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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"names_ssim":["George Mason University. Libraries. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efd0b3341aecb07369dde0fb21a7a439\" label=\"Summary\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-","Bonstelle, Jessie"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_359"}},{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"vifgm_repositories_2_resources_164","type":"collection","attributes":{"title":"Arnold Goldman Living Newspaper collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_164#creator","type":"document_value","attributes":{"value":"Goldman, Arnold","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_164#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_164#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_164","ead_ssi":"vifgm_repositories_2_resources_164","_root_":"vifgm_repositories_2_resources_164","_nest_parent_":"vifgm_repositories_2_resources_164","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_164.xml","title_filing_ssi":"Arnold Goldman Living Newspaper collection","title_ssm":["Arnold Goldman Living Newspaper collection"],"title_tesim":["Arnold Goldman Living Newspaper collection"],"unitdate_ssm":["1931-1973"],"unitdate_inclusive_ssm":["1931-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0173","/repositories/2/resources/164"],"text":["C0173","/repositories/2/resources/164","Arnold Goldman Living Newspaper collection","Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence","There are no access restrictions.","Arranged by subject into one series.","Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.","Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.","The Special Collections Research Center also holds the Federal Theatre Project collection.","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph","English"],"unitid_tesim":["C0173","/repositories/2/resources/164"],"normalized_title_ssm":["Arnold Goldman Living Newspaper collection"],"collection_title_tesim":["Arnold Goldman Living Newspaper collection"],"collection_ssim":["Arnold Goldman Living Newspaper collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Goldman, Arnold"],"creator_ssim":["Goldman, Arnold"],"creator_persname_ssim":["Goldman, Arnold"],"creators_ssim":["Goldman, Arnold"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Goldman in 2009."],"access_subjects_ssim":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"access_subjects_ssm":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"genreform_ssim":["Correspondence"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject into one series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject into one series."],"bioghist_html_tesm":["\u003cp\u003eArnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce."],"prefercite_html_tesm":["\u003cp\u003eArnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project collection."],"scopecontent_html_tesm":["\u003cp\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.\u003c/p\u003e","\u003cp\u003eA thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.\u003c/p\u003e","\u003cp\u003eThe Minnesota Review Fall 1973 issue.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7a75b7b6ff59b344922c4a792a07ffa\" label=\"Abstract\"\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.\u003c/abstract\u003e"],"abstract_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Arent, Arthur","Losey, Joseph"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_164","ead_ssi":"vifgm_repositories_2_resources_164","_root_":"vifgm_repositories_2_resources_164","_nest_parent_":"vifgm_repositories_2_resources_164","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_164.xml","title_filing_ssi":"Arnold Goldman Living Newspaper collection","title_ssm":["Arnold Goldman Living Newspaper collection"],"title_tesim":["Arnold Goldman Living Newspaper collection"],"unitdate_ssm":["1931-1973"],"unitdate_inclusive_ssm":["1931-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0173","/repositories/2/resources/164"],"text":["C0173","/repositories/2/resources/164","Arnold Goldman Living Newspaper collection","Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence","There are no access restrictions.","Arranged by subject into one series.","Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.","Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.","The Special Collections Research Center also holds the Federal Theatre Project collection.","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph","English"],"unitid_tesim":["C0173","/repositories/2/resources/164"],"normalized_title_ssm":["Arnold Goldman Living Newspaper collection"],"collection_title_tesim":["Arnold Goldman Living Newspaper collection"],"collection_ssim":["Arnold Goldman Living Newspaper collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Goldman, Arnold"],"creator_ssim":["Goldman, Arnold"],"creator_persname_ssim":["Goldman, Arnold"],"creators_ssim":["Goldman, Arnold"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Goldman in 2009."],"access_subjects_ssim":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"access_subjects_ssm":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"genreform_ssim":["Correspondence"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject into one series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject into one series."],"bioghist_html_tesm":["\u003cp\u003eArnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce."],"prefercite_html_tesm":["\u003cp\u003eArnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project collection."],"scopecontent_html_tesm":["\u003cp\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.\u003c/p\u003e","\u003cp\u003eA thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.\u003c/p\u003e","\u003cp\u003eThe Minnesota Review Fall 1973 issue.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7a75b7b6ff59b344922c4a792a07ffa\" label=\"Abstract\"\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.\u003c/abstract\u003e"],"abstract_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Arent, Arthur","Losey, Joseph"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_164"}},{"id":"vifgm_repositories_2_resources_344","type":"collection","attributes":{"title":"Arnold Sundgaard papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344#creator","type":"document_value","attributes":{"value":"Sundgaard, Arnold, 1909-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344#abstract_or_scope","type":"document_value","attributes":{"value":"The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_344","ead_ssi":"vifgm_repositories_2_resources_344","_root_":"vifgm_repositories_2_resources_344","_nest_parent_":"vifgm_repositories_2_resources_344","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_344.xml","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_inclusive_ssm":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226","/repositories/2/resources/344"],"text":["C0226","/repositories/2/resources/344","Arnold Sundgaard papers","Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States","Collection is open to research.","There are also additional documents from this and related collections in the  .","This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.","The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","Map Case 22.4","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English"],"unitid_tesim":["C0226","/repositories/2/resources/344"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["19 Linear Feet 46 boxes"],"extent_tesim":["19 Linear Feet 46 boxes"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and related collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and related collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1933-1988 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1933-1982 (Boxes 8, 42, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Playscripts, 1932-1978 (Boxes 8-21, 42)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (Boxes 38-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. \u003c/p\u003e\n","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e\n","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorrespondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_81b1393c5a8bb601d6b50fdcc01513d0\" label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.