five is titled Building Projects. 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The series is dated from 1960 to 2003.","394.4","394.11","395.10","394.6","394.7","394.4","394.9","394.10","394.5","14.1","14.1; Access copy available on DVD. 39 minutes, 58 seconds.","154.2; Access copy available on DVD. 29 minutes.","154.2","485.2","394; Access copy available on DVD. 18 minutes, 48 seconds.","394; Access copy available on DVD. 30 minutes, 01 seconds.","394; Access copy available on DVD. 12 minutes, 15 seconds.","394.3","Series nine is titled Oversize. The series is mostly newsclippings and articles that relate to Reston and the developments there. The series is dated from 1960 to 2006.","1.1","1.2","1.3","1.4","1.5","396.1","396.2","396.3","396.4","396.5","396.6","396.7","396.8","396.9","396.10","396.11","396.12","396.13","396.14","396.15","396.16","396.17","397.1","397.2","397.3","397.4","397.5","397.6","397.7","397.8","397.9","397.10","397.11","397.12","397.13","397.14","397.15","397.16","397.17","397.18","397.19","397.20","397.21","397.22","397.22","397.24","397.25","397.26","397.27","397.28","397.29","397.30","397.2","397.32","397.33","397.34","397.35","397.36","397.37","397.38","397.39","397.40","397.41","397.42","397.43","397.44","397.45","397.46","397.47","397.48","397.49","397.50","397.51","397.52","397.532","397.54","397.55","397.56","397.57","397.58","397.59","397.60","397.62","397.62","397.63","397.64","397.65","397.66","397.67","397.68","397.69","397.70","397.71","397.72","397.73","397.74","397.75","397.76","397.77","397.78","397.79","397.80","397.81","A large book with a dedication to Robert Simon from his wife.  There are also early Reston area and building design plans on many of the pages."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bc6c98b4282fdf7c19eb957f99973d1a\" label=\"Abstract\"\u003eThe collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of newsclippings, promotional material and booklets relating to Reston. Also included are printed material, publications, scrapbooks, and his speeches and paperwork from various conferences he attended at different universities around the country."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"names_coll_ssim":["Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"names_ssim":["George Mason University. Libraries. 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