\u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4e8da7bbdb61d3efe004415f7a003934\"\u003eMap Case 22.4\u003c/physloc\u003e"],"physloc_tesim":["Map Case 22.4"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:08:29.094Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_344","ead_ssi":"vifgm_repositories_2_resources_344","_root_":"vifgm_repositories_2_resources_344","_nest_parent_":"vifgm_repositories_2_resources_344","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_344.xml","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_inclusive_ssm":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226","/repositories/2/resources/344"],"text":["C0226","/repositories/2/resources/344","Arnold Sundgaard papers","Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States","Collection is open to research.","There are also additional documents from this and related collections in the  .","This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.","The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","Map Case 22.4","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English"],"unitid_tesim":["C0226","/repositories/2/resources/344"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["19 Linear Feet 46 boxes"],"extent_tesim":["19 Linear Feet 46 boxes"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and related collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and related collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1933-1988 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1933-1982 (Boxes 8, 42, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Playscripts, 1932-1978 (Boxes 8-21, 42)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (Boxes 38-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. \u003c/p\u003e\n","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e\n","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorrespondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_81b1393c5a8bb601d6b50fdcc01513d0\" label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.\u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4e8da7bbdb61d3efe004415f7a003934\"\u003eMap Case 22.4\u003c/physloc\u003e"],"physloc_tesim":["Map Case 22.4"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:08:29.094Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344"}},{"id":"vifgm_repositories_2_resources_111","type":"collection","attributes":{"title":"Broadway souvenir theatre programs collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_111","ead_ssi":"vifgm_repositories_2_resources_111","_root_":"vifgm_repositories_2_resources_111","_nest_parent_":"vifgm_repositories_2_resources_111","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_111.xml","title_ssm":["Broadway souvenir theatre programs collection"],"title_tesim":["Broadway souvenir theatre programs collection"],"unitdate_ssm":["1942-1997"],"unitdate_inclusive_ssm":["1942-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0182","/repositories/2/resources/111"],"text":["C0182","/repositories/2/resources/111","Broadway souvenir theatre programs collection","Broadway (New York, N.Y.)","Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York","There are no access restrictions.","This collection is arranged alphabetically by production title.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.","The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.","Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.","The Special Collections Research Center holds other playbill and theatre-related collections.","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","R43, C5, S1 - S7","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0182","/repositories/2/resources/111"],"normalized_title_ssm":["Broadway souvenir theatre programs collection"],"collection_title_tesim":["Broadway souvenir theatre programs collection"],"collection_ssim":["Broadway souvenir theatre programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["2.75 Linear Feet 6 boxes"],"extent_tesim":["2.75 Linear Feet 6 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by production title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by production title."],"bibliography_html_tesm":["\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020."],"bioghist_html_tesm":["\u003cp\u003eThe Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim."],"prefercite_html_tesm":["\u003cp\u003eBroadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Broadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other playbill and theatre-related collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other playbill and theatre-related collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.\u003c/p\u003e","\u003cp\u003eStarring Sydney Poitier.\u003c/p\u003e","\u003cp\u003eStarring Liza Minnelli and Barry Nelson.\u003c/p\u003e","\u003cp\u003eStarring June Havoc.\u003c/p\u003e","\u003cp\u003eStarring Viveca Lindfors and Eugenie Leontovich.\u003c/p\u003e","\u003cp\u003eStarring Andrea McArdle and Reid Shelton.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.\u003c/p\u003e","\u003cp\u003eStarring Lauren Bacall; Includes Program\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring Nancy Dussault; Includes 2 newspaper articles.\u003c/p\u003e","\u003cp\u003eStarring Jim Dale and Glenn Close.\u003c/p\u003e","\u003cp\u003eStarring Susan Egan and Terrence Mann.\u003c/p\u003e","\u003cp\u003eStarring Judy Holliday.\u003c/p\u003e","\u003cp\u003eStarring Ruth Brown, Linda Hopkins, and Carrie Smith\u003c/p\u003e","\u003cp\u003eStarring Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Jean Bayless and John Hewer.\u003c/p\u003e","\u003cp\u003eStarring Mickey Rooney and Ann Miller.\u003c/p\u003e","\u003cp\u003eStarring Kim Stanley.\u003c/p\u003e","\u003cp\u003eStarring Shirley Booth and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera and Dick Van Dyke.\u003c/p\u003e","\u003cp\u003eIncludes special record of excerpts from the Columbia Original Cast Album\u003c/p\u003e","\u003cp\u003eStarring Barry Sullivan, John Hodiak, and Lloyd Nolan.\u003c/p\u003e","\u003cp\u003eStarring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Robert Goulet.\u003c/p\u003e","\u003cp\u003eStarring Richard Burton, Julie Andrews, and Robert Goulet.\u003c/p\u003e","\u003cp\u003eLilo\u003c/p\u003e","\u003cp\u003eStarring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.\u003c/p\u003e","\u003cp\u003eStarring Anna Maria Alberghetti.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Chris Brown and Kay Gayner; Not Original Cast\u003c/p\u003e","\u003cp\u003eStarring James Naughton and Gregg Edelman.\u003c/p\u003e","\u003cp\u003eStarring Katharine Hepburn.\u003c/p\u003e","\u003cp\u003eStarring Harry Groener and Jodi Benson.\u003c/p\u003e","\u003cp\u003eStarring Bill Van Dijk.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon.\u003c/p\u003e","\u003cp\u003eStarring Bebe Neuwirth and Victor Garber.\u003c/p\u003e","\u003cp\u003eStarring Gail Benedict.\u003c/p\u003e","\u003cp\u003eStarring Andy Griffith and Dolores Gray.\u003c/p\u003e","\u003cp\u003eIncludes Newspaper Article from April 2, 1961\u003c/p\u003e","\u003cp\u003eStarring Joseph Schildkraut and Susan Strasberg.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers.\u003c/p\u003e","\u003cp\u003eStarring Frank Langella.\u003c/p\u003e","\u003cp\u003eStarring Laurence Olivier.\u003c/p\u003e","\u003cp\u003eStarring Patti LuPone, Mandy Patinkin, and Bob Gunton.\u003c/p\u003e","\u003cp\u003eStarring Ezio Pinza and Walter Slezak.\u003c/p\u003e","\u003cp\u003e25th Anniversary Production; Starring Chaim Topol.\u003c/p\u003e","\u003cp\u003eStarring Tom Bosley; Includes Newspaper Article on Tom Bosley\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eThe Story of Judy Garland.\u003c/p\u003e","\u003cp\u003eRepeat copy from previous folder; Includes Newspaper Article\u003c/p\u003e","\u003cp\u003eStarring Joel Grey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eStarring Vivian Blaine.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Alec McCowen.\u003c/p\u003e","\u003cp\u003eIncludes a number of newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and Fernando Lamas.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and David Wayne.\u003c/p\u003e","\u003cp\u003eStarring Shelley Winters and Ben Gazzara.\u003c/p\u003e","\u003cp\u003eStarring Freddie Trenkler and Carol Lynne.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Carol Channing.\u003c/p\u003e","\u003cp\u003eStarring Pearl Bailey; Includes newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Robert Preston; Includes newspaper article about the production\u003c/p\u003e","\u003cp\u003eStarring Elizabeth Seal and Keith Michell.\u003c/p\u003e","\u003cp\u003eStarring Jack Lemmon.\u003c/p\u003e","\u003cp\u003eStarring Lena Horne and Ricardo Montalban.\u003c/p\u003e","\u003cp\u003eStarring Christopher Plummer, Basil Rathbone, and James Daly.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Michael Damian.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Donny Osmond.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.\u003c/p\u003e","\u003cp\u003eStarring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison, Claudette Colbert, and George Rose.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake and Patricia Morison.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera, Brent Carver, and Anthony Crivello.\u003c/p\u003e","\u003cp\u003eStarring Julie Harris and Boris Karloff.\u003c/p\u003e","\u003cp\u003eStarring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eStarring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.\u003c/p\u003e","\u003cp\u003eStarring Irene Worth, Mercedes Ruehl, and Kevin Spacey.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury.\u003c/p\u003e","\u003cp\u003eStarring Raul Julia, Sheena Easton, and Tony Martinez.\u003c/p\u003e","\u003cp\u003eStarring Brooks Atkinson, David Atkinson, and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Charles Boyer and Claudette Colbert.\u003c/p\u003e","\u003cp\u003eStarring James Brennan, Judy Blazer, Jay Garner; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Ethel Waters and Julie Harris.\u003c/p\u003e","\u003cp\u003eWritten by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.\u003c/p\u003e","\u003cp\u003eStarring Anne Bancroft, Patty Duke, and Torin Thatcher.\u003c/p\u003e","\u003cp\u003eStarring Jonathan Pryce, Lea Salonga, and Willy Falk.\u003c/p\u003e","\u003cp\u003eStarring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.\u003c/p\u003e","\u003cp\u003eStarring Robert Weede.\u003c/p\u003e","\u003cp\u003eStarring Robert Preston.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison and Julie Andrews.\u003c/p\u003e","\u003cp\u003eStarring Richard Chamberlain.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.\u003c/p\u003e","\u003cp\u003eStarring Betty Garde, Harry Stockwell, and Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.\u003c/p\u003e","\u003cp\u003eStarring Ron Moody; Film version\u003c/p\u003e","\u003cp\u003eWritten by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.\u003c/p\u003e","\u003cp\u003eStarring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978\u003c/p\u003e","\u003cp\u003eStarring Lillias White (Appears on flyer but not in playbill)\u003c/p\u003e","\u003cp\u003eStarring James Barton and Olga San Juan.\u003c/p\u003e","\u003cp\u003eStarring John Raitt, Janis Paige, and Eddie Foy, Jr.\u003c/p\u003e","\u003cp\u003eStarring Vivienne Segal and Harold Lang.\u003c/p\u003e","\u003cp\u003eStarring Jean Arthur, Boris Karloff, and Marcia Henderson.\u003c/p\u003e","\u003cp\u003ePantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.\u003c/p\u003e","\u003cp\u003eStarring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Richard Derr and Barbara Cook.\u003c/p\u003e","\u003cp\u003eStarring Maureen Stapleton and Don Porter.\u003c/p\u003e","\u003cp\u003eStarring Jerry Orbach, Jill O'Hara, and Edward Winter.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Richard Kiley.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, Vivian Blaine, and Johnny Desmond.\u003c/p\u003e","\u003cp\u003eStarring Christopher Young, James Parker; Film version\u003c/p\u003e","\u003cp\u003eStarring Tom Ewell and Vanessa Brown.\u003c/p\u003e","\u003cp\u003eStarring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.\u003c/p\u003e","\u003cp\u003eStarring Hildegarde Neff and Don Ameche.\u003c/p\u003e","\u003cp\u003eStarring DeLee Lively, Michael Park, and Ken Ard.\u003c/p\u003e","\u003cp\u003eStarring Irra Petina, Lawrence Brooks, and Helena Bliss.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Ezio Pinza.\u003c/p\u003e","\u003cp\u003eStarring Florence Henderson and Giorgio Tozzi.\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eStarring Scott Wise, Ben Wright, and Jackie Angelescu.\u003c/p\u003e","\u003cp\u003eStarring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Ralph Bellamy, Mary Fickett, and Henry Jones.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury, Len Cariou, and Cris Groenendaal.\u003c/p\u003e","\u003cp\u003eStarring Paul Newman, Geraldine Page, and Sydney Blackmer.\u003c/p\u003e","\u003cp\u003eStarring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, John Forsythe, and Mariko Niki.\u003c/p\u003e","\u003cp\u003eStarring Maurice Evans and Ron Husmann.\u003c/p\u003e","\u003cp\u003eStarring Eartha Kitt, Melba Moore, and Gilbert Price.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers and Audrey Meadows.\u003c/p\u003e","\u003cp\u003eStarring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.\u003c/p\u003e","\u003cp\u003eStarring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Tammy Grimes and Harve Presnell.\u003c/p\u003e","\u003cp\u003eStarring Julie Andrews, Tony Roberts, and Michael Nouri.\u003c/p\u003e","\u003cp\u003eStarring Thomas Hasson, George Marcy, and Pat Birch.\u003c/p\u003e","\u003cp\u003eStarring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.\u003c/p\u003e","\u003cp\u003eStarring Ray Bolger.\u003c/p\u003e","\u003cp\u003eStarring Lucille Ball and Keith Andes.\u003c/p\u003e","\u003cp\u003eStarring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.\u003c/p\u003e","\u003cp\u003eWritten by Moss Hart.\u003c/p\u003e","\u003cp\u003estarring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring France Nuyen, William Shatner, and Ron Randell.\u003c/p\u003e","\u003cp\u003eStarring William Daniels, Paul Hecht, Clifford David, and Roy Poole.\u003c/p\u003e","\u003cp\u003eStarring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bee07ba592a9093c395e24c430464c9f\" label=\"Abstract\"\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_50e2d6e41029baee7b2391636d5da92a\"\u003eR43, C5, S1 - S7\u003c/physloc\u003e"],"physloc_tesim":["R43, C5, S1 - S7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_111","ead_ssi":"vifgm_repositories_2_resources_111","_root_":"vifgm_repositories_2_resources_111","_nest_parent_":"vifgm_repositories_2_resources_111","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_111.xml","title_ssm":["Broadway souvenir theatre programs collection"],"title_tesim":["Broadway souvenir theatre programs collection"],"unitdate_ssm":["1942-1997"],"unitdate_inclusive_ssm":["1942-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0182","/repositories/2/resources/111"],"text":["C0182","/repositories/2/resources/111","Broadway souvenir theatre programs collection","Broadway (New York, N.Y.)","Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York","There are no access restrictions.","This collection is arranged alphabetically by production title.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.","The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.","Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.","The Special Collections Research Center holds other playbill and theatre-related collections.","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","R43, C5, S1 - S7","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0182","/repositories/2/resources/111"],"normalized_title_ssm":["Broadway souvenir theatre programs collection"],"collection_title_tesim":["Broadway souvenir theatre programs collection"],"collection_ssim":["Broadway souvenir theatre programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["2.75 Linear Feet 6 boxes"],"extent_tesim":["2.75 Linear Feet 6 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by production title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by production title."],"bibliography_html_tesm":["\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020."],"bioghist_html_tesm":["\u003cp\u003eThe Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim."],"prefercite_html_tesm":["\u003cp\u003eBroadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Broadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other playbill and theatre-related collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other playbill and theatre-related collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.\u003c/p\u003e","\u003cp\u003eStarring Sydney Poitier.\u003c/p\u003e","\u003cp\u003eStarring Liza Minnelli and Barry Nelson.\u003c/p\u003e","\u003cp\u003eStarring June Havoc.\u003c/p\u003e","\u003cp\u003eStarring Viveca Lindfors and Eugenie Leontovich.\u003c/p\u003e","\u003cp\u003eStarring Andrea McArdle and Reid Shelton.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.\u003c/p\u003e","\u003cp\u003eStarring Lauren Bacall; Includes Program\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring Nancy Dussault; Includes 2 newspaper articles.\u003c/p\u003e","\u003cp\u003eStarring Jim Dale and Glenn Close.\u003c/p\u003e","\u003cp\u003eStarring Susan Egan and Terrence Mann.\u003c/p\u003e","\u003cp\u003eStarring Judy Holliday.\u003c/p\u003e","\u003cp\u003eStarring Ruth Brown, Linda Hopkins, and Carrie Smith\u003c/p\u003e","\u003cp\u003eStarring Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Jean Bayless and John Hewer.\u003c/p\u003e","\u003cp\u003eStarring Mickey Rooney and Ann Miller.\u003c/p\u003e","\u003cp\u003eStarring Kim Stanley.\u003c/p\u003e","\u003cp\u003eStarring Shirley Booth and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera and Dick Van Dyke.\u003c/p\u003e","\u003cp\u003eIncludes special record of excerpts from the Columbia Original Cast Album\u003c/p\u003e","\u003cp\u003eStarring Barry Sullivan, John Hodiak, and Lloyd Nolan.\u003c/p\u003e","\u003cp\u003eStarring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Robert Goulet.\u003c/p\u003e","\u003cp\u003eStarring Richard Burton, Julie Andrews, and Robert Goulet.\u003c/p\u003e","\u003cp\u003eLilo\u003c/p\u003e","\u003cp\u003eStarring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.\u003c/p\u003e","\u003cp\u003eStarring Anna Maria Alberghetti.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Chris Brown and Kay Gayner; Not Original Cast\u003c/p\u003e","\u003cp\u003eStarring James Naughton and Gregg Edelman.\u003c/p\u003e","\u003cp\u003eStarring Katharine Hepburn.\u003c/p\u003e","\u003cp\u003eStarring Harry Groener and Jodi Benson.\u003c/p\u003e","\u003cp\u003eStarring Bill Van Dijk.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon.\u003c/p\u003e","\u003cp\u003eStarring Bebe Neuwirth and Victor Garber.\u003c/p\u003e","\u003cp\u003eStarring Gail Benedict.\u003c/p\u003e","\u003cp\u003eStarring Andy Griffith and Dolores Gray.\u003c/p\u003e","\u003cp\u003eIncludes Newspaper Article from April 2, 1961\u003c/p\u003e","\u003cp\u003eStarring Joseph Schildkraut and Susan Strasberg.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers.\u003c/p\u003e","\u003cp\u003eStarring Frank Langella.\u003c/p\u003e","\u003cp\u003eStarring Laurence Olivier.\u003c/p\u003e","\u003cp\u003eStarring Patti LuPone, Mandy Patinkin, and Bob Gunton.\u003c/p\u003e","\u003cp\u003eStarring Ezio Pinza and Walter Slezak.\u003c/p\u003e","\u003cp\u003e25th Anniversary Production; Starring Chaim Topol.\u003c/p\u003e","\u003cp\u003eStarring Tom Bosley; Includes Newspaper Article on Tom Bosley\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eThe Story of Judy Garland.\u003c/p\u003e","\u003cp\u003eRepeat copy from previous folder; Includes Newspaper Article\u003c/p\u003e","\u003cp\u003eStarring Joel Grey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eStarring Vivian Blaine.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Alec McCowen.\u003c/p\u003e","\u003cp\u003eIncludes a number of newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and Fernando Lamas.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and David Wayne.\u003c/p\u003e","\u003cp\u003eStarring Shelley Winters and Ben Gazzara.\u003c/p\u003e","\u003cp\u003eStarring Freddie Trenkler and Carol Lynne.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Carol Channing.\u003c/p\u003e","\u003cp\u003eStarring Pearl Bailey; Includes newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Robert Preston; Includes newspaper article about the production\u003c/p\u003e","\u003cp\u003eStarring Elizabeth Seal and Keith Michell.\u003c/p\u003e","\u003cp\u003eStarring Jack Lemmon.\u003c/p\u003e","\u003cp\u003eStarring Lena Horne and Ricardo Montalban.\u003c/p\u003e","\u003cp\u003eStarring Christopher Plummer, Basil Rathbone, and James Daly.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Michael Damian.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Donny Osmond.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.\u003c/p\u003e","\u003cp\u003eStarring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison, Claudette Colbert, and George Rose.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake and Patricia Morison.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera, Brent Carver, and Anthony Crivello.\u003c/p\u003e","\u003cp\u003eStarring Julie Harris and Boris Karloff.\u003c/p\u003e","\u003cp\u003eStarring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eStarring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.\u003c/p\u003e","\u003cp\u003eStarring Irene Worth, Mercedes Ruehl, and Kevin Spacey.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury.\u003c/p\u003e","\u003cp\u003eStarring Raul Julia, Sheena Easton, and Tony Martinez.\u003c/p\u003e","\u003cp\u003eStarring Brooks Atkinson, David Atkinson, and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Charles Boyer and Claudette Colbert.\u003c/p\u003e","\u003cp\u003eStarring James Brennan, Judy Blazer, Jay Garner; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Ethel Waters and Julie Harris.\u003c/p\u003e","\u003cp\u003eWritten by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.\u003c/p\u003e","\u003cp\u003eStarring Anne Bancroft, Patty Duke, and Torin Thatcher.\u003c/p\u003e","\u003cp\u003eStarring Jonathan Pryce, Lea Salonga, and Willy Falk.\u003c/p\u003e","\u003cp\u003eStarring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.\u003c/p\u003e","\u003cp\u003eStarring Robert Weede.\u003c/p\u003e","\u003cp\u003eStarring Robert Preston.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison and Julie Andrews.\u003c/p\u003e","\u003cp\u003eStarring Richard Chamberlain.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.\u003c/p\u003e","\u003cp\u003eStarring Betty Garde, Harry Stockwell, and Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.\u003c/p\u003e","\u003cp\u003eStarring Ron Moody; Film version\u003c/p\u003e","\u003cp\u003eWritten by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.\u003c/p\u003e","\u003cp\u003eStarring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978\u003c/p\u003e","\u003cp\u003eStarring Lillias White (Appears on flyer but not in playbill)\u003c/p\u003e","\u003cp\u003eStarring James Barton and Olga San Juan.\u003c/p\u003e","\u003cp\u003eStarring John Raitt, Janis Paige, and Eddie Foy, Jr.\u003c/p\u003e","\u003cp\u003eStarring Vivienne Segal and Harold Lang.\u003c/p\u003e","\u003cp\u003eStarring Jean Arthur, Boris Karloff, and Marcia Henderson.\u003c/p\u003e","\u003cp\u003ePantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.\u003c/p\u003e","\u003cp\u003eStarring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Richard Derr and Barbara Cook.\u003c/p\u003e","\u003cp\u003eStarring Maureen Stapleton and Don Porter.\u003c/p\u003e","\u003cp\u003eStarring Jerry Orbach, Jill O'Hara, and Edward Winter.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Richard Kiley.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, Vivian Blaine, and Johnny Desmond.\u003c/p\u003e","\u003cp\u003eStarring Christopher Young, James Parker; Film version\u003c/p\u003e","\u003cp\u003eStarring Tom Ewell and Vanessa Brown.\u003c/p\u003e","\u003cp\u003eStarring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.\u003c/p\u003e","\u003cp\u003eStarring Hildegarde Neff and Don Ameche.\u003c/p\u003e","\u003cp\u003eStarring DeLee Lively, Michael Park, and Ken Ard.\u003c/p\u003e","\u003cp\u003eStarring Irra Petina, Lawrence Brooks, and Helena Bliss.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Ezio Pinza.\u003c/p\u003e","\u003cp\u003eStarring Florence Henderson and Giorgio Tozzi.\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eStarring Scott Wise, Ben Wright, and Jackie Angelescu.\u003c/p\u003e","\u003cp\u003eStarring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Ralph Bellamy, Mary Fickett, and Henry Jones.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury, Len Cariou, and Cris Groenendaal.\u003c/p\u003e","\u003cp\u003eStarring Paul Newman, Geraldine Page, and Sydney Blackmer.\u003c/p\u003e","\u003cp\u003eStarring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, John Forsythe, and Mariko Niki.\u003c/p\u003e","\u003cp\u003eStarring Maurice Evans and Ron Husmann.\u003c/p\u003e","\u003cp\u003eStarring Eartha Kitt, Melba Moore, and Gilbert Price.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers and Audrey Meadows.\u003c/p\u003e","\u003cp\u003eStarring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.\u003c/p\u003e","\u003cp\u003eStarring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Tammy Grimes and Harve Presnell.\u003c/p\u003e","\u003cp\u003eStarring Julie Andrews, Tony Roberts, and Michael Nouri.\u003c/p\u003e","\u003cp\u003eStarring Thomas Hasson, George Marcy, and Pat Birch.\u003c/p\u003e","\u003cp\u003eStarring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.\u003c/p\u003e","\u003cp\u003eStarring Ray Bolger.\u003c/p\u003e","\u003cp\u003eStarring Lucille Ball and Keith Andes.\u003c/p\u003e","\u003cp\u003eStarring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.\u003c/p\u003e","\u003cp\u003eWritten by Moss Hart.\u003c/p\u003e","\u003cp\u003estarring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring France Nuyen, William Shatner, and Ron Randell.\u003c/p\u003e","\u003cp\u003eStarring William Daniels, Paul Hecht, Clifford David, and Roy Poole.\u003c/p\u003e","\u003cp\u003eStarring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bee07ba592a9093c395e24c430464c9f\" label=\"Abstract\"\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_50e2d6e41029baee7b2391636d5da92a\"\u003eR43, C5, S1 - S7\u003c/physloc\u003e"],"physloc_tesim":["R43, C5, S1 - S7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111"}},{"id":"vifgm_repositories_2_resources_577","type":"collection","attributes":{"title":"College of Visual and Performing Arts records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#creator","type":"document_value","attributes":{"value":"George Mason University. College of Visual \u0026 Performing Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#abstract_or_scope","type":"document_value","attributes":{"value":"The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577"}},{"id":"vifgm_repositories_2_resources_363","type":"collection","attributes":{"title":"Dorothea Thomas Lynch papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_363#creator","type":"document_value","attributes":{"value":"Lynch, Dorothea Thomas","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_363#abstract_or_scope","type":"document_value","attributes":{"value":"The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_363#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_363","ead_ssi":"vifgm_repositories_2_resources_363","_root_":"vifgm_repositories_2_resources_363","_nest_parent_":"vifgm_repositories_2_resources_363","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_363.xml","title_ssm":["Dorothea Thomas Lynch papers"],"title_tesim":["Dorothea Thomas Lynch papers"],"unitdate_ssm":["1936-1979","1936-1940"],"unitdate_bulk_ssim":["1936-1940"],"unitdate_inclusive_ssm":["1936-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0242","/repositories/2/resources/363"],"text":["C0242","/repositories/2/resources/363","Dorothea Thomas Lynch papers","Theater -- United States","New Deal, 1933-1939","Performing arts","Actors -- United States","Scrapbooks","There are no access restrictions.","The collection is arranged alphabetically with oversize materials at the end.","Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","Includes correspondence between Lynch and Hallie Flanagan.","Correspondence and general information, photocopies.","Programs, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.","Programs, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/) ","Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas","English \n.    "],"unitid_tesim":["C0242","/repositories/2/resources/363"],"normalized_title_ssm":["Dorothea Thomas Lynch papers"],"collection_title_tesim":["Dorothea Thomas Lynch papers"],"collection_ssim":["Dorothea Thomas Lynch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lynch, Dorothea Thomas"],"creator_ssim":["Lynch, Dorothea Thomas"],"creator_persname_ssim":["Lynch, Dorothea Thomas"],"creators_ssim":["Lynch, Dorothea Thomas"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/) ","Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Dorothea Thomas Lynch on March 14, 1977."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939","Performing arts","Actors -- United States","Scrapbooks"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939","Performing arts","Actors -- United States","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet (3  boxes)"],"extent_tesim":["2 Linear Feet (3  boxes)"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically with oversize materials at the end.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically with oversize materials at the end."],"bioghist_html_tesm":["\u003cp\u003eDorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers, C0242, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Dorothea Thomas Lynch papers, C0242, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between Lynch and Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eCorrespondence and general information, photocopies.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","Includes correspondence between Lynch and Hallie Flanagan.","Correspondence and general information, photocopies.","Programs, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.","Programs, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/) \u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/) ","Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e527f8452d38234b5695a2de5d0fd502\" label=\"Summary\"\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Lynch, Dorothea Thomas"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:36.128Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_363","ead_ssi":"vifgm_repositories_2_resources_363","_root_":"vifgm_repositories_2_resources_363","_nest_parent_":"vifgm_repositories_2_resources_363","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_363.xml","title_ssm":["Dorothea Thomas Lynch papers"],"title_tesim":["Dorothea Thomas Lynch papers"],"unitdate_ssm":["1936-1979","1936-1940"],"unitdate_bulk_ssim":["1936-1940"],"unitdate_inclusive_ssm":["1936-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0242","/repositories/2/resources/363"],"text":["C0242","/repositories/2/resources/363","Dorothea Thomas Lynch papers","Theater -- United States","New Deal, 1933-1939","Performing arts","Actors -- United States","Scrapbooks","There are no access restrictions.","The collection is arranged alphabetically with oversize materials at the end.","Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","Includes correspondence between Lynch and Hallie Flanagan.","Correspondence and general information, photocopies.","Programs, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.","Programs, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/) ","Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas","English \n.    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Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers, C0242, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Dorothea Thomas Lynch papers, C0242, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between Lynch and Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eCorrespondence and general information, photocopies.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","Includes correspondence between Lynch and Hallie Flanagan.","Correspondence and general information, photocopies.","Programs, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.","Programs, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/) \u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/) ","Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e527f8452d38234b5695a2de5d0fd502\" label=\"Summary\"\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Lynch, Dorothea Thomas"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:36.128Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_363"}},{"id":"vifgm_repositories_2_resources_314","type":"collection","attributes":{"title":"East German poster collection culture and science series","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_314#creator","type":"document_value","attributes":{"value":"VEB Weimer-Werk","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_314#abstract_or_scope","type":"document_value","attributes":{"value":"The culture and science series consists 181 posters that were used to advertise for a variety of events. There are also posters that advertise for attractions, such as zoos, that do not mention specific activities. The event posters usually list dates, times, and other information for potential attendees. The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm. Most of the posters date from the 1980s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_314#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_314","ead_ssi":"vifgm_repositories_2_resources_314","_root_":"vifgm_repositories_2_resources_314","_nest_parent_":"vifgm_repositories_2_resources_314","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_314.xml","title_ssm":["East German poster collection culture and science series"],"title_tesim":["East German poster collection culture and science series"],"unitdate_ssm":["1952-1991"],"unitdate_inclusive_ssm":["1952-1991"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0206","/repositories/2/resources/314"],"text":["C0206","/repositories/2/resources/314","East German poster collection culture and science series","Berlin (Germany)","Berlin (Germany : East)","Germany (East)","Sports","Popular music","Motorcycles","Festivals","Exercise","Birds","Political posters","Performing arts","Book \u0026 magazine posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The East German government created posters to promote a wide variety of events and anniversaries.  The locations of these events varied from indoor locations, such as museums, to outdoor locations, such as recreation areas.  The posters list sponsoring organizations as well as dates and times.  The anniversary posters often contain artwork with no specific mention of activities, perhaps indicating that the posters were created more for a general awareness of an anniversary of Berlin, for instance, rather than listing specific events associated with the anniversary.  This idea of a general awareness is the purpose of the fitness posters that encourage exercise, especially for children, and there is somewhat of a propaganda angle to these as well.  The posters typically had multiple organizations responsible for their creation, usually a government agency and an advertising agency.  Of course there were also artists involved with the creation of the posters, sometimes two.","Processed by Jordan Patty in 2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","The culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s. ","The design of the posters are largely abstract art, a collage of photographs, or representations real-life activities such as sporting events.  The posters for sports events are invitations for participants and for spectators.  Some of the sports posters encourage youth fitness.  A large number of the posters advertise for a variety of festivals and anniversary celebrations.  The festivals tend to be music or literary, and the anniversaries are mostly for cities and towns to recognize a significant number of years of existence.  There are also posters that encourage tourism of towns, institutions, and outdoor urban venues.  The institutions represented in the posters are largely scientific in nature including museums and zoos.  One of the subjects that appears across the various posters is motorcycles.  There are posters that advertise for races as well as posters that simply advertise for a specific brand of motorcycle.  There are also multiple images of birds in the posters for the zoos as well as in the posters that advertise for events.        ","See the External Documents note for a poster inventory with brief descriptions.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","The culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s.","Map Case 1.1, 10.5, 20.2-20.3","George Mason University. Libraries. Special Collections Research Center","VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas","German"],"unitid_tesim":["C0206","/repositories/2/resources/314"],"normalized_title_ssm":["East German poster collection culture and science series"],"collection_title_tesim":["East German poster collection culture and science series"],"collection_ssim":["East German poster collection culture and science series"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Berlin (Germany)","Berlin (Germany : East)","Germany (East)"],"geogname_ssim":["Berlin (Germany)","Berlin (Germany : East)","Germany (East)"],"creator_ssm":["VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"creator_ssim":["VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"creator_persname_ssim":["Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"creator_corpname_ssim":["VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband"],"creators_ssim":["Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas","VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband"],"places_ssim":["Berlin (Germany)","Berlin (Germany : East)","Germany (East)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Sports","Popular music","Motorcycles","Festivals","Exercise","Birds","Political posters","Performing arts","Book \u0026 magazine posters","Posters"],"access_subjects_ssm":["Sports","Popular music","Motorcycles","Festivals","Exercise","Birds","Political posters","Performing arts","Book \u0026 magazine posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["162 posters"],"extent_tesim":["162 posters"],"genreform_ssim":["Book \u0026 magazine posters","Posters"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe East German government created posters to promote a wide variety of events and anniversaries.  The locations of these events varied from indoor locations, such as museums, to outdoor locations, such as recreation areas.  The posters list sponsoring organizations as well as dates and times.  The anniversary posters often contain artwork with no specific mention of activities, perhaps indicating that the posters were created more for a general awareness of an anniversary of Berlin, for instance, rather than listing specific events associated with the anniversary.  This idea of a general awareness is the purpose of the fitness posters that encourage exercise, especially for children, and there is somewhat of a propaganda angle to these as well.  The posters typically had multiple organizations responsible for their creation, usually a government agency and an advertising agency.  Of course there were also artists involved with the creation of the posters, sometimes two.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The East German government created posters to promote a wide variety of events and anniversaries.  The locations of these events varied from indoor locations, such as museums, to outdoor locations, such as recreation areas.  The posters list sponsoring organizations as well as dates and times.  The anniversary posters often contain artwork with no specific mention of activities, perhaps indicating that the posters were created more for a general awareness of an anniversary of Berlin, for instance, rather than listing specific events associated with the anniversary.  This idea of a general awareness is the purpose of the fitness posters that encourage exercise, especially for children, and there is somewhat of a propaganda angle to these as well.  The posters typically had multiple organizations responsible for their creation, usually a government agency and an advertising agency.  Of course there were also artists involved with the creation of the posters, sometimes two."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection culture and science series, C0206, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection culture and science series, C0206, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThe culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s. \u003c/p\u003e\n","\u003cp\u003eThe design of the posters are largely abstract art, a collage of photographs, or representations real-life activities such as sporting events.  The posters for sports events are invitations for participants and for spectators.  Some of the sports posters encourage youth fitness.  A large number of the posters advertise for a variety of festivals and anniversary celebrations.  The festivals tend to be music or literary, and the anniversaries are mostly for cities and towns to recognize a significant number of years of existence.  There are also posters that encourage tourism of towns, institutions, and outdoor urban venues.  The institutions represented in the posters are largely scientific in nature including museums and zoos.  One of the subjects that appears across the various posters is motorcycles.  There are posters that advertise for races as well as posters that simply advertise for a specific brand of motorcycle.  There are also multiple images of birds in the posters for the zoos as well as in the posters that advertise for events.        \u003c/p\u003e","\u003cp\u003eSee the External Documents note for a poster inventory with brief descriptions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s. ","The design of the posters are largely abstract art, a collage of photographs, or representations real-life activities such as sporting events.  The posters for sports events are invitations for participants and for spectators.  Some of the sports posters encourage youth fitness.  A large number of the posters advertise for a variety of festivals and anniversary celebrations.  The festivals tend to be music or literary, and the anniversaries are mostly for cities and towns to recognize a significant number of years of existence.  There are also posters that encourage tourism of towns, institutions, and outdoor urban venues.  The institutions represented in the posters are largely scientific in nature including museums and zoos.  One of the subjects that appears across the various posters is motorcycles.  There are posters that advertise for races as well as posters that simply advertise for a specific brand of motorcycle.  There are also multiple images of birds in the posters for the zoos as well as in the posters that advertise for events.        ","See the External Documents note for a poster inventory with brief descriptions."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b5df8febdb336d378ea67f429ea41061\"\u003eThe culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b7432042e92d6c335c2bc74461671450\"\u003eMap Case 1.1, 10.5, 20.2-20.3\u003c/physloc\u003e"],"physloc_tesim":["Map Case 1.1, 10.5, 20.2-20.3"],"names_coll_ssim":["VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband"],"persname_ssim":["Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:21:57.649Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_314","ead_ssi":"vifgm_repositories_2_resources_314","_root_":"vifgm_repositories_2_resources_314","_nest_parent_":"vifgm_repositories_2_resources_314","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_314.xml","title_ssm":["East German poster collection culture and science series"],"title_tesim":["East German poster collection culture and science series"],"unitdate_ssm":["1952-1991"],"unitdate_inclusive_ssm":["1952-1991"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0206","/repositories/2/resources/314"],"text":["C0206","/repositories/2/resources/314","East German poster collection culture and science series","Berlin (Germany)","Berlin (Germany : East)","Germany (East)","Sports","Popular music","Motorcycles","Festivals","Exercise","Birds","Political posters","Performing arts","Book \u0026 magazine posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The East German government created posters to promote a wide variety of events and anniversaries.  The locations of these events varied from indoor locations, such as museums, to outdoor locations, such as recreation areas.  The posters list sponsoring organizations as well as dates and times.  The anniversary posters often contain artwork with no specific mention of activities, perhaps indicating that the posters were created more for a general awareness of an anniversary of Berlin, for instance, rather than listing specific events associated with the anniversary.  This idea of a general awareness is the purpose of the fitness posters that encourage exercise, especially for children, and there is somewhat of a propaganda angle to these as well.  The posters typically had multiple organizations responsible for their creation, usually a government agency and an advertising agency.  Of course there were also artists involved with the creation of the posters, sometimes two.","Processed by Jordan Patty in 2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","The culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s. ","The design of the posters are largely abstract art, a collage of photographs, or representations real-life activities such as sporting events.  The posters for sports events are invitations for participants and for spectators.  Some of the sports posters encourage youth fitness.  A large number of the posters advertise for a variety of festivals and anniversary celebrations.  The festivals tend to be music or literary, and the anniversaries are mostly for cities and towns to recognize a significant number of years of existence.  There are also posters that encourage tourism of towns, institutions, and outdoor urban venues.  The institutions represented in the posters are largely scientific in nature including museums and zoos.  One of the subjects that appears across the various posters is motorcycles.  There are posters that advertise for races as well as posters that simply advertise for a specific brand of motorcycle.  There are also multiple images of birds in the posters for the zoos as well as in the posters that advertise for events.        ","See the External Documents note for a poster inventory with brief descriptions.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","The culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s.","Map Case 1.1, 10.5, 20.2-20.3","George Mason University. Libraries. Special Collections Research Center","VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas","German"],"unitid_tesim":["C0206","/repositories/2/resources/314"],"normalized_title_ssm":["East German poster collection culture and science series"],"collection_title_tesim":["East German poster collection culture and science series"],"collection_ssim":["East German poster collection culture and science series"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Berlin (Germany)","Berlin (Germany : East)","Germany (East)"],"geogname_ssim":["Berlin (Germany)","Berlin (Germany : East)","Germany (East)"],"creator_ssm":["VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"creator_ssim":["VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"creator_persname_ssim":["Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"creator_corpname_ssim":["VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband"],"creators_ssim":["Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas","VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband"],"places_ssim":["Berlin (Germany)","Berlin (Germany : East)","Germany (East)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Sports","Popular music","Motorcycles","Festivals","Exercise","Birds","Political posters","Performing arts","Book \u0026 magazine posters","Posters"],"access_subjects_ssm":["Sports","Popular music","Motorcycles","Festivals","Exercise","Birds","Political posters","Performing arts","Book \u0026 magazine posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["162 posters"],"extent_tesim":["162 posters"],"genreform_ssim":["Book \u0026 magazine posters","Posters"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe East German government created posters to promote a wide variety of events and anniversaries.  The locations of these events varied from indoor locations, such as museums, to outdoor locations, such as recreation areas.  The posters list sponsoring organizations as well as dates and times.  The anniversary posters often contain artwork with no specific mention of activities, perhaps indicating that the posters were created more for a general awareness of an anniversary of Berlin, for instance, rather than listing specific events associated with the anniversary.  This idea of a general awareness is the purpose of the fitness posters that encourage exercise, especially for children, and there is somewhat of a propaganda angle to these as well.  The posters typically had multiple organizations responsible for their creation, usually a government agency and an advertising agency.  Of course there were also artists involved with the creation of the posters, sometimes two.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The East German government created posters to promote a wide variety of events and anniversaries.  The locations of these events varied from indoor locations, such as museums, to outdoor locations, such as recreation areas.  The posters list sponsoring organizations as well as dates and times.  The anniversary posters often contain artwork with no specific mention of activities, perhaps indicating that the posters were created more for a general awareness of an anniversary of Berlin, for instance, rather than listing specific events associated with the anniversary.  This idea of a general awareness is the purpose of the fitness posters that encourage exercise, especially for children, and there is somewhat of a propaganda angle to these as well.  The posters typically had multiple organizations responsible for their creation, usually a government agency and an advertising agency.  Of course there were also artists involved with the creation of the posters, sometimes two."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection culture and science series, C0206, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection culture and science series, C0206, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2011. EAD markup completed by Jordan Patty in 2011. 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"],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThe culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  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There are posters that advertise for races as well as posters that simply advertise for a specific brand of motorcycle.  There are also multiple images of birds in the posters for the zoos as well as in the posters that advertise for events.        \u003c/p\u003e","\u003cp\u003eSee the External Documents note for a poster inventory with brief descriptions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s. ","The design of the posters are largely abstract art, a collage of photographs, or representations real-life activities such as sporting events.  The posters for sports events are invitations for participants and for spectators.  Some of the sports posters encourage youth fitness.  A large number of the posters advertise for a variety of festivals and anniversary celebrations.  The festivals tend to be music or literary, and the anniversaries are mostly for cities and towns to recognize a significant number of years of existence.  There are also posters that encourage tourism of towns, institutions, and outdoor urban venues.  The institutions represented in the posters are largely scientific in nature including museums and zoos.  One of the subjects that appears across the various posters is motorcycles.  There are posters that advertise for races as well as posters that simply advertise for a specific brand of motorcycle.  There are also multiple images of birds in the posters for the zoos as well as in the posters that advertise for events.        ","See the External Documents note for a poster inventory with brief descriptions."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b5df8febdb336d378ea67f429ea41061\"\u003eThe culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The culture and science series consists 181 posters that were used to advertise for a variety of events.  There are also posters that advertise for attractions, such as zoos, that do not mention specific activities.  The event posters usually list dates, times, and other information for potential attendees.  The posters range in size from 20x57cm to 56x80cm with most measuring 56x80cm.  Most of the posters date from the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b7432042e92d6c335c2bc74461671450\"\u003eMap Case 1.1, 10.5, 20.2-20.3\u003c/physloc\u003e"],"physloc_tesim":["Map Case 1.1, 10.5, 20.2-20.3"],"names_coll_ssim":["VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband","Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","VEB Weimer-Werk","Tierpark Berlin","Deutsche Werbe- und Anzeigengesellschaft","Allgemeiner Deutscher Motosport Verband"],"persname_ssim":["Zieger, Reiner","Voight, Gerhard","Tuchel, Reinhard","Neubauer, Frank, 1952-","Hill, Thomas"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:21:57.649Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_314"}},{"id":"vifgm_repositories_2_resources_336","type":"collection","attributes":{"title":"Eda Edson papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_336#creator","type":"document_value","attributes":{"value":"Edson, Eda","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_336#abstract_or_scope","type":"document_value","attributes":{"value":"The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_336#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_336","ead_ssi":"vifgm_repositories_2_resources_336","_root_":"vifgm_repositories_2_resources_336","_nest_parent_":"vifgm_repositories_2_resources_336","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_336.xml","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218","/repositories/2/resources/336"],"text":["C0218","/repositories/2/resources/336","Eda Edson papers","New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century","Collection is open to research.","There are also additional documents from this and other GMU FTP collections in the  .","This collection is arranged alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda","English"],"unitid_tesim":["C0218","/repositories/2/resources/336"],"normalized_title_ssm":["Eda Edson papers"],"collection_title_tesim":["Eda Edson papers"],"collection_ssim":["Eda Edson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edson, Eda","Edson, Eda"],"creator_ssim":["Edson, Eda","Edson, Eda"],"creator_persname_ssim":["Edson, Eda","Edson, Eda"],"creators_ssim":["Edson, Eda","Edson, Eda"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eda Edson to Special Collections and Archives May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"access_subjects_ssm":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet (1 box)"],"extent_tesim":["0.5 Linear Feet (1 box)"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and other GMU FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and other GMU FTP collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e\n","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\""],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, Collection C0218, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Eda Edson papers, Collection C0218, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e","\u003cp\u003ePrograms for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.\u003c/p\u003e","\u003cp\u003ePrograms for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.\u003c/p\u003e","\u003cp\u003eProduction notes / script.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.\u003c/p\u003e","\u003cp\u003ePhotocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".\u003c/p\u003e","\u003cp\u003ePhotographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.\u003c/p\u003e","\u003cp\u003ePower; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.\u003c/p\u003e","\u003cp\u003eScrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.\u003c/p\u003e","\u003cp\u003eNewspaper clipping; blank greeting card; note to Edson encouraging her to write.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cd8b720d526b649a909d93db9dc2fb88\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e"],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Edson, Eda","Edson, Eda"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Edson, Eda"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:26:10.110Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_336","ead_ssi":"vifgm_repositories_2_resources_336","_root_":"vifgm_repositories_2_resources_336","_nest_parent_":"vifgm_repositories_2_resources_336","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_336.xml","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218","/repositories/2/resources/336"],"text":["C0218","/repositories/2/resources/336","Eda Edson papers","New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century","Collection is open to research.","There are also additional documents from this and other GMU FTP collections in the  .","This collection is arranged alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda","English"],"unitid_tesim":["C0218","/repositories/2/resources/336"],"normalized_title_ssm":["Eda Edson papers"],"collection_title_tesim":["Eda Edson papers"],"collection_ssim":["Eda Edson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edson, Eda","Edson, Eda"],"creator_ssim":["Edson, Eda","Edson, Eda"],"creator_persname_ssim":["Edson, Eda","Edson, Eda"],"creators_ssim":["Edson, Eda","Edson, Eda"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eda Edson to Special Collections and Archives May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"access_subjects_ssm":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet (1 box)"],"extent_tesim":["0.5 Linear Feet (1 box)"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and other GMU FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and other GMU FTP collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e\n","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\""],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, Collection C0218, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Eda Edson papers, Collection C0218, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e","\u003cp\u003ePrograms for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.\u003c/p\u003e","\u003cp\u003ePrograms for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.\u003c/p\u003e","\u003cp\u003eProduction notes / script.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.\u003c/p\u003e","\u003cp\u003ePhotocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".\u003c/p\u003e","\u003cp\u003ePhotographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.\u003c/p\u003e","\u003cp\u003ePower; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.\u003c/p\u003e","\u003cp\u003eScrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.\u003c/p\u003e","\u003cp\u003eNewspaper clipping; blank greeting card; note to Edson encouraging her to write.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cd8b720d526b649a909d93db9dc2fb88\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e"],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Edson, Eda","Edson, Eda"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Edson, Eda"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:26:10.110Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_336"}},{"id":"vifgm_repositories_2_resources_90","type":"collection","attributes":{"title":"E. P. Conkle papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90#creator","type":"document_value","attributes":{"value":"Conkle, E. P. (Ellsworth Prouty)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90#abstract_or_scope","type":"document_value","attributes":{"value":"Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. 